{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=1","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=3","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=3"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":3,"limit_value":10,"offset_value":10,"total_count":27,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_2307","type":"collection","attributes":{"title":"Krasimira Choneva Architectural Collection, 1958/1994","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2307#abstract_or_scope","type":"document_value","attributes":{"value":"The Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2307#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2307","ead_ssi":"viblbv_repositories_2_resources_2307","_root_":"viblbv_repositories_2_resources_2307","_nest_parent_":"viblbv_repositories_2_resources_2307","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2307.xml","title_filing_ssi":"Choneva, Krasimira, Architectural Collection","title_ssm":["Krasimira Choneva Architectural Collection"],"title_tesim":["Krasimira Choneva Architectural Collection"],"unitdate_ssm":["1958-1994"],"unitdate_inclusive_ssm":["1958-1994"],"normalized_date_ssm":["1958/1994"],"normalized_title_ssm":["Krasimira Choneva Architectural Collection, 1958/1994"],"text":["Krasimira Choneva Architectural Collection, 1958/1994","Ms.2007.003","Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs","The collection is open for research.","The collection is arranged chronologically according to project.","Krasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903.","Choneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria.","\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\"","Choneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna.","Choneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects.","In 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls.","In 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\"","In the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002.","Choneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina.","The guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007.","The Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007.","The majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007.","Special Collections and University Archives, Virginia Tech","Choneva, Krasimira","The materials in the collection are in English."],"collection_title_tesim":["Krasimira Choneva Architectural Collection, 1958/1994"],"collection_ssim":["Krasimira Choneva Architectural Collection, 1958/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.003"],"unitid_tesim":["Ms.2007.003"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_persname_ssim":["Choneva, Krasimira"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Choneva, Krasimira","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Krasimira Choneva Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs"],"access_subjects_ssm":["Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3.1 Cubic Feet 1 box and 7 oversize folders"],"extent_tesim":["3.1 Cubic Feet 1 box and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)","Photographs"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically according to project.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically according to project."],"bioghist_html_tesm":["\u003cp\u003eKrasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903. \u003c/p\u003e","\u003cp\u003eChoneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria. \u003c/p\u003e","\u003cp\u003e\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\" \u003c/p\u003e","\u003cp\u003eChoneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna. \u003c/p\u003e","\u003cp\u003eChoneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects. \u003c/p\u003e","\u003cp\u003eIn 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls. \u003c/p\u003e","\u003cp\u003eIn 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\" \u003c/p\u003e","\u003cp\u003eIn the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002. \u003c/p\u003e","\u003cp\u003eChoneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Krasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903.","Choneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria.","\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\"","Choneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna.","Choneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects.","In 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls.","In 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\"","In the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002.","Choneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Krasimira Choneva Architectural Collection, Ms 2007-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Krasimira Choneva Architectural Collection, Ms 2007-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007."],"scopecontent_html_tesm":["\u003cp\u003eThe Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007. \u003c/p\u003e","\u003cp\u003eThe majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007.","The majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_06546c798bf0fd1382b3bfdc9430a06e\" label=\"Abstract\"\u003eThe Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Choneva, Krasimira"],"names_coll_ssim":["Choneva, Krasimira"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Choneva, Krasimira"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2307","ead_ssi":"viblbv_repositories_2_resources_2307","_root_":"viblbv_repositories_2_resources_2307","_nest_parent_":"viblbv_repositories_2_resources_2307","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2307.xml","title_filing_ssi":"Choneva, Krasimira, Architectural Collection","title_ssm":["Krasimira Choneva Architectural Collection"],"title_tesim":["Krasimira Choneva Architectural Collection"],"unitdate_ssm":["1958-1994"],"unitdate_inclusive_ssm":["1958-1994"],"normalized_date_ssm":["1958/1994"],"normalized_title_ssm":["Krasimira Choneva Architectural Collection, 1958/1994"],"text":["Krasimira Choneva Architectural Collection, 1958/1994","Ms.2007.003","Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs","The collection is open for research.","The collection is arranged chronologically according to project.","Krasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903.","Choneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria.","\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\"","Choneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna.","Choneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects.","In 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls.","In 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\"","In the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002.","Choneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina.","The guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007.","The Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007.","The majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007.","Special Collections and University Archives, Virginia Tech","Choneva, Krasimira","The materials in the collection are in English."],"collection_title_tesim":["Krasimira Choneva Architectural Collection, 1958/1994"],"collection_ssim":["Krasimira Choneva Architectural Collection, 1958/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.003"],"unitid_tesim":["Ms.2007.003"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_persname_ssim":["Choneva, Krasimira"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Choneva, Krasimira","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Krasimira Choneva Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs"],"access_subjects_ssm":["Architects -- Bulgaria","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Architectural drawings (visual works)","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["3.1 Cubic Feet 1 box and 7 oversize folders"],"extent_tesim":["3.1 Cubic Feet 1 box and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)","Photographs"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically according to project.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically according to project."],"bioghist_html_tesm":["\u003cp\u003eKrasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903. \u003c/p\u003e","\u003cp\u003eChoneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria. \u003c/p\u003e","\u003cp\u003e\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\" \u003c/p\u003e","\u003cp\u003eChoneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna. \u003c/p\u003e","\u003cp\u003eChoneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects. \u003c/p\u003e","\u003cp\u003eIn 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls. \u003c/p\u003e","\u003cp\u003eIn 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\" \u003c/p\u003e","\u003cp\u003eIn the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002. \u003c/p\u003e","\u003cp\u003eChoneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Krasimira Zheliazkova Choneva was born on September 23, 1935 in Varna, Bulgaria. Her father, Zheliaazko Maldjiev (b.1901) was an insurance agent and her mother Elena Ivanova Maldjieva (b.1898) was a middle school teacher who moved with her family to Varna from Macedonia after the Llinden uprising in 1903.","Choneva's family emphasized hard work and education, as a result Choneva's brothers attained university diplomas in electronics and technology and her cousins studied architecture. At the encouragement of her family Choneva enrolled in a Construction and Technological High School where she began her study of architecture. In addition to academia, Krasimira participated in sports, specifically swimming, eventually taking second place at a national competition in Bulgaria.","\"This sport helped me to aim at being the best, to follow the prescribed rules and to organize my time and activities. I didn't continue my architectural education in the university for the following reasons,\" Krasmira states, \"First, because I was in training to reach the international standards in swimming. Second, university entrance in the architecture program required contacts within the ruling communist party.\"","Choneva's professional architectural experience began in 1958 when she started working in the construction office of Varna's ship building industrial complex. The experience cemented her \"love and commitment for architecture.\" In 1959, Choneva's won a draftsman competition in the design organization for the town of Varna.","Choneva worked for this state organization until her mandatory retirement in 1990, calling this period her \"university training.\" The work experience provided Choneva with the opportunity to work with several architects including, Marin Marinov; Simeon Dimitrov; Kosio Khristov; Julia Angelova; Daniel Ognianov; and Philio Ginev on multiple design projects.","In 1961 Choneva married Marin Choveve (b.1932) a conductor of the leading Bulgarian choir \"Morski Zvutzu\" (The Sounds of the Sea). The choir performed abroad giving her the opportunity to visit multiple countries and familiarize herself with their architecture. \"During the years of the 'Iron Curtain' such knowledge gave me considerable advantage,\" Choneva recalls.","In 1971 Choneva became involved with construction of mass-housing utilizing prefabricated panels. The system developed after WWII in Western Europe and was later imported by the Soviet Union. \"Regardless of the persistent endless criticism of prefabricated multi-family apartment housing,\" Krasmiria insists, \"it was justified by the large migration of people from the agricultural sector (small towns and villages) to cities with large industrial developments. The prefabricated system gave to almost all urban dwellers the option to reside in their own apartment with adequate space and sanitary facilities. The modular panels (5.10 meters x 3.60 meters) allowed for functional arrangement of the required spaces. Speedy construction, however, allowed for sloppy finishes and shoddy appearance of the apartment buildings. I am glad to have responded to the societies demand for improved quality and to my personal desire to give the ugly panels a more attractive façade appearance.\"","In the latter part of the 1980's the Union of Bulgarian Architects (SAB) invited Choneva to join their organization. This was a distinct honor giving Choneva the right to open a private practice after the change in Bulgarian government between 1989 and 1990. Choneva opened a private office where she designed residential houses and apartment buildings for twelve years from 1990-2002.","Choneva had three children, two daughters and one son. Her daughter, Liuliana Marinova Chonevea (b. Oct. 14, 1962) joined her at the practice when she graduated Sofia Polytechnic in 1990. Upon her retirement Choneva transferred the practice to her daughter. Her son Kalin Tchonev (b.1971), also a choral conductor and piano performer, resides in North Carolina."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Krasimira Choneva Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Krasimira Choneva Architectural Collection, Ms 2007-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Krasimira Choneva Architectural Collection, Ms 2007-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Krasimira Choneva Architectural Collection commenced in March 2010 and was completed in April 2010. Preliminary processing including a detailed inventory was completed in March 2007."],"scopecontent_html_tesm":["\u003cp\u003eThe Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007. \u003c/p\u003e","\u003cp\u003eThe majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Krasimira Choneva Architectural Collection span the years 1958 to 1994 and cover projects Choneva completed in Bulgaria. The collection includes conceptual drawings, working drawings and supporting documents for six projects including, Hotel \"Victor\" in St. Nikola; Apartment building for B. Mikhov on Llinden St. in Varna; Pavilion with changing rooms to the Euxinograd Palace near Varna; Vacation house for Burov in the subdivision of Briz, Varna; Vacation house for Manasiev in Euxinograd near Varna; and a Vacation house for Shulekov on the Monastikski Rd. area. The collection also includes one biographical sketch written by Choneva herself, as well as an additional biography written by Milka Bliznakov in 2007.","The majority of Choneva's work includes architectural drawings of residential apartment buildings and vacation homes. Items of particular distinction in the collection include Choneva's early work on the Pavilion for Euxinograd Palace and her apartment designs utilizing prefabricated panels and accent colors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_06546c798bf0fd1382b3bfdc9430a06e\" label=\"Abstract\"\u003eThe Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Krasimira Choneva Architectural Collection includes conceptual and working drawings as well as supporting documents for six projects. The projects range in date from 1958-1994 and were all designed and completed in Bulgaria by Krasimina Choneva. The collection also includes one biographical sketch written by Choneva herself as well as an additional biography written by Milka Bliznakov in 2007."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Choneva, Krasimira"],"names_coll_ssim":["Choneva, Krasimira"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Choneva, Krasimira"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2307"}},{"id":"viblbv_repositories_2_resources_2157","type":"collection","attributes":{"title":"Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2157#creator","type":"document_value","attributes":{"value":"Gramatikova, Lilia","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2157#abstract_or_scope","type":"document_value","attributes":{"value":"Lilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2157#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2157","ead_ssi":"viblbv_repositories_2_resources_2157","_root_":"viblbv_repositories_2_resources_2157","_nest_parent_":"viblbv_repositories_2_resources_2157","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2157.xml","title_filing_ssi":"Gramatikova, Lilia, Architectural Collection","title_ssm":["Lilia Gramatikova Architectural Collection"],"title_tesim":["Lilia Gramatikova Architectural Collection"],"unitdate_ssm":["1960-2007","bulk dates 1965-1981"],"unitdate_inclusive_ssm":["1960-2007"],"unitdate_bulk_ssim":["bulk dates 1965-1981"],"normalized_date_ssm":["1960/2007, bulk 1965/1981"],"normalized_title_ssm":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"text":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981","Ms.2001.023","Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)","The collection is open to research.","Some of this collection has been digitized and is available online.","Lilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985.","Between 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981).","The guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013.","The Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Lilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information.","Special Collections and University Archives, Virginia Tech","Gramatikova, Lilia","The materials in the collection are in Bulgarian and German."],"collection_title_tesim":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"collection_ssim":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.023"],"unitid_tesim":["Ms.2001.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Gramatikova, Lilia"],"creator_ssim":["Gramatikova, Lilia"],"creator_persname_ssim":["Gramatikova, Lilia"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Gramatikova, Lilia","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Lilia Gramatikova Architectural Collection was donated to Special Collections in 2000 and 2007."],"access_subjects_ssim":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["1.2 Cubic Feet 4 boxes"],"extent_tesim":["1.2 Cubic Feet 4 boxes"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/gram\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eLilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985. \u003c/p\u003e","\u003cp\u003eBetween 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985.","Between 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Gramatikova Architectural Collection, Ms2001-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Gramatikova Architectural Collection, Ms2001-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fe4aa114be94d25f31c861ceeafbdf0e\" label=\"Abstract\"\u003eLilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Lilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Gramatikova, Lilia"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Gramatikova, Lilia"],"language_ssim":["The materials in the collection are in Bulgarian and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2157","ead_ssi":"viblbv_repositories_2_resources_2157","_root_":"viblbv_repositories_2_resources_2157","_nest_parent_":"viblbv_repositories_2_resources_2157","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2157.xml","title_filing_ssi":"Gramatikova, Lilia, Architectural Collection","title_ssm":["Lilia Gramatikova Architectural Collection"],"title_tesim":["Lilia Gramatikova Architectural Collection"],"unitdate_ssm":["1960-2007","bulk dates 1965-1981"],"unitdate_inclusive_ssm":["1960-2007"],"unitdate_bulk_ssim":["bulk dates 1965-1981"],"normalized_date_ssm":["1960/2007, bulk 1965/1981"],"normalized_title_ssm":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"text":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981","Ms.2001.023","Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)","The collection is open to research.","Some of this collection has been digitized and is available online.","Lilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985.","Between 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981).","The guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013.","The Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Lilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information.","Special Collections and University Archives, Virginia Tech","Gramatikova, Lilia","The materials in the collection are in Bulgarian and German."],"collection_title_tesim":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"collection_ssim":["Lilia Gramatikova Architectural Collection, 1960/2007, bulk 1965/1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.023"],"unitid_tesim":["Ms.2001.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Gramatikova, Lilia"],"creator_ssim":["Gramatikova, Lilia"],"creator_persname_ssim":["Gramatikova, Lilia"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Gramatikova, Lilia","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Lilia Gramatikova Architectural Collection was donated to Special Collections in 2000 and 2007."],"access_subjects_ssim":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Architects","Architects and community","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Bulgaria","Women architects -- Germany","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["1.2 Cubic Feet 4 boxes"],"extent_tesim":["1.2 Cubic Feet 4 boxes"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/gram\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eLilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985. \u003c/p\u003e","\u003cp\u003eBetween 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lilia Bencheva-Gramatikova was born in 1929 in Karnobat, Bulgaria. She graduated in architecture from Sophia Polytechnic (1953) and began her practice in the Sohpia State Design Organization Sofproekt from 1953 to 1965. She spent two years in Mongolia (1961-1963) designing a youth center and its administrative council building. She transferred to Main State Design Organization Glavproekt (1965) where she worked until her retirement in 1985.","Between 1967 and 1982 she spent several years in Halle-Neustadt, East Germany where she designed the \"Haus der Dienste\" an apartment complex for 16,000 inhabitants.  She received several awards for her projects including the gold Order of Labor (1980) and the Diploma of Merit from the Committee for Architecture and Urbanism of the Council of the Bulgarian Republic (1981)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Lilia Gramatikova Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Gramatikova Architectural Collection, Ms2001-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lilia Gramatikova Architectural Collection, Ms2001-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Lilia Gramatikova Architectural Collection was completed in 2001. The 2007 addition was integrated in 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Lilia Gramatikova Architectural Collection consists of a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965), photographs of the Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria, and biographical information including an article by Nikolai Khaitov regarding Gramatikova and photocopies of award certificates. The collection also includes architectural drawings of two of her projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fe4aa114be94d25f31c861ceeafbdf0e\" label=\"Abstract\"\u003eLilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Lilia Gramatikova is an Bulgarian architect who practiced in Bulgaria, Mongolia, and East Germany from 1953-1985. The collection consists of 72 hand-drawn architectural drawings of two projects: Music High School for Folk Instruments and Folk Singing in Shiroka Lukka, Bulgaria (1974) and Territorial Information and Computing Center in Vrasta, Bulgaria (1981). Also present is a drawing (photocopy) of Gramatikova's personal residence in Sofia (1965) and a folder containing biographical information."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Gramatikova, Lilia"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Gramatikova, Lilia"],"language_ssim":["The materials in the collection are in Bulgarian and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2157"}},{"id":"viblbv_repositories_2_resources_2265","type":"collection","attributes":{"title":"L. Jane Hastings Architectural Papers, 1951/1998","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2265#creator","type":"document_value","attributes":{"value":"Hastings, L. Jane","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2265#abstract_or_scope","type":"document_value","attributes":{"value":"This collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2265#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2265","ead_ssi":"viblbv_repositories_2_resources_2265","_root_":"viblbv_repositories_2_resources_2265","_nest_parent_":"viblbv_repositories_2_resources_2265","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2265.xml","title_filing_ssi":"Hastings, L. Jane, Architectural Papers","title_ssm":["L. Jane Hastings Architectural Papers"],"title_tesim":["L. Jane Hastings Architectural Papers"],"unitdate_ssm":["1951-1998, n.d."],"unitdate_inclusive_ssm":["1951-1998, n.d."],"normalized_date_ssm":["1951/1998"],"normalized_title_ssm":["L. Jane Hastings Architectural Papers, 1951/1998"],"text":["L. Jane Hastings Architectural Papers, 1951/1998","Ms.2004.004","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.","Series I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.","Series II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.","Series III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.","Series IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House.","L. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so).","After working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building.","Hastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992.","During the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of The Seattle Times, as well as in House Beautiful  and House \u0026 Garden.","Hastings retired from full-time practice in the late 1990s.","The guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015.","The L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities.","Special Collections and University Archives, Virginia Tech","Hastings, L. Jane","The materials in the collection are in English."],"collection_title_tesim":["L. Jane Hastings Architectural Papers, 1951/1998"],"collection_ssim":["L. Jane Hastings Architectural Papers, 1951/1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2004.004"],"unitid_tesim":["Ms.2004.004"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Hastings, L. Jane"],"creator_ssim":["Hastings, L. Jane"],"creator_persname_ssim":["Hastings, L. Jane"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Hastings, L. Jane","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The L. Jane Hastings Architectural Papers were donated to the International Archive of Women in Architecture at Special Collections in 2002."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["10.5 Cubic Feet 8 boxes, 21 oversize folders, and 9 boards"],"extent_tesim":["10.5 Cubic Feet 8 boxes, 21 oversize folders, and 9 boards"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.\u003c/p\u003e","\u003cp\u003eSeries I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.\u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.\u003c/p\u003e","\u003cp\u003eSeries III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.\u003c/p\u003e","\u003cp\u003eSeries IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.","Series I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.","Series II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.","Series III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.","Series IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House."],"bioghist_html_tesm":["\u003cp\u003eL. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so). \u003c/p\u003e","\u003cp\u003eAfter working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building. \u003c/p\u003e","\u003cp\u003eHastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992. \u003c/p\u003e","\u003cp\u003eDuring the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of \u003cemph render=\"italic\"\u003eThe Seattle Times\u003c/emph\u003e, as well as in \u003ctitle render=\"italic\"\u003eHouse Beautiful \u003c/title\u003e and \u003ctitle render=\"italic\"\u003eHouse \u0026amp; Garden\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eHastings retired from full-time practice in the late 1990s. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["L. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so).","After working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building.","Hastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992.","During the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of The Seattle Times, as well as in House Beautiful  and House \u0026 Garden.","Hastings retired from full-time practice in the late 1990s."],"odd_html_tesm":["\u003cp\u003eThe guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  L. Jane Hastings Architectural Papers, Ms2004-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  L. Jane Hastings Architectural Papers, Ms2004-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9bb46d26c95152405a29db516eaa6fa3\" label=\"Abstract\"\u003eThis collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Hastings, L. Jane"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Hastings, L. Jane"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2265","ead_ssi":"viblbv_repositories_2_resources_2265","_root_":"viblbv_repositories_2_resources_2265","_nest_parent_":"viblbv_repositories_2_resources_2265","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2265.xml","title_filing_ssi":"Hastings, L. Jane, Architectural Papers","title_ssm":["L. Jane Hastings Architectural Papers"],"title_tesim":["L. Jane Hastings Architectural Papers"],"unitdate_ssm":["1951-1998, n.d."],"unitdate_inclusive_ssm":["1951-1998, n.d."],"normalized_date_ssm":["1951/1998"],"normalized_title_ssm":["L. Jane Hastings Architectural Papers, 1951/1998"],"text":["L. Jane Hastings Architectural Papers, 1951/1998","Ms.2004.004","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.","Series I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.","Series II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.","Series III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.","Series IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House.","L. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so).","After working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building.","Hastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992.","During the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of The Seattle Times, as well as in House Beautiful  and House \u0026 Garden.","Hastings retired from full-time practice in the late 1990s.","The guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015.","The L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities.","Special Collections and University Archives, Virginia Tech","Hastings, L. Jane","The materials in the collection are in English."],"collection_title_tesim":["L. Jane Hastings Architectural Papers, 1951/1998"],"collection_ssim":["L. Jane Hastings Architectural Papers, 1951/1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2004.004"],"unitid_tesim":["Ms.2004.004"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Hastings, L. Jane"],"creator_ssim":["Hastings, L. Jane"],"creator_persname_ssim":["Hastings, L. Jane"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Hastings, L. Jane","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The L. Jane Hastings Architectural Papers were donated to the International Archive of Women in Architecture at Special Collections in 2002."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["10.5 Cubic Feet 8 boxes, 21 oversize folders, and 9 boards"],"extent_tesim":["10.5 Cubic Feet 8 boxes, 21 oversize folders, and 9 boards"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.\u003c/p\u003e","\u003cp\u003eSeries I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.\u003c/p\u003e","\u003cp\u003eSeries II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.\u003c/p\u003e","\u003cp\u003eSeries III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.\u003c/p\u003e","\u003cp\u003eSeries IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series: Series I. Personal Papers, 2009; Series II: Professional Papers, 1951-1997; Series III: Project Records, 1959-1998; Series IV: Art and Artifacts, 1952-1989.","Series I: Personal Papers consists of a biographical outline and a brief history of the drafting tools and processes Hastings has used throughout her career.","Series II: Professional Papers, 1951-1997 consists of material documenting Hastings' numerous professional and civic activities. Newspaper and magazine articles and photographs document various completed residential design projects. Certificates and plaques document Hastings' various professional achievements, including various awards for design and being named a Fellow of the AIA. Other material, such as Hastings' diploma and license, document her entry into the architectural profession. The series is arranged into four subseries: A. Association and Committees, 1969-1998, B. Awards and Other Materials, 1951-1995, C. Reference Files, 1962-1985, 1996-1997, and D. \"Home of the Month\" residence, 1968-1984.","Series III. Project Records, 1959-1998 consists of material created and accumulated by Hastings (as well as other architects of the Hastings Group) in the course of various design projects. Material includes drawings, presentation boards, and photographs.","Series IV. Art and Artifacts, 1952-1989 consists of 2 registration stamps, a set of drafting tools, a set of lettering tools, four commemorative UIFA scarves, and a miniature book by one of Hastings' clients featuring Hastings' Reed House."],"bioghist_html_tesm":["\u003cp\u003eL. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so). \u003c/p\u003e","\u003cp\u003eAfter working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building. \u003c/p\u003e","\u003cp\u003eHastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992. \u003c/p\u003e","\u003cp\u003eDuring the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of \u003cemph render=\"italic\"\u003eThe Seattle Times\u003c/emph\u003e, as well as in \u003ctitle render=\"italic\"\u003eHouse Beautiful \u003c/title\u003e and \u003ctitle render=\"italic\"\u003eHouse \u0026amp; Garden\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eHastings retired from full-time practice in the late 1990s. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["L. Jane Hastings was born and raised in Seattle, Washington. She received a Bachelor of Architecture from the University of Washington in 1952 and became licensed as an architect in the State of Washington in 1953 (she was the eighth woman to do so).","After working for a time in a firm, Hastings started her own practice in 1959. She formed the Hastings Group in 1974, eventually employing eight architects. The Hastings Group carried out work on more than 500 residential projects primarily in the Seattle and surrounding areas. Other projects of the Hastings Group include: small commercial and university facilities remodeling, Sea-Tac Airport renovations, I-90 bridge approach, and historic restoration of an Indian Tribal building.","Hastings' other professional activities include serving as a lecturer in Design Studios in the College of Architecture and Urban Planning at the University of Washington, and as an instructor in the Architectural Drafting Program at Seattle Community College for 10 years. She was also active in various professional organizations, including the American Institute of Architects (AIA) and the International Union of Women Architects (UIFA). She served as the president of the Seattle chapter of AIA in 1975, became a Fellow of AIA in 1980, and served as first woman chancellor of the College of Fellows in 1992.","During the course of her career, Hastings was the recipient of numerous awards and honors for her design work (including the AIA \"Home of the Month\" Annual Award in 1968), as well as for her other civic and professional activities. Her work was continually featured in the \"Home of the Month\" and Pictorial Sections of The Seattle Times, as well as in House Beautiful  and House \u0026 Garden.","Hastings retired from full-time practice in the late 1990s."],"odd_html_tesm":["\u003cp\u003eThe guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  L. Jane Hastings Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  L. Jane Hastings Architectural Papers, Ms2004-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  L. Jane Hastings Architectural Papers, Ms2004-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the L. Jane Hastings Architectural Papers commenced in March 2004 and were completed in August 2004. Additions were processed and integrated into the collection July 2010 and August 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The L. Jane Hastings Architectural Papers consist of material created and accumulated by Hastings (and, to certain extent, by the other architects of the Hastings Group) in the course of her design and other professional activities. This material primarily comprises drawings, presentation boards, photographs, and printed material, as well as other material, including certificates and plaques. The drawings, presentation boards, and photographs relate to various design projects undertaken by Hastings during the time period from 1959 to 1973 and by the Hastings Group from 1974 to 1998. The printed material includes copies of newspaper and magazine articles that document various completed projects and International Union of Women Architects(UIFA) meeting papers and programs from 1969-1998. Other material includes diploma, license, and awards that document Hastings' professional achievements and honors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9bb46d26c95152405a29db516eaa6fa3\" label=\"Abstract\"\u003eThis collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes the papers of L. Jane Hastings, architect in Seattle, WA, founder and owner of The Hastings Group - Architects. Includes drawings, presentation boards, photographs, and printed material relating to Hastings' professional and design activities."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Hastings, L. Jane"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Hastings, L. Jane"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:31.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2265"}},{"id":"viblbv_repositories_2_resources_2039","type":"collection","attributes":{"title":"Lois Davidson Gottlieb Architectural Collection, 1945/2009","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2039#creator","type":"document_value","attributes":{"value":"Gottlieb, Lois Davidson","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2039#abstract_or_scope","type":"document_value","attributes":{"value":"This collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2039#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2039","ead_ssi":"viblbv_repositories_2_resources_2039","_root_":"viblbv_repositories_2_resources_2039","_nest_parent_":"viblbv_repositories_2_resources_2039","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2039.xml","title_filing_ssi":"Gottlieb, Lois Davidson, Architectural Collection","title_ssm":["Lois Davidson Gottlieb Architectural Collection"],"title_tesim":["Lois Davidson Gottlieb Architectural Collection"],"unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"normalized_date_ssm":["1945/2009"],"normalized_title_ssm":["Lois Davidson Gottlieb Architectural Collection, 1945/2009"],"text":["Lois Davidson Gottlieb Architectural Collection, 1945/2009","Ms.1997.003","International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)","Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010.","Collection is open to research.","Some of this collection has been digitized and is available online.","The collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically.","Lois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950.","Gottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia.","Gottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996.","Gottlieb's work has been written about in many newspapers and periodicals, including House Beautiful and the Marin County Independent Journal. She has also published several works of her own, including Environment and Design in Housing (a book which was based on her lectures for a course of the same name and was published in 1966) and A Way of Life: An Apprenticeship with Frank Lloyd Wright (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001.","From 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project.","The guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010.","The collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University.","Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections.","This collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002.","Special Collections and University Archives, Virginia Tech","Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-","The materials in the collection are in English."],"collection_title_tesim":["Lois Davidson Gottlieb Architectural Collection, 1945/2009"],"collection_ssim":["Lois Davidson Gottlieb Architectural Collection, 1945/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1997.003"],"unitid_tesim":["Ms.1997.003"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Gottlieb, Lois Davidson"],"creator_ssim":["Gottlieb, Lois Davidson"],"creator_persname_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections."],"acqinfo_ssim":["The Lois Davidson Gottlieb Architectural Collection was donated to the International Archive of Women in Architecture by the creator in April 1997. Additional materials were donated in February and March 2003."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010."],"extent_ssm":["21.89 Cubic Feet 20 boxes; 15 oversize folders"],"extent_tesim":["21.89 Cubic Feet 20 boxes; 15 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/125\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eLois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950. \u003c/p\u003e","\u003cp\u003eGottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia. \u003c/p\u003e","\u003cp\u003eGottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996. \u003c/p\u003e","\u003cp\u003eGottlieb's work has been written about in many newspapers and periodicals, including \u003ctitle render=\"italic\"\u003eHouse Beautiful\u003c/title\u003e and the \u003ctitle render=\"italic\"\u003eMarin County Independent Journal\u003c/title\u003e. She has also published several works of her own, including \u003ctitle render=\"italic\"\u003eEnvironment and Design in Housing\u003c/title\u003e (a book which was based on her lectures for a course of the same name and was published in 1966) and \u003ctitle render=\"italic\"\u003eA Way of Life: An Apprenticeship with Frank Lloyd Wright\u003c/title\u003e (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001. \u003c/p\u003e","\u003cp\u003eFrom 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950.","Gottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia.","Gottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996.","Gottlieb's work has been written about in many newspapers and periodicals, including House Beautiful and the Marin County Independent Journal. She has also published several works of her own, including Environment and Design in Housing (a book which was based on her lectures for a course of the same name and was published in 1966) and A Way of Life: An Apprenticeship with Frank Lloyd Wright (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001.","From 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project."],"odd_html_tesm":["\u003cp\u003eThe guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lois Davidson Gottlieb Architectural Collection, Ms1997-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lois Davidson Gottlieb Architectural Collection, Ms1997-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f9fc903eeb47ad20a9d940ca5693b1f4\" label=\"Abstract\"\u003eThis collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"names_coll_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":298,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:20.057Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2039","ead_ssi":"viblbv_repositories_2_resources_2039","_root_":"viblbv_repositories_2_resources_2039","_nest_parent_":"viblbv_repositories_2_resources_2039","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2039.xml","title_filing_ssi":"Gottlieb, Lois Davidson, Architectural Collection","title_ssm":["Lois Davidson Gottlieb Architectural Collection"],"title_tesim":["Lois Davidson Gottlieb Architectural Collection"],"unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"normalized_date_ssm":["1945/2009"],"normalized_title_ssm":["Lois Davidson Gottlieb Architectural Collection, 1945/2009"],"text":["Lois Davidson Gottlieb Architectural Collection, 1945/2009","Ms.1997.003","International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)","Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010.","Collection is open to research.","Some of this collection has been digitized and is available online.","The collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically.","Lois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950.","Gottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia.","Gottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996.","Gottlieb's work has been written about in many newspapers and periodicals, including House Beautiful and the Marin County Independent Journal. She has also published several works of her own, including Environment and Design in Housing (a book which was based on her lectures for a course of the same name and was published in 1966) and A Way of Life: An Apprenticeship with Frank Lloyd Wright (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001.","From 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project.","The guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010.","The collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University.","Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections.","This collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002.","Special Collections and University Archives, Virginia Tech","Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-","The materials in the collection are in English."],"collection_title_tesim":["Lois Davidson Gottlieb Architectural Collection, 1945/2009"],"collection_ssim":["Lois Davidson Gottlieb Architectural Collection, 1945/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1997.003"],"unitid_tesim":["Ms.1997.003"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Gottlieb, Lois Davidson"],"creator_ssim":["Gottlieb, Lois Davidson"],"creator_persname_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections."],"acqinfo_ssim":["The Lois Davidson Gottlieb Architectural Collection was donated to the International Archive of Women in Architecture by the creator in April 1997. Additional materials were donated in February and March 2003."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010."],"extent_ssm":["21.89 Cubic Feet 20 boxes; 15 oversize folders"],"extent_tesim":["21.89 Cubic Feet 20 boxes; 15 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/125\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eLois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950. \u003c/p\u003e","\u003cp\u003eGottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia. \u003c/p\u003e","\u003cp\u003eGottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996. \u003c/p\u003e","\u003cp\u003eGottlieb's work has been written about in many newspapers and periodicals, including \u003ctitle render=\"italic\"\u003eHouse Beautiful\u003c/title\u003e and the \u003ctitle render=\"italic\"\u003eMarin County Independent Journal\u003c/title\u003e. She has also published several works of her own, including \u003ctitle render=\"italic\"\u003eEnvironment and Design in Housing\u003c/title\u003e (a book which was based on her lectures for a course of the same name and was published in 1966) and \u003ctitle render=\"italic\"\u003eA Way of Life: An Apprenticeship with Frank Lloyd Wright\u003c/title\u003e (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001. \u003c/p\u003e","\u003cp\u003eFrom 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950.","Gottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia.","Gottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996.","Gottlieb's work has been written about in many newspapers and periodicals, including House Beautiful and the Marin County Independent Journal. She has also published several works of her own, including Environment and Design in Housing (a book which was based on her lectures for a course of the same name and was published in 1966) and A Way of Life: An Apprenticeship with Frank Lloyd Wright (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001.","From 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project."],"odd_html_tesm":["\u003cp\u003eThe guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lois Davidson Gottlieb Architectural Collection, Ms1997-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lois Davidson Gottlieb Architectural Collection, Ms1997-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f9fc903eeb47ad20a9d940ca5693b1f4\" label=\"Abstract\"\u003eThis collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"names_coll_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":298,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:20.057Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2039"}},{"id":"viblbv_repositories_2_resources_2126","type":"collection","attributes":{"title":"Louise Hall Collection, 1893/1990","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2126#creator","type":"document_value","attributes":{"value":"Hall, Louise","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2126#abstract_or_scope","type":"document_value","attributes":{"value":"Louise Hall (1905-1990) was an American architect, who taught art and architectural history at Duke University from 1931 to 1975. Her papers document her teaching career, architecture career, and personal life.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2126#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2126","ead_ssi":"viblbv_repositories_2_resources_2126","_root_":"viblbv_repositories_2_resources_2126","_nest_parent_":"viblbv_repositories_2_resources_2126","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2126.xml","title_filing_ssi":"Hall, Louise, Collection","title_ssm":["Louise Hall Collection"],"title_tesim":["Louise Hall Collection"],"unitdate_ssm":["1893-1990, n.d."],"unitdate_inclusive_ssm":["1893-1990, n.d."],"normalized_date_ssm":["1893/1990"],"normalized_title_ssm":["Louise Hall Collection, 1893/1990"],"text":["Louise Hall Collection, 1893/1990","Ms.2000.086","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women in higher education","Architecture (discipline)","Collection is open for research.","The collection is open to research.","At the time of the donation, the collection was organized by material type and, more loosely, by the subject matter of materials. It is unclear to what degree this arrangement reflects the original order imposed by the creator. In the interest of minimal interference, these broader categories have generally been retained. The arrangement detailed in this finding aid reflects a high-level description of content by box. A more detailed inventory is available on request.","Although Series I is loosely divided into personal and professional correspondence, the original order reflected notable inter-mixing between the two. In 2014, selected personal correspondence was organized in chronological order.","Louise Hall (1905-1990) earned a B.A. from Wellesley College in 1927, B.S. from MIT in 1930, and a Ph.D. from Radcliffe 1954. She was a long-time member of the North Carolina Chapter of the AIA, and served as its archivist. She taught art and architectural history at Duke University from 1931-1975 and mentored many architects and scholars, including Dr. Mary Woods at the School of Architecture at Cornell who published a history of the profession.","The guide to the Louise Hall Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The collection is unprocessed. Minimal description was completed in or prior to 2002 and 2014. The collection is primarily in original order; however in 2014, selected personal correspondence was organized in chronological order.","See also the Louise Hall Papers, UA.29.02.0008, Duke University Archives, David M. Rubenstein Rare Book \u0026 Manuscript Library, Duke University.","The Louise Hall Papers contain papers from her teaching career, various jobs including architecture projects, drawings from an architecture class, diaries, maps, blueprints, scrapbooks and original artwork. It also includes old family letters and photographs (including glass negatives, cartes de visite, cabinet cards, and tintypes), genealogical research notes, and personal papers.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Louise Hall (1905-1990) was an American architect, who taught art and architectural history at Duke University from 1931 to 1975. Her papers document her teaching career, architecture career, and personal life.","Special Collections and University Archives, Virginia Tech","Hall, Louise","The materials in the collection are in English."],"collection_title_tesim":["Louise Hall Collection, 1893/1990"],"collection_ssim":["Louise Hall Collection, 1893/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2000.086"],"unitid_tesim":["Ms.2000.086"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Hall, Louise"],"creator_ssim":["Hall, Louise"],"creator_persname_ssim":["Hall, Louise"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Hall, Louise","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 2000."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women in higher education","Architecture (discipline)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women in higher education","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["102 Cubic Feet 67 boxes"],"extent_tesim":["102 Cubic Feet 67 boxes"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  ","\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","Condition Governing Access"],"accessrestrict_tesim":["Collection is open for research.","The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eAt the time of the donation, the collection was organized by material type and, more loosely, by the subject matter of materials. It is unclear to what degree this arrangement reflects the original order imposed by the creator. In the interest of minimal interference, these broader categories have generally been retained. The arrangement detailed in this finding aid reflects a high-level description of content by box. A more detailed inventory is available on request.\u003c/p\u003e","\u003cp\u003eAlthough Series I is loosely divided into personal and professional correspondence, the original order reflected notable inter-mixing between the two. In 2014, selected personal correspondence was organized in chronological order. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["At the time of the donation, the collection was organized by material type and, more loosely, by the subject matter of materials. It is unclear to what degree this arrangement reflects the original order imposed by the creator. In the interest of minimal interference, these broader categories have generally been retained. The arrangement detailed in this finding aid reflects a high-level description of content by box. A more detailed inventory is available on request.","Although Series I is loosely divided into personal and professional correspondence, the original order reflected notable inter-mixing between the two. In 2014, selected personal correspondence was organized in chronological order."],"bioghist_html_tesm":["\u003cp\u003eLouise Hall (1905-1990) earned a B.A. from Wellesley College in 1927, B.S. from MIT in 1930, and a Ph.D. from Radcliffe 1954. She was a long-time member of the North Carolina Chapter of the AIA, and served as its archivist. She taught art and architectural history at Duke University from 1931-1975 and mentored many architects and scholars, including Dr. Mary Woods at the School of Architecture at Cornell who published a history of the profession.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louise Hall (1905-1990) earned a B.A. from Wellesley College in 1927, B.S. from MIT in 1930, and a Ph.D. from Radcliffe 1954. She was a long-time member of the North Carolina Chapter of the AIA, and served as its archivist. She taught art and architectural history at Duke University from 1931-1975 and mentored many architects and scholars, including Dr. Mary Woods at the School of Architecture at Cornell who published a history of the profession."],"odd_html_tesm":["\u003cp\u003eThe guide to the Louise Hall Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Louise Hall Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Louise Hall Papers, Ms2000-086, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Louise Hall Papers, Ms2000-086, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe collection is unprocessed. Minimal description was completed in or prior to 2002 and 2014. The collection is primarily in original order; however in 2014, selected personal correspondence was organized in chronological order.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection is unprocessed. Minimal description was completed in or prior to 2002 and 2014. The collection is primarily in original order; however in 2014, selected personal correspondence was organized in chronological order."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca target=\"_blank\" href=\"https://archives.lib.duke.edu/catalog/ualhall\"\u003eLouise Hall Papers, UA.29.02.0008\u003c/a\u003e, Duke University Archives, David M. Rubenstein Rare Book \u0026amp; Manuscript Library, Duke University.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the Louise Hall Papers, UA.29.02.0008, Duke University Archives, David M. Rubenstein Rare Book \u0026 Manuscript Library, Duke University."],"scopecontent_html_tesm":["\u003cp\u003eThe Louise Hall Papers contain papers from her teaching career, various jobs including architecture projects, drawings from an architecture class, diaries, maps, blueprints, scrapbooks and original artwork. It also includes old family letters and photographs (including glass negatives, cartes de visite, cabinet cards, and tintypes), genealogical research notes, and personal papers.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Louise Hall Papers contain papers from her teaching career, various jobs including architecture projects, drawings from an architecture class, diaries, maps, blueprints, scrapbooks and original artwork. It also includes old family letters and photographs (including glass negatives, cartes de visite, cabinet cards, and tintypes), genealogical research notes, and personal papers."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d8cafbef12fcf027733a87c8b6f8a172\" label=\"Abstract\"\u003eLouise Hall (1905-1990) was an American architect, who taught art and architectural history at Duke University from 1931 to 1975. Her papers document her teaching career, architecture career, and personal life.\u003c/abstract\u003e\n    "],"abstract_tesim":["Louise Hall (1905-1990) was an American architect, who taught art and architectural history at Duke University from 1931 to 1975. Her papers document her teaching career, architecture career, and personal life."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Hall, Louise"],"names_coll_ssim":["Hall, Louise"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Hall, Louise"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:20.057Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2126","ead_ssi":"viblbv_repositories_2_resources_2126","_root_":"viblbv_repositories_2_resources_2126","_nest_parent_":"viblbv_repositories_2_resources_2126","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2126.xml","title_filing_ssi":"Hall, Louise, Collection","title_ssm":["Louise Hall Collection"],"title_tesim":["Louise Hall Collection"],"unitdate_ssm":["1893-1990, n.d."],"unitdate_inclusive_ssm":["1893-1990, n.d."],"normalized_date_ssm":["1893/1990"],"normalized_title_ssm":["Louise Hall Collection, 1893/1990"],"text":["Louise Hall Collection, 1893/1990","Ms.2000.086","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women in higher education","Architecture (discipline)","Collection is open for research.","The collection is open to research.","At the time of the donation, the collection was organized by material type and, more loosely, by the subject matter of materials. It is unclear to what degree this arrangement reflects the original order imposed by the creator. In the interest of minimal interference, these broader categories have generally been retained. The arrangement detailed in this finding aid reflects a high-level description of content by box. A more detailed inventory is available on request.","Although Series I is loosely divided into personal and professional correspondence, the original order reflected notable inter-mixing between the two. In 2014, selected personal correspondence was organized in chronological order.","Louise Hall (1905-1990) earned a B.A. from Wellesley College in 1927, B.S. from MIT in 1930, and a Ph.D. from Radcliffe 1954. She was a long-time member of the North Carolina Chapter of the AIA, and served as its archivist. She taught art and architectural history at Duke University from 1931-1975 and mentored many architects and scholars, including Dr. Mary Woods at the School of Architecture at Cornell who published a history of the profession.","The guide to the Louise Hall Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The collection is unprocessed. Minimal description was completed in or prior to 2002 and 2014. The collection is primarily in original order; however in 2014, selected personal correspondence was organized in chronological order.","See also the Louise Hall Papers, UA.29.02.0008, Duke University Archives, David M. Rubenstein Rare Book \u0026 Manuscript Library, Duke University.","The Louise Hall Papers contain papers from her teaching career, various jobs including architecture projects, drawings from an architecture class, diaries, maps, blueprints, scrapbooks and original artwork. It also includes old family letters and photographs (including glass negatives, cartes de visite, cabinet cards, and tintypes), genealogical research notes, and personal papers.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Louise Hall (1905-1990) was an American architect, who taught art and architectural history at Duke University from 1931 to 1975. Her papers document her teaching career, architecture career, and personal life.","Special Collections and University Archives, Virginia Tech","Hall, Louise","The materials in the collection are in English."],"collection_title_tesim":["Louise Hall Collection, 1893/1990"],"collection_ssim":["Louise Hall Collection, 1893/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2000.086"],"unitid_tesim":["Ms.2000.086"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Hall, Louise"],"creator_ssim":["Hall, Louise"],"creator_persname_ssim":["Hall, Louise"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Hall, Louise","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in 2000."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women in higher education","Architecture (discipline)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women in higher education","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["102 Cubic Feet 67 boxes"],"extent_tesim":["102 Cubic Feet 67 boxes"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  ","\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","Condition Governing Access"],"accessrestrict_tesim":["Collection is open for research.","The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eAt the time of the donation, the collection was organized by material type and, more loosely, by the subject matter of materials. It is unclear to what degree this arrangement reflects the original order imposed by the creator. In the interest of minimal interference, these broader categories have generally been retained. The arrangement detailed in this finding aid reflects a high-level description of content by box. A more detailed inventory is available on request.\u003c/p\u003e","\u003cp\u003eAlthough Series I is loosely divided into personal and professional correspondence, the original order reflected notable inter-mixing between the two. In 2014, selected personal correspondence was organized in chronological order. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["At the time of the donation, the collection was organized by material type and, more loosely, by the subject matter of materials. It is unclear to what degree this arrangement reflects the original order imposed by the creator. In the interest of minimal interference, these broader categories have generally been retained. The arrangement detailed in this finding aid reflects a high-level description of content by box. A more detailed inventory is available on request.","Although Series I is loosely divided into personal and professional correspondence, the original order reflected notable inter-mixing between the two. In 2014, selected personal correspondence was organized in chronological order."],"bioghist_html_tesm":["\u003cp\u003eLouise Hall (1905-1990) earned a B.A. from Wellesley College in 1927, B.S. from MIT in 1930, and a Ph.D. from Radcliffe 1954. She was a long-time member of the North Carolina Chapter of the AIA, and served as its archivist. She taught art and architectural history at Duke University from 1931-1975 and mentored many architects and scholars, including Dr. Mary Woods at the School of Architecture at Cornell who published a history of the profession.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louise Hall (1905-1990) earned a B.A. from Wellesley College in 1927, B.S. from MIT in 1930, and a Ph.D. from Radcliffe 1954. She was a long-time member of the North Carolina Chapter of the AIA, and served as its archivist. She taught art and architectural history at Duke University from 1931-1975 and mentored many architects and scholars, including Dr. Mary Woods at the School of Architecture at Cornell who published a history of the profession."],"odd_html_tesm":["\u003cp\u003eThe guide to the Louise Hall Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Louise Hall Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Louise Hall Papers, Ms2000-086, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Louise Hall Papers, Ms2000-086, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe collection is unprocessed. Minimal description was completed in or prior to 2002 and 2014. The collection is primarily in original order; however in 2014, selected personal correspondence was organized in chronological order.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection is unprocessed. Minimal description was completed in or prior to 2002 and 2014. The collection is primarily in original order; however in 2014, selected personal correspondence was organized in chronological order."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca target=\"_blank\" href=\"https://archives.lib.duke.edu/catalog/ualhall\"\u003eLouise Hall Papers, UA.29.02.0008\u003c/a\u003e, Duke University Archives, David M. Rubenstein Rare Book \u0026amp; Manuscript Library, Duke University.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the Louise Hall Papers, UA.29.02.0008, Duke University Archives, David M. Rubenstein Rare Book \u0026 Manuscript Library, Duke University."],"scopecontent_html_tesm":["\u003cp\u003eThe Louise Hall Papers contain papers from her teaching career, various jobs including architecture projects, drawings from an architecture class, diaries, maps, blueprints, scrapbooks and original artwork. It also includes old family letters and photographs (including glass negatives, cartes de visite, cabinet cards, and tintypes), genealogical research notes, and personal papers.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Louise Hall Papers contain papers from her teaching career, various jobs including architecture projects, drawings from an architecture class, diaries, maps, blueprints, scrapbooks and original artwork. It also includes old family letters and photographs (including glass negatives, cartes de visite, cabinet cards, and tintypes), genealogical research notes, and personal papers."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d8cafbef12fcf027733a87c8b6f8a172\" label=\"Abstract\"\u003eLouise Hall (1905-1990) was an American architect, who taught art and architectural history at Duke University from 1931 to 1975. Her papers document her teaching career, architecture career, and personal life.\u003c/abstract\u003e\n    "],"abstract_tesim":["Louise Hall (1905-1990) was an American architect, who taught art and architectural history at Duke University from 1931 to 1975. Her papers document her teaching career, architecture career, and personal life."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Hall, Louise"],"names_coll_ssim":["Hall, Louise"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Hall, Louise"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:20.057Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2126"}},{"id":"viblbv_repositories_2_resources_2928","type":"collection","attributes":{"title":"Margaret (Peggy) Cochrane Architectural Collection, 1951/1990","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2928#creator","type":"document_value","attributes":{"value":"Cochrane, Margaret Ann","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2928#abstract_or_scope","type":"document_value","attributes":{"value":"Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2928#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2928","ead_ssi":"viblbv_repositories_2_resources_2928","_root_":"viblbv_repositories_2_resources_2928","_nest_parent_":"viblbv_repositories_2_resources_2928","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2928.xml","title_filing_ssi":"Cochrane, Margaret (Peggy) Architectural Collection","title_ssm":["Margaret (Peggy) Cochrane Architectural Collection"],"title_tesim":["Margaret (Peggy) Cochrane Architectural Collection"],"unitdate_ssm":["1951-1990"],"unitdate_inclusive_ssm":["1951-1990"],"normalized_date_ssm":["1951/1990"],"normalized_title_ssm":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"text":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990","Ms.2013.088","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)","Collection is open for research.","The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.","Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.","Cochrane died in 2012.","The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.","The Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California.","Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.","Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.","Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann","English\n."],"collection_title_tesim":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"collection_ssim":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.088"],"unitid_tesim":["Ms.2013.088"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Cochrane, Margaret Ann"],"creator_ssim":["Cochrane, Margaret Ann"],"creator_persname_ssim":["Cochrane, Margaret Ann"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Cochrane, Margaret Ann","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Margaret (Peggy) Cochrane Architectural Collection was donated to the International Archive of Women in Architecture by the creator in 2012."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["13.2 Cubic Feet"],"extent_tesim":["13.2 Cubic Feet"],"genreform_ssim":["Architecture (discipline)","Architectural drawings (visual works)"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous."],"bioghist_html_tesm":["\u003cp\u003eMargaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.\u003c/p\u003e","\u003cp\u003eSome selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.  \u003c/p\u003e","\u003cp\u003eCochrane died in 2012.  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.","Cochrane died in 2012."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_230003010333c1c3706bcba2480e705a\" label=\"Abstract\"\u003eMargaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.\u003c/abstract\u003e\n    "],"abstract_tesim":["Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Cochrane, Margaret Ann"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann"],"language_ssim":["English\n."],"total_component_count_is":95,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2928","ead_ssi":"viblbv_repositories_2_resources_2928","_root_":"viblbv_repositories_2_resources_2928","_nest_parent_":"viblbv_repositories_2_resources_2928","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2928.xml","title_filing_ssi":"Cochrane, Margaret (Peggy) Architectural Collection","title_ssm":["Margaret (Peggy) Cochrane Architectural Collection"],"title_tesim":["Margaret (Peggy) Cochrane Architectural Collection"],"unitdate_ssm":["1951-1990"],"unitdate_inclusive_ssm":["1951-1990"],"normalized_date_ssm":["1951/1990"],"normalized_title_ssm":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"text":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990","Ms.2013.088","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)","Collection is open for research.","The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.","Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.","Cochrane died in 2012.","The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.","The Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California.","Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.","Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.","Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann","English\n."],"collection_title_tesim":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"collection_ssim":["Margaret (Peggy) Cochrane Architectural Collection, 1951/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.088"],"unitid_tesim":["Ms.2013.088"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Cochrane, Margaret Ann"],"creator_ssim":["Cochrane, Margaret Ann"],"creator_persname_ssim":["Cochrane, Margaret Ann"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Cochrane, Margaret Ann","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Margaret (Peggy) Cochrane Architectural Collection was donated to the International Archive of Women in Architecture by the creator in 2012."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["13.2 Cubic Feet"],"extent_tesim":["13.2 Cubic Feet"],"genreform_ssim":["Architecture (discipline)","Architectural drawings (visual works)"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Margaret (Peggy) Cochrane Architectural Collection is arranged by type of construction: Additions, Apartment Complexes, Remodels, Residences, and Miscellaneous."],"bioghist_html_tesm":["\u003cp\u003eMargaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.\u003c/p\u003e","\u003cp\u003eSome selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.  \u003c/p\u003e","\u003cp\u003eCochrane died in 2012.  \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Margaret (Peggy) Ann Cochrane graduated with a B.A. Degree from Scripps College in Claremont, CA. There she majored in architecture, assisted in teaching and won the architecture prize her senior year. She did graduate work in architecture at the University of Southern California and in Columbia University in New York, and studied Architecture and City Planning in Europe (1954). Cochrane had over thirty years of varied experience in all types of construction: office buildings, schools, hospitals, factories, apartment houses, condominiums, housing tracts, custom residential and remodeling.","Some selected firms she has worked for include Kahn and Jacobs (New York, NY); Litchfield, Whiting, Panero, and Severud (Tehran, Iran); Daniel, Mann, Johnson, and Mendenhall (Los Angeles, CA); and the Department of Public Buildings City of Los Angeles.  She operated her own practice from March 1959-June 1963 and from February 1978 to the end of her career.","Cochrane died in 2012."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Margaret (Peggy) Cochrane Architectural Collection, Ms2013-088, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Margaret (Peggy) Cochrane Architectural Collection was completed in November 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects.  Project drawings vary in size and detail, and most are residential projects in Southern California."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Margaret (Peggy) Cochrane Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_230003010333c1c3706bcba2480e705a\" label=\"Abstract\"\u003eMargaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California.\u003c/abstract\u003e\n    "],"abstract_tesim":["Margaret (Peggy) Cochrane Architectural Collection includes drawings for approximately 70 professional projects. Project drawings vary in size and detail, and most are residential projects in Southern California."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Cochrane, Margaret Ann"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Cochrane, Margaret Ann"],"language_ssim":["English\n."],"total_component_count_is":95,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2928"}},{"id":"viblbv_repositories_2_resources_2930","type":"collection","attributes":{"title":"Marie-Louise Laleyan Architectural Collection, 1961/2007","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#creator","type":"document_value","attributes":{"value":"Laleyan, Marie-Louise, 1935-2014","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#abstract_or_scope","type":"document_value","attributes":{"value":"Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977). Photographic record of her U.S. employment (1965-1972) is also present.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2930#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2930","ead_ssi":"viblbv_repositories_2_resources_2930","_root_":"viblbv_repositories_2_resources_2930","_nest_parent_":"viblbv_repositories_2_resources_2930","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2930.xml","title_filing_ssi":"Laleyan, Marie-Louise Architectural Collection","title_ssm":["Marie-Louise Laleyan Architectural Collection"],"title_tesim":["Marie-Louise Laleyan Architectural Collection"],"unitdate_ssm":["1961-2007"],"unitdate_inclusive_ssm":["1961-2007"],"normalized_date_ssm":["1961/2007"],"normalized_title_ssm":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"text":["Marie-Louise Laleyan Architectural Collection, 1961/2007","Ms.2013.090","Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)","Collection is open for research.","Some of this collection has been digitized and is available online.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014.","The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.","The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)","Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","English\n."],"collection_title_tesim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"collection_ssim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.090"],"unitid_tesim":["Ms.2013.090"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Laleyan, Marie-Louise, 1935-2014"],"creator_ssim":["Laleyan, Marie-Louise, 1935-2014"],"creator_persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Marie-Louise Laleyan Architectural Collection was donated to Special Collections in November 2008."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["11.3 Cubic Feet 13 boxes"],"extent_tesim":["11.3 Cubic Feet 13 boxes"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/175\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  \u003c/p\u003e","\u003cp\u003eBorn and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026amp; Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026amp; Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  \u003c/p\u003e","\u003cp\u003eAn active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  \u003c/p\u003e","\u003cp\u003eThe establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    \u003c/p\u003e","\u003cp\u003eIn 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. \u003c/p\u003e","\u003cp\u003eLaleyan died on January 21, 2014.      \t\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae9a6e553a301d0d2ed09e216601b53e\" label=\"Abstract\"\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/abstract\u003e\n    "],"abstract_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"names_coll_ssim":["Whitman, Bertha Yerex, b.1892"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"language_ssim":["English\n."],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2930","ead_ssi":"viblbv_repositories_2_resources_2930","_root_":"viblbv_repositories_2_resources_2930","_nest_parent_":"viblbv_repositories_2_resources_2930","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2930.xml","title_filing_ssi":"Laleyan, Marie-Louise Architectural Collection","title_ssm":["Marie-Louise Laleyan Architectural Collection"],"title_tesim":["Marie-Louise Laleyan Architectural Collection"],"unitdate_ssm":["1961-2007"],"unitdate_inclusive_ssm":["1961-2007"],"normalized_date_ssm":["1961/2007"],"normalized_title_ssm":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"text":["Marie-Louise Laleyan Architectural Collection, 1961/2007","Ms.2013.090","Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)","Collection is open for research.","Some of this collection has been digitized and is available online.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014.","The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.","The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)","Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.","Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.","Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","English\n."],"collection_title_tesim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"collection_ssim":["Marie-Louise Laleyan Architectural Collection, 1961/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.090"],"unitid_tesim":["Ms.2013.090"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Laleyan, Marie-Louise, 1935-2014"],"creator_ssim":["Laleyan, Marie-Louise, 1935-2014"],"creator_persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The Marie-Louise Laleyan Architectural Collection was donated to Special Collections in November 2008."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Women-owned architectural firms","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["11.3 Cubic Feet 13 boxes"],"extent_tesim":["11.3 Cubic Feet 13 boxes"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/175\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.  \u003c/p\u003e","\u003cp\u003eBorn and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026amp; Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026amp; Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.  \u003c/p\u003e","\u003cp\u003eAn active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.  \u003c/p\u003e","\u003cp\u003eThe establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.    \u003c/p\u003e","\u003cp\u003eIn 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers. \u003c/p\u003e","\u003cp\u003eLaleyan died on January 21, 2014.      \t\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007), formally Laleyan Associates.","Born and educated in Bulgaria Laleyan arrived in the United States in 1964. Laleyan has practiced architecture in Sofia, Bulgaria; Paris, France; and the United States.  Before establishing her own practice she worked with the following firms: Hart \u0026 Turner Architects (Sacramento, CA), Richard Neutra (Los Angeles, CA), and the San Francisco, CA firms of Claude Oakland and Associates, Anshen \u0026 Allen, Mario J. Ciamp, FAIA, and Paffard Keatinge Clay.","An active member of the American Institute of Architects (AIA) she has served on the Northern California Chapter's Board of Directors, as co-chairperson of the national AIA Task Force of Women in Architecture, and coauthor of the AIA Affirmative Action Plan.  She was also a founder of the Bay Area's Organization of Women in Architecture (OWA) and has represented the interests of women architects at numerous conferences and seminars.","The establishment of Laleyan Associates in 1977 was the culmination of a lifelong career intention and in her words a 'family tradition.' Laleyan was committed to keeping the firm small so that she would be able to provide quality service and personal attention to each project and client.  Projects undertaken by Laleyan Architects included light commercial, medical, institutional, residential, and public buildings with construction costs ranging from $25,000-3.4 million dollars.","In 2001, Laleyan began providing Physical Needs Assessments (PNA) and Construction Monitoring services for the California Housing Finance Agency (CHFA), a state housing acquisition lender to non-profit and for profit developers.","Laleyan died on January 21, 2014."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Marie-Louise Laleyan Architectural Collection, Ms2013-090, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marie-Louise Laleyan Architectural Collection was completed in April 2014."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials related to Illinois architect Bertha Y. Whitman were removed from the Laleyan collection and placed in Ms2009-054 IAWA Small Collections under Whitman's name.  (3/2009)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Marie-Louise Laleyan Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae9a6e553a301d0d2ed09e216601b53e\" label=\"Abstract\"\u003eMarie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present.\u003c/abstract\u003e\n    "],"abstract_tesim":["Marie-Louise Laleyan (1935-2014) was a San Francisco based architect with 48 years of experience including 30 years as principal of Laleyan Architects (1977-2007). The collection contains architectural drawings, specifications, construction files, and photographs relating to projects undertaken by Marie-Louise Laleyan (1977-2007) and Laleyan Architects (1972-1977).  Photographic record of her U.S. employment (1965-1972) is also present."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"names_coll_ssim":["Whitman, Bertha Yerex, b.1892"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Laleyan, Marie-Louise, 1935-2014","Whitman, Bertha Yerex, b.1892"],"language_ssim":["English\n."],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:31:18.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2930"}},{"id":"viblbv_repositories_2_resources_2317","type":"collection","attributes":{"title":"Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#creator","type":"document_value","attributes":{"value":"Channel, Mary Brown, 1907-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#abstract_or_scope","type":"document_value","attributes":{"value":"After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"unitdate_bulk_ssim":["1936-1950"],"normalized_date_ssm":["1936/2002, bulk 1936/1950"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"text":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","Ms.2007.030","/repositories/2/resources/2317","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"collection_title_tesim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"collection_ssim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Channel, Mary Brown, 1907-2006","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:59.961Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2317","ead_ssi":"viblbv_repositories_2_resources_2317","_root_":"viblbv_repositories_2_resources_2317","_nest_parent_":"viblbv_repositories_2_resources_2317","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2317.xml","title_filing_ssi":"Channel, Mary Brown, Architectural Collection","title_ssm":["Mary Brown Channel Architectural Collection"],"title_tesim":["Mary Brown Channel Architectural Collection"],"unitdate_ssm":["1936-2002","1936-1950"],"unitdate_inclusive_ssm":["1936-2002"],"unitdate_bulk_ssim":["1936-1950"],"normalized_date_ssm":["1936/2002, bulk 1936/1950"],"normalized_title_ssm":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"text":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950","Ms.2007.030","/repositories/2/resources/2317","Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)","The collection is open for research.","The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects.","Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.","The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.","There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter.","The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access.","After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.","Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006","The materials in the collection are in English."],"collection_title_tesim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"collection_ssim":["Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.030","/repositories/2/resources/2317"],"unitid_tesim":["Ms.2007.030","/repositories/2/resources/2317"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Channel, Mary Brown, 1907-2006"],"creator_ssim":["Channel, Mary Brown, 1907-2006"],"creator_persname_ssim":["Channel, Mary Brown, 1907-2006"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Channel, Mary Brown, 1907-2006","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"acqinfo_ssim":["The Mary Brown Channel Architectural Collection was donated to Special Collections in 2007."],"access_subjects_ssim":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects -- Virginia","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Women architects -- Virginia","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["11 Cubic Feet 10 boxes and 36 oversize folders"],"extent_tesim":["11 Cubic Feet 10 boxes and 36 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a \u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\"\u003eproject index\u003c/a\u003e alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor. \u003c/p\u003e","\u003cp\u003eIn order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941. \u003c/p\u003e","\u003cp\u003eOn the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series, I: Personal Papers, 1952-2002, and II: Project Records, 1936-1978, bulk 1936-1950. Each series is arranged alphabetically.","Series II: Project Records primarily contains architectural project drawings. Mary Ramsay Brown Channel did not consistently label or date her drawings. The records are arranged in a project index alphabetically by client's name. When a client's name was not available the records were ordered by project description and/or title. Any text in brackets was supplied by the processor.","In order to determine a date range for each project Channel's signature has been recorded in the project index. MRB stands for Mary Ramsay Brown and would indicate projects undertaken before her marriage in 1941. MBC stands for Mary Brown Channel and would indicate dates post-1941.","On the reverse of a majority of projects there is a number in red ink. This number appears to be an organizational scheme and therefore has been recorded on the project index. They were very helpful in bringing together drawings that had become separated from their projects. However, the researcher should note, there are several cases where the same number appears on distinctly different projects."],"bioghist_html_tesm":["\u003cp\u003eMary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.\u003c/p\u003e","\u003cp\u003eShe attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.\u003c/p\u003e","\u003cp\u003eGraduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\" \u003c/p\u003e","\u003cp\u003eChannel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect. \u003c/p\u003e","\u003cp\u003eFollowing her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.\u003c/p\u003e","\u003cp\u003eChannel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.\u003c/p\u003e","\u003cp\u003eShe was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.\u003c/p\u003e","\u003cp\u003eMary Ramsay Brown Channel died on January 21, 2006. She was 98 years old.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mary Ramsay Brown Channel was born December 8, 1907 to William Ambrose Brown and Mary Ramsay Brown of Portsmouth, VA.","She attended Randolph-Macon's Woman's College earning a bachelor of Mathematics in 1929. Channel wanted to follow her brother to the University of Virginia to study architecture, but women were not accepted into the University's graduate programs at the time. She instead applied and was accepted to Cornell University School of Architecture.","Graduating second in her class in 1933, she was also the first woman to win the Baird Prize Competition Medal. The Baird Prize was a six day design competition held by Cornell for architecture students in their junior and senior years. Channel was awarded the second prize medal for her design of a \"monumental aeration fountain for the city reservoir.\"","Channel returned to Portsmouth, VA after graduation and began her career with the Norfolk architecture firm Rudolph, Cooke and Van Leeuwen. She drew no salary for her two years but gained valuable experience working with the team that designed the main post office in Norfolk as well as several other civic and organizational buildings. In 1935, Channel was one of three candidates in a class of five to pass the Virginia Examining Board's licensing exam becoming Virginia's first licensed female architect.","Following her licensure she opened her own practice. In October, 1941 she married local businessman Warren Henry Channel. After the birth of her first child she limited her practice to residences and churches. Channel retained her license until 1990 and was actively drawing plans into her eighties.","Channel designed structures throughout southeastern Virginia. Some of her projects include the Lafayette Square Arch housing the main entrance of the demolished American National Bank, the old Virginia Power Company Building on High Street, Channel Furniture Store in Greenbrier, numerous houses, church additions and renovations.","She was recognized in October, 1987, at an occasion honoring Portsmouth's local and statewide notables.","Mary Ramsay Brown Channel died on January 21, 2006. She was 98 years old."],"odd_html_tesm":["\u003cp\u003eThe guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Mary Brown Channel Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2007-030pi.xls\" title=\"Project Index\"\u003eFor Series II: Project Records, see Project Index for full details.\u003c/a\u003e\u003c/p\u003e  "],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["For Series II: Project Records, see Project Index for full details."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Mary Brown Channel Architectural Collection, Ms2007-030, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Mary Brown Channel Architectural Collection commenced and was completed in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThere is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the  \u003ca target=\"_blank\" href=\"https://vtechworks.lib.vt.edu/handle/10919/5606\" title=\"IAWA Center News\"\u003e Fall 2008 IAWA Center News\u003c/a\u003e, the International Archive of Women in Architecture newsletter.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There is a one page article about the acquisition of the Mary Brown Channel Architectural Collection in the   Fall 2008 IAWA Center News, the International Archive of Women in Architecture newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Mary Brown Channel Architectural Collection contains sketches and drawings for approximately 160 Portsmouth area projects, the majority of the drawings represent residential designs but churches, retail stores, and institutional buildings are also included. Watercolor class projects from her days at Cornell University School of Architecture are also present; however, these drawings are extremely fragile and may require conservation work prior to access. The materials range in date from 1936-2002 with the bulk of the materials ranging from 1936-1950."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e","\u003cp\u003eMany of the college drawings and projects are extremely fragile and may require conservation work prior to access.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Many of the college drawings and projects are extremely fragile and may require conservation work prior to access."],"abstract_html_tesm":["\u003cabstract id=\"aspace_00ff62260d8228d2388ef81cd786864d\" label=\"Abstract\"\u003eAfter graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.\u003c/abstract\u003e\n    "],"abstract_tesim":["After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Channel, Mary Brown, 1907-2006"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Channel, Mary Brown, 1907-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":106,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:59.961Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2317"}},{"id":"viblbv_repositories_2_resources_1835","type":"collection","attributes":{"title":"Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#creator","type":"document_value","attributes":{"value":"Bliznakov, Milka T., 1927-2010","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#abstract_or_scope","type":"document_value","attributes":{"value":"Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1835#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1835","ead_ssi":"viblbv_repositories_2_resources_1835","_root_":"viblbv_repositories_2_resources_1835","_nest_parent_":"viblbv_repositories_2_resources_1835","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1835.xml","title_filing_ssi":"Bliznakov, Milka T. Papers and Architectural Drawings,","title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings"],"title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings"],"unitdate_ssm":["1946-2010"],"unitdate_inclusive_ssm":["1946-2010"],"normalized_date_ssm":["1946/2010"],"normalized_title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"text":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010","Ms.1991.025","Blacksburg (Va.)","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff","Collection is open for research.","This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.","Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.","The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.","This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.","Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010","The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"collection_title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"collection_ssim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.025"],"unitid_tesim":["Ms.1991.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"creator_ssm":["Bliznakov, Milka T., 1927-2010"],"creator_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_persname_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Bliznakov, Milka T., 1927-2010","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka T. Bliznakov Papers and Architectural Drawings Collection was donated to the IAWA at Special Collections in 2002 by Dr. Milka Bliznakov. Additions were made to the collection by Milka Bliznakov and Donna Dunay in 2006, 2007, 2011, and 2015."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"has_online_content_ssim":["false"],"extent_ssm":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"extent_tesim":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026amp; Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance."],"bioghist_html_tesm":["\u003cp\u003eMilka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.\u003c/p\u003e","\u003cp\u003eDuring her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.\u003c/p\u003e","\u003cp\u003eIn 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.\u003c/p\u003e","\u003cp\u003eMilka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.\u003c/p\u003e","\u003cp\u003eBliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\u003citem\u003eWatkins, R.N. \u003ctitle render=\"italic\"\u003eThe Ideal Communist City\u003c/title\u003e. New York: Braziller, 1968.\u003c/item\u003e\n\u003citem\u003eLloyd, P. \u0026amp; Collie, K. \u003ctitle render=\"italic\"\u003eSan Francisco: a guide to recent architecture\u003c/title\u003e. London: Ellipsis, 1997.\u003c/item\u003e \n\u003citem\u003eMarkelin, U.\u003ctitle render=\"italic\"\u003eProfiles: Pioneering Women Architects from Finland\u003c/title\u003e. Museum of Finnish Architecture, 1983. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eUse of Tradition in Russian \u0026amp; Soviet Architecture\u003c/title\u003e, guest edited by Cooke, C. \u0026amp; Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987.\u003c/item\u003e \n\u003citem\u003eBrumfield, W.C.\u003ctitle render=\"italic\"\u003eReshaping Russian Architecture: Western Technology, Utopian Dreams\u003c/title\u003e. New York : Cambridge University Press, 1990. \u003c/item\u003e \n\u003citem\u003eSomaya, B., Mehta, U., \u0026amp; Hecar Foundation\u003ctitle render=\"italic\"\u003eAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000\u003c/title\u003e. Mumbai : Hecar Foundation, 2000.\u003c/item\u003e \n\u003citem\u003eKuperus, M., \u0026amp; Meinsma, H.C.\u003ctitle render=\"italic\"\u003eArchitectes\u003c/title\u003e. Amsterdam: Uitgeverij Thoth, 1990.\u003c/item\u003e \n\u003citem\u003eBoutelle, S.H. \u0026amp; Morgan, J.\u003ctitle render=\"italic\"\u003eJulia Morgan, Architect\u003c/title\u003e.  New York : Abbeville Press, 1988. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003ePoem about Trees\u003c/title\u003e.  (ISBN: 9785090245890), \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe American Glossary of Architectural Terms \u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eIllustrated Garnsey\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eLa Realidad Sovietica\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eConstruction and Reconstruction of Towns\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios I-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios II-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eRussian Formalism\u003c/title\u003e. \u003c/item\u003e \u003c/list\u003e\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4904b4be35f9a287ba5ef74319f9f5c4\" label=\"Abstract\"\u003eMilka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.\u003c/abstract\u003e\n    "],"abstract_tesim":["Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Bliznakov, Milka T., 1927-2010"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010"],"language_ssim":["The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":542,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1835","ead_ssi":"viblbv_repositories_2_resources_1835","_root_":"viblbv_repositories_2_resources_1835","_nest_parent_":"viblbv_repositories_2_resources_1835","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1835.xml","title_filing_ssi":"Bliznakov, Milka T. Papers and Architectural Drawings,","title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings"],"title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings"],"unitdate_ssm":["1946-2010"],"unitdate_inclusive_ssm":["1946-2010"],"normalized_date_ssm":["1946/2010"],"normalized_title_ssm":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"text":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010","Ms.1991.025","Blacksburg (Va.)","Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff","Collection is open for research.","This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.","Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.","The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.","This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.","Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010","The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"collection_title_tesim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"collection_ssim":["Milka T. Bliznakov Papers and Architectural Drawings, 1946/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1991.025"],"unitid_tesim":["Ms.1991.025"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"creator_ssm":["Bliznakov, Milka T., 1927-2010"],"creator_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_persname_ssim":["Bliznakov, Milka T., 1927-2010"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"creators_ssim":["Bliznakov, Milka T., 1927-2010","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka T. Bliznakov Papers and Architectural Drawings Collection was donated to the IAWA at Special Collections in 2002 by Dr. Milka Bliznakov. Additions were made to the collection by Milka Bliznakov and Donna Dunay in 2006, 2007, 2011, and 2015."],"access_subjects_ssim":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"access_subjects_ssm":["Women -- History","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","University History","Women architects -- Bulgaria","Montgomery County (Va.)","Local/Regional History and Appalachian South","Faculty and staff"],"has_online_content_ssim":["false"],"extent_ssm":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"extent_tesim":["32.82 Cubic Feet 37 boxes; 8 oversize; 4 artifacts"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026amp; Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into five broad series: Personal Papers, Professional Papers, Faculty Papers, Major Projects, and Art \u0026 Artifacts. Within each of series, materials are arranged according to original order and chronology. Where original order was not clear, processing staff used the Standard Series for Architecture and Landscape Design Records as guidance."],"bioghist_html_tesm":["\u003cp\u003eMilka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.\u003c/p\u003e","\u003cp\u003eDuring her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.\u003c/p\u003e","\u003cp\u003eIn 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.\u003c/p\u003e","\u003cp\u003eMilka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.\u003c/p\u003e","\u003cp\u003eBliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Milka Bliznakov was born in Varna, Bulgaria in 1927. She attended the State Polytechnic Institute of Sofia and graduated with a master's degree in architecture in 1951. Bliznakov began practicing architecture in Bulgaria in 1952. In 1959, Bliznakov moved her practice to France. Two years later, Bliznakov emigrated to the United States.","During her first years in the United States, Bliznakov worked as an architect and studied Soviet architecture. She earned her Ph.D in architectural history from Columbia University in 1971. She taught at the University of Texas from 1972-1974, where she co-founded the Institute of Modern Russian Culture.","In 1974, Milka Bliznakov became a professor at Virginia Polytechnic Insitute and State University's College of Architecture and Urban Planning, where she taught in the urban design program. Bliznakov became an authority on the Russian avante-garde and constructivism movements. In 1985, Bliznakov worked with the Virginia Tech University Libraries and the College of Architecture and Urban Studies to establish the International Archive of Women in Architecture. She served as the chair of the IAWA Board of Advisors from 1985-1993.","Milka Bliznakov retired in 1998 in conjunction with the establishment of the Milka Bliznakov Prize. The Milka Bliznakov Prize is awarded annually to those whose research furthers the knowledge of women's contributions to architecture and design.","Bliznakov continued to acquire and donate works to the IAWA until her death on November 4, 2010."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka T. Bliznakov Papers and Architectural Drawings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Milka T. Bliznakov Papers and Architectural Drawings, Ms1991-025, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Milka T. Bliznakov Papers and Architectural Drawings was completed in February 2016."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of Milka Bliznakov (1927-2010), the founder of the International Archive of Women in Architecture (IAWA) and former chair of its board of advisors (1985-1993). It contains personal materials, including biographical information and personal correspondence. This collection also contains materials documenting Milka's prolific career as an architect and a professor emerita at Virginia Polytechnic Institute and State University. Some significant topics represented in these files are avante-garde architecture; Russian constructivism; futurist architecture in the Soviet Union; the history of Bulgaria and Bulgarian architecture; and women in art and architecture. In addition, this collection contains unique documents about the destruction of architectural structures in Croatia during the Bosnian war; Federal Broadcast Information Service (FBIS) reports on Soviet concentration camps; and detailed drawings and and project plans for Soviet infastructure. This collection also documentsd the proceedings of organizations and conferences attended by Milka Bliznakov such as L'Union Internationale des Femmes Architectes (UIFA), the International Archive of Women in Architecture (IAWA), and the Association for Slavic, Eastern European, and Eurasian Studies (AAASS). Materials are largely textual, comprising of correspondence, memoranda, minutes and agendas, legal materials, clippings, publications, reference files, blueprints, and maps. Among other formats scattered throughout the collection are photographs, negatives, and artifacts such as plaques. This collection also includes detailed drawings and specifications from Milka Bliznakov's architecture practice."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\u003citem\u003eWatkins, R.N. \u003ctitle render=\"italic\"\u003eThe Ideal Communist City\u003c/title\u003e. New York: Braziller, 1968.\u003c/item\u003e\n\u003citem\u003eLloyd, P. \u0026amp; Collie, K. \u003ctitle render=\"italic\"\u003eSan Francisco: a guide to recent architecture\u003c/title\u003e. London: Ellipsis, 1997.\u003c/item\u003e \n\u003citem\u003eMarkelin, U.\u003ctitle render=\"italic\"\u003eProfiles: Pioneering Women Architects from Finland\u003c/title\u003e. Museum of Finnish Architecture, 1983. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eUse of Tradition in Russian \u0026amp; Soviet Architecture\u003c/title\u003e, guest edited by Cooke, C. \u0026amp; Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987.\u003c/item\u003e \n\u003citem\u003eBrumfield, W.C.\u003ctitle render=\"italic\"\u003eReshaping Russian Architecture: Western Technology, Utopian Dreams\u003c/title\u003e. New York : Cambridge University Press, 1990. \u003c/item\u003e \n\u003citem\u003eSomaya, B., Mehta, U., \u0026amp; Hecar Foundation\u003ctitle render=\"italic\"\u003eAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000\u003c/title\u003e. Mumbai : Hecar Foundation, 2000.\u003c/item\u003e \n\u003citem\u003eKuperus, M., \u0026amp; Meinsma, H.C.\u003ctitle render=\"italic\"\u003eArchitectes\u003c/title\u003e. Amsterdam: Uitgeverij Thoth, 1990.\u003c/item\u003e \n\u003citem\u003eBoutelle, S.H. \u0026amp; Morgan, J.\u003ctitle render=\"italic\"\u003eJulia Morgan, Architect\u003c/title\u003e.  New York : Abbeville Press, 1988. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003ePoem about Trees\u003c/title\u003e.  (ISBN: 9785090245890), \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe American Glossary of Architectural Terms \u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eIllustrated Garnsey\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eLa Realidad Sovietica\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eConstruction and Reconstruction of Towns\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios I-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eWorking Architectural Studios II-Design Department of the Moscow Soviet\u003c/title\u003e. \u003c/item\u003e \n\u003citem\u003e\u003ctitle render=\"italic\"\u003eRussian Formalism\u003c/title\u003e. \u003c/item\u003e \u003c/list\u003e\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two volumes were returned to the Library of Columbia University. The following books were separated from the collection to be cataloged for the Rare Book Collection:","Watkins, R.N. The Ideal Communist City. New York: Braziller, 1968.\nLloyd, P. \u0026 Collie, K. San Francisco: a guide to recent architecture. London: Ellipsis, 1997. \nMarkelin, U.Profiles: Pioneering Women Architects from Finland. Museum of Finnish Architecture, 1983.  \nUse of Tradition in Russian \u0026 Soviet Architecture, guest edited by Cooke, C. \u0026 Kudriavtsev, A. Architectural Design journal, v. 57, no. 7/8. London: Architectural Design, 1987. \nBrumfield, W.C.Reshaping Russian Architecture: Western Technology, Utopian Dreams. New York : Cambridge University Press, 1990.  \nSomaya, B., Mehta, U., \u0026 Hecar FoundationAn Emancipated Place: the proceedings of the conference and exhibitino held in mumbai, February 2000. Mumbai : Hecar Foundation, 2000. \nKuperus, M., \u0026 Meinsma, H.C.Architectes. Amsterdam: Uitgeverij Thoth, 1990. \nBoutelle, S.H. \u0026 Morgan, J.Julia Morgan, Architect.  New York : Abbeville Press, 1988.  \nPoem about Trees.  (ISBN: 9785090245890),  \nThe American Glossary of Architectural Terms .  \nIllustrated Garnsey.  \nLa Realidad Sovietica.  \nConstruction and Reconstruction of Towns.  \nWorking Architectural Studios I-Design Department of the Moscow Soviet.  \nWorking Architectural Studios II-Design Department of the Moscow Soviet.  \nRussian Formalism."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4904b4be35f9a287ba5ef74319f9f5c4\" label=\"Abstract\"\u003eMilka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture.\u003c/abstract\u003e\n    "],"abstract_tesim":["Milka Bliznakov was a Bulgarian architect, architectural historian, and professor who practiced in Bulgaria, France, and the United States. The collection consists of her publications, research, correspondence, professional documentation of her practice, conference participation materials, teaching materials, and documents related to her involvement as the founder of the International Archive of Women in Architecture."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Bliznakov, Milka T., 1927-2010"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Bliznakov, Milka T., 1927-2010"],"language_ssim":["The majority of materials in this collection are written in English and Bulgarian. Additional materials are in German, French, Russian, Spanish, and Japanese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":542,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:00.355Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1835"}},{"id":"viblbv_repositories_2_resources_1976","type":"collection","attributes":{"title":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1976#abstract_or_scope","type":"document_value","attributes":{"value":"The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1976#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1976","ead_ssi":"viblbv_repositories_2_resources_1976","_root_":"viblbv_repositories_2_resources_1976","_nest_parent_":"viblbv_repositories_2_resources_1976","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1976.xml","title_filing_ssi":"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993","title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"unitdate_ssm":["1934-2000"],"unitdate_inclusive_ssm":["1934-2000"],"normalized_date_ssm":["1934/2000"],"normalized_title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"text":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","Ms.1994.023","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","This collection is arranged by subject.","CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.","The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","Special Collections and University Archives, Virginia Tech","The materials in the collection are in English."],"collection_title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"collection_ssim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.023"],"unitid_tesim":["Ms.1994.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" collection was donated to Special Collections in August 1994."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes, 1 oversize"],"extent_tesim":["2 Cubic Feet 2 boxes, 1 oversize"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/items/show/4672\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eCARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. \u003c/p\u003e","\u003cp\u003eThe group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture."],"odd_html_tesm":["\u003cp\u003eThe guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86d2ba0ef1b2b402a3db987ba3173c6d\" label=\"Abstract\"\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:20.057Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1976","ead_ssi":"viblbv_repositories_2_resources_1976","_root_":"viblbv_repositories_2_resources_1976","_nest_parent_":"viblbv_repositories_2_resources_1976","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1976.xml","title_filing_ssi":"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993","title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\""],"unitdate_ssm":["1934-2000"],"unitdate_inclusive_ssm":["1934-2000"],"normalized_date_ssm":["1934/2000"],"normalized_title_ssm":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"text":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","Ms.1994.023","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open to research.","Some of this collection has been digitized and is available online.","This collection is arranged by subject.","CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.","The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".","Special Collections and University Archives, Virginia Tech","The materials in the collection are in English."],"collection_title_tesim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"collection_ssim":["\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.023"],"unitid_tesim":["Ms.1994.023"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" collection was donated to Special Collections in August 1994."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes, 1 oversize"],"extent_tesim":["2 Cubic Feet 2 boxes, 1 oversize"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/items/show/4672\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eCARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture. \u003c/p\u003e","\u003cp\u003eThe group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture.\u003c/p\u003e  "],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["CARY, Chicks in Architecture Refuse to Yield (to Atavistic Thinking in Design and Society), was founded in 1992 as an offshoot of Chicago Women in Architecture by Chicago architects Carol Crandall, Kay Janis, and Sally Levine. The group originally formed as a Chicago-based collective whose goals are to focus attention on the status-quo of women and the position of women in the field of architecture.","The group designed and produced an exhibit called \"More Than the Sum of Our Body Parts\" that was shown at the Randolph Street Gallery in Chicago from June 16 to July 2, 1993. The purpose of the exhibit was to illustrate the many ways that women architects are discriminated against in the workplace by their male colleagues. The exhibit was comprised of sculptural and multimedia installations, focusing on such topics as the sexual discrimination and harassment of women architects, and the glass ceiling said to be limiting the advance of women in architecture."],"odd_html_tesm":["\u003cp\u003eThe guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993,\" Ms1994-023, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\" commenced and was completed in August 1994."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\". It consists of vignette sketches, drawings and floorplans of the exhibit layout, directory of members list, press releases, announcements and newsletters, copies of articles advertising the exhibit, slides used in the exhibit and of the exhibit, a videotape of the exhibit set-up and opening reception, letters, meeting minutes, mounted boards with dates and facts, an audiocassette, exhibit catalogs, a frieze of a series of caryatids (architectural columns in the shape of a woman) imposed with the faces of CARY members, and a large cut-out of the body of a caryatid."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_86d2ba0ef1b2b402a3db987ba3173c6d\" label=\"Abstract\"\u003eThe collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\".\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, \"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\"."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:30:20.057Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1976"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","value":"\"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993\", 1934/2000","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=%22More+Than+the+Sum+of+Our+Body+Parts%3A+An+Exhibit+by+CARY%2C+1992-1993%22%2C+1934%2F2000\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Anna P. Sokolina Architectural Collection, 1924/2019","value":"Anna P. Sokolina Architectural Collection, 1924/2019","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=Anna+P.+Sokolina+Architectural+Collection%2C+1924%2F2019\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Architectural League of New York: Archive of Women in Architecture Records, 1892/1976","value":"Architectural League of New York: Archive of Women in Architecture Records, 1892/1976","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=Architectural+League+of+New+York%3A+Archive+of+Women+in+Architecture+Records%2C+1892%2F1976\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Berta Rahm Architectural Collection, 1951/1963","value":"Berta Rahm Architectural Collection, 1951/1963","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=Berta+Rahm+Architectural+Collection%2C+1951%2F1963\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"E. Maria Roth Architectural Collection, 1940/2010","value":"E. Maria Roth Architectural Collection, 1940/2010","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=E.+Maria+Roth+Architectural+Collection%2C+1940%2F2010\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Elisabeth-Charlotte Harling Architectural Collection, 1950/1998","value":"Elisabeth-Charlotte Harling Architectural Collection, 1950/1998","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=Elisabeth-Charlotte+Harling+Architectural+Collection%2C+1950%2F1998\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950), 1915/1975","value":"H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950), 1915/1975","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=H.+May+Steinmesch+Papers%2C+1915+-+1975+%28bulk+1915-1950%29%2C+1915%2F1975\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Jean Linden Young Papers, 1945/1997","value":"Jean Linden Young Papers, 1945/1997","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=Jean+Linden+Young+Papers%2C+1945%2F1997\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Joan Wood Architectural Collection, 1953/2000","value":"Joan Wood Architectural Collection, 1953/2000","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=Joan+Wood+Architectural+Collection%2C+1953%2F2000\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Joyce Oron Architectural Collection, 1954/2005","value":"Joyce Oron Architectural Collection, 1954/2005","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=Joyce+Oron+Architectural+Collection%2C+1954%2F2005\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Judith Edelman Architectural Papers, 1947/2009","value":"Judith Edelman Architectural Papers, 1947/2009","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcollection%5D%5B%5D=Judith+Edelman+Architectural+Papers%2C+1947%2F2009\u0026f%5Bdate_range%5D%5B%5D=1961"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1830","value":"1830","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1830"}},{"attributes":{"label":"1831","value":"1831","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1831"}},{"attributes":{"label":"1832","value":"1832","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1832"}},{"attributes":{"label":"1833","value":"1833","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1833"}},{"attributes":{"label":"1834","value":"1834","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1834"}},{"attributes":{"label":"1835","value":"1835","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1835"}},{"attributes":{"label":"1836","value":"1836","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1836"}},{"attributes":{"label":"1837","value":"1837","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1837"}},{"attributes":{"label":"1838","value":"1838","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1838"}},{"attributes":{"label":"1839","value":"1839","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1839"}},{"attributes":{"label":"1840","value":"1840","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bdate_range%5D%5B%5D=1840"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Architectural League of New York","value":"Architectural League of New York","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcreators%5D%5B%5D=Architectural+League+of+New+York\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Bertrand, Wendy","value":"Bertrand, Wendy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcreators%5D%5B%5D=Bertrand%2C+Wendy\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Bliznakov, Milka T., 1927-2010","value":"Bliznakov, Milka T., 1927-2010","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcreators%5D%5B%5D=Bliznakov%2C+Milka+T.%2C+1927-2010\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Channel, Mary Brown, 1907-2006","value":"Channel, Mary Brown, 1907-2006","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcreators%5D%5B%5D=Channel%2C+Mary+Brown%2C+1907-2006\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Cochrane, Margaret Ann","value":"Cochrane, Margaret Ann","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcreators%5D%5B%5D=Cochrane%2C+Margaret+Ann\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Currie, Virginia M. Herz, 1913-2006","value":"Currie, Virginia M. Herz, 1913-2006","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcreators%5D%5B%5D=Currie%2C+Virginia+M.+Herz%2C+1913-2006\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"De Blois, Natalie, 1921-2013","value":"De Blois, Natalie, 1921-2013","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcreators%5D%5B%5D=De+Blois%2C+Natalie%2C+1921-2013\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Dows, Wena W., 1928-","value":"Dows, Wena W., 1928-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcreators%5D%5B%5D=Dows%2C+Wena+W.%2C+1928-\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Edelman, Judith, 1923-2014","value":"Edelman, Judith, 1923-2014","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcreators%5D%5B%5D=Edelman%2C+Judith%2C+1923-2014\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Gottlieb, Lois Davidson","value":"Gottlieb, Lois Davidson","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcreators%5D%5B%5D=Gottlieb%2C+Lois+Davidson\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Gramatikova, Lilia","value":"Gramatikova, Lilia","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bcreators%5D%5B%5D=Gramatikova%2C+Lilia\u0026f%5Bdate_range%5D%5B%5D=1961"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Architectural League of New York","value":"Architectural League of New York","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Architectural+League+of+New+York"}},{"attributes":{"label":"Bertrand, Wendy","value":"Bertrand, Wendy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Bertrand%2C+Wendy"}},{"attributes":{"label":"Bliznakov, Milka T., 1927-2010","value":"Bliznakov, Milka T., 1927-2010","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Bliznakov%2C+Milka+T.%2C+1927-2010"}},{"attributes":{"label":"Channel, Mary Brown, 1907-2006","value":"Channel, Mary Brown, 1907-2006","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Channel%2C+Mary+Brown%2C+1907-2006"}},{"attributes":{"label":"Choneva, Krasimira","value":"Choneva, Krasimira","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Choneva%2C+Krasimira"}},{"attributes":{"label":"Cochrane, Margaret Ann","value":"Cochrane, Margaret Ann","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Cochrane%2C+Margaret+Ann"}},{"attributes":{"label":"Currie, Virginia M. Herz, 1913-2006","value":"Currie, Virginia M. Herz, 1913-2006","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Currie%2C+Virginia+M.+Herz%2C+1913-2006"}},{"attributes":{"label":"De Blois, Natalie, 1921-2013","value":"De Blois, Natalie, 1921-2013","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=De+Blois%2C+Natalie%2C+1921-2013"}},{"attributes":{"label":"Dows, Wena W., 1928-","value":"Dows, Wena W., 1928-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Dows%2C+Wena+W.%2C+1928-"}},{"attributes":{"label":"Duncombe, A. Jane, 1925-","value":"Duncombe, A. Jane, 1925-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Duncombe%2C+A.+Jane%2C+1925-"}},{"attributes":{"label":"Edelman, Judith, 1923-2014","value":"Edelman, Judith, 1923-2014","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bnames%5D%5B%5D=Edelman%2C+Judith%2C+1923-2014"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Association for Women in Architecture (U.S.)","value":"Association for Women in Architecture (U.S.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Association+for+Women+in+Architecture+%28U.S.%29"}},{"attributes":{"label":"Blacksburg (Va.)","value":"Blacksburg (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Bplaces%5D%5B%5D=Blacksburg+%28Va.%29"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Architects","value":"Architects","hits":8},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Baccess_subjects%5D%5B%5D=Architects\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Architects -- Bulgaria","value":"Architects -- Bulgaria","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Baccess_subjects%5D%5B%5D=Architects+--+Bulgaria\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Architects -- Virginia","value":"Architects -- Virginia","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Baccess_subjects%5D%5B%5D=Architects+--+Virginia\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Architects and community","value":"Architects and community","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Baccess_subjects%5D%5B%5D=Architects+and+community\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Architectural drawing -- 20th century","value":"Architectural drawing -- 20th century","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Baccess_subjects%5D%5B%5D=Architectural+drawing+--+20th+century\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Architectural drawings (visual works)","value":"Architectural drawings (visual works)","hits":11},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Baccess_subjects%5D%5B%5D=Architectural+drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Architecture (discipline)","value":"Architecture (discipline)","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Baccess_subjects%5D%5B%5D=Architecture+%28discipline%29\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Architecture -- Study and teaching","value":"Architecture -- Study and teaching","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Baccess_subjects%5D%5B%5D=Architecture+--+Study+and+teaching\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"Faculty and staff","value":"Faculty and staff","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Baccess_subjects%5D%5B%5D=Faculty+and+staff\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"History of Women in Architecture","value":"History of Women in Architecture","hits":27},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"attributes":{"label":"International Archive of Women in Architecture (IAWA)","value":"International Archive of Women in Architecture (IAWA)","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Baccess_subjects%5D%5B%5D=International+Archive+of+Women+in+Architecture+%28IAWA%29\u0026f%5Bdate_range%5D%5B%5D=1961"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=Collection"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=History+of+Women+in+Architecture\u0026f%5Bdate_range%5D%5B%5D=1961\u0026page=2\u0026sort=title_sort+desc"}}]}