{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=2007\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=2007\u0026page=1","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=2007\u0026page=2"},"meta":{"pages":{"current_page":2,"next_page":null,"prev_page":1,"total_pages":2,"limit_value":10,"offset_value":10,"total_count":18,"first_page?":false,"last_page?":true}},"data":[{"id":"viblbv_repositories_2_resources_2930","type":"collection","attributes":{"title":"Marie-Louise Laleyan Architectural Collection, 1961/2007","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#creator","type":"document_value","attributes":{"value":"Laleyan, Marie-Louise, 1935-2014","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#abstract_or_scope","type":"document_value","attributes":{"value":"Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). 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Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026amp; Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026amp; Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  \u003c/p\u003e","\u003cp\u003eAn active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  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Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  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(3/2009)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae9a6e553a301d0d2ed09e216601b53e\" label=\"Abstract\"\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/abstract\u003e\n    "],"abstract_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"names_coll_ssim":["Whitman, Bertha Yerex, b.1892"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"language_ssim":["English\n."],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2930","ead_ssi":"viblbv_repositories_2_resources_2930","_root_":"viblbv_repositories_2_resources_2930","_nest_parent_":"viblbv_repositories_2_resources_2930","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2930.xml","title_filing_ssi":"Laleyan, Marie-Louise Architectural Collection","title_ssm":["Marie-Louise Laleyan Architectural Collection"],"title_tesim":["Marie-Louise Laleyan Architectural Collection"],"unitdate_ssm":["1961-2007"],"unitdate_inclusive_ssm":["1961-2007"],"normalized_date_ssm":["1961/2007"],"normalized_title_ssm":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"text":["Marie-Louise Laleyan Architectural Collection, 1961/2007","Ms.2013.090","Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)","Collection is open for research.","Some of this collection has been digitized and is available online.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. 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Photographic record of her U.S. employment (1965-1972) is also present.","Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)","Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  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Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  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(3/2009)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae9a6e553a301d0d2ed09e216601b53e\" label=\"Abstract\"\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/abstract\u003e\n    "],"abstract_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"names_coll_ssim":["Whitman, Bertha Yerex, b.1892"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"language_ssim":["English\n."],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2930"}},{"id":"viblbv_repositories_2_resources_2177","type":"collection","attributes":{"title":"Milka Bliznakov Prize Records, 1999/2019","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2177#creator","type":"document_value","attributes":{"value":"Merrett, Andrea J.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2177#abstract_or_scope","type":"document_value","attributes":{"value":"The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2177#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2177","ead_ssi":"viblbv_repositories_2_resources_2177","_root_":"viblbv_repositories_2_resources_2177","_nest_parent_":"viblbv_repositories_2_resources_2177","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2177.xml","title_filing_ssi":"Milka Bliznakov Prize Records","title_ssm":["Milka Bliznakov Prize Records"],"title_tesim":["Milka Bliznakov Prize Records"],"unitdate_ssm":["1999-2019"],"unitdate_inclusive_ssm":["1999-2019"],"normalized_date_ssm":["1999/2019"],"normalized_title_ssm":["Milka Bliznakov Prize Records, 1999/2019"],"text":["Milka Bliznakov Prize Records, 1999/2019","Ms.2001.045","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize","Collection is open to research.","The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.","Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space.","The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.","Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections.","The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","The materials in the collection are in English."],"collection_title_tesim":["Milka Bliznakov Prize Records, 1999/2019"],"collection_ssim":["Milka Bliznakov Prize Records, 1999/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.045"],"unitid_tesim":["Ms.2001.045"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"creators_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka Bliznakov Prize Records were donated to the International Archive of Women in Architecture at the Special Collections. Accruals are ongoing."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"boldunderline\"\u003eMilka Bliznakov Award and Research Prize Winners\u003c/emph\u003e\u003c/p\u003e\n\n","\u003cp\u003e\u003cemph render=\"bold\"\u003e2001\u003c/emph\u003e, Claire Bonney, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2002, Elizabeth Birmingham,  \u003ctitle render=\"doublequote\"\u003eSearching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2003, Barbara Nadel,\u003ctitle render=\"doublequote\"\u003eSecurity Design: Achieving Transparency in Civic Architecture\u003c/title\u003e and Ozlem Erkarslan, \u003ctitle render=\"doublequote\"\u003eTurkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2004, Dorrita Hannah, \u003ctitle render=\"doublequote\"\u003e\u003cemph render=\"italic\"\u003eun-housing performance\u003c/emph\u003e: The Heart of PQ\u003c/title\u003e and Janet Stoyel, \u003ctitle render=\"doublequote\"\u003eSonicloth\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003e2005, Carmen Alonso Espegel, \u003ctitle render=\"doublequote\"\u003eHeroines of the Space\u003c/title\u003e,  Isabel Bauer, \u003ctitle render=\"doublequote\"\u003eArchitekturstudentinnen der Weimarer Republik\u003c/title\u003e, and Bobbye Tigerman, \u003ctitle render=\"doublequote\"\u003e'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.\u003c/p\u003e\n","\u003cp\u003e2006, Milka Bliznakov Prize, Commendation, \u003ctitle render=\"doublequote\"\u003eAgainst All Odds: MIT's Pioneering Women of Landscape Architecture\u003c/title\u003e by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.\u003c/p\u003e\n","\u003cp\u003e2007, No prize awarded.\u003c/p\u003e\n","\u003cp\u003e2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, \u003ctitle render=\"doublequote\"\u003eOdilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America \u003c/title\u003e and Despina Stratigakos, \u003ctitle render=\"doublequote\"\u003eA Woman's Berlin \u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2008, Milka Bliznakov Prize, Commendation, Lori Brown, \u003ctitle render=\"italic\"\u003efeminist practices\u003c/title\u003e [exhibition].\u003c/p\u003e\n","\u003cp\u003e2009, Patrick Lee Lucan, \u003ctitle render=\"doublequote\"\u003eSarah Hunter Kelly: Designing the House of Good Taste\u003c/title\u003e.\u003c/p\u003e  \n","\u003cp\u003e2010, Inge Schaefer Horton, \u003ctitle render=\"doublequote\"\u003eEarly Women Architects of the San Francisco Bay Area\n\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2011, Lindsay Nencheck, \u003ctitle render=\"doublequote\"\u003eOrganizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2012, Andrea J. Merrett, \u003ctitle render=\"doublequote\"\u003eFeminism in American Architecture: Organizing: 1972-1975 \u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2013, Robert Holton, \u003ctitle render=\"doublequote\"\u003eNatalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2014, Meredith Sattler, \u003ctitle render=\"doublequote\"\u003eEarly Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2015, Claire Bonney Brüllman, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e and Sarah Rafson, \u003ctitle render=\"doublequote\"\u003eCARY (Chicks in Architecture Refuse to Yield)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2016, Ines Moisset, \u003ctitle render=\"doublequote\"\u003eWomen Architects on the Web\u003c/title\u003e and Tanja Poppelreuter, \u003ctitle render=\"doublequote\"\u003eRefugee and émigré female architects before 1940\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2017, Rixt Hoekstra, \u003ctitle render=\"doublequote\"\u003eRegarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992)\u003c/title\u003e and Kirat Kaur Pandher (Student Prize), \u003ctitle render=\"doublequote\"\u003eIndian Architects: A Proposal for Directed Expansion\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2018, Alex Bala, \u003ctitle render=\"doublequote\"\u003eHanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2019, Eva Alvarez and Carlos Gomez, \u003ctitle render=\"doublequote\"\u003ePluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2020, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2021, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2022, Daniela Núñez Ruiz, \u003ctitle render=\"doublequote\"\u003eDecolonizing the Archive: Mapping the IAWA's Global South Female Architects\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2023, Lori Brown, FAIA, and Karen Burns, \u003ctitle render=\"doublequote\"\u003eOrganizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2024, Fabio Marino, \u003ctitle render=\"doublequote\"\u003eLiane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2025, Caitlin Charlet, \u003ctitle render=\"doublequote\"\u003eDrawing the Unseen: Architectural Narratives of Women Who Shaped Space\u003c/title\u003e.\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eAdditional information about the Milka Bliznakov Prize is available through links on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/\" title=\"IAWA home page\"\u003eIAWA home page.\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eThe IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/guide.html\" title=\"IAWA Guide to the Collections\"\u003eIAWA Guide to the Collections.\u003c/extref\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1c78d5d02374a8ab95301adae2ea4b72\" label=\"Abstract\"\u003eThe Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2177","ead_ssi":"viblbv_repositories_2_resources_2177","_root_":"viblbv_repositories_2_resources_2177","_nest_parent_":"viblbv_repositories_2_resources_2177","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2177.xml","title_filing_ssi":"Milka Bliznakov Prize Records","title_ssm":["Milka Bliznakov Prize Records"],"title_tesim":["Milka Bliznakov Prize Records"],"unitdate_ssm":["1999-2019"],"unitdate_inclusive_ssm":["1999-2019"],"normalized_date_ssm":["1999/2019"],"normalized_title_ssm":["Milka Bliznakov Prize Records, 1999/2019"],"text":["Milka Bliznakov Prize Records, 1999/2019","Ms.2001.045","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize","Collection is open to research.","The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.","Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space.","The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.","Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections.","The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","The materials in the collection are in English."],"collection_title_tesim":["Milka Bliznakov Prize Records, 1999/2019"],"collection_ssim":["Milka Bliznakov Prize Records, 1999/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.045"],"unitid_tesim":["Ms.2001.045"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"creators_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka Bliznakov Prize Records were donated to the International Archive of Women in Architecture at the Special Collections. Accruals are ongoing."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"boldunderline\"\u003eMilka Bliznakov Award and Research Prize Winners\u003c/emph\u003e\u003c/p\u003e\n\n","\u003cp\u003e\u003cemph render=\"bold\"\u003e2001\u003c/emph\u003e, Claire Bonney, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2002, Elizabeth Birmingham,  \u003ctitle render=\"doublequote\"\u003eSearching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2003, Barbara Nadel,\u003ctitle render=\"doublequote\"\u003eSecurity Design: Achieving Transparency in Civic Architecture\u003c/title\u003e and Ozlem Erkarslan, \u003ctitle render=\"doublequote\"\u003eTurkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2004, Dorrita Hannah, \u003ctitle render=\"doublequote\"\u003e\u003cemph render=\"italic\"\u003eun-housing performance\u003c/emph\u003e: The Heart of PQ\u003c/title\u003e and Janet Stoyel, \u003ctitle render=\"doublequote\"\u003eSonicloth\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003e2005, Carmen Alonso Espegel, \u003ctitle render=\"doublequote\"\u003eHeroines of the Space\u003c/title\u003e,  Isabel Bauer, \u003ctitle render=\"doublequote\"\u003eArchitekturstudentinnen der Weimarer Republik\u003c/title\u003e, and Bobbye Tigerman, \u003ctitle render=\"doublequote\"\u003e'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.\u003c/p\u003e\n","\u003cp\u003e2006, Milka Bliznakov Prize, Commendation, \u003ctitle render=\"doublequote\"\u003eAgainst All Odds: MIT's Pioneering Women of Landscape Architecture\u003c/title\u003e by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.\u003c/p\u003e\n","\u003cp\u003e2007, No prize awarded.\u003c/p\u003e\n","\u003cp\u003e2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, \u003ctitle render=\"doublequote\"\u003eOdilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America \u003c/title\u003e and Despina Stratigakos, \u003ctitle render=\"doublequote\"\u003eA Woman's Berlin \u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2008, Milka Bliznakov Prize, Commendation, Lori Brown, \u003ctitle render=\"italic\"\u003efeminist practices\u003c/title\u003e [exhibition].\u003c/p\u003e\n","\u003cp\u003e2009, Patrick Lee Lucan, \u003ctitle render=\"doublequote\"\u003eSarah Hunter Kelly: Designing the House of Good Taste\u003c/title\u003e.\u003c/p\u003e  \n","\u003cp\u003e2010, Inge Schaefer Horton, \u003ctitle render=\"doublequote\"\u003eEarly Women Architects of the San Francisco Bay Area\n\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2011, Lindsay Nencheck, \u003ctitle render=\"doublequote\"\u003eOrganizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2012, Andrea J. Merrett, \u003ctitle render=\"doublequote\"\u003eFeminism in American Architecture: Organizing: 1972-1975 \u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2013, Robert Holton, \u003ctitle render=\"doublequote\"\u003eNatalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2014, Meredith Sattler, \u003ctitle render=\"doublequote\"\u003eEarly Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2015, Claire Bonney Brüllman, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e and Sarah Rafson, \u003ctitle render=\"doublequote\"\u003eCARY (Chicks in Architecture Refuse to Yield)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2016, Ines Moisset, \u003ctitle render=\"doublequote\"\u003eWomen Architects on the Web\u003c/title\u003e and Tanja Poppelreuter, \u003ctitle render=\"doublequote\"\u003eRefugee and émigré female architects before 1940\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2017, Rixt Hoekstra, \u003ctitle render=\"doublequote\"\u003eRegarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992)\u003c/title\u003e and Kirat Kaur Pandher (Student Prize), \u003ctitle render=\"doublequote\"\u003eIndian Architects: A Proposal for Directed Expansion\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2018, Alex Bala, \u003ctitle render=\"doublequote\"\u003eHanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2019, Eva Alvarez and Carlos Gomez, \u003ctitle render=\"doublequote\"\u003ePluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2020, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2021, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2022, Daniela Núñez Ruiz, \u003ctitle render=\"doublequote\"\u003eDecolonizing the Archive: Mapping the IAWA's Global South Female Architects\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2023, Lori Brown, FAIA, and Karen Burns, \u003ctitle render=\"doublequote\"\u003eOrganizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2024, Fabio Marino, \u003ctitle render=\"doublequote\"\u003eLiane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2025, Caitlin Charlet, \u003ctitle render=\"doublequote\"\u003eDrawing the Unseen: Architectural Narratives of Women Who Shaped Space\u003c/title\u003e.\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eAdditional information about the Milka Bliznakov Prize is available through links on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/\" title=\"IAWA home page\"\u003eIAWA home page.\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eThe IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/guide.html\" title=\"IAWA Guide to the Collections\"\u003eIAWA Guide to the Collections.\u003c/extref\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1c78d5d02374a8ab95301adae2ea4b72\" label=\"Abstract\"\u003eThe Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2177"}},{"id":"viblbv_repositories_2_resources_1835","type":"collection","attributes":{"title":"Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#creator","type":"document_value","attributes":{"value":"Bliznakov, Milka T., 1927-2010","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#abstract_or_scope","type":"document_value","attributes":{"value":"Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1835","ead_ssi":"viblbv_repositories_2_resources_1835","_root_":"viblbv_repositories_2_resources_1835","_nest_parent_":"viblbv_repositories_2_resources_1835","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1835.xml","title_filing_ssi":"Bliznakov, Milka T. Papers and Architectural Drawings,","title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings"],"title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings"],"unitdate_ssm":["1946-2010"],"unitdate_inclusive_ssm":["1946-2010"],"normalized_date_ssm":["1946/2010"],"normalized_title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"text":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010","Ms.1991.025","Blacksburg (Va.)","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff","Collection is open for research.","This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.","Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.","The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.","This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.","Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010","The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"collection_title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"collection_ssim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.025"],"unitid_tesim":["Ms.1991.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"creator_ssm":["Bliznakov, Milka T., 1927-2010"],"creator_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_persname_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Bliznakov, Milka T., 1927-2010","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka T. Bliznakov Papers and Architectural Drawings Collection was donated to the IAWA at Special Collections in 2002 by Dr. Milka Bliznakov. Additions were made to the collection by Milka Bliznakov and Donna Dunay in 2006, 2007, 2011, and 2015."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"has_online_content_ssim":["false"],"extent_ssm":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"extent_tesim":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026amp; Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance."],"bioghist_html_tesm":["\u003cp\u003eMilka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.\u003c/p\u003e","\u003cp\u003eDuring her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.\u003c/p\u003e","\u003cp\u003eIn 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.\u003c/p\u003e","\u003cp\u003eMilka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.\u003c/p\u003e","\u003cp\u003eBliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\u003citem\u003eWatkins, R.N. \u003ctitle render=\"italic\"\u003eThe Ideal Communist City\u003c/title\u003e. New York: Braziller, 1968.\u003c/item\u003e\n\u003citem\u003eLloyd, P. \u0026amp; Collie, K. \u003ctitle render=\"italic\"\u003eSan Francisco: a guide to recent architecture\u003c/title\u003e. London: Ellipsis, 1997.\u003c/item\u003e \n\u003citem\u003eMarkelin, U.\u003ctitle render=\"italic\"\u003eProfiles: Pioneering Women Architects from Finland\u003c/title\u003e. Museum of Finnish Architecture, 1983. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eUse of Tradition in Russian \u0026amp; Soviet Architecture\u003c/title\u003e, guest edited by Cooke, C. \u0026amp; Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987.\u003c/item\u003e \n\u003citem\u003eBrumfield, W.C.\u003ctitle render=\"italic\"\u003eReshaping Russian Architecture: Western Technology, Utopian Dreams\u003c/title\u003e. New York : Cambridge University Press, 1990. \u003c/item\u003e \n\u003citem\u003eSomaya, B., Mehta, U., \u0026amp; Hecar Foundation\u003ctitle render=\"italic\"\u003eAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000\u003c/title\u003e. Mumbai : Hecar Foundation, 2000.\u003c/item\u003e \n\u003citem\u003eKuperus, M., \u0026amp; Meinsma, H.C.\u003ctitle render=\"italic\"\u003eArchitectes\u003c/title\u003e. Amsterdam: Uitgeverij Thoth, 1990.\u003c/item\u003e \n\u003citem\u003eBoutelle, S.H. \u0026amp; Morgan, J.\u003ctitle render=\"italic\"\u003eJulia Morgan, Architect\u003c/title\u003e.  New York : Abbeville Press, 1988. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003ePoem about Trees\u003c/title\u003e.  (ISBN: 9785090245890), \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe American Glossary of Architectural Terms \u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eIllustrated Garnsey\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eLa Realidad Sovietica\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eConstruction and Reconstruction of Towns\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios I-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios II-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eRussian Formalism\u003c/title\u003e. \u003c/item\u003e \u003c/list\u003e\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4904b4be35f9a287ba5ef74319f9f5c4\" label=\"Abstract\"\u003eMilka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.\u003c/abstract\u003e\n    "],"abstract_tesim":["Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Bliznakov, Milka T., 1927-2010"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010"],"language_ssim":["The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":542,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1835","ead_ssi":"viblbv_repositories_2_resources_1835","_root_":"viblbv_repositories_2_resources_1835","_nest_parent_":"viblbv_repositories_2_resources_1835","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1835.xml","title_filing_ssi":"Bliznakov, Milka T. Papers and Architectural Drawings,","title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings"],"title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings"],"unitdate_ssm":["1946-2010"],"unitdate_inclusive_ssm":["1946-2010"],"normalized_date_ssm":["1946/2010"],"normalized_title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"text":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010","Ms.1991.025","Blacksburg (Va.)","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff","Collection is open for research.","This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.","Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.","The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.","This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.","Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010","The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"collection_title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"collection_ssim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.025"],"unitid_tesim":["Ms.1991.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"creator_ssm":["Bliznakov, Milka T., 1927-2010"],"creator_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_persname_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Bliznakov, Milka T., 1927-2010","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka T. Bliznakov Papers and Architectural Drawings Collection was donated to the IAWA at Special Collections in 2002 by Dr. Milka Bliznakov. Additions were made to the collection by Milka Bliznakov and Donna Dunay in 2006, 2007, 2011, and 2015."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"has_online_content_ssim":["false"],"extent_ssm":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"extent_tesim":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026amp; Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance."],"bioghist_html_tesm":["\u003cp\u003eMilka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.\u003c/p\u003e","\u003cp\u003eDuring her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.\u003c/p\u003e","\u003cp\u003eIn 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.\u003c/p\u003e","\u003cp\u003eMilka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.\u003c/p\u003e","\u003cp\u003eBliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\u003citem\u003eWatkins, R.N. \u003ctitle render=\"italic\"\u003eThe Ideal Communist City\u003c/title\u003e. New York: Braziller, 1968.\u003c/item\u003e\n\u003citem\u003eLloyd, P. \u0026amp; Collie, K. \u003ctitle render=\"italic\"\u003eSan Francisco: a guide to recent architecture\u003c/title\u003e. London: Ellipsis, 1997.\u003c/item\u003e \n\u003citem\u003eMarkelin, U.\u003ctitle render=\"italic\"\u003eProfiles: Pioneering Women Architects from Finland\u003c/title\u003e. Museum of Finnish Architecture, 1983. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eUse of Tradition in Russian \u0026amp; Soviet Architecture\u003c/title\u003e, guest edited by Cooke, C. \u0026amp; Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987.\u003c/item\u003e \n\u003citem\u003eBrumfield, W.C.\u003ctitle render=\"italic\"\u003eReshaping Russian Architecture: Western Technology, Utopian Dreams\u003c/title\u003e. New York : Cambridge University Press, 1990. \u003c/item\u003e \n\u003citem\u003eSomaya, B., Mehta, U., \u0026amp; Hecar Foundation\u003ctitle render=\"italic\"\u003eAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000\u003c/title\u003e. Mumbai : Hecar Foundation, 2000.\u003c/item\u003e \n\u003citem\u003eKuperus, M., \u0026amp; Meinsma, H.C.\u003ctitle render=\"italic\"\u003eArchitectes\u003c/title\u003e. Amsterdam: Uitgeverij Thoth, 1990.\u003c/item\u003e \n\u003citem\u003eBoutelle, S.H. \u0026amp; Morgan, J.\u003ctitle render=\"italic\"\u003eJulia Morgan, Architect\u003c/title\u003e.  New York : Abbeville Press, 1988. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003ePoem about Trees\u003c/title\u003e.  (ISBN: 9785090245890), \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe American Glossary of Architectural Terms \u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eIllustrated Garnsey\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eLa Realidad Sovietica\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eConstruction and Reconstruction of Towns\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios I-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios II-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eRussian Formalism\u003c/title\u003e. \u003c/item\u003e \u003c/list\u003e\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4904b4be35f9a287ba5ef74319f9f5c4\" label=\"Abstract\"\u003eMilka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.\u003c/abstract\u003e\n    "],"abstract_tesim":["Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Bliznakov, Milka T., 1927-2010"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010"],"language_ssim":["The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":542,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1835"}},{"id":"viblbv_repositories_2_resources_2314","type":"collection","attributes":{"title":"Natalie de Blois Architectural Collection, 1941/2013","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#creator","type":"document_value","attributes":{"value":"De Blois, Natalie, 1921-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#abstract_or_scope","type":"document_value","attributes":{"value":"The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"normalized_date_ssm":["1941/2013"],"normalized_title_ssm":["Natalie de Blois Architectural Collection, 1941/2013"],"text":["Natalie de Blois Architectural Collection, 1941/2013","Ms.2007.017","/repositories/2/resources/2314","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"collection_title_tesim":["Natalie de Blois Architectural Collection, 1941/2013"],"collection_ssim":["Natalie de Blois Architectural Collection, 1941/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017","/repositories/2/resources/2314"],"unitid_tesim":["Ms.2007.017","/repositories/2/resources/2314"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["De Blois, Natalie, 1921-2013","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005."],"bioghist_html_tesm":["\u003cp\u003eNatalie de Blois was born in Paterson, New Jersey on April 2, 1921.   \u003c/p\u003e","\u003cp\u003eIn 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026amp; Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026amp; Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"normalized_date_ssm":["1941/2013"],"normalized_title_ssm":["Natalie de Blois Architectural Collection, 1941/2013"],"text":["Natalie de Blois Architectural Collection, 1941/2013","Ms.2007.017","/repositories/2/resources/2314","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"collection_title_tesim":["Natalie de Blois Architectural Collection, 1941/2013"],"collection_ssim":["Natalie de Blois Architectural Collection, 1941/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017","/repositories/2/resources/2314"],"unitid_tesim":["Ms.2007.017","/repositories/2/resources/2314"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["De Blois, Natalie, 1921-2013","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005."],"bioghist_html_tesm":["\u003cp\u003eNatalie de Blois was born in Paterson, New Jersey on April 2, 1921.   \u003c/p\u003e","\u003cp\u003eIn 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026amp; Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026amp; Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314"}},{"id":"viblbv_repositories_2_resources_4376","type":"collection","attributes":{"title":"Reiko Tomita Architectural Collection, 1970-2019, 1970/2019","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4376#abstract_or_scope","type":"document_value","attributes":{"value":"The Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4376#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_4376","ead_ssi":"viblbv_repositories_2_resources_4376","_root_":"viblbv_repositories_2_resources_4376","_nest_parent_":"viblbv_repositories_2_resources_4376","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4376.xml","title_filing_ssi":"Tomita, Reiko Architectural Collection","title_ssm":["Reiko Tomita Architectural Collection, 1970-2019"],"title_tesim":["Reiko Tomita Architectural Collection, 1970-2019"],"unitdate_ssm":["1970-2019, undated"],"unitdate_inclusive_ssm":["1970-2019, undated"],"normalized_date_ssm":["1970/2019"],"normalized_title_ssm":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"text":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019","Ms.2025.034","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches","The collection is open for research.","Materials in this collection are arranged into two series:","I. Personal and biographical materials","II. Project designs","Items are arranged chronologically by creation date in their respective series.","Reiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.","Tomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).","From 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.","Reiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.","On her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:","Domo Celakanto (1974) [residential]","Domo Arabeska (1974) [residential]","Domo Kinyana (1992) [residential]","Shinshukan Community Center (1980) [public/institutional]","Nago City Hall (1981) [public/institutional]","Kasahara Elementary School (1982) [educational]","Taiwan Iiran County Hall (1997) [public/institutional]","Kutaniyaki Porcelain Museum (2001) [public/institutional]","Tsuyama Archives of Western Learning (2009) [public/institutional]","The guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025.","The Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton.","The towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends.","Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae.","Special Collections and University Archives, Virginia Tech","Japanese\n."],"collection_title_tesim":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"collection_ssim":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.034"],"unitid_tesim":["Ms.2025.034"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Collection was donated to Special Collections and University Archives by Reiko Tomita via IAWA Board Member Junko Matsukawa in March 2025."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 2 oversize folders of materials"],"extent_tesim":["0.2 Cubic Feet 2 oversize folders of materials"],"genreform_ssim":["Sketches"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in this collection are arranged into two series:\u003c/p\u003e \n","\u003cp\u003eI. Personal and biographical materials\u003c/p\u003e\n","\u003cp\u003eII. Project designs\u003c/p\u003e\n","\u003cp\u003eItems are arranged chronologically by creation date in their respective series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in this collection are arranged into two series:","I. Personal and biographical materials","II. Project designs","Items are arranged chronologically by creation date in their respective series."],"bioghist_html_tesm":["\u003cp\u003eReiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.\u003c/p\u003e\n","\u003cp\u003eTomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).\u003c/p\u003e\n","\u003cp\u003eFrom 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.\u003c/p\u003e\n","\u003cp\u003eReiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.\u003c/p\u003e \n","\u003cp\u003eOn her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:\u003c/p\u003e\n","\u003cp\u003eDomo Celakanto (1974) [residential]\u003c/p\u003e\n","\u003cp\u003eDomo Arabeska (1974) [residential]\u003c/p\u003e\n","\u003cp\u003eDomo Kinyana (1992) [residential]\u003c/p\u003e\n","\u003cp\u003eShinshukan Community Center (1980) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eNago City Hall (1981) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eKasahara Elementary School (1982) [educational]\u003c/p\u003e\n","\u003cp\u003eTaiwan Iiran County Hall (1997) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eKutaniyaki Porcelain Museum (2001) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eTsuyama Archives of Western Learning (2009) [public/institutional]\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Reiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.","Tomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).","From 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.","Reiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.","On her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:","Domo Celakanto (1974) [residential]","Domo Arabeska (1974) [residential]","Domo Kinyana (1992) [residential]","Shinshukan Community Center (1980) [public/institutional]","Nago City Hall (1981) [public/institutional]","Kasahara Elementary School (1982) [educational]","Taiwan Iiran County Hall (1997) [public/institutional]","Kutaniyaki Porcelain Museum (2001) [public/institutional]","Tsuyama Archives of Western Learning (2009) [public/institutional]"],"odd_html_tesm":["\u003cp\u003eThe guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Reiko Tomita Architectural Collection, 1970-2019, Ms2025-034, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Reiko Tomita Architectural Collection, 1970-2019, Ms2025-034, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton. \u003c/p\u003e","\u003cp\u003eThe towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton.","The towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_311658b30849a11c8327f5c1c2768e1b\" label=\"Abstract\"\u003eThe Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["Japanese\n."],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:33:12.556Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4376","ead_ssi":"viblbv_repositories_2_resources_4376","_root_":"viblbv_repositories_2_resources_4376","_nest_parent_":"viblbv_repositories_2_resources_4376","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4376.xml","title_filing_ssi":"Tomita, Reiko Architectural Collection","title_ssm":["Reiko Tomita Architectural Collection, 1970-2019"],"title_tesim":["Reiko Tomita Architectural Collection, 1970-2019"],"unitdate_ssm":["1970-2019, undated"],"unitdate_inclusive_ssm":["1970-2019, undated"],"normalized_date_ssm":["1970/2019"],"normalized_title_ssm":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"text":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019","Ms.2025.034","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches","The collection is open for research.","Materials in this collection are arranged into two series:","I. Personal and biographical materials","II. Project designs","Items are arranged chronologically by creation date in their respective series.","Reiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.","Tomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).","From 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.","Reiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.","On her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:","Domo Celakanto (1974) [residential]","Domo Arabeska (1974) [residential]","Domo Kinyana (1992) [residential]","Shinshukan Community Center (1980) [public/institutional]","Nago City Hall (1981) [public/institutional]","Kasahara Elementary School (1982) [educational]","Taiwan Iiran County Hall (1997) [public/institutional]","Kutaniyaki Porcelain Museum (2001) [public/institutional]","Tsuyama Archives of Western Learning (2009) [public/institutional]","The guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025.","The Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton.","The towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends.","Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae.","Special Collections and University Archives, Virginia Tech","Japanese\n."],"collection_title_tesim":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"collection_ssim":["Reiko Tomita Architectural Collection, 1970-2019, 1970/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.034"],"unitid_tesim":["Ms.2025.034"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Collection was donated to Special Collections and University Archives by Reiko Tomita via IAWA Board Member Junko Matsukawa in March 2025."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Architectural drawing -- 20th century","Women architects -- Japan","Sketches"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 2 oversize folders of materials"],"extent_tesim":["0.2 Cubic Feet 2 oversize folders of materials"],"genreform_ssim":["Sketches"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in this collection are arranged into two series:\u003c/p\u003e \n","\u003cp\u003eI. Personal and biographical materials\u003c/p\u003e\n","\u003cp\u003eII. Project designs\u003c/p\u003e\n","\u003cp\u003eItems are arranged chronologically by creation date in their respective series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in this collection are arranged into two series:","I. Personal and biographical materials","II. Project designs","Items are arranged chronologically by creation date in their respective series."],"bioghist_html_tesm":["\u003cp\u003eReiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.\u003c/p\u003e\n","\u003cp\u003eTomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).\u003c/p\u003e\n","\u003cp\u003eFrom 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.\u003c/p\u003e\n","\u003cp\u003eReiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.\u003c/p\u003e \n","\u003cp\u003eOn her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:\u003c/p\u003e\n","\u003cp\u003eDomo Celakanto (1974) [residential]\u003c/p\u003e\n","\u003cp\u003eDomo Arabeska (1974) [residential]\u003c/p\u003e\n","\u003cp\u003eDomo Kinyana (1992) [residential]\u003c/p\u003e\n","\u003cp\u003eShinshukan Community Center (1980) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eNago City Hall (1981) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eKasahara Elementary School (1982) [educational]\u003c/p\u003e\n","\u003cp\u003eTaiwan Iiran County Hall (1997) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eKutaniyaki Porcelain Museum (2001) [public/institutional]\u003c/p\u003e\n","\u003cp\u003eTsuyama Archives of Western Learning (2009) [public/institutional]\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Reiko Tomita was born on September 24th, 1938, in Shinjuku, Tokyo. During World War II her family fled to Saitama, roughly 20 miles north of Tokyo's city center. While her father died during the war, she and her mother eventually returned to Tokyo (Asagaya) following its end.","Tomita attended Tokyo University and was the first woman to enroll in and graduate from the university's department of architecture in 1961. In 1963 she completed her master's course in architecture in Kenzo Tange's atelier (also part of Tokyo University's architecture department).","From 1963-1971 she worked at U Atelier (U-Ken), an architectural office headed by architect Takamasa Yoshizaka. In 1971, she and two other members of U Atelier, Hiroyasu Higuchi and Koichi Otake, left to start their own design practice, Atelier Zo, originally a pun on THO (the first letters of the founding members' last names), \"Zo\" means \"elephant\" in Japanese. In the 1980s Atelier Zo evolved into Team Zoo, a cooperative of loosely connected studios, each with its own animal iconography.","Reiko Tomita has taught at Tokyo University, Waseda University, and served as a visiting lecturer at Massachusetts Institute of Technology and Pennsylvania University. Tomita continues to work at Atelier Zo in her 80s.","On her curriculum vitae she notes the following major projects for Atelier Zo on which she worked:","Domo Celakanto (1974) [residential]","Domo Arabeska (1974) [residential]","Domo Kinyana (1992) [residential]","Shinshukan Community Center (1980) [public/institutional]","Nago City Hall (1981) [public/institutional]","Kasahara Elementary School (1982) [educational]","Taiwan Iiran County Hall (1997) [public/institutional]","Kutaniyaki Porcelain Museum (2001) [public/institutional]","Tsuyama Archives of Western Learning (2009) [public/institutional]"],"odd_html_tesm":["\u003cp\u003eThe guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Reiko Tomita Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Reiko Tomita Architectural Collection, 1970-2019, Ms2025-034, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Reiko Tomita Architectural Collection, 1970-2019, Ms2025-034, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Reiko Tomita Architectural Collection was completed in May 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton. \u003c/p\u003e","\u003cp\u003eThe towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Reiko Tomita Architectural Collection consists of 27 sketches, primarily design development sketches and conceptual studies, 1 towel design printed on fabric, and an annotated curriculum vitae. Sketches were made using a variety of media and supports: pencil, ink, crayon, and marker on tracing, heavy construction or multimedia paper, and cotton.","The towel was designed to commemorate Tomita's 80th birthday; close to 100 were made, each hand-dyed, as gifts for friends."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Reiko Tomita Architectural Collection must be obtained from the Special Collections and University Archives at Virginia Tech.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication.","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_311658b30849a11c8327f5c1c2768e1b\" label=\"Abstract\"\u003eThe Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["Japanese\n."],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:33:12.556Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4376"}},{"id":"viblbv_repositories_2_resources_2057","type":"collection","attributes":{"title":"Sarah Pillsbury Harkness Architectural Collection, 1986/2013","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2057#creator","type":"document_value","attributes":{"value":"Harkness, Sarah Pillsbury, 1914-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2057#abstract_or_scope","type":"document_value","attributes":{"value":"The Sarah Pillsbury Harkness Architectural Collection consists of biographical information, a booklet documenting the presentations given on November 21, 1991, and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2057#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2057","ead_ssi":"viblbv_repositories_2_resources_2057","_root_":"viblbv_repositories_2_resources_2057","_nest_parent_":"viblbv_repositories_2_resources_2057","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2057.xml","title_filing_ssi":"Harkness, Sarah Pillsbury, Architectural Collection","title_ssm":["Sarah Pillsbury Harkness Architectural Collection"],"title_tesim":["Sarah Pillsbury Harkness Architectural Collection"],"unitdate_ssm":["1986-2013"],"unitdate_inclusive_ssm":["1986-2013"],"normalized_date_ssm":["1986/2013"],"normalized_title_ssm":["Sarah Pillsbury Harkness Architectural Collection, 1986/2013"],"text":["Sarah Pillsbury Harkness Architectural Collection, 1986/2013","Ms.1997.024","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Born in 1914, Sarah Pillsbury Harkness, an architect of Lexington, Massachusetts, received her Master of Architecture degree from the Smith College Graduate School of Architecture and Landscape Architecture in 1940. She was a founder, in 1945, and now Principal Emeritus of the Architects Collaborative (TAC). She was President of the Boston Society of Architects, a chapter of the AIA, in 1985. She was a Distinguished Visiting Lecturer and Guest Lecturer at the University of Arizona, Tucson, a lecturer at the Massachusetts Institute of Technology, and a thesis advisor, lecturer, critic, and honorary member of the Boston Architectural Center.","Harkness's most noteworthy designs include the New Main Library and the Olin Arts Center at Bates College in Lewiston, Maine; the Anita Tuvin Schlechter Auditorium at Dickinson College in Carlisle, Pennsylvania; the Art School Addition at the Worcester Art Museum in Worcester, Massachusetts; and the C. Thurston Chase Learning Center of the Eaglebrook School in Deerfield, Massachusetts.","Harkness has received many awards in her career, including the Boston Society of Architects Prize (1941), the American Association of School Administrators Award for her design of the Fox Middle School in Bedford, New York (1967), the American Institute of Architects Honor Award for her design of the Chase Learning Center of the Eaglebrook School (1967), the American School and University Louis I. Kahn Citation for her design of the Olin Arts Center at Bates College (1987), and the Boston Society of Architects 1991 Award of Honor.","Harkness was elected as a fellow of the American Institute of Architects in 1979. She is a registered architect of Massachusetts and Tennessee.  Harkness died May 22, 2013.","The guide to the  Sarah Pillsbury Harkness Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Sarah Pillsbury Harkness Architectural Collection commenced and was completed in April 1998. An additional biographical item was integrated in 2013.","The Sarah Pillsbury Harkness Architectural Collection consists of biographical information; a booklet documenting the presentations given on November 21, 1991, at an awards dinner by the Boston Society of Architects, where Harkness was presented with the 1991 Award of Honor; and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts.","The following book has been removed and cataloged for the Special Collections Rare Book Collection:","Harkness, Sarah P. Sustainable Design for Two Maine Islands. Boston, Boston Architectural Center, 1985. This book is cataloged for the Rare Book Room, Special Collections. Rare Book Collection HT393 M2 S9 1985 Spec Large","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Sarah Pillsbury Harkness Architectural Collection consists of biographical information, a booklet documenting the presentations given on November 21, 1991, and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts.","Special Collections and University Archives, Virginia Tech","Harkness, Sarah Pillsbury, 1914-2013","The materials in the collection are in English."],"collection_title_tesim":["Sarah Pillsbury Harkness Architectural Collection, 1986/2013"],"collection_ssim":["Sarah Pillsbury Harkness Architectural Collection, 1986/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1997.024"],"unitid_tesim":["Ms.1997.024"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Harkness, Sarah Pillsbury, 1914-2013"],"creator_ssim":["Harkness, Sarah Pillsbury, 1914-2013"],"creator_persname_ssim":["Harkness, Sarah Pillsbury, 1914-2013"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Harkness, Sarah Pillsbury, 1914-2013","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Sarah Pillsbury Harkness Architectural Collection was donated to Special Collections in 1997."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["2.25 Cubic Feet 1 box, 1 oversize folder"],"extent_tesim":["2.25 Cubic Feet 1 box, 1 oversize folder"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1914, Sarah Pillsbury Harkness, an architect of Lexington, Massachusetts, received her Master of Architecture degree from the Smith College Graduate School of Architecture and Landscape Architecture in 1940. 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Thurston Chase Learning Center of the Eaglebrook School in Deerfield, Massachusetts.\u003c/p\u003e","\u003cp\u003eHarkness has received many awards in her career, including the Boston Society of Architects Prize (1941), the American Association of School Administrators Award for her design of the Fox Middle School in Bedford, New York (1967), the American Institute of Architects Honor Award for her design of the Chase Learning Center of the Eaglebrook School (1967), the American School and University Louis I. Kahn Citation for her design of the Olin Arts Center at Bates College (1987), and the Boston Society of Architects 1991 Award of Honor.\u003c/p\u003e","\u003cp\u003eHarkness was elected as a fellow of the American Institute of Architects in 1979. She is a registered architect of Massachusetts and Tennessee.  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She was a Distinguished Visiting Lecturer and Guest Lecturer at the University of Arizona, Tucson, a lecturer at the Massachusetts Institute of Technology, and a thesis advisor, lecturer, critic, and honorary member of the Boston Architectural Center.","Harkness's most noteworthy designs include the New Main Library and the Olin Arts Center at Bates College in Lewiston, Maine; the Anita Tuvin Schlechter Auditorium at Dickinson College in Carlisle, Pennsylvania; the Art School Addition at the Worcester Art Museum in Worcester, Massachusetts; and the C. Thurston Chase Learning Center of the Eaglebrook School in Deerfield, Massachusetts.","Harkness has received many awards in her career, including the Boston Society of Architects Prize (1941), the American Association of School Administrators Award for her design of the Fox Middle School in Bedford, New York (1967), the American Institute of Architects Honor Award for her design of the Chase Learning Center of the Eaglebrook School (1967), the American School and University Louis I. Kahn Citation for her design of the Olin Arts Center at Bates College (1987), and the Boston Society of Architects 1991 Award of Honor.","Harkness was elected as a fellow of the American Institute of Architects in 1979. She is a registered architect of Massachusetts and Tennessee.  Harkness died May 22, 2013."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Sarah Pillsbury Harkness Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Sarah Pillsbury Harkness Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sarah Pillsbury Harkness Architectural Collection, Ms1997-024, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sarah Pillsbury Harkness Architectural Collection, Ms1997-024, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Sarah Pillsbury Harkness Architectural Collection commenced and was completed in April 1998. 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An additional biographical item was integrated in 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Sarah Pillsbury Harkness Architectural Collection consists of biographical information; a booklet documenting the presentations given on November 21, 1991, at an awards dinner by the Boston Society of Architects, where Harkness was presented with the 1991 Award of Honor; and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Sarah Pillsbury Harkness Architectural Collection consists of biographical information; a booklet documenting the presentations given on November 21, 1991, at an awards dinner by the Boston Society of Architects, where Harkness was presented with the 1991 Award of Honor; and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following book has been removed and cataloged for the Special Collections Rare Book Collection: \u003c/p\u003e","\u003cp\u003e\u003cbibref\u003eHarkness, Sarah P. \u003ctitle render=\"italic\"\u003eSustainable Design for Two Maine Islands\u003c/title\u003e. Boston, Boston Architectural Center, 1985. This book is cataloged for the Rare Book Room, Special Collections. \u003ctitle render=\"bold\"\u003eRare Book Collection HT393 M2 S9 1985 Spec Large\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following book has been removed and cataloged for the Special Collections Rare Book Collection:","Harkness, Sarah P. Sustainable Design for Two Maine Islands. Boston, Boston Architectural Center, 1985. This book is cataloged for the Rare Book Room, Special Collections. Rare Book Collection HT393 M2 S9 1985 Spec Large"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_703323aa784b5c270dbf89155411ca02\" label=\"Abstract\"\u003eThe Sarah Pillsbury Harkness Architectural Collection consists of biographical information, a booklet documenting the presentations given on November 21, 1991, and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Sarah Pillsbury Harkness Architectural Collection consists of biographical information, a booklet documenting the presentations given on November 21, 1991, and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Harkness, Sarah Pillsbury, 1914-2013"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Harkness, Sarah Pillsbury, 1914-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:20.057Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2057","ead_ssi":"viblbv_repositories_2_resources_2057","_root_":"viblbv_repositories_2_resources_2057","_nest_parent_":"viblbv_repositories_2_resources_2057","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2057.xml","title_filing_ssi":"Harkness, Sarah Pillsbury, Architectural Collection","title_ssm":["Sarah Pillsbury Harkness Architectural Collection"],"title_tesim":["Sarah Pillsbury Harkness Architectural Collection"],"unitdate_ssm":["1986-2013"],"unitdate_inclusive_ssm":["1986-2013"],"normalized_date_ssm":["1986/2013"],"normalized_title_ssm":["Sarah Pillsbury Harkness Architectural Collection, 1986/2013"],"text":["Sarah Pillsbury Harkness Architectural Collection, 1986/2013","Ms.1997.024","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Born in 1914, Sarah Pillsbury Harkness, an architect of Lexington, Massachusetts, received her Master of Architecture degree from the Smith College Graduate School of Architecture and Landscape Architecture in 1940. 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Thurston Chase Learning Center of the Eaglebrook School in Deerfield, Massachusetts.","Harkness has received many awards in her career, including the Boston Society of Architects Prize (1941), the American Association of School Administrators Award for her design of the Fox Middle School in Bedford, New York (1967), the American Institute of Architects Honor Award for her design of the Chase Learning Center of the Eaglebrook School (1967), the American School and University Louis I. Kahn Citation for her design of the Olin Arts Center at Bates College (1987), and the Boston Society of Architects 1991 Award of Honor.","Harkness was elected as a fellow of the American Institute of Architects in 1979. She is a registered architect of Massachusetts and Tennessee.  Harkness died May 22, 2013.","The guide to the  Sarah Pillsbury Harkness Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Sarah Pillsbury Harkness Architectural Collection commenced and was completed in April 1998. An additional biographical item was integrated in 2013.","The Sarah Pillsbury Harkness Architectural Collection consists of biographical information; a booklet documenting the presentations given on November 21, 1991, at an awards dinner by the Boston Society of Architects, where Harkness was presented with the 1991 Award of Honor; and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts.","The following book has been removed and cataloged for the Special Collections Rare Book Collection:","Harkness, Sarah P. Sustainable Design for Two Maine Islands. Boston, Boston Architectural Center, 1985. This book is cataloged for the Rare Book Room, Special Collections. Rare Book Collection HT393 M2 S9 1985 Spec Large","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Sarah Pillsbury Harkness Architectural Collection consists of biographical information, a booklet documenting the presentations given on November 21, 1991, and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts.","Special Collections and University Archives, Virginia Tech","Harkness, Sarah Pillsbury, 1914-2013","The materials in the collection are in English."],"collection_title_tesim":["Sarah Pillsbury Harkness Architectural Collection, 1986/2013"],"collection_ssim":["Sarah Pillsbury Harkness Architectural Collection, 1986/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1997.024"],"unitid_tesim":["Ms.1997.024"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Harkness, Sarah Pillsbury, 1914-2013"],"creator_ssim":["Harkness, Sarah Pillsbury, 1914-2013"],"creator_persname_ssim":["Harkness, Sarah Pillsbury, 1914-2013"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Harkness, Sarah Pillsbury, 1914-2013","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Sarah Pillsbury Harkness Architectural Collection was donated to Special Collections in 1997."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["2.25 Cubic Feet 1 box, 1 oversize folder"],"extent_tesim":["2.25 Cubic Feet 1 box, 1 oversize folder"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1914, Sarah Pillsbury Harkness, an architect of Lexington, Massachusetts, received her Master of Architecture degree from the Smith College Graduate School of Architecture and Landscape Architecture in 1940. She was a founder, in 1945, and now Principal Emeritus of the Architects Collaborative (TAC). She was President of the Boston Society of Architects, a chapter of the AIA, in 1985. She was a Distinguished Visiting Lecturer and Guest Lecturer at the University of Arizona, Tucson, a lecturer at the Massachusetts Institute of Technology, and a thesis advisor, lecturer, critic, and honorary member of the Boston Architectural Center. \u003c/p\u003e","\u003cp\u003eHarkness's most noteworthy designs include the New Main Library and the Olin Arts Center at Bates College in Lewiston, Maine; the Anita Tuvin Schlechter Auditorium at Dickinson College in Carlisle, Pennsylvania; the Art School Addition at the Worcester Art Museum in Worcester, Massachusetts; and the C. Thurston Chase Learning Center of the Eaglebrook School in Deerfield, Massachusetts.\u003c/p\u003e","\u003cp\u003eHarkness has received many awards in her career, including the Boston Society of Architects Prize (1941), the American Association of School Administrators Award for her design of the Fox Middle School in Bedford, New York (1967), the American Institute of Architects Honor Award for her design of the Chase Learning Center of the Eaglebrook School (1967), the American School and University Louis I. Kahn Citation for her design of the Olin Arts Center at Bates College (1987), and the Boston Society of Architects 1991 Award of Honor.\u003c/p\u003e","\u003cp\u003eHarkness was elected as a fellow of the American Institute of Architects in 1979. She is a registered architect of Massachusetts and Tennessee.  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She was a Distinguished Visiting Lecturer and Guest Lecturer at the University of Arizona, Tucson, a lecturer at the Massachusetts Institute of Technology, and a thesis advisor, lecturer, critic, and honorary member of the Boston Architectural Center.","Harkness's most noteworthy designs include the New Main Library and the Olin Arts Center at Bates College in Lewiston, Maine; the Anita Tuvin Schlechter Auditorium at Dickinson College in Carlisle, Pennsylvania; the Art School Addition at the Worcester Art Museum in Worcester, Massachusetts; and the C. Thurston Chase Learning Center of the Eaglebrook School in Deerfield, Massachusetts.","Harkness has received many awards in her career, including the Boston Society of Architects Prize (1941), the American Association of School Administrators Award for her design of the Fox Middle School in Bedford, New York (1967), the American Institute of Architects Honor Award for her design of the Chase Learning Center of the Eaglebrook School (1967), the American School and University Louis I. Kahn Citation for her design of the Olin Arts Center at Bates College (1987), and the Boston Society of Architects 1991 Award of Honor.","Harkness was elected as a fellow of the American Institute of Architects in 1979. She is a registered architect of Massachusetts and Tennessee.  Harkness died May 22, 2013."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Sarah Pillsbury Harkness Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Sarah Pillsbury Harkness Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sarah Pillsbury Harkness Architectural Collection, Ms1997-024, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Sarah Pillsbury Harkness Architectural Collection, Ms1997-024, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Sarah Pillsbury Harkness Architectural Collection commenced and was completed in April 1998. An additional biographical item was integrated in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Sarah Pillsbury Harkness Architectural Collection commenced and was completed in April 1998. An additional biographical item was integrated in 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Sarah Pillsbury Harkness Architectural Collection consists of biographical information; a booklet documenting the presentations given on November 21, 1991, at an awards dinner by the Boston Society of Architects, where Harkness was presented with the 1991 Award of Honor; and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Sarah Pillsbury Harkness Architectural Collection consists of biographical information; a booklet documenting the presentations given on November 21, 1991, at an awards dinner by the Boston Society of Architects, where Harkness was presented with the 1991 Award of Honor; and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following book has been removed and cataloged for the Special Collections Rare Book Collection: \u003c/p\u003e","\u003cp\u003e\u003cbibref\u003eHarkness, Sarah P. \u003ctitle render=\"italic\"\u003eSustainable Design for Two Maine Islands\u003c/title\u003e. Boston, Boston Architectural Center, 1985. This book is cataloged for the Rare Book Room, Special Collections. \u003ctitle render=\"bold\"\u003eRare Book Collection HT393 M2 S9 1985 Spec Large\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following book has been removed and cataloged for the Special Collections Rare Book Collection:","Harkness, Sarah P. Sustainable Design for Two Maine Islands. Boston, Boston Architectural Center, 1985. This book is cataloged for the Rare Book Room, Special Collections. Rare Book Collection HT393 M2 S9 1985 Spec Large"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_703323aa784b5c270dbf89155411ca02\" label=\"Abstract\"\u003eThe Sarah Pillsbury Harkness Architectural Collection consists of biographical information, a booklet documenting the presentations given on November 21, 1991, and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Sarah Pillsbury Harkness Architectural Collection consists of biographical information, a booklet documenting the presentations given on November 21, 1991, and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Harkness, Sarah Pillsbury, 1914-2013"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Harkness, Sarah Pillsbury, 1914-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:20.057Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2057"}},{"id":"viblbv_repositories_2_resources_2865","type":"collection","attributes":{"title":"Wendy Scott Bertrand Architectural Collection, 1954/2012","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865#creator","type":"document_value","attributes":{"value":"Bertrand, Wendy","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865#abstract_or_scope","type":"document_value","attributes":{"value":"Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2865","ead_ssi":"viblbv_repositories_2_resources_2865","_root_":"viblbv_repositories_2_resources_2865","_nest_parent_":"viblbv_repositories_2_resources_2865","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2865.xml","title_filing_ssi":"Bertrand, Wendy Scott Architectural Collection","title_ssm":["Wendy Scott Bertrand Architectural Collection"],"title_tesim":["Wendy Scott Bertrand Architectural Collection"],"unitdate_ssm":["1954-2012"],"unitdate_inclusive_ssm":["1954-2012"],"normalized_date_ssm":["1954/2012"],"normalized_title_ssm":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"text":["Wendy Scott Bertrand Architectural Collection, 1954/2012","Ms.2013.025","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture","The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.","Personal Papers\n\n\t\n\n\t\tWritings\n\n\t\tCorrespondence\n\n\t\tSchool Work\n\n\t\tTravel\n\n\t\tPhotographs\n\n\t\tActivism\n\n\t\tHobbies and Family Records\n\n\t\n\n\n\nProfessional papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects","Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.","The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.","This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.","Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.","Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.","Special Collections and University Archives, Virginia Tech","Bertrand, Wendy","English\n."],"collection_title_tesim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"collection_ssim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.025"],"unitid_tesim":["Ms.2013.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bertrand, Wendy"],"creator_ssim":["Bertrand, Wendy"],"creator_persname_ssim":["Bertrand, Wendy"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Bertrand, Wendy","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Wendy Bertrand Architectural Collection was donated to Special Collections in 2013."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["15.73 Cubic Feet"],"extent_tesim":["15.73 Cubic Feet"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10."],"arrangement_html_tesm":["\u003col type=\"I\"\u003e\n\n\u003cli\u003ePersonal Papers\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eWritings\u003c/li\u003e\n\n\t\t\u003cli\u003eCorrespondence\u003c/li\u003e\n\n\t\t\u003cli\u003eSchool Work\u003c/li\u003e\n\n\t\t\u003cli\u003eTravel\u003c/li\u003e\n\n\t\t\u003cli\u003ePhotographs\u003c/li\u003e\n\n\t\t\u003cli\u003eActivism\u003c/li\u003e\n\n\t\t\u003cli\u003eHobbies and Family Records\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eProfessional papers\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eCorrespondence\u003c/li\u003e\n\n\t\t\u003cli\u003ePhotographs\u003c/li\u003e\n\n\t\t\u003cli\u003eWritings\u003c/li\u003e\n\n\t\t\u003cli\u003eReference Files\u003c/li\u003e\n\n\t\t\u003cli\u003ePresentations\u003c/li\u003e\n\n\t\t\u003cli\u003eExhibits\u003c/li\u003e\n\n\t\t\u003cli\u003eAssociations and Committee\u003c/li\u003e\n\n\t\t\u003cli\u003eAwards\u003c/li\u003e\n\n\t\t\u003cli\u003eCareer Records\u003c/li\u003e\n\n\t\t\u003cli\u003eContinuing Education\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eOffice Records\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eNaval Facilities Engineering Command, Western Division\u003c/li\u003e\n\n\t\t\u003cli\u003eNavy Public Works Center\u003c/li\u003e\n\n\t\t\u003cli\u003eU.S. Forest Service Pacific Southwest Region 5\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eProject Records\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eNaval Facilities Engineering Command, Western Division\u003c/li\u003e \n\n\t\t\u003cli\u003eNavy Public Works Center\u003c/li\u003e\n\n\t\t\u003cli\u003eIndependent Projects\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\u003c/ol\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Personal Papers\n\n\t\n\n\t\tWritings\n\n\t\tCorrespondence\n\n\t\tSchool Work\n\n\t\tTravel\n\n\t\tPhotographs\n\n\t\tActivism\n\n\t\tHobbies and Family Records\n\n\t\n\n\n\nProfessional papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects"],"bioghist_html_tesm":["\u003cp\u003eWendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published \u003cem\u003eRug Retrospective: Nine Weaving Seasons 1999-2008\u003c/em\u003e (updated in 2010), documenting her textile projects. In 2012, Bertrand published \u003cem\u003eEnamored with place: as woman + as architect\u003c/em\u003e, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, \u003cem\u003eIf I Knew Then What I Know Now\u003c/em\u003e (available online at \u003ca href=\"http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\" target=\"blank\"\u003ehttp://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\u003c/a\u003e), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b8776781836046417e231ed6fc03b8e\" label=\"Abstract\"\u003eWendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.\u003c/abstract\u003e\n    "],"abstract_tesim":["Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Bertrand, Wendy"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bertrand, Wendy"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2865","ead_ssi":"viblbv_repositories_2_resources_2865","_root_":"viblbv_repositories_2_resources_2865","_nest_parent_":"viblbv_repositories_2_resources_2865","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2865.xml","title_filing_ssi":"Bertrand, Wendy Scott Architectural Collection","title_ssm":["Wendy Scott Bertrand Architectural Collection"],"title_tesim":["Wendy Scott Bertrand Architectural Collection"],"unitdate_ssm":["1954-2012"],"unitdate_inclusive_ssm":["1954-2012"],"normalized_date_ssm":["1954/2012"],"normalized_title_ssm":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"text":["Wendy Scott Bertrand Architectural Collection, 1954/2012","Ms.2013.025","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture","The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.","Personal Papers\n\n\t\n\n\t\tWritings\n\n\t\tCorrespondence\n\n\t\tSchool Work\n\n\t\tTravel\n\n\t\tPhotographs\n\n\t\tActivism\n\n\t\tHobbies and Family Records\n\n\t\n\n\n\nProfessional papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects","Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.","The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.","This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.","Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.","Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.","Special Collections and University Archives, Virginia Tech","Bertrand, Wendy","English\n."],"collection_title_tesim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"collection_ssim":["Wendy Scott Bertrand Architectural Collection, 1954/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.025"],"unitid_tesim":["Ms.2013.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bertrand, Wendy"],"creator_ssim":["Bertrand, Wendy"],"creator_persname_ssim":["Bertrand, Wendy"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Bertrand, Wendy","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Wendy Bertrand Architectural Collection was donated to Special Collections in 2013."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","History of Women in Architecture"],"has_online_content_ssim":["false"],"extent_ssm":["15.73 Cubic Feet"],"extent_tesim":["15.73 Cubic Feet"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, with the exception of divorce documents (restricted until the death of all parties) and personnel records (restricted until August 1, 2065) in Box 10."],"arrangement_html_tesm":["\u003col type=\"I\"\u003e\n\n\u003cli\u003ePersonal Papers\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eWritings\u003c/li\u003e\n\n\t\t\u003cli\u003eCorrespondence\u003c/li\u003e\n\n\t\t\u003cli\u003eSchool Work\u003c/li\u003e\n\n\t\t\u003cli\u003eTravel\u003c/li\u003e\n\n\t\t\u003cli\u003ePhotographs\u003c/li\u003e\n\n\t\t\u003cli\u003eActivism\u003c/li\u003e\n\n\t\t\u003cli\u003eHobbies and Family Records\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eProfessional papers\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eCorrespondence\u003c/li\u003e\n\n\t\t\u003cli\u003ePhotographs\u003c/li\u003e\n\n\t\t\u003cli\u003eWritings\u003c/li\u003e\n\n\t\t\u003cli\u003eReference Files\u003c/li\u003e\n\n\t\t\u003cli\u003ePresentations\u003c/li\u003e\n\n\t\t\u003cli\u003eExhibits\u003c/li\u003e\n\n\t\t\u003cli\u003eAssociations and Committee\u003c/li\u003e\n\n\t\t\u003cli\u003eAwards\u003c/li\u003e\n\n\t\t\u003cli\u003eCareer Records\u003c/li\u003e\n\n\t\t\u003cli\u003eContinuing Education\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eOffice Records\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eNaval Facilities Engineering Command, Western Division\u003c/li\u003e\n\n\t\t\u003cli\u003eNavy Public Works Center\u003c/li\u003e\n\n\t\t\u003cli\u003eU.S. Forest Service Pacific Southwest Region 5\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\n\u003cli\u003eProject Records\n\n\t\u003col type=\"A\"\u003e\n\n\t\t\u003cli\u003eNaval Facilities Engineering Command, Western Division\u003c/li\u003e \n\n\t\t\u003cli\u003eNavy Public Works Center\u003c/li\u003e\n\n\t\t\u003cli\u003eIndependent Projects\u003c/li\u003e\n\n\t\u003c/ol\u003e\n\n\u003c/li\u003e\n\u003c/ol\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Personal Papers\n\n\t\n\n\t\tWritings\n\n\t\tCorrespondence\n\n\t\tSchool Work\n\n\t\tTravel\n\n\t\tPhotographs\n\n\t\tActivism\n\n\t\tHobbies and Family Records\n\n\t\n\n\n\nProfessional papers\n\n\t\n\n\t\tCorrespondence\n\n\t\tPhotographs\n\n\t\tWritings\n\n\t\tReference Files\n\n\t\tPresentations\n\n\t\tExhibits\n\n\t\tAssociations and Committee\n\n\t\tAwards\n\n\t\tCareer Records\n\n\t\tContinuing Education\n\n\t\n\n\n\nOffice Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division\n\n\t\tNavy Public Works Center\n\n\t\tU.S. Forest Service Pacific Southwest Region 5\n\n\t\n\n\n\nProject Records\n\n\t\n\n\t\tNaval Facilities Engineering Command, Western Division \n\n\t\tNavy Public Works Center\n\n\t\tIndependent Projects"],"bioghist_html_tesm":["\u003cp\u003eWendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published \u003cem\u003eRug Retrospective: Nine Weaving Seasons 1999-2008\u003c/em\u003e (updated in 2010), documenting her textile projects. In 2012, Bertrand published \u003cem\u003eEnamored with place: as woman + as architect\u003c/em\u003e, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, \u003cem\u003eIf I Knew Then What I Know Now\u003c/em\u003e (available online at \u003ca href=\"http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\" target=\"blank\"\u003ehttp://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf\u003c/a\u003e), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wendy Scott Bertrand (née Eaken) is a registered architect, fiber artist and author brought up in San Diego, California. She studied at the École des Beaux Arts in France from 1964–65 and graduated from the University of California, Berkeley (Bach. Architecture 1971 , M.A. Architecture 1972). She designed private residential structures and supervised large-scale architectural projects for government contracts. Bertrand managed an Architectural Branch and an Engineering Division for the U.S. Navy (1973-1991) and held the position of engineering supervisor in the Western Region (5) Office of the U.S. Forest Service (1991-1994). Bertrand served in a variety of leadership roles throughout her career, including chair of the Quality of Worklife Committee for the U.S. Navy Public Works Center, examiner for her local Board of Architectural Examiners, and rating panelist for the City and County of San Francisco. She was an active participant in the Society of American Military Engineers and helped found the Organization of Women Architects and Design Professionals. In 2008, Bertrand published Rug Retrospective: Nine Weaving Seasons 1999-2008 (updated in 2010), documenting her textile projects. In 2012, Bertrand published Enamored with place: as woman + as architect, a memoir of her experiences as a single mother working in a traditionally male profession. Her 2015 epilogue, If I Knew Then What I Know Now (available online at http://wendybertrand.com/enamored-with-place/wp-content/uploads/2015/02/02_2015_epilogue.pdf), reflects on the influences of gender in architectural practice and what the future might hold for women in architecture."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Wendy Bertrand Architectural Collection, Ms2013-025, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Wendy Bertrand Architectural Collection was completed in August 2017."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the professional and personal activities of Wendy Bertrand between 1954-2012. Comprised primarily of textual materials and architectural drawings with supporting photographs and ephemera, the collection documents Bertrand's study of art and architecture; her career as an architect, engineering advisor, and supervisor for the US Navy and US Forest service; her private practice and engagement in national organizations; her family life, personal networks, and community engagement; and her artistic endeavors in textiles, photography, and furniture design. Coverage includes correspondence, travel journals, education files, project records and business files, personal reflections on her career, manuscript drafts, research notes, photographs, exhibition boards, construction documents, architectural drawings, and ephemera."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish material from the Wendy Bertrand Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b8776781836046417e231ed6fc03b8e\" label=\"Abstract\"\u003eWendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service.\u003c/abstract\u003e\n    "],"abstract_tesim":["Wendy Bertrand is a registered architect, rug weaver, self-described feminist and author living in Northern California since 1967. This collection documents her personal and professional activism and activities between 1954-2012, including her architectural studies, organizational activities, family life, travel, professional writing, textile projects, and career with the U.S. Navy and U.S. Forest Service."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Bertrand, Wendy"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bertrand, Wendy"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2865"}},{"id":"viblbv_repositories_2_resources_3160","type":"collection","attributes":{"title":"Women's Development Corporation Records, 1979/2015","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3160#creator","type":"document_value","attributes":{"value":"Women's Development Corporation (R.I.)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3160#abstract_or_scope","type":"document_value","attributes":{"value":"The Women's Development Corporation (WDC) is a Rhode Island based housing developer and non-profit founded by a group of architects, designers, community planners, and historic preservation professionals. These records document select activities of the WDC from 1979-2015.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3160#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3160","ead_ssi":"viblbv_repositories_2_resources_3160","_root_":"viblbv_repositories_2_resources_3160","_nest_parent_":"viblbv_repositories_2_resources_3160","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3160.xml","title_filing_ssi":"Women's Development Corporation Records","title_ssm":["Women's Development Corporation Records"],"title_tesim":["Women's Development Corporation Records"],"unitdate_ssm":["1979-2015"],"unitdate_inclusive_ssm":["1979-2015"],"normalized_date_ssm":["1979/2015"],"normalized_title_ssm":["Women's Development Corporation Records, 1979/2015"],"text":["Women's Development Corporation Records, 1979/2015","Ms.2016.012","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Rhode Island","Collection is open for research.","This collection was arranged with respect to the original order and the Shephered/Lowell Standard Series and Subseries for Architeture and Landscape Design. The collection reflects the following series and subseries:","Series I: Photographs \n       Series II: Professional Papers\n      Subseries A: Correspondence related to the profession\n      Subseries B: Awards, certificates\n      Subseries C: Research Notes and Data Collection\n      Subseries D: Files, articles, clipping, materials\n      Subseries E: Women's School of Planning and Architecture\n        Series III: OFfice Records\n      Subseries A: Administrative articles, bylaws, meetings\n      Subseries B: Housing Planning Group Meetings, 1980\n      Subseries C: Public Relations Activity\n      Subseries D: Published Materials\n      Subseries E: Exercises and analysis \n        Series IV: Project Records\n        Series V: Participatory Design Workshop, 1990 \n        Series VI: Aduiovisual and Electronic Media\n        Series VII: Exhibits and Artifacts","The Women's Development Corporation (WDC) is a non-profit housing developer in Rhode Island. The WDC was founded in 1979 by a group of architects, designers, community planners, and historic preservation professionals. The founders included Susan Aitcheson (Program Director, Vice President from 1979-2012, and President from 2012-2016), Katrin Adam, and Joan Forrester Sprague. Alma Felix Green was the first Executive Director in 1980 and retired as President in 2014. The WDC designs, develops, constructs, and manages sustainable housing for low and moderate income families, individuals with special needs, and elderly residents. Between 1979 and 2016, the WDC had developed over 1600 housing units.","Additional sources: \nhttp://www.wdchoc.org/about-wdc\nhttp://www.wdchoc.org/FAQ","These records document select activities of the Women's Development Corporation (WDC) of Rhode Island from 1979-2015. Materials include professional correspondence from WDC staff to peers, funding agencies, politicians, and clients; commendations received by the WDC; research notes and reports; administrative records, including meeting minutes and bylaws; public relations materials; press coverage by and about the WDC; project documentation, including design sketches, presentation drawings, photographs, and planning materials; audio-visual recordings; electronic records on DVD; and furniture models used in the participatory design planning process.","consist of books relevant to the firm's ideals preceding the work, with subjects covering aspects such as participatory design, guides to low-income housing design, housing for Low-Income single women, different types of households, and cohousing.","Titles:\n      \n        New Households, New Housing , Karen A. Franck, Sherry Ahrentzen\n        Singular Women: Housing for Low-Income Single Women Without Dependents. Ann Forsyth\n        Participatory Design. Theory and Techniques. Henry Sanoff. \n        A Practical Guide to Low-and Moderate-Income Housing. Charles Edison and Bruce Lane","Permission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech.","The Women's Development Corporation (WDC) is a Rhode Island based housing developer and non-profit founded by a group of architects, designers, community planners, and historic preservation professionals. These records document select activities of the WDC from 1979-2015.","Special Collections and University Archives, Virginia Tech","Women's Development Corporation (R.I.)","English\n."],"collection_title_tesim":["Women's Development Corporation Records, 1979/2015"],"collection_ssim":["Women's Development Corporation Records, 1979/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.012"],"unitid_tesim":["Ms.2016.012"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Women's Development Corporation (R.I.)"],"creator_ssim":["Women's Development Corporation (R.I.)"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Women's Development Corporation (R.I.)"],"creators_ssim":["Special Collections and University Archives, Virginia Tech","Women's Development Corporation (R.I.)"],"access_terms_ssm":["Permission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Women's Development Corporation Records were donated to Special Collections in 2016."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Rhode Island"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Rhode Island"],"has_online_content_ssim":["false"],"extent_ssm":["8.5 Cubic Feet Three records boxes, three small flat boxes, one large flat box, one roll of drawings, one large flat folder of drawings, 16 foam board presentation panels."],"extent_tesim":["8.5 Cubic Feet Three records boxes, three small flat boxes, one large flat box, one roll of drawings, one large flat folder of drawings, 16 foam board presentation panels."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged with respect to the original order and the Shephered/Lowell Standard Series and Subseries for Architeture and Landscape Design. The collection reflects the following series and subseries:\u003c/p\u003e\n      ","\u003cp\u003e\u003clist\u003e\n        \u003citem\u003eSeries I: Photographs\u003c/item\u003e \n       \u003citem\u003eSeries II: Professional Papers\u003c/item\u003e\n      \u003citem\u003eSubseries A: Correspondence related to the profession\u003c/item\u003e\n      \u003citem\u003eSubseries B: Awards, certificates\u003c/item\u003e\n      \u003citem\u003eSubseries C: Research Notes and Data Collection\u003c/item\u003e\n      \u003citem\u003eSubseries D: Files, articles, clipping, materials\u003c/item\u003e\n      \u003citem\u003eSubseries E: Women's School of Planning and Architecture\u003c/item\u003e\n        \u003citem\u003eSeries III: OFfice Records\u003c/item\u003e\n      \u003citem\u003eSubseries A: Administrative articles, bylaws, meetings\u003c/item\u003e\n      \u003citem\u003eSubseries B: Housing Planning Group Meetings, 1980\u003c/item\u003e\n      \u003citem\u003eSubseries C: Public Relations Activity\u003c/item\u003e\n      \u003citem\u003eSubseries D: Published Materials\u003c/item\u003e\n      \u003citem\u003eSubseries E: Exercises and analysis\u003c/item\u003e \n        \u003citem\u003eSeries IV: Project Records\u003c/item\u003e\n        \u003citem\u003eSeries V: Participatory Design Workshop, 1990\u003c/item\u003e \n        \u003citem\u003eSeries VI: Aduiovisual and Electronic Media\u003c/item\u003e\n        \u003citem\u003eSeries VII: Exhibits and Artifacts\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection was arranged with respect to the original order and the Shephered/Lowell Standard Series and Subseries for Architeture and Landscape Design. The collection reflects the following series and subseries:","Series I: Photographs \n       Series II: Professional Papers\n      Subseries A: Correspondence related to the profession\n      Subseries B: Awards, certificates\n      Subseries C: Research Notes and Data Collection\n      Subseries D: Files, articles, clipping, materials\n      Subseries E: Women's School of Planning and Architecture\n        Series III: OFfice Records\n      Subseries A: Administrative articles, bylaws, meetings\n      Subseries B: Housing Planning Group Meetings, 1980\n      Subseries C: Public Relations Activity\n      Subseries D: Published Materials\n      Subseries E: Exercises and analysis \n        Series IV: Project Records\n        Series V: Participatory Design Workshop, 1990 \n        Series VI: Aduiovisual and Electronic Media\n        Series VII: Exhibits and Artifacts"],"bioghist_html_tesm":["\u003cp\u003eThe Women's Development Corporation (WDC) is a non-profit housing developer in Rhode Island. The WDC was founded in 1979 by a group of architects, designers, community planners, and historic preservation professionals. The founders included Susan Aitcheson (Program Director, Vice President from 1979-2012, and President from 2012-2016), Katrin Adam, and Joan Forrester Sprague. Alma Felix Green was the first Executive Director in 1980 and retired as President in 2014. The WDC designs, develops, constructs, and manages sustainable housing for low and moderate income families, individuals with special needs, and elderly residents. Between 1979 and 2016, the WDC had developed over 1600 housing units.\u003c/p\u003e","\u003cp\u003eAdditional sources: \nhttp://www.wdchoc.org/about-wdc\nhttp://www.wdchoc.org/FAQ\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Women's Development Corporation (WDC) is a non-profit housing developer in Rhode Island. 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Between 1979 and 2016, the WDC had developed over 1600 housing units.","Additional sources: \nhttp://www.wdchoc.org/about-wdc\nhttp://www.wdchoc.org/FAQ"],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Women's Development Corporation Records, Ms2016-012, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Women's Development Corporation Records, Ms2016-012, Special Collections, Virginia Tech, Blacksburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThese records document select activities of the Women's Development Corporation (WDC) of Rhode Island from 1979-2015. Materials include professional correspondence from WDC staff to peers, funding agencies, politicians, and clients; commendations received by the WDC; research notes and reports; administrative records, including meeting minutes and bylaws; public relations materials; press coverage by and about the WDC; project documentation, including design sketches, presentation drawings, photographs, and planning materials; audio-visual recordings; electronic records on DVD; and furniture models used in the participatory design planning process.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["These records document select activities of the Women's Development Corporation (WDC) of Rhode Island from 1979-2015. Materials include professional correspondence from WDC staff to peers, funding agencies, politicians, and clients; commendations received by the WDC; research notes and reports; administrative records, including meeting minutes and bylaws; public relations materials; press coverage by and about the WDC; project documentation, including design sketches, presentation drawings, photographs, and planning materials; audio-visual recordings; electronic records on DVD; and furniture models used in the participatory design planning process."],"separatedmaterial_html_tesm":["\u003cp\u003econsist of books relevant to the firm's ideals preceding the work, with subjects covering aspects such as participatory design, guides to low-income housing design, housing for Low-Income single women, different types of households, and cohousing.\u003c/p\u003e\n      ","\u003cp\u003eTitles:\n      \u003clist\u003e\n        \u003citem\u003eNew Households, New Housing , Karen A. Franck, Sherry Ahrentzen\u003c/item\u003e\n        \u003citem\u003eSingular Women: Housing for Low-Income Single Women Without Dependents. Ann Forsyth\u003c/item\u003e\n        \u003citem\u003eParticipatory Design. Theory and Techniques. Henry Sanoff. \u003c/item\u003e\n        \u003citem\u003eA Practical Guide to Low-and Moderate-Income Housing. Charles Edison and Bruce Lane\u003c/item\u003e\n      \u003c/list\u003e\u003c/p\u003e\n  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["consist of books relevant to the firm's ideals preceding the work, with subjects covering aspects such as participatory design, guides to low-income housing design, housing for Low-Income single women, different types of households, and cohousing.","Titles:\n      \n        New Households, New Housing , Karen A. Franck, Sherry Ahrentzen\n        Singular Women: Housing for Low-Income Single Women Without Dependents. Ann Forsyth\n        Participatory Design. Theory and Techniques. Henry Sanoff. \n        A Practical Guide to Low-and Moderate-Income Housing. Charles Edison and Bruce Lane"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Women's Development Corporation Records must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aafc0791548f8db4013de87fd32b6b25\" label=\"Abstract\"\u003eThe Women's Development Corporation (WDC) is a Rhode Island based housing developer and non-profit founded by a group of architects, designers, community planners, and historic preservation professionals. 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Materials include professional correspondence from WDC staff to peers, funding agencies, politicians, and clients; commendations received by the WDC; research notes and reports; administrative records, including meeting minutes and bylaws; public relations materials; press coverage by and about the WDC; project documentation, including design sketches, presentation drawings, photographs, and planning materials; audio-visual recordings; electronic records on DVD; and furniture models used in the participatory design planning process.","consist of books relevant to the firm's ideals preceding the work, with subjects covering aspects such as participatory design, guides to low-income housing design, housing for Low-Income single women, different types of households, and cohousing.","Titles:\n      \n        New Households, New Housing , Karen A. Franck, Sherry Ahrentzen\n        Singular Women: Housing for Low-Income Single Women Without Dependents. 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