{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1991","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1991\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"vihart_repositories_4_resources_541","type":"collection","attributes":{"title":"Betty Brown Clemmer and Willis Clemmer papers, 1920/2015, bulk 1943/1949","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_541#creator","type":"document_value","attributes":{"value":"Clemmer, Betty Brown","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_541#abstract_or_scope","type":"document_value","attributes":{"value":"The Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College, Willis' service in the Army Air Forces, and family biographies.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_541#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_541","ead_ssi":"vihart_repositories_4_resources_541","_root_":"vihart_repositories_4_resources_541","_nest_parent_":"vihart_repositories_4_resources_541","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_541.xml","title_ssm":["Betty Brown Clemmer and Willis Clemmer papers"],"title_tesim":["Betty Brown Clemmer and Willis Clemmer papers"],"unitdate_ssm":["1920-2015","1943-1949"],"unitdate_inclusive_ssm":["1920-2015"],"unitdate_bulk_ssim":["1943-1949"],"normalized_date_ssm":["1920/2015, bulk 1943/1949"],"normalized_title_ssm":["Betty Brown Clemmer and Willis Clemmer papers, 1920/2015, bulk 1943/1949"],"text":["Betty Brown Clemmer and Willis Clemmer papers, 1920/2015, bulk 1943/1949","SC 0280","/repositories/4/resources/541","Harrisonburg (Va.) -- History","Augusta County (Va.) -- History","Letters (correspondence)","Love letters","Drawings (visual works)","Biographical sketches","Photographs","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged into two series. Series 1: Correspondence is arranged into subseries according to recipient. Each series is arranged chronologically.","Correspondence, 1943-1949\n      Personal and Biographical Papers, 1920-2015","Obituary of Willis Lee Clemmer, The News Leader, July 12, 2013.","The Schoolma'am, 1948. Harrisonburg (Va.): Madison College.","The Schoolma'am, 1949. Harrisonburg (Va.): Madison College.","Betty Brown Clemmer was born in Chesterfield County, Virginia to Ruth Leigh Moseley Brown (1905-1998) and Henry Brown (1906-1985). After graduating as valedictorian from Buckhorn High School, Betty enrolled at Madison College in the fall of 1947 to pursue her studies in home economics education. Betty was a member of the German Club and Granddaughters' Club as her mother also attended the State Teachers College at Harrisonburg. While in Harrisonburg, Betty met Willis Clemmer of Staunton, Virginia and they were engaged in March 1948. She decided to postpone her college career in January 1949 in preparation for marrying Willis in April 1949. She returned to Madison College and graduated in 1966 with a bachelor's degree. Betty went on to teach elementary school for 29 years and volunteered at the Woodrow Wilson Birthplace Museum and Augusta Health Center.","Willis Clemmer (1926-2013) was born near Fairfield, Virginia to Viola Ralston Clemmer and Alva Lewis Clemmer. During WWII, while attending Lee High School in Staunton, Willis enlisted as a cadet pilot in the Army Air Forces, returning after the war to complete his high school degree. For a short period of time in 1946, Willis also enrolled in Shenandoah College in Dayton, Virginia. After graduating from Dunsmore Business College, Willis worked for Smith's Transfer, Westinghouse, and Staunton's Public Work Department. He had a particular fascination with automobiles and was a member of the Model A Ford Club of American and the Antique Automobile Club of America.","The Seawright Springs (Augusta County, Virginia) history compiled by Ralph Coffman was originally housed in a three-ring binder with each page in a plastic sleeve. The history was disbound and the plastic sleeves discarded. The pages were foldered together and in their orginal order in an acid-free folder. All pieces of correspondence were removed from their respective envelopes. The letters and envelopes were joined with a slip of acid-free paper and a stainless steel paper clip.","The Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College including art drawings and program cards, Willis' service in the Army Air Forces including a patch and correspondence from the Veterans Administration, and family biographies and histories related to Augusta County.","Series 1: Correspondence, 1943-1949, largely comprises love letters between Betty Brown Clemmer and Willis Clemmer during their courtship and subsequent engagement when Betty was a student at Madison College. They are sentimental and endearing overall, but are also gossipy and newsy in nature, providing updates on family members, community happenings, and each other's social life.","Correspondence to Betty primarily comprises letters from Willis written during their courtship and are, as a result, affectionate and longing in nature. In writing to Betty, Willis also describes his daily activities of playing sports, driving cars, and seeing movies, in addition to providing updates on family and neighbors. Letters to Betty also include early love letters from gentleman callers other than Willis. She received letters from boys who were attending Virginia Tech, Randolph Macon, and Fork Union Military Academy. Letters presumably from high school beaus are also included. Other correspondents include Betty's mother Ruth Moseley Brown, Betty's grandmother Nannie Clay Brown, and fellow Madison College students. A March 15, 1949 from one of Betty's former classmates, Bunny Maifield, describes the goings-on at Madison College including girls getting caught by the watchmen \"night riding\" as well as a \"bunch of drunk Virginia boys came over and took over the place.\"","Willis' letters are primarily from Betty, but also include letters from friends and family. A selection of 1945 letters were written to Willis while he was stationed at Keesler Field in Mississippi. The content of these letters describe tales of escapades back home and friends going to Madison College on dates. While Betty's letters to Willis are mostly affectionate and playful in nature, they also document her school and home life. Of particular interest is an August 11, 1948 letter from Betty to Willis while she is home in Baskerville for the summer. She describes an incident with an African-American child stepping on a nail and not receiving proper medical care. In describing this incident, Betty uses racist language and characterizations of the child's family.","Beyond their overall sentiments of affection, Betty's letters to Willis provide insight into her life as a student at Madison College. Betty comments on her schoolwork, exams, studying, social life, entertainment, going downtown (buying food, going to the movies, going to Friddles), and rules and regulations (March 23, 1948: \"All my plans for going home have gone 'hay-wire.' Dr. Duke said today that we had to have a chaperone and at this late date we can't find anyone. I could cuss him - wonder what he thinks a busload of girls are going to do in broad open daylight - must think we are terrible\"). Betty frequently mentions her dissatisfaction with school and refers to Madison College as Hell or a hell-hole. Additionally, in several letters to Willis (December 4, 1947; September 28, 1948; etc.), Betty describes her presumed struggles with an apparent eating disorder.","A selection of \"special letters\" (as designated by the donor) concern Betty's engagement announcement, upcoming wedding, and Ruth Moseley Brown's visit to Chicago, etc. These letters are interfiled according to date and include Betty to Willis, April 13, 1949; Ruth Brown to Betty, September 17, 1947; Ruth Brown to Betty, September 15, 1947; Ruth Brown to Betty, April 8, 1948 (\"hoping you'd set the world on fire before getting married\"); Willis to Betty, April 11, 1949; Nannie Clay Brown to Betty, January 14, 1949 (letter after quitting school to get married); Nannie Clay Brown to Betty, May 3, 1948; Rev. Claude Moseley (uncle) to Betty, March 31, 1949; Ruth Brown to Betty, March 9, 1948.","Series 2: Personal and Biographical Papers, 1920-2015, comprise personal papers belonging to Betty and Willis Clemmer as well as personal and family biographies. Materials also relate to Augusta County history.","This series includes photographs - originals and facsimiles - of the Clemmers as well as Ruth Moseley Brown during her high school and college years.","The Clemmers' personal papers include materials and coursework from Betty's time at Madison College, specifically drawings from Basic Art 2 in which she was assigned to draw home furnishings and clothing. Alimae Aiken was Betty's instructor. Willis' transcripts from Lee High School and documents from the Veterans Administration are included.","The series also comprises several Clemmer family biographies, autobiographies, and histories related to Augusta County, Virginia. Willis' reminiscences, written in 1993-1994, document his memories of growing up in Augusta County. A history of Seawright Springs (Mt. Solon) compiled by Augusta County historian Ralph Coffman includes photographs and other materials related to the resort. The Seawright Springs history includes a partial transcript of Alexander Stuart Coffman's 1864 diary and a transcript of a March 26, 1907 letter from Charles Curry (a lawyer in Staunton) to an A. C. Gorden regarding the geography and folklore of specific Augusta County locations.","Two self-published local history publications were removed from the collection and cataloged separately.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College, Willis' service in the Army Air Forces, and family biographies.","James Madison University Libraries Special Collections","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History","Clemmer, Betty Brown","Clemmer, Willis, 1926-2013","English"],"collection_title_tesim":["Betty Brown Clemmer and Willis Clemmer papers, 1920/2015, bulk 1943/1949"],"collection_ssim":["Betty Brown Clemmer and Willis Clemmer papers, 1920/2015, bulk 1943/1949"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0280","/repositories/4/resources/541"],"unitid_tesim":["SC 0280","/repositories/4/resources/541"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History","Augusta County (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History","Augusta County (Va.) -- History"],"places_ssim":["Harrisonburg (Va.) -- History","Augusta County (Va.) -- History"],"creator_ssm":["Clemmer, Betty Brown","Clemmer, Willis, 1926-2013","Clemmer, Betty Brown"],"creator_ssim":["Clemmer, Betty Brown","Clemmer, Willis, 1926-2013","Clemmer, Betty Brown"],"creator_persname_ssim":["Clemmer, Betty Brown","Clemmer, Willis, 1926-2013"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History"],"creators_ssim":["Clemmer, Betty Brown","Clemmer, Willis, 1926-2013","James Madison University Libraries Special Collections","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Betty Brown Clemmer in August 2018."],"access_subjects_ssim":["Letters (correspondence)","Love letters","Drawings (visual works)","Biographical sketches","Photographs"],"access_subjects_ssm":["Letters (correspondence)","Love letters","Drawings (visual works)","Biographical sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.72 cubic feet 5 boxes"],"extent_tesim":["1.72 cubic feet 5 boxes"],"genreform_ssim":["Letters (correspondence)","Love letters","Drawings (visual works)","Biographical sketches","Photographs"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series. Series 1: Correspondence is arranged into subseries according to recipient. Each series is arranged chronologically.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1943-1949\u003c/item\u003e\n      \u003citem\u003ePersonal and Biographical Papers, 1920-2015\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series. Series 1: Correspondence is arranged into subseries according to recipient. Each series is arranged chronologically.","Correspondence, 1943-1949\n      Personal and Biographical Papers, 1920-2015"],"bibliography_html_tesm":["\u003cbibref\u003eObituary of Willis Lee Clemmer, \u003cemph render=\"italic\"\u003eThe News Leader\u003c/emph\u003e, July 12, 2013.\u003c/bibref\u003e\n    ","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1948. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e\n    ","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1949. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary of Willis Lee Clemmer, The News Leader, July 12, 2013.","The Schoolma'am, 1948. Harrisonburg (Va.): Madison College.","The Schoolma'am, 1949. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eBetty Brown Clemmer was born in Chesterfield County, Virginia to Ruth Leigh Moseley Brown (1905-1998) and Henry Brown (1906-1985). After graduating as valedictorian from Buckhorn High School, Betty enrolled at Madison College in the fall of 1947 to pursue her studies in home economics education. Betty was a member of the German Club and Granddaughters' Club as her mother also attended the State Teachers College at Harrisonburg. While in Harrisonburg, Betty met Willis Clemmer of Staunton, Virginia and they were engaged in March 1948. She decided to postpone her college career in January 1949 in preparation for marrying Willis in April 1949. She returned to Madison College and graduated in 1966 with a bachelor's degree. Betty went on to teach elementary school for 29 years and volunteered at the Woodrow Wilson Birthplace Museum and Augusta Health Center.\u003c/p\u003e","\u003cp\u003eWillis Clemmer (1926-2013) was born near Fairfield, Virginia to Viola Ralston Clemmer and Alva Lewis Clemmer. During WWII, while attending Lee High School in Staunton, Willis enlisted as a cadet pilot in the Army Air Forces, returning after the war to complete his high school degree. For a short period of time in 1946, Willis also enrolled in Shenandoah College in Dayton, Virginia. After graduating from Dunsmore Business College, Willis worked for Smith's Transfer, Westinghouse, and Staunton's Public Work Department. He had a particular fascination with automobiles and was a member of the Model A Ford Club of American and the Antique Automobile Club of America.\u003c/p\u003e  "],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Betty Brown Clemmer was born in Chesterfield County, Virginia to Ruth Leigh Moseley Brown (1905-1998) and Henry Brown (1906-1985). After graduating as valedictorian from Buckhorn High School, Betty enrolled at Madison College in the fall of 1947 to pursue her studies in home economics education. Betty was a member of the German Club and Granddaughters' Club as her mother also attended the State Teachers College at Harrisonburg. While in Harrisonburg, Betty met Willis Clemmer of Staunton, Virginia and they were engaged in March 1948. She decided to postpone her college career in January 1949 in preparation for marrying Willis in April 1949. She returned to Madison College and graduated in 1966 with a bachelor's degree. Betty went on to teach elementary school for 29 years and volunteered at the Woodrow Wilson Birthplace Museum and Augusta Health Center.","Willis Clemmer (1926-2013) was born near Fairfield, Virginia to Viola Ralston Clemmer and Alva Lewis Clemmer. During WWII, while attending Lee High School in Staunton, Willis enlisted as a cadet pilot in the Army Air Forces, returning after the war to complete his high school degree. For a short period of time in 1946, Willis also enrolled in Shenandoah College in Dayton, Virginia. After graduating from Dunsmore Business College, Willis worked for Smith's Transfer, Westinghouse, and Staunton's Public Work Department. He had a particular fascination with automobiles and was a member of the Model A Ford Club of American and the Antique Automobile Club of America."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item], [Identifier, box/container]. Betty Brown Clemmer and Willis Clemmer papers, SC 0280. James Madison University Libraries Special Collections.\u003c/p\u003e  ","\u003cp\u003e[identification of item], [box #, folder #], Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), SC 0280, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of Item], [Identifier, box/container]. Betty Brown Clemmer and Willis Clemmer papers, SC 0280. James Madison University Libraries Special Collections.","[identification of item], [box #, folder #], Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), SC 0280, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe Seawright Springs (Augusta County, Virginia) history compiled by Ralph Coffman was originally housed in a three-ring binder with each page in a plastic sleeve. The history was disbound and the plastic sleeves discarded. The pages were foldered together and in their orginal order in an acid-free folder. All pieces of correspondence were removed from their respective envelopes. The letters and envelopes were joined with a slip of acid-free paper and a stainless steel paper clip.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Seawright Springs (Augusta County, Virginia) history compiled by Ralph Coffman was originally housed in a three-ring binder with each page in a plastic sleeve. The history was disbound and the plastic sleeves discarded. The pages were foldered together and in their orginal order in an acid-free folder. All pieces of correspondence were removed from their respective envelopes. The letters and envelopes were joined with a slip of acid-free paper and a stainless steel paper clip."],"scopecontent_html_tesm":["\u003cp\u003eThe Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College including art drawings and program cards, Willis' service in the Army Air Forces including a patch and correspondence from the Veterans Administration, and family biographies and histories related to Augusta County.\u003c/p\u003e  ","\u003cp\u003eSeries 1: Correspondence, 1943-1949, largely comprises love letters between Betty Brown Clemmer and Willis Clemmer during their courtship and subsequent engagement when Betty was a student at Madison College. They are sentimental and endearing overall, but are also gossipy and newsy in nature, providing updates on family members, community happenings, and each other's social life.\u003c/p\u003e","\u003cp\u003eCorrespondence to Betty primarily comprises letters from Willis written during their courtship and are, as a result, affectionate and longing in nature. In writing to Betty, Willis also describes his daily activities of playing sports, driving cars, and seeing movies, in addition to providing updates on family and neighbors. Letters to Betty also include early love letters from gentleman callers other than Willis. She received letters from boys who were attending Virginia Tech, Randolph Macon, and Fork Union Military Academy. Letters presumably from high school beaus are also included. Other correspondents include Betty's mother Ruth Moseley Brown, Betty's grandmother Nannie Clay Brown, and fellow Madison College students. A March 15, 1949 from one of Betty's former classmates, Bunny Maifield, describes the goings-on at Madison College including girls getting caught by the watchmen \"night riding\" as well as a \"bunch of drunk Virginia boys came over and took over the place.\"\u003c/p\u003e","\u003cp\u003eWillis' letters are primarily from Betty, but also include letters from friends and family. A selection of 1945 letters were written to Willis while he was stationed at Keesler Field in Mississippi. The content of these letters describe tales of escapades back home and friends going to Madison College on dates. While Betty's letters to Willis are mostly affectionate and playful in nature, they also document her school and home life. Of particular interest is an August 11, 1948 letter from Betty to Willis while she is home in Baskerville for the summer. She describes an incident with an African-American child stepping on a nail and not receiving proper medical care. In describing this incident, Betty uses racist language and characterizations of the child's family.\u003c/p\u003e","\u003cp\u003eBeyond their overall sentiments of affection, Betty's letters to Willis provide insight into her life as a student at Madison College. Betty comments on her schoolwork, exams, studying, social life, entertainment, going downtown (buying food, going to the movies, going to Friddles), and rules and regulations (March 23, 1948: \"All my plans for going home have gone 'hay-wire.' Dr. Duke said today that we had to have a chaperone and at this late date we can't find anyone. I could cuss him - wonder what he thinks a busload of girls are going to do in broad open daylight - must think we are terrible\"). Betty frequently mentions her dissatisfaction with school and refers to Madison College as Hell or a hell-hole. Additionally, in several letters to Willis (December 4, 1947; September 28, 1948; etc.), Betty describes her presumed struggles with an apparent eating disorder.\u003c/p\u003e","\u003cp\u003eA selection of \"special letters\" (as designated by the donor) concern Betty's engagement announcement, upcoming wedding, and Ruth Moseley Brown's visit to Chicago, etc. These letters are interfiled according to date and include Betty to Willis, April 13, 1949; Ruth Brown to Betty, September 17, 1947; Ruth Brown to Betty, September 15, 1947; Ruth Brown to Betty, April 8, 1948 (\"hoping you'd set the world on fire before getting married\"); Willis to Betty, April 11, 1949; Nannie Clay Brown to Betty, January 14, 1949 (letter after quitting school to get married); Nannie Clay Brown to Betty, May 3, 1948; Rev. Claude Moseley (uncle) to Betty, March 31, 1949; Ruth Brown to Betty, March 9, 1948.\u003c/p\u003e","\u003cp\u003eSeries 2: Personal and Biographical Papers, 1920-2015, comprise personal papers belonging to Betty and Willis Clemmer as well as personal and family biographies. Materials also relate to Augusta County history. \u003c/p\u003e","\u003cp\u003eThis series includes photographs - originals and facsimiles - of the Clemmers as well as Ruth Moseley Brown during her high school and college years.\u003c/p\u003e","\u003cp\u003eThe Clemmers' personal papers include materials and coursework from Betty's time at Madison College, specifically drawings from Basic Art 2 in which she was assigned to draw home furnishings and clothing. Alimae Aiken was Betty's instructor. Willis' transcripts from Lee High School and documents from the Veterans Administration are included.\u003c/p\u003e","\u003cp\u003eThe series also comprises several Clemmer family biographies, autobiographies, and histories related to Augusta County, Virginia. Willis' reminiscences, written in 1993-1994, document his memories of growing up in Augusta County. A history of Seawright Springs (Mt. Solon) compiled by Augusta County historian Ralph Coffman includes photographs and other materials related to the resort. The Seawright Springs history includes a partial transcript of Alexander Stuart Coffman's 1864 diary and a transcript of a March 26, 1907 letter from Charles Curry (a lawyer in Staunton) to an A. C. Gorden regarding the geography and folklore of specific Augusta County locations. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College including art drawings and program cards, Willis' service in the Army Air Forces including a patch and correspondence from the Veterans Administration, and family biographies and histories related to Augusta County.","Series 1: Correspondence, 1943-1949, largely comprises love letters between Betty Brown Clemmer and Willis Clemmer during their courtship and subsequent engagement when Betty was a student at Madison College. They are sentimental and endearing overall, but are also gossipy and newsy in nature, providing updates on family members, community happenings, and each other's social life.","Correspondence to Betty primarily comprises letters from Willis written during their courtship and are, as a result, affectionate and longing in nature. In writing to Betty, Willis also describes his daily activities of playing sports, driving cars, and seeing movies, in addition to providing updates on family and neighbors. Letters to Betty also include early love letters from gentleman callers other than Willis. She received letters from boys who were attending Virginia Tech, Randolph Macon, and Fork Union Military Academy. Letters presumably from high school beaus are also included. Other correspondents include Betty's mother Ruth Moseley Brown, Betty's grandmother Nannie Clay Brown, and fellow Madison College students. A March 15, 1949 from one of Betty's former classmates, Bunny Maifield, describes the goings-on at Madison College including girls getting caught by the watchmen \"night riding\" as well as a \"bunch of drunk Virginia boys came over and took over the place.\"","Willis' letters are primarily from Betty, but also include letters from friends and family. A selection of 1945 letters were written to Willis while he was stationed at Keesler Field in Mississippi. The content of these letters describe tales of escapades back home and friends going to Madison College on dates. While Betty's letters to Willis are mostly affectionate and playful in nature, they also document her school and home life. Of particular interest is an August 11, 1948 letter from Betty to Willis while she is home in Baskerville for the summer. She describes an incident with an African-American child stepping on a nail and not receiving proper medical care. In describing this incident, Betty uses racist language and characterizations of the child's family.","Beyond their overall sentiments of affection, Betty's letters to Willis provide insight into her life as a student at Madison College. Betty comments on her schoolwork, exams, studying, social life, entertainment, going downtown (buying food, going to the movies, going to Friddles), and rules and regulations (March 23, 1948: \"All my plans for going home have gone 'hay-wire.' Dr. Duke said today that we had to have a chaperone and at this late date we can't find anyone. I could cuss him - wonder what he thinks a busload of girls are going to do in broad open daylight - must think we are terrible\"). Betty frequently mentions her dissatisfaction with school and refers to Madison College as Hell or a hell-hole. Additionally, in several letters to Willis (December 4, 1947; September 28, 1948; etc.), Betty describes her presumed struggles with an apparent eating disorder.","A selection of \"special letters\" (as designated by the donor) concern Betty's engagement announcement, upcoming wedding, and Ruth Moseley Brown's visit to Chicago, etc. These letters are interfiled according to date and include Betty to Willis, April 13, 1949; Ruth Brown to Betty, September 17, 1947; Ruth Brown to Betty, September 15, 1947; Ruth Brown to Betty, April 8, 1948 (\"hoping you'd set the world on fire before getting married\"); Willis to Betty, April 11, 1949; Nannie Clay Brown to Betty, January 14, 1949 (letter after quitting school to get married); Nannie Clay Brown to Betty, May 3, 1948; Rev. Claude Moseley (uncle) to Betty, March 31, 1949; Ruth Brown to Betty, March 9, 1948.","Series 2: Personal and Biographical Papers, 1920-2015, comprise personal papers belonging to Betty and Willis Clemmer as well as personal and family biographies. Materials also relate to Augusta County history.","This series includes photographs - originals and facsimiles - of the Clemmers as well as Ruth Moseley Brown during her high school and college years.","The Clemmers' personal papers include materials and coursework from Betty's time at Madison College, specifically drawings from Basic Art 2 in which she was assigned to draw home furnishings and clothing. Alimae Aiken was Betty's instructor. Willis' transcripts from Lee High School and documents from the Veterans Administration are included.","The series also comprises several Clemmer family biographies, autobiographies, and histories related to Augusta County, Virginia. Willis' reminiscences, written in 1993-1994, document his memories of growing up in Augusta County. A history of Seawright Springs (Mt. Solon) compiled by Augusta County historian Ralph Coffman includes photographs and other materials related to the resort. The Seawright Springs history includes a partial transcript of Alexander Stuart Coffman's 1864 diary and a transcript of a March 26, 1907 letter from Charles Curry (a lawyer in Staunton) to an A. C. Gorden regarding the geography and folklore of specific Augusta County locations."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo self-published local history publications were removed from the collection and cataloged separately.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Two self-published local history publications were removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b6bfd9caf198153b7116f55373de457e\"\u003eThe Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College, Willis' service in the Army Air Forces, and family biographies.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College, Willis' service in the Army Air Forces, and family biographies."],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History"],"names_coll_ssim":["Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History","Clemmer, Betty Brown"],"persname_ssim":["Clemmer, Betty Brown","Clemmer, Willis, 1926-2013"],"names_ssim":["James Madison University Libraries Special Collections","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History","Clemmer, Betty Brown","Clemmer, Willis, 1926-2013"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:53.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_541","ead_ssi":"vihart_repositories_4_resources_541","_root_":"vihart_repositories_4_resources_541","_nest_parent_":"vihart_repositories_4_resources_541","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_541.xml","title_ssm":["Betty Brown Clemmer and Willis Clemmer papers"],"title_tesim":["Betty Brown Clemmer and Willis Clemmer papers"],"unitdate_ssm":["1920-2015","1943-1949"],"unitdate_inclusive_ssm":["1920-2015"],"unitdate_bulk_ssim":["1943-1949"],"normalized_date_ssm":["1920/2015, bulk 1943/1949"],"normalized_title_ssm":["Betty Brown Clemmer and Willis Clemmer papers, 1920/2015, bulk 1943/1949"],"text":["Betty Brown Clemmer and Willis Clemmer papers, 1920/2015, bulk 1943/1949","SC 0280","/repositories/4/resources/541","Harrisonburg (Va.) -- History","Augusta County (Va.) -- History","Letters (correspondence)","Love letters","Drawings (visual works)","Biographical sketches","Photographs","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged into two series. Series 1: Correspondence is arranged into subseries according to recipient. Each series is arranged chronologically.","Correspondence, 1943-1949\n      Personal and Biographical Papers, 1920-2015","Obituary of Willis Lee Clemmer, The News Leader, July 12, 2013.","The Schoolma'am, 1948. Harrisonburg (Va.): Madison College.","The Schoolma'am, 1949. Harrisonburg (Va.): Madison College.","Betty Brown Clemmer was born in Chesterfield County, Virginia to Ruth Leigh Moseley Brown (1905-1998) and Henry Brown (1906-1985). After graduating as valedictorian from Buckhorn High School, Betty enrolled at Madison College in the fall of 1947 to pursue her studies in home economics education. Betty was a member of the German Club and Granddaughters' Club as her mother also attended the State Teachers College at Harrisonburg. While in Harrisonburg, Betty met Willis Clemmer of Staunton, Virginia and they were engaged in March 1948. She decided to postpone her college career in January 1949 in preparation for marrying Willis in April 1949. She returned to Madison College and graduated in 1966 with a bachelor's degree. Betty went on to teach elementary school for 29 years and volunteered at the Woodrow Wilson Birthplace Museum and Augusta Health Center.","Willis Clemmer (1926-2013) was born near Fairfield, Virginia to Viola Ralston Clemmer and Alva Lewis Clemmer. During WWII, while attending Lee High School in Staunton, Willis enlisted as a cadet pilot in the Army Air Forces, returning after the war to complete his high school degree. For a short period of time in 1946, Willis also enrolled in Shenandoah College in Dayton, Virginia. After graduating from Dunsmore Business College, Willis worked for Smith's Transfer, Westinghouse, and Staunton's Public Work Department. He had a particular fascination with automobiles and was a member of the Model A Ford Club of American and the Antique Automobile Club of America.","The Seawright Springs (Augusta County, Virginia) history compiled by Ralph Coffman was originally housed in a three-ring binder with each page in a plastic sleeve. The history was disbound and the plastic sleeves discarded. The pages were foldered together and in their orginal order in an acid-free folder. All pieces of correspondence were removed from their respective envelopes. The letters and envelopes were joined with a slip of acid-free paper and a stainless steel paper clip.","The Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College including art drawings and program cards, Willis' service in the Army Air Forces including a patch and correspondence from the Veterans Administration, and family biographies and histories related to Augusta County.","Series 1: Correspondence, 1943-1949, largely comprises love letters between Betty Brown Clemmer and Willis Clemmer during their courtship and subsequent engagement when Betty was a student at Madison College. They are sentimental and endearing overall, but are also gossipy and newsy in nature, providing updates on family members, community happenings, and each other's social life.","Correspondence to Betty primarily comprises letters from Willis written during their courtship and are, as a result, affectionate and longing in nature. In writing to Betty, Willis also describes his daily activities of playing sports, driving cars, and seeing movies, in addition to providing updates on family and neighbors. Letters to Betty also include early love letters from gentleman callers other than Willis. She received letters from boys who were attending Virginia Tech, Randolph Macon, and Fork Union Military Academy. Letters presumably from high school beaus are also included. Other correspondents include Betty's mother Ruth Moseley Brown, Betty's grandmother Nannie Clay Brown, and fellow Madison College students. A March 15, 1949 from one of Betty's former classmates, Bunny Maifield, describes the goings-on at Madison College including girls getting caught by the watchmen \"night riding\" as well as a \"bunch of drunk Virginia boys came over and took over the place.\"","Willis' letters are primarily from Betty, but also include letters from friends and family. A selection of 1945 letters were written to Willis while he was stationed at Keesler Field in Mississippi. The content of these letters describe tales of escapades back home and friends going to Madison College on dates. While Betty's letters to Willis are mostly affectionate and playful in nature, they also document her school and home life. Of particular interest is an August 11, 1948 letter from Betty to Willis while she is home in Baskerville for the summer. She describes an incident with an African-American child stepping on a nail and not receiving proper medical care. In describing this incident, Betty uses racist language and characterizations of the child's family.","Beyond their overall sentiments of affection, Betty's letters to Willis provide insight into her life as a student at Madison College. Betty comments on her schoolwork, exams, studying, social life, entertainment, going downtown (buying food, going to the movies, going to Friddles), and rules and regulations (March 23, 1948: \"All my plans for going home have gone 'hay-wire.' Dr. Duke said today that we had to have a chaperone and at this late date we can't find anyone. I could cuss him - wonder what he thinks a busload of girls are going to do in broad open daylight - must think we are terrible\"). Betty frequently mentions her dissatisfaction with school and refers to Madison College as Hell or a hell-hole. Additionally, in several letters to Willis (December 4, 1947; September 28, 1948; etc.), Betty describes her presumed struggles with an apparent eating disorder.","A selection of \"special letters\" (as designated by the donor) concern Betty's engagement announcement, upcoming wedding, and Ruth Moseley Brown's visit to Chicago, etc. These letters are interfiled according to date and include Betty to Willis, April 13, 1949; Ruth Brown to Betty, September 17, 1947; Ruth Brown to Betty, September 15, 1947; Ruth Brown to Betty, April 8, 1948 (\"hoping you'd set the world on fire before getting married\"); Willis to Betty, April 11, 1949; Nannie Clay Brown to Betty, January 14, 1949 (letter after quitting school to get married); Nannie Clay Brown to Betty, May 3, 1948; Rev. Claude Moseley (uncle) to Betty, March 31, 1949; Ruth Brown to Betty, March 9, 1948.","Series 2: Personal and Biographical Papers, 1920-2015, comprise personal papers belonging to Betty and Willis Clemmer as well as personal and family biographies. Materials also relate to Augusta County history.","This series includes photographs - originals and facsimiles - of the Clemmers as well as Ruth Moseley Brown during her high school and college years.","The Clemmers' personal papers include materials and coursework from Betty's time at Madison College, specifically drawings from Basic Art 2 in which she was assigned to draw home furnishings and clothing. Alimae Aiken was Betty's instructor. Willis' transcripts from Lee High School and documents from the Veterans Administration are included.","The series also comprises several Clemmer family biographies, autobiographies, and histories related to Augusta County, Virginia. Willis' reminiscences, written in 1993-1994, document his memories of growing up in Augusta County. A history of Seawright Springs (Mt. Solon) compiled by Augusta County historian Ralph Coffman includes photographs and other materials related to the resort. The Seawright Springs history includes a partial transcript of Alexander Stuart Coffman's 1864 diary and a transcript of a March 26, 1907 letter from Charles Curry (a lawyer in Staunton) to an A. C. Gorden regarding the geography and folklore of specific Augusta County locations.","Two self-published local history publications were removed from the collection and cataloged separately.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College, Willis' service in the Army Air Forces, and family biographies.","James Madison University Libraries Special Collections","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History","Clemmer, Betty Brown","Clemmer, Willis, 1926-2013","English"],"collection_title_tesim":["Betty Brown Clemmer and Willis Clemmer papers, 1920/2015, bulk 1943/1949"],"collection_ssim":["Betty Brown Clemmer and Willis Clemmer papers, 1920/2015, bulk 1943/1949"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0280","/repositories/4/resources/541"],"unitid_tesim":["SC 0280","/repositories/4/resources/541"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History","Augusta County (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History","Augusta County (Va.) -- History"],"places_ssim":["Harrisonburg (Va.) -- History","Augusta County (Va.) -- History"],"creator_ssm":["Clemmer, Betty Brown","Clemmer, Willis, 1926-2013","Clemmer, Betty Brown"],"creator_ssim":["Clemmer, Betty Brown","Clemmer, Willis, 1926-2013","Clemmer, Betty Brown"],"creator_persname_ssim":["Clemmer, Betty Brown","Clemmer, Willis, 1926-2013"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History"],"creators_ssim":["Clemmer, Betty Brown","Clemmer, Willis, 1926-2013","James Madison University Libraries Special Collections","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Betty Brown Clemmer in August 2018."],"access_subjects_ssim":["Letters (correspondence)","Love letters","Drawings (visual works)","Biographical sketches","Photographs"],"access_subjects_ssm":["Letters (correspondence)","Love letters","Drawings (visual works)","Biographical sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.72 cubic feet 5 boxes"],"extent_tesim":["1.72 cubic feet 5 boxes"],"genreform_ssim":["Letters (correspondence)","Love letters","Drawings (visual works)","Biographical sketches","Photographs"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series. Series 1: Correspondence is arranged into subseries according to recipient. Each series is arranged chronologically.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1943-1949\u003c/item\u003e\n      \u003citem\u003ePersonal and Biographical Papers, 1920-2015\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series. Series 1: Correspondence is arranged into subseries according to recipient. Each series is arranged chronologically.","Correspondence, 1943-1949\n      Personal and Biographical Papers, 1920-2015"],"bibliography_html_tesm":["\u003cbibref\u003eObituary of Willis Lee Clemmer, \u003cemph render=\"italic\"\u003eThe News Leader\u003c/emph\u003e, July 12, 2013.\u003c/bibref\u003e\n    ","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1948. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e\n    ","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1949. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary of Willis Lee Clemmer, The News Leader, July 12, 2013.","The Schoolma'am, 1948. Harrisonburg (Va.): Madison College.","The Schoolma'am, 1949. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eBetty Brown Clemmer was born in Chesterfield County, Virginia to Ruth Leigh Moseley Brown (1905-1998) and Henry Brown (1906-1985). After graduating as valedictorian from Buckhorn High School, Betty enrolled at Madison College in the fall of 1947 to pursue her studies in home economics education. Betty was a member of the German Club and Granddaughters' Club as her mother also attended the State Teachers College at Harrisonburg. While in Harrisonburg, Betty met Willis Clemmer of Staunton, Virginia and they were engaged in March 1948. She decided to postpone her college career in January 1949 in preparation for marrying Willis in April 1949. She returned to Madison College and graduated in 1966 with a bachelor's degree. Betty went on to teach elementary school for 29 years and volunteered at the Woodrow Wilson Birthplace Museum and Augusta Health Center.\u003c/p\u003e","\u003cp\u003eWillis Clemmer (1926-2013) was born near Fairfield, Virginia to Viola Ralston Clemmer and Alva Lewis Clemmer. During WWII, while attending Lee High School in Staunton, Willis enlisted as a cadet pilot in the Army Air Forces, returning after the war to complete his high school degree. For a short period of time in 1946, Willis also enrolled in Shenandoah College in Dayton, Virginia. After graduating from Dunsmore Business College, Willis worked for Smith's Transfer, Westinghouse, and Staunton's Public Work Department. He had a particular fascination with automobiles and was a member of the Model A Ford Club of American and the Antique Automobile Club of America.\u003c/p\u003e  "],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Betty Brown Clemmer was born in Chesterfield County, Virginia to Ruth Leigh Moseley Brown (1905-1998) and Henry Brown (1906-1985). After graduating as valedictorian from Buckhorn High School, Betty enrolled at Madison College in the fall of 1947 to pursue her studies in home economics education. Betty was a member of the German Club and Granddaughters' Club as her mother also attended the State Teachers College at Harrisonburg. While in Harrisonburg, Betty met Willis Clemmer of Staunton, Virginia and they were engaged in March 1948. She decided to postpone her college career in January 1949 in preparation for marrying Willis in April 1949. She returned to Madison College and graduated in 1966 with a bachelor's degree. Betty went on to teach elementary school for 29 years and volunteered at the Woodrow Wilson Birthplace Museum and Augusta Health Center.","Willis Clemmer (1926-2013) was born near Fairfield, Virginia to Viola Ralston Clemmer and Alva Lewis Clemmer. During WWII, while attending Lee High School in Staunton, Willis enlisted as a cadet pilot in the Army Air Forces, returning after the war to complete his high school degree. For a short period of time in 1946, Willis also enrolled in Shenandoah College in Dayton, Virginia. After graduating from Dunsmore Business College, Willis worked for Smith's Transfer, Westinghouse, and Staunton's Public Work Department. He had a particular fascination with automobiles and was a member of the Model A Ford Club of American and the Antique Automobile Club of America."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item], [Identifier, box/container]. Betty Brown Clemmer and Willis Clemmer papers, SC 0280. James Madison University Libraries Special Collections.\u003c/p\u003e  ","\u003cp\u003e[identification of item], [box #, folder #], Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), SC 0280, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of Item], [Identifier, box/container]. Betty Brown Clemmer and Willis Clemmer papers, SC 0280. James Madison University Libraries Special Collections.","[identification of item], [box #, folder #], Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), SC 0280, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe Seawright Springs (Augusta County, Virginia) history compiled by Ralph Coffman was originally housed in a three-ring binder with each page in a plastic sleeve. The history was disbound and the plastic sleeves discarded. The pages were foldered together and in their orginal order in an acid-free folder. All pieces of correspondence were removed from their respective envelopes. The letters and envelopes were joined with a slip of acid-free paper and a stainless steel paper clip.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Seawright Springs (Augusta County, Virginia) history compiled by Ralph Coffman was originally housed in a three-ring binder with each page in a plastic sleeve. The history was disbound and the plastic sleeves discarded. The pages were foldered together and in their orginal order in an acid-free folder. All pieces of correspondence were removed from their respective envelopes. The letters and envelopes were joined with a slip of acid-free paper and a stainless steel paper clip."],"scopecontent_html_tesm":["\u003cp\u003eThe Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College including art drawings and program cards, Willis' service in the Army Air Forces including a patch and correspondence from the Veterans Administration, and family biographies and histories related to Augusta County.\u003c/p\u003e  ","\u003cp\u003eSeries 1: Correspondence, 1943-1949, largely comprises love letters between Betty Brown Clemmer and Willis Clemmer during their courtship and subsequent engagement when Betty was a student at Madison College. They are sentimental and endearing overall, but are also gossipy and newsy in nature, providing updates on family members, community happenings, and each other's social life.\u003c/p\u003e","\u003cp\u003eCorrespondence to Betty primarily comprises letters from Willis written during their courtship and are, as a result, affectionate and longing in nature. In writing to Betty, Willis also describes his daily activities of playing sports, driving cars, and seeing movies, in addition to providing updates on family and neighbors. Letters to Betty also include early love letters from gentleman callers other than Willis. She received letters from boys who were attending Virginia Tech, Randolph Macon, and Fork Union Military Academy. Letters presumably from high school beaus are also included. Other correspondents include Betty's mother Ruth Moseley Brown, Betty's grandmother Nannie Clay Brown, and fellow Madison College students. A March 15, 1949 from one of Betty's former classmates, Bunny Maifield, describes the goings-on at Madison College including girls getting caught by the watchmen \"night riding\" as well as a \"bunch of drunk Virginia boys came over and took over the place.\"\u003c/p\u003e","\u003cp\u003eWillis' letters are primarily from Betty, but also include letters from friends and family. A selection of 1945 letters were written to Willis while he was stationed at Keesler Field in Mississippi. The content of these letters describe tales of escapades back home and friends going to Madison College on dates. While Betty's letters to Willis are mostly affectionate and playful in nature, they also document her school and home life. Of particular interest is an August 11, 1948 letter from Betty to Willis while she is home in Baskerville for the summer. She describes an incident with an African-American child stepping on a nail and not receiving proper medical care. In describing this incident, Betty uses racist language and characterizations of the child's family.\u003c/p\u003e","\u003cp\u003eBeyond their overall sentiments of affection, Betty's letters to Willis provide insight into her life as a student at Madison College. Betty comments on her schoolwork, exams, studying, social life, entertainment, going downtown (buying food, going to the movies, going to Friddles), and rules and regulations (March 23, 1948: \"All my plans for going home have gone 'hay-wire.' Dr. Duke said today that we had to have a chaperone and at this late date we can't find anyone. I could cuss him - wonder what he thinks a busload of girls are going to do in broad open daylight - must think we are terrible\"). Betty frequently mentions her dissatisfaction with school and refers to Madison College as Hell or a hell-hole. Additionally, in several letters to Willis (December 4, 1947; September 28, 1948; etc.), Betty describes her presumed struggles with an apparent eating disorder.\u003c/p\u003e","\u003cp\u003eA selection of \"special letters\" (as designated by the donor) concern Betty's engagement announcement, upcoming wedding, and Ruth Moseley Brown's visit to Chicago, etc. These letters are interfiled according to date and include Betty to Willis, April 13, 1949; Ruth Brown to Betty, September 17, 1947; Ruth Brown to Betty, September 15, 1947; Ruth Brown to Betty, April 8, 1948 (\"hoping you'd set the world on fire before getting married\"); Willis to Betty, April 11, 1949; Nannie Clay Brown to Betty, January 14, 1949 (letter after quitting school to get married); Nannie Clay Brown to Betty, May 3, 1948; Rev. Claude Moseley (uncle) to Betty, March 31, 1949; Ruth Brown to Betty, March 9, 1948.\u003c/p\u003e","\u003cp\u003eSeries 2: Personal and Biographical Papers, 1920-2015, comprise personal papers belonging to Betty and Willis Clemmer as well as personal and family biographies. Materials also relate to Augusta County history. \u003c/p\u003e","\u003cp\u003eThis series includes photographs - originals and facsimiles - of the Clemmers as well as Ruth Moseley Brown during her high school and college years.\u003c/p\u003e","\u003cp\u003eThe Clemmers' personal papers include materials and coursework from Betty's time at Madison College, specifically drawings from Basic Art 2 in which she was assigned to draw home furnishings and clothing. Alimae Aiken was Betty's instructor. Willis' transcripts from Lee High School and documents from the Veterans Administration are included.\u003c/p\u003e","\u003cp\u003eThe series also comprises several Clemmer family biographies, autobiographies, and histories related to Augusta County, Virginia. Willis' reminiscences, written in 1993-1994, document his memories of growing up in Augusta County. A history of Seawright Springs (Mt. Solon) compiled by Augusta County historian Ralph Coffman includes photographs and other materials related to the resort. The Seawright Springs history includes a partial transcript of Alexander Stuart Coffman's 1864 diary and a transcript of a March 26, 1907 letter from Charles Curry (a lawyer in Staunton) to an A. C. Gorden regarding the geography and folklore of specific Augusta County locations. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College including art drawings and program cards, Willis' service in the Army Air Forces including a patch and correspondence from the Veterans Administration, and family biographies and histories related to Augusta County.","Series 1: Correspondence, 1943-1949, largely comprises love letters between Betty Brown Clemmer and Willis Clemmer during their courtship and subsequent engagement when Betty was a student at Madison College. They are sentimental and endearing overall, but are also gossipy and newsy in nature, providing updates on family members, community happenings, and each other's social life.","Correspondence to Betty primarily comprises letters from Willis written during their courtship and are, as a result, affectionate and longing in nature. In writing to Betty, Willis also describes his daily activities of playing sports, driving cars, and seeing movies, in addition to providing updates on family and neighbors. Letters to Betty also include early love letters from gentleman callers other than Willis. She received letters from boys who were attending Virginia Tech, Randolph Macon, and Fork Union Military Academy. Letters presumably from high school beaus are also included. Other correspondents include Betty's mother Ruth Moseley Brown, Betty's grandmother Nannie Clay Brown, and fellow Madison College students. A March 15, 1949 from one of Betty's former classmates, Bunny Maifield, describes the goings-on at Madison College including girls getting caught by the watchmen \"night riding\" as well as a \"bunch of drunk Virginia boys came over and took over the place.\"","Willis' letters are primarily from Betty, but also include letters from friends and family. A selection of 1945 letters were written to Willis while he was stationed at Keesler Field in Mississippi. The content of these letters describe tales of escapades back home and friends going to Madison College on dates. While Betty's letters to Willis are mostly affectionate and playful in nature, they also document her school and home life. Of particular interest is an August 11, 1948 letter from Betty to Willis while she is home in Baskerville for the summer. She describes an incident with an African-American child stepping on a nail and not receiving proper medical care. In describing this incident, Betty uses racist language and characterizations of the child's family.","Beyond their overall sentiments of affection, Betty's letters to Willis provide insight into her life as a student at Madison College. Betty comments on her schoolwork, exams, studying, social life, entertainment, going downtown (buying food, going to the movies, going to Friddles), and rules and regulations (March 23, 1948: \"All my plans for going home have gone 'hay-wire.' Dr. Duke said today that we had to have a chaperone and at this late date we can't find anyone. I could cuss him - wonder what he thinks a busload of girls are going to do in broad open daylight - must think we are terrible\"). Betty frequently mentions her dissatisfaction with school and refers to Madison College as Hell or a hell-hole. Additionally, in several letters to Willis (December 4, 1947; September 28, 1948; etc.), Betty describes her presumed struggles with an apparent eating disorder.","A selection of \"special letters\" (as designated by the donor) concern Betty's engagement announcement, upcoming wedding, and Ruth Moseley Brown's visit to Chicago, etc. These letters are interfiled according to date and include Betty to Willis, April 13, 1949; Ruth Brown to Betty, September 17, 1947; Ruth Brown to Betty, September 15, 1947; Ruth Brown to Betty, April 8, 1948 (\"hoping you'd set the world on fire before getting married\"); Willis to Betty, April 11, 1949; Nannie Clay Brown to Betty, January 14, 1949 (letter after quitting school to get married); Nannie Clay Brown to Betty, May 3, 1948; Rev. Claude Moseley (uncle) to Betty, March 31, 1949; Ruth Brown to Betty, March 9, 1948.","Series 2: Personal and Biographical Papers, 1920-2015, comprise personal papers belonging to Betty and Willis Clemmer as well as personal and family biographies. Materials also relate to Augusta County history.","This series includes photographs - originals and facsimiles - of the Clemmers as well as Ruth Moseley Brown during her high school and college years.","The Clemmers' personal papers include materials and coursework from Betty's time at Madison College, specifically drawings from Basic Art 2 in which she was assigned to draw home furnishings and clothing. Alimae Aiken was Betty's instructor. Willis' transcripts from Lee High School and documents from the Veterans Administration are included.","The series also comprises several Clemmer family biographies, autobiographies, and histories related to Augusta County, Virginia. Willis' reminiscences, written in 1993-1994, document his memories of growing up in Augusta County. A history of Seawright Springs (Mt. Solon) compiled by Augusta County historian Ralph Coffman includes photographs and other materials related to the resort. The Seawright Springs history includes a partial transcript of Alexander Stuart Coffman's 1864 diary and a transcript of a March 26, 1907 letter from Charles Curry (a lawyer in Staunton) to an A. C. Gorden regarding the geography and folklore of specific Augusta County locations."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo self-published local history publications were removed from the collection and cataloged separately.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Two self-published local history publications were removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b6bfd9caf198153b7116f55373de457e\"\u003eThe Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College, Willis' service in the Army Air Forces, and family biographies.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Betty Brown Clemmer and Willis Clemmer Papers, 1920-2015 (bulk 1943-1949), largely comprise correspondence between Betty Brown Clemmer and Willis Clemmer during their courtship while Betty was a student at Madison College. Other papers relate to Betty's coursework at Madison College, Willis' service in the Army Air Forces, and family biographies."],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History"],"names_coll_ssim":["Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History","Clemmer, Betty Brown"],"persname_ssim":["Clemmer, Betty Brown","Clemmer, Willis, 1926-2013"],"names_ssim":["James Madison University Libraries Special Collections","Madison College -- Students","Madison College -- Students -- Social life and customs","Madison College -- Alumni and alumnae","Madison College -- History","James Madison University -- History","Clemmer, Betty Brown","Clemmer, Willis, 1926-2013"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":76,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:53.919Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_541"}},{"id":"vihart_repositories_4_resources_271","type":"collection","attributes":{"title":"Dorothy Lee Baugher papers, 1936/2003, bulk 1975/1981","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_271#creator","type":"document_value","attributes":{"value":"Baugher, Dorothy Lee, 1917-2009","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_271#abstract_or_scope","type":"document_value","attributes":{"value":"The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_271#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_271","ead_ssi":"vihart_repositories_4_resources_271","_root_":"vihart_repositories_4_resources_271","_nest_parent_":"vihart_repositories_4_resources_271","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_271.xml","title_ssm":["Dorothy Lee Baugher papers"],"title_tesim":["Dorothy Lee Baugher papers"],"unitdate_ssm":["1936-2003","1975-1981"],"unitdate_inclusive_ssm":["1936-2003"],"unitdate_bulk_ssim":["1975-1981"],"normalized_date_ssm":["1936/2003, bulk 1975/1981"],"normalized_title_ssm":["Dorothy Lee Baugher papers, 1936/2003, bulk 1975/1981"],"text":["Dorothy Lee Baugher papers, 1936/2003, bulk 1975/1981","SC 0124","Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in five series:","Daily News-Record Materials, 1975-1981\n      Non-Fiction, undated\n      Fiction, 2002-2003\n      Poetry, 1986-1998\n      Miscellany, 1936-2003","Obituary for Dorothy L. Baugher, Daily News-Record, August 15, 2009.","The Schoolma'am, 1939. Harrisonburg (Va.): Madison College.","Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the Daily News-Record. Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.","Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.","All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. This collection was previously cataloged as SC 3017.","The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the Daily News-Record. An index of these writings is available here.","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","James Madison University Libraries Special Collections","Baugher, Dorothy Lee, 1917-2009","English\n."],"collection_title_tesim":["Dorothy Lee Baugher papers, 1936/2003, bulk 1975/1981"],"collection_ssim":["Dorothy Lee Baugher papers, 1936/2003, bulk 1975/1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0124"],"unitid_tesim":["SC 0124"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Baugher, Dorothy Lee, 1917-2009"],"creator_ssim":["Baugher, Dorothy Lee, 1917-2009"],"creator_persname_ssim":["Baugher, Dorothy Lee, 1917-2009"],"creator_corpname_ssim":["James Madison University Libraries Special Collections"],"creators_ssim":["Baugher, Dorothy Lee, 1917-2009","James Madison University Libraries Special Collections"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Donated to Special Collections in July 2009."],"access_subjects_ssim":["Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"access_subjects_ssm":["Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 cubic feet 2 boxes"],"extent_tesim":["0.50 cubic feet 2 boxes"],"genreform_ssim":["Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003e\u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e Materials, 1975-1981\u003c/item\u003e\n      \u003citem\u003eNon-Fiction, undated\u003c/item\u003e\n      \u003citem\u003eFiction, 2002-2003\u003c/item\u003e\n      \u003citem\u003ePoetry, 1986-1998\u003c/item\u003e\n      \u003citem\u003eMiscellany, 1936-2003\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five series:","Daily News-Record Materials, 1975-1981\n      Non-Fiction, undated\n      Fiction, 2002-2003\n      Poetry, 1986-1998\n      Miscellany, 1936-2003"],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Dorothy L. Baugher, \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, August 15, 2009.\u003c/bibref\u003e\n    ","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1939. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Dorothy L. Baugher, Daily News-Record, August 15, 2009.","The Schoolma'am, 1939. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eDorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.\u003c/p\u003e  "],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the Daily News-Record. Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry."],"custodhist_html_tesm":["\u003cp\u003ePurchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAll newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 3017.\u003c/emph\u003e\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. This collection was previously cataloged as SC 3017."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/p\u003e","\u003cp\u003eSeries 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. An index of these writings is available \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.jmu.edu/special/manuscripts/3017Baugher_Detail.pdf\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e","\u003cp\u003eSeries 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.\u003c/p\u003e","\u003cp\u003eSeries 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.\u003c/p\u003e","\u003cp\u003eSeries 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.\u003c/p\u003e","\u003cp\u003eSeries 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the Daily News-Record. An index of these writings is available here.","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9a930ec716172acbe7db4319c9d440ca\"\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Baugher, Dorothy Lee, 1917-2009"],"names_ssim":["James Madison University Libraries Special Collections","Baugher, Dorothy Lee, 1917-2009"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:34.491Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_271","ead_ssi":"vihart_repositories_4_resources_271","_root_":"vihart_repositories_4_resources_271","_nest_parent_":"vihart_repositories_4_resources_271","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_271.xml","title_ssm":["Dorothy Lee Baugher papers"],"title_tesim":["Dorothy Lee Baugher papers"],"unitdate_ssm":["1936-2003","1975-1981"],"unitdate_inclusive_ssm":["1936-2003"],"unitdate_bulk_ssim":["1975-1981"],"normalized_date_ssm":["1936/2003, bulk 1975/1981"],"normalized_title_ssm":["Dorothy Lee Baugher papers, 1936/2003, bulk 1975/1981"],"text":["Dorothy Lee Baugher papers, 1936/2003, bulk 1975/1981","SC 0124","Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in five series:","Daily News-Record Materials, 1975-1981\n      Non-Fiction, undated\n      Fiction, 2002-2003\n      Poetry, 1986-1998\n      Miscellany, 1936-2003","Obituary for Dorothy L. Baugher, Daily News-Record, August 15, 2009.","The Schoolma'am, 1939. Harrisonburg (Va.): Madison College.","Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the Daily News-Record. Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.","Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.","All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. This collection was previously cataloged as SC 3017.","The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the Daily News-Record. An index of these writings is available here.","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","James Madison University Libraries Special Collections","Baugher, Dorothy Lee, 1917-2009","English\n."],"collection_title_tesim":["Dorothy Lee Baugher papers, 1936/2003, bulk 1975/1981"],"collection_ssim":["Dorothy Lee Baugher papers, 1936/2003, bulk 1975/1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0124"],"unitid_tesim":["SC 0124"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Baugher, Dorothy Lee, 1917-2009"],"creator_ssim":["Baugher, Dorothy Lee, 1917-2009"],"creator_persname_ssim":["Baugher, Dorothy Lee, 1917-2009"],"creator_corpname_ssim":["James Madison University Libraries Special Collections"],"creators_ssim":["Baugher, Dorothy Lee, 1917-2009","James Madison University Libraries Special Collections"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Donated to Special Collections in July 2009."],"access_subjects_ssim":["Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"access_subjects_ssm":["Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 cubic feet 2 boxes"],"extent_tesim":["0.50 cubic feet 2 boxes"],"genreform_ssim":["Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003e\u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e Materials, 1975-1981\u003c/item\u003e\n      \u003citem\u003eNon-Fiction, undated\u003c/item\u003e\n      \u003citem\u003eFiction, 2002-2003\u003c/item\u003e\n      \u003citem\u003ePoetry, 1986-1998\u003c/item\u003e\n      \u003citem\u003eMiscellany, 1936-2003\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five series:","Daily News-Record Materials, 1975-1981\n      Non-Fiction, undated\n      Fiction, 2002-2003\n      Poetry, 1986-1998\n      Miscellany, 1936-2003"],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Dorothy L. Baugher, \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, August 15, 2009.\u003c/bibref\u003e\n    ","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1939. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Dorothy L. Baugher, Daily News-Record, August 15, 2009.","The Schoolma'am, 1939. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eDorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.\u003c/p\u003e  "],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the Daily News-Record. Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry."],"custodhist_html_tesm":["\u003cp\u003ePurchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.\u003c/p\u003e  "],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAll newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 3017.\u003c/emph\u003e\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. This collection was previously cataloged as SC 3017."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/p\u003e","\u003cp\u003eSeries 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. An index of these writings is available \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.jmu.edu/special/manuscripts/3017Baugher_Detail.pdf\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e","\u003cp\u003eSeries 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.\u003c/p\u003e","\u003cp\u003eSeries 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.\u003c/p\u003e","\u003cp\u003eSeries 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.\u003c/p\u003e","\u003cp\u003eSeries 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the Daily News-Record. An index of these writings is available here.","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9a930ec716172acbe7db4319c9d440ca\"\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes."],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Baugher, Dorothy Lee, 1917-2009"],"names_ssim":["James Madison University Libraries Special Collections","Baugher, Dorothy Lee, 1917-2009"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:34.491Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_271"}},{"id":"viw_repositories_2_resources_9853","type":"collection","attributes":{"title":"Richard Wright collection, 1806/2017","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"normalized_date_ssm":["1806/2017"],"normalized_title_ssm":["Richard Wright collection, 1806/2017"],"text":["Richard Wright collection, 1806/2017","MS 00317","/repositories/2/resources/9853","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Richard Wright collection, 1806/2017"],"collection_ssim":["Richard Wright collection, 1806/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials.","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead.","Wright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","Wright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","He was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member.","Outside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","While living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e  ","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e  ","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork.","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853"}},{"id":"vihart_repositories_4_resources_632","type":"collection","attributes":{"title":"Robert James Sullivan Jr. papers, 1920/2013","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_632#creator","type":"document_value","attributes":{"value":"Sullivan, Robert James, Jr., 1937-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_632#abstract_or_scope","type":"document_value","attributes":{"value":"The Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. Materials include city planning reports, newspaper articles, photographs, scrapbooks, and maps.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_632#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_632","ead_ssi":"vihart_repositories_4_resources_632","_root_":"vihart_repositories_4_resources_632","_nest_parent_":"vihart_repositories_4_resources_632","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_632.xml","title_ssm":["Robert James Sullivan Jr. papers"],"title_tesim":["Robert James Sullivan Jr. papers"],"unitdate_ssm":["circa 1930-2013"],"unitdate_inclusive_ssm":["circa 1930-2013"],"normalized_date_ssm":["1920/2013"],"normalized_title_ssm":["Robert James Sullivan Jr. papers, 1920/2013"],"text":["Robert James Sullivan Jr. papers, 1920/2013","SC 0003","/repositories/4/resources/632","Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local","City planning -- Virginia -- Harrisonburg","Community development, Urban -- Virginia -- Harrisonburg","Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","All slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/).","The papers are arranged in six series. Series 1: Reports and Series 2: City of Harrisonburg are arranged further into subseries. All series and subseries arranged chronologically.","Reports, 1946-1992\n      City of Harrisonburg, 1958-2012\n      Personal Papers, 1952-2013\n      Scrapbooks and Newspaper, 1945-2012\n      Maps, 1958-2003\n      Photographs and Slides, circa 1930-2012","Arranged topically.","Arranged under two headings: Photographs, and Slides. Photographs are arranged chronologically, and Slides are arranged topically.","Robert \"Bobby\" James Sullivan Jr. was born on November 18, 1937 in Harrisonburg, Virginia and was the eldest son of the late Robert J. Sullivan Sr. and Goldie Liskey Sullivan. He passed away on February 4, 2013. Sullivan graduated from Harrisonburg High School in 1956 and received a Bachelor of Science degree from Mount St. Mary's College in 1960 and a master's degree in Public Administration from the University of Pittsburgh in 1962. He married Kathleen Marie Donovan on June 27, 1964.","Sullivan was the City Planner for the city of Harrisonburg from 1965-1991 during the years that saw Urban Redevelopment for parts of the city as well as growth through annexation. He also taught as an adjunct Assistant Professor of Political Science for James Madison University from 1970-2006. See folder titled \"Background Information, Robert J. Sullivan, Jr., August 1998\" from the Personal Papers series for details of his life and career.","Known locally as the \"unofficial historian\" of Harrisonburg, Sullivan often spoke to groups about the history of Harrisonburg. He was responsible for creating walking tours of downtown Harrisonburg first with his JMU Political Science classes, and later with the larger community.","Sullivan was a life-long member of Blessed Sacrament parish and a member of the Knights of Columbus. He served on the Rockingham Public Library Board and the Salvation Army Advisory Board for over thirty years. He was especially fond of the Harrisonburg High School athletic teams and was recognized as the Harrisonburg Blue Streaks biggest fan when he was inducted into the Harrisonburg High School Hall of Fame as part of the inaugural class of 2008.","When this collection was received from the donor, some materials had been wet and suffered from mold damage. Materials with excessive water damage or mold were photocopied and the originals discarded.","SdArch 2-3 : Oral history interview [sound recording] / Bob Sullivan ; interviewed by Amy Accles, forms part of Court Square, Harrisonburg, Virginia, an oral history project. Transcript also available in Special Collections and the circulating collection: F234.H31 A29 1990.","The Harrisonburg, VA branch of the Massanutten Regional Library holds 36 scrapbooks created by Sullivan from the years 1965-2001. These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\"","The Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. Also contained in the collection are a large number of photographs and slides that Sullivan took that capture the growth and changes in Harrisonburg over time. Images of note include a panoramic view of Harrisonburg ca. 1930, photos and slides that document urban renewal projects, and images of downtown Harrisonburg, VA from the 1960s-2000s.","Arranged into three subseries: City Planning Commission Annual Reports, 1966-1981, Urban Planning Grants, 1965-1966, and Miscellaneous Reports, 1946-1992. Arranged chronologically within each series.","Subseries 1.1: City Planning Commission Annual Reports, 1966-1981, contains a continuous run of annual reports for the City Planning Commission from 1965 through 1981. These annual reports include planning commission highlights and monthly summaries of activities. The 1965-1966 report notes that Robert J. Sullivan Jr. took over the duties of Planning Director on October 1, 1965.","Subseries 1.2: Urban Planning Grants, 1965-1966, contains reports prepared under the contract for the Local Planning Section: Department of Conservation and Economic Development, State of Virginia. The preparation of these reports was funded in part through an urban planning grant from the Housing and Home Finance Agency. The reports contain analysis of various aspects of the city of Harrisonburg, including population statistics and information pertaining to residential neighborhoods and the downtown area. These Urban Planning Grants also include a 1966 comprehensive plan for development over the following twenty years as well as a summary report of that plan. These reports were office copies that belonged to Robert James Sullivan Jr. and have his name written on the cover. Because of excessive mold on these reports, all items from this subseries have been photocopied and originals discarded.","Subseries 1.3: Miscellaneous City Planning Reports, 1946-1992, contains various other reports that relate to city planning in Harrisonburg or city planning in general. Two reports relate to city planning in Norfolk, Virginia from the 1940s and 1950s and document urban renewal or \"slum clearance\" efforts there. Box 1 folder 27 contains an outline of the history of City Planning in Harrisonburg, beginning with the establishment of the Planning Commission in March, 1938. The report titled Harrisonburg: \"The City with the Planned Future,\" contains a detailed history of the founding and growth of Harrisonburg, including population statistics and documentation of land annexation as well a listing of the members of City Council from 1849-2006.","Arranged into two subseries: City Planning, 1960-2012, and Harrisonburg History, 1958-2008. Arranged chronologically within each series.","Subseries 2.1: City Planning, 1960-2012, contains materials that Sullivan created in his role as City Planner, or that relate to city planning functions. Types of materials include photos and other documents related to the Northeast Urban Redevelopment Project, newspaper articles about city planning and the growth and development of Harrisonburg, and documents relating to zoning and historic district status. The folders titled \"What do you think of Federal Aid? Photos and description,\" contain a document written in 2012 by Sullivan explaining the history of urban redevelopment in Harrisonburg, and his role in the \"slum clearance\" projects of the 1950s and 1960s.","Subseries 2.2: Harrisonburg History, 1958-2008, contains materials collected by Sullivan that relate to the history of Harrisonburg, as well as materials he created related to the history and development of the city. Sullivan was known as the \"unofficial historian of Harrisonburg\" and materials in this subseries document the history and development of Harrisonburg. Items of note include original drawings of downtown Harrisonburg from the 1950s and 1960s as well as posters and brochures that contain Sullivan's sketches for the 1980 Bicentennial celebration. Other materials include the text of various talks Sullivan gave on the history of Harrisonburg to various groups in town.","Arranged Chronologically. Materials in the Personal Papers series document Sullivan's professional activities as well as his time as an instructor in the Political Science Department at James Madison University. Please note that the folder titled \"JMU Classes - Evaluations,\" do not contain student grades or performance evaluations, but rather contain evaluations completed by students about Sullivan's performance as an instructor. For details of Sullivan's life and career highlights please see the folder titled \"Background Information Robert J. Sullivan Jr., August 1998.\"","Arranged Chronologically. The Scrapbooks and Newspaper series consists of newspaper clippings collected by Sullivan, either loose in folders, or pasted into scrapbook pages, that document city planning activities primarily in Harrisonburg, VA. Most newspaper clippings come from the Harrisonburg Daily News-Record. In addition to clippings that document city planning efforts, Sullivan also collected clippings that relate to historical aspects of Harrisonburg, particularly those that feature images of Harrisonburg from the past. The folder titled \"Old Times\" : News and photos from the Daily News-Record contains a copy of the front page of the Daily News-Record from 1945 that reports on the ending of World War II. Please note that the scrapbooks in box 5, folders 4-7 are photocopies of the original scrapbooks. The original scrapbooks suffered from mold damage and were not retained.","The maps series contains maps produced or used by the Harrisonburg Housing and Redevelopment Authority that document homes and businesses in areas of Harrisonburg slated for demolition through urban renewal initiatives. Other city planning maps include hand-drawn maps created by Sullivan that show the growth of Harrisonburg over time and through annexation, as well as miscellaneous maps of Harrrisonburg and Rockingham County collected from various sources. Map identifier is located on the back of each item in the bottom right corner.","Broad Street, Mason Street, N. Main Street","Broad Street, E. Gay St.","N. Mason St, Rock St.","Effinger St., Broad St.","N. Mason, E. Rock St.","Broad St., Rock St.","Broad St., Rock St.","Broad St., E. Rock St.","This series comprises photographic prints and slides created or collected by Sullivan that primarily document neighborhoods, buildings, and other locations in and around Harrisonburg, Virginia from circa 1930 to 2006.\nImages document the areas of Harrisonburg targeted for urban renewal in the 1960s, street widening and other planning commission projects, as well as buildings and other features of downtown Harrisonburg from the 1960s-early 2000s. Images in this series were taken and used by Sullivan both in his professional capacity as City Planning Director, as well as for personal use. Other content found among this series includes images of Harrisonburg High School football games in the early 2000s as well as images of JMU students in classes taught by Sullivan and on walking tours conducted as part of his courses from 1990-2006. Items identified as photo albums in the inventory were removed from their original albums and foldered individually with corresponding captions as folder titles.","All slides have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/). Slides are arranged topically from the original arrangement created by Sullivan, and are listed alphabetically. Descriptive titles for the topical groupings listed in the inventory were transcribed from Sullivan's own description, written onto slide reel boxes. Additionally, Sullivan wrote item level image description onto most slides in the collection. That descriptive information is listed as the image title when viewing the images within JMU Scholarly Commons.","Most slide images document Harrisonburg and the surrounding area from the 1960s-1980s. Other content includes images of Reston, VA, and Durham, NC that feature housing complexes and downtown areas. Note that images of Harrisonburg are found within the grouping labeled as \"Durham, NC,\" as well as in the grouping titled \"non-H'burg.\"","Includes Turkey Statue - \"Welcome to Rockingham County Turkey Capital.\"","Harrisonburg \"City Hall\" Bryan Mabry, Harrisonburg School Board Office, VA Quilt Museum, Massanutten Regional Library, Rockingham County Office Building, Rockingham County Court House, Rockingham-Harrisonburg Judicial Center, Rockingham-Harrisonburg Dept. of Health and Social Services, J. R. Lineweaver Apartments, Harrisonburg Fire Station #4, VA Dept. of Taxation Office, ABC Store, Rockingham Co. Government Administration Center, Rockingham Harrisonburg Judicial Center, Harrisonburg Electric Commission, Court House Clock Tower","Two aerials of Harrisonburg and one of JMU.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. Materials include city planning reports, newspaper articles, photographs, scrapbooks, and maps.","James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History","Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018","English"],"collection_title_tesim":["Robert James Sullivan Jr. papers, 1920/2013"],"collection_ssim":["Robert James Sullivan Jr. papers, 1920/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0003","/repositories/4/resources/632"],"unitid_tesim":["SC 0003","/repositories/4/resources/632"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local"],"geogname_ssim":["Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local"],"places_ssim":["Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local"],"creator_ssm":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen"],"creator_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen"],"creator_persname_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History"],"creators_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018","James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Kathleen Sullivan, wife of Robert James Sullivan Jr., in two separate donations in April 2014 and August 2015."],"access_subjects_ssim":["City planning -- Virginia -- Harrisonburg","Community development, Urban -- Virginia -- Harrisonburg","Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures"],"access_subjects_ssm":["City planning -- Virginia -- Harrisonburg","Community development, Urban -- Virginia -- Harrisonburg","Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures"],"has_online_content_ssim":["false"],"extent_ssm":["8.53 cubic feet 12 boxes, 4 flat files"],"extent_tesim":["8.53 cubic feet 12 boxes, 4 flat files"],"genreform_ssim":["Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eAll slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://commons.lib.jmu.edu/rjs/\"\u003e(https://commons.lib.jmu.edu/rjs/).\u003c/extref\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["All slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/)."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in six series. Series 1: Reports and Series 2: City of Harrisonburg are arranged further into subseries. All series and subseries arranged chronologically.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eReports, 1946-1992\u003c/item\u003e\n      \u003citem\u003eCity of Harrisonburg, 1958-2012\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1952-2013\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Newspaper, 1945-2012\u003c/item\u003e\n      \u003citem\u003eMaps, 1958-2003\u003c/item\u003e\n      \u003citem\u003ePhotographs and Slides, circa 1930-2012\u003c/item\u003e\n    \u003c/list\u003e\n  ","\u003cp\u003eArranged topically.\u003c/p\u003e","\u003cp\u003eArranged under two headings: Photographs, and Slides. Photographs are arranged chronologically, and Slides are arranged topically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The papers are arranged in six series. Series 1: Reports and Series 2: City of Harrisonburg are arranged further into subseries. All series and subseries arranged chronologically.","Reports, 1946-1992\n      City of Harrisonburg, 1958-2012\n      Personal Papers, 1952-2013\n      Scrapbooks and Newspaper, 1945-2012\n      Maps, 1958-2003\n      Photographs and Slides, circa 1930-2012","Arranged topically.","Arranged under two headings: Photographs, and Slides. Photographs are arranged chronologically, and Slides are arranged topically."],"bioghist_html_tesm":["\u003cp\u003eRobert \"Bobby\" James Sullivan Jr. was born on November 18, 1937 in Harrisonburg, Virginia and was the eldest son of the late Robert J. Sullivan Sr. and Goldie Liskey Sullivan. He passed away on February 4, 2013. Sullivan graduated from Harrisonburg High School in 1956 and received a Bachelor of Science degree from Mount St. Mary's College in 1960 and a master's degree in Public Administration from the University of Pittsburgh in 1962. He married Kathleen Marie Donovan on June 27, 1964.\u003c/p\u003e","\u003cp\u003eSullivan was the City Planner for the city of Harrisonburg from 1965-1991 during the years that saw Urban Redevelopment for parts of the city as well as growth through annexation. He also taught as an adjunct Assistant Professor of Political Science for James Madison University from 1970-2006. See folder titled \"Background Information, Robert J. Sullivan, Jr., August 1998\" from the Personal Papers series for details of his life and career.\u003c/p\u003e","\u003cp\u003eKnown locally as the \"unofficial historian\" of Harrisonburg, Sullivan often spoke to groups about the history of Harrisonburg. He was responsible for creating walking tours of downtown Harrisonburg first with his JMU Political Science classes, and later with the larger community.\u003c/p\u003e","\u003cp\u003eSullivan was a life-long member of Blessed Sacrament parish and a member of the Knights of Columbus. He served on the Rockingham Public Library Board and the Salvation Army Advisory Board for over thirty years. He was especially fond of the Harrisonburg High School athletic teams and was recognized as the Harrisonburg Blue Streaks biggest fan when he was inducted into the Harrisonburg High School Hall of Fame as part of the inaugural class of 2008.\u003c/p\u003e  "],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Robert \"Bobby\" James Sullivan Jr. was born on November 18, 1937 in Harrisonburg, Virginia and was the eldest son of the late Robert J. Sullivan Sr. and Goldie Liskey Sullivan. He passed away on February 4, 2013. Sullivan graduated from Harrisonburg High School in 1956 and received a Bachelor of Science degree from Mount St. Mary's College in 1960 and a master's degree in Public Administration from the University of Pittsburgh in 1962. He married Kathleen Marie Donovan on June 27, 1964.","Sullivan was the City Planner for the city of Harrisonburg from 1965-1991 during the years that saw Urban Redevelopment for parts of the city as well as growth through annexation. He also taught as an adjunct Assistant Professor of Political Science for James Madison University from 1970-2006. See folder titled \"Background Information, Robert J. Sullivan, Jr., August 1998\" from the Personal Papers series for details of his life and career.","Known locally as the \"unofficial historian\" of Harrisonburg, Sullivan often spoke to groups about the history of Harrisonburg. He was responsible for creating walking tours of downtown Harrisonburg first with his JMU Political Science classes, and later with the larger community.","Sullivan was a life-long member of Blessed Sacrament parish and a member of the Knights of Columbus. He served on the Rockingham Public Library Board and the Salvation Army Advisory Board for over thirty years. He was especially fond of the Harrisonburg High School athletic teams and was recognized as the Harrisonburg Blue Streaks biggest fan when he was inducted into the Harrisonburg High School Hall of Fame as part of the inaugural class of 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Robert James Sullivan Jr. Papers, circa 1930-2013, SC 0003, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Robert James Sullivan Jr. Papers, circa 1930-2013, SC 0003, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eWhen this collection was received from the donor, some materials had been wet and suffered from mold damage. Materials with excessive water damage or mold were photocopied and the originals discarded.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["When this collection was received from the donor, some materials had been wet and suffered from mold damage. Materials with excessive water damage or mold were photocopied and the originals discarded."],"relatedmaterial_html_tesm":["\u003cp\u003eSdArch 2-3 : Oral history interview [sound recording] / Bob Sullivan ; interviewed by Amy Accles, forms part of Court Square, Harrisonburg, Virginia, an oral history project. Transcript also available in Special Collections and the circulating collection: F234.H31 A29 1990.\u003c/p\u003e","\u003cp\u003eThe Harrisonburg, VA branch of the Massanutten Regional Library holds 36 scrapbooks created by Sullivan from the years 1965-2001. These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\"\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["SdArch 2-3 : Oral history interview [sound recording] / Bob Sullivan ; interviewed by Amy Accles, forms part of Court Square, Harrisonburg, Virginia, an oral history project. Transcript also available in Special Collections and the circulating collection: F234.H31 A29 1990.","The Harrisonburg, VA branch of the Massanutten Regional Library holds 36 scrapbooks created by Sullivan from the years 1965-2001. These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\""],"scopecontent_html_tesm":["\u003cp\u003eThe Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. Also contained in the collection are a large number of photographs and slides that Sullivan took that capture the growth and changes in Harrisonburg over time. Images of note include a panoramic view of Harrisonburg ca. 1930, photos and slides that document urban renewal projects, and images of downtown Harrisonburg, VA from the 1960s-2000s.\u003c/p\u003e  ","\u003cp\u003eArranged into three subseries: City Planning Commission Annual Reports, 1966-1981, Urban Planning Grants, 1965-1966, and Miscellaneous Reports, 1946-1992. Arranged chronologically within each series.\u003c/p\u003e","\u003cp\u003eSubseries 1.1: City Planning Commission Annual Reports, 1966-1981, contains a continuous run of annual reports for the City Planning Commission from 1965 through 1981. These annual reports include planning commission highlights and monthly summaries of activities. The 1965-1966 report notes that Robert J. Sullivan Jr. took over the duties of Planning Director on October 1, 1965.\u003c/p\u003e","\u003cp\u003eSubseries 1.2: Urban Planning Grants, 1965-1966, contains reports prepared under the contract for the Local Planning Section: Department of Conservation and Economic Development, State of Virginia. The preparation of these reports was funded in part through an urban planning grant from the Housing and Home Finance Agency. The reports contain analysis of various aspects of the city of Harrisonburg, including population statistics and information pertaining to residential neighborhoods and the downtown area. These Urban Planning Grants also include a 1966 comprehensive plan for development over the following twenty years as well as a summary report of that plan. These reports were office copies that belonged to Robert James Sullivan Jr. and have his name written on the cover. Because of excessive mold on these reports, all items from this subseries have been photocopied and originals discarded.\u003c/p\u003e","\u003cp\u003eSubseries 1.3: Miscellaneous City Planning Reports, 1946-1992, contains various other reports that relate to city planning in Harrisonburg or city planning in general. Two reports relate to city planning in Norfolk, Virginia from the 1940s and 1950s and document urban renewal or \"slum clearance\" efforts there. Box 1 folder 27 contains an outline of the history of City Planning in Harrisonburg, beginning with the establishment of the Planning Commission in March, 1938. The report titled Harrisonburg: \"The City with the Planned Future,\" contains a detailed history of the founding and growth of Harrisonburg, including population statistics and documentation of land annexation as well a listing of the members of City Council from 1849-2006.\u003c/p\u003e","\u003cp\u003eArranged into two subseries: City Planning, 1960-2012, and Harrisonburg History, 1958-2008. Arranged chronologically within each series.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: City Planning, 1960-2012, contains materials that Sullivan created in his role as City Planner, or that relate to city planning functions. Types of materials include photos and other documents related to the Northeast Urban Redevelopment Project, newspaper articles about city planning and the growth and development of Harrisonburg, and documents relating to zoning and historic district status. The folders titled \"What do you think of Federal Aid? Photos and description,\" contain a document written in 2012 by Sullivan explaining the history of urban redevelopment in Harrisonburg, and his role in the \"slum clearance\" projects of the 1950s and 1960s.\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Harrisonburg History, 1958-2008, contains materials collected by Sullivan that relate to the history of Harrisonburg, as well as materials he created related to the history and development of the city. Sullivan was known as the \"unofficial historian of Harrisonburg\" and materials in this subseries document the history and development of Harrisonburg. Items of note include original drawings of downtown Harrisonburg from the 1950s and 1960s as well as posters and brochures that contain Sullivan's sketches for the 1980 Bicentennial celebration. Other materials include the text of various talks Sullivan gave on the history of Harrisonburg to various groups in town.\u003c/p\u003e","\u003cp\u003eArranged Chronologically. Materials in the Personal Papers series document Sullivan's professional activities as well as his time as an instructor in the Political Science Department at James Madison University. Please note that the folder titled \"JMU Classes - Evaluations,\" do not contain student grades or performance evaluations, but rather contain evaluations completed by students about Sullivan's performance as an instructor. For details of Sullivan's life and career highlights please see the folder titled \"Background Information Robert J. Sullivan Jr., August 1998.\"\u003c/p\u003e","\u003cp\u003eArranged Chronologically. The Scrapbooks and Newspaper series consists of newspaper clippings collected by Sullivan, either loose in folders, or pasted into scrapbook pages, that document city planning activities primarily in Harrisonburg, VA. Most newspaper clippings come from the Harrisonburg Daily News-Record. In addition to clippings that document city planning efforts, Sullivan also collected clippings that relate to historical aspects of Harrisonburg, particularly those that feature images of Harrisonburg from the past. The folder titled \"Old Times\" : News and photos from the Daily News-Record contains a copy of the front page of the Daily News-Record from 1945 that reports on the ending of World War II. Please note that the scrapbooks in box 5, folders 4-7 are photocopies of the original scrapbooks. The original scrapbooks suffered from mold damage and were not retained.\u003c/p\u003e","\u003cp\u003eThe maps series contains maps produced or used by the Harrisonburg Housing and Redevelopment Authority that document homes and businesses in areas of Harrisonburg slated for demolition through urban renewal initiatives. Other city planning maps include hand-drawn maps created by Sullivan that show the growth of Harrisonburg over time and through annexation, as well as miscellaneous maps of Harrrisonburg and Rockingham County collected from various sources. Map identifier is located on the back of each item in the bottom right corner.\u003c/p\u003e","\u003cp\u003eBroad Street, Mason Street, N. Main Street\u003c/p\u003e","\u003cp\u003eBroad Street, E. Gay St.\u003c/p\u003e","\u003cp\u003eN. Mason St, Rock St.\u003c/p\u003e","\u003cp\u003eEffinger St., Broad St.\u003c/p\u003e","\u003cp\u003eN. Mason, E. Rock St.\u003c/p\u003e","\u003cp\u003eBroad St., Rock St.\u003c/p\u003e","\u003cp\u003eBroad St., Rock St.\u003c/p\u003e","\u003cp\u003eBroad St., E. Rock St.\u003c/p\u003e","\u003cp\u003eThis series comprises photographic prints and slides created or collected by Sullivan that primarily document neighborhoods, buildings, and other locations in and around Harrisonburg, Virginia from circa 1930 to 2006.\nImages document the areas of Harrisonburg targeted for urban renewal in the 1960s, street widening and other planning commission projects, as well as buildings and other features of downtown Harrisonburg from the 1960s-early 2000s. Images in this series were taken and used by Sullivan both in his professional capacity as City Planning Director, as well as for personal use. Other content found among this series includes images of Harrisonburg High School football games in the early 2000s as well as images of JMU students in classes taught by Sullivan and on walking tours conducted as part of his courses from 1990-2006. Items identified as photo albums in the inventory were removed from their original albums and foldered individually with corresponding captions as folder titles.\u003c/p\u003e","\u003cp\u003e\nAll slides have been digitized and are available within JMU Scholarly Commons \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://commons.lib.jmu.edu/rjs/\"\u003e(https://commons.lib.jmu.edu/rjs/).\u003c/extref\u003e Slides are arranged topically from the original arrangement created by Sullivan, and are listed alphabetically. Descriptive titles for the topical groupings listed in the inventory were transcribed from Sullivan's own description, written onto slide reel boxes. Additionally, Sullivan wrote item level image description onto most slides in the collection. That descriptive information is listed as the image title when viewing the images within JMU Scholarly Commons.\u003c/p\u003e","\u003cp\u003eMost slide images document Harrisonburg and the surrounding area from the 1960s-1980s. Other content includes images of Reston, VA, and Durham, NC that feature housing complexes and downtown areas. Note that images of Harrisonburg are found within the grouping labeled as \"Durham, NC,\" as well as in the grouping titled \"non-H'burg.\"\u003c/p\u003e","\u003cp\u003eIncludes Turkey Statue - \"Welcome to Rockingham County Turkey Capital.\"\u003c/p\u003e","\u003cp\u003eHarrisonburg \"City Hall\" Bryan Mabry, Harrisonburg School Board Office, VA Quilt Museum, Massanutten Regional Library, Rockingham County Office Building, Rockingham County Court House, Rockingham-Harrisonburg Judicial Center, Rockingham-Harrisonburg Dept. of Health and Social Services, J. R. Lineweaver Apartments, Harrisonburg Fire Station #4, VA Dept. of Taxation Office, ABC Store, Rockingham Co. Government Administration Center, Rockingham Harrisonburg Judicial Center, Harrisonburg Electric Commission, Court House Clock Tower\u003c/p\u003e","\u003cp\u003eTwo aerials of Harrisonburg and one of JMU.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. Also contained in the collection are a large number of photographs and slides that Sullivan took that capture the growth and changes in Harrisonburg over time. Images of note include a panoramic view of Harrisonburg ca. 1930, photos and slides that document urban renewal projects, and images of downtown Harrisonburg, VA from the 1960s-2000s.","Arranged into three subseries: City Planning Commission Annual Reports, 1966-1981, Urban Planning Grants, 1965-1966, and Miscellaneous Reports, 1946-1992. Arranged chronologically within each series.","Subseries 1.1: City Planning Commission Annual Reports, 1966-1981, contains a continuous run of annual reports for the City Planning Commission from 1965 through 1981. These annual reports include planning commission highlights and monthly summaries of activities. The 1965-1966 report notes that Robert J. Sullivan Jr. took over the duties of Planning Director on October 1, 1965.","Subseries 1.2: Urban Planning Grants, 1965-1966, contains reports prepared under the contract for the Local Planning Section: Department of Conservation and Economic Development, State of Virginia. The preparation of these reports was funded in part through an urban planning grant from the Housing and Home Finance Agency. The reports contain analysis of various aspects of the city of Harrisonburg, including population statistics and information pertaining to residential neighborhoods and the downtown area. These Urban Planning Grants also include a 1966 comprehensive plan for development over the following twenty years as well as a summary report of that plan. These reports were office copies that belonged to Robert James Sullivan Jr. and have his name written on the cover. Because of excessive mold on these reports, all items from this subseries have been photocopied and originals discarded.","Subseries 1.3: Miscellaneous City Planning Reports, 1946-1992, contains various other reports that relate to city planning in Harrisonburg or city planning in general. Two reports relate to city planning in Norfolk, Virginia from the 1940s and 1950s and document urban renewal or \"slum clearance\" efforts there. Box 1 folder 27 contains an outline of the history of City Planning in Harrisonburg, beginning with the establishment of the Planning Commission in March, 1938. The report titled Harrisonburg: \"The City with the Planned Future,\" contains a detailed history of the founding and growth of Harrisonburg, including population statistics and documentation of land annexation as well a listing of the members of City Council from 1849-2006.","Arranged into two subseries: City Planning, 1960-2012, and Harrisonburg History, 1958-2008. Arranged chronologically within each series.","Subseries 2.1: City Planning, 1960-2012, contains materials that Sullivan created in his role as City Planner, or that relate to city planning functions. Types of materials include photos and other documents related to the Northeast Urban Redevelopment Project, newspaper articles about city planning and the growth and development of Harrisonburg, and documents relating to zoning and historic district status. The folders titled \"What do you think of Federal Aid? Photos and description,\" contain a document written in 2012 by Sullivan explaining the history of urban redevelopment in Harrisonburg, and his role in the \"slum clearance\" projects of the 1950s and 1960s.","Subseries 2.2: Harrisonburg History, 1958-2008, contains materials collected by Sullivan that relate to the history of Harrisonburg, as well as materials he created related to the history and development of the city. Sullivan was known as the \"unofficial historian of Harrisonburg\" and materials in this subseries document the history and development of Harrisonburg. Items of note include original drawings of downtown Harrisonburg from the 1950s and 1960s as well as posters and brochures that contain Sullivan's sketches for the 1980 Bicentennial celebration. Other materials include the text of various talks Sullivan gave on the history of Harrisonburg to various groups in town.","Arranged Chronologically. Materials in the Personal Papers series document Sullivan's professional activities as well as his time as an instructor in the Political Science Department at James Madison University. Please note that the folder titled \"JMU Classes - Evaluations,\" do not contain student grades or performance evaluations, but rather contain evaluations completed by students about Sullivan's performance as an instructor. For details of Sullivan's life and career highlights please see the folder titled \"Background Information Robert J. Sullivan Jr., August 1998.\"","Arranged Chronologically. The Scrapbooks and Newspaper series consists of newspaper clippings collected by Sullivan, either loose in folders, or pasted into scrapbook pages, that document city planning activities primarily in Harrisonburg, VA. Most newspaper clippings come from the Harrisonburg Daily News-Record. In addition to clippings that document city planning efforts, Sullivan also collected clippings that relate to historical aspects of Harrisonburg, particularly those that feature images of Harrisonburg from the past. The folder titled \"Old Times\" : News and photos from the Daily News-Record contains a copy of the front page of the Daily News-Record from 1945 that reports on the ending of World War II. Please note that the scrapbooks in box 5, folders 4-7 are photocopies of the original scrapbooks. The original scrapbooks suffered from mold damage and were not retained.","The maps series contains maps produced or used by the Harrisonburg Housing and Redevelopment Authority that document homes and businesses in areas of Harrisonburg slated for demolition through urban renewal initiatives. Other city planning maps include hand-drawn maps created by Sullivan that show the growth of Harrisonburg over time and through annexation, as well as miscellaneous maps of Harrrisonburg and Rockingham County collected from various sources. Map identifier is located on the back of each item in the bottom right corner.","Broad Street, Mason Street, N. Main Street","Broad Street, E. Gay St.","N. Mason St, Rock St.","Effinger St., Broad St.","N. Mason, E. Rock St.","Broad St., Rock St.","Broad St., Rock St.","Broad St., E. Rock St.","This series comprises photographic prints and slides created or collected by Sullivan that primarily document neighborhoods, buildings, and other locations in and around Harrisonburg, Virginia from circa 1930 to 2006.\nImages document the areas of Harrisonburg targeted for urban renewal in the 1960s, street widening and other planning commission projects, as well as buildings and other features of downtown Harrisonburg from the 1960s-early 2000s. Images in this series were taken and used by Sullivan both in his professional capacity as City Planning Director, as well as for personal use. Other content found among this series includes images of Harrisonburg High School football games in the early 2000s as well as images of JMU students in classes taught by Sullivan and on walking tours conducted as part of his courses from 1990-2006. Items identified as photo albums in the inventory were removed from their original albums and foldered individually with corresponding captions as folder titles.","All slides have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/). Slides are arranged topically from the original arrangement created by Sullivan, and are listed alphabetically. Descriptive titles for the topical groupings listed in the inventory were transcribed from Sullivan's own description, written onto slide reel boxes. Additionally, Sullivan wrote item level image description onto most slides in the collection. That descriptive information is listed as the image title when viewing the images within JMU Scholarly Commons.","Most slide images document Harrisonburg and the surrounding area from the 1960s-1980s. Other content includes images of Reston, VA, and Durham, NC that feature housing complexes and downtown areas. Note that images of Harrisonburg are found within the grouping labeled as \"Durham, NC,\" as well as in the grouping titled \"non-H'burg.\"","Includes Turkey Statue - \"Welcome to Rockingham County Turkey Capital.\"","Harrisonburg \"City Hall\" Bryan Mabry, Harrisonburg School Board Office, VA Quilt Museum, Massanutten Regional Library, Rockingham County Office Building, Rockingham County Court House, Rockingham-Harrisonburg Judicial Center, Rockingham-Harrisonburg Dept. of Health and Social Services, J. R. Lineweaver Apartments, Harrisonburg Fire Station #4, VA Dept. of Taxation Office, ABC Store, Rockingham Co. Government Administration Center, Rockingham Harrisonburg Judicial Center, Harrisonburg Electric Commission, Court House Clock Tower","Two aerials of Harrisonburg and one of JMU."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5eed26077b3b31ac9a220ace1de85622\"\u003eThe Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. Materials include city planning reports, newspaper articles, photographs, scrapbooks, and maps.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. Materials include city planning reports, newspaper articles, photographs, scrapbooks, and maps."],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History"],"names_coll_ssim":["Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History","Sullivan, Kathleen"],"persname_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018"],"names_ssim":["James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History","Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":302,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:57:53.919Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_632","ead_ssi":"vihart_repositories_4_resources_632","_root_":"vihart_repositories_4_resources_632","_nest_parent_":"vihart_repositories_4_resources_632","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_632.xml","title_ssm":["Robert James Sullivan Jr. papers"],"title_tesim":["Robert James Sullivan Jr. papers"],"unitdate_ssm":["circa 1930-2013"],"unitdate_inclusive_ssm":["circa 1930-2013"],"normalized_date_ssm":["1920/2013"],"normalized_title_ssm":["Robert James Sullivan Jr. papers, 1920/2013"],"text":["Robert James Sullivan Jr. papers, 1920/2013","SC 0003","/repositories/4/resources/632","Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local","City planning -- Virginia -- Harrisonburg","Community development, Urban -- Virginia -- Harrisonburg","Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","All slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/).","The papers are arranged in six series. Series 1: Reports and Series 2: City of Harrisonburg are arranged further into subseries. All series and subseries arranged chronologically.","Reports, 1946-1992\n      City of Harrisonburg, 1958-2012\n      Personal Papers, 1952-2013\n      Scrapbooks and Newspaper, 1945-2012\n      Maps, 1958-2003\n      Photographs and Slides, circa 1930-2012","Arranged topically.","Arranged under two headings: Photographs, and Slides. Photographs are arranged chronologically, and Slides are arranged topically.","Robert \"Bobby\" James Sullivan Jr. was born on November 18, 1937 in Harrisonburg, Virginia and was the eldest son of the late Robert J. Sullivan Sr. and Goldie Liskey Sullivan. He passed away on February 4, 2013. Sullivan graduated from Harrisonburg High School in 1956 and received a Bachelor of Science degree from Mount St. Mary's College in 1960 and a master's degree in Public Administration from the University of Pittsburgh in 1962. He married Kathleen Marie Donovan on June 27, 1964.","Sullivan was the City Planner for the city of Harrisonburg from 1965-1991 during the years that saw Urban Redevelopment for parts of the city as well as growth through annexation. He also taught as an adjunct Assistant Professor of Political Science for James Madison University from 1970-2006. See folder titled \"Background Information, Robert J. Sullivan, Jr., August 1998\" from the Personal Papers series for details of his life and career.","Known locally as the \"unofficial historian\" of Harrisonburg, Sullivan often spoke to groups about the history of Harrisonburg. He was responsible for creating walking tours of downtown Harrisonburg first with his JMU Political Science classes, and later with the larger community.","Sullivan was a life-long member of Blessed Sacrament parish and a member of the Knights of Columbus. He served on the Rockingham Public Library Board and the Salvation Army Advisory Board for over thirty years. He was especially fond of the Harrisonburg High School athletic teams and was recognized as the Harrisonburg Blue Streaks biggest fan when he was inducted into the Harrisonburg High School Hall of Fame as part of the inaugural class of 2008.","When this collection was received from the donor, some materials had been wet and suffered from mold damage. Materials with excessive water damage or mold were photocopied and the originals discarded.","SdArch 2-3 : Oral history interview [sound recording] / Bob Sullivan ; interviewed by Amy Accles, forms part of Court Square, Harrisonburg, Virginia, an oral history project. Transcript also available in Special Collections and the circulating collection: F234.H31 A29 1990.","The Harrisonburg, VA branch of the Massanutten Regional Library holds 36 scrapbooks created by Sullivan from the years 1965-2001. These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\"","The Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. Also contained in the collection are a large number of photographs and slides that Sullivan took that capture the growth and changes in Harrisonburg over time. Images of note include a panoramic view of Harrisonburg ca. 1930, photos and slides that document urban renewal projects, and images of downtown Harrisonburg, VA from the 1960s-2000s.","Arranged into three subseries: City Planning Commission Annual Reports, 1966-1981, Urban Planning Grants, 1965-1966, and Miscellaneous Reports, 1946-1992. Arranged chronologically within each series.","Subseries 1.1: City Planning Commission Annual Reports, 1966-1981, contains a continuous run of annual reports for the City Planning Commission from 1965 through 1981. These annual reports include planning commission highlights and monthly summaries of activities. The 1965-1966 report notes that Robert J. Sullivan Jr. took over the duties of Planning Director on October 1, 1965.","Subseries 1.2: Urban Planning Grants, 1965-1966, contains reports prepared under the contract for the Local Planning Section: Department of Conservation and Economic Development, State of Virginia. The preparation of these reports was funded in part through an urban planning grant from the Housing and Home Finance Agency. The reports contain analysis of various aspects of the city of Harrisonburg, including population statistics and information pertaining to residential neighborhoods and the downtown area. These Urban Planning Grants also include a 1966 comprehensive plan for development over the following twenty years as well as a summary report of that plan. These reports were office copies that belonged to Robert James Sullivan Jr. and have his name written on the cover. Because of excessive mold on these reports, all items from this subseries have been photocopied and originals discarded.","Subseries 1.3: Miscellaneous City Planning Reports, 1946-1992, contains various other reports that relate to city planning in Harrisonburg or city planning in general. Two reports relate to city planning in Norfolk, Virginia from the 1940s and 1950s and document urban renewal or \"slum clearance\" efforts there. Box 1 folder 27 contains an outline of the history of City Planning in Harrisonburg, beginning with the establishment of the Planning Commission in March, 1938. The report titled Harrisonburg: \"The City with the Planned Future,\" contains a detailed history of the founding and growth of Harrisonburg, including population statistics and documentation of land annexation as well a listing of the members of City Council from 1849-2006.","Arranged into two subseries: City Planning, 1960-2012, and Harrisonburg History, 1958-2008. Arranged chronologically within each series.","Subseries 2.1: City Planning, 1960-2012, contains materials that Sullivan created in his role as City Planner, or that relate to city planning functions. Types of materials include photos and other documents related to the Northeast Urban Redevelopment Project, newspaper articles about city planning and the growth and development of Harrisonburg, and documents relating to zoning and historic district status. The folders titled \"What do you think of Federal Aid? Photos and description,\" contain a document written in 2012 by Sullivan explaining the history of urban redevelopment in Harrisonburg, and his role in the \"slum clearance\" projects of the 1950s and 1960s.","Subseries 2.2: Harrisonburg History, 1958-2008, contains materials collected by Sullivan that relate to the history of Harrisonburg, as well as materials he created related to the history and development of the city. Sullivan was known as the \"unofficial historian of Harrisonburg\" and materials in this subseries document the history and development of Harrisonburg. Items of note include original drawings of downtown Harrisonburg from the 1950s and 1960s as well as posters and brochures that contain Sullivan's sketches for the 1980 Bicentennial celebration. Other materials include the text of various talks Sullivan gave on the history of Harrisonburg to various groups in town.","Arranged Chronologically. Materials in the Personal Papers series document Sullivan's professional activities as well as his time as an instructor in the Political Science Department at James Madison University. Please note that the folder titled \"JMU Classes - Evaluations,\" do not contain student grades or performance evaluations, but rather contain evaluations completed by students about Sullivan's performance as an instructor. For details of Sullivan's life and career highlights please see the folder titled \"Background Information Robert J. Sullivan Jr., August 1998.\"","Arranged Chronologically. The Scrapbooks and Newspaper series consists of newspaper clippings collected by Sullivan, either loose in folders, or pasted into scrapbook pages, that document city planning activities primarily in Harrisonburg, VA. Most newspaper clippings come from the Harrisonburg Daily News-Record. In addition to clippings that document city planning efforts, Sullivan also collected clippings that relate to historical aspects of Harrisonburg, particularly those that feature images of Harrisonburg from the past. The folder titled \"Old Times\" : News and photos from the Daily News-Record contains a copy of the front page of the Daily News-Record from 1945 that reports on the ending of World War II. Please note that the scrapbooks in box 5, folders 4-7 are photocopies of the original scrapbooks. The original scrapbooks suffered from mold damage and were not retained.","The maps series contains maps produced or used by the Harrisonburg Housing and Redevelopment Authority that document homes and businesses in areas of Harrisonburg slated for demolition through urban renewal initiatives. Other city planning maps include hand-drawn maps created by Sullivan that show the growth of Harrisonburg over time and through annexation, as well as miscellaneous maps of Harrrisonburg and Rockingham County collected from various sources. Map identifier is located on the back of each item in the bottom right corner.","Broad Street, Mason Street, N. Main Street","Broad Street, E. Gay St.","N. Mason St, Rock St.","Effinger St., Broad St.","N. Mason, E. Rock St.","Broad St., Rock St.","Broad St., Rock St.","Broad St., E. Rock St.","This series comprises photographic prints and slides created or collected by Sullivan that primarily document neighborhoods, buildings, and other locations in and around Harrisonburg, Virginia from circa 1930 to 2006.\nImages document the areas of Harrisonburg targeted for urban renewal in the 1960s, street widening and other planning commission projects, as well as buildings and other features of downtown Harrisonburg from the 1960s-early 2000s. Images in this series were taken and used by Sullivan both in his professional capacity as City Planning Director, as well as for personal use. Other content found among this series includes images of Harrisonburg High School football games in the early 2000s as well as images of JMU students in classes taught by Sullivan and on walking tours conducted as part of his courses from 1990-2006. Items identified as photo albums in the inventory were removed from their original albums and foldered individually with corresponding captions as folder titles.","All slides have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/). Slides are arranged topically from the original arrangement created by Sullivan, and are listed alphabetically. Descriptive titles for the topical groupings listed in the inventory were transcribed from Sullivan's own description, written onto slide reel boxes. Additionally, Sullivan wrote item level image description onto most slides in the collection. That descriptive information is listed as the image title when viewing the images within JMU Scholarly Commons.","Most slide images document Harrisonburg and the surrounding area from the 1960s-1980s. Other content includes images of Reston, VA, and Durham, NC that feature housing complexes and downtown areas. Note that images of Harrisonburg are found within the grouping labeled as \"Durham, NC,\" as well as in the grouping titled \"non-H'burg.\"","Includes Turkey Statue - \"Welcome to Rockingham County Turkey Capital.\"","Harrisonburg \"City Hall\" Bryan Mabry, Harrisonburg School Board Office, VA Quilt Museum, Massanutten Regional Library, Rockingham County Office Building, Rockingham County Court House, Rockingham-Harrisonburg Judicial Center, Rockingham-Harrisonburg Dept. of Health and Social Services, J. R. Lineweaver Apartments, Harrisonburg Fire Station #4, VA Dept. of Taxation Office, ABC Store, Rockingham Co. Government Administration Center, Rockingham Harrisonburg Judicial Center, Harrisonburg Electric Commission, Court House Clock Tower","Two aerials of Harrisonburg and one of JMU.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. Materials include city planning reports, newspaper articles, photographs, scrapbooks, and maps.","James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History","Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018","English"],"collection_title_tesim":["Robert James Sullivan Jr. papers, 1920/2013"],"collection_ssim":["Robert James Sullivan Jr. papers, 1920/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0003","/repositories/4/resources/632"],"unitid_tesim":["SC 0003","/repositories/4/resources/632"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local"],"geogname_ssim":["Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local"],"places_ssim":["Harrisonburg (Va.) -- History -- 20th century","Harrisonburg (Va.) -- History -- 21st century","Harrisonburg (Va.) -- Description and travel","Harrisonburg (Va.) -- Politics and government","Newtown (Rockingham County, Va.)","Virginia -- History, Local"],"creator_ssm":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen"],"creator_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen"],"creator_persname_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History"],"creators_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018","James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated by Kathleen Sullivan, wife of Robert James Sullivan Jr., in two separate donations in April 2014 and August 2015."],"access_subjects_ssim":["City planning -- Virginia -- Harrisonburg","Community development, Urban -- Virginia -- Harrisonburg","Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures"],"access_subjects_ssm":["City planning -- Virginia -- Harrisonburg","Community development, Urban -- Virginia -- Harrisonburg","Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures"],"has_online_content_ssim":["false"],"extent_ssm":["8.53 cubic feet 12 boxes, 4 flat files"],"extent_tesim":["8.53 cubic feet 12 boxes, 4 flat files"],"genreform_ssim":["Letters (correspondence)","Color slides","Digital images","Photographs","Annual reports","Maps (documents)","Newspaper clippings","Scrapbooks","Pamphlets","Drawings (visual works)","Brochures"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eAll slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://commons.lib.jmu.edu/rjs/\"\u003e(https://commons.lib.jmu.edu/rjs/).\u003c/extref\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["All slides within series 6: Photographs and Slides, have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/)."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in six series. Series 1: Reports and Series 2: City of Harrisonburg are arranged further into subseries. All series and subseries arranged chronologically.\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eReports, 1946-1992\u003c/item\u003e\n      \u003citem\u003eCity of Harrisonburg, 1958-2012\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1952-2013\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Newspaper, 1945-2012\u003c/item\u003e\n      \u003citem\u003eMaps, 1958-2003\u003c/item\u003e\n      \u003citem\u003ePhotographs and Slides, circa 1930-2012\u003c/item\u003e\n    \u003c/list\u003e\n  ","\u003cp\u003eArranged topically.\u003c/p\u003e","\u003cp\u003eArranged under two headings: Photographs, and Slides. Photographs are arranged chronologically, and Slides are arranged topically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The papers are arranged in six series. Series 1: Reports and Series 2: City of Harrisonburg are arranged further into subseries. All series and subseries arranged chronologically.","Reports, 1946-1992\n      City of Harrisonburg, 1958-2012\n      Personal Papers, 1952-2013\n      Scrapbooks and Newspaper, 1945-2012\n      Maps, 1958-2003\n      Photographs and Slides, circa 1930-2012","Arranged topically.","Arranged under two headings: Photographs, and Slides. Photographs are arranged chronologically, and Slides are arranged topically."],"bioghist_html_tesm":["\u003cp\u003eRobert \"Bobby\" James Sullivan Jr. was born on November 18, 1937 in Harrisonburg, Virginia and was the eldest son of the late Robert J. Sullivan Sr. and Goldie Liskey Sullivan. He passed away on February 4, 2013. Sullivan graduated from Harrisonburg High School in 1956 and received a Bachelor of Science degree from Mount St. Mary's College in 1960 and a master's degree in Public Administration from the University of Pittsburgh in 1962. He married Kathleen Marie Donovan on June 27, 1964.\u003c/p\u003e","\u003cp\u003eSullivan was the City Planner for the city of Harrisonburg from 1965-1991 during the years that saw Urban Redevelopment for parts of the city as well as growth through annexation. He also taught as an adjunct Assistant Professor of Political Science for James Madison University from 1970-2006. See folder titled \"Background Information, Robert J. Sullivan, Jr., August 1998\" from the Personal Papers series for details of his life and career.\u003c/p\u003e","\u003cp\u003eKnown locally as the \"unofficial historian\" of Harrisonburg, Sullivan often spoke to groups about the history of Harrisonburg. He was responsible for creating walking tours of downtown Harrisonburg first with his JMU Political Science classes, and later with the larger community.\u003c/p\u003e","\u003cp\u003eSullivan was a life-long member of Blessed Sacrament parish and a member of the Knights of Columbus. He served on the Rockingham Public Library Board and the Salvation Army Advisory Board for over thirty years. He was especially fond of the Harrisonburg High School athletic teams and was recognized as the Harrisonburg Blue Streaks biggest fan when he was inducted into the Harrisonburg High School Hall of Fame as part of the inaugural class of 2008.\u003c/p\u003e  "],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Robert \"Bobby\" James Sullivan Jr. was born on November 18, 1937 in Harrisonburg, Virginia and was the eldest son of the late Robert J. Sullivan Sr. and Goldie Liskey Sullivan. He passed away on February 4, 2013. Sullivan graduated from Harrisonburg High School in 1956 and received a Bachelor of Science degree from Mount St. Mary's College in 1960 and a master's degree in Public Administration from the University of Pittsburgh in 1962. He married Kathleen Marie Donovan on June 27, 1964.","Sullivan was the City Planner for the city of Harrisonburg from 1965-1991 during the years that saw Urban Redevelopment for parts of the city as well as growth through annexation. He also taught as an adjunct Assistant Professor of Political Science for James Madison University from 1970-2006. See folder titled \"Background Information, Robert J. Sullivan, Jr., August 1998\" from the Personal Papers series for details of his life and career.","Known locally as the \"unofficial historian\" of Harrisonburg, Sullivan often spoke to groups about the history of Harrisonburg. He was responsible for creating walking tours of downtown Harrisonburg first with his JMU Political Science classes, and later with the larger community.","Sullivan was a life-long member of Blessed Sacrament parish and a member of the Knights of Columbus. He served on the Rockingham Public Library Board and the Salvation Army Advisory Board for over thirty years. He was especially fond of the Harrisonburg High School athletic teams and was recognized as the Harrisonburg Blue Streaks biggest fan when he was inducted into the Harrisonburg High School Hall of Fame as part of the inaugural class of 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Robert James Sullivan Jr. Papers, circa 1930-2013, SC 0003, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Robert James Sullivan Jr. Papers, circa 1930-2013, SC 0003, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eWhen this collection was received from the donor, some materials had been wet and suffered from mold damage. Materials with excessive water damage or mold were photocopied and the originals discarded.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["When this collection was received from the donor, some materials had been wet and suffered from mold damage. Materials with excessive water damage or mold were photocopied and the originals discarded."],"relatedmaterial_html_tesm":["\u003cp\u003eSdArch 2-3 : Oral history interview [sound recording] / Bob Sullivan ; interviewed by Amy Accles, forms part of Court Square, Harrisonburg, Virginia, an oral history project. Transcript also available in Special Collections and the circulating collection: F234.H31 A29 1990.\u003c/p\u003e","\u003cp\u003eThe Harrisonburg, VA branch of the Massanutten Regional Library holds 36 scrapbooks created by Sullivan from the years 1965-2001. These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\"\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["SdArch 2-3 : Oral history interview [sound recording] / Bob Sullivan ; interviewed by Amy Accles, forms part of Court Square, Harrisonburg, Virginia, an oral history project. Transcript also available in Special Collections and the circulating collection: F234.H31 A29 1990.","The Harrisonburg, VA branch of the Massanutten Regional Library holds 36 scrapbooks created by Sullivan from the years 1965-2001. These scrapbooks are cataloged under the title \"Harrisonburg Civic Scrapbook.\""],"scopecontent_html_tesm":["\u003cp\u003eThe Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. Also contained in the collection are a large number of photographs and slides that Sullivan took that capture the growth and changes in Harrisonburg over time. Images of note include a panoramic view of Harrisonburg ca. 1930, photos and slides that document urban renewal projects, and images of downtown Harrisonburg, VA from the 1960s-2000s.\u003c/p\u003e  ","\u003cp\u003eArranged into three subseries: City Planning Commission Annual Reports, 1966-1981, Urban Planning Grants, 1965-1966, and Miscellaneous Reports, 1946-1992. Arranged chronologically within each series.\u003c/p\u003e","\u003cp\u003eSubseries 1.1: City Planning Commission Annual Reports, 1966-1981, contains a continuous run of annual reports for the City Planning Commission from 1965 through 1981. These annual reports include planning commission highlights and monthly summaries of activities. The 1965-1966 report notes that Robert J. Sullivan Jr. took over the duties of Planning Director on October 1, 1965.\u003c/p\u003e","\u003cp\u003eSubseries 1.2: Urban Planning Grants, 1965-1966, contains reports prepared under the contract for the Local Planning Section: Department of Conservation and Economic Development, State of Virginia. The preparation of these reports was funded in part through an urban planning grant from the Housing and Home Finance Agency. The reports contain analysis of various aspects of the city of Harrisonburg, including population statistics and information pertaining to residential neighborhoods and the downtown area. These Urban Planning Grants also include a 1966 comprehensive plan for development over the following twenty years as well as a summary report of that plan. These reports were office copies that belonged to Robert James Sullivan Jr. and have his name written on the cover. Because of excessive mold on these reports, all items from this subseries have been photocopied and originals discarded.\u003c/p\u003e","\u003cp\u003eSubseries 1.3: Miscellaneous City Planning Reports, 1946-1992, contains various other reports that relate to city planning in Harrisonburg or city planning in general. Two reports relate to city planning in Norfolk, Virginia from the 1940s and 1950s and document urban renewal or \"slum clearance\" efforts there. Box 1 folder 27 contains an outline of the history of City Planning in Harrisonburg, beginning with the establishment of the Planning Commission in March, 1938. The report titled Harrisonburg: \"The City with the Planned Future,\" contains a detailed history of the founding and growth of Harrisonburg, including population statistics and documentation of land annexation as well a listing of the members of City Council from 1849-2006.\u003c/p\u003e","\u003cp\u003eArranged into two subseries: City Planning, 1960-2012, and Harrisonburg History, 1958-2008. Arranged chronologically within each series.\u003c/p\u003e","\u003cp\u003eSubseries 2.1: City Planning, 1960-2012, contains materials that Sullivan created in his role as City Planner, or that relate to city planning functions. Types of materials include photos and other documents related to the Northeast Urban Redevelopment Project, newspaper articles about city planning and the growth and development of Harrisonburg, and documents relating to zoning and historic district status. The folders titled \"What do you think of Federal Aid? Photos and description,\" contain a document written in 2012 by Sullivan explaining the history of urban redevelopment in Harrisonburg, and his role in the \"slum clearance\" projects of the 1950s and 1960s.\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Harrisonburg History, 1958-2008, contains materials collected by Sullivan that relate to the history of Harrisonburg, as well as materials he created related to the history and development of the city. Sullivan was known as the \"unofficial historian of Harrisonburg\" and materials in this subseries document the history and development of Harrisonburg. Items of note include original drawings of downtown Harrisonburg from the 1950s and 1960s as well as posters and brochures that contain Sullivan's sketches for the 1980 Bicentennial celebration. Other materials include the text of various talks Sullivan gave on the history of Harrisonburg to various groups in town.\u003c/p\u003e","\u003cp\u003eArranged Chronologically. Materials in the Personal Papers series document Sullivan's professional activities as well as his time as an instructor in the Political Science Department at James Madison University. Please note that the folder titled \"JMU Classes - Evaluations,\" do not contain student grades or performance evaluations, but rather contain evaluations completed by students about Sullivan's performance as an instructor. For details of Sullivan's life and career highlights please see the folder titled \"Background Information Robert J. Sullivan Jr., August 1998.\"\u003c/p\u003e","\u003cp\u003eArranged Chronologically. The Scrapbooks and Newspaper series consists of newspaper clippings collected by Sullivan, either loose in folders, or pasted into scrapbook pages, that document city planning activities primarily in Harrisonburg, VA. Most newspaper clippings come from the Harrisonburg Daily News-Record. In addition to clippings that document city planning efforts, Sullivan also collected clippings that relate to historical aspects of Harrisonburg, particularly those that feature images of Harrisonburg from the past. The folder titled \"Old Times\" : News and photos from the Daily News-Record contains a copy of the front page of the Daily News-Record from 1945 that reports on the ending of World War II. Please note that the scrapbooks in box 5, folders 4-7 are photocopies of the original scrapbooks. The original scrapbooks suffered from mold damage and were not retained.\u003c/p\u003e","\u003cp\u003eThe maps series contains maps produced or used by the Harrisonburg Housing and Redevelopment Authority that document homes and businesses in areas of Harrisonburg slated for demolition through urban renewal initiatives. Other city planning maps include hand-drawn maps created by Sullivan that show the growth of Harrisonburg over time and through annexation, as well as miscellaneous maps of Harrrisonburg and Rockingham County collected from various sources. Map identifier is located on the back of each item in the bottom right corner.\u003c/p\u003e","\u003cp\u003eBroad Street, Mason Street, N. Main Street\u003c/p\u003e","\u003cp\u003eBroad Street, E. Gay St.\u003c/p\u003e","\u003cp\u003eN. Mason St, Rock St.\u003c/p\u003e","\u003cp\u003eEffinger St., Broad St.\u003c/p\u003e","\u003cp\u003eN. Mason, E. Rock St.\u003c/p\u003e","\u003cp\u003eBroad St., Rock St.\u003c/p\u003e","\u003cp\u003eBroad St., Rock St.\u003c/p\u003e","\u003cp\u003eBroad St., E. Rock St.\u003c/p\u003e","\u003cp\u003eThis series comprises photographic prints and slides created or collected by Sullivan that primarily document neighborhoods, buildings, and other locations in and around Harrisonburg, Virginia from circa 1930 to 2006.\nImages document the areas of Harrisonburg targeted for urban renewal in the 1960s, street widening and other planning commission projects, as well as buildings and other features of downtown Harrisonburg from the 1960s-early 2000s. Images in this series were taken and used by Sullivan both in his professional capacity as City Planning Director, as well as for personal use. Other content found among this series includes images of Harrisonburg High School football games in the early 2000s as well as images of JMU students in classes taught by Sullivan and on walking tours conducted as part of his courses from 1990-2006. Items identified as photo albums in the inventory were removed from their original albums and foldered individually with corresponding captions as folder titles.\u003c/p\u003e","\u003cp\u003e\nAll slides have been digitized and are available within JMU Scholarly Commons \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://commons.lib.jmu.edu/rjs/\"\u003e(https://commons.lib.jmu.edu/rjs/).\u003c/extref\u003e Slides are arranged topically from the original arrangement created by Sullivan, and are listed alphabetically. Descriptive titles for the topical groupings listed in the inventory were transcribed from Sullivan's own description, written onto slide reel boxes. Additionally, Sullivan wrote item level image description onto most slides in the collection. That descriptive information is listed as the image title when viewing the images within JMU Scholarly Commons.\u003c/p\u003e","\u003cp\u003eMost slide images document Harrisonburg and the surrounding area from the 1960s-1980s. Other content includes images of Reston, VA, and Durham, NC that feature housing complexes and downtown areas. Note that images of Harrisonburg are found within the grouping labeled as \"Durham, NC,\" as well as in the grouping titled \"non-H'burg.\"\u003c/p\u003e","\u003cp\u003eIncludes Turkey Statue - \"Welcome to Rockingham County Turkey Capital.\"\u003c/p\u003e","\u003cp\u003eHarrisonburg \"City Hall\" Bryan Mabry, Harrisonburg School Board Office, VA Quilt Museum, Massanutten Regional Library, Rockingham County Office Building, Rockingham County Court House, Rockingham-Harrisonburg Judicial Center, Rockingham-Harrisonburg Dept. of Health and Social Services, J. R. Lineweaver Apartments, Harrisonburg Fire Station #4, VA Dept. of Taxation Office, ABC Store, Rockingham Co. Government Administration Center, Rockingham Harrisonburg Judicial Center, Harrisonburg Electric Commission, Court House Clock Tower\u003c/p\u003e","\u003cp\u003eTwo aerials of Harrisonburg and one of JMU.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Robert James Sullivan Jr. Papers consist of materials that Sullivan created and collected relating mostly to the city of Harrisonburg, Virginia, where he served as the City Planner from 1965-1991. The collection contains documents related to city planning, the history and expansion of Harrisonburg, and urban renewal. Other materials document his time in the Political Science Department at James Madison University as well as the walking tours he led of downtown Harrisonburg. His personal papers include newspaper clippings, correspondence, and other documents relating to his life and career. Also contained in the collection are a large number of photographs and slides that Sullivan took that capture the growth and changes in Harrisonburg over time. Images of note include a panoramic view of Harrisonburg ca. 1930, photos and slides that document urban renewal projects, and images of downtown Harrisonburg, VA from the 1960s-2000s.","Arranged into three subseries: City Planning Commission Annual Reports, 1966-1981, Urban Planning Grants, 1965-1966, and Miscellaneous Reports, 1946-1992. Arranged chronologically within each series.","Subseries 1.1: City Planning Commission Annual Reports, 1966-1981, contains a continuous run of annual reports for the City Planning Commission from 1965 through 1981. These annual reports include planning commission highlights and monthly summaries of activities. The 1965-1966 report notes that Robert J. Sullivan Jr. took over the duties of Planning Director on October 1, 1965.","Subseries 1.2: Urban Planning Grants, 1965-1966, contains reports prepared under the contract for the Local Planning Section: Department of Conservation and Economic Development, State of Virginia. The preparation of these reports was funded in part through an urban planning grant from the Housing and Home Finance Agency. The reports contain analysis of various aspects of the city of Harrisonburg, including population statistics and information pertaining to residential neighborhoods and the downtown area. These Urban Planning Grants also include a 1966 comprehensive plan for development over the following twenty years as well as a summary report of that plan. These reports were office copies that belonged to Robert James Sullivan Jr. and have his name written on the cover. Because of excessive mold on these reports, all items from this subseries have been photocopied and originals discarded.","Subseries 1.3: Miscellaneous City Planning Reports, 1946-1992, contains various other reports that relate to city planning in Harrisonburg or city planning in general. Two reports relate to city planning in Norfolk, Virginia from the 1940s and 1950s and document urban renewal or \"slum clearance\" efforts there. Box 1 folder 27 contains an outline of the history of City Planning in Harrisonburg, beginning with the establishment of the Planning Commission in March, 1938. The report titled Harrisonburg: \"The City with the Planned Future,\" contains a detailed history of the founding and growth of Harrisonburg, including population statistics and documentation of land annexation as well a listing of the members of City Council from 1849-2006.","Arranged into two subseries: City Planning, 1960-2012, and Harrisonburg History, 1958-2008. Arranged chronologically within each series.","Subseries 2.1: City Planning, 1960-2012, contains materials that Sullivan created in his role as City Planner, or that relate to city planning functions. Types of materials include photos and other documents related to the Northeast Urban Redevelopment Project, newspaper articles about city planning and the growth and development of Harrisonburg, and documents relating to zoning and historic district status. The folders titled \"What do you think of Federal Aid? Photos and description,\" contain a document written in 2012 by Sullivan explaining the history of urban redevelopment in Harrisonburg, and his role in the \"slum clearance\" projects of the 1950s and 1960s.","Subseries 2.2: Harrisonburg History, 1958-2008, contains materials collected by Sullivan that relate to the history of Harrisonburg, as well as materials he created related to the history and development of the city. Sullivan was known as the \"unofficial historian of Harrisonburg\" and materials in this subseries document the history and development of Harrisonburg. Items of note include original drawings of downtown Harrisonburg from the 1950s and 1960s as well as posters and brochures that contain Sullivan's sketches for the 1980 Bicentennial celebration. Other materials include the text of various talks Sullivan gave on the history of Harrisonburg to various groups in town.","Arranged Chronologically. Materials in the Personal Papers series document Sullivan's professional activities as well as his time as an instructor in the Political Science Department at James Madison University. Please note that the folder titled \"JMU Classes - Evaluations,\" do not contain student grades or performance evaluations, but rather contain evaluations completed by students about Sullivan's performance as an instructor. For details of Sullivan's life and career highlights please see the folder titled \"Background Information Robert J. Sullivan Jr., August 1998.\"","Arranged Chronologically. The Scrapbooks and Newspaper series consists of newspaper clippings collected by Sullivan, either loose in folders, or pasted into scrapbook pages, that document city planning activities primarily in Harrisonburg, VA. Most newspaper clippings come from the Harrisonburg Daily News-Record. In addition to clippings that document city planning efforts, Sullivan also collected clippings that relate to historical aspects of Harrisonburg, particularly those that feature images of Harrisonburg from the past. The folder titled \"Old Times\" : News and photos from the Daily News-Record contains a copy of the front page of the Daily News-Record from 1945 that reports on the ending of World War II. Please note that the scrapbooks in box 5, folders 4-7 are photocopies of the original scrapbooks. The original scrapbooks suffered from mold damage and were not retained.","The maps series contains maps produced or used by the Harrisonburg Housing and Redevelopment Authority that document homes and businesses in areas of Harrisonburg slated for demolition through urban renewal initiatives. Other city planning maps include hand-drawn maps created by Sullivan that show the growth of Harrisonburg over time and through annexation, as well as miscellaneous maps of Harrrisonburg and Rockingham County collected from various sources. Map identifier is located on the back of each item in the bottom right corner.","Broad Street, Mason Street, N. Main Street","Broad Street, E. Gay St.","N. Mason St, Rock St.","Effinger St., Broad St.","N. Mason, E. Rock St.","Broad St., Rock St.","Broad St., Rock St.","Broad St., E. Rock St.","This series comprises photographic prints and slides created or collected by Sullivan that primarily document neighborhoods, buildings, and other locations in and around Harrisonburg, Virginia from circa 1930 to 2006.\nImages document the areas of Harrisonburg targeted for urban renewal in the 1960s, street widening and other planning commission projects, as well as buildings and other features of downtown Harrisonburg from the 1960s-early 2000s. Images in this series were taken and used by Sullivan both in his professional capacity as City Planning Director, as well as for personal use. Other content found among this series includes images of Harrisonburg High School football games in the early 2000s as well as images of JMU students in classes taught by Sullivan and on walking tours conducted as part of his courses from 1990-2006. Items identified as photo albums in the inventory were removed from their original albums and foldered individually with corresponding captions as folder titles.","All slides have been digitized and are available within JMU Scholarly Commons (https://commons.lib.jmu.edu/rjs/). Slides are arranged topically from the original arrangement created by Sullivan, and are listed alphabetically. Descriptive titles for the topical groupings listed in the inventory were transcribed from Sullivan's own description, written onto slide reel boxes. Additionally, Sullivan wrote item level image description onto most slides in the collection. That descriptive information is listed as the image title when viewing the images within JMU Scholarly Commons.","Most slide images document Harrisonburg and the surrounding area from the 1960s-1980s. Other content includes images of Reston, VA, and Durham, NC that feature housing complexes and downtown areas. Note that images of Harrisonburg are found within the grouping labeled as \"Durham, NC,\" as well as in the grouping titled \"non-H'burg.\"","Includes Turkey Statue - \"Welcome to Rockingham County Turkey Capital.\"","Harrisonburg \"City Hall\" Bryan Mabry, Harrisonburg School Board Office, VA Quilt Museum, Massanutten Regional Library, Rockingham County Office Building, Rockingham County Court House, Rockingham-Harrisonburg Judicial Center, Rockingham-Harrisonburg Dept. of Health and Social Services, J. R. Lineweaver Apartments, Harrisonburg Fire Station #4, VA Dept. of Taxation Office, ABC Store, Rockingham Co. Government Administration Center, Rockingham Harrisonburg Judicial Center, Harrisonburg Electric Commission, Court House Clock Tower","Two aerials of Harrisonburg and one of JMU."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5eed26077b3b31ac9a220ace1de85622\"\u003eThe Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. Materials include city planning reports, newspaper articles, photographs, scrapbooks, and maps.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Robert James Sullivan Jr. Papers consist of professional and personal records and reports, and document Sullivan's time as City Planner of Harrisonburg from 1965-1991, his career in the Political Science Department at James Madison University, and work as the \"unofficial historian\" of Harrisonburg. Materials include city planning reports, newspaper articles, photographs, scrapbooks, and maps."],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History"],"names_coll_ssim":["Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History","Sullivan, Kathleen"],"persname_ssim":["Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. (Martha Belle), 1931-2020","Marshall, Caroline T., 1938-2018"],"names_ssim":["James Madison University Libraries Special Collections","Madison College -- Faculty","Madison College -- History","James Madison University -- Faculty","James Madison University -- History","Sullivan, Robert James, Jr., 1937-2013","Sullivan, Kathleen","Caldwell, Martha B. 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