{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026page=1\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":6,"first_page?":true,"last_page?":true}},"data":[{"id":"viw_repositories_2_resources_3352","type":"collection","attributes":{"title":"Burtis Family Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_3352#creator","type":"document_value","attributes":{"value":"Disosway family.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_3352#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetter from A.P. 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Burtis in Bumpass, Virginia telling him how to change his beneficiary with Winance (?) Council #60. Handwritten notations about construction costs. Pencil drawing of a house and yard with a covered bridge. Reverse notation, \"to A.G. Disosway from M.R. Disosway, March 3, 1847.\""],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Disosway family.","Baugh, Abner P.","Burtis, Charles E.D."],"corpname_ssim":["Special Collections Research Center"],"famname_ssim":["Disosway family."],"persname_ssim":["Baugh, Abner P.","Burtis, Charles E.D."],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T09:57:52.309Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_3352"}},{"id":"vilxv_repositories_3_resources_288","type":"collection","attributes":{"title":"Cadet drawings, class assignments, and exercises","creator":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_288#creator","type":"document_value","attributes":{"value":"Allen, Robert C. 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A few of the drawings were completed for a geometry course and other mathematics courses, or were not class assignments.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_288#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxv_repositories_3_resources_288","ead_ssi":"vilxv_repositories_3_resources_288","_root_":"vilxv_repositories_3_resources_288","_nest_parent_":"vilxv_repositories_3_resources_288","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_288.xml","title_ssm":["Cadet drawings, class assignments, and exercises"],"title_tesim":["Cadet drawings, class assignments, and exercises"],"unitdate_ssm":["1849-1923"],"unitdate_inclusive_ssm":["1849-1923"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.0203","/repositories/3/resources/288"],"text":["MS.0203","/repositories/3/resources/288","Cadet drawings, class assignments, and exercises","Virginia Military Institute—Cadet drawings","Virginia Military Institute—Curricula","Mathematics—Study and teaching","Virginia Military Institute—Academics—History—19th century","Engineering—Study and teaching","Architecture—Study and teaching","Geometry, Descriptive","Drawings (visual works)","There are no restrictions.","A portion of this collection is avaliable  online .","This collection consists of 19th and 20th century cadet drawings (approximately 200 items) completed primarily as assignments for Professor Thomas H. 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(John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"creators_ssim":["Allen, Robert C. (Robert Clotworthy), 1834-1863","Bargamin, Eugene V. (Eugene Victor), 1835-1860","Blackburn, Thomas, 1834-1854","Blair, Henry W. (Henry Wayne), 1851-1884","Blair, Robert S., 1835-1902","Boyd, Thomas M. (Thomas Massie), 1838-1894","Brockenbrough, William A. (William Austin), 1836-1896","Carson, Robert P. (Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. 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(John Lancaster), 1848-1942"],"access_terms_ssm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. 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(Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"creator_persname_ssim":["Allen, Robert C. (Robert Clotworthy), 1834-1863","Bargamin, Eugene V. (Eugene Victor), 1835-1860","Blackburn, Thomas, 1834-1854","Blair, Henry W. (Henry Wayne), 1851-1884","Blair, Robert S., 1835-1902","Boyd, Thomas M. (Thomas Massie), 1838-1894","Brockenbrough, William A. (William Austin), 1836-1896","Carson, Robert P. (Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"creators_ssim":["Allen, Robert C. (Robert Clotworthy), 1834-1863","Bargamin, Eugene V. (Eugene Victor), 1835-1860","Blackburn, Thomas, 1834-1854","Blair, Henry W. (Henry Wayne), 1851-1884","Blair, Robert S., 1835-1902","Boyd, Thomas M. (Thomas Massie), 1838-1894","Brockenbrough, William A. (William Austin), 1836-1896","Carson, Robert P. (Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"access_terms_ssm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Virginia Military Institute—Cadet drawings","Virginia Military Institute—Curricula","Mathematics—Study and teaching","Virginia Military Institute—Academics—History—19th century","Engineering—Study and teaching","Architecture—Study and teaching","Geometry, Descriptive","Drawings (visual works)"],"access_subjects_ssm":["Virginia Military Institute—Cadet drawings","Virginia Military Institute—Curricula","Mathematics—Study and teaching","Virginia Military Institute—Academics—History—19th century","Engineering—Study and teaching","Architecture—Study and teaching","Geometry, Descriptive","Drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["1 cubic feet approximately 200 items"],"extent_tesim":["1 cubic feet approximately 200 items"],"genreform_ssim":["Drawings (visual works)"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions."],"altformavail_html_tesm":["\u003cp\u003eA portion of this collection is avaliable \u003ca href=\"http://digitalcollections.vmi.edu/cdm/landingpage/collection/p15821coll15\"\u003eonline\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["A portion of this collection is avaliable  online ."],"prefercite_html_tesm":["\u003cp\u003eCadet drawings, class assignments, and exercises, 1849-1923. MS 0203. VMI Archives, Virginia Military Institute, Lexington, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Cadet drawings, class assignments, and exercises, 1849-1923. MS 0203. VMI Archives, Virginia Military Institute, Lexington, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 19th and 20th century cadet drawings (approximately 200 items) completed primarily as assignments for Professor Thomas H. Williamson's architecture, engineering, and drawing courses at VMI. A few of the drawings were completed for a geometry course and other mathematics courses, or were not class assignments.\u003c/p\u003e\n","\u003cp\u003eSome of the geometry drawings are signed by the supervising professor.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 19th and 20th century cadet drawings (approximately 200 items) completed primarily as assignments for Professor Thomas H. Williamson's architecture, engineering, and drawing courses at VMI. A few of the drawings were completed for a geometry course and other mathematics courses, or were not class assignments.","Some of the geometry drawings are signed by the supervising professor."],"userestrict_html_tesm":["\u003cp\u003eManuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_044dc8313260d9363a4c867f6824bbba\"\u003eManuscripts stacks and Oversized Case 2\u003c/physloc\u003e"],"physloc_tesim":["Manuscripts stacks and Oversized Case 2"],"names_ssim":["Virginia Military Institute Archives","Allen, Robert C. (Robert Clotworthy), 1834-1863","Bargamin, Eugene V. (Eugene Victor), 1835-1860","Blackburn, Thomas, 1834-1854","Blair, Henry W. (Henry Wayne), 1851-1884","Blair, Robert S., 1835-1902","Boyd, Thomas M. (Thomas Massie), 1838-1894","Brockenbrough, William A. (William Austin), 1836-1896","Carson, Robert P. (Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"corpname_ssim":["Virginia Military Institute Archives"],"persname_ssim":["Allen, Robert C. (Robert Clotworthy), 1834-1863","Bargamin, Eugene V. (Eugene Victor), 1835-1860","Blackburn, Thomas, 1834-1854","Blair, Henry W. (Henry Wayne), 1851-1884","Blair, Robert S., 1835-1902","Boyd, Thomas M. (Thomas Massie), 1838-1894","Brockenbrough, William A. (William Austin), 1836-1896","Carson, Robert P. (Robert Preston), 1832-1924","Cochran, John L. (John Lynn), 1863-1887","Cooke, Giles B. (Giles Buckner), 1838-1937","Dodson, John E. (John Edward), 1845-1863","Galloway, Thomas S. (Thomas Spraggin), 1840-1903","Hardy, Charles W. (Charles Wesley), 1836-1871","Hardy, Edward M. (Edward Mohun), 1840-1882","Harris, Nicholas C. (Nicholas Cobbs), 1837-1898","Hawkins, Norment D. (Norment Doniphan), 1849-1931","Henry, William B. (William Byrd), 1875-1916","Hill, A. Govan (Archibald Govan), 1839-1914","Holt, Charles A. (Charles Asbury), 1836-1908","Kemble, William E. (William Elkanah), 1831-1896","Lovell, William, 1834-1892","McCausland, John, 1836-1927","Mears, Levin W., 1838-1862","Miller, Julius G. (Julius Gordon), 1839-1908","Morton, Osmond S. (Osmond Summers), 1843-1920","Park, William K., 1840-1865","Patton, Waller T. (Waller Tazewell), 1835-1863","Pegram, John C. (John Cargill), 1838-1864","Pollard, Richard, 1829-1908","Ross, George, 1838-1926","Shipp, Scott, 1839-1917","Slaughter, Philip P. (Philip Peyton), 1834-1893","Smith, Edward L. (Edward Livingston), 1835-1859","Terrill, James B. (James Barbour), 1838-1864","Warren, James A. (James Albert), 1856-1879","Williams, Lewis B. (Lewis Burwell), 1833-1863","Williamson, Thomas H. (Thomas Hoomes), 1813-1888","Briggs, A. Sidney (Albert Sidney), 1902-1988","Waring, John L. (John Lancaster), 1848-1942"],"language_ssim":["English \n.    "],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:09:14.407Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_288"}},{"id":"viw_repositories_2_resources_209","type":"collection","attributes":{"title":"Carl R. Dolmetsch Papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_209#creator","type":"document_value","attributes":{"value":"Dolmetsch, Carl (Carl Richard), 1924-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_209#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to \u003cem\u003eSmart Set\u003c/em\u003e magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_209#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_209","ead_ssi":"viw_repositories_2_resources_209","_root_":"viw_repositories_2_resources_209","_nest_parent_":"viw_repositories_2_resources_209","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_209.xml","title_filing_ssi":"Dolmetsch, Carl R. Papers","title_ssm":["Carl R. Dolmetsch Papers"],"title_tesim":["Carl R. Dolmetsch Papers"],"unitdate_ssm":["1751-1990"],"unitdate_inclusive_ssm":["1751-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/06/UA 6.111","/repositories/2/resources/209"],"text":["00/06/UA 6.111","/repositories/2/resources/209","Carl R. Dolmetsch Papers","Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775","American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","Carl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Acc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013."," Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012.","This collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to  Smart Set  magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","This series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.","This series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"","(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026 his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026 Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")","This series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","April 26 1955. March 5 1955","May 22 1962. June 18 1962.","November 11 [1954].May 20 1955.","April 8 1955 and undated","April 5 1955. June 16 1955.","September 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.","May 11 1955. May 11 1955 May 16 1955. May 21 1955.","Thursday, 2; May 23 1955. May 28 1955. November 30 1955.","February 5 1955.February 15 1955.","April 18 1960. July 23 1960.","May 10 1955. September 24 1962.","March 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.","February 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.","May 27 1955. July 22 1955. August 11 1955. July 14 1960.","signed by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.","December 5 1956. March 13 1957.","October 10 1962, April 28 1964..","September 14 1962. September 25 1962. October 4 1962. October 26 1962.","October 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond","October 18 1961. November 4 1961. January 15 1962. January 22 1962.","September 24 1963. February 28 1964. February 28 1964. April 17 1964.","August 8 1964. August 14 1964.","Scope and Contents Typewritten Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","2 pieces. Autograph Letter Signed.","Typewritten Letter Signed.","Autograph Letter Signed.","July 31 1964. TALS; September 2 1964. Autograph Letter Signed.","Autograph Letter Signed.","Mixed materials","Typewritten Letter Signed.","Includes typescript of his reminiscences for the Smart Set.","Newspapers and magazine reviews","The Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.","Contains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.","Paper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker.","The material related to the  Smart Set  magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012."," The material related to  Dinwiddianae Select Poems Pro Patria  were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of English","Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"unitid_tesim":["00/06/UA 6.111","/repositories/2/resources/209"],"normalized_title_ssm":["Carl R. Dolmetsch Papers"],"collection_title_tesim":["Carl R. Dolmetsch Papers"],"collection_ssim":["Carl R. Dolmetsch Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"geogname_ssim":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"creator_ssm":["Dolmetsch, Carl (Carl Richard), 1924-"],"creator_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"creator_persname_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"creators_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"places_ssim":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2012.347 was received by the SCRC from Carl Dometsch on 9/25/2012. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"access_subjects_ssm":["American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"genreform_ssim":["Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eCarl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Carl_Dolmetsch_(Carl_Richard)\" title=\"Carl Dolmetsch (Carl Richard)\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Carl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eCarl R. Dolmetsch Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Carl R. Dolmetsch Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013.\u003c/p\u003e","\u003cp\u003e Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013."," Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to \u003cemph render=\"italic\"\u003eSmart Set\u003c/emph\u003e magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.\u003c/p\u003e","\u003cp\u003eThis series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.\u003c/p\u003e","\u003cp\u003eThis series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"\u003c/p\u003e","\u003cp\u003e(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026amp; his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026amp; Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")\u003c/p\u003e","\u003cp\u003eThis series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.\u003c/p\u003e","\u003cp\u003eApril 26 1955. March 5 1955\u003c/p\u003e","\u003cp\u003eMay 22 1962. June 18 1962.\u003c/p\u003e","\u003cp\u003eNovember 11 [1954].May 20 1955.\u003c/p\u003e","\u003cp\u003eApril 8 1955 and undated\u003c/p\u003e","\u003cp\u003eApril 5 1955. June 16 1955.\u003c/p\u003e","\u003cp\u003eSeptember 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.\u003c/p\u003e","\u003cp\u003eMay 11 1955. May 11 1955 May 16 1955. May 21 1955.\u003c/p\u003e","\u003cp\u003eThursday, 2; May 23 1955. May 28 1955. November 30 1955.\u003c/p\u003e","\u003cp\u003eFebruary 5 1955.February 15 1955.\u003c/p\u003e","\u003cp\u003eApril 18 1960. July 23 1960.\u003c/p\u003e","\u003cp\u003eMay 10 1955. September 24 1962.\u003c/p\u003e","\u003cp\u003eMarch 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.\u003c/p\u003e","\u003cp\u003eFebruary 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.\u003c/p\u003e","\u003cp\u003eMay 27 1955. July 22 1955. August 11 1955. July 14 1960.\u003c/p\u003e","\u003cp\u003esigned by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.\u003c/p\u003e","\u003cp\u003eDecember 5 1956. March 13 1957.\u003c/p\u003e","\u003cp\u003eOctober 10 1962, April 28 1964..\u003c/p\u003e","\u003cp\u003eSeptember 14 1962. September 25 1962. October 4 1962. October 26 1962.\u003c/p\u003e","\u003cp\u003eOctober 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond\u003c/p\u003e","\u003cp\u003eOctober 18 1961. November 4 1961. January 15 1962. January 22 1962.\u003c/p\u003e","\u003cp\u003eSeptember 24 1963. February 28 1964. February 28 1964. April 17 1964.\u003c/p\u003e","\u003cp\u003eAugust 8 1964. August 14 1964.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAugust 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAugust 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003e2 pieces. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAutograph Letter Signed.\u003c/p\u003e","\u003cp\u003eJuly 31 1964. TALS; September 2 1964. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eAutograph Letter Signed.\u003c/p\u003e","\u003cp\u003eMixed materials\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eIncludes typescript of his reminiscences for the Smart Set.\u003c/p\u003e","\u003cp\u003eNewspapers and magazine reviews\u003c/p\u003e","\u003cp\u003eThe Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.\u003c/p\u003e","\u003cp\u003eContains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.\u003c/p\u003e","\u003cp\u003ePaper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to  Smart Set  magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","This series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.","This series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"","(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026 his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026 Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")","This series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","April 26 1955. March 5 1955","May 22 1962. June 18 1962.","November 11 [1954].May 20 1955.","April 8 1955 and undated","April 5 1955. June 16 1955.","September 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.","May 11 1955. May 11 1955 May 16 1955. May 21 1955.","Thursday, 2; May 23 1955. May 28 1955. November 30 1955.","February 5 1955.February 15 1955.","April 18 1960. July 23 1960.","May 10 1955. September 24 1962.","March 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.","February 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.","May 27 1955. July 22 1955. August 11 1955. July 14 1960.","signed by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.","December 5 1956. March 13 1957.","October 10 1962, April 28 1964..","September 14 1962. September 25 1962. October 4 1962. October 26 1962.","October 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond","October 18 1961. November 4 1961. January 15 1962. January 22 1962.","September 24 1963. February 28 1964. February 28 1964. April 17 1964.","August 8 1964. August 14 1964.","Scope and Contents Typewritten Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","2 pieces. Autograph Letter Signed.","Typewritten Letter Signed.","Autograph Letter Signed.","July 31 1964. TALS; September 2 1964. Autograph Letter Signed.","Autograph Letter Signed.","Mixed materials","Typewritten Letter Signed.","Includes typescript of his reminiscences for the Smart Set.","Newspapers and magazine reviews","The Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.","Contains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.","Paper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker."],"separatedmaterial_html_tesm":["\u003cp\u003eThe material related to the \u003cemph render=\"italic\"\u003eSmart Set\u003c/emph\u003e magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012.\u003c/p\u003e\n","\u003cp\u003e The material related to \u003cemph render=\"italic\"\u003eDinwiddianae Select Poems Pro Patria\u003c/emph\u003e were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["The material related to the  Smart Set  magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012."," The material related to  Dinwiddianae Select Poems Pro Patria  were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of English","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English","Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English"],"persname_ssim":["Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"total_component_count_is":137,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:24:35.852Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_209","ead_ssi":"viw_repositories_2_resources_209","_root_":"viw_repositories_2_resources_209","_nest_parent_":"viw_repositories_2_resources_209","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_209.xml","title_filing_ssi":"Dolmetsch, Carl R. Papers","title_ssm":["Carl R. Dolmetsch Papers"],"title_tesim":["Carl R. Dolmetsch Papers"],"unitdate_ssm":["1751-1990"],"unitdate_inclusive_ssm":["1751-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/06/UA 6.111","/repositories/2/resources/209"],"text":["00/06/UA 6.111","/repositories/2/resources/209","Carl R. Dolmetsch Papers","Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775","American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","Carl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Acc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013."," Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012.","This collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to  Smart Set  magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","This series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.","This series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"","(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026 his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026 Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")","This series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","April 26 1955. March 5 1955","May 22 1962. June 18 1962.","November 11 [1954].May 20 1955.","April 8 1955 and undated","April 5 1955. June 16 1955.","September 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.","May 11 1955. May 11 1955 May 16 1955. May 21 1955.","Thursday, 2; May 23 1955. May 28 1955. November 30 1955.","February 5 1955.February 15 1955.","April 18 1960. July 23 1960.","May 10 1955. September 24 1962.","March 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.","February 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.","May 27 1955. July 22 1955. August 11 1955. July 14 1960.","signed by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.","December 5 1956. March 13 1957.","October 10 1962, April 28 1964..","September 14 1962. September 25 1962. October 4 1962. October 26 1962.","October 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond","October 18 1961. November 4 1961. January 15 1962. January 22 1962.","September 24 1963. February 28 1964. February 28 1964. April 17 1964.","August 8 1964. August 14 1964.","Scope and Contents Typewritten Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","2 pieces. Autograph Letter Signed.","Typewritten Letter Signed.","Autograph Letter Signed.","July 31 1964. TALS; September 2 1964. Autograph Letter Signed.","Autograph Letter Signed.","Mixed materials","Typewritten Letter Signed.","Includes typescript of his reminiscences for the Smart Set.","Newspapers and magazine reviews","The Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.","Contains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.","Paper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker.","The material related to the  Smart Set  magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012."," The material related to  Dinwiddianae Select Poems Pro Patria  were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of English","Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"unitid_tesim":["00/06/UA 6.111","/repositories/2/resources/209"],"normalized_title_ssm":["Carl R. Dolmetsch Papers"],"collection_title_tesim":["Carl R. Dolmetsch Papers"],"collection_ssim":["Carl R. Dolmetsch Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"geogname_ssim":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"creator_ssm":["Dolmetsch, Carl (Carl Richard), 1924-"],"creator_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"creator_persname_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"creators_ssim":["Dolmetsch, Carl (Carl Richard), 1924-"],"places_ssim":["Virginia--History--18th century","Virginia--History--Colonial period, ca. 1600-1775"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2012.347 was received by the SCRC from Carl Dometsch on 9/25/2012. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"access_subjects_ssm":["American literature--20th century","American periodicals--History","College of William and Mary--History--20th century","Satire, American--18th century","Universities and Colleges--Virginia--Faculty","Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"genreform_ssim":["Correspondence","Drawings (visual works)","Manuscripts (document genre)","Photostats","Posters","Publications"],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection."],"bioghist_html_tesm":["\u003cp\u003eCarl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Carl_Dolmetsch_(Carl_Richard)\" title=\"Carl Dolmetsch (Carl Richard)\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Carl R. Dolmetsch was a professor of English at the College of William and Mary starting in 1959, and chair of the Department of English from 1970-1976. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eCarl R. Dolmetsch Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Carl R. Dolmetsch Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013.\u003c/p\u003e","\u003cp\u003e Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2012.347 and Acc. 2012.348 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2012. Acc. 2013.235 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in October 2013. Acc. 2013.291 accessioned and minimaly described by Steven Bookman, University Archives Specialist, in December 2013."," Box and folder list compiled by Andrew Cavell, Special Collections staff, in April and October 2012."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to \u003cemph render=\"italic\"\u003eSmart Set\u003c/emph\u003e magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.\u003c/p\u003e","\u003cp\u003eThis series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.\u003c/p\u003e","\u003cp\u003eThis series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"\u003c/p\u003e","\u003cp\u003e(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026amp; his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026amp; Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")\u003c/p\u003e","\u003cp\u003eThis series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.\u003c/p\u003e","\u003cp\u003eApril 26 1955. March 5 1955\u003c/p\u003e","\u003cp\u003eMay 22 1962. June 18 1962.\u003c/p\u003e","\u003cp\u003eNovember 11 [1954].May 20 1955.\u003c/p\u003e","\u003cp\u003eApril 8 1955 and undated\u003c/p\u003e","\u003cp\u003eApril 5 1955. June 16 1955.\u003c/p\u003e","\u003cp\u003eSeptember 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.\u003c/p\u003e","\u003cp\u003eMay 11 1955. May 11 1955 May 16 1955. May 21 1955.\u003c/p\u003e","\u003cp\u003eThursday, 2; May 23 1955. May 28 1955. November 30 1955.\u003c/p\u003e","\u003cp\u003eFebruary 5 1955.February 15 1955.\u003c/p\u003e","\u003cp\u003eApril 18 1960. July 23 1960.\u003c/p\u003e","\u003cp\u003eMay 10 1955. September 24 1962.\u003c/p\u003e","\u003cp\u003eMarch 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.\u003c/p\u003e","\u003cp\u003eFebruary 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.\u003c/p\u003e","\u003cp\u003eMay 27 1955. July 22 1955. August 11 1955. July 14 1960.\u003c/p\u003e","\u003cp\u003esigned by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.\u003c/p\u003e","\u003cp\u003eDecember 5 1956. March 13 1957.\u003c/p\u003e","\u003cp\u003eOctober 10 1962, April 28 1964..\u003c/p\u003e","\u003cp\u003eSeptember 14 1962. September 25 1962. October 4 1962. October 26 1962.\u003c/p\u003e","\u003cp\u003eOctober 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond\u003c/p\u003e","\u003cp\u003eOctober 18 1961. November 4 1961. January 15 1962. January 22 1962.\u003c/p\u003e","\u003cp\u003eSeptember 24 1963. February 28 1964. February 28 1964. April 17 1964.\u003c/p\u003e","\u003cp\u003eAugust 8 1964. August 14 1964.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAugust 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAugust 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003e2 pieces. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eAutograph Letter Signed.\u003c/p\u003e","\u003cp\u003eJuly 31 1964. TALS; September 2 1964. Autograph Letter Signed.\u003c/p\u003e","\u003cp\u003eAutograph Letter Signed.\u003c/p\u003e","\u003cp\u003eMixed materials\u003c/p\u003e","\u003cp\u003eTypewritten Letter Signed.\u003c/p\u003e","\u003cp\u003eIncludes typescript of his reminiscences for the Smart Set.\u003c/p\u003e","\u003cp\u003eNewspapers and magazine reviews\u003c/p\u003e","\u003cp\u003eThe Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.\u003c/p\u003e","\u003cp\u003eContains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.\u003c/p\u003e","\u003cp\u003ePaper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, publications, and other material kept by Carl R. Dolmetsch, a professor in the Department of English at the College of William and Mary. Included in the collection are publications, a drawing, and a poster related to author H.L. Mencken; correspondence concerning potential visiting lecturers to events in the Department of Engllish; and letters written to Carl R. Dolmetsch by persons who had contributed material to  Smart Set  magazine as well as letters received by Dolmetsch as chairmanship of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","This series includes publications, a drawing, and a poster related to author H. L. Mencken, as well as correspondence concerning potential visiting lecturers to events in the Department of Engllish.","This series contains photocopies (with original and carbon typescript) of satirical works, usually known as \"Dinwiddianae Select Poems Pro Patria\" by an unknown author or authors, and studied by Carl R. Dolmetsch. The works are against the policies of Robert Dinwiddie who was governor of Virginia from 1751-1758 and are written in dialect. The collection includes essay, 1964, by Tobias Mark Sindt, \"Some Insights of the Dialect of Colonial Virginia Utilizing the 'Dinwiddianae' and Related Manuscripts.\"","(64 sheets) with these items included: [1756]  \"The Eight Month.\"  \"Buttonlegs Browncoat\" to JOHN MERCER.  January.  THOMAS BROWNCOAT at \"Virginia Purtomok river\" to [JONAS] GREEN, Annapolis 1757,    April 15 TITUS O'GREWELL to HUGH WEST.  [  ]  \"DINWIDDIANAE, or Select Poems Pro Patria, Vol. I...  Virginia. The third edition Published at the Request of the People.\" 1754,    Nov. 4. Thirty seven verse poem with notes. 1755,    Nov. Vol. II, \"Dialogue betweeen the Deuputy Viceroy of x x x x \u0026 his first Minister, upon the    day of Nov'r., 1775, it being the memorable day of the dissolution of the General Assembly, to which are added the notes \u0026 Observations of Benjamin Browncoat, A.M.\" 1756,    \"The Little Booke addressed to the Colony by the Author of Dinwiddianae with notes by the publisher Pro Patria.\" 1757,    April 30. \"As Virginiam Dolentum\" 1757,  April 30.  Timothy MacOates to \"Dear [Honney]               May 3.  Timothy MacOates to [  ] 1754,    December 3. \"Friend\" to \"Curnell Chizzell.\"               [    ] \"Suffering Commun\" to John Chiswell, Williamsburg (All the above is on one continuous manuscript of 64 sheets reproduced from the Brock Collection in the Henry E. Huntington Library, marker \"for reference only, NOT for reproduction.\")","This series contains letters written to Carl R. Dolmetsch by persons who had contributed material to Smart Set magazine as well as letters received by Dolmetsch as chairman of the Committee on Arts and Lectures at the College of William and Mary. Prominent correspondents include Faith Baldwin, Jacques Barzun, S. N. Behrman, Rudolf Bing, Kenneth Burke, James Branch Cabell, Padraic Colum, Babette Deutsch, William Golding, H. L. Mencken, Upton Sinclair, C. P. Snow, Louis Untermeyer, Mark Van Doren, Colin Wilson and Edmund Wilson.","April 26 1955. March 5 1955","May 22 1962. June 18 1962.","November 11 [1954].May 20 1955.","April 8 1955 and undated","April 5 1955. June 16 1955.","September 18 1954; November 15 1954. March 25 1955. April 25 1955. May 4 1955. May 25 1955.","May 11 1955. May 11 1955 May 16 1955. May 21 1955.","Thursday, 2; May 23 1955. May 28 1955. November 30 1955.","February 5 1955.February 15 1955.","April 18 1960. July 23 1960.","May 10 1955. September 24 1962.","March 30 1955. April 5 1955. May 12 1955. November 10 1957. January 10 1959 [1960]. June 7 1960. March 1960. June 18 1961. December 15 1961.","February 9 [?]. ALS; February 15 [?]. 4 pieces. TLS; March 5 [?]. ALS; April 12 1955. APcS.","May 27 1955. July 22 1955. August 11 1955. July 14 1960.","signed by his secretary, Rosalind Lohrfinck, July 26 1954. September 20 1954. May 3 1955. 2 pieces. July 5 1955.","December 5 1956. March 13 1957.","October 10 1962, April 28 1964..","September 14 1962. September 25 1962. October 4 1962. October 26 1962.","October 15 1962. November 9 1962. November 27 1962. Pst to William W. Kitchin, University Center in Virginia, Richmond","October 18 1961. November 4 1961. January 15 1962. January 22 1962.","September 24 1963. February 28 1964. February 28 1964. April 17 1964.","August 8 1964. August 14 1964.","Scope and Contents Typewritten Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 31 1964. Autograph Letter Signed; September 4 1964. Autograph Letter Signed.","Scope and Contents Typewritten Letter Signed.","August 5 1964. Typewritten Letter Signed; August 12 1964. Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","Typewritten Letter Signed.","2 pieces. Autograph Letter Signed.","Typewritten Letter Signed.","Autograph Letter Signed.","July 31 1964. TALS; September 2 1964. Autograph Letter Signed.","Autograph Letter Signed.","Mixed materials","Typewritten Letter Signed.","Includes typescript of his reminiscences for the Smart Set.","Newspapers and magazine reviews","The Smart Set by Carl R. Dolmetsch a history and anthology with a reminiscence by S. N. Behrman. Including stories, plays, and verse by James Joyce, F. Scott Fitzgerald, Eugene O'Neill, Ezra Pound, D. H. Lawrence, Edna St. Vincent Millay, Dorothy Parker, Robinson Jeffers, Damon Runyon, Anatole France, O. Henry and others- all first published in \"The Magazine of Cleverness\" under the editorship of Charles Hanson Towne, Willard Huntington Wright, George Jean Nathan, and H.L. Mencken.","Contains copies of poems and essays, including The Patriot Rous'd, by St. George Tucker as well as copies of articles about the writings of St. George Tucker collected by Carl R. Dolmetsch, a former professor in the Department of English at the College of William and Mary.","Paper written by William and Mary professor Carl Dolmetsch on the essays of St. George Tucker, including A Dream, The Dreamer, and The Hermit of the Mountain. The paper also contains the essays The Old Bachelor and The Rainbow that have been attributed to St. George Tucker."],"separatedmaterial_html_tesm":["\u003cp\u003eThe material related to the \u003cemph render=\"italic\"\u003eSmart Set\u003c/emph\u003e magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012.\u003c/p\u003e\n","\u003cp\u003e The material related to \u003cemph render=\"italic\"\u003eDinwiddianae Select Poems Pro Patria\u003c/emph\u003e were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["The material related to the  Smart Set  magazine and the Committee on Arts and Lectures at the College of William and Mary were previously part of the Smart Set Papers, Mss. 65 Lit Sm2, and were added to this collection on 11/5/2012."," The material related to  Dinwiddianae Select Poems Pro Patria  were previously part of the Dinwiddianae Select Poems Pro Patria collection, Mss. 65 Lit D61, and were added to this collection on 11/5/2012."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of English","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English","Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English"],"persname_ssim":["Dolmetsch, Carl (Carl Richard), 1924-","Dinwiddie, Robert, 1693-1770","Mencken, H. L. (Henry Louis), 1880-1956","Sindt, Tobey Mark"],"total_component_count_is":137,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:24:35.852Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_209"}},{"id":"vilxv_repositories_3_resources_94","type":"collection","attributes":{"title":"Moses J. Ezekiel papers","creator":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_94#creator","type":"document_value","attributes":{"value":"Ezekiel, Moses J. (Moses Jacob), 1844-1917","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_94#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Moses J. Ezekiel papers consist of the papers of noted 19th century sculptor Moses J. Ezekiel, including: \u003cul\u003e\n\u003cli\u003eCorrespondence to VMI superintendent Edward W. Nichols and others (dated 1867-1917), some relating to the design of the Battle of New Market memorial sculpture Virginia Mourning Her Dead\u003c/li\u003e\n\u003cli\u003ePen and ink sketches by Ezekiel (approximately 67 items)\u003c/li\u003e\n\u003cli\u003eA typescript version of Ezekiel's autobiography\u003c/li\u003e\n\u003cli\u003eMemoirs from the Baths of Diocletian\u003c/li\u003e\n\u003cli\u003ePrint material\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_94#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxv_repositories_3_resources_94","ead_ssi":"vilxv_repositories_3_resources_94","_root_":"vilxv_repositories_3_resources_94","_nest_parent_":"vilxv_repositories_3_resources_94","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_94.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vmi/vilxv00043.xml","title_ssm":["Moses J. Ezekiel papers"],"title_tesim":["Moses J. Ezekiel papers"],"unitdate_ssm":["1867-1917"],"unitdate_inclusive_ssm":["1867-1917"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.0010","/repositories/3/resources/94"],"text":["MS.0010","/repositories/3/resources/94","Moses J. Ezekiel papers","Sculptors—Virginia","Sculptors—Rome (Italy)","New Market Cadets","Virginia Military Institute—Buildings, structures, etc.","Virginia Military Institute—Class of 1866","Artists","Drawings (visual works)","The Moses J. Ezekiel papers digital collection","There are no restrictions","Chronological","Moses Jacob Ezekiel, the noted 19th century American Jewish sculptor, was born in Richmond, Virginia on October 28, 1844. One of 14 children of Jacob Ezekiel and Catherine de Castro, he had already started a mercantile career when he decided to attend college. Ezekiel entered VMI in September 1862, and during his VMI cadetship, took part in the Battle of New Market (May 15, 1864) and served in the trenches in defense of Richmond in the Spring of 1865.","Ezekiel graduated from VMI in 1866, and in 1867 began seriously to pursue his interest in art. He studied anatomy at the Medical College of Virginia and traveled to Cincinnati, Ohio where he studied at the Art School of J. Insco Williams and in the studio of T.D. Jones. In 1867 he sailed for Europe and entered the Royal Academy of Art in Berlin, Germany.","At the age of 29, Ezekiel won the prestigious Michel-Beer Prix de Rome for a bas relief entitled Israel. The prize money enabled him to travel to Rome, Italy where he established a studio and lived for the remainder of his life. Ezekiel executed nearly two hundred monuments in bronze and marble. Among his productions were the following:\n Busts of Lizst, Cardinal Hohenlohe, Eve, Homer, David, Judith, and Christ in the Tomb A statue of Mrs. Andrew W. White for Cornell University Madonna for the Church La Tivoli Faith for the Cemetery of Rome Apollo and Mercury in Berlin Robert E. Lee Stonewall Jackson Pan and Amor The Fountain of Neptune for the city of Netturno, Italy A bust of Lord Sherbrooke for St. Margaret, Westminister, London The Jefferson Monument for Louisville, Kentucky The Homer Group for the University of Virginia Virginia Mourning Her Dead for VMI Napoleon I at St. Helena A monument to Senator Daniel, Lynchburg, Virginia The Confederate Soldiers' Memorial at Arlington National Cemetery, Virginia Scores of other busts and reliefs \nEzekiel died in Italy on March 27, 1917, but because of World War I, his body was not returned to the United States until 1921. He is buried at the foot of the Confederate Memorial in Section 16 of Arlington National Cemetery, Virginia).","Rome July 23, 1904 \nMy dear Comrade and Friend. \nIn auld lang syne. \nI have again been prevented (by the retarded coming to Rome, of those who were to see my colossal statue of Mr. Drexel in clay before casting it in Bronze) from joining my old Cadet comrades in answering the last roll call and receiving the medal; which if still given to me, I should value above any earthly possession. After the Battle of New Market was over and we who survived answered the roll call on the field, I was in search of the wounded and found my room mate and comrade Thomas Jefferson lying on the floor of a hut quite exhausted and wounded in the breast. It was night and I was without shoes, as I had been all day and I went to the town of New Market and got a wagon and carried him to the house of Mrs. Clinedinst who gave me a bed for him on the ground floor- She had two daughters Anne and Lydie. It was Sunday night late when I got him into bed and from that time up to Tuesday night at about 11 o'clock I never left many cadets found both food and shelter was extremely kind to us all, and gave me every possible help for my friend. I always hoped to save Jefferson and that last evening when he asked me to read from St. John \"In my Father's house are many mansions\" \u0026 then began to wander in mind and thought I was his mother \u0026 then his sister \u0026 finally asked me to make a light, it was only then it dawned upon me that all hope was past and in his agony- as our gallant color bearer Evans was there with me I went up to call the family of Clinedinst (who had been as kind as it was possible for people to be all through those sad days) and they came down with candles in their hands whilst I had Jefferson in my arms, and he died. I washed and prepared him for burial and carried his mother a lock of his hair after we returned to Richmond.","As you want me to give you a kind of record of myself and according to the prospectus you sent I take pleasure in doing so. My parents were Jacob Ezekiel and Catherine de Castro\nMy grandparents Jacob de Castro \u0026 Hannah Pepper- Maternal and Michael Ezekiel  and Rebekah Israel - Paternal grandparents","My Parents were living in Richmond Va. when I was matriculated.","My Grandparents and great grandparents, are on my father's side buried in Philadelphia \u0026 on my mother's side in Richmond Va.","I was born in Richmond Va. Oct. 28, 1844.","Entered the V.M.I. the second year of the War and when back to reform the Corps, and graduated in the first class after the War. I gathered up in Lexington all the books and paintings I could find that had been dispersed by Hunter's Raid and reorganized the debating society, and gave the pictures later to the Letcher family and others, to whom they belonged. I was orderly sergeant of Company on the Intermediate lines below Richmond.","I was never a student at any institution before going to the V.M.I. But matriculated later and studied anatomy at the Richmond Medical College at night and from my 12th year on, kept books for my grandparents, and spent any spare hours in drawing \u0026 painting \u0026 modelling, never having a teacher of any kind, and it was then I modelled my Father's Bust which is still considered a good likeness.","I have I see given my War record first. But must add that I was slightly wounded in the Battle of New Market. But as the ball passed through my jacket and only grazed my breast, I took no notice of it. I was arrested and put in Castle Thunder in Richmond after the surrender, because I refused to take the oath of allegiance. About this time I wrote a letter which was published in all of the leading American papers, in which I denounced General Grant, comparing him to the worst Czars of Russia- for his famous or rather infamous Order No. 11, in which he prohibited any Jew in the U.S. Army having any concern in the Quarter Master's department. I do not now remember any more of it, than that I gathered the statistics \u0026 published them proving that the abuses in that department had not been done by Jews at all- and called upon all men in the United States of that persuasion or religion to vote for any man for the next President rather than for General Grant.","The General replied to my letter in the papers by deploring that he had ever published that Order No. 11 which he said he had given out upon information which be found out later was false. Meanwhile a secret carpet bag or political Yankee Committee in Richmond, sent me a letter saying that my life would be in danger if I stayed in Richmond after writing and publishing such a letter about General Grant their Hero: \u0026 this letter was forwarded to me, to Amelia County, at the Home of Mr. Garland Jefferson, the father of my dead comrade, where I had gone to carry the lock of hair of the dead boy to his mother. So I immediately on the receipt of that letter of intimidation jumped on to the first freight train that passed Amelia Courthouse \u0026 returned to Richmond. I went about my own affairs during the days, but coming home at night and passing 17th Street the concealed Ruffians fired at me from their concealment in the old market \u0026 let loose a shower of stones which smashed a number of windows, but left me unharmed. I reported at once to the Police Station in the bell house. But none of the gang were found \u0026 a second letter advising me to leave town came. But I took no notice of it, and so it all ended. As my Parents house had been rifled by the mob at the evacuation, and my Fathers store rooms of cotton and tobacco burned up, with the loss of an entire fortune of at least ¼ of million dollars, I staid at home, \u0026 with my youngest brother helped as well as we could to begin a little business and earn enough to live upon in a slender way, \u0026 when my father had again been able to start into a new business, I went West, and staid in Cincinnati a year, working for the first time in the studio of Mr. Jones (in 1868), a sculptor of some merit and well known there.","I then modelled my first statuette of \"Industry\", which was exhibited there, and the favorable criticism in the papers encouraged me penniless as I was to go abroad. I sold a breast pin I owned- which enabled me to travel second class to Berlin (in 1869) where I matriculated at the Royal Academy and passed the examination. In order to continue my studies I gave lessons in English in the mornings early- and drawing lessons at night, and spent the rest of the time at the academy, where I was elected by my Colleagues president of the Art Students league at the Academy. I also worked in the studio of Prof. [Siemernig] \u0026 then of Prof. Wolff and often worked In the open air or buildings in Berlin then in construction modelling heads and carytids and ornaments in order to earn an extra dollar. No one ever knew that I needed anything and I led a happy life all the same, and the Bohemian life of the student was mine also, to the fullest extent. I modelled then the ¾ life sized figure of Virginia Mourning her Dead and sent Mrs. General Lee a photo of it, as I was always in correspondence with that estimable wife of our Great Hero.","That statue I have always kept and it is now in my studio here, and is the model of the statue my brother cadets were good enough to unveil at the parade ground of our Alma Mater last year.","My finally gaining the Prix de Rome at the academy- and my being honored for my art works by the Duke of Saxe-Meiningen and the German Emperor and the Medal from the Art Society in Rome, my various works in America, England, France, Germany, Switzerland, and Russia are not subjects for my writing about: I have with all this the sincere regret that I have never been called upon in my own home Virginia, nor in the South, to execute a single work of art- excepting the one for my own comrades which links me forever with the Alma Mater, the V.M.I., where every stone, and every blade of grass is dear to me- and the name of Cadet of the V.M.I. the proudest and most honored title I can ever possess.","Of course my comrade I am writing this as a letter to you \u0026 not one for publication. You can glean from it any particulars you may choose for your Biography, of which I shall want several copies, besides I do want to contribute my mite to the picture of General Scott Shipp, and am surprised that I was not asked to do so as an Alumnus.","There never was any one I admired more than I did our then Col. Shipp, and when in the battle of New Market, his horse was wounded and he was down, I could not help running to him, to ask if he was hurt \u0026 when he said \"no, go ahead\" I left him. Randolph too was shot when we were shoulder to shoulder. He had just said smiling, there's no use dodging boys, if a ball's going to hit you, it'll hit you anyway! When he fell, I thought he was dead. But I found him at night in the hospital.","And now let me tell you that it has been a real grief to me not to have been able to join either last year or this year in the Corps Ceremonies which were of such deep interest to me. But I am under contract to finish a monument this fall \u0026 place it in Fairmount Park Philadelphia \u0026 I have several other works to finish and deliver and I could not come home until I could bring the monument and place it in position. These are hard facts, and have interfered with what would have been nearest to my own heart. But you will now understand it all.","Your kind letter has been waiting a long time to be answered, and it only seems a few weeks to me, as my life here is so full and every day brings me visitors from home or elsewhere, and so many duties, that for a couple of months I have absolutely had to neglect pen and ink nolens volens so I throw myself upon your kind indulgence, and with the most sincere and affectionate greetings","I am always your comrade and friend \nMoses J. Ezekiel","18 Piazza Termini \nBaths of Diocletian \nRome","The VMI Archives also holds a  collection of photographs  related to Ezekiel. Included are images of Ezekiel, his studio in Rome, Italy, and various examples of his sculptures.","The Moses J. Ezekiel papers consist of the papers of noted 19th century sculptor Moses J. Ezekiel, including:\n Correspondence to VMI superintendent Edward W. Nichols and others (dated 1867-1917), some relating to the design of the Battle of New Market memorial sculpture Virginia Mourning Her Dead Pen and ink sketches by Ezekiel (approximately 67 items) A typescript version of Ezekiel's autobiography Memoirs from the Baths of Diocletian Print material","Includes letters to General Edward W. Nichols and Greenlee Letcher concerning Virginia Mourning Her Dead (New Market Monument) and the Stonewall Jackson statue at VMI. Also includes postcards sent primarily to family members, including Henry C. Ezekiel and Rebecca Ezekiel.","Autobiographical letter from Moses J. Ezekiel to VMI historian Joseph R. Anderson, Jr. In the letter, Ezekiel recounts his experience as a VMI cadet at the Battle of New Market on May 15, 1864 and his post-VMI career through July 1904. He discusses caring for his classmate Thomas G. Jefferson, who was mortally wounded in the Battle and expresses regret for missing VMI reunion at which New Market Medals were issued to veterans.","Drawing of the bronze statue of Anthony J. Drexel, the Philadelphia financier and the founder of Drexel University. The monument was commissioned by Drexel's partner, John H. Harjes of Paris, France and donated to the city of Philadelphia, Pennsylvania.","Drawing of Anton Alexander von Werner (1843-1915), a German historical painter known for painting scenes from the Franco Prussian War.","Drawing of Benjamin B. Hotchkiss (1826-1885), a leading American gunmaker and ordnance engineer. Moses J. Ezekiel molded a bust of Hotchkiss in clay and cast it in bronze in 1879.","A drawing of Bacchante, a classical figure from Greek and  Roman mythology that is priestess or female votary of Bacchus.","A drawing of Jesus Christ, based on the bronze torso.","Detail from marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.","Drawing of the marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.","Drawing of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing shows the frieze that comprises part of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing of the main figure of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing of Eva Cattermole (1849-1896), known as \"Contessa Lara\" who was an Italian poet, writer, and friend of Moses J. Ezekiel.","A drawing of Daniel Collin, a German publisher whom Moses J. Ezekiel became friends with in Berlin, Germany.","A sketch of a clay model of proposed David G. Farragut monument. Moses J. Ezekiel created a model to enter in a competition in 1873, but his work was not chosen.","Drawing of Edith Lack, from Plymouth, England. She was the youngest daughter of a family that Moses J. Ezekiel met while traveling to Rome, Italy in 1874.","Drawing of Fanny Lewald, a German novelist and champion of women's rights.","Drawing of Fedor Encke, one of Moses J. Ezekiel's classmates at the Berlin Academy.","Drawing of Francis H. Smith who was VMI superintendent from 1839 to 1889. Moses J. Ezekiel knew him during his own cadetship.","Drawing of George Washington Custis Lee. Lee taught at VMI immediately after the Civil War and after the death in 1870 of his father, Robert E. Lee, who was President of Washington and Lee University, Lexington, Virginia.","A drawing of Gustav Adolf, Cardinal Prince of Hohenlohe-Schillingsfürst (1823-1896).","Drawing of guests inside Moses J. Ezekiel's studio.","Drawing of Israel, a bas relief, which was Moses J. Ezekiel's first significant work.","This drawing is of the bust of Jacob Ezekiel, Moses J. Ezekiel's father.","Jennie McGraw Fiske was a member of a prominent family who provided significant philanthropic support to Cornell University, New York. In 1904 the University commissioned Moses J. Ezekiel to produce this recumbent statue and it was completed in June 1907.","Drawing of John H. Harjes, a German born financier. Moses J. Ezekiel, a friend of the family, cast this bronze bust in 1881.","Drawing of Judas Maccabees, a Jewish military leader who was victorious in 165 B.C.","The Robert Gamble Cabell family of Richmond, Virginia were childhood friends of Moses J. Ezekiel. Two Cabell brothers attended VMI and both fought in the Battle of New Market with Ezekiel. William Cabell was one of the cadets killed in the battle.","Drawing of Lola Montez, a British born dancer and mistress of King Ludwig I of Bavaria. She settled in New York and appeared on stage in the United States. Moses J. Ezekiel saw a performance in Richmond, Virginia sometime before 1861.","Drawing of Nadine Helbig, a Russian born author who married Wofgang Helbig.","Drawing of Mammy Keziah, an Ezekiel family slave.","Drawing of Mammy Keziah, an Ezekiel family slave.","Drawing of Mammy Mary, a slave owned by the Ezekiel family during Moses J. Ezekiel's childhood. He refers to her in his memoirs as \"my mammy Mary.\"","Drawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.","Drawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.","Drawing of a crypt monument at Sage Chapel, Cornell University, New York.","Drawing of Mary Triplett of Richmond, Virginia. She was one of the \"belles\" of the city, along with Lizzy Cabell. She was the sister of Moses J. Ezekiel's fellow VMI cadet, John R. Triplett.","A drawing of a member of a German family with whom Moses J. Ezekiel was acquainted.","Drawing of Adolfo de Bosis and his wife. He was an Italian poet and lawyer who translated Shelley into Italian and edited the Review Il Convito.","Drawing of the wife of German publisher Daniel Collin.","Drawing of Nannie Whitmell Tunstall, the sister of John L. Tunstall, who attended VMI with Moses J. Ezekiel. In 1886, Ezekiel created a 16 by 21 inch marble intaglio bas-relief of Tunstall, made during her visit to Rome, Italy. The piece is owned by VMI.","Drawing of the Neptune statue Moses J. Ezekiel created for a fountain in Nettuno, Italy. The statue was destroyed during World War II.","Drawing of Otto von Bismarck, a Prussian statesman.","Drawing is likely of a slave in the Ezekiel household in Richmond, Virginia.  No further information is known at this time.","Drawing of Pan and Amor bas relief.","Drawing of Moses J. Ezekiel's proposed Robert E. Lee monument for a competition in 1886. Another sculptor's work was chosen and Ezekiel's concept was never executed.","Drawing of Robert Hausmann, a German cellist.","Drawing of Scott Shipp, VMI Class of 1859, who served as commandant and later as VMI's second superintendent. He was commandant during Moses J. Ezekiel's cadetship and was in command at the Battle of New Market.","Drawing of the Southern monument, which was one of the first monuments in the north dedicated to the Confederate soldier. It was commissioned by the Cincinnati, Ohio chapter of the United Daughters of the Confederacy.","This drawing is based on the photo of Stonewall Jackson known as the Chancellorsville photograph.","A drawing of the entrance to Moses J. Ezekiel's studio, Baths of Diocletian, Rome.","Drawing of cadet Thomas G. Jefferson who was mortally wounded at the Battle of New Market on May 15, 1864.","Drawing of \"White Lucy,\" who was a slave in Richmond, Virginia during Moses J. Ezekiel's childhood. When her owner threatened sale, Jacob Ezekiel intervened and she was given the job of seamstress in the Ezekiel home. The family later rented a house for her, and she made a living as a washerwoman and seamstress. She died circa 1866. Her surname does not appear in Ezekiel's memoirs.","This memorial publication was sent from Moses J. Ezekiel to VMI Superintendent Scott Shipp. The publication is annotated by Shipp.","Photograph of Robert E. Lee and of Lee's Farewell Address. This photograph was given to Moses J. Ezekiel by Mrs. Robert E. Lee.","Ezekiel family scrapbook possibly compiled by H. C. Ezekiel. The scrapbook contains documents, most pertaining to various members of the Ezekiel family. Many documents are from the Civil War era, 1863-1865.","Typescript titled \"Memoirs from the Baths of Diocletian.\"","Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Manuscripts stacks","Virginia Military Institute Archives","Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927","Jefferson, Thomas G. (Thomas Garland), 1847-1864","Anderson, Joseph R., Jr. (Joseph Reid), 1851-1930","Drexel, Anthony Joseph, 1826-1893","Werner, Anton von, 1843-1915","Hotchkiss, Benjamin B., 1826-1885","Christ, Jesus, circa 6-4 B.C.E.-circa 30 C.E.","Lara, Contessa, 1849-1896","Lewald, Fanny, 1811-1889","Encke, Fedor, 1851-1936","Smith, Francis H. (Francis Henney), 1812-1890","Lee, George Washington Custis, 1832-1913","Ezekiel, Jacob, 1812-1899","Montez, Lola, 1818-1861","Helbig, Nadine, 1847-1915","Lee, Mary Custis, 1835-1918","White, Mary Outwater, 1836-1887","de Bosis, Adolfo, 1863-1924","Tunstall, Nannie Whitmell","Bismarck, Otto von, 1815-1898","Lee, Robert E. (Robert Edward), 1807-1870","Hausmann, Robert, 1852-1909","Shipp, Scott, 1839-1917","Jackson, Stonewall, 1824-1863","English"],"unitid_tesim":["MS.0010","/repositories/3/resources/94"],"normalized_title_ssm":["Moses J. Ezekiel papers"],"collection_title_tesim":["Moses J. Ezekiel papers"],"collection_ssim":["Moses J. Ezekiel papers"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927"],"creator_ssim":["Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927"],"creator_persname_ssim":["Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927"],"creators_ssim":["Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927"],"access_terms_ssm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Sculptors—Virginia","Sculptors—Rome (Italy)","New Market Cadets","Virginia Military Institute—Buildings, structures, etc.","Virginia Military Institute—Class of 1866","Artists","Drawings (visual works)"],"access_subjects_ssm":["Sculptors—Virginia","Sculptors—Rome (Italy)","New Market Cadets","Virginia Military Institute—Buildings, structures, etc.","Virginia Military Institute—Class of 1866","Artists","Drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["1 cubic feet 2 boxes"],"extent_tesim":["1 cubic feet 2 boxes"],"genreform_ssim":["Drawings (visual works)"],"date_range_isim":[1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917],"accessrestrict_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/landingpage/collection/p15821coll18\"\u003eThe Moses J. Ezekiel papers digital collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eThere are no restrictions\u003c/p\u003e"],"accessrestrict_heading_ssm":["Online Access","Conditions Governing Access"],"accessrestrict_tesim":["The Moses J. Ezekiel papers digital collection","There are no restrictions"],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Chronological"],"bioghist_html_tesm":["\u003cp\u003eMoses Jacob Ezekiel, the noted 19th century American Jewish sculptor, was born in Richmond, Virginia on October 28, 1844. One of 14 children of Jacob Ezekiel and Catherine de Castro, he had already started a mercantile career when he decided to attend college. Ezekiel entered VMI in September 1862, and during his VMI cadetship, took part in the Battle of New Market (May 15, 1864) and served in the trenches in defense of Richmond in the Spring of 1865.\u003c/p\u003e\n","\u003cp\u003eEzekiel graduated from VMI in 1866, and in 1867 began seriously to pursue his interest in art. He studied anatomy at the Medical College of Virginia and traveled to Cincinnati, Ohio where he studied at the Art School of J. Insco Williams and in the studio of T.D. Jones. In 1867 he sailed for Europe and entered the Royal Academy of Art in Berlin, Germany.\u003c/p\u003e\n","\u003cp\u003eAt the age of 29, Ezekiel won the prestigious Michel-Beer Prix de Rome for a bas relief entitled Israel. The prize money enabled him to travel to Rome, Italy where he established a studio and lived for the remainder of his life. Ezekiel executed nearly two hundred monuments in bronze and marble. Among his productions were the following:\n\u003cul\u003e\n\u003cli\u003eBusts of Lizst, Cardinal Hohenlohe, Eve, Homer, David, Judith, and Christ in the Tomb\u003c/li\u003e\n\u003cli\u003eA statue of Mrs. Andrew W. White for Cornell University\u003c/li\u003e\n\u003cli\u003eMadonna for the Church La Tivoli\u003c/li\u003e\n\u003cli\u003eFaith for the Cemetery of Rome\u003c/li\u003e\n\u003cli\u003eApollo and Mercury in Berlin\u003c/li\u003e\n\u003cli\u003eRobert E. Lee\u003c/li\u003e\n\u003cli\u003eStonewall Jackson\u003c/li\u003e\n\u003cli\u003ePan and Amor\u003c/li\u003e\n\u003cli\u003eThe Fountain of Neptune for the city of Netturno, Italy\u003c/li\u003e\n\u003cli\u003eA bust of Lord Sherbrooke for St. Margaret, Westminister, London\u003c/li\u003e\n\u003cli\u003eThe Jefferson Monument for Louisville, Kentucky\u003c/li\u003e\n\u003cli\u003eThe Homer Group for the University of Virginia\u003c/li\u003e\n\u003cli\u003eVirginia Mourning Her Dead for VMI\u003c/li\u003e\n\u003cli\u003eNapoleon I at St. Helena\u003c/li\u003e\n\u003cli\u003eA monument to Senator Daniel, Lynchburg, Virginia\u003c/li\u003e\n\u003cli\u003eThe Confederate Soldiers' Memorial at Arlington National Cemetery, Virginia\u003c/li\u003e\n\u003cli\u003eScores of other busts and reliefs\u003c/li\u003e\n\u003c/ul\u003e\nEzekiel died in Italy on March 27, 1917, but because of World War I, his body was not returned to the United States until 1921. He is buried at the foot of the Confederate Memorial in Section 16 of Arlington National Cemetery, Virginia).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Moses Jacob Ezekiel, the noted 19th century American Jewish sculptor, was born in Richmond, Virginia on October 28, 1844. One of 14 children of Jacob Ezekiel and Catherine de Castro, he had already started a mercantile career when he decided to attend college. Ezekiel entered VMI in September 1862, and during his VMI cadetship, took part in the Battle of New Market (May 15, 1864) and served in the trenches in defense of Richmond in the Spring of 1865.","Ezekiel graduated from VMI in 1866, and in 1867 began seriously to pursue his interest in art. He studied anatomy at the Medical College of Virginia and traveled to Cincinnati, Ohio where he studied at the Art School of J. Insco Williams and in the studio of T.D. Jones. In 1867 he sailed for Europe and entered the Royal Academy of Art in Berlin, Germany.","At the age of 29, Ezekiel won the prestigious Michel-Beer Prix de Rome for a bas relief entitled Israel. The prize money enabled him to travel to Rome, Italy where he established a studio and lived for the remainder of his life. Ezekiel executed nearly two hundred monuments in bronze and marble. Among his productions were the following:\n Busts of Lizst, Cardinal Hohenlohe, Eve, Homer, David, Judith, and Christ in the Tomb A statue of Mrs. Andrew W. White for Cornell University Madonna for the Church La Tivoli Faith for the Cemetery of Rome Apollo and Mercury in Berlin Robert E. Lee Stonewall Jackson Pan and Amor The Fountain of Neptune for the city of Netturno, Italy A bust of Lord Sherbrooke for St. Margaret, Westminister, London The Jefferson Monument for Louisville, Kentucky The Homer Group for the University of Virginia Virginia Mourning Her Dead for VMI Napoleon I at St. Helena A monument to Senator Daniel, Lynchburg, Virginia The Confederate Soldiers' Memorial at Arlington National Cemetery, Virginia Scores of other busts and reliefs \nEzekiel died in Italy on March 27, 1917, but because of World War I, his body was not returned to the United States until 1921. He is buried at the foot of the Confederate Memorial in Section 16 of Arlington National Cemetery, Virginia)."],"odd_html_tesm":["\u003cp\u003eRome July 23, 1904\u003cbr\u003e\nMy dear Comrade and Friend.\u003cbr\u003e\nIn auld lang syne.\u003cbr\u003e\nI have again been prevented (by the retarded coming to Rome, of those who were to see my colossal statue of Mr. Drexel in clay before casting it in Bronze) from joining my old Cadet comrades in answering the last roll call and receiving the medal; which if still given to me, I should value above any earthly possession. After the Battle of New Market was over and we who survived answered the roll call on the field, I was in search of the wounded and found my room mate and comrade Thomas Jefferson lying on the floor of a hut quite exhausted and wounded in the breast. It was night and I was without shoes, as I had been all day and I went to the town of New Market and got a wagon and carried him to the house of Mrs. Clinedinst who gave me a bed for him on the ground floor- She had two daughters Anne and Lydie. It was Sunday night late when I got him into bed and from that time up to Tuesday night at about 11 o'clock I never left many cadets found both food and shelter was extremely kind to us all, and gave me every possible help for my friend. I always hoped to save Jefferson and that last evening when he asked me to read from St. John \"In my Father's house are many mansions\" \u0026amp; then began to wander in mind and thought I was his mother \u0026amp; then his sister \u0026amp; finally asked me to make a light, it was only then it dawned upon me that all hope was past and in his agony- as our gallant color bearer Evans was there with me I went up to call the family of Clinedinst (who had been as kind as it was possible for people to be all through those sad days) and they came down with candles in their hands whilst I had Jefferson in my arms, and he died. I washed and prepared him for burial and carried his mother a lock of his hair after we returned to Richmond.\u003c/p\u003e\n","\u003cp\u003eAs you want me to give you a kind of record of myself and according to the prospectus you sent I take pleasure in doing so. My parents were Jacob Ezekiel and Catherine de Castro\nMy grandparents Jacob de Castro \u0026amp; Hannah Pepper- Maternal and Michael Ezekiel  and Rebekah Israel - Paternal grandparents\u003c/p\u003e\n","\u003cp\u003eMy Parents were living in Richmond Va. when I was matriculated.\u003c/p\u003e\n","\u003cp\u003eMy Grandparents and great grandparents, are on my father's side buried in Philadelphia \u0026amp; on my mother's side in Richmond Va.\u003c/p\u003e\n","\u003cp\u003eI was born in Richmond Va. Oct. 28, 1844.\u003c/p\u003e\n","\u003cp\u003eEntered the V.M.I. the second year of the War and when back to reform the Corps, and graduated in the first class after the War. I gathered up in Lexington all the books and paintings I could find that had been dispersed by Hunter's Raid and reorganized the debating society, and gave the pictures later to the Letcher family and others, to whom they belonged. I was orderly sergeant of Company on the Intermediate lines below Richmond.\u003c/p\u003e\n","\u003cp\u003eI was never a student at any institution before going to the V.M.I. But matriculated later and studied anatomy at the Richmond Medical College at night and from my 12th year on, kept books for my grandparents, and spent any spare hours in drawing \u0026amp; painting \u0026amp; modelling, never having a teacher of any kind, and it was then I modelled my Father's Bust which is still considered a good likeness.\u003c/p\u003e\n","\u003cp\u003eI have I see given my War record first. But must add that I was slightly wounded in the Battle of New Market. But as the ball passed through my jacket and only grazed my breast, I took no notice of it. I was arrested and put in Castle Thunder in Richmond after the surrender, because I refused to take the oath of allegiance. About this time I wrote a letter which was published in all of the leading American papers, in which I denounced General Grant, comparing him to the worst Czars of Russia- for his famous or rather infamous Order No. 11, in which he prohibited any Jew in the U.S. Army having any concern in the Quarter Master's department. I do not now remember any more of it, than that I gathered the statistics \u0026amp; published them proving that the abuses in that department had not been done by Jews at all- and called upon all men in the United States of that persuasion or religion to vote for any man for the next President rather than for General Grant.\u003c/p\u003e\n","\u003cp\u003eThe General replied to my letter in the papers by deploring that he had ever published that Order No. 11 which he said he had given out upon information which be found out later was false. Meanwhile a secret carpet bag or political Yankee Committee in Richmond, sent me a letter saying that my life would be in danger if I stayed in Richmond after writing and publishing such a letter about General Grant their Hero: \u0026amp; this letter was forwarded to me, to Amelia County, at the Home of Mr. Garland Jefferson, the father of my dead comrade, where I had gone to carry the lock of hair of the dead boy to his mother. So I immediately on the receipt of that letter of intimidation jumped on to the first freight train that passed Amelia Courthouse \u0026amp; returned to Richmond. I went about my own affairs during the days, but coming home at night and passing 17th Street the concealed Ruffians fired at me from their concealment in the old market \u0026amp; let loose a shower of stones which smashed a number of windows, but left me unharmed. I reported at once to the Police Station in the bell house. But none of the gang were found \u0026amp; a second letter advising me to leave town came. But I took no notice of it, and so it all ended. As my Parents house had been rifled by the mob at the evacuation, and my Fathers store rooms of cotton and tobacco burned up, with the loss of an entire fortune of at least ¼ of million dollars, I staid at home, \u0026amp; with my youngest brother helped as well as we could to begin a little business and earn enough to live upon in a slender way, \u0026amp; when my father had again been able to start into a new business, I went West, and staid in Cincinnati a year, working for the first time in the studio of Mr. Jones (in 1868), a sculptor of some merit and well known there.\u003c/p\u003e\n","\u003cp\u003eI then modelled my first statuette of \"Industry\", which was exhibited there, and the favorable criticism in the papers encouraged me penniless as I was to go abroad. I sold a breast pin I owned- which enabled me to travel second class to Berlin (in 1869) where I matriculated at the Royal Academy and passed the examination. In order to continue my studies I gave lessons in English in the mornings early- and drawing lessons at night, and spent the rest of the time at the academy, where I was elected by my Colleagues president of the Art Students league at the Academy. I also worked in the studio of Prof. [Siemernig] \u0026amp; then of Prof. Wolff and often worked In the open air or buildings in Berlin then in construction modelling heads and carytids and ornaments in order to earn an extra dollar. No one ever knew that I needed anything and I led a happy life all the same, and the Bohemian life of the student was mine also, to the fullest extent. I modelled then the ¾ life sized figure of Virginia Mourning her Dead and sent Mrs. General Lee a photo of it, as I was always in correspondence with that estimable wife of our Great Hero.\u003c/p\u003e\n","\u003cp\u003eThat statue I have always kept and it is now in my studio here, and is the model of the statue my brother cadets were good enough to unveil at the parade ground of our Alma Mater last year.\u003c/p\u003e\n","\u003cp\u003eMy finally gaining the Prix de Rome at the academy- and my being honored for my art works by the Duke of Saxe-Meiningen and the German Emperor and the Medal from the Art Society in Rome, my various works in America, England, France, Germany, Switzerland, and Russia are not subjects for my writing about: I have with all this the sincere regret that I have never been called upon in my own home Virginia, nor in the South, to execute a single work of art- excepting the one for my own comrades which links me forever with the Alma Mater, the V.M.I., where every stone, and every blade of grass is dear to me- and the name of Cadet of the V.M.I. the proudest and most honored title I can ever possess.\u003c/p\u003e\n","\u003cp\u003eOf course my comrade I am writing this as a letter to you \u0026amp; not one for publication. You can glean from it any particulars you may choose for your Biography, of which I shall want several copies, besides I do want to contribute my mite to the picture of General Scott Shipp, and am surprised that I was not asked to do so as an Alumnus.\u003c/p\u003e\n","\u003cp\u003eThere never was any one I admired more than I did our then Col. Shipp, and when in the battle of New Market, his horse was wounded and he was down, I could not help running to him, to ask if he was hurt \u0026amp; when he said \"no, go ahead\" I left him. Randolph too was shot when we were shoulder to shoulder. He had just said smiling, there's no use dodging boys, if a ball's going to hit you, it'll hit you anyway! When he fell, I thought he was dead. But I found him at night in the hospital.\u003c/p\u003e\n","\u003cp\u003eAnd now let me tell you that it has been a real grief to me not to have been able to join either last year or this year in the Corps Ceremonies which were of such deep interest to me. But I am under contract to finish a monument this fall \u0026amp; place it in Fairmount Park Philadelphia \u0026amp; I have several other works to finish and deliver and I could not come home until I could bring the monument and place it in position. These are hard facts, and have interfered with what would have been nearest to my own heart. But you will now understand it all.\u003c/p\u003e\n","\u003cp\u003eYour kind letter has been waiting a long time to be answered, and it only seems a few weeks to me, as my life here is so full and every day brings me visitors from home or elsewhere, and so many duties, that for a couple of months I have absolutely had to neglect pen and ink nolens volens so I throw myself upon your kind indulgence, and with the most sincere and affectionate greetings\u003c/p\u003e\n","\u003cp\u003eI am always your comrade and friend\u003cbr\u003e\nMoses J. Ezekiel\u003c/p\u003e\n","\u003cp\u003e18 Piazza Termini\u003cbr\u003e\nBaths of Diocletian\u003cbr\u003e\nRome\u003c/p\u003e"],"odd_heading_ssm":["Transcription"],"odd_tesim":["Rome July 23, 1904 \nMy dear Comrade and Friend. \nIn auld lang syne. \nI have again been prevented (by the retarded coming to Rome, of those who were to see my colossal statue of Mr. Drexel in clay before casting it in Bronze) from joining my old Cadet comrades in answering the last roll call and receiving the medal; which if still given to me, I should value above any earthly possession. After the Battle of New Market was over and we who survived answered the roll call on the field, I was in search of the wounded and found my room mate and comrade Thomas Jefferson lying on the floor of a hut quite exhausted and wounded in the breast. It was night and I was without shoes, as I had been all day and I went to the town of New Market and got a wagon and carried him to the house of Mrs. Clinedinst who gave me a bed for him on the ground floor- She had two daughters Anne and Lydie. It was Sunday night late when I got him into bed and from that time up to Tuesday night at about 11 o'clock I never left many cadets found both food and shelter was extremely kind to us all, and gave me every possible help for my friend. I always hoped to save Jefferson and that last evening when he asked me to read from St. John \"In my Father's house are many mansions\" \u0026 then began to wander in mind and thought I was his mother \u0026 then his sister \u0026 finally asked me to make a light, it was only then it dawned upon me that all hope was past and in his agony- as our gallant color bearer Evans was there with me I went up to call the family of Clinedinst (who had been as kind as it was possible for people to be all through those sad days) and they came down with candles in their hands whilst I had Jefferson in my arms, and he died. I washed and prepared him for burial and carried his mother a lock of his hair after we returned to Richmond.","As you want me to give you a kind of record of myself and according to the prospectus you sent I take pleasure in doing so. My parents were Jacob Ezekiel and Catherine de Castro\nMy grandparents Jacob de Castro \u0026 Hannah Pepper- Maternal and Michael Ezekiel  and Rebekah Israel - Paternal grandparents","My Parents were living in Richmond Va. when I was matriculated.","My Grandparents and great grandparents, are on my father's side buried in Philadelphia \u0026 on my mother's side in Richmond Va.","I was born in Richmond Va. Oct. 28, 1844.","Entered the V.M.I. the second year of the War and when back to reform the Corps, and graduated in the first class after the War. I gathered up in Lexington all the books and paintings I could find that had been dispersed by Hunter's Raid and reorganized the debating society, and gave the pictures later to the Letcher family and others, to whom they belonged. I was orderly sergeant of Company on the Intermediate lines below Richmond.","I was never a student at any institution before going to the V.M.I. But matriculated later and studied anatomy at the Richmond Medical College at night and from my 12th year on, kept books for my grandparents, and spent any spare hours in drawing \u0026 painting \u0026 modelling, never having a teacher of any kind, and it was then I modelled my Father's Bust which is still considered a good likeness.","I have I see given my War record first. But must add that I was slightly wounded in the Battle of New Market. But as the ball passed through my jacket and only grazed my breast, I took no notice of it. I was arrested and put in Castle Thunder in Richmond after the surrender, because I refused to take the oath of allegiance. About this time I wrote a letter which was published in all of the leading American papers, in which I denounced General Grant, comparing him to the worst Czars of Russia- for his famous or rather infamous Order No. 11, in which he prohibited any Jew in the U.S. Army having any concern in the Quarter Master's department. I do not now remember any more of it, than that I gathered the statistics \u0026 published them proving that the abuses in that department had not been done by Jews at all- and called upon all men in the United States of that persuasion or religion to vote for any man for the next President rather than for General Grant.","The General replied to my letter in the papers by deploring that he had ever published that Order No. 11 which he said he had given out upon information which be found out later was false. Meanwhile a secret carpet bag or political Yankee Committee in Richmond, sent me a letter saying that my life would be in danger if I stayed in Richmond after writing and publishing such a letter about General Grant their Hero: \u0026 this letter was forwarded to me, to Amelia County, at the Home of Mr. Garland Jefferson, the father of my dead comrade, where I had gone to carry the lock of hair of the dead boy to his mother. So I immediately on the receipt of that letter of intimidation jumped on to the first freight train that passed Amelia Courthouse \u0026 returned to Richmond. I went about my own affairs during the days, but coming home at night and passing 17th Street the concealed Ruffians fired at me from their concealment in the old market \u0026 let loose a shower of stones which smashed a number of windows, but left me unharmed. I reported at once to the Police Station in the bell house. But none of the gang were found \u0026 a second letter advising me to leave town came. But I took no notice of it, and so it all ended. As my Parents house had been rifled by the mob at the evacuation, and my Fathers store rooms of cotton and tobacco burned up, with the loss of an entire fortune of at least ¼ of million dollars, I staid at home, \u0026 with my youngest brother helped as well as we could to begin a little business and earn enough to live upon in a slender way, \u0026 when my father had again been able to start into a new business, I went West, and staid in Cincinnati a year, working for the first time in the studio of Mr. Jones (in 1868), a sculptor of some merit and well known there.","I then modelled my first statuette of \"Industry\", which was exhibited there, and the favorable criticism in the papers encouraged me penniless as I was to go abroad. I sold a breast pin I owned- which enabled me to travel second class to Berlin (in 1869) where I matriculated at the Royal Academy and passed the examination. In order to continue my studies I gave lessons in English in the mornings early- and drawing lessons at night, and spent the rest of the time at the academy, where I was elected by my Colleagues president of the Art Students league at the Academy. I also worked in the studio of Prof. [Siemernig] \u0026 then of Prof. Wolff and often worked In the open air or buildings in Berlin then in construction modelling heads and carytids and ornaments in order to earn an extra dollar. No one ever knew that I needed anything and I led a happy life all the same, and the Bohemian life of the student was mine also, to the fullest extent. I modelled then the ¾ life sized figure of Virginia Mourning her Dead and sent Mrs. General Lee a photo of it, as I was always in correspondence with that estimable wife of our Great Hero.","That statue I have always kept and it is now in my studio here, and is the model of the statue my brother cadets were good enough to unveil at the parade ground of our Alma Mater last year.","My finally gaining the Prix de Rome at the academy- and my being honored for my art works by the Duke of Saxe-Meiningen and the German Emperor and the Medal from the Art Society in Rome, my various works in America, England, France, Germany, Switzerland, and Russia are not subjects for my writing about: I have with all this the sincere regret that I have never been called upon in my own home Virginia, nor in the South, to execute a single work of art- excepting the one for my own comrades which links me forever with the Alma Mater, the V.M.I., where every stone, and every blade of grass is dear to me- and the name of Cadet of the V.M.I. the proudest and most honored title I can ever possess.","Of course my comrade I am writing this as a letter to you \u0026 not one for publication. You can glean from it any particulars you may choose for your Biography, of which I shall want several copies, besides I do want to contribute my mite to the picture of General Scott Shipp, and am surprised that I was not asked to do so as an Alumnus.","There never was any one I admired more than I did our then Col. Shipp, and when in the battle of New Market, his horse was wounded and he was down, I could not help running to him, to ask if he was hurt \u0026 when he said \"no, go ahead\" I left him. Randolph too was shot when we were shoulder to shoulder. He had just said smiling, there's no use dodging boys, if a ball's going to hit you, it'll hit you anyway! When he fell, I thought he was dead. But I found him at night in the hospital.","And now let me tell you that it has been a real grief to me not to have been able to join either last year or this year in the Corps Ceremonies which were of such deep interest to me. But I am under contract to finish a monument this fall \u0026 place it in Fairmount Park Philadelphia \u0026 I have several other works to finish and deliver and I could not come home until I could bring the monument and place it in position. These are hard facts, and have interfered with what would have been nearest to my own heart. But you will now understand it all.","Your kind letter has been waiting a long time to be answered, and it only seems a few weeks to me, as my life here is so full and every day brings me visitors from home or elsewhere, and so many duties, that for a couple of months I have absolutely had to neglect pen and ink nolens volens so I throw myself upon your kind indulgence, and with the most sincere and affectionate greetings","I am always your comrade and friend \nMoses J. Ezekiel","18 Piazza Termini \nBaths of Diocletian \nRome"],"prefercite_html_tesm":["\u003cp\u003eMoses J. Ezekiel papers, 1867-1917. MS 0010. VMI Archives, Virginia Military Institute, Lexington, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Moses J. Ezekiel papers, 1867-1917. MS 0010. VMI Archives, Virginia Military Institute, Lexington, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eThe VMI Archives also holds a \u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll7/id/3746\"\u003ecollection of photographs\u003c/a\u003e related to Ezekiel. Included are images of Ezekiel, his studio in Rome, Italy, and various examples of his sculptures.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The VMI Archives also holds a  collection of photographs  related to Ezekiel. Included are images of Ezekiel, his studio in Rome, Italy, and various examples of his sculptures."],"scopecontent_html_tesm":["\u003cp\u003eThe Moses J. Ezekiel papers consist of the papers of noted 19th century sculptor Moses J. Ezekiel, including:\n\u003cul\u003e\n\u003cli\u003eCorrespondence to VMI superintendent Edward W. Nichols and others (dated 1867-1917), some relating to the design of the Battle of New Market memorial sculpture Virginia Mourning Her Dead\u003c/li\u003e\n\u003cli\u003ePen and ink sketches by Ezekiel (approximately 67 items)\u003c/li\u003e\n\u003cli\u003eA typescript version of Ezekiel's autobiography\u003c/li\u003e\n\u003cli\u003eMemoirs from the Baths of Diocletian\u003c/li\u003e\n\u003cli\u003ePrint material\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eIncludes letters to General Edward W. Nichols and Greenlee Letcher concerning Virginia Mourning Her Dead (New Market Monument) and the Stonewall Jackson statue at VMI. Also includes postcards sent primarily to family members, including Henry C. Ezekiel and Rebecca Ezekiel.\u003c/p\u003e","\u003cp\u003eAutobiographical letter from Moses J. Ezekiel to VMI historian Joseph R. Anderson, Jr. In the letter, Ezekiel recounts his experience as a VMI cadet at the Battle of New Market on May 15, 1864 and his post-VMI career through July 1904. He discusses caring for his classmate Thomas G. Jefferson, who was mortally wounded in the Battle and expresses regret for missing VMI reunion at which New Market Medals were issued to veterans.\u003c/p\u003e","\u003cp\u003eDrawing of the bronze statue of Anthony J. Drexel, the Philadelphia financier and the founder of Drexel University. The monument was commissioned by Drexel's partner, John H. Harjes of Paris, France and donated to the city of Philadelphia, Pennsylvania.\u003c/p\u003e","\u003cp\u003eDrawing of Anton Alexander von Werner (1843-1915), a German historical painter known for painting scenes from the Franco Prussian War.\u003c/p\u003e","\u003cp\u003eDrawing of Benjamin B. Hotchkiss (1826-1885), a leading American gunmaker and ordnance engineer. Moses J. Ezekiel molded a bust of Hotchkiss in clay and cast it in bronze in 1879.\u003c/p\u003e","\u003cp\u003eA drawing of Bacchante, a classical figure from Greek and  Roman mythology that is priestess or female votary of Bacchus.\u003c/p\u003e","\u003cp\u003eA drawing of Jesus Christ, based on the bronze torso.\u003c/p\u003e","\u003cp\u003eDetail from marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.\u003c/p\u003e","\u003cp\u003eDrawing of the marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.\u003c/p\u003e","\u003cp\u003eDrawing of the Confederate Memorial monument in Arlington National Cemetery, Virginia.\u003c/p\u003e","\u003cp\u003eDrawing shows the frieze that comprises part of the Confederate Memorial monument in Arlington National Cemetery, Virginia.\u003c/p\u003e","\u003cp\u003eDrawing of the main figure of the Confederate Memorial monument in Arlington National Cemetery, Virginia.\u003c/p\u003e","\u003cp\u003eDrawing of Eva Cattermole (1849-1896), known as \"Contessa Lara\" who was an Italian poet, writer, and friend of Moses J. Ezekiel.\u003c/p\u003e","\u003cp\u003eA drawing of Daniel Collin, a German publisher whom Moses J. Ezekiel became friends with in Berlin, Germany.\u003c/p\u003e","\u003cp\u003eA sketch of a clay model of proposed David G. Farragut monument. Moses J. Ezekiel created a model to enter in a competition in 1873, but his work was not chosen.\u003c/p\u003e","\u003cp\u003eDrawing of Edith Lack, from Plymouth, England. She was the youngest daughter of a family that Moses J. Ezekiel met while traveling to Rome, Italy in 1874.\u003c/p\u003e","\u003cp\u003eDrawing of Fanny Lewald, a German novelist and champion of women's rights.\u003c/p\u003e","\u003cp\u003eDrawing of Fedor Encke, one of Moses J. Ezekiel's classmates at the Berlin Academy.\u003c/p\u003e","\u003cp\u003eDrawing of Francis H. Smith who was VMI superintendent from 1839 to 1889. Moses J. Ezekiel knew him during his own cadetship.\u003c/p\u003e","\u003cp\u003eDrawing of George Washington Custis Lee. Lee taught at VMI immediately after the Civil War and after the death in 1870 of his father, Robert E. Lee, who was President of Washington and Lee University, Lexington, Virginia.\u003c/p\u003e","\u003cp\u003eA drawing of Gustav Adolf, Cardinal Prince of Hohenlohe-Schillingsfürst (1823-1896).\u003c/p\u003e","\u003cp\u003eDrawing of guests inside Moses J. Ezekiel's studio.\u003c/p\u003e","\u003cp\u003eDrawing of Israel, a bas relief, which was Moses J. Ezekiel's first significant work.\u003c/p\u003e","\u003cp\u003eThis drawing is of the bust of Jacob Ezekiel, Moses J. Ezekiel's father.\u003c/p\u003e","\u003cp\u003eJennie McGraw Fiske was a member of a prominent family who provided significant philanthropic support to Cornell University, New York. In 1904 the University commissioned Moses J. Ezekiel to produce this recumbent statue and it was completed in June 1907.\u003c/p\u003e","\u003cp\u003eDrawing of John H. Harjes, a German born financier. Moses J. Ezekiel, a friend of the family, cast this bronze bust in 1881.\u003c/p\u003e","\u003cp\u003eDrawing of Judas Maccabees, a Jewish military leader who was victorious in 165 B.C.\u003c/p\u003e","\u003cp\u003eThe Robert Gamble Cabell family of Richmond, Virginia were childhood friends of Moses J. Ezekiel. Two Cabell brothers attended VMI and both fought in the Battle of New Market with Ezekiel. William Cabell was one of the cadets killed in the battle.\u003c/p\u003e","\u003cp\u003eDrawing of Lola Montez, a British born dancer and mistress of King Ludwig I of Bavaria. She settled in New York and appeared on stage in the United States. Moses J. Ezekiel saw a performance in Richmond, Virginia sometime before 1861.\u003c/p\u003e","\u003cp\u003eDrawing of Nadine Helbig, a Russian born author who married Wofgang Helbig.\u003c/p\u003e","\u003cp\u003eDrawing of Mammy Keziah, an Ezekiel family slave.\u003c/p\u003e","\u003cp\u003eDrawing of Mammy Keziah, an Ezekiel family slave.\u003c/p\u003e","\u003cp\u003eDrawing of Mammy Mary, a slave owned by the Ezekiel family during Moses J. Ezekiel's childhood. He refers to her in his memoirs as \"my mammy Mary.\"\u003c/p\u003e","\u003cp\u003eDrawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.\u003c/p\u003e","\u003cp\u003eDrawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.\u003c/p\u003e","\u003cp\u003eDrawing of a crypt monument at Sage Chapel, Cornell University, New York.\u003c/p\u003e","\u003cp\u003eDrawing of Mary Triplett of Richmond, Virginia. She was one of the \"belles\" of the city, along with Lizzy Cabell. She was the sister of Moses J. Ezekiel's fellow VMI cadet, John R. Triplett.\u003c/p\u003e","\u003cp\u003eA drawing of a member of a German family with whom Moses J. Ezekiel was acquainted.\u003c/p\u003e","\u003cp\u003eDrawing of Adolfo de Bosis and his wife. He was an Italian poet and lawyer who translated Shelley into Italian and edited the Review Il Convito.\u003c/p\u003e","\u003cp\u003eDrawing of the wife of German publisher Daniel Collin.\u003c/p\u003e","\u003cp\u003eDrawing of Nannie Whitmell Tunstall, the sister of John L. Tunstall, who attended VMI with Moses J. Ezekiel. In 1886, Ezekiel created a 16 by 21 inch marble intaglio bas-relief of Tunstall, made during her visit to Rome, Italy. The piece is owned by VMI.\u003c/p\u003e","\u003cp\u003eDrawing of the Neptune statue Moses J. Ezekiel created for a fountain in Nettuno, Italy. The statue was destroyed during World War II.\u003c/p\u003e","\u003cp\u003eDrawing of Otto von Bismarck, a Prussian statesman.\u003c/p\u003e","\u003cp\u003eDrawing is likely of a slave in the Ezekiel household in Richmond, Virginia.  No further information is known at this time.\u003c/p\u003e","\u003cp\u003eDrawing of Pan and Amor bas relief.\u003c/p\u003e","\u003cp\u003eDrawing of Moses J. Ezekiel's proposed Robert E. Lee monument for a competition in 1886. Another sculptor's work was chosen and Ezekiel's concept was never executed.\u003c/p\u003e","\u003cp\u003eDrawing of Robert Hausmann, a German cellist.\u003c/p\u003e","\u003cp\u003eDrawing of Scott Shipp, VMI Class of 1859, who served as commandant and later as VMI's second superintendent. He was commandant during Moses J. Ezekiel's cadetship and was in command at the Battle of New Market.\u003c/p\u003e","\u003cp\u003eDrawing of the Southern monument, which was one of the first monuments in the north dedicated to the Confederate soldier. It was commissioned by the Cincinnati, Ohio chapter of the United Daughters of the Confederacy.\u003c/p\u003e","\u003cp\u003eThis drawing is based on the photo of Stonewall Jackson known as the Chancellorsville photograph.\u003c/p\u003e","\u003cp\u003eA drawing of the entrance to Moses J. Ezekiel's studio, Baths of Diocletian, Rome.\u003c/p\u003e","\u003cp\u003eDrawing of cadet Thomas G. Jefferson who was mortally wounded at the Battle of New Market on May 15, 1864.\u003c/p\u003e","\u003cp\u003eDrawing of \"White Lucy,\" who was a slave in Richmond, Virginia during Moses J. Ezekiel's childhood. When her owner threatened sale, Jacob Ezekiel intervened and she was given the job of seamstress in the Ezekiel home. The family later rented a house for her, and she made a living as a washerwoman and seamstress. She died circa 1866. Her surname does not appear in Ezekiel's memoirs.\u003c/p\u003e","\u003cp\u003eThis memorial publication was sent from Moses J. Ezekiel to VMI Superintendent Scott Shipp. The publication is annotated by Shipp.\u003c/p\u003e","\u003cp\u003ePhotograph of Robert E. Lee and of Lee's Farewell Address. This photograph was given to Moses J. Ezekiel by Mrs. Robert E. Lee.\u003c/p\u003e","\u003cp\u003eEzekiel family scrapbook possibly compiled by H. C. Ezekiel. The scrapbook contains documents, most pertaining to various members of the Ezekiel family. Many documents are from the Civil War era, 1863-1865.\u003c/p\u003e","\u003cp\u003eTypescript titled \"Memoirs from the Baths of Diocletian.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Moses J. Ezekiel papers consist of the papers of noted 19th century sculptor Moses J. Ezekiel, including:\n Correspondence to VMI superintendent Edward W. Nichols and others (dated 1867-1917), some relating to the design of the Battle of New Market memorial sculpture Virginia Mourning Her Dead Pen and ink sketches by Ezekiel (approximately 67 items) A typescript version of Ezekiel's autobiography Memoirs from the Baths of Diocletian Print material","Includes letters to General Edward W. Nichols and Greenlee Letcher concerning Virginia Mourning Her Dead (New Market Monument) and the Stonewall Jackson statue at VMI. Also includes postcards sent primarily to family members, including Henry C. Ezekiel and Rebecca Ezekiel.","Autobiographical letter from Moses J. Ezekiel to VMI historian Joseph R. Anderson, Jr. In the letter, Ezekiel recounts his experience as a VMI cadet at the Battle of New Market on May 15, 1864 and his post-VMI career through July 1904. He discusses caring for his classmate Thomas G. Jefferson, who was mortally wounded in the Battle and expresses regret for missing VMI reunion at which New Market Medals were issued to veterans.","Drawing of the bronze statue of Anthony J. Drexel, the Philadelphia financier and the founder of Drexel University. The monument was commissioned by Drexel's partner, John H. Harjes of Paris, France and donated to the city of Philadelphia, Pennsylvania.","Drawing of Anton Alexander von Werner (1843-1915), a German historical painter known for painting scenes from the Franco Prussian War.","Drawing of Benjamin B. Hotchkiss (1826-1885), a leading American gunmaker and ordnance engineer. Moses J. Ezekiel molded a bust of Hotchkiss in clay and cast it in bronze in 1879.","A drawing of Bacchante, a classical figure from Greek and  Roman mythology that is priestess or female votary of Bacchus.","A drawing of Jesus Christ, based on the bronze torso.","Detail from marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.","Drawing of the marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.","Drawing of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing shows the frieze that comprises part of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing of the main figure of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing of Eva Cattermole (1849-1896), known as \"Contessa Lara\" who was an Italian poet, writer, and friend of Moses J. Ezekiel.","A drawing of Daniel Collin, a German publisher whom Moses J. Ezekiel became friends with in Berlin, Germany.","A sketch of a clay model of proposed David G. Farragut monument. Moses J. Ezekiel created a model to enter in a competition in 1873, but his work was not chosen.","Drawing of Edith Lack, from Plymouth, England. She was the youngest daughter of a family that Moses J. Ezekiel met while traveling to Rome, Italy in 1874.","Drawing of Fanny Lewald, a German novelist and champion of women's rights.","Drawing of Fedor Encke, one of Moses J. Ezekiel's classmates at the Berlin Academy.","Drawing of Francis H. Smith who was VMI superintendent from 1839 to 1889. Moses J. Ezekiel knew him during his own cadetship.","Drawing of George Washington Custis Lee. Lee taught at VMI immediately after the Civil War and after the death in 1870 of his father, Robert E. Lee, who was President of Washington and Lee University, Lexington, Virginia.","A drawing of Gustav Adolf, Cardinal Prince of Hohenlohe-Schillingsfürst (1823-1896).","Drawing of guests inside Moses J. Ezekiel's studio.","Drawing of Israel, a bas relief, which was Moses J. Ezekiel's first significant work.","This drawing is of the bust of Jacob Ezekiel, Moses J. Ezekiel's father.","Jennie McGraw Fiske was a member of a prominent family who provided significant philanthropic support to Cornell University, New York. In 1904 the University commissioned Moses J. Ezekiel to produce this recumbent statue and it was completed in June 1907.","Drawing of John H. Harjes, a German born financier. Moses J. Ezekiel, a friend of the family, cast this bronze bust in 1881.","Drawing of Judas Maccabees, a Jewish military leader who was victorious in 165 B.C.","The Robert Gamble Cabell family of Richmond, Virginia were childhood friends of Moses J. Ezekiel. Two Cabell brothers attended VMI and both fought in the Battle of New Market with Ezekiel. William Cabell was one of the cadets killed in the battle.","Drawing of Lola Montez, a British born dancer and mistress of King Ludwig I of Bavaria. She settled in New York and appeared on stage in the United States. Moses J. Ezekiel saw a performance in Richmond, Virginia sometime before 1861.","Drawing of Nadine Helbig, a Russian born author who married Wofgang Helbig.","Drawing of Mammy Keziah, an Ezekiel family slave.","Drawing of Mammy Keziah, an Ezekiel family slave.","Drawing of Mammy Mary, a slave owned by the Ezekiel family during Moses J. Ezekiel's childhood. He refers to her in his memoirs as \"my mammy Mary.\"","Drawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.","Drawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.","Drawing of a crypt monument at Sage Chapel, Cornell University, New York.","Drawing of Mary Triplett of Richmond, Virginia. She was one of the \"belles\" of the city, along with Lizzy Cabell. She was the sister of Moses J. Ezekiel's fellow VMI cadet, John R. Triplett.","A drawing of a member of a German family with whom Moses J. Ezekiel was acquainted.","Drawing of Adolfo de Bosis and his wife. He was an Italian poet and lawyer who translated Shelley into Italian and edited the Review Il Convito.","Drawing of the wife of German publisher Daniel Collin.","Drawing of Nannie Whitmell Tunstall, the sister of John L. Tunstall, who attended VMI with Moses J. Ezekiel. In 1886, Ezekiel created a 16 by 21 inch marble intaglio bas-relief of Tunstall, made during her visit to Rome, Italy. The piece is owned by VMI.","Drawing of the Neptune statue Moses J. Ezekiel created for a fountain in Nettuno, Italy. The statue was destroyed during World War II.","Drawing of Otto von Bismarck, a Prussian statesman.","Drawing is likely of a slave in the Ezekiel household in Richmond, Virginia.  No further information is known at this time.","Drawing of Pan and Amor bas relief.","Drawing of Moses J. Ezekiel's proposed Robert E. Lee monument for a competition in 1886. Another sculptor's work was chosen and Ezekiel's concept was never executed.","Drawing of Robert Hausmann, a German cellist.","Drawing of Scott Shipp, VMI Class of 1859, who served as commandant and later as VMI's second superintendent. He was commandant during Moses J. Ezekiel's cadetship and was in command at the Battle of New Market.","Drawing of the Southern monument, which was one of the first monuments in the north dedicated to the Confederate soldier. It was commissioned by the Cincinnati, Ohio chapter of the United Daughters of the Confederacy.","This drawing is based on the photo of Stonewall Jackson known as the Chancellorsville photograph.","A drawing of the entrance to Moses J. Ezekiel's studio, Baths of Diocletian, Rome.","Drawing of cadet Thomas G. Jefferson who was mortally wounded at the Battle of New Market on May 15, 1864.","Drawing of \"White Lucy,\" who was a slave in Richmond, Virginia during Moses J. Ezekiel's childhood. When her owner threatened sale, Jacob Ezekiel intervened and she was given the job of seamstress in the Ezekiel home. The family later rented a house for her, and she made a living as a washerwoman and seamstress. She died circa 1866. Her surname does not appear in Ezekiel's memoirs.","This memorial publication was sent from Moses J. Ezekiel to VMI Superintendent Scott Shipp. The publication is annotated by Shipp.","Photograph of Robert E. Lee and of Lee's Farewell Address. This photograph was given to Moses J. Ezekiel by Mrs. Robert E. Lee.","Ezekiel family scrapbook possibly compiled by H. C. Ezekiel. The scrapbook contains documents, most pertaining to various members of the Ezekiel family. Many documents are from the Civil War era, 1863-1865.","Typescript titled \"Memoirs from the Baths of Diocletian.\""],"userestrict_html_tesm":["\u003cp\u003eManuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_94afa6f1fee03d75868e399d1499d701\"\u003eManuscripts stacks\u003c/physloc\u003e"],"physloc_tesim":["Manuscripts stacks"],"names_ssim":["Virginia Military Institute Archives","Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927","Jefferson, Thomas G. (Thomas Garland), 1847-1864","Anderson, Joseph R., Jr. (Joseph Reid), 1851-1930","Drexel, Anthony Joseph, 1826-1893","Werner, Anton von, 1843-1915","Hotchkiss, Benjamin B., 1826-1885","Christ, Jesus, circa 6-4 B.C.E.-circa 30 C.E.","Lara, Contessa, 1849-1896","Lewald, Fanny, 1811-1889","Encke, Fedor, 1851-1936","Smith, Francis H. (Francis Henney), 1812-1890","Lee, George Washington Custis, 1832-1913","Ezekiel, Jacob, 1812-1899","Montez, Lola, 1818-1861","Helbig, Nadine, 1847-1915","Lee, Mary Custis, 1835-1918","White, Mary Outwater, 1836-1887","de Bosis, Adolfo, 1863-1924","Tunstall, Nannie Whitmell","Bismarck, Otto von, 1815-1898","Lee, Robert E. (Robert Edward), 1807-1870","Hausmann, Robert, 1852-1909","Shipp, Scott, 1839-1917","Jackson, Stonewall, 1824-1863"],"corpname_ssim":["Virginia Military Institute Archives"],"persname_ssim":["Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927","Jefferson, Thomas G. (Thomas Garland), 1847-1864","Anderson, Joseph R., Jr. (Joseph Reid), 1851-1930","Drexel, Anthony Joseph, 1826-1893","Werner, Anton von, 1843-1915","Hotchkiss, Benjamin B., 1826-1885","Christ, Jesus, circa 6-4 B.C.E.-circa 30 C.E.","Lara, Contessa, 1849-1896","Lewald, Fanny, 1811-1889","Encke, Fedor, 1851-1936","Smith, Francis H. (Francis Henney), 1812-1890","Lee, George Washington Custis, 1832-1913","Ezekiel, Jacob, 1812-1899","Montez, Lola, 1818-1861","Helbig, Nadine, 1847-1915","Lee, Mary Custis, 1835-1918","White, Mary Outwater, 1836-1887","de Bosis, Adolfo, 1863-1924","Tunstall, Nannie Whitmell","Bismarck, Otto von, 1815-1898","Lee, Robert E. (Robert Edward), 1807-1870","Hausmann, Robert, 1852-1909","Shipp, Scott, 1839-1917","Jackson, Stonewall, 1824-1863"],"language_ssim":["English"],"total_component_count_is":73,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:13:02.393Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_94","ead_ssi":"vilxv_repositories_3_resources_94","_root_":"vilxv_repositories_3_resources_94","_nest_parent_":"vilxv_repositories_3_resources_94","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_94.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vmi/vilxv00043.xml","title_ssm":["Moses J. Ezekiel papers"],"title_tesim":["Moses J. Ezekiel papers"],"unitdate_ssm":["1867-1917"],"unitdate_inclusive_ssm":["1867-1917"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.0010","/repositories/3/resources/94"],"text":["MS.0010","/repositories/3/resources/94","Moses J. Ezekiel papers","Sculptors—Virginia","Sculptors—Rome (Italy)","New Market Cadets","Virginia Military Institute—Buildings, structures, etc.","Virginia Military Institute—Class of 1866","Artists","Drawings (visual works)","The Moses J. Ezekiel papers digital collection","There are no restrictions","Chronological","Moses Jacob Ezekiel, the noted 19th century American Jewish sculptor, was born in Richmond, Virginia on October 28, 1844. One of 14 children of Jacob Ezekiel and Catherine de Castro, he had already started a mercantile career when he decided to attend college. Ezekiel entered VMI in September 1862, and during his VMI cadetship, took part in the Battle of New Market (May 15, 1864) and served in the trenches in defense of Richmond in the Spring of 1865.","Ezekiel graduated from VMI in 1866, and in 1867 began seriously to pursue his interest in art. He studied anatomy at the Medical College of Virginia and traveled to Cincinnati, Ohio where he studied at the Art School of J. Insco Williams and in the studio of T.D. Jones. In 1867 he sailed for Europe and entered the Royal Academy of Art in Berlin, Germany.","At the age of 29, Ezekiel won the prestigious Michel-Beer Prix de Rome for a bas relief entitled Israel. The prize money enabled him to travel to Rome, Italy where he established a studio and lived for the remainder of his life. Ezekiel executed nearly two hundred monuments in bronze and marble. Among his productions were the following:\n Busts of Lizst, Cardinal Hohenlohe, Eve, Homer, David, Judith, and Christ in the Tomb A statue of Mrs. Andrew W. White for Cornell University Madonna for the Church La Tivoli Faith for the Cemetery of Rome Apollo and Mercury in Berlin Robert E. Lee Stonewall Jackson Pan and Amor The Fountain of Neptune for the city of Netturno, Italy A bust of Lord Sherbrooke for St. Margaret, Westminister, London The Jefferson Monument for Louisville, Kentucky The Homer Group for the University of Virginia Virginia Mourning Her Dead for VMI Napoleon I at St. Helena A monument to Senator Daniel, Lynchburg, Virginia The Confederate Soldiers' Memorial at Arlington National Cemetery, Virginia Scores of other busts and reliefs \nEzekiel died in Italy on March 27, 1917, but because of World War I, his body was not returned to the United States until 1921. He is buried at the foot of the Confederate Memorial in Section 16 of Arlington National Cemetery, Virginia).","Rome July 23, 1904 \nMy dear Comrade and Friend. \nIn auld lang syne. \nI have again been prevented (by the retarded coming to Rome, of those who were to see my colossal statue of Mr. Drexel in clay before casting it in Bronze) from joining my old Cadet comrades in answering the last roll call and receiving the medal; which if still given to me, I should value above any earthly possession. After the Battle of New Market was over and we who survived answered the roll call on the field, I was in search of the wounded and found my room mate and comrade Thomas Jefferson lying on the floor of a hut quite exhausted and wounded in the breast. It was night and I was without shoes, as I had been all day and I went to the town of New Market and got a wagon and carried him to the house of Mrs. Clinedinst who gave me a bed for him on the ground floor- She had two daughters Anne and Lydie. It was Sunday night late when I got him into bed and from that time up to Tuesday night at about 11 o'clock I never left many cadets found both food and shelter was extremely kind to us all, and gave me every possible help for my friend. I always hoped to save Jefferson and that last evening when he asked me to read from St. John \"In my Father's house are many mansions\" \u0026 then began to wander in mind and thought I was his mother \u0026 then his sister \u0026 finally asked me to make a light, it was only then it dawned upon me that all hope was past and in his agony- as our gallant color bearer Evans was there with me I went up to call the family of Clinedinst (who had been as kind as it was possible for people to be all through those sad days) and they came down with candles in their hands whilst I had Jefferson in my arms, and he died. I washed and prepared him for burial and carried his mother a lock of his hair after we returned to Richmond.","As you want me to give you a kind of record of myself and according to the prospectus you sent I take pleasure in doing so. My parents were Jacob Ezekiel and Catherine de Castro\nMy grandparents Jacob de Castro \u0026 Hannah Pepper- Maternal and Michael Ezekiel  and Rebekah Israel - Paternal grandparents","My Parents were living in Richmond Va. when I was matriculated.","My Grandparents and great grandparents, are on my father's side buried in Philadelphia \u0026 on my mother's side in Richmond Va.","I was born in Richmond Va. Oct. 28, 1844.","Entered the V.M.I. the second year of the War and when back to reform the Corps, and graduated in the first class after the War. I gathered up in Lexington all the books and paintings I could find that had been dispersed by Hunter's Raid and reorganized the debating society, and gave the pictures later to the Letcher family and others, to whom they belonged. I was orderly sergeant of Company on the Intermediate lines below Richmond.","I was never a student at any institution before going to the V.M.I. But matriculated later and studied anatomy at the Richmond Medical College at night and from my 12th year on, kept books for my grandparents, and spent any spare hours in drawing \u0026 painting \u0026 modelling, never having a teacher of any kind, and it was then I modelled my Father's Bust which is still considered a good likeness.","I have I see given my War record first. But must add that I was slightly wounded in the Battle of New Market. But as the ball passed through my jacket and only grazed my breast, I took no notice of it. I was arrested and put in Castle Thunder in Richmond after the surrender, because I refused to take the oath of allegiance. About this time I wrote a letter which was published in all of the leading American papers, in which I denounced General Grant, comparing him to the worst Czars of Russia- for his famous or rather infamous Order No. 11, in which he prohibited any Jew in the U.S. Army having any concern in the Quarter Master's department. I do not now remember any more of it, than that I gathered the statistics \u0026 published them proving that the abuses in that department had not been done by Jews at all- and called upon all men in the United States of that persuasion or religion to vote for any man for the next President rather than for General Grant.","The General replied to my letter in the papers by deploring that he had ever published that Order No. 11 which he said he had given out upon information which be found out later was false. Meanwhile a secret carpet bag or political Yankee Committee in Richmond, sent me a letter saying that my life would be in danger if I stayed in Richmond after writing and publishing such a letter about General Grant their Hero: \u0026 this letter was forwarded to me, to Amelia County, at the Home of Mr. Garland Jefferson, the father of my dead comrade, where I had gone to carry the lock of hair of the dead boy to his mother. So I immediately on the receipt of that letter of intimidation jumped on to the first freight train that passed Amelia Courthouse \u0026 returned to Richmond. I went about my own affairs during the days, but coming home at night and passing 17th Street the concealed Ruffians fired at me from their concealment in the old market \u0026 let loose a shower of stones which smashed a number of windows, but left me unharmed. I reported at once to the Police Station in the bell house. But none of the gang were found \u0026 a second letter advising me to leave town came. But I took no notice of it, and so it all ended. As my Parents house had been rifled by the mob at the evacuation, and my Fathers store rooms of cotton and tobacco burned up, with the loss of an entire fortune of at least ¼ of million dollars, I staid at home, \u0026 with my youngest brother helped as well as we could to begin a little business and earn enough to live upon in a slender way, \u0026 when my father had again been able to start into a new business, I went West, and staid in Cincinnati a year, working for the first time in the studio of Mr. Jones (in 1868), a sculptor of some merit and well known there.","I then modelled my first statuette of \"Industry\", which was exhibited there, and the favorable criticism in the papers encouraged me penniless as I was to go abroad. I sold a breast pin I owned- which enabled me to travel second class to Berlin (in 1869) where I matriculated at the Royal Academy and passed the examination. In order to continue my studies I gave lessons in English in the mornings early- and drawing lessons at night, and spent the rest of the time at the academy, where I was elected by my Colleagues president of the Art Students league at the Academy. I also worked in the studio of Prof. [Siemernig] \u0026 then of Prof. Wolff and often worked In the open air or buildings in Berlin then in construction modelling heads and carytids and ornaments in order to earn an extra dollar. No one ever knew that I needed anything and I led a happy life all the same, and the Bohemian life of the student was mine also, to the fullest extent. I modelled then the ¾ life sized figure of Virginia Mourning her Dead and sent Mrs. General Lee a photo of it, as I was always in correspondence with that estimable wife of our Great Hero.","That statue I have always kept and it is now in my studio here, and is the model of the statue my brother cadets were good enough to unveil at the parade ground of our Alma Mater last year.","My finally gaining the Prix de Rome at the academy- and my being honored for my art works by the Duke of Saxe-Meiningen and the German Emperor and the Medal from the Art Society in Rome, my various works in America, England, France, Germany, Switzerland, and Russia are not subjects for my writing about: I have with all this the sincere regret that I have never been called upon in my own home Virginia, nor in the South, to execute a single work of art- excepting the one for my own comrades which links me forever with the Alma Mater, the V.M.I., where every stone, and every blade of grass is dear to me- and the name of Cadet of the V.M.I. the proudest and most honored title I can ever possess.","Of course my comrade I am writing this as a letter to you \u0026 not one for publication. You can glean from it any particulars you may choose for your Biography, of which I shall want several copies, besides I do want to contribute my mite to the picture of General Scott Shipp, and am surprised that I was not asked to do so as an Alumnus.","There never was any one I admired more than I did our then Col. Shipp, and when in the battle of New Market, his horse was wounded and he was down, I could not help running to him, to ask if he was hurt \u0026 when he said \"no, go ahead\" I left him. Randolph too was shot when we were shoulder to shoulder. He had just said smiling, there's no use dodging boys, if a ball's going to hit you, it'll hit you anyway! When he fell, I thought he was dead. But I found him at night in the hospital.","And now let me tell you that it has been a real grief to me not to have been able to join either last year or this year in the Corps Ceremonies which were of such deep interest to me. But I am under contract to finish a monument this fall \u0026 place it in Fairmount Park Philadelphia \u0026 I have several other works to finish and deliver and I could not come home until I could bring the monument and place it in position. These are hard facts, and have interfered with what would have been nearest to my own heart. But you will now understand it all.","Your kind letter has been waiting a long time to be answered, and it only seems a few weeks to me, as my life here is so full and every day brings me visitors from home or elsewhere, and so many duties, that for a couple of months I have absolutely had to neglect pen and ink nolens volens so I throw myself upon your kind indulgence, and with the most sincere and affectionate greetings","I am always your comrade and friend \nMoses J. Ezekiel","18 Piazza Termini \nBaths of Diocletian \nRome","The VMI Archives also holds a  collection of photographs  related to Ezekiel. Included are images of Ezekiel, his studio in Rome, Italy, and various examples of his sculptures.","The Moses J. Ezekiel papers consist of the papers of noted 19th century sculptor Moses J. Ezekiel, including:\n Correspondence to VMI superintendent Edward W. Nichols and others (dated 1867-1917), some relating to the design of the Battle of New Market memorial sculpture Virginia Mourning Her Dead Pen and ink sketches by Ezekiel (approximately 67 items) A typescript version of Ezekiel's autobiography Memoirs from the Baths of Diocletian Print material","Includes letters to General Edward W. Nichols and Greenlee Letcher concerning Virginia Mourning Her Dead (New Market Monument) and the Stonewall Jackson statue at VMI. Also includes postcards sent primarily to family members, including Henry C. Ezekiel and Rebecca Ezekiel.","Autobiographical letter from Moses J. Ezekiel to VMI historian Joseph R. Anderson, Jr. In the letter, Ezekiel recounts his experience as a VMI cadet at the Battle of New Market on May 15, 1864 and his post-VMI career through July 1904. He discusses caring for his classmate Thomas G. Jefferson, who was mortally wounded in the Battle and expresses regret for missing VMI reunion at which New Market Medals were issued to veterans.","Drawing of the bronze statue of Anthony J. Drexel, the Philadelphia financier and the founder of Drexel University. The monument was commissioned by Drexel's partner, John H. Harjes of Paris, France and donated to the city of Philadelphia, Pennsylvania.","Drawing of Anton Alexander von Werner (1843-1915), a German historical painter known for painting scenes from the Franco Prussian War.","Drawing of Benjamin B. Hotchkiss (1826-1885), a leading American gunmaker and ordnance engineer. Moses J. Ezekiel molded a bust of Hotchkiss in clay and cast it in bronze in 1879.","A drawing of Bacchante, a classical figure from Greek and  Roman mythology that is priestess or female votary of Bacchus.","A drawing of Jesus Christ, based on the bronze torso.","Detail from marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.","Drawing of the marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.","Drawing of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing shows the frieze that comprises part of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing of the main figure of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing of Eva Cattermole (1849-1896), known as \"Contessa Lara\" who was an Italian poet, writer, and friend of Moses J. Ezekiel.","A drawing of Daniel Collin, a German publisher whom Moses J. Ezekiel became friends with in Berlin, Germany.","A sketch of a clay model of proposed David G. Farragut monument. Moses J. Ezekiel created a model to enter in a competition in 1873, but his work was not chosen.","Drawing of Edith Lack, from Plymouth, England. She was the youngest daughter of a family that Moses J. Ezekiel met while traveling to Rome, Italy in 1874.","Drawing of Fanny Lewald, a German novelist and champion of women's rights.","Drawing of Fedor Encke, one of Moses J. Ezekiel's classmates at the Berlin Academy.","Drawing of Francis H. Smith who was VMI superintendent from 1839 to 1889. Moses J. Ezekiel knew him during his own cadetship.","Drawing of George Washington Custis Lee. Lee taught at VMI immediately after the Civil War and after the death in 1870 of his father, Robert E. Lee, who was President of Washington and Lee University, Lexington, Virginia.","A drawing of Gustav Adolf, Cardinal Prince of Hohenlohe-Schillingsfürst (1823-1896).","Drawing of guests inside Moses J. Ezekiel's studio.","Drawing of Israel, a bas relief, which was Moses J. Ezekiel's first significant work.","This drawing is of the bust of Jacob Ezekiel, Moses J. Ezekiel's father.","Jennie McGraw Fiske was a member of a prominent family who provided significant philanthropic support to Cornell University, New York. In 1904 the University commissioned Moses J. Ezekiel to produce this recumbent statue and it was completed in June 1907.","Drawing of John H. Harjes, a German born financier. Moses J. Ezekiel, a friend of the family, cast this bronze bust in 1881.","Drawing of Judas Maccabees, a Jewish military leader who was victorious in 165 B.C.","The Robert Gamble Cabell family of Richmond, Virginia were childhood friends of Moses J. Ezekiel. Two Cabell brothers attended VMI and both fought in the Battle of New Market with Ezekiel. William Cabell was one of the cadets killed in the battle.","Drawing of Lola Montez, a British born dancer and mistress of King Ludwig I of Bavaria. She settled in New York and appeared on stage in the United States. Moses J. Ezekiel saw a performance in Richmond, Virginia sometime before 1861.","Drawing of Nadine Helbig, a Russian born author who married Wofgang Helbig.","Drawing of Mammy Keziah, an Ezekiel family slave.","Drawing of Mammy Keziah, an Ezekiel family slave.","Drawing of Mammy Mary, a slave owned by the Ezekiel family during Moses J. Ezekiel's childhood. He refers to her in his memoirs as \"my mammy Mary.\"","Drawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.","Drawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.","Drawing of a crypt monument at Sage Chapel, Cornell University, New York.","Drawing of Mary Triplett of Richmond, Virginia. She was one of the \"belles\" of the city, along with Lizzy Cabell. She was the sister of Moses J. Ezekiel's fellow VMI cadet, John R. Triplett.","A drawing of a member of a German family with whom Moses J. Ezekiel was acquainted.","Drawing of Adolfo de Bosis and his wife. He was an Italian poet and lawyer who translated Shelley into Italian and edited the Review Il Convito.","Drawing of the wife of German publisher Daniel Collin.","Drawing of Nannie Whitmell Tunstall, the sister of John L. Tunstall, who attended VMI with Moses J. Ezekiel. In 1886, Ezekiel created a 16 by 21 inch marble intaglio bas-relief of Tunstall, made during her visit to Rome, Italy. The piece is owned by VMI.","Drawing of the Neptune statue Moses J. Ezekiel created for a fountain in Nettuno, Italy. The statue was destroyed during World War II.","Drawing of Otto von Bismarck, a Prussian statesman.","Drawing is likely of a slave in the Ezekiel household in Richmond, Virginia.  No further information is known at this time.","Drawing of Pan and Amor bas relief.","Drawing of Moses J. Ezekiel's proposed Robert E. Lee monument for a competition in 1886. Another sculptor's work was chosen and Ezekiel's concept was never executed.","Drawing of Robert Hausmann, a German cellist.","Drawing of Scott Shipp, VMI Class of 1859, who served as commandant and later as VMI's second superintendent. He was commandant during Moses J. Ezekiel's cadetship and was in command at the Battle of New Market.","Drawing of the Southern monument, which was one of the first monuments in the north dedicated to the Confederate soldier. It was commissioned by the Cincinnati, Ohio chapter of the United Daughters of the Confederacy.","This drawing is based on the photo of Stonewall Jackson known as the Chancellorsville photograph.","A drawing of the entrance to Moses J. Ezekiel's studio, Baths of Diocletian, Rome.","Drawing of cadet Thomas G. Jefferson who was mortally wounded at the Battle of New Market on May 15, 1864.","Drawing of \"White Lucy,\" who was a slave in Richmond, Virginia during Moses J. Ezekiel's childhood. When her owner threatened sale, Jacob Ezekiel intervened and she was given the job of seamstress in the Ezekiel home. The family later rented a house for her, and she made a living as a washerwoman and seamstress. She died circa 1866. Her surname does not appear in Ezekiel's memoirs.","This memorial publication was sent from Moses J. Ezekiel to VMI Superintendent Scott Shipp. The publication is annotated by Shipp.","Photograph of Robert E. Lee and of Lee's Farewell Address. This photograph was given to Moses J. Ezekiel by Mrs. Robert E. Lee.","Ezekiel family scrapbook possibly compiled by H. C. Ezekiel. The scrapbook contains documents, most pertaining to various members of the Ezekiel family. Many documents are from the Civil War era, 1863-1865.","Typescript titled \"Memoirs from the Baths of Diocletian.\"","Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Manuscripts stacks","Virginia Military Institute Archives","Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927","Jefferson, Thomas G. (Thomas Garland), 1847-1864","Anderson, Joseph R., Jr. (Joseph Reid), 1851-1930","Drexel, Anthony Joseph, 1826-1893","Werner, Anton von, 1843-1915","Hotchkiss, Benjamin B., 1826-1885","Christ, Jesus, circa 6-4 B.C.E.-circa 30 C.E.","Lara, Contessa, 1849-1896","Lewald, Fanny, 1811-1889","Encke, Fedor, 1851-1936","Smith, Francis H. (Francis Henney), 1812-1890","Lee, George Washington Custis, 1832-1913","Ezekiel, Jacob, 1812-1899","Montez, Lola, 1818-1861","Helbig, Nadine, 1847-1915","Lee, Mary Custis, 1835-1918","White, Mary Outwater, 1836-1887","de Bosis, Adolfo, 1863-1924","Tunstall, Nannie Whitmell","Bismarck, Otto von, 1815-1898","Lee, Robert E. (Robert Edward), 1807-1870","Hausmann, Robert, 1852-1909","Shipp, Scott, 1839-1917","Jackson, Stonewall, 1824-1863","English"],"unitid_tesim":["MS.0010","/repositories/3/resources/94"],"normalized_title_ssm":["Moses J. Ezekiel papers"],"collection_title_tesim":["Moses J. Ezekiel papers"],"collection_ssim":["Moses J. Ezekiel papers"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927"],"creator_ssim":["Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927"],"creator_persname_ssim":["Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927"],"creators_ssim":["Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927"],"access_terms_ssm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Sculptors—Virginia","Sculptors—Rome (Italy)","New Market Cadets","Virginia Military Institute—Buildings, structures, etc.","Virginia Military Institute—Class of 1866","Artists","Drawings (visual works)"],"access_subjects_ssm":["Sculptors—Virginia","Sculptors—Rome (Italy)","New Market Cadets","Virginia Military Institute—Buildings, structures, etc.","Virginia Military Institute—Class of 1866","Artists","Drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["1 cubic feet 2 boxes"],"extent_tesim":["1 cubic feet 2 boxes"],"genreform_ssim":["Drawings (visual works)"],"date_range_isim":[1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917],"accessrestrict_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/landingpage/collection/p15821coll18\"\u003eThe Moses J. Ezekiel papers digital collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eThere are no restrictions\u003c/p\u003e"],"accessrestrict_heading_ssm":["Online Access","Conditions Governing Access"],"accessrestrict_tesim":["The Moses J. Ezekiel papers digital collection","There are no restrictions"],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Chronological"],"bioghist_html_tesm":["\u003cp\u003eMoses Jacob Ezekiel, the noted 19th century American Jewish sculptor, was born in Richmond, Virginia on October 28, 1844. One of 14 children of Jacob Ezekiel and Catherine de Castro, he had already started a mercantile career when he decided to attend college. Ezekiel entered VMI in September 1862, and during his VMI cadetship, took part in the Battle of New Market (May 15, 1864) and served in the trenches in defense of Richmond in the Spring of 1865.\u003c/p\u003e\n","\u003cp\u003eEzekiel graduated from VMI in 1866, and in 1867 began seriously to pursue his interest in art. He studied anatomy at the Medical College of Virginia and traveled to Cincinnati, Ohio where he studied at the Art School of J. Insco Williams and in the studio of T.D. Jones. In 1867 he sailed for Europe and entered the Royal Academy of Art in Berlin, Germany.\u003c/p\u003e\n","\u003cp\u003eAt the age of 29, Ezekiel won the prestigious Michel-Beer Prix de Rome for a bas relief entitled Israel. The prize money enabled him to travel to Rome, Italy where he established a studio and lived for the remainder of his life. Ezekiel executed nearly two hundred monuments in bronze and marble. Among his productions were the following:\n\u003cul\u003e\n\u003cli\u003eBusts of Lizst, Cardinal Hohenlohe, Eve, Homer, David, Judith, and Christ in the Tomb\u003c/li\u003e\n\u003cli\u003eA statue of Mrs. Andrew W. White for Cornell University\u003c/li\u003e\n\u003cli\u003eMadonna for the Church La Tivoli\u003c/li\u003e\n\u003cli\u003eFaith for the Cemetery of Rome\u003c/li\u003e\n\u003cli\u003eApollo and Mercury in Berlin\u003c/li\u003e\n\u003cli\u003eRobert E. Lee\u003c/li\u003e\n\u003cli\u003eStonewall Jackson\u003c/li\u003e\n\u003cli\u003ePan and Amor\u003c/li\u003e\n\u003cli\u003eThe Fountain of Neptune for the city of Netturno, Italy\u003c/li\u003e\n\u003cli\u003eA bust of Lord Sherbrooke for St. Margaret, Westminister, London\u003c/li\u003e\n\u003cli\u003eThe Jefferson Monument for Louisville, Kentucky\u003c/li\u003e\n\u003cli\u003eThe Homer Group for the University of Virginia\u003c/li\u003e\n\u003cli\u003eVirginia Mourning Her Dead for VMI\u003c/li\u003e\n\u003cli\u003eNapoleon I at St. Helena\u003c/li\u003e\n\u003cli\u003eA monument to Senator Daniel, Lynchburg, Virginia\u003c/li\u003e\n\u003cli\u003eThe Confederate Soldiers' Memorial at Arlington National Cemetery, Virginia\u003c/li\u003e\n\u003cli\u003eScores of other busts and reliefs\u003c/li\u003e\n\u003c/ul\u003e\nEzekiel died in Italy on March 27, 1917, but because of World War I, his body was not returned to the United States until 1921. He is buried at the foot of the Confederate Memorial in Section 16 of Arlington National Cemetery, Virginia).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Moses Jacob Ezekiel, the noted 19th century American Jewish sculptor, was born in Richmond, Virginia on October 28, 1844. One of 14 children of Jacob Ezekiel and Catherine de Castro, he had already started a mercantile career when he decided to attend college. Ezekiel entered VMI in September 1862, and during his VMI cadetship, took part in the Battle of New Market (May 15, 1864) and served in the trenches in defense of Richmond in the Spring of 1865.","Ezekiel graduated from VMI in 1866, and in 1867 began seriously to pursue his interest in art. He studied anatomy at the Medical College of Virginia and traveled to Cincinnati, Ohio where he studied at the Art School of J. Insco Williams and in the studio of T.D. Jones. In 1867 he sailed for Europe and entered the Royal Academy of Art in Berlin, Germany.","At the age of 29, Ezekiel won the prestigious Michel-Beer Prix de Rome for a bas relief entitled Israel. The prize money enabled him to travel to Rome, Italy where he established a studio and lived for the remainder of his life. Ezekiel executed nearly two hundred monuments in bronze and marble. Among his productions were the following:\n Busts of Lizst, Cardinal Hohenlohe, Eve, Homer, David, Judith, and Christ in the Tomb A statue of Mrs. Andrew W. White for Cornell University Madonna for the Church La Tivoli Faith for the Cemetery of Rome Apollo and Mercury in Berlin Robert E. Lee Stonewall Jackson Pan and Amor The Fountain of Neptune for the city of Netturno, Italy A bust of Lord Sherbrooke for St. Margaret, Westminister, London The Jefferson Monument for Louisville, Kentucky The Homer Group for the University of Virginia Virginia Mourning Her Dead for VMI Napoleon I at St. Helena A monument to Senator Daniel, Lynchburg, Virginia The Confederate Soldiers' Memorial at Arlington National Cemetery, Virginia Scores of other busts and reliefs \nEzekiel died in Italy on March 27, 1917, but because of World War I, his body was not returned to the United States until 1921. He is buried at the foot of the Confederate Memorial in Section 16 of Arlington National Cemetery, Virginia)."],"odd_html_tesm":["\u003cp\u003eRome July 23, 1904\u003cbr\u003e\nMy dear Comrade and Friend.\u003cbr\u003e\nIn auld lang syne.\u003cbr\u003e\nI have again been prevented (by the retarded coming to Rome, of those who were to see my colossal statue of Mr. Drexel in clay before casting it in Bronze) from joining my old Cadet comrades in answering the last roll call and receiving the medal; which if still given to me, I should value above any earthly possession. After the Battle of New Market was over and we who survived answered the roll call on the field, I was in search of the wounded and found my room mate and comrade Thomas Jefferson lying on the floor of a hut quite exhausted and wounded in the breast. It was night and I was without shoes, as I had been all day and I went to the town of New Market and got a wagon and carried him to the house of Mrs. Clinedinst who gave me a bed for him on the ground floor- She had two daughters Anne and Lydie. It was Sunday night late when I got him into bed and from that time up to Tuesday night at about 11 o'clock I never left many cadets found both food and shelter was extremely kind to us all, and gave me every possible help for my friend. I always hoped to save Jefferson and that last evening when he asked me to read from St. John \"In my Father's house are many mansions\" \u0026amp; then began to wander in mind and thought I was his mother \u0026amp; then his sister \u0026amp; finally asked me to make a light, it was only then it dawned upon me that all hope was past and in his agony- as our gallant color bearer Evans was there with me I went up to call the family of Clinedinst (who had been as kind as it was possible for people to be all through those sad days) and they came down with candles in their hands whilst I had Jefferson in my arms, and he died. I washed and prepared him for burial and carried his mother a lock of his hair after we returned to Richmond.\u003c/p\u003e\n","\u003cp\u003eAs you want me to give you a kind of record of myself and according to the prospectus you sent I take pleasure in doing so. My parents were Jacob Ezekiel and Catherine de Castro\nMy grandparents Jacob de Castro \u0026amp; Hannah Pepper- Maternal and Michael Ezekiel  and Rebekah Israel - Paternal grandparents\u003c/p\u003e\n","\u003cp\u003eMy Parents were living in Richmond Va. when I was matriculated.\u003c/p\u003e\n","\u003cp\u003eMy Grandparents and great grandparents, are on my father's side buried in Philadelphia \u0026amp; on my mother's side in Richmond Va.\u003c/p\u003e\n","\u003cp\u003eI was born in Richmond Va. Oct. 28, 1844.\u003c/p\u003e\n","\u003cp\u003eEntered the V.M.I. the second year of the War and when back to reform the Corps, and graduated in the first class after the War. I gathered up in Lexington all the books and paintings I could find that had been dispersed by Hunter's Raid and reorganized the debating society, and gave the pictures later to the Letcher family and others, to whom they belonged. I was orderly sergeant of Company on the Intermediate lines below Richmond.\u003c/p\u003e\n","\u003cp\u003eI was never a student at any institution before going to the V.M.I. But matriculated later and studied anatomy at the Richmond Medical College at night and from my 12th year on, kept books for my grandparents, and spent any spare hours in drawing \u0026amp; painting \u0026amp; modelling, never having a teacher of any kind, and it was then I modelled my Father's Bust which is still considered a good likeness.\u003c/p\u003e\n","\u003cp\u003eI have I see given my War record first. But must add that I was slightly wounded in the Battle of New Market. But as the ball passed through my jacket and only grazed my breast, I took no notice of it. I was arrested and put in Castle Thunder in Richmond after the surrender, because I refused to take the oath of allegiance. About this time I wrote a letter which was published in all of the leading American papers, in which I denounced General Grant, comparing him to the worst Czars of Russia- for his famous or rather infamous Order No. 11, in which he prohibited any Jew in the U.S. Army having any concern in the Quarter Master's department. I do not now remember any more of it, than that I gathered the statistics \u0026amp; published them proving that the abuses in that department had not been done by Jews at all- and called upon all men in the United States of that persuasion or religion to vote for any man for the next President rather than for General Grant.\u003c/p\u003e\n","\u003cp\u003eThe General replied to my letter in the papers by deploring that he had ever published that Order No. 11 which he said he had given out upon information which be found out later was false. Meanwhile a secret carpet bag or political Yankee Committee in Richmond, sent me a letter saying that my life would be in danger if I stayed in Richmond after writing and publishing such a letter about General Grant their Hero: \u0026amp; this letter was forwarded to me, to Amelia County, at the Home of Mr. Garland Jefferson, the father of my dead comrade, where I had gone to carry the lock of hair of the dead boy to his mother. So I immediately on the receipt of that letter of intimidation jumped on to the first freight train that passed Amelia Courthouse \u0026amp; returned to Richmond. I went about my own affairs during the days, but coming home at night and passing 17th Street the concealed Ruffians fired at me from their concealment in the old market \u0026amp; let loose a shower of stones which smashed a number of windows, but left me unharmed. I reported at once to the Police Station in the bell house. But none of the gang were found \u0026amp; a second letter advising me to leave town came. But I took no notice of it, and so it all ended. As my Parents house had been rifled by the mob at the evacuation, and my Fathers store rooms of cotton and tobacco burned up, with the loss of an entire fortune of at least ¼ of million dollars, I staid at home, \u0026amp; with my youngest brother helped as well as we could to begin a little business and earn enough to live upon in a slender way, \u0026amp; when my father had again been able to start into a new business, I went West, and staid in Cincinnati a year, working for the first time in the studio of Mr. Jones (in 1868), a sculptor of some merit and well known there.\u003c/p\u003e\n","\u003cp\u003eI then modelled my first statuette of \"Industry\", which was exhibited there, and the favorable criticism in the papers encouraged me penniless as I was to go abroad. I sold a breast pin I owned- which enabled me to travel second class to Berlin (in 1869) where I matriculated at the Royal Academy and passed the examination. In order to continue my studies I gave lessons in English in the mornings early- and drawing lessons at night, and spent the rest of the time at the academy, where I was elected by my Colleagues president of the Art Students league at the Academy. I also worked in the studio of Prof. [Siemernig] \u0026amp; then of Prof. Wolff and often worked In the open air or buildings in Berlin then in construction modelling heads and carytids and ornaments in order to earn an extra dollar. No one ever knew that I needed anything and I led a happy life all the same, and the Bohemian life of the student was mine also, to the fullest extent. I modelled then the ¾ life sized figure of Virginia Mourning her Dead and sent Mrs. General Lee a photo of it, as I was always in correspondence with that estimable wife of our Great Hero.\u003c/p\u003e\n","\u003cp\u003eThat statue I have always kept and it is now in my studio here, and is the model of the statue my brother cadets were good enough to unveil at the parade ground of our Alma Mater last year.\u003c/p\u003e\n","\u003cp\u003eMy finally gaining the Prix de Rome at the academy- and my being honored for my art works by the Duke of Saxe-Meiningen and the German Emperor and the Medal from the Art Society in Rome, my various works in America, England, France, Germany, Switzerland, and Russia are not subjects for my writing about: I have with all this the sincere regret that I have never been called upon in my own home Virginia, nor in the South, to execute a single work of art- excepting the one for my own comrades which links me forever with the Alma Mater, the V.M.I., where every stone, and every blade of grass is dear to me- and the name of Cadet of the V.M.I. the proudest and most honored title I can ever possess.\u003c/p\u003e\n","\u003cp\u003eOf course my comrade I am writing this as a letter to you \u0026amp; not one for publication. You can glean from it any particulars you may choose for your Biography, of which I shall want several copies, besides I do want to contribute my mite to the picture of General Scott Shipp, and am surprised that I was not asked to do so as an Alumnus.\u003c/p\u003e\n","\u003cp\u003eThere never was any one I admired more than I did our then Col. Shipp, and when in the battle of New Market, his horse was wounded and he was down, I could not help running to him, to ask if he was hurt \u0026amp; when he said \"no, go ahead\" I left him. Randolph too was shot when we were shoulder to shoulder. He had just said smiling, there's no use dodging boys, if a ball's going to hit you, it'll hit you anyway! When he fell, I thought he was dead. But I found him at night in the hospital.\u003c/p\u003e\n","\u003cp\u003eAnd now let me tell you that it has been a real grief to me not to have been able to join either last year or this year in the Corps Ceremonies which were of such deep interest to me. But I am under contract to finish a monument this fall \u0026amp; place it in Fairmount Park Philadelphia \u0026amp; I have several other works to finish and deliver and I could not come home until I could bring the monument and place it in position. These are hard facts, and have interfered with what would have been nearest to my own heart. But you will now understand it all.\u003c/p\u003e\n","\u003cp\u003eYour kind letter has been waiting a long time to be answered, and it only seems a few weeks to me, as my life here is so full and every day brings me visitors from home or elsewhere, and so many duties, that for a couple of months I have absolutely had to neglect pen and ink nolens volens so I throw myself upon your kind indulgence, and with the most sincere and affectionate greetings\u003c/p\u003e\n","\u003cp\u003eI am always your comrade and friend\u003cbr\u003e\nMoses J. Ezekiel\u003c/p\u003e\n","\u003cp\u003e18 Piazza Termini\u003cbr\u003e\nBaths of Diocletian\u003cbr\u003e\nRome\u003c/p\u003e"],"odd_heading_ssm":["Transcription"],"odd_tesim":["Rome July 23, 1904 \nMy dear Comrade and Friend. \nIn auld lang syne. \nI have again been prevented (by the retarded coming to Rome, of those who were to see my colossal statue of Mr. Drexel in clay before casting it in Bronze) from joining my old Cadet comrades in answering the last roll call and receiving the medal; which if still given to me, I should value above any earthly possession. After the Battle of New Market was over and we who survived answered the roll call on the field, I was in search of the wounded and found my room mate and comrade Thomas Jefferson lying on the floor of a hut quite exhausted and wounded in the breast. It was night and I was without shoes, as I had been all day and I went to the town of New Market and got a wagon and carried him to the house of Mrs. Clinedinst who gave me a bed for him on the ground floor- She had two daughters Anne and Lydie. It was Sunday night late when I got him into bed and from that time up to Tuesday night at about 11 o'clock I never left many cadets found both food and shelter was extremely kind to us all, and gave me every possible help for my friend. I always hoped to save Jefferson and that last evening when he asked me to read from St. John \"In my Father's house are many mansions\" \u0026 then began to wander in mind and thought I was his mother \u0026 then his sister \u0026 finally asked me to make a light, it was only then it dawned upon me that all hope was past and in his agony- as our gallant color bearer Evans was there with me I went up to call the family of Clinedinst (who had been as kind as it was possible for people to be all through those sad days) and they came down with candles in their hands whilst I had Jefferson in my arms, and he died. I washed and prepared him for burial and carried his mother a lock of his hair after we returned to Richmond.","As you want me to give you a kind of record of myself and according to the prospectus you sent I take pleasure in doing so. My parents were Jacob Ezekiel and Catherine de Castro\nMy grandparents Jacob de Castro \u0026 Hannah Pepper- Maternal and Michael Ezekiel  and Rebekah Israel - Paternal grandparents","My Parents were living in Richmond Va. when I was matriculated.","My Grandparents and great grandparents, are on my father's side buried in Philadelphia \u0026 on my mother's side in Richmond Va.","I was born in Richmond Va. Oct. 28, 1844.","Entered the V.M.I. the second year of the War and when back to reform the Corps, and graduated in the first class after the War. I gathered up in Lexington all the books and paintings I could find that had been dispersed by Hunter's Raid and reorganized the debating society, and gave the pictures later to the Letcher family and others, to whom they belonged. I was orderly sergeant of Company on the Intermediate lines below Richmond.","I was never a student at any institution before going to the V.M.I. But matriculated later and studied anatomy at the Richmond Medical College at night and from my 12th year on, kept books for my grandparents, and spent any spare hours in drawing \u0026 painting \u0026 modelling, never having a teacher of any kind, and it was then I modelled my Father's Bust which is still considered a good likeness.","I have I see given my War record first. But must add that I was slightly wounded in the Battle of New Market. But as the ball passed through my jacket and only grazed my breast, I took no notice of it. I was arrested and put in Castle Thunder in Richmond after the surrender, because I refused to take the oath of allegiance. About this time I wrote a letter which was published in all of the leading American papers, in which I denounced General Grant, comparing him to the worst Czars of Russia- for his famous or rather infamous Order No. 11, in which he prohibited any Jew in the U.S. Army having any concern in the Quarter Master's department. I do not now remember any more of it, than that I gathered the statistics \u0026 published them proving that the abuses in that department had not been done by Jews at all- and called upon all men in the United States of that persuasion or religion to vote for any man for the next President rather than for General Grant.","The General replied to my letter in the papers by deploring that he had ever published that Order No. 11 which he said he had given out upon information which be found out later was false. Meanwhile a secret carpet bag or political Yankee Committee in Richmond, sent me a letter saying that my life would be in danger if I stayed in Richmond after writing and publishing such a letter about General Grant their Hero: \u0026 this letter was forwarded to me, to Amelia County, at the Home of Mr. Garland Jefferson, the father of my dead comrade, where I had gone to carry the lock of hair of the dead boy to his mother. So I immediately on the receipt of that letter of intimidation jumped on to the first freight train that passed Amelia Courthouse \u0026 returned to Richmond. I went about my own affairs during the days, but coming home at night and passing 17th Street the concealed Ruffians fired at me from their concealment in the old market \u0026 let loose a shower of stones which smashed a number of windows, but left me unharmed. I reported at once to the Police Station in the bell house. But none of the gang were found \u0026 a second letter advising me to leave town came. But I took no notice of it, and so it all ended. As my Parents house had been rifled by the mob at the evacuation, and my Fathers store rooms of cotton and tobacco burned up, with the loss of an entire fortune of at least ¼ of million dollars, I staid at home, \u0026 with my youngest brother helped as well as we could to begin a little business and earn enough to live upon in a slender way, \u0026 when my father had again been able to start into a new business, I went West, and staid in Cincinnati a year, working for the first time in the studio of Mr. Jones (in 1868), a sculptor of some merit and well known there.","I then modelled my first statuette of \"Industry\", which was exhibited there, and the favorable criticism in the papers encouraged me penniless as I was to go abroad. I sold a breast pin I owned- which enabled me to travel second class to Berlin (in 1869) where I matriculated at the Royal Academy and passed the examination. In order to continue my studies I gave lessons in English in the mornings early- and drawing lessons at night, and spent the rest of the time at the academy, where I was elected by my Colleagues president of the Art Students league at the Academy. I also worked in the studio of Prof. [Siemernig] \u0026 then of Prof. Wolff and often worked In the open air or buildings in Berlin then in construction modelling heads and carytids and ornaments in order to earn an extra dollar. No one ever knew that I needed anything and I led a happy life all the same, and the Bohemian life of the student was mine also, to the fullest extent. I modelled then the ¾ life sized figure of Virginia Mourning her Dead and sent Mrs. General Lee a photo of it, as I was always in correspondence with that estimable wife of our Great Hero.","That statue I have always kept and it is now in my studio here, and is the model of the statue my brother cadets were good enough to unveil at the parade ground of our Alma Mater last year.","My finally gaining the Prix de Rome at the academy- and my being honored for my art works by the Duke of Saxe-Meiningen and the German Emperor and the Medal from the Art Society in Rome, my various works in America, England, France, Germany, Switzerland, and Russia are not subjects for my writing about: I have with all this the sincere regret that I have never been called upon in my own home Virginia, nor in the South, to execute a single work of art- excepting the one for my own comrades which links me forever with the Alma Mater, the V.M.I., where every stone, and every blade of grass is dear to me- and the name of Cadet of the V.M.I. the proudest and most honored title I can ever possess.","Of course my comrade I am writing this as a letter to you \u0026 not one for publication. You can glean from it any particulars you may choose for your Biography, of which I shall want several copies, besides I do want to contribute my mite to the picture of General Scott Shipp, and am surprised that I was not asked to do so as an Alumnus.","There never was any one I admired more than I did our then Col. Shipp, and when in the battle of New Market, his horse was wounded and he was down, I could not help running to him, to ask if he was hurt \u0026 when he said \"no, go ahead\" I left him. Randolph too was shot when we were shoulder to shoulder. He had just said smiling, there's no use dodging boys, if a ball's going to hit you, it'll hit you anyway! When he fell, I thought he was dead. But I found him at night in the hospital.","And now let me tell you that it has been a real grief to me not to have been able to join either last year or this year in the Corps Ceremonies which were of such deep interest to me. But I am under contract to finish a monument this fall \u0026 place it in Fairmount Park Philadelphia \u0026 I have several other works to finish and deliver and I could not come home until I could bring the monument and place it in position. These are hard facts, and have interfered with what would have been nearest to my own heart. But you will now understand it all.","Your kind letter has been waiting a long time to be answered, and it only seems a few weeks to me, as my life here is so full and every day brings me visitors from home or elsewhere, and so many duties, that for a couple of months I have absolutely had to neglect pen and ink nolens volens so I throw myself upon your kind indulgence, and with the most sincere and affectionate greetings","I am always your comrade and friend \nMoses J. Ezekiel","18 Piazza Termini \nBaths of Diocletian \nRome"],"prefercite_html_tesm":["\u003cp\u003eMoses J. Ezekiel papers, 1867-1917. MS 0010. VMI Archives, Virginia Military Institute, Lexington, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Moses J. Ezekiel papers, 1867-1917. MS 0010. VMI Archives, Virginia Military Institute, Lexington, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eThe VMI Archives also holds a \u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll7/id/3746\"\u003ecollection of photographs\u003c/a\u003e related to Ezekiel. Included are images of Ezekiel, his studio in Rome, Italy, and various examples of his sculptures.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The VMI Archives also holds a  collection of photographs  related to Ezekiel. Included are images of Ezekiel, his studio in Rome, Italy, and various examples of his sculptures."],"scopecontent_html_tesm":["\u003cp\u003eThe Moses J. Ezekiel papers consist of the papers of noted 19th century sculptor Moses J. Ezekiel, including:\n\u003cul\u003e\n\u003cli\u003eCorrespondence to VMI superintendent Edward W. Nichols and others (dated 1867-1917), some relating to the design of the Battle of New Market memorial sculpture Virginia Mourning Her Dead\u003c/li\u003e\n\u003cli\u003ePen and ink sketches by Ezekiel (approximately 67 items)\u003c/li\u003e\n\u003cli\u003eA typescript version of Ezekiel's autobiography\u003c/li\u003e\n\u003cli\u003eMemoirs from the Baths of Diocletian\u003c/li\u003e\n\u003cli\u003ePrint material\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eIncludes letters to General Edward W. Nichols and Greenlee Letcher concerning Virginia Mourning Her Dead (New Market Monument) and the Stonewall Jackson statue at VMI. Also includes postcards sent primarily to family members, including Henry C. Ezekiel and Rebecca Ezekiel.\u003c/p\u003e","\u003cp\u003eAutobiographical letter from Moses J. Ezekiel to VMI historian Joseph R. Anderson, Jr. In the letter, Ezekiel recounts his experience as a VMI cadet at the Battle of New Market on May 15, 1864 and his post-VMI career through July 1904. He discusses caring for his classmate Thomas G. Jefferson, who was mortally wounded in the Battle and expresses regret for missing VMI reunion at which New Market Medals were issued to veterans.\u003c/p\u003e","\u003cp\u003eDrawing of the bronze statue of Anthony J. Drexel, the Philadelphia financier and the founder of Drexel University. The monument was commissioned by Drexel's partner, John H. Harjes of Paris, France and donated to the city of Philadelphia, Pennsylvania.\u003c/p\u003e","\u003cp\u003eDrawing of Anton Alexander von Werner (1843-1915), a German historical painter known for painting scenes from the Franco Prussian War.\u003c/p\u003e","\u003cp\u003eDrawing of Benjamin B. Hotchkiss (1826-1885), a leading American gunmaker and ordnance engineer. Moses J. Ezekiel molded a bust of Hotchkiss in clay and cast it in bronze in 1879.\u003c/p\u003e","\u003cp\u003eA drawing of Bacchante, a classical figure from Greek and  Roman mythology that is priestess or female votary of Bacchus.\u003c/p\u003e","\u003cp\u003eA drawing of Jesus Christ, based on the bronze torso.\u003c/p\u003e","\u003cp\u003eDetail from marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.\u003c/p\u003e","\u003cp\u003eDrawing of the marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.\u003c/p\u003e","\u003cp\u003eDrawing of the Confederate Memorial monument in Arlington National Cemetery, Virginia.\u003c/p\u003e","\u003cp\u003eDrawing shows the frieze that comprises part of the Confederate Memorial monument in Arlington National Cemetery, Virginia.\u003c/p\u003e","\u003cp\u003eDrawing of the main figure of the Confederate Memorial monument in Arlington National Cemetery, Virginia.\u003c/p\u003e","\u003cp\u003eDrawing of Eva Cattermole (1849-1896), known as \"Contessa Lara\" who was an Italian poet, writer, and friend of Moses J. Ezekiel.\u003c/p\u003e","\u003cp\u003eA drawing of Daniel Collin, a German publisher whom Moses J. Ezekiel became friends with in Berlin, Germany.\u003c/p\u003e","\u003cp\u003eA sketch of a clay model of proposed David G. Farragut monument. Moses J. Ezekiel created a model to enter in a competition in 1873, but his work was not chosen.\u003c/p\u003e","\u003cp\u003eDrawing of Edith Lack, from Plymouth, England. She was the youngest daughter of a family that Moses J. Ezekiel met while traveling to Rome, Italy in 1874.\u003c/p\u003e","\u003cp\u003eDrawing of Fanny Lewald, a German novelist and champion of women's rights.\u003c/p\u003e","\u003cp\u003eDrawing of Fedor Encke, one of Moses J. Ezekiel's classmates at the Berlin Academy.\u003c/p\u003e","\u003cp\u003eDrawing of Francis H. Smith who was VMI superintendent from 1839 to 1889. Moses J. Ezekiel knew him during his own cadetship.\u003c/p\u003e","\u003cp\u003eDrawing of George Washington Custis Lee. Lee taught at VMI immediately after the Civil War and after the death in 1870 of his father, Robert E. Lee, who was President of Washington and Lee University, Lexington, Virginia.\u003c/p\u003e","\u003cp\u003eA drawing of Gustav Adolf, Cardinal Prince of Hohenlohe-Schillingsfürst (1823-1896).\u003c/p\u003e","\u003cp\u003eDrawing of guests inside Moses J. Ezekiel's studio.\u003c/p\u003e","\u003cp\u003eDrawing of Israel, a bas relief, which was Moses J. Ezekiel's first significant work.\u003c/p\u003e","\u003cp\u003eThis drawing is of the bust of Jacob Ezekiel, Moses J. Ezekiel's father.\u003c/p\u003e","\u003cp\u003eJennie McGraw Fiske was a member of a prominent family who provided significant philanthropic support to Cornell University, New York. In 1904 the University commissioned Moses J. Ezekiel to produce this recumbent statue and it was completed in June 1907.\u003c/p\u003e","\u003cp\u003eDrawing of John H. Harjes, a German born financier. Moses J. Ezekiel, a friend of the family, cast this bronze bust in 1881.\u003c/p\u003e","\u003cp\u003eDrawing of Judas Maccabees, a Jewish military leader who was victorious in 165 B.C.\u003c/p\u003e","\u003cp\u003eThe Robert Gamble Cabell family of Richmond, Virginia were childhood friends of Moses J. Ezekiel. Two Cabell brothers attended VMI and both fought in the Battle of New Market with Ezekiel. William Cabell was one of the cadets killed in the battle.\u003c/p\u003e","\u003cp\u003eDrawing of Lola Montez, a British born dancer and mistress of King Ludwig I of Bavaria. She settled in New York and appeared on stage in the United States. Moses J. Ezekiel saw a performance in Richmond, Virginia sometime before 1861.\u003c/p\u003e","\u003cp\u003eDrawing of Nadine Helbig, a Russian born author who married Wofgang Helbig.\u003c/p\u003e","\u003cp\u003eDrawing of Mammy Keziah, an Ezekiel family slave.\u003c/p\u003e","\u003cp\u003eDrawing of Mammy Keziah, an Ezekiel family slave.\u003c/p\u003e","\u003cp\u003eDrawing of Mammy Mary, a slave owned by the Ezekiel family during Moses J. Ezekiel's childhood. He refers to her in his memoirs as \"my mammy Mary.\"\u003c/p\u003e","\u003cp\u003eDrawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.\u003c/p\u003e","\u003cp\u003eDrawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.\u003c/p\u003e","\u003cp\u003eDrawing of a crypt monument at Sage Chapel, Cornell University, New York.\u003c/p\u003e","\u003cp\u003eDrawing of Mary Triplett of Richmond, Virginia. She was one of the \"belles\" of the city, along with Lizzy Cabell. She was the sister of Moses J. Ezekiel's fellow VMI cadet, John R. Triplett.\u003c/p\u003e","\u003cp\u003eA drawing of a member of a German family with whom Moses J. Ezekiel was acquainted.\u003c/p\u003e","\u003cp\u003eDrawing of Adolfo de Bosis and his wife. He was an Italian poet and lawyer who translated Shelley into Italian and edited the Review Il Convito.\u003c/p\u003e","\u003cp\u003eDrawing of the wife of German publisher Daniel Collin.\u003c/p\u003e","\u003cp\u003eDrawing of Nannie Whitmell Tunstall, the sister of John L. Tunstall, who attended VMI with Moses J. Ezekiel. In 1886, Ezekiel created a 16 by 21 inch marble intaglio bas-relief of Tunstall, made during her visit to Rome, Italy. The piece is owned by VMI.\u003c/p\u003e","\u003cp\u003eDrawing of the Neptune statue Moses J. Ezekiel created for a fountain in Nettuno, Italy. The statue was destroyed during World War II.\u003c/p\u003e","\u003cp\u003eDrawing of Otto von Bismarck, a Prussian statesman.\u003c/p\u003e","\u003cp\u003eDrawing is likely of a slave in the Ezekiel household in Richmond, Virginia.  No further information is known at this time.\u003c/p\u003e","\u003cp\u003eDrawing of Pan and Amor bas relief.\u003c/p\u003e","\u003cp\u003eDrawing of Moses J. Ezekiel's proposed Robert E. Lee monument for a competition in 1886. Another sculptor's work was chosen and Ezekiel's concept was never executed.\u003c/p\u003e","\u003cp\u003eDrawing of Robert Hausmann, a German cellist.\u003c/p\u003e","\u003cp\u003eDrawing of Scott Shipp, VMI Class of 1859, who served as commandant and later as VMI's second superintendent. He was commandant during Moses J. Ezekiel's cadetship and was in command at the Battle of New Market.\u003c/p\u003e","\u003cp\u003eDrawing of the Southern monument, which was one of the first monuments in the north dedicated to the Confederate soldier. It was commissioned by the Cincinnati, Ohio chapter of the United Daughters of the Confederacy.\u003c/p\u003e","\u003cp\u003eThis drawing is based on the photo of Stonewall Jackson known as the Chancellorsville photograph.\u003c/p\u003e","\u003cp\u003eA drawing of the entrance to Moses J. Ezekiel's studio, Baths of Diocletian, Rome.\u003c/p\u003e","\u003cp\u003eDrawing of cadet Thomas G. Jefferson who was mortally wounded at the Battle of New Market on May 15, 1864.\u003c/p\u003e","\u003cp\u003eDrawing of \"White Lucy,\" who was a slave in Richmond, Virginia during Moses J. Ezekiel's childhood. When her owner threatened sale, Jacob Ezekiel intervened and she was given the job of seamstress in the Ezekiel home. The family later rented a house for her, and she made a living as a washerwoman and seamstress. She died circa 1866. Her surname does not appear in Ezekiel's memoirs.\u003c/p\u003e","\u003cp\u003eThis memorial publication was sent from Moses J. Ezekiel to VMI Superintendent Scott Shipp. The publication is annotated by Shipp.\u003c/p\u003e","\u003cp\u003ePhotograph of Robert E. Lee and of Lee's Farewell Address. This photograph was given to Moses J. Ezekiel by Mrs. Robert E. Lee.\u003c/p\u003e","\u003cp\u003eEzekiel family scrapbook possibly compiled by H. C. Ezekiel. The scrapbook contains documents, most pertaining to various members of the Ezekiel family. Many documents are from the Civil War era, 1863-1865.\u003c/p\u003e","\u003cp\u003eTypescript titled \"Memoirs from the Baths of Diocletian.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Moses J. Ezekiel papers consist of the papers of noted 19th century sculptor Moses J. Ezekiel, including:\n Correspondence to VMI superintendent Edward W. Nichols and others (dated 1867-1917), some relating to the design of the Battle of New Market memorial sculpture Virginia Mourning Her Dead Pen and ink sketches by Ezekiel (approximately 67 items) A typescript version of Ezekiel's autobiography Memoirs from the Baths of Diocletian Print material","Includes letters to General Edward W. Nichols and Greenlee Letcher concerning Virginia Mourning Her Dead (New Market Monument) and the Stonewall Jackson statue at VMI. Also includes postcards sent primarily to family members, including Henry C. Ezekiel and Rebecca Ezekiel.","Autobiographical letter from Moses J. Ezekiel to VMI historian Joseph R. Anderson, Jr. In the letter, Ezekiel recounts his experience as a VMI cadet at the Battle of New Market on May 15, 1864 and his post-VMI career through July 1904. He discusses caring for his classmate Thomas G. Jefferson, who was mortally wounded in the Battle and expresses regret for missing VMI reunion at which New Market Medals were issued to veterans.","Drawing of the bronze statue of Anthony J. Drexel, the Philadelphia financier and the founder of Drexel University. The monument was commissioned by Drexel's partner, John H. Harjes of Paris, France and donated to the city of Philadelphia, Pennsylvania.","Drawing of Anton Alexander von Werner (1843-1915), a German historical painter known for painting scenes from the Franco Prussian War.","Drawing of Benjamin B. Hotchkiss (1826-1885), a leading American gunmaker and ordnance engineer. Moses J. Ezekiel molded a bust of Hotchkiss in clay and cast it in bronze in 1879.","A drawing of Bacchante, a classical figure from Greek and  Roman mythology that is priestess or female votary of Bacchus.","A drawing of Jesus Christ, based on the bronze torso.","Detail from marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.","Drawing of the marble sculpture, 1896, located in the Chapelle de Notre Dame de Consolation, Paris.","Drawing of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing shows the frieze that comprises part of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing of the main figure of the Confederate Memorial monument in Arlington National Cemetery, Virginia.","Drawing of Eva Cattermole (1849-1896), known as \"Contessa Lara\" who was an Italian poet, writer, and friend of Moses J. Ezekiel.","A drawing of Daniel Collin, a German publisher whom Moses J. Ezekiel became friends with in Berlin, Germany.","A sketch of a clay model of proposed David G. Farragut monument. Moses J. Ezekiel created a model to enter in a competition in 1873, but his work was not chosen.","Drawing of Edith Lack, from Plymouth, England. She was the youngest daughter of a family that Moses J. Ezekiel met while traveling to Rome, Italy in 1874.","Drawing of Fanny Lewald, a German novelist and champion of women's rights.","Drawing of Fedor Encke, one of Moses J. Ezekiel's classmates at the Berlin Academy.","Drawing of Francis H. Smith who was VMI superintendent from 1839 to 1889. Moses J. Ezekiel knew him during his own cadetship.","Drawing of George Washington Custis Lee. Lee taught at VMI immediately after the Civil War and after the death in 1870 of his father, Robert E. Lee, who was President of Washington and Lee University, Lexington, Virginia.","A drawing of Gustav Adolf, Cardinal Prince of Hohenlohe-Schillingsfürst (1823-1896).","Drawing of guests inside Moses J. Ezekiel's studio.","Drawing of Israel, a bas relief, which was Moses J. Ezekiel's first significant work.","This drawing is of the bust of Jacob Ezekiel, Moses J. Ezekiel's father.","Jennie McGraw Fiske was a member of a prominent family who provided significant philanthropic support to Cornell University, New York. In 1904 the University commissioned Moses J. Ezekiel to produce this recumbent statue and it was completed in June 1907.","Drawing of John H. Harjes, a German born financier. Moses J. Ezekiel, a friend of the family, cast this bronze bust in 1881.","Drawing of Judas Maccabees, a Jewish military leader who was victorious in 165 B.C.","The Robert Gamble Cabell family of Richmond, Virginia were childhood friends of Moses J. Ezekiel. Two Cabell brothers attended VMI and both fought in the Battle of New Market with Ezekiel. William Cabell was one of the cadets killed in the battle.","Drawing of Lola Montez, a British born dancer and mistress of King Ludwig I of Bavaria. She settled in New York and appeared on stage in the United States. Moses J. Ezekiel saw a performance in Richmond, Virginia sometime before 1861.","Drawing of Nadine Helbig, a Russian born author who married Wofgang Helbig.","Drawing of Mammy Keziah, an Ezekiel family slave.","Drawing of Mammy Keziah, an Ezekiel family slave.","Drawing of Mammy Mary, a slave owned by the Ezekiel family during Moses J. Ezekiel's childhood. He refers to her in his memoirs as \"my mammy Mary.\"","Drawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.","Drawing of Mary Custis Lee (1806-1873) who was the great granddaughter of Martha Washington and the wife of Robert E. Lee.","Drawing of a crypt monument at Sage Chapel, Cornell University, New York.","Drawing of Mary Triplett of Richmond, Virginia. She was one of the \"belles\" of the city, along with Lizzy Cabell. She was the sister of Moses J. Ezekiel's fellow VMI cadet, John R. Triplett.","A drawing of a member of a German family with whom Moses J. Ezekiel was acquainted.","Drawing of Adolfo de Bosis and his wife. He was an Italian poet and lawyer who translated Shelley into Italian and edited the Review Il Convito.","Drawing of the wife of German publisher Daniel Collin.","Drawing of Nannie Whitmell Tunstall, the sister of John L. Tunstall, who attended VMI with Moses J. Ezekiel. In 1886, Ezekiel created a 16 by 21 inch marble intaglio bas-relief of Tunstall, made during her visit to Rome, Italy. The piece is owned by VMI.","Drawing of the Neptune statue Moses J. Ezekiel created for a fountain in Nettuno, Italy. The statue was destroyed during World War II.","Drawing of Otto von Bismarck, a Prussian statesman.","Drawing is likely of a slave in the Ezekiel household in Richmond, Virginia.  No further information is known at this time.","Drawing of Pan and Amor bas relief.","Drawing of Moses J. Ezekiel's proposed Robert E. Lee monument for a competition in 1886. Another sculptor's work was chosen and Ezekiel's concept was never executed.","Drawing of Robert Hausmann, a German cellist.","Drawing of Scott Shipp, VMI Class of 1859, who served as commandant and later as VMI's second superintendent. He was commandant during Moses J. Ezekiel's cadetship and was in command at the Battle of New Market.","Drawing of the Southern monument, which was one of the first monuments in the north dedicated to the Confederate soldier. It was commissioned by the Cincinnati, Ohio chapter of the United Daughters of the Confederacy.","This drawing is based on the photo of Stonewall Jackson known as the Chancellorsville photograph.","A drawing of the entrance to Moses J. Ezekiel's studio, Baths of Diocletian, Rome.","Drawing of cadet Thomas G. Jefferson who was mortally wounded at the Battle of New Market on May 15, 1864.","Drawing of \"White Lucy,\" who was a slave in Richmond, Virginia during Moses J. Ezekiel's childhood. When her owner threatened sale, Jacob Ezekiel intervened and she was given the job of seamstress in the Ezekiel home. The family later rented a house for her, and she made a living as a washerwoman and seamstress. She died circa 1866. Her surname does not appear in Ezekiel's memoirs.","This memorial publication was sent from Moses J. Ezekiel to VMI Superintendent Scott Shipp. The publication is annotated by Shipp.","Photograph of Robert E. Lee and of Lee's Farewell Address. This photograph was given to Moses J. Ezekiel by Mrs. Robert E. Lee.","Ezekiel family scrapbook possibly compiled by H. C. Ezekiel. The scrapbook contains documents, most pertaining to various members of the Ezekiel family. Many documents are from the Civil War era, 1863-1865.","Typescript titled \"Memoirs from the Baths of Diocletian.\""],"userestrict_html_tesm":["\u003cp\u003eManuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_94afa6f1fee03d75868e399d1499d701\"\u003eManuscripts stacks\u003c/physloc\u003e"],"physloc_tesim":["Manuscripts stacks"],"names_ssim":["Virginia Military Institute Archives","Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927","Jefferson, Thomas G. (Thomas Garland), 1847-1864","Anderson, Joseph R., Jr. (Joseph Reid), 1851-1930","Drexel, Anthony Joseph, 1826-1893","Werner, Anton von, 1843-1915","Hotchkiss, Benjamin B., 1826-1885","Christ, Jesus, circa 6-4 B.C.E.-circa 30 C.E.","Lara, Contessa, 1849-1896","Lewald, Fanny, 1811-1889","Encke, Fedor, 1851-1936","Smith, Francis H. (Francis Henney), 1812-1890","Lee, George Washington Custis, 1832-1913","Ezekiel, Jacob, 1812-1899","Montez, Lola, 1818-1861","Helbig, Nadine, 1847-1915","Lee, Mary Custis, 1835-1918","White, Mary Outwater, 1836-1887","de Bosis, Adolfo, 1863-1924","Tunstall, Nannie Whitmell","Bismarck, Otto von, 1815-1898","Lee, Robert E. (Robert Edward), 1807-1870","Hausmann, Robert, 1852-1909","Shipp, Scott, 1839-1917","Jackson, Stonewall, 1824-1863"],"corpname_ssim":["Virginia Military Institute Archives"],"persname_ssim":["Ezekiel, Moses J. (Moses Jacob), 1844-1917","Nichols, E. W. (Edward West), 1858-1927","Jefferson, Thomas G. (Thomas Garland), 1847-1864","Anderson, Joseph R., Jr. (Joseph Reid), 1851-1930","Drexel, Anthony Joseph, 1826-1893","Werner, Anton von, 1843-1915","Hotchkiss, Benjamin B., 1826-1885","Christ, Jesus, circa 6-4 B.C.E.-circa 30 C.E.","Lara, Contessa, 1849-1896","Lewald, Fanny, 1811-1889","Encke, Fedor, 1851-1936","Smith, Francis H. (Francis Henney), 1812-1890","Lee, George Washington Custis, 1832-1913","Ezekiel, Jacob, 1812-1899","Montez, Lola, 1818-1861","Helbig, Nadine, 1847-1915","Lee, Mary Custis, 1835-1918","White, Mary Outwater, 1836-1887","de Bosis, Adolfo, 1863-1924","Tunstall, Nannie Whitmell","Bismarck, Otto von, 1815-1898","Lee, Robert E. (Robert Edward), 1807-1870","Hausmann, Robert, 1852-1909","Shipp, Scott, 1839-1917","Jackson, Stonewall, 1824-1863"],"language_ssim":["English"],"total_component_count_is":73,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:13:02.393Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_94"}},{"id":"vimtvl_repositories_4_resources_49_c45_c02_c21_c04","type":"Item","attributes":{"title":"'Mount Vernon,' humorous souvenir card","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_4_resources_49_c45_c02_c21_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vimtvl_repositories_4_resources_49_c45_c02_c21_c04","ref_ssm":["vimtvl_repositories_4_resources_49_c45_c02_c21_c04"],"id":"vimtvl_repositories_4_resources_49_c45_c02_c21_c04","ead_ssi":"vimtvl_repositories_4_resources_49","_root_":"vimtvl_repositories_4_resources_49","_nest_parent_":"vimtvl_repositories_4_resources_49_c45_c02_c21","parent_ssi":"vimtvl_repositories_4_resources_49_c45_c02_c21","parent_ssim":["vimtvl_repositories_4_resources_49","vimtvl_repositories_4_resources_49_c45","vimtvl_repositories_4_resources_49_c45_c02","vimtvl_repositories_4_resources_49_c45_c02_c21"],"parent_ids_ssim":["vimtvl_repositories_4_resources_49","vimtvl_repositories_4_resources_49_c45","vimtvl_repositories_4_resources_49_c45_c02","vimtvl_repositories_4_resources_49_c45_c02_c21"],"parent_unittitles_ssm":["Historical Photograph Collection","Cabinet cards","Cabinet cards - Box 2","Miscellaneous"],"parent_unittitles_tesim":["Historical Photograph Collection","Cabinet cards","Cabinet cards - Box 2","Miscellaneous"],"text":["Historical Photograph Collection","Cabinet cards","Cabinet cards - Box 2","Miscellaneous","'Mount Vernon,' humorous souvenir card","Albumen print on cabinet card mount of pictoral, humorous scenes including views of Mount Vernon; hatchet fable; the steamer Arrow; \"The Happy Family\" with cupid; \"Two Belles\"; \"Good bye General\"; \"A cat-a-lip-a-tickle attack\"; and A \"Boston Roast\".","Drawings (visual works)","Photographs","Cabinet photographs","Card Photographs","Albumen prints","English .","box HPC - Cabinet Card - Box 2"],"title_filing_ssi":"'Mount Vernon,' humorous souvenir card","title_ssm":["'Mount Vernon,' humorous souvenir card"],"title_tesim":["'Mount Vernon,' humorous souvenir card"],"unitdate_other_ssim":["February 16, 1876"],"normalized_date_ssm":["1876"],"normalized_title_ssm":["'Mount Vernon,' humorous souvenir card"],"component_level_isim":[4],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"collection_ssim":["Historical Photograph Collection"],"physdesc_tesim":["Albumen print on cabinet card mount of pictoral, humorous scenes including views of Mount Vernon; hatchet fable; the steamer Arrow; \"The Happy Family\" with cupid; \"Two Belles\"; \"Good bye General\"; \"A cat-a-lip-a-tickle attack\"; and A \"Boston Roast\"."],"dimensions_tesim":["Cardboard mount: 4 1/4 in. x 6 1/2 in. (10.4 cm x 16.5 cm); Photographic print: 3 7/8 in. x 6 in. (9.8 cm x 15.3 cm)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2963,"parent_access_restrict_tesm":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"date_range_isim":[1876],"access_subjects_ssim":["Drawings (visual works)","Photographs","Cabinet photographs","Card Photographs","Albumen prints"],"access_subjects_ssm":["Drawings (visual works)","Photographs","Cabinet photographs","Card Photographs","Albumen prints"],"language_ssim":["English ."],"containers_ssim":["box HPC - Cabinet Card - Box 2"],"_nest_path_":"/components#44/components#1/components#20/components#3","timestamp":"2026-05-21T05:50:40.181Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_4_resources_49","ead_ssi":"vimtvl_repositories_4_resources_49","_root_":"vimtvl_repositories_4_resources_49","_nest_parent_":"vimtvl_repositories_4_resources_49","ead_source_url_ssi":"data/oai/MV/repositories_4_resources_49.xml","title_ssm":["Historical Photograph Collection"],"title_tesim":["Historical Photograph Collection"],"unitdate_ssm":["1850-2010"],"unitdate_bulk_ssim":["1850-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HPC","/repositories/4/resources/49"],"text":["HPC","/repositories/4/resources/49","Historical Photograph Collection","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","4 additional copies in sleeve: RP-1134 (retro) ; Photo-5583b, Photo-5583c, Photo-5583d, Photo-5583e","Same as RP-3216 ; ST-7184 ; Waldsmith 162; see image DA_003353","Same as RP-22 ; St-3053; see digital image DA_003750","The Historical Photograph Collection is an artifical collection organized in functional order. Items are first arranged by subject and then subsequently by media format and size.","4 3/16 in. x 2 1/2 in.","Building formerly referred to as \"schoolhouse,\" even though there is no evidence that this building was used for such a purpose.","This photo was taken from a building formerly called the schoolhouse but now called the garden house. There is no evidence to suggest it was ever used as a schoolhouse.","Though this photo is titled schoolroom, there is no evidence that this building was used for such as purpose","Although the title called the building a school house, there is no proof that the building was ever used for schooling","Although this photograph shows the garden house with a \"SCHOOLROOM\" sign, there is no evidence to suggest it was ever used as a school house.","The building pictured in the photograph is the north garden house. There is no evidence to suggest it was ever used as a school room as indicated by the title.","Though the photograph title states the distant building is a schoolhouse, there is not evidence to suggest that the building was used for such a purpose. Instead, it has been proven that it was a gardenhouse.","The Free Library of Philadelphia (freelibrary.org) states that this palm was displayed at the Horticultural Hall for the Centennial celebration in 1876.","Though the title refers to the building as a school house, there is no evidence to suggest it was ever used for such a purpose. Thus, it is referred to as a garden house.","Though the photograph titled \"The Kitchen Garden,\" the name Mount Vernon uses today is \"Lower Garden.\"","The name that Mount Vernon uses today to describe the building in the photograph is garden house, not seed house.","The name Mount Vernon uses today to call this garden is the lower garden, not the kitchen garden","The name Mount Vernon uses today for this garden is lower garden. The name Mount Vernon uses for the structure is garden house, not seed house","Today, Mount Vernon uses the name garden house for the structure in the photograph.","The other name for the coffee bena tree is gymnocladus dioica","Stereograph same as 2019-VR-027.020; Image identifier - DA_002565","Items in this collection were either created by or under contract by the Mount Vernon Ladies' Association or acquired by gift and purchase from various sources. Materials are added to the collection as they are acquired. For additional information please contact the Manager of Visual Resources.","Cardboard mount: 6 1/2 in. x 4 1/4 in. (16.4 cm x 10.7 cm); Photographic print: 5 7/8 in. x 3 7/8 in. (14.9 cm x 9.85 cm)","Cardboard mount: 6 1/2 in. x 4 1/4 in. (16.4 cm x 10.7 cm); Photographic print: 5 13/16 in. x 3 7/8 in. (14.8 cm x 9.9 cm)","Photograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.","Photograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.","Photograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.","This type of flower is an orange lily. It is also known as the Orange Day-Lily, the Tawny Daylily, and the Tiger Daylily","Stamp on the reverse reads: This is a preliminary and incomplete proof; the sole property of Detroit Publishing Co. which reserves all rights of use. It is loaned on express condition of being returned without publication.","Photograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.","Slighly oversized, stored along long edge of box.","Need to confirm location of original. Photograph taken circa 1862.","A copy of the photograph is in the same container - RP-2186 ; Photo-6650i","Black and white horizontal image of the Mansion's east front in the snow, taken from the northeast lawn.","Black and white vertical image of the Mansion's piazza, taken from the north end. Photographer's stamp appears on reverse.","Black and white horizontal image of the Mansion's east front in the snow, taken from the northeast lawn. Photographer's stamp appears on reverse.","Black and white horizontal image of the Mansion's east front at night, taken from the northeast lawn.","Black and white vertical image of the Mansion's east front, taken from the southeast lawn.","Sepia toned black and white photograph of a Sago Palm tree at Mount Vernon Estate. Front of photograph shows text that reads \"Washington Sago Palm--July 25/20.\"","Glass negative (left frame) of stereoscopic view of the old tomb by Alexander Gardner, 1866-1875. The view shows a female visitor ascending the stairs to the vault.  Remnants of tape are visible along the edges of the glass.","Black and white glass negative of page 1 of Martha Washington's will.","Date of original photograph is misdated in negative catalogue Book 2 for BW-5167 as 1860. Per page 207 of the Mount Vernon Historic Structures Report, 'The porch along the south colonnade, was severely damaged in 1861. A March 28, 1861 account states that \"...the winde carried away the covered passage from the house to the kitchen and one side of Judge Wn's [Washington's] porch...\" Two copies in Box 1. Reproduction copy made from RP-88.","Another copy appears in Box 1.","Source of copy photograph unknown. There is also a photostat of this image in Box 1.","Source of photostat unknown. There is also a photograph (copy) of this image in Box 1.","Copy photograph appears in box 1.","Includes seven copies (box 1).  One copy has a sticker reading: 'Used and returned by the Made in America Club 2/9/40.'","RP-2412 and PHOTO-6868a appear on reverse","Duplicate image from same negative also in Box 1. Duplicate image slightly out of focus.","RP-2414 and Photo-6871 appears on reverse","RP-2415 ; PHOTO-6872a","RP-2415 ; PHOTO-6872b","RP-2416a","A duplicate image also appears in Box 1.","An 8 in. x 10 in. copy also appears in Box 1.","A copy of the image also appears in box 1. The accession number reads: 'RP-2463 ; Photo-6820'","RP-2425 ; Photo-6883iii appears on reverse. Two 8 in. x 10 in. copies also appear in Box 1.","RP-2426 ; Photo-6884iii appears on reverse. Two copies in 6 3/4 in. x 9 1/2 in. are also in Box 1.","RP-2431 ; Photo-6889ii appears on reverse. Another copy of this image also appears in Box 1.","Photo-2436 ; Photo-6893","RP-2438 ; Photo-6895 appears on reverse","RP-2441 ; Photo-6898b appears on reverse","RP-2440 ; Photo-6897 appears on reverse","RP-2441 ; Photo-6898a","PR-2439 ; Photo-6897","Copy of the image (RP-2446 ; Photo-6803ii) also in Box 1.","RP-2447 ; Photo-68041. Another copy also appears in Box 2.","Albumen print.","Another 8 in. x 10 in. copy appears in Box 2.","Another 8 in. x 10 in. copy also appears in Box 2.","Three 8 in. x 10 in. copies also appear in Box 2.","Four additional 8 in. x 10 in. copies also appear in Box 2.","Accession number 'RP-2460 ; Photo-6817' appears on reverse","A copy of this image also appears in Box 2. The number RP-2462 ; Photo-6819a appears on the reverse.","Accession number 'RP-2456 ; Photo-6822b' appears on reverse.","Accession number 'RP-2456 ; Photo-6822a' appears on reverse.","Accession number 'RP-2467 ; Photo-6824' appears on reverse.","Accession number 'RP-2743 ; Photo-6831b' appears on reverse.","Accession number 'RP-2743 ; Photo-6831c'","Accession number 'RP-2743 ; Photo-6831d' appears on reverse","Accession number 'RP-2475 ; Photo-6835' appears on reverse","Numbers penciled on the back 'RP-2461 Photo-6818'","Accession number 'RP-2480 ; Photo-6840b' appears on reverse.","Accession number 'RP-2480 ; Photo-6840c' appears on reverse","A 6 1/4 in. x 9 1/8 in. copy also appears in Box 2.","Reverse reads \"RP-2485 ; Photo-6845b\"","Accession number 'RP-2486 ; Photo-6846b' written on back","Accession number 'RP-2486 ; Photo-6846c' appears on reverse","Accesion number 'RP-2486 ; Photo-6846a' appears on reverse","Accession number 'RP-2487 ; Photo-6847a' appears on reverse.","Accession number 'RP-2487 ; Photo-6847b' appears on reverse.","Accession number 'RP-2488 ; Photo-6484i' appears on reverse. Another copy also appears in Box 2.","Accession number 'RP-2489 ; Photo-6849a' appears on reverse","Accession number 'RP-2489 ; Photo-6849b' appears on reverse.","Accession number 'RP-2490 ; Photo-6850' appears on reverse","Reverse reads \"RP-2493 Photo-6853\"","Halftone photomechanical print","A 6 1/8 in. x 9 in. copy appears in Box 2.","Date of Photostat unknown.  Two other photographs (copies) appear in Box 1.","Photograph is attributed to Luke C. Dillon, has not been confirmed.","Photograph was unframed after donation. Backing material from frame includes handwriting 'P-EE-4 Alexander Gardner 921 Penna Ave., D.C. Matthew Brady's Partner.'","Black and white copy made from a 1901 negative. Handwritten note on reverse reads 'Taken 1901 Original 10'' x 24'' Detroit Pub. Co.' \nAccession number 'RP-2505 ; Photo-6872a' also appears on reverse.","Reproduction from a 1901 negative.","A 5 1/8 in. x 3 in. copy with accession number 'RP-65 ; PG-4005/b' appears in Box 3. Text on reverse reads: 'From Harold Abbott, June 1966 Print of his photograph prior to November 15, 1935.'","Accession number 'RP-2507 ; Photo-6874' appears on reverse.","A 5 7/8 in. x 3 1/2 in. and seven 10 in. x 8 in. copies appear in Box 3","Accession number 'RP-2513 ; Photo-6880' appears on reverse.","A 10 in. x 8 in. copy (accession number 'RP-2519 ; Photo-6886b') appears in Box 3","A 10 in. x 8 in. copy","An 8 in. x 10 in. copy with accession number 'RP-2547 ; Photo-6916b' is also in Box 3","Accession number 'RP-2548 ; Photo-6917' appears on reverse","Accession number 'RP-2548 ; Photo-6917' appears on reverse","Accession number 'RP-2548 ; Photo-6917' appears on reverse. Another copy with accession number 'RP-2549 ; Photo-6918a' appears in Box 3.","Accession number 'RP-2552 ; Photo-6921b' appears on reverse","Accession number 'RP-2553 ; Photo-6921v' appears on reverse. Four 10 in. x 8 in. copies with accession numbers 'RP-2553 ; Photo-6921ii' - 'RP-2553 ; Photo-6921v' appear in Box 3.","Accession number 'RP-2553 ; Photo-6921vi' appears on reverse. Another copy with accession number 'RP-2555 ; Photo-6923' appears in Box 3.","Accession number 'RP-2554 ; Photo-6922' appears on reverse.","Accession number 'RP-2558 ; Photo-6926ii' appears on reverse","Accession number 'RP-2558 ; Photo-6926i' appears on reverse.","A 5 in. x 7 in. copy also appears in Box 3.","A 3 3/4 in. x 5 7/8 in. with accession number 'RP-2521 ; Photo-6888' appears in Box 3.","Accession number 'RP-2571 ; Photo-6939a' appears on reverse","RP-2572 ; Photo-6940f","Accession number 'RP-2572 ; Photo-6940c' appears on reverse","Accession number 'RP-2578 ; Photo-6917a' appears on reverse","Accession number 'RP-2578 ; Photo-6917b' appears on reverse.","Accession number 'RP-2578 ; Photo-6917d' appears on reverse","Three 10 in. x 8 in. copies appear in Box 3","Two copies appear in Box 3","Two 10 in. x 8 in. copies appear in Box 3.","Accession number: 'RP-2585 ; Photo-6924' appears on reverse","A 10 in. x 8 in. copy appears in Box 3","A 10 in. x 8 in. copy appears in Box 3","A 4 7/8 in. x 3 1/4 in. copy appears in Box 3.","Accession number 'RP-1571 ; Photo-6058' appears on reverse","Copy photograph appears in Box 4 with accession number 'RP-88 ; PG-5015' on reverse","Accession number 'RP-2969 ; Photo-6947' appears on reverse","Two 6 7/8 in. x 5 3/8 in. copies appear in Box 4","Accession number 'RP-2983 ; Photo-6961' appears on reverse","Two additional copies appear in Box 4 with accession numbers: RP-2981 ; Photo-6959i - RP-2981 ; Photo-6959iii.","Accession number 'RP-383 ; EV-5663' appears on reverse.","A photostat appears in Box 4.","Original copy also appears in Box 4.","Identical copy images of both sides also appears in Box 4.","Accession number 'RP-242 ; Photo-5374/b' appears on reverse.","A 5 in. x 4 in. copy appears in Box 4 with accession number 'RP-242 ; Photo-5374/b' on reverse.","An 8 in. x 10 in. copy (with accession number 'RP-2959 ; Photo-6938b' on reverse) appears in Box 4.","Accession number 'RP-2959 ; Photo-6938a' appears on reverse.","Accession number 'RP-3002 ; Photo-6980aii' appears on reverse. A 10 in. x 8 in. copy appears in Box 4 with accession number 'RP-3002 ; Photo-6980ai' on reverse.","Accession number 'RP-3002 ; Photo-6980b' appears on reverse","Accession number 'RP-2960 ; Photo-6939ii' appears on reverse. \nA 10 in. x 8 in. copy appears in Box 4 with accession number 'RP-2960 ; Photo-6939i.'","A 6 1/2 in. x 4 3/4 in. copy appears in Box 4.","Accession number 'RP-3004 ; Photo-6982i' appears on reverse. \nA 5 in. x 4 in. copy and two 10 in. x 8 in. copies appear in Box 4.","A 6 1/2 in. x 4 1/2 in. copy appears in Box 4 with accession number: 'RP-3007 ; PS-6985bii' on reverse.","Accession number: 'RP-3013 ; Photo-6991a'appears on reverse.","Accession number 'RP-3012 ; Photo-6990' appears on reverse.","Accession number 'RP-3014 ; Photo-6992a' appears on reverse.","Accession number 'RP-3014 ; Photo-6922b' appears on reverse.","Accession number 'RP-3016 ; Photo-6993' appears on reverse.","Accession number 'RP-3018 ; Photo-6996' appears on reverse.","Accession number 'RP-3017 ; Photo-6995' appears on reverse.","Accession number 'RP-3019 ; Photo-6997a' appears on reverse","Accession number 'RP-3019 ; Photo-6997b' appears on reverse.","Accession number 'RP-3026 ; Photo-7004a' appears on reverse.","Accession number 'RP-3027 ; Photo-7005b' appears on reverse.","Accession number 'RP-3027 ; Photo-7005a' appears on reverse.","Accession number: 'RP-3011 ; Photo-6989' appears on reverse","Accession number 'RP-3028 ; Photo-7006a' appears on reverse.","Accession number 'RP-3037 ; Photo-7015a' appears on reverse.","Accession number 'RP-3037 ; Photo-7015b' appears on reverse.","Accession number 'RP-3045 ; Photo-7023aiii' appears on reverse.","Accession number 'RP-3045 ; Photo-7023bii' appears on reverse.","Accession number 'RP-3049 ; Photo-7027' appears on reverse.","Accession number 'RP-3051 ; Photo-7029' appears on reverse.","Accession number 'RP-3052 ; Photo-7030b' appears on reverse.","Accession number 'RP-3052 ; Photo-7030a' appears on reverse.","Accession number 'RP-3054 ; Photo-7032' appears on reverse","Accession number: 'RP-3063 ; Photo-7040b' appears on reverse.","Accession number 'RP-3064 ; Photo-7041' appears on reverse.","Accession number 'RP-3076 ; Photo-7053a' appears on reverse.","Accession number 'RP-3076 ; Photo-7053c' appears on reverse.","Accession number 'RP-3124 ; Photo-7089c' appears on reverse.","Accession number 'RP-3129 ; Photo-7094b' appears on reverse.","Accession number 'RP-3134 ; Photo-7099bii' appears on reverse.","Accession number 'RP-3137 ; Photo-7102aii' appears on reverse.","Two copies in the box. One copy includes accession number 'RP-3133 ; Photo-7098a' on the reverse. The second copy includes accession number 'RP-3127 ; Photo-7092b' on the reverse.","Accession number 'RP-3136 ; Photo-7101bii' appears on reverse.","Accession number 'RP-3141 ; Photo-7105b' appears on reverse","Accession number 'RP-3139 ; Photo-7103c' appears on reverse.","Accession number 'RP-3144 ; Photo-7108ii' appears on reverse.","Accession number 'RP-3145 ; Photo-7109b' appears on reverse.","Accession number 'RP-3145 ; Photo-7109c' appears on reverse.","Accession number 'RP-3145 ; Photo-7109d' appears on reverse","Accession number 'RP-3145 ; Photo-7109f' appears on reverse.","Accession number 'RP-3147 ; Photo-711' appears on reverse","Accession number 'RP-326 ; PG-5545' appears on reverse.","Accession number 'RP-3158 ; Photo-7122i' appears on reverse.","Accession number 'RP-3161 ; Photo-7125ii' appears on reverse.","Accession number 'RP-3166 ; Photo-7130a' appears on reverse.","Accession number 'RP-3168 ; Photo-7132b' appears on reverse.","Accession number \"RP-3187 ; Photo 7150c\" appears on reverse.","Accession number \"RP-3179 ; Photo-7142i\"","There are 4 copies of the photograph in Box 4 in varying sizes - see 'Dimensions' note.","There are 5 copies of the photograph in Box 8.","There are 4 total of copies of this photographic print in Box 9.","There are a total of two copies in Box 9.","There are a total of two copies in Box 7 as well as an additional copy in oversized Box 3.","There are a total of two copies in Box 9.","There are three copies of the photograph, in two different sizes, in Box 9. See 'Dimension' note.","There are a total of 3 copies in Box 9.","There are four copies of the photograph in two different sizes in Box 9 - see dimensions.","There are three copies in Box 9.","There are two different sized copies in Box 9 - see dimensions note.","Three duplicate copies of the photograph appear in Box 10, two with negative number BW-2069.","Retro accessioning includes assigned numbers RP-1742 ; Photo-6246 penciled on reverse. The second copy in Box 13 is numbered RP-1654 ; Photo-6145.","There are three photographs in Box 14, two are copies (BW-5910) and the third appears to have been printed by Detroit Publishing Company (RP-1758 ; Photo-6222).","This photograph contains no RP number. Contains sticker on back that says \"A7860\"","Writing on back of photograph states that photo was given to Mount Vernon by Vice regent for D.C., but does not specify who that is.","The photograph includes text that labels it as \"577a.\" however, the book labels this photo \"577b.\"","There are two copies of the photograph in Box 19.","Accession number RP-317 ; PG-5526 appears on the reverse","Two copies in the box. Accession number RP-326:PG-5546","Accession number 'RP-2108 ; Photo-6570a' appears on the reverse","Accession number 'RP-2108; hoto-6570b' appears on the reverse of the photo.","Accession number: RP-2112 ; Photo-6574b appears on the reverse of the photo.","Asseccion number RP-2115 ; Photo-6577 appears on the reverse of the image.","Accession number \"RP-2119 ; Photo-6582b\" appears on the reverse of the image.","Accession number \"RP-2119 ; Photo-6582a\" appears on the reverse of the image.","Accession number \"RP-2119 ; Photo-6582c\" appears on the reverse of the image.","Accession number \"RP-2122 ; Photo-6585\" appearson the reverse of the image.","Accession number \"RP-2124 ; Photo-6589a\" appears on the reverse of the image.","Accession number \"RP-2124 ; Photo-6589b\" appears on the reverse of the photo.","Accession number \"Rp-2125 ; Photo-6590\" appears on the back of the photo.","Accession number \"RP-2126 ; Photo-6591\" appears on the reverse of the image.","Accession number \"RP-2127 ; Photo-6592\" appears on the reverse of the phot","Accession number 'RP-2126 ; Photo-6594C' appears on the reverse.","Accession number 'RP-2129 ; Photo-6594a' appears on the reverse.","Accession number 'RP-2129 ; Photo-6594b' appears on reverse.","Accesion number \"RP-2143 ; Photo-6607a\" appears on the reverse of the photograph.","Accession number \"Rp-2143 ; Photo-6607b\" appears on the reverse of the image.","Accession number \"RP-2144 ; Photo-6607bi\" appears on the reverse of the image.","Accession number \"RP-2144 ; Photo-6607aii\" appears on the reverse of the photograph.","Accession number \"RP-2140 ; Photo-6605bii\" appears on the reverse of the photograph.","Accession number \"RP-2140 ; Photo-66052aii\" appears on the reverse of the image.","Accession number 'RP-2148 ; Photo-6611' appears on the reverse.","Accession number 'RP-2147 ; Photo-6610a' appears on the reverse of the image.","Accession number 'RP-2147 ; Photo-6610b' appears on the reverse of the image.","Accession number 'RP-2149 ; Photo-6612' appears on the reverse.","Accession number 'Rp-2150 ; Photo-6613a' appears on the reverse of the photograph.","Two copies of the photograph in Box 20 - RP-2151 ; Photo-6614ai and RP-2151 ; Photo-6614aii.","Accession number \"RP-2153 ; Photo-6616c\" appears on the reverse of the image.","Accession number \"RP-2162 ; Photo-6625\" appears on the reverse of the image.","Accession number \"RP-2157 ; Photo-6620\" appears on the reverse of the image.","Accession number \"RP-2154 ; Photo-6617i\" appears on the reverse of the image.","Accesion number \"RP-2162 ; Photo-6626\" appears on the reverse of the image.","Accession number \"RP-2163 ; Photo-6627\" appears on the reverse of the image.","Accession number \"RP-2168 ; Photo-6632\" appears on the reverse of the image.","Accession number \"RP-2182 ; Photo-6646b\" appears on the reverse of the image.","Accessoin number \"RP-2182 ; Photo-6646a\" appears on th reverse of the image.","Accession number \"RP-2159 ; Photo-6622\"appears on the reverse of the image.","Accession number \"RP-2187 ; Photo-6651a\" appears on the reverse of the image.","Accession number \"RP-2187 ; Photo-6651c\" appears on the reverse of the image.","Accession number \"RP-2187 ; Photo-6651d\" appears on the reverse of the image.","Accession number \"RP-2187 ; Photo-6651b\" appears on the reverse of the image.","Accessiuon number \"RP-2193 ; Photo-6654c\" appears on the reverse of the image.","Accession number \"RP-2193 ; Photo-6654c\" appears on the reverse of the photograph.","Accession number \"RP-2193 ; Photo-6654a\" appears on the reverse of the image.","Accession number \"RP-2193 ; Photo-6654b\" appears on the reverse of the image.","Accession number \"RP-2196 ; Photo-6657\" appears on the reverse of the image.","Accession number \"RP-2198 ; Photo-6659a\" appears on the reverse of the image.","Accession number \"RP-2204 ; Photo-6665i\" appears on the reverse of the image.","Accession number \"RP-2206 ; Photo-6667c\" appears on the reverse of the image.","Accession number \"RP-2207 ; Photo-6668c\" appears on the reverse of the image.","Accession number \"RP-2207 ; Photo-6668a\" appears on the reverse of the image.","Accession number \"RP-2008 ; Photo-6609b\" appears on the reverse of the image.","Accession number \"RP-2207 ; Photo-6668b\" appears on the reverse of the image.","Accession number \"RP-2211 ; Photo-6672ai\" appears on the reverse of the image.","Accession number \"RP-2210 ; Photo-6671i\" appears on the reverse of the image.","Accession number \"RP-317 ; PG-5535\" appears on the reverse of the image.","Accession number \"RP-2216 ; Photo-6677\" appears on the reverse of the image.","Accession number \"RP-2219 ; Photo-6608av\" appears on the reverse pf the image.","Accession number \"Rp-2219 ; Photo-6680d\" appears on the reverse of the image.","Accession number \"RP-2219 ; Photo-6680c\" appears on the reverse of the image.","Accession number \"RP-2219 ; Photo-6680b\" appears on the reverse of the image.","Accession number \"RP-2223 ; Photo-6683d\" appears on the reverse of the image.","Accession number \"RP-2224 ; Photo-6684\" appears on the reverse of the image.","Accession number \"RP-2226 ; Photo-6686\" appears on the reverse of the image.","Accession number \"RP-2230 ; Photo-6689\" appears on the reverse of the image.","Accession number \"RP-2231 ; Photo-6690\" appears on the revers of the image.","Accession number \"RP-326 ; PG-555b\" appears on the reverse of the image.","Accession number \"RP-2243 ; Photo-6701i\" appears on the back of the image.","Accession number \"RP-2257 ; Photo-6715\" appears on the reverse of the image.","Accession number \"RP-2256 ; Photo-6714\" appears on the reverse of the image.","Accession number \"RP-2255 ; Photo-6713b\" appears on the reverse of the image.","RP-2255 ; Photo-6713a","Accession number \"RP-2241 ; Photo-6699aii\" appears on the reverse of the image.","Accession number \"RP-2254 ; Photo-6712\" appears on the reverse of the image.","Accession number \"RP-2252 ; Photo-6710\" appears on the reverse of the image","Accesion number \"RP-2250 ; Photo-6708\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707a\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707e\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707c\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707f\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707b\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707d\" appears on the reverse of the image.","Accession number \"RP-2241 ; Photo-6699b\" appears on the reverse of the image.","Accession number \"RP-2245 ; Photo-6703\" appears on the reverse of the image.","Accession number \"RP-2242 ; Photo-6700\" appears on the reverse of the image.","Accession number \"RP-2238 ; Photo-6716b\" appears on the reverse of the image.","Accession number \"RP-2238 ; Photo-6717d\" appears on the reverse of the image.","Accession number \"RP-2258 ; Photo-6716c\" appears on the reverse of the image.","Accession number \"RP-2258 ; Photo-6716a\" appears on the reverse of the image.","Accession number \"RP-319 ; PG-5530\" appears on the reverse of the image.","Accession number \"RP-2317 ; Photo-6774d\" appears on the reverse of the image.","Accession number \"RP-2278 ; Photo-6736\" appears on the reverse of the image.","Accession number \"RP-2317 ; Photo-6774a\" appears on the reverse of the image.","Accession number \"rp-2317 ; Photo-6774e\" appears on the reverse of the image.","Accession number \"RP-2317 ; Photo-6774c\" appears on the reverse of the image.","Accession number \"RP-2317 ; Photo-6774b\" appears on the reverse of the image.","Accession number \"RP-2320 ; Photo-6777\" appears on the reverse of the image.","Accession number \"RP-2261 ; Photo-6719\" appears on the reverse of the image/","Accession number \"RP-2263 ; Photo-6721\" appears on the reverse of the image.","Accession number \"RP-2262 ; Photo-6720\" appears on the reverse of the image.","Accession number \"RP-2264 ; Photo-6722\" appears on the reverse of the image.","Accession number \"RP-317 ; PG-5524\" appears on the reverse of the image.","Accession number \"RP-2267 ; Photo-6725\" appears on the reverse of the image.","Accession number \"RP-2309 ; Photo-6766\" appears on the reverse of the image.","Accession number \"RP-2311 ; Photo-6768b\" appears on the reverse of the image.","Accession number \"RP-2308 ; Photo-6765a\" appears on the reverse of the image.","Accession number \"RP-2308 ; Photo-6765b\" appears on the reverse of the image.","A duplicate of the photograph can be found in Box 21.","Accession number \"RP-2277 ; Photo-6735a\" appears on the reverse of the image.","Accession number \"RP-2277 ; Photo-6735c\" appears on the reverse of the image.","Accession number \"Rp-2277 ; Photo-6735b\" appears on the reverse of the image.","Accession number \"RP-2277 ; Photo-6735d\" accession number appears on the reverse of the image.","Accession number \"RP-2280 ; Photo-6738a\" appears on the reverse of the image","Accession number \"RP-2281 ; Photo-6739\" appears on the reverse of the image.","Accession number \"RP-2280 ; Photo-6738b\" appears on the reverse of the image.","2 additional copies in the binder.","Retro accession numbers on reverse - RP-1140 ; Photo-5591b","Retro accession numbers on reverse - RP-1140 ; Photo-5591a","Retro accession number - RP-1143 ; Photo-5594a","Retro accession number - RP-1143 ; Photo-5594b","Retro accession number - RP-1143 ; Photo-5595a","Retro accession number - RP-1143 ; Photo-5595b","Retro accession number - RP-1143 ; Photo-5594d","Retro accession number - RP-1143 ; Photo-5594c","Retro accession number - RP-1144 ; Photo-5596","2 copies of the photograph in Box 33.","2 copies of photograph in Box 33.","There are two copies of the photograph in the binder.","Six copies of the photograph are found in the binder all of the same size.","Two copies in Box 33 - RP-1147 ; Photo-5619.","Two copies in Box 33, one oriented landscape and the other portrait.","Two copies of the photograph in Box 33.","Four copies of the photograph in Box 33.","Two copies of the photograph in Box 33.","Two copies of the photograph are in Box 33.","Four copies of the photograph in Box 33.","Two copies of the photograph in Box 33.","Two copies of photograph in Box 33.","There are two copies of the photograph in Box 33 - RP-1154 ; Photo-5633b","There are two additional copy photographs of the original located in Box 37 - BW-5199.","There are two photographs found in Box 38.","Two copies of the photograph can be found on Box 8; a third copy is located Box 3 - oversized materials.","There are two copies of this photograph at different sizes in Box 3 - oversized materials. See 'Dimensions' note.","Notes from original envelope: ORDER by Dr. Paul Bartsch late of \"Lebanon,\" whose widow is Dr. Parker. Rec'd from Shirley Briggs, October 23, 1970","Two duplicates with accession number 'RP-3014 ; Photo-6992a' and 'RP-2979 ; Photo-6957' appear in Box 4.","A photograph mounted on a thicker material with dimensions of 'overall: 4 5/8 in. x 4 1/8 in. and photograph: 4 5/8 in. x 3 1/2 in.' and a 10 in. x 8 in. duplicate appear in Box 4.","A 6 3/4 in. x 4 3/4 in. duplicate with accession number 'RP-3013 ; Photo-6991b' appears in Box 4. Image is adhered to thicker material.","An 8 in. x 10 in. cropped in copy of the photograph with accession number 'RP-3026 ; Photo-7004b' also appears in Box 4.","A 10 in. x 8 in. duplicate with accession number 'RP-3028 ; Photo-7006b' appears in Box 4.","A duplicate 5 in. x 3 1/2 in. copy appears in Box 5.","A duplicate 10 in. x 8 in. copy appears in Box 5","Two 10 in. x 8 in. copies appear in Box 5.","A duplicate 8 in. x 10 in. copy appears in Box 5.","A 5 in. x 7 in. copy with accession number 'RP-3065 ; Photo-7042b' on reverse appears in Box 5.","Two duplicate 10 in. x 8 in. copies appears in Box 5","A photomechanical copy of this image appears in Box 6.","Black and white photographic print copy appears in Box 6.","Two duplicate copies and a 10 in. x 7 in. copy appear in Box 6.","Duplicate image and 10 in. x 8 in. copy appear in Box 6.","Duplicate copy appears in Box 6.","Duplicate image appears in Box 6.","A 3 1/2 in. x 4 1/2 in. duplicate image adhered to a 7 1/2 in. x 9 1/2 in. piece of thicker material appears in Box 6.","Two 7 1/2 in. x 9 1/2 in. copies and one 8 in. x 10 in. copy appear in Box 6.","Two copies also appear in Box 6.","A duplicate 10 in. x 8 in. appears in Box 6.","A 7 in. x 5 in. copy appears in Box 6.","A 7 in. x 5 in. copy appears in Box 6.","A 7 in. x 5 in. copy appears in Box 6.","An 8 in. x 10 in. duplicate copy (with accession number 'RP-3158 ; Photo-7122ii' on reverse) appears in Box 6.","An 8 in. x 10 in. duplicate copy appears in Box 6.","Duplicate 9 1/2 in. x 7 in. copy appears in Box 6.","Duplicate 10 in. x 8 in. copy appears in Box 6.","A 10 in. x 7 in. copy adhered to a thicker material appears in Box 6.","Duplicate 8 in. x 10 in. image appears in Box 6.","A 9 1/2 in. x 7 1/2 in. and 10 in. x 8 in. copies appear in Box 6.","A duplicate 5 in. x 7 in. copy and an 8 in. x 10 in. copy appear in Box 6.","A 10 in. x 8 in. copy appears in Box 6.","An 8 in. x 10 in. copy appears in Box 6.","Three copies (10 in. x 8 in.) appear in Box 7.","Additional copies: (1)  RP-3184 ; Photo-7147b with dimensions - 9 1/2 in. x 7 1/2 in. and (2) RP-3185 ; Photo-7148a with dimensions 9 1/4 in. x 7 1/2 in. also appears in box 7.","Copy 1: 7 3/4 in. x 9 1/2 in.\nCopy 2: 8 in. x 10 in.","A 10 in. x 7 in. copy photograph adhered to 10 in. x 8 in. cardstock.","Copy photograph with dimensions 6 7/8 in. x 4 13/16 in.","Copy 1: 8 in. x 10 in.\nCopy 2: 8 in. x 10 in.","Photograph 1: 10 in. x 8 in.\nPhotograph 2: 10 in. x 8 in.\nPhotograph 3: 9 3/4 in. x 7 3/4 in.","Two copy vertical photographs with dimensions of 7 1/2 in. x 9 3/4 in. appear in Box 7.","Copy photograph: 10 in. x 8 in. appears in Box 7","Photograph 2: 10 in. x 8 in.\nPhotograph 3: 10 in. x 8 in.\nPhotograph 4: 10 in. x 8 in.\nPhotogrpah 5: 10 in. x 8 in.\nPhotograph 6: 10 in. x 8 in.","Photograph 2: 7 in. x 5 in.\nPhotograph 3: 7 in. x 5 in.","Photograph 2: 7 in. x 5 in.\nPhotograph 3: 7 in. x 5 in.\nPhotograph 4: 7 in. x 5 in.","Two copies of the photograph in Box 9.","A duplicate copy of this photograph appears in Box 9.","A duplicate copy of the photograph appears in Box 9.","Two duplicate copies of the photograph appear in Box 9.","A duplicate copy of the photograph appears in Box 9.","A duplicate copy of the photograph appears in Box 9.","Three duplicate copies of the photograph appear in Box 9.","A duplicate copy of the photograph appears in Box 9.","Three duplicate copies of the photograph appear in Box 9.","Three duplicate copies of the photograph appear in Box 9.","Two duplicate copies of the photograph appear in Box 9.","Three dupicate copies of the photograph appear in Box 9.","A duplicate copy of the photograph appears in Box 9.","Three copies total of the photograph appear in Box 10.","Five duplicate copies of the photograph and one photomechanical print appear in Box 10.","Two duplicate copies of the photograph and one photomechanical print appear in Box 10.","Two duplicate copies of the photograph appear in Box 10.","Two duplicate copies of the photograph appear in Box 10.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","Two duplicate copies of the photograph appear in Box 10, both are copy photographs taken in the 1970s - BW-5895","Two duplicate copies of the photo appear in Box 10.","A duplicate copy of the photograph appears in Box 10.","Two duplicate copies of the photograph appear in Box 10.","Two duplicate copies of the photograph appear in Box 10.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","A copy of the photograph with negative number J-1565 appears in Box 10.","A duplicate copy of the photograph with negative number J-1646 appears in Box 10.","Two cropped copies of the photograph appear in Box 10.","A duplicate copy of the photograph appears in Box 10.","Three duplicate copies of the photograph appear in Box 10. One mounted on card stock.","A mirrored duplicate of the photograph appears in Box 12.","Two duplicate copies of the photograph appear in Box 12.","Three duplicate copies of the photograph appear in Box 12.","Three duplicate copies of the photograph appear in Box 12, one with negative number J-1639.","A duplicate copy of the photograph appears in Box 12.","A duplicate copy photograph with negative number BW-2905 appears in Box 12. Photographed by Robert B. Fisher, April - May 1950.","A duplicate appears in Box 12.","A duplicate copy of the photograph appears in Box 12 with number RP-1700 : Photo-6190.","Three duplicate copiex of the photograph appear in Box 12, with numbers  RP-1671 : Photo-6161bii,  RP-1671 : Photo-6161biii, and RP-1671 : Photo-6161biv.","A duplicate copy of the photograph with negative number BW-563 appears in Box 12.","A duplicate copy of the photograph appears in Box 12.","A duplicate copy of the photograph with number RP-1680 : Photo-6170ii appears in Box 12.","Two duplicate copies of the photograph with numbers RP-1682 : Photo-6172bi and Photo-6172bii appear in Box 12.","A duplicate copy of the photograph with number RP-1682 : Photo-6172aii appears in Box 12.","A duplicate copy of the photograph appears in Box 12.","A duplicate copy of the photograph with number RP-1688 : Photo-6178ii appears in Box 12.","A duplicate copy of the photograph with number RP-1691 : Photo-6185a appears in Box 12.","A duplicate copy of the photograph appears in Box 12.","A duplicate copy of the photograph appears in Box 12.","One duplicate copy and two cropped copies of the photograph appear in Box 12; numbers RP-1694 : Photo-6184b, RP-1694 : Photo-6184c, and RP-1695 : Photo-6185b.","Two duplicate copies of the photograph appear in Box 12.","A duplicate copy of the photograph appears in Box 13.","Four duplicate copies of the photograph with numbers RP-1713 : Photo-6207ii, 6207iv, 6207v, and 6207vi appear in Box 13.","A duplicate copy of the photograph appears in Box 13.","One copy of the photograph with number RP-1717 : Photo-6211ii appears in Box 13.","A duplicate copy of the photograph appears in Box 13.","One duplicate copy of the photograph appears in Box 13.","A duplicate copy of the photograph with number RP-1733: Photo-6237b appears in Box 13.","A duplicate copy of the photograph appears in Box 13.","A heavily retouched copy of the photograph with number RP-1737 : Photo-6241 appears in Box 13.","A second copy appears in Box 13.","A duplicate copy of the photograph with number RP-1648 : Photo-6139 appears in Box 13.","Three colored photomechanical prints with numbers RP-1647 : Photo-6138i, 6138ii, and 6138iii appear in Box 13.","One copy of the photograph (with number RP-1754 : Photo-6258) and one photomechanical copy (with number RP-1756 : Photo-6260a) appear in Box 14.","Four copies of the photograph with numbers RP-1756 : Photo-6260ci, RP-1765 : Photo-6229, RP-1756 : Photo-6260ciii, and BW-5854 appear in Box 14.","Three other copies, one with number BW-5850, appear in Box 14.","A photostat copy appears in Box 14.","Three duplicates of the photograph appear in Box 14.","An enlarged copy of one side of the stereograph appears in Box 14.","A copy with number RP-383 : EV-5662 appears in Box 14.","A duplicate copy of the photograph with number R-324 : PG-1146g appears in Box 14.","A copy of the photograph with number RP-1784 ; Photo-6247 appears in Box 14.","Three duplicate copies of the photograph appear in Box 14.","A duplicate of the photograph with number RP-1790 ; Photo-6253 appears in Box 15.","Two other copies of the photograph appear in Box 15, one with number RP-1795 : Photo-6258i and Photo-6258ii.","A copy of the photograph with number RP-1808 : Photo-6271 appears in Box 14.","Two duplicate copies of the photograph with numbers RP-1804 : Photo-6267 and Photo-6267ii appear in Box 15.","A duplicate copy of the photograph with number RP-1812 ; Photo-6275 appears in Box 15.","A copy of the photograph with number RP-1824 : Photo-6287 appears in Box 15.","A duplicate appears in Box 15.","A second copy of the photograph with number RP-1844: Photo-6307 appears in Box 15.","Two copies of the photograph with numbers RP-1830 : Photo-6293 and RP-1847: Photo-6310 appear in Box 15.","Two copy photographs with numbers BW-5902 appear in Box 14.","A duplicate copy with number BW-2349d appears in Box 16.","Two duplicate copies with numbers BW-2349a and BW-2349c appear in Box 16.","A duplicate copy appears in Box 16.","A duplicate copy of the photograph appears in Box 16.","A second copy of the photograph with number RP-1859 : Photo-6322ii appears in Box 16.","A duplicate copy of the photograph appears in Box 16.","A duplicate copy of the photograph appears in Box 16.","A duplicate copy of the photograph appears in Box 16.","A duplicate copy of the photograph appears in Box 16.","There are two copies of this photo. The identifier for the second photograph is RP-1929 ; Photo-6392 ; J-1585. The dimensions are 8 in. x 10 in. It is found in box 17.","This photo has another copy. Dimensions: 10 in.x 7 15/16. Identifier: RP-1931 ; Photo-6394ii ; BW-J-1595. Copy is found in box 17.","This photograph has a duplicate. Dimensions: 9 15/16 in. x 8 in. Identifier: RP-1944 ; Photo-6407 ; BW-J-1591. Found in box 17.","There are two copies of this photo found in box 17. Dimensions: 8 1/16 in. x 6 1/8 in. Identifer: RP-1942 ; Photo-6405ii. Dimensions: 8 1/8 in. x 6 1/8 in. Identifier: RP-1937 ; Photo-6400","There are two other copies of this photo found in box 17. Dimensions: both 7 7/8 in. x 10 in. Identifiers: RP-1947 ; Photo-6410ii ; J-1588 and RP-1961 ; Photo-6424 ; J-1588.","There are two other copies of this photograph in box 17. Dimensions: 9 7/8 in. x 7 13/16 in. Identifiers: RP-1928 ; Photo-6391 ; J-1589 and RP-1950 ; Photo-6413 ; J-1589.","There are two copies of this photo in box 17. Identifiers: RP-1957 ; Photo-6420i ; J-1590 and RP-2957 ; Photo-6420ii ; J-1590. Dimensions: 10 in. x 7 15/16 in. and 10 in. x 7 7/8 in.","There are two other copies of this photo in box 17. Dimensions: 10 in. x 7 7/8 in. Identifiers: RP-1969 ;Photo-6432a ; J-1587 and RP-1952 ; Photo-6415ii ; J-1587.","There are two copies of this photogarph in box 17. Dimensions: 10 in. x 7 13/16 in. and 10 in. x 7 13/16 in.   Identifier: RP-1953 ; Photo-64iii ; Neg-57 and RP-1969 ; Photo-6432b ; BW-57","There are two copies of this photograph in box 17. Identifiers: RP-1955 ; Photo-6418ii. and RP-1959 ; Photo-6422. Dimensions: 7 15/16 in. x 10 in. and 6 5/16 in. 9 3/8 in.","There are two copies of this photogrpah in box 18. Dimensions: 9 7/8 in. x 6 11/16 in. and 9 7/8 in. x 6 11/16 in. Identifiers: RP-1986 ; Photo-6449 and RP-1992 ; Photo-6454.","There is a copy of this photogrpah in box 17. Dimensions: 5 in. x 3 3/4 in. Identifier: RP-1975 ; Photo-6438ii.","There is a copy of this photo in box 18. Dimensions: 6 1/2 in. x 4 3/4 in. Identifer: RP-1981 ; Photo-6444cii","There are two copies of this photograph in box 18. Dimensions: both 5 1/16 in. x 3 15/16 in. Identifers: RP-1991 ; Photo-6453iii and RP-1991 ; Photo-6453ii.","There is a copy of this photograph in box 18. Dimensions: Overall: 4 7/8 in. x 7 7/8 in. Photograph: 4 11/16 in. x 6 3/4 in. Identifier: RP-1996 ; Photo-6458ii","There is a copy of this photograph in box 18. Dimensions: 8 in. x 9 15/16 in. Identifiers: RP-2025 ; Photo-6487","There are two copies of this photograph in box 18. Dimensions: 9 3/4 in. x 7 13/16 in. and 9 3/4 in. x 7 9/16 in. Identifiers: RP-2036 ; Photo-6498a and RP-2021 ; Photo-6483a","There are two copies of this photogrpah in box 18. Identifiers: RP-2045 ; Photo-6507 ; J-1602 and RP-2022 ; Photo-6484a ; J-1601. Dimensions: 8 1/16 in. x 9 7/8 in. and 8 1/8 in. x 10 in.","There is a copy of this photograph in box 18. Dimensions: 8 in. x 9 7/8 in. Identifier: RP-2047 ; Photo-6509a ; J-1626","There are two copies of this photograph in box 18. Identifers: RP-2024 ; Photo-6486ii ; J-1600 and RP-2047 ; Photo-6509b ; J-1600. Dimensions: 8 in. x 10 in. and 8 1/16 in. x 9 7/8 in.","There are two copies of this photograph in box 18. Dimensions: 8 1/8 in. x 10 in. and 8 1/18 in. x 9 15/16. Identifiers: RP-2026 ; Photo-6488iii ; J-1596 and RP-2026 ; Photo-6488i ; J-1596.","There is a copy of this photograph in box 18. Identifier: RP-2027 ; Photo-6489i ; J-1634. Dimensions: 10 in. x 8 in.","There are two copies of this photograph in box 18. Identifiers: RP-2028 ; Photo-6490ii ; J-1599 and RP-2034 ; Photo-6496. Dimensions: 8 1/18 in. x 10 in. and 7 15/16 in. x 9 15/16 in.","There are three copies of this photograph in box 18. Dimensions: 10 in. x 8 1/16 in., 10 in. x 8 1/8 in., 10 in. x 8 1/8 in. Identifiers: RP-2029 ; Photo-6491i ; J-1603. RP-2029 ; Photo-6491ii ; J-1603. RP-2029 ; Photo-6491iii ; J-1603.","There is a copy of this photograph in box 18. Dimensions: 4 5/16 in. x 3 1/4 in. Identifiers: RP-2030 ; Photo-6492cii.","There are three copies of this photograph in box 18.  Identifiers and Dimensions: RP-2031 ; Photo-6493aii ; BW-1688 and 7 3/16 in. x 5 in, RP-2019 ; Photo-6481a and 7 in. x 4 15/16 in.,  RP-2031 ; Photo-6493aiii ; BW-1688 and 7 1/18 in. x 4 15/16 in.","There is a copy of this photograph in box 18. Identifier: RP-2046 ; Photo-6508 ; J-1624. Dimensions: 9 7/8 in. x 8 in.","There are two copies of this photograph in box 18. Identifiers: RP-2042 ; Photo-6504a ; J-1623 and RP-2038 ; Photo-6500. Dimensions: 10 in. x 8 in. and 9 15/16 in. x 7 15/16 in.","There is one copy of this photograph in box 18. Identifier: RP-2039 ; Photo-6501. Dimensions: 9 15/16 in. x 8 in. The back of this copy also includes text that says \" A.B. Hill Box 150 Wash. D.C.\"","There are two copies of this photograph in box 18. Identifiers: RP-2037 ; Photo-6499a ; BW-856 and RP-2049 ; Photo-6511i ; BW-856. Dimensions: 9 1/2 in. x 7 5/8 in. and 10 in. x 7 15/16 in.","There is a copy of this photograph in box 18. Identifier: RP-2055 ; Photo-6517ii ; BW-854. Dimensions: 10 in. x 8 in.","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","There is a copy of this photograph in box 19. Dimensions: 2 11/16 in. x 4 7/16 in. Identifiers: RP-2082 ; Photo-6543aii","There is a copy of this photograph in box 19. Dimensions: 4 15/16 in. x 3 1/2 in. Identifier: RP-1885 ; Photo-6348b ; 1176a","There is a 10 in. x 8 1/8 in. duplicate cop of this image (with the accession number RP-2112 ; Photo-6574a) in Box 19.","Similar image in Box 19 (with the accession number BW-2724) and  the difference between the photos is that the bowling green gate is closed.","Similar image in Box 19 (with the accession number BW-2723) and  the difference between the photos is that the bowling green gate is open.","A 4 7/8 in. x 3 1/8 in. duplicate copy (with accession number RP-2117 ; Photo-6579) appears in Box 19 and has a handwritten date on the front \"Jan. 10, 1932.\"","An 10 in by 8 in. duplicate copy (with accession number 'BW-778' appears later in Box 19.","Similar image appears under the accession number \"BW-921\" with the difference being the prientation of the tractor. This image is looking straight on rather than from behind.","A similar photograph appears under the accesion number \"BW-920\" with the difference being the orientation of the tractor; Mr. wall is viewing it from behind rather than straight on.","A 5 in. x 3 7/16 in. copy with the acession number \"RP-2144 ; Photo-6607bii\" appears in Box 20.","Related image appears in Box 20, one of the unidentified workers is standing in the unmowed grass as if to indicate its height. This image has the accession number \"BW-1258a.\"","A 5 in. x 3 7/16 in copy with the accession number \"RP-2144 ; Photo-6607ai\" appears in Box 20.","Related image appears in Box 20 with the accession number \"BW-1258.\" This image is of two workers posing on their mower after finishing a portion of the 12-acre field.","A 5 in. x 3 1/8 in. copy appears in Box 20 with the accession number \"RP-2140 ; Photo-6605ai\" on the reverse of the image.","Similar image appears in Box 20 with the difference being that the Mansion is visible in the background","Similar image appears in Box 20 with the only difference being that there is no Mansion in the background.","A '10 in. x 8 in.' copy of this image is in Box 20.","A 6 7/8 in. x 4 15/16 in. duplicate copy appears in Box 20 with accession number \"RP-2153 ; Photo-6616a.\" A duplicate copy with the accession number \"RP-2153 ; Photo-6616b\" and dimensions \"8 in. x 6 1/8 in.\" appears in Box 20.","A 10 in. x 8 in. duplicate photograph appears in Box 20 with the accession number \"RP-2154 ; Photo-6617ii.\"","A 8 in. x 10 in. copy photograph with the accession number \"RP-2175 ; Photo-6639\" appears in Box 20.","A 10 in. x 8 in. copy photograph with the accession number \"RP-2173 ; Photo-6637\" appears in box 20.","a 10 in. x 8 in. copy photograph with the accession number \"RP-2174 ; Photo-6638\" appears in box 20.","A 9 9/16 in. x 7 1/2 in. copy with the accessoin number \"RP-2183 ; Photo-6647i\" appears in Box 20.","A 9 9/16 in. x 7 5/8 in. copy photograph with the accession number \"RP-2204 ; Photo-6665ii\" appears in Box 20.","A 10 in. x 8 1/16 in. copy photograp with the accession numbers \"J-1583\" and \"RP-2211 ; Photo-6672aii\" appears in Box 20.","A 9 5/8 in. x 7 11/16 in. copy photograph appears in Box 20 with the accession numbers \"C-2455\" and \"RP-2210 ; Photo-6671ii\" appearing on the reverse of the image.","A 9 3/4 in. x 7 7 5/8 in. copy with the accession number \"RP-2219 ; Photo-6680aiv\" appears in Box 20.","A 9 7/8 in. x 7 11/16 in. copy with the accession number \"RP-2219 ; Photo-6680aii\" appears in Box 20.","A 9 7/8 in. x 7 11/16 in. copy with the accession number \"RP-2219 ; Photo-6680aiii\" appears in Box 20.","A 9 13/16 in. x 7 5/8 in. copy with the accession number \"RP-2219 ; Photo-6680ai\" appears in Box 20.","A 9 3/4 in. x 7 5/8 in. copy appears in the reverse of the image with the accession number \"RP-2220 ; Photo-6681ii.\"","A 3 3/8 in. x 2 1/2 in. copy photograph appears in Box 20 with the accession number \"RP-2234 ; Photo-6692ii.\"","A 10 in. x 8 in. copy photograph appears in Box 20 with the accession numbers \"BW-5898\" and \"RP-326 ; PG-555b.\"","A 5 1/16 in. x 4 in. copy appears in Box 21 pasted onto a yellow piece of cardstock with another image. The copy has two accession numbers which are \"BW-472\" and \"RP-2243 ; Photo-6701ii.\"","A 10 in. x 8 in. copy photograph appears in Box 21 with the accession number \"BW-814b.\"","A 10 in. x 8 in. copy photograph appears in Box 21 with the accession number \"J-1613.\"","An 8 in. x 10 in. copy photograph appears in Box 21 with accession number \"RP-2246 ; Photo-6704.\"","The photograph is glued to a piece of paper with another image below it on the paper with the accession numbers \"BW-383c\" and \"RP-2238 ; Photo-6716d.\"","The photograph is glued to a piece of paper with another image above it on the paper with the accession numbers \"BW-383a\" and \"RP-2238 ; Photo-6716b.\"","The photograph is glued to a piece of paper with another image on the rightof the paper with the accession numbers \"BW-383\" and \"RP-2258 ; Photo-6716a.\"","The photograph is glued to a piece of paper with another image on the rightof the paper with the accession numbers \"BW-383b\" and \"RP-2258 ; Photo-6716c.\"","A duplicate photograph appears in Box 21 with the accession number \"RP-2260 ; Photo-6718i.\"","A copy photograph with the accession number \"RP-2274 ; Photo-6732ii\" appears in Box 20.","A copy photograph with the accession number \"RP-2274 ; Photo-6732iii\" appears in Box 20.","A 4 1/2 in. x 2 3/4 in. copy photograph with the accession number \"RP-2288 ; Photo-6746\" appears in ox 21.","8 in. x 5 1/4 in. copy photograph appears in Box 21 with the accesson number \"RP-2288 ; Photo-6746bi.\"","Print made from glass negative - 2024-VR-016-003","See DA_001810","A duplicate copy appears in Box 6.","Two copies of the photograph in Box 9.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","Same as photograph - RP-1133 (retro) ; Photo-5582a","Cabinet card photograph same as RP-3216 ; Waldsmith CC13 - DA_003489","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Same as cabinet card RP-3216 ; Waldsmith CC08 - DA_003484","Cabinet card same as RP-3216 ; Waldsmith CC08 - DA_003484","Same as cabinet card RM-255 - DA_004011","Same as cabinet card RP-3216 ; Waldsmith CC10 - DA_003486","Cabinet card same as DA_004017","Cabinet card same as RP-3216 ; Waldsmith CC17 - DA_003493","Cabinet card same as RP-88 ; PG-5012 - DA_004019","Cabinet card same as RP-3220 ; Photo-7188b - DA_004021","Cabinet card same as RP-3220 ; Photo-7188b - DA_004021","Cabinet card same as RP-3220 ; Photo-7188b - DA_004021","Cabinet card same as RP-3220 ; Photo-7188a - DA_004022","Cabinet card same as R-393 ; Pg-1248 - DA_004023","Cabinet card same as RP-3216 ; Waldsmith CC01 - DA_003477","Cabinet card same as RP-3216 ; Waldsmith CC01 - DA_003477","Cabinet card same as DA_004024","Cabinet card same as DA_004028","Cabinet card same as DA_004028","Cabinet card same as DA_004029","Same as cabinet card RP-3216 ; Waldsmith CC18 - DA_003494","Cabinet card sames as DA_004035","Cabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496","Cabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496","Cabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496","Cabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496","Cabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496","Same as cabinet card DA_004036","Same as DA_004038","Cabinet card same as RP-883 ; Photo-5299 - DA_004040","Cabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495","Cabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495","Cabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495","Cabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495","Cabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001","Cabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001","Cabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001","Cabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001","Same as cabinet card R-393 ; Pg-1253 - DA_004045","Similar to cabinet card\t2016-VR-018 - DA_001393","Same as cabinet card - DA_004046","Same as cabinet card - DA_004048","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-231 ; Photo-5236 - DA_000623","Same as cabinet card RP-231 ; Photo-5236 - DA_000623","Same as cabinet card RP-231 ; Photo-5236 - DA_000623","Same as cabinet card - DA_004054","Same as cabinet card - DA_004054","Same as cabinet card DA_004054","Same as cabinet card DA_000081","Cabinet card same as DA_000081","Same as cabinet card DA_000081","Same as cabinet card RP-176 ; Photo-5157b - DA_004059","Similar to cabinet card RP-176 ; Photo-5157b - DA_004059","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-176 ; Photo-5158a - DA_004060","Same as cabinet card RP-88 ; PG-5007 - DA_001081","Same as cabinet card RP-88 ; PG-5007 - DA_001081","Same as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079","Same as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079","Same as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079","Same as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079","Same as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079","Cabinet card same as R-393 ; PG-1258 - DA_000034","Same as cabinet card RP-88 ; PG-5006 - DA_001363","Same as cabinet card RP-255 - DA_001365","Same as cabinet card PG-68 - DA_001366","Same as cabinet card PG-68 - DA_001366","Same as cabinet card PG-68 - DA_001366","Same as cabinet card [no accession #] - DA_001367","Same as cabinet card [no accession #] - DA_001367","Same as cabinet card RP-1025 ; Photo-5465 - DA_001368","Same as cabinet card RP-1025 ; Photo-5465 - DA_001368","Same as cabinet card RP-825 ; Photo-5231 - DA_001369","Same as cabinet card R-380 ; PG-1223 - DA_001372","Same as cabinet card R-380 ; PG-1223 - DA_001372","Same as cabinet card RP-255 - DA_004063","Same as cabinet card RP-255 - DA_004063","Same as cabinet card - DA_004065","Samea as cabinet card - DA_004065","Same as cabinet card - DA_004065","Same as cabinet card RP-3216 ; Waldsmith CC37 - DA_003615","Same as cabinet card RP-3216 ; Waldsmith CC37 - DA_003615","Same as cabinet card RP-3216 ; Waldsmith CC37 - DA_003615","Same as cabinet card RP-3216 ; Waldsmith CC38 - DA_003616","Same as cabinet card RP-916 ; Photo-5348c - DA_004066","Same as cabinet card RP-3216 ; Waldsmith CC39 - DA_003617","Same as cabinet card RP-231 ; Photo-5239 - DA_001068","Same as cabinet card RP-231 ; Photo-5235 - DA_004071","Same as cabinet card RP-3216 ; Waldsmith CC48 - DA_003624","Same as cabinet card RP-3216 ; Waldsmith CC49 - DA_003625","Same as cabinet card RP-3216 ; Waldsmith CC54 - DA_003631","Same as cabinet card 2018-VR-021 - DA_002472","Same as cabinet card 2018-VR-021 - DA_002472","Same as cabinet card - DA_004073","Same as cabinet card - DA_004074","Same as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630","Same as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630","Same as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630","Same as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630","Same as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630","Similiar to cabinet card RP-3216 ; Waldsmith CC59 - DA_003635","Same as cabinet card RP-3216 ; Waldsmith CC57 - DA_003634","Same as cabinet card R-380 ; PG-1224 - DA_004077","Same as cabinet card R-380 ; PG-1224 - DA_004077","Same as cabinet card RP-3216 ; Waldsmith CC45 - DA_003628","Same as cabinet card RP-3216 ; Waldsmith CC44 - DA_003622","Same as cabinet card - DA_004094","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 209; Image identifier - DA_003399","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 209; Image identifier - DA_003399","Stereograph same as RP-14 ; St-3035; Image identifier - DA_000060","Stereograph same as RP-14 ; St-3035; Image identifier - DA_000060","Stereograph same as RP-14 ; St-3035; Image identifier - DA_000060","Stereograph same as RP-14 ; St-3035; Image identifier - DA_000060","Stereograph same as RP-14 ; St-3035; Image identifier - DA_000060","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 147; Image identifier - DA_003340","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 147; Image identifier - DA_003340","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 034; Image identifier - DA_003205","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 001; Image identifier - DA_001047","Stereograph same as 2019-VR-009; Image identifier - DA_002546","Stereograph same as A-809 ; Photo-4928; Image identifier - DA_000044","Stereograph same as A-809 ; Photo-4928; Image identifier - DA_000044","Stereograph same as RP-7; Image identifier - DA_000051","Stereograph same as RP-7; Image identifier - DA_000051","Stereograph same as RP-3196 ; Photo-7159q; Image identifier - DA_000899","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256","Stereograph same as 2018-VR-022.013; Image identifier - DA_002521","Stereograph same as 2018-VR-022.013; Image identifier - DA_002521","Stereograph same as RP-3216 ; ST-7154 ; Waldsmith 005; Image identifier - DA_002578","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 039; Image identifier - DA_003211","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 230; Image identifier - DA_003416","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 162; Image identifier - DA_003353","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 162; Image identifier - DA_003353","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 162; Image identifier - DA_003353","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 203; Image identifier - DA_003394","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 204; Image identifier - DA_003395","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 163; Image identifier - DA_003354","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 163; Image identifier - DA_003354","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 163; Image identifier - DA_003354","Stereograph same as 2019-VR-027.020; Image identifier - DA_002565","Stereograph same as 2019-VR-027.020; Image identifier - DA_002565","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 214; Image identifier - DA_001322","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 214; Image identifier - DA_001322","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 225; Image identifier - DA_003411","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 225; Image identifier - DA_003411","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 225; Image identifier - DA_003411","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 224; Image identifier - DA_003410","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 043; Image identifier - DA_001823","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 189; Image identifier - DA_003378","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 189; Image identifier - DA_003378","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 016; Image identifier - DA_002487","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 016; Image identifier - DA_002487","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 051; Image identifier - DA_003246","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 130; Image identifier - DA_003327","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 004; Image identifier - DA_002577","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 139; Image identifier - DA_003335","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 139; Image identifier - DA_003335","Same as stereograph - RP-370","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 221; Image identifier - DA_003406","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 221; Image identifier - DA_003406","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 221; Image identifier - DA_003406","Stereograph same as RP-22 ; St-3045; Image identifier - DA_000049","Stereograph same as RP-22 ; St-3045; Image identifier - DA_000049","Stereograph same as RP-3 ; St-3008; Image identifier - DA_000048","Stereograph same as RP-3 ; St-3008; Image identifier - DA_000048","Stereograph same as RP-3 ; St-3008; Image identifier - DA_000048","Stereograph same as RP-3 ; St-3008; Image identifier - DA_000048","Stereograph same as RP-3 ; St-3008; Image identifier - DA_000048","Stereograph same as St-3069; Image identifier - DA_000011","Stereograph same as St-3069; Image identifier - DA_000011","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 137; Image identifier - DA_003333","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 137; Image identifier - DA_003333","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 137; Image identifier - DA_003333","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 140; Image identifier - DA_003336","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 140; Image identifier - DA_003336","Stereograph same as RP-22 ; St-3048/b; Image identifier - DA_001374","Stereograph same as St-3078; Image identifier - DA_003683","Stereograph same as St-3078; Image identifier - DA_003683","Stereograph same as St-3078; Image identifier - DA_003683","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 041; Image identifier - DA_000017","Stereograph same as image identifier - DA_001378","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 222; Image identifier - DA_003408","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as St-3079 ; Image identifier - DA_003700","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 048; Image identifier - DA_000016","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 036; Image identifier - DA_000018","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 036; Image identifier - DA_000018","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 036; Image identifier - DA_000018","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 142; Image identifier - DA_001046","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 138; Image identifier - DA_003334","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 138; Image identifier - DA_003334","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 138; Image identifier - DA_003334","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 022; Image identifier - DA_002593","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 022; Image identifier - DA_002593","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 022; Image identifier - DA_002593","Stereograph same as RP-678 ; Photo-4823","Stereograph same as RP-3216 ; ST-7154 ; Waldsmith 013; Image identifier - DA_002587","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 038; Image identifier - DA_003210","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 038; Image identifier - DA_003210","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 058; Image identifier - DA_003257","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 038; Image identifier - DA_003257","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 165; Image identifier - DA_003356","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 165; Image identifier - DA_003356","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 165; Image identifier - DA_003356","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 023; Image identifier - DA_002594","Stereograph same as RP-6 ; St-3015; Image identifier - DA_001793","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 174; Image identifier - DA_003364","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 174; Image identifier - DA_003364","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 174; Image identifier - DA_003364","Stereograph same as 2019-VR-027.018; Image identifier - DA_002568","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 047; Image identifier - DA_003240","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 047; Image identifier - DA_003240","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 010; Image identifier - DA_002584","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 227; Image identifier - DA_003414","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 183; Image identifier - DA_003373","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 217; Image identifier - DA_003403","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 217; Image identifier - DA_003403","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 218; Image identifier - DA_003404","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 218; Image identifier - DA_003404","Stereograph same as 2019-VR-027.019; Image identifier - DA_002569","Stereograph same as RP-3216; ST-7184; Waldsmith 098; Image identifier - DA_003300","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 193; Image identifier - DA_003382","See other photographs taken as part of series: 2019-VR-017.002 and 2019-VR-017.003","See other photographs taken as part of series: 2019-VR-017.001 and 2019-VR-017.003","See other photographs taken as part of series: 2019-VR-017.001 and 2019-VR-017.002","see DA_003766","see DA_003762","see DA_003763","see DA_003764","see DA_004313","see DA_003765","see DA_001309","see DA_001310","see DA_001311","see DA_003767","see DA_004322","see DA_003770","see DA_003768","See DA_003774","see DA_003769","see - DA_003771","see DA_003776","see DA_003778","see DA_003780","see DA_003781","See DA_003784","See DA_003782","See DA_003783","See print made from negative - 2024-VR-016-004","See stereograph - RP-3216 ; ST-7184 ; Waldsmith 222 [Digital file - DA_003408]","The Historical Photograph Collection is largely comprised of materials created by or for the Mount Vernon Ladies' Association. Some of the earliest photographs of the estate were created and sold to visitors by the Association as a means of income. Those efforts helped to establish an important collection of 19th century views. The collection spans the 1850s to 2000s and includes over 140 linear feet of analog material providing a visual history of the Mansion, outbuildings, tombs, grounds, events, visitors, collection objects, personnel, and changes throughout the estate.","Col. James Hollingsworth served as Superintendent for the Mount Vernon Ladies' Association from 1872-1885.","Col. James Hollingsworth served as Superintendent for the Mount Vernon Ladies' Association from 1872-1885.","James Louis Petigru (1789-1863) of  Charleston, South Carolina, eminent lawyer and political leader. Mr.Petigru drew up the Charter granted to the Mount Vernon Ladies' Association in 1858. It is this same Charter underwhich the Association holds Mount Vernon today.","James Louis Petigru (1789-1863) of Charleston, South Carolina, eminent lawyer and political leader. Mr.Petigru drew up the Charter granted to the Mount Vernon Ladies' Association in 1858. It is this same Charter underwhich the Association holds Mount Vernon today.","Willliam Lowndes Yancey (1814-1863) of Alabama. This famous statesman and lawyer raised over $3,000 for the Mount Vernon Fund in Alabama.","The Washignton, Alexandria and Mount Vernon Electric Railway offered transportation to Mount Vernon from 1892-1930.","Photograph print copied from ambrotype made in 1858, during the wedding trip of Mr. and Mrs. Warren O. Nettleton of Fair Haven, Connecticut. Photograph furnished by Walker O. Nettleton (grandson) on May 3, 1941/","Black and white photographic print of Thomas Rossiter's painting 'Visit of the Prince of Wales, President Buchanan, and Dignitaries to the Tomb of Washington at Mount Vernon, October 1860,' found in the collection at the Smithsonian American Art Museum [1906.9.18], 8 copies. Several copies include a key to the individuals portrayed in the painting.","The Vice Regent for the District of Columbia, Constance Ellen Tyler, brought an old family album containing the photograph of the Queen of Hawaii and her party at Mount Vernon on May 6, 1887. Mount Vernon staff member Robert B. Fisher re-photographed the pictures on March 1, 1961 for the Mount Vernon archives.","Reproduction by Mount Vernon staff member Robert B. Fisher of view of south end of Mansion and piazza around 1885 with group of visitors posing on the east lawn. Baby on lap is Frank L. West who allowed Mount Vernon to photograph this picture during his visit in May 1966. Likely original photograph was Luke C. Dillon.","Copy photograph provided by the Office of the Curator at the Supreme Court of the United States. Hughes became a Supreme Court Chief Justice in the 1930s.","Copy photograph of Brayton Scott and Maggie Wood Scott posing with other visitors at Mount Vernon. The Scotts visited Mount Vernon during their wedding trip in 1890. Photograph provided by Jane Frelick, wife of Robert W. Frelick, M.D. who was the grandson of Mr. and Mrs. Scott.","Mount Vernon experienced thousands of visitors from the G.A.R. daily throughout September 19-24, 1892. Visitors traveled by boat and by way of the newly constructed electric railway to Mount Vernon.","Issued as 'Gift No. 140' for purchase of a book from H. E. Hoyt \u0026 Co.'s gift book store in Baltimore, Maryland. Gift book stores offered a prize with each purchased volume. Each book had a number or code on it corresponding to a random prize.","This is a preliminary and incomplete proof; the sole property of Detroit Publishing Co. which reserves all rights of use. It is loaned on express condition of being returned without publication.","Photo Archives of the Mount Vernon Ladies' Association","Mount Vernon Ladies' Association of the Union","Detroit Publishing Co.","Commercial Photo Co.","Henry's Camera Center","Brown Brothers (New York, N.Y.)","Library of Congress","Wayne Studio and Photographic Color Laboratories","United States. Forest Service","F. W. Van Zile Popular Tours","United States. Federal Highway Administration","Associates' Photography and News Service","Washington star-news (Washington, D.C.) (1852-1981)","Kadel \u0026 Herbert News Service (New York)","Wide World Photos, inc.","Hart, Schaffner \u0026 Marx","Davis, Wick, Rosengarten Company, Inc.","Sunday Group Editorial Service","Sunday Sun Magazine","Smithsonian American Art Museum","Grand Army of the Republic","Washington Photo Co. (1900s)","Judd \u0026 Detweiler","Central News Photo Service","Bain News Service","National Pictorial News","American Legion","National Photo Company","Warner Bros. Pictures (1923-1967)","Boy Scouts of America","International News Photos (New York, N.Y.)","National Broadcast Company","Rembrandt Studios, Inc.","Freemasons. Alexandria-Washington Lodge, No. 22 (Alexandria, Va.)","Washington Times-Herald","Acme Newspictures (New York, N.Y.)","U. S. Army Signal Corps","United States Information Agency","Carl Byoir \u0026 Associates","Republic Aviation Corporation","White House (Washington, D.C.)","Frick Art Reference Library (New York)","Corcoran Gallery of Art","Allen \u0026 Horton","Wenderoth, Taylor \u0026 Brown","Boude \u0026 Miley Photographers","Bell \u0026 Bro. (Washington, D.C.)","Currier \u0026 Ives","Whitehurst Gallery (Washington, D.C.)","Seeley \u0026 Murphy","R. F. Field \u0026 Co.","American Stereoscopic Company","Langenheim, Loyd \u0026 Co.","E. \u0026 H.T. Anthony (Firm)","London Stereoscopic Company","Underwood \u0026 Underwood","H.C. White Co.","Berry, Kelley \u0026 Chadwick","American Colortype Company","Kilburn Brothers","International View Co.","Stereo-Travel Co.","R. Newell \u0026 Son","Centennial Photographic Co.","Rudolph Lesch Fine Arts, Inc.","Young People's Christian Union (Founded 1893)","Israel \u0026 Riddle. Stephen Israel","H. E. Hoyt \u0026 Co.","Beck Engraving Company","McIntosh Stereopticon Co.","Williams, Brown \u0026 Earle","Buffalo Society of Natural Sciences","A. D. Handy, Stereopticons and Supplies (Boston, Ma)","Soule Art Company","Washington and Lee University","American Museum of Natural History (New York)","New York (State) Education Department. Division of visual instruction. ","L. Manasse, Lantern Slides (Chicago)","Pennsylvania. State Museum (Harrisburg, PA)","Fisher, Robert B.","Dunlop, James R.","Leet Bros.","Abbott, Harold T.","Chamberlain, Samuel V., 1895-1975","Johnston, Frances Benjamin, 1864-1952","Dillon, Luke C., 1836-1904","Gardner, Alexander, 1821-1882","Wall, Charles Cecil, 1903-1995","Rowe, Abbie, 1905-1967","Meek, James W.","Harris \u0026 Ewing","Brady, Mathew B., approximately 1823-1896","Penrose, Henry K.","Louden, Orren R.","Trowbridge, Raymond W., 1886-1936","Johnson, N. G.  (Newton G.)","Parker, Edmund, 1827-1898","Bushrod, Thomas, 1825-1902","Jarvis, J. F.  (John Fillis), 1849-1931","Glocker, Charles Peyton","Glocker, Marietta Rodgers Cooper, 1845-1920","Davis, V. C.","Simms, Charles","Graham, Albert Belmont, 1868-1960","Woltz, Lewis P.","Baker, Reid S.","Laverty, H.J. ","Lossing, Benson John, 1813-1891","Bailey, Worth, 1908-1980","Sprouse, Edith Moore","Lehman, Harry","Williams, Morley Jeffers, 1886-1977","Dodge, Harrison Howell, 1852-1937","Petitt, Arthur","Grimsley, Norman","Doughton, Page","Kennedy, George","Hatch","Webster, John Wallace","Grimsley, Norman, 1890-1976","Maxey, Mary Frances Campbell","Cragg, Esther Thomas, 1900-1966","Ritter, H.H.","Hillers, J.K.","Gibbs, Edward C., 1893-1963","Gibbs, Francis T.","Loeb, Morris, 1878-1969","Neitzey, Wilfred Henry, 1895-1988","Wernle, Albert","Vandenberg, Arthur H., Senator, 1884-1951","Washington, George, 1732-1799","Battle, John Stewart, 1890-1972","Harkness, Hope Hodgman Powel, 1889-1974","Tarr, Irene Haley, 1898-1988","Furness, Anna Ramsey, 1876-1964","Isham, Elizabeth Totten","Tyler, Constance Ellen, 1911-1963","Burdick, Alison Ward, 1912-2007","Lamont, Elinor Miner, 1901-1972","Sullivan, Priscilla Manning, 1911-1994","Cabot, Nancy Graves, 1889-1969","Beirne, Rosamond Randall, 1894-1969","Moore, Susan Rutledge, 1906-1987","Platt, Page Anderson, 1899-1984","Bolton, Frances Payne Bingham, 1885-1977","Leary, Eliza Ferry, 1851-1935","Fisher, Amos","Herbert, Upton","Tracy, Sarah, 1820-1896","Hollingsworth, John McHenry, 1823-1889","Blake, Levi Lowell, 1830-1904","Burgess, William H., 1816-1893","Woodbridge, S. Homer (Samuel Homer), 1848","Young , James","Sully, Thomas, 1783-1872","Petigru, James Louis, 1789-1863","Fraser, Charles, 1782-1860","Yancey, William Lowndes, 1814-1863","Thomas, O. J. \"Buck\" (Oswald)","Rouse, Harrison Dodge","Cragg, James \"Finney\", 1898-1977","Washington, Julian H., 1894-1953","Craig, James Y., 1839-1926","Bailey, Olive, 1903-1980","Quander, Thomas H.","Ford, George F., 1859-1935","Kaessinger, Charles H.","Holland, William, 1887-1968","Heiberg, Anna Howell Dodge, 1877-1967","Lowther, Minnie Kendall, 1869-1947","Livingood, Lily Foster","Rouse, James B., 1896-1946","Killam, Charles W.","Rouse, William L.","Enersen, Lawrence","Permar, William Jones, 1856-1940","Lacey, Fred","Simms, Walter","Ayres, Tom","Collins, Howard","Rogers, Manuel","McCalley, Charles","Deavers, Linton, 1906-1968","Costello, Ernest","Miller, George W. (Willie)","Taylor, Roy","Morse, Frank","Clapp, Harvey, Jr.","Fredericks, Harold J.","Duvall, James Garfield (Jesse)","Barnwell, Edward","Sutliff, Shirley","Tindall, Joyce","Neitzey, Albert","Macomber, Walter","Simms, Sherman","Thane, Elswyth, 1900-1984","Embrey, Ernest","Dodson, Howard","Thomas, James","Jacobs, William","Hammond, Frank H.","Castellani, John A., 1944-1993","Dakin, Monta Lee","Rhodehamel, John, H.","Clark, Ellen McCallister, 1953-","Norton, Dean","Schrage-Norton, Susanne","Thompson, Mary V., 1955-","Gorham, Anne Huber","Miller, Johnnie J.","Bermingham, Philip","Harbour, John E.","Compton, Grant","Horstman, Neil W., 1946-2020","Payne, John Lee, Sr., 1943-2007","Embrey, Ernest \"Lee\", Jr.","Talbot, Robert \"Abie\"","Dawson, Kenneth","Keeler, Sue","Kennedy, Flora","St. Mars, Hope","Tancil, Gladys","Meadows, Christine, 1932-2013","Tisara, Nina","Sarbanes, Paul","Lee, Jane Carew, 1931-2019","Stanton, Robert George, 1940-","Connolly, Harry, 1952-","Funderburk, Charles F.","Todd, Scotty","Staten, Henry","Carter, Theodore M.","Miller, Rebecca","Eves, Ethel","McDermott, Charlie","Hayes, Rutherford B., 1822-1893","Hayes, Lucy Webb, 1831-1889","Halsted, Nancy Marsh, 1817-1891","Hudson, Susan Edwards Johnson, 1825-1913","Gould, Jay, 1836-1892","Harrison, Benjamin, 1833-1901","Morton, Levi P.  (Levi Parsons), 1824-1920","McKinley, William, 1834-1901","Heinrich, Prince of Prussia, 1862-1929","Edison, Thomas A. (Thomas Alva), 1847-1931","Daniels, Josephus, 1862-1948","Comegys, Harriet Clayton, 1840-1927","Townsend, Justine Van Rensselaer, 1828-1912","Joffre, Joseph Jacques Césaire, 1852-1931","Viviani, René, 1863-1925","Balfour, Arthur James, 1848-1930","Foster, George E., Sir (George Eulas), 1847-1931","Lansing, Robert, 1864-1928","Riggs, Jane Agnes, 1854-1930","Moncheur, Ludovic, Baron, 1857-1940","Vesnić, Milenko, 1863-1921","Reading, Rufus Daniel Isaacs, Marquess of, 1860-1935","Lang, Cosmo Gordon, 1864-1945","Tokugawa, Iesato, 1863-1940","Albert I, King of the Belgians, 1875-1934","Marshall, Thomas R. (Thomas Riley), 1854-1925","Léopold III, King of the Belgians, 1901-1983","Elisabeth, Queen, consort of Albert I, King of the Belgians, 1876-1965","Foster, Victorine Du Pont, 1849-1934","Townsend, Amy Cornell","Marshall, Lois Irene Kimsey, 1873-1958","Baker, Newton Diehl, 1871-1937","Windsor, Edward, Duke of, 1894-1972","Phillips, William, 1878-1968","Gouraud, Henri, 1867-1946","Calles, Plutarco Elías, 1877-1945","Wright, J. Butler  (Joshua Butler), 1877-1939","George, David Lloyd, 1863-1945","Marie, Queen, consort of Ferdinand I, King of Romania, 1875-1938","Howard, Eleanor Washington, 1856-1937","Whitehill, Clarence, 1871-1932","Curtis, Charles, 1860-1936","Hoover, Herbert, 1874-1964","Hoover, Lou Henry, 1874-1944","Roosevelt, Eleanor, 1884-1962","Thayer, Pauline Revere, 1862-1934","Hart, Laurance H.","Roosevelt, Franklin D.  (Franklin Delano), 1882-1945","Damtew, Desta, Ras, 1892-1937","Richards, Alice Haliburton King, 1860-1936","Peery, George Campbell, 1873-1952","Peery, Nancy Gillespie, 1882-1963","Page, Roswell, 1858-1939","Call, Norman, 1880-1959","Smoot, William Albert, 2nd, 1878-1941","Watson, Edwin M.  (Edwin Martin), 1883-1945","Bastedo, Paul, 1887-1951","Buchan, John, 1875-1940","Stirl, George S.","George VI, King of Great Britain, 1895-1952","Elizabeth, Queen, consort of George VI, King of Great Britain, 1900-2002","Lamb, William Harrison","Marler, Howard B.","Towner, Harriet C. (Harriet Cole), 1869-1942","Qualters, Thomas","Bloom, Sol, 1870-1949","Lindsay, Ronald C., 1877-1945","Lindsay, Elizabeth Sherman Hoyt, 1885-1954","Somoza, Anastasio, 1896-1956","Somoza, Salvadora Debayle, 1895-1987","Juliana, Queen of the Netherlands, 1909-2004","Churchill, Winston, 1874-1965","Prado y Ugarteche, Manuel, 1889-1967 ","Petar II Karađorđević, King of Yugoslavia, 1923-1970","Darden, Colgate W. (Colgate Whitehead), 1897-1981","Wallington, Jimmy","Moncure, Henry T.","Chiang, May-ling Soong, 1897-2003","Brown, Wilson, 1882-1957","Peñaranda Castillo, Enrique, 1892-1969","Beneš, Edvard, 1884-1948","Billups, Mary Govan, 1874-1971","Failing, Mary Forbush, 1862-1947","Denham, Mary Simkins, 1868-1950","Loughborough, Louise Wright, 1881-1962","Hanks, Mary Esther Vilas, 1873-1959","Carpenter, Harriet Isham, 1869-1948","Morínigo, Higinio, 1897-1983","Mikołajczyk, Stanisław, 1901-1966","Gaulle, Charles de, 1890-1970","Hoppenot, Henri","Sveinn Björnsson, 1881-1952","Thor Thors, 1903-1965","Grau San Martín, Ramón, 1887-1969","ʻAbd al-Ilāh, Prince, 1913-1958","Ríos Morales, Juan Antonio, 1888-1946","Stelle, John H., 1891-1962","Cassell, C. Abayomi (Christian Abayomi)","Bevin, Ernest, 1881-1951","Saud, King of Saudi Arabia, 1902-1969","Alexander of Tunis, Harold Rupert Leofric George Alexander, Earl, 1891-1969","Truman, Harry S., 1884-1972","Patterson, Robert Porter, 1891-1952","Alemán, Miguel, 1905-1983","Marshall, George C. (George Catlett), 1880-1959","Clark, Tom C. (Tom Campbell), 1899-1977","Thurmond, Strom, 1902-2003","Thurmond, Jean Crouch, 1926-1960","Dutra, Eurico Gaspar, 1883-1974","Nehru, Kamala, 1899-1936","Nehru, Jawaharlal, 1889-1964","Gandhi, Indira, 1917-1984","Franks, Oliver, Baron, 1905-1992","Elizabeth II, Queen of Great Britain, 1926-","Philip, Prince, consort of Elizabeth II, Queen of Great Britain, 1921-2021","Simmons, John F. (John Farr), 1892-1968","Akihito, Emperor Emeritus of Japan, 1933-","Paul I, King of the Hellenes, 1901-1964","Frederika, Queen, consort of Paul I, King of the Hellenes, 1917-1981","Rhee, Syngman, 1875-1965","Haile Selassie I, Emperor of Ethiopia, 1892-1975","Tubman, William V. S., 1895-1971","Warren, Romayne Latta, 1877-1968","Magloire, Paul Eugène, 1907-2001","Scelba, Mario, 1901-","Martino, Gaetano, 1900-1967","Phibūnsongkhrām, Plǣk, 1897-1964","Nu, U, 1907-1995","Albert II, King of the Belgians, 1934-","Conger, Clement E.","Cunha, Paulo, 1908-1986","Robertson, Albert James, 1893-1978","Broyhill, Joel T.  (Joel Thomas), 1919-2006","Buxton, Clarence Edward, 1888-1978","Soekarno, 1901-1970","Cumming, Hugh S. (Hugh Smith), Jr., 1900-1986","Kishi, Nobusuke, 1896-1987","Giscard d'Estaing, Valéry, 1926-2020","Ford, Gerald R., 1913-2006","Cooke, Elizabeth Throckmorton, 1897-1993","Carter, Rosalynn","Bush, George, 1924-2018","Hussein, King of Jordan, 1935-1999","Bush, Laura Welch, 1946-","Bush, George W. (George Walker), 1946- ","Slaughter, Philip, Reverend, 1808-1890","Sharples, James, 1752-1811","Houdon, Jean-Antoine, 1741-1828","Mills, Clark, 1810-1883","Crosby, Ellen Lovell, 1853-1942","Crosby, Virginia Van Stone, 1888-1964","Merritt, J. D.","Mott, Agnes Peter, 1880-1957","Washington, Martha, 1731-1802","Kennon, Britannia Wellington Peter, 1815-1911","Bush, Margaret Gage","Everett, Edward, 1794-1865","Rockwood, George Gardner, 1832-1911","Farnsworth, Hannah Blake, 1802-1879","Lewis, Eleanor Parke Custis, 1779-1852","Gutekunst, Frederick, 1831-1917","McHenry, Mary","Mitchell, Jim, 1795-1870","Bufford, John Henry, 1810-1870","Nichols, David","Wright, Joseph, 1756-1793","Peale, Charles Willson, 1741-1827","Lee, Mary Randolph Custis, 1808-1873","Ferris, Stephen James, 1835-1915","Lincoln, Abraham, 1809-1865","Stuart, Gilbert, 1755-1828","Wollaston, John, 1710-1775?","Custis, George Washington Parke, 1781-1857","Leutze, Emanuel, 1816-1868","Worth, E. M. (Edwin M.), Professor, 1838-1917","Brewerton, George Douglas, 1820-1901","Whitehurst, Jesse Harrison, 1819-1875","Ingersoll, T. W. (Truman Ward), 1862-1922","Gibbs, J. (Joseph) Norman, 1855-1933","Lewis, Annie Burr Auchincloss, 1902-1959","Broadwell, Elizabeth Lytle","Sarony, Napoleon, 1821-1896","Dickinson, Alice London, 1814-1881","Eve, Philoclea Edgeworth Casey, 1813-1889","Pine, Robert Edge, 1730?-1788","Harper, Emily L. (Emily Louisa), 1812-1892","Rinehart, A. E.  (Alfred Edward), 1851-1915","Hill, Alice Hale, 1840-1908","Miley, Michael, 1841-1918","Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834","Laughton, Lily Macalester Berghmans, 1832-1891","Platz, Max","Leiter, Mary Theresa, 1844-1913","Murat, Catherine Willis, 1803-1867","Thomas, Samuel A.","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Mary Ball, 1708-1789","Naramore, D. H. (Daniel H.)","Baulch, William","Loyd, William","Langenheim, Frederick, 1809-1879","Langenheim, William, 1807-1874","England, William, 1830-1896","Waldsmith, Robert, 1913-1993","Stacy, George, 1831-1897","White, Hawley C.","Singley,  B. L.  (Benjamin Lloyd)","Kelley, E. W., active 1868-1908","Cremer, James, 1821-1893","Bell, William, 1830-1910","Wasson, C. L. (Charles L.)","Newell, Robert, 1822-1897","Brown, Henry Kirke, 1814-1886","Tuttle, H. C.","Kilburn, B. W.  (Benjamin West), 1827-1909","Weil, P. F. (Peter F.)","Chase, W. M.  (William M.), approximately 1818-1901","Butler, Lucretia Wolcott Dodge, 1876-1914","Greenough, Horatio, 1805-1852","O'Donovan, William Rudolph, 1844-1920","Votaw, Albert H.  (Albert Hiatt), 1850-1931","Walker, Lewis E.  (Lewis Emory), 1822-1880","DeSouza, E.","Miller, Arthur C.","Ulman, Nathalia","Rau, William Herman, 1855-1920","Thurston, John H.","Thompson, E. B. (Ezra Bowen), 1865-1951","Pyle, Howard, 1853-1911","Van Altena, Edward, 1873-1968","Heyder, Augusta A.","Wilcox, William A. (William Alonzo), 1857-","English \n.    "],"unitid_tesim":["HPC","/repositories/4/resources/49"],"normalized_title_ssm":["Historical Photograph Collection"],"collection_title_tesim":["Historical Photograph Collection"],"collection_ssim":["Historical Photograph Collection"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Mount Vernon Ladies' Association of the Union"],"creator_ssim":["Mount Vernon Ladies' Association of the Union"],"creator_corpname_ssim":["Mount Vernon Ladies' Association of the Union"],"creators_ssim":["Mount Vernon Ladies' Association of the Union"],"has_online_content_ssim":["false"],"extent_ssm":["89 Linear Feet Variety of container sizes based on photograph sizes and material types. Over-sized items are housed in drawers."],"extent_tesim":["89 Linear Feet Variety of container sizes based on photograph sizes and material types. Over-sized items are housed in drawers."],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"altformavail_html_tesm":["\u003cp\u003e4 additional copies in sleeve: RP-1134 (retro) ; Photo-5583b, Photo-5583c, Photo-5583d, Photo-5583e\u003c/p\u003e","\u003cp\u003eSame as RP-3216 ; ST-7184 ; Waldsmith 162; see image DA_003353\u003c/p\u003e","\u003cp\u003eSame as RP-22 ; St-3053; see digital image DA_003750\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies","Existence and Location of Copies","Existence and Location of Copies"],"altformavail_tesim":["4 additional copies in sleeve: RP-1134 (retro) ; Photo-5583b, Photo-5583c, Photo-5583d, Photo-5583e","Same as RP-3216 ; ST-7184 ; Waldsmith 162; see image DA_003353","Same as RP-22 ; St-3053; see digital image DA_003750"],"arrangement_html_tesm":["\u003cp\u003eThe Historical Photograph Collection is an artifical collection organized in functional order. Items are first arranged by subject and then subsequently by media format and size.\u003c/p\u003e","\u003cp\u003e4 3/16 in. x 2 1/2 in.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The Historical Photograph Collection is an artifical collection organized in functional order. Items are first arranged by subject and then subsequently by media format and size.","4 3/16 in. x 2 1/2 in."],"bioghist_html_tesm":["\u003cp\u003eBuilding formerly referred to as \"schoolhouse,\" even though there is no evidence that this building was used for such a purpose.\u003c/p\u003e","\u003cp\u003eThis photo was taken from a building formerly called the schoolhouse but now called the garden house. There is no evidence to suggest it was ever used as a schoolhouse.\u003c/p\u003e","\u003cp\u003eThough this photo is titled schoolroom, there is no evidence that this building was used for such as purpose\u003c/p\u003e","\u003cp\u003eAlthough the title called the building a school house, there is no proof that the building was ever used for schooling\u003c/p\u003e","\u003cp\u003eAlthough this photograph shows the garden house with a \"SCHOOLROOM\" sign, there is no evidence to suggest it was ever used as a school house.\u003c/p\u003e","\u003cp\u003eThe building pictured in the photograph is the north garden house. There is no evidence to suggest it was ever used as a school room as indicated by the title.\u003c/p\u003e","\u003cp\u003eThough the photograph title states the distant building is a schoolhouse, there is not evidence to suggest that the building was used for such a purpose. Instead, it has been proven that it was a gardenhouse.\u003c/p\u003e","\u003cp\u003eThe Free Library of Philadelphia (freelibrary.org) states that this palm was displayed at the Horticultural Hall for the Centennial celebration in 1876.\u003c/p\u003e","\u003cp\u003eThough the title refers to the building as a school house, there is no evidence to suggest it was ever used for such a purpose. Thus, it is referred to as a garden house.\u003c/p\u003e","\u003cp\u003eThough the photograph titled \"The Kitchen Garden,\" the name Mount Vernon uses today is \"Lower Garden.\"\u003c/p\u003e","\u003cp\u003eThe name that Mount Vernon uses today to describe the building in the photograph is garden house, not seed house.\u003c/p\u003e","\u003cp\u003eThe name Mount Vernon uses today to call this garden is the lower garden, not the kitchen garden\u003c/p\u003e","\u003cp\u003eThe name Mount Vernon uses today for this garden is lower garden. The name Mount Vernon uses for the structure is garden house, not seed house\u003c/p\u003e","\u003cp\u003eToday, Mount Vernon uses the name garden house for the structure in the photograph.\u003c/p\u003e","\u003cp\u003eThe other name for the coffee bena tree is gymnocladus dioica\u003c/p\u003e","\u003cp\u003eStereograph same as 2019-VR-027.020; Image identifier - DA_002565\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Building formerly referred to as \"schoolhouse,\" even though there is no evidence that this building was used for such a purpose.","This photo was taken from a building formerly called the schoolhouse but now called the garden house. There is no evidence to suggest it was ever used as a schoolhouse.","Though this photo is titled schoolroom, there is no evidence that this building was used for such as purpose","Although the title called the building a school house, there is no proof that the building was ever used for schooling","Although this photograph shows the garden house with a \"SCHOOLROOM\" sign, there is no evidence to suggest it was ever used as a school house.","The building pictured in the photograph is the north garden house. There is no evidence to suggest it was ever used as a school room as indicated by the title.","Though the photograph title states the distant building is a schoolhouse, there is not evidence to suggest that the building was used for such a purpose. Instead, it has been proven that it was a gardenhouse.","The Free Library of Philadelphia (freelibrary.org) states that this palm was displayed at the Horticultural Hall for the Centennial celebration in 1876.","Though the title refers to the building as a school house, there is no evidence to suggest it was ever used for such a purpose. Thus, it is referred to as a garden house.","Though the photograph titled \"The Kitchen Garden,\" the name Mount Vernon uses today is \"Lower Garden.\"","The name that Mount Vernon uses today to describe the building in the photograph is garden house, not seed house.","The name Mount Vernon uses today to call this garden is the lower garden, not the kitchen garden","The name Mount Vernon uses today for this garden is lower garden. The name Mount Vernon uses for the structure is garden house, not seed house","Today, Mount Vernon uses the name garden house for the structure in the photograph.","The other name for the coffee bena tree is gymnocladus dioica","Stereograph same as 2019-VR-027.020; Image identifier - DA_002565"],"custodhist_html_tesm":["\u003cp\u003eItems in this collection were either created by or under contract by the Mount Vernon Ladies' Association or acquired by gift and purchase from various sources. Materials are added to the collection as they are acquired. For additional information please contact the Manager of Visual Resources.\u003c/p\u003e","\u003cp\u003eCardboard mount: 6 1/2 in. x 4 1/4 in. (16.4 cm x 10.7 cm); Photographic print: 5 7/8 in. x 3 7/8 in. (14.9 cm x 9.85 cm)\u003c/p\u003e","\u003cp\u003eCardboard mount: 6 1/2 in. x 4 1/4 in. (16.4 cm x 10.7 cm); Photographic print: 5 13/16 in. x 3 7/8 in. (14.8 cm x 9.9 cm)\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History","Custodial History"],"custodhist_tesim":["Items in this collection were either created by or under contract by the Mount Vernon Ladies' Association or acquired by gift and purchase from various sources. Materials are added to the collection as they are acquired. For additional information please contact the Manager of Visual Resources.","Cardboard mount: 6 1/2 in. x 4 1/4 in. (16.4 cm x 10.7 cm); Photographic print: 5 7/8 in. x 3 7/8 in. (14.9 cm x 9.85 cm)","Cardboard mount: 6 1/2 in. x 4 1/4 in. (16.4 cm x 10.7 cm); Photographic print: 5 13/16 in. x 3 7/8 in. (14.8 cm x 9.9 cm)"],"odd_html_tesm":["\u003cp\u003ePhotograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.\u003c/p\u003e","\u003cp\u003ePhotograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.\u003c/p\u003e","\u003cp\u003ePhotograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.\u003c/p\u003e","\u003cp\u003eThis type of flower is an orange lily. It is also known as the Orange Day-Lily, the Tawny Daylily, and the Tiger Daylily\u003c/p\u003e","\u003cp\u003eStamp on the reverse reads: This is a preliminary and incomplete proof; the sole property of Detroit Publishing Co. which reserves all rights of use. It is loaned on express condition of being returned without publication.\u003c/p\u003e","\u003cp\u003ePhotograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.\u003c/p\u003e","\u003cp\u003eSlighly oversized, stored along long edge of box.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General"],"odd_tesim":["Photograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.","Photograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.","Photograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.","This type of flower is an orange lily. It is also known as the Orange Day-Lily, the Tawny Daylily, and the Tiger Daylily","Stamp on the reverse reads: This is a preliminary and incomplete proof; the sole property of Detroit Publishing Co. which reserves all rights of use. It is loaned on express condition of being returned without publication.","Photograph is a copy made from a 5x7 negative and printed on a larger untrimmed sheet. Location of the original negative is unknown and was not part of the accession. Note in the file states photograph purchased from Volkmar Wentzel.","Slighly oversized, stored along long edge of box."],"originalsloc_html_tesm":["\u003cp\u003eNeed to confirm location of original. Photograph taken circa 1862.\u003c/p\u003e","\u003cp\u003eA copy of the photograph is in the same container - RP-2186 ; Photo-6650i\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["Need to confirm location of original. Photograph taken circa 1862.","A copy of the photograph is in the same container - RP-2186 ; Photo-6650i"],"phystech_html_tesm":["\u003cp\u003eBlack and white horizontal image of the Mansion's east front in the snow, taken from the northeast lawn.\u003c/p\u003e","\u003cp\u003eBlack and white vertical image of the Mansion's piazza, taken from the north end. Photographer's stamp appears on reverse.\u003c/p\u003e","\u003cp\u003eBlack and white horizontal image of the Mansion's east front in the snow, taken from the northeast lawn. Photographer's stamp appears on reverse.\u003c/p\u003e","\u003cp\u003eBlack and white horizontal image of the Mansion's east front at night, taken from the northeast lawn.\u003c/p\u003e","\u003cp\u003eBlack and white vertical image of the Mansion's east front, taken from the southeast lawn.\u003c/p\u003e","\u003cp\u003eSepia toned black and white photograph of a Sago Palm tree at Mount Vernon Estate. Front of photograph shows text that reads \"Washington Sago Palm--July 25/20.\"\u003c/p\u003e","\u003cp\u003eGlass negative (left frame) of stereoscopic view of the old tomb by Alexander Gardner, 1866-1875. The view shows a female visitor ascending the stairs to the vault.  Remnants of tape are visible along the edges of the glass.\u003c/p\u003e","\u003cp\u003eBlack and white glass negative of page 1 of Martha Washington's will.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["Black and white horizontal image of the Mansion's east front in the snow, taken from the northeast lawn.","Black and white vertical image of the Mansion's piazza, taken from the north end. Photographer's stamp appears on reverse.","Black and white horizontal image of the Mansion's east front in the snow, taken from the northeast lawn. Photographer's stamp appears on reverse.","Black and white horizontal image of the Mansion's east front at night, taken from the northeast lawn.","Black and white vertical image of the Mansion's east front, taken from the southeast lawn.","Sepia toned black and white photograph of a Sago Palm tree at Mount Vernon Estate. Front of photograph shows text that reads \"Washington Sago Palm--July 25/20.\"","Glass negative (left frame) of stereoscopic view of the old tomb by Alexander Gardner, 1866-1875. The view shows a female visitor ascending the stairs to the vault.  Remnants of tape are visible along the edges of the glass.","Black and white glass negative of page 1 of Martha Washington's will."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Historical Photograph Collection, [Folder], Photo Archives of the Mount Vernon Ladies' Association, The George Washington Presidential Library [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Historical Photograph Collection, [Folder], Photo Archives of the Mount Vernon Ladies' Association, The George Washington Presidential Library [hereafter Washington Library], Mount Vernon, Virginia."],"processinfo_html_tesm":["\u003cp\u003eDate of original photograph is misdated in negative catalogue Book 2 for BW-5167 as 1860. Per page 207 of the Mount Vernon Historic Structures Report, 'The porch along the south colonnade, was severely damaged in 1861. A March 28, 1861 account states that \"...the winde carried away the covered passage from the house to the kitchen and one side of Judge Wn's [Washington's] porch...\" Two copies in Box 1. Reproduction copy made from RP-88.\u003c/p\u003e","\u003cp\u003eAnother copy appears in Box 1.\u003c/p\u003e","\u003cp\u003eSource of copy photograph unknown. There is also a photostat of this image in Box 1.\u003c/p\u003e","\u003cp\u003eSource of photostat unknown. There is also a photograph (copy) of this image in Box 1.\u003c/p\u003e","\u003cp\u003eCopy photograph appears in box 1.\u003c/p\u003e","\u003cp\u003eIncludes seven copies (box 1).  One copy has a sticker reading: 'Used and returned by the Made in America Club 2/9/40.'\u003c/p\u003e","\u003cp\u003eRP-2412 and PHOTO-6868a appear on reverse\u003c/p\u003e","\u003cp\u003eDuplicate image from same negative also in Box 1. Duplicate image slightly out of focus.\u003c/p\u003e","\u003cp\u003eRP-2414 and Photo-6871 appears on reverse\u003c/p\u003e","\u003cp\u003eRP-2415 ; PHOTO-6872a\u003c/p\u003e","\u003cp\u003eRP-2415 ; PHOTO-6872b\u003c/p\u003e","\u003cp\u003eRP-2416a\u003c/p\u003e","\u003cp\u003eA duplicate image also appears in Box 1.\u003c/p\u003e","\u003cp\u003eAn 8 in. x 10 in. copy also appears in Box 1.\u003c/p\u003e","\u003cp\u003eA copy of the image also appears in box 1. The accession number reads: 'RP-2463 ; Photo-6820'\u003c/p\u003e","\u003cp\u003eRP-2425 ; Photo-6883iii appears on reverse. Two 8 in. x 10 in. copies also appear in Box 1.\u003c/p\u003e","\u003cp\u003eRP-2426 ; Photo-6884iii appears on reverse. Two copies in 6 3/4 in. x 9 1/2 in. are also in Box 1.\u003c/p\u003e","\u003cp\u003eRP-2431 ; Photo-6889ii appears on reverse. Another copy of this image also appears in Box 1.\u003c/p\u003e","\u003cp\u003ePhoto-2436 ; Photo-6893\u003c/p\u003e","\u003cp\u003eRP-2438 ; Photo-6895 appears on reverse\u003c/p\u003e","\u003cp\u003eRP-2441 ; Photo-6898b appears on reverse\u003c/p\u003e","\u003cp\u003eRP-2440 ; Photo-6897 appears on reverse\u003c/p\u003e","\u003cp\u003eRP-2441 ; Photo-6898a\u003c/p\u003e","\u003cp\u003ePR-2439 ; Photo-6897\u003c/p\u003e","\u003cp\u003eCopy of the image (RP-2446 ; Photo-6803ii) also in Box 1.\u003c/p\u003e","\u003cp\u003eRP-2447 ; Photo-68041. Another copy also appears in Box 2.\u003c/p\u003e","\u003cp\u003eAlbumen print.\u003c/p\u003e","\u003cp\u003eAnother 8 in. x 10 in. copy appears in Box 2.\u003c/p\u003e","\u003cp\u003eAnother 8 in. x 10 in. copy also appears in Box 2.\u003c/p\u003e","\u003cp\u003eThree 8 in. x 10 in. copies also appear in Box 2.\u003c/p\u003e","\u003cp\u003eFour additional 8 in. x 10 in. copies also appear in Box 2.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2460 ; Photo-6817' appears on reverse\u003c/p\u003e","\u003cp\u003eA copy of this image also appears in Box 2. The number RP-2462 ; Photo-6819a appears on the reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2456 ; Photo-6822b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2456 ; Photo-6822a' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2467 ; Photo-6824' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2743 ; Photo-6831b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2743 ; Photo-6831c'\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2743 ; Photo-6831d' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2475 ; Photo-6835' appears on reverse\u003c/p\u003e","\u003cp\u003eNumbers penciled on the back 'RP-2461 Photo-6818'\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2480 ; Photo-6840b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2480 ; Photo-6840c' appears on reverse\u003c/p\u003e","\u003cp\u003eA 6 1/4 in. x 9 1/8 in. copy also appears in Box 2.\u003c/p\u003e","\u003cp\u003eReverse reads \"RP-2485 ; Photo-6845b\"\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2486 ; Photo-6846b' written on back\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2486 ; Photo-6846c' appears on reverse\u003c/p\u003e","\u003cp\u003eAccesion number 'RP-2486 ; Photo-6846a' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2487 ; Photo-6847a' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2487 ; Photo-6847b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2488 ; Photo-6484i' appears on reverse. Another copy also appears in Box 2.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2489 ; Photo-6849a' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2489 ; Photo-6849b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2490 ; Photo-6850' appears on reverse\u003c/p\u003e","\u003cp\u003eReverse reads \"RP-2493 Photo-6853\"\u003c/p\u003e","\u003cp\u003eHalftone photomechanical print\u003c/p\u003e","\u003cp\u003eA 6 1/8 in. x 9 in. copy appears in Box 2.\u003c/p\u003e","\u003cp\u003eDate of Photostat unknown.  Two other photographs (copies) appear in Box 1.\u003c/p\u003e","\u003cp\u003ePhotograph is attributed to Luke C. Dillon, has not been confirmed.\u003c/p\u003e","\u003cp\u003ePhotograph was unframed after donation. Backing material from frame includes handwriting 'P-EE-4 Alexander Gardner 921 Penna Ave., D.C. Matthew Brady's Partner.'\u003c/p\u003e","\u003cp\u003eBlack and white copy made from a 1901 negative. Handwritten note on reverse reads 'Taken 1901 Original 10'' x 24'' Detroit Pub. Co.' \nAccession number 'RP-2505 ; Photo-6872a' also appears on reverse.\u003c/p\u003e","\u003cp\u003eReproduction from a 1901 negative.\u003c/p\u003e","\u003cp\u003eA 5 1/8 in. x 3 in. copy with accession number 'RP-65 ; PG-4005/b' appears in Box 3. Text on reverse reads: 'From Harold Abbott, June 1966 Print of his photograph prior to November 15, 1935.'\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2507 ; Photo-6874' appears on reverse.\u003c/p\u003e","\u003cp\u003eA 5 7/8 in. x 3 1/2 in. and seven 10 in. x 8 in. copies appear in Box 3\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2513 ; Photo-6880' appears on reverse.\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 in. copy (accession number 'RP-2519 ; Photo-6886b') appears in Box 3\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 in. copy\u003c/p\u003e","\u003cp\u003eAn 8 in. x 10 in. copy with accession number 'RP-2547 ; Photo-6916b' is also in Box 3\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2548 ; Photo-6917' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2548 ; Photo-6917' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2548 ; Photo-6917' appears on reverse. Another copy with accession number 'RP-2549 ; Photo-6918a' appears in Box 3.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2552 ; Photo-6921b' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2553 ; Photo-6921v' appears on reverse. Four 10 in. x 8 in. copies with accession numbers 'RP-2553 ; Photo-6921ii' - 'RP-2553 ; Photo-6921v' appear in Box 3.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2553 ; Photo-6921vi' appears on reverse. Another copy with accession number 'RP-2555 ; Photo-6923' appears in Box 3.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2554 ; Photo-6922' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2558 ; Photo-6926ii' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2558 ; Photo-6926i' appears on reverse.\u003c/p\u003e","\u003cp\u003eA 5 in. x 7 in. copy also appears in Box 3.\u003c/p\u003e","\u003cp\u003eA 3 3/4 in. x 5 7/8 in. with accession number 'RP-2521 ; Photo-6888' appears in Box 3.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2571 ; Photo-6939a' appears on reverse\u003c/p\u003e","\u003cp\u003eRP-2572 ; Photo-6940f\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2572 ; Photo-6940c' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2578 ; Photo-6917a' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2578 ; Photo-6917b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2578 ; Photo-6917d' appears on reverse\u003c/p\u003e","\u003cp\u003eThree 10 in. x 8 in. copies appear in Box 3\u003c/p\u003e","\u003cp\u003eTwo copies appear in Box 3\u003c/p\u003e","\u003cp\u003eTwo 10 in. x 8 in. copies appear in Box 3.\u003c/p\u003e","\u003cp\u003eAccession number: 'RP-2585 ; Photo-6924' appears on reverse\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 in. copy appears in Box 3\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 in. copy appears in Box 3\u003c/p\u003e","\u003cp\u003eA 4 7/8 in. x 3 1/4 in. copy appears in Box 3.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-1571 ; Photo-6058' appears on reverse\u003c/p\u003e","\u003cp\u003eCopy photograph appears in Box 4 with accession number 'RP-88 ; PG-5015' on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2969 ; Photo-6947' appears on reverse\u003c/p\u003e","\u003cp\u003eTwo 6 7/8 in. x 5 3/8 in. copies appear in Box 4\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2983 ; Photo-6961' appears on reverse\u003c/p\u003e","\u003cp\u003eTwo additional copies appear in Box 4 with accession numbers: RP-2981 ; Photo-6959i - RP-2981 ; Photo-6959iii.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-383 ; EV-5663' appears on reverse.\u003c/p\u003e","\u003cp\u003eA photostat appears in Box 4.\u003c/p\u003e","\u003cp\u003eOriginal copy also appears in Box 4.\u003c/p\u003e","\u003cp\u003eIdentical copy images of both sides also appears in Box 4.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-242 ; Photo-5374/b' appears on reverse.\u003c/p\u003e","\u003cp\u003eA 5 in. x 4 in. copy appears in Box 4 with accession number 'RP-242 ; Photo-5374/b' on reverse.\u003c/p\u003e","\u003cp\u003eAn 8 in. x 10 in. copy (with accession number 'RP-2959 ; Photo-6938b' on reverse) appears in Box 4.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2959 ; Photo-6938a' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3002 ; Photo-6980aii' appears on reverse. A 10 in. x 8 in. copy appears in Box 4 with accession number 'RP-3002 ; Photo-6980ai' on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3002 ; Photo-6980b' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2960 ; Photo-6939ii' appears on reverse. \nA 10 in. x 8 in. copy appears in Box 4 with accession number 'RP-2960 ; Photo-6939i.'\u003c/p\u003e","\u003cp\u003eA 6 1/2 in. x 4 3/4 in. copy appears in Box 4.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3004 ; Photo-6982i' appears on reverse. \nA 5 in. x 4 in. copy and two 10 in. x 8 in. copies appear in Box 4.\u003c/p\u003e","\u003cp\u003eA 6 1/2 in. x 4 1/2 in. copy appears in Box 4 with accession number: 'RP-3007 ; PS-6985bii' on reverse.\u003c/p\u003e","\u003cp\u003eAccession number: 'RP-3013 ; Photo-6991a'appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3012 ; Photo-6990' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3014 ; Photo-6992a' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3014 ; Photo-6922b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3016 ; Photo-6993' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3018 ; Photo-6996' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3017 ; Photo-6995' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3019 ; Photo-6997a' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3019 ; Photo-6997b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3026 ; Photo-7004a' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3027 ; Photo-7005b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3027 ; Photo-7005a' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number: 'RP-3011 ; Photo-6989' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3028 ; Photo-7006a' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3037 ; Photo-7015a' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3037 ; Photo-7015b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3045 ; Photo-7023aiii' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3045 ; Photo-7023bii' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3049 ; Photo-7027' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3051 ; Photo-7029' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3052 ; Photo-7030b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3052 ; Photo-7030a' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3054 ; Photo-7032' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number: 'RP-3063 ; Photo-7040b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3064 ; Photo-7041' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3076 ; Photo-7053a' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3076 ; Photo-7053c' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3124 ; Photo-7089c' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3129 ; Photo-7094b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3134 ; Photo-7099bii' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3137 ; Photo-7102aii' appears on reverse.\u003c/p\u003e","\u003cp\u003eTwo copies in the box. One copy includes accession number 'RP-3133 ; Photo-7098a' on the reverse. The second copy includes accession number 'RP-3127 ; Photo-7092b' on the reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3136 ; Photo-7101bii' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3141 ; Photo-7105b' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3139 ; Photo-7103c' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3144 ; Photo-7108ii' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3145 ; Photo-7109b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3145 ; Photo-7109c' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3145 ; Photo-7109d' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3145 ; Photo-7109f' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3147 ; Photo-711' appears on reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-326 ; PG-5545' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3158 ; Photo-7122i' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3161 ; Photo-7125ii' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3166 ; Photo-7130a' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-3168 ; Photo-7132b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-3187 ; Photo 7150c\" appears on reverse.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-3179 ; Photo-7142i\"\u003c/p\u003e","\u003cp\u003eThere are 4 copies of the photograph in Box 4 in varying sizes - see 'Dimensions' note.\u003c/p\u003e","\u003cp\u003eThere are 5 copies of the photograph in Box 8.\u003c/p\u003e","\u003cp\u003eThere are 4 total of copies of this photographic print in Box 9.\u003c/p\u003e","\u003cp\u003eThere are a total of two copies in Box 9.\u003c/p\u003e","\u003cp\u003eThere are a total of two copies in Box 7 as well as an additional copy in oversized Box 3.\u003c/p\u003e","\u003cp\u003eThere are a total of two copies in Box 9.\u003c/p\u003e","\u003cp\u003eThere are three copies of the photograph, in two different sizes, in Box 9. See 'Dimension' note.\u003c/p\u003e","\u003cp\u003eThere are a total of 3 copies in Box 9.\u003c/p\u003e","\u003cp\u003eThere are four copies of the photograph in two different sizes in Box 9 - see dimensions.\u003c/p\u003e","\u003cp\u003eThere are three copies in Box 9.\u003c/p\u003e","\u003cp\u003eThere are two different sized copies in Box 9 - see dimensions note.\u003c/p\u003e","\u003cp\u003eThree duplicate copies of the photograph appear in Box 10, two with negative number BW-2069.\u003c/p\u003e","\u003cp\u003eRetro accessioning includes assigned numbers RP-1742 ; Photo-6246 penciled on reverse. The second copy in Box 13 is numbered RP-1654 ; Photo-6145.\u003c/p\u003e","\u003cp\u003eThere are three photographs in Box 14, two are copies (BW-5910) and the third appears to have been printed by Detroit Publishing Company (RP-1758 ; Photo-6222).\u003c/p\u003e","\u003cp\u003eThis photograph contains no RP number. Contains sticker on back that says \"A7860\"\u003c/p\u003e","\u003cp\u003eWriting on back of photograph states that photo was given to Mount Vernon by Vice regent for D.C., but does not specify who that is.\u003c/p\u003e","\u003cp\u003eThe photograph includes text that labels it as \"577a.\" however, the book labels this photo \"577b.\"\u003c/p\u003e","\u003cp\u003eThere are two copies of the photograph in Box 19.\u003c/p\u003e","\u003cp\u003eAccession number RP-317 ; PG-5526 appears on the reverse\u003c/p\u003e","\u003cp\u003eTwo copies in the box. Accession number RP-326:PG-5546\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2108 ; Photo-6570a' appears on the reverse\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2108; hoto-6570b' appears on the reverse of the photo.\u003c/p\u003e","\u003cp\u003eAccession number: RP-2112 ; Photo-6574b appears on the reverse of the photo.\u003c/p\u003e","\u003cp\u003eAsseccion number RP-2115 ; Photo-6577 appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2119 ; Photo-6582b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2119 ; Photo-6582a\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2119 ; Photo-6582c\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2122 ; Photo-6585\" appearson the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2124 ; Photo-6589a\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2124 ; Photo-6589b\" appears on the reverse of the photo.\u003c/p\u003e","\u003cp\u003eAccession number \"Rp-2125 ; Photo-6590\" appears on the back of the photo.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2126 ; Photo-6591\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2127 ; Photo-6592\" appears on the reverse of the phot\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2126 ; Photo-6594C' appears on the reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2129 ; Photo-6594a' appears on the reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2129 ; Photo-6594b' appears on reverse.\u003c/p\u003e","\u003cp\u003eAccesion number \"RP-2143 ; Photo-6607a\" appears on the reverse of the photograph.\u003c/p\u003e","\u003cp\u003eAccession number \"Rp-2143 ; Photo-6607b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2144 ; Photo-6607bi\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2144 ; Photo-6607aii\" appears on the reverse of the photograph.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2140 ; Photo-6605bii\" appears on the reverse of the photograph.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2140 ; Photo-66052aii\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2148 ; Photo-6611' appears on the reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2147 ; Photo-6610a' appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2147 ; Photo-6610b' appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number 'RP-2149 ; Photo-6612' appears on the reverse.\u003c/p\u003e","\u003cp\u003eAccession number 'Rp-2150 ; Photo-6613a' appears on the reverse of the photograph.\u003c/p\u003e","\u003cp\u003eTwo copies of the photograph in Box 20 - RP-2151 ; Photo-6614ai and RP-2151 ; Photo-6614aii.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2153 ; Photo-6616c\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2162 ; Photo-6625\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2157 ; Photo-6620\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2154 ; Photo-6617i\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccesion number \"RP-2162 ; Photo-6626\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2163 ; Photo-6627\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2168 ; Photo-6632\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2182 ; Photo-6646b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccessoin number \"RP-2182 ; Photo-6646a\" appears on th reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2159 ; Photo-6622\"appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2187 ; Photo-6651a\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2187 ; Photo-6651c\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2187 ; Photo-6651d\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2187 ; Photo-6651b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccessiuon number \"RP-2193 ; Photo-6654c\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2193 ; Photo-6654c\" appears on the reverse of the photograph.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2193 ; Photo-6654a\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2193 ; Photo-6654b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2196 ; Photo-6657\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2198 ; Photo-6659a\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2204 ; Photo-6665i\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2206 ; Photo-6667c\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2207 ; Photo-6668c\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2207 ; Photo-6668a\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2008 ; Photo-6609b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2207 ; Photo-6668b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2211 ; Photo-6672ai\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2210 ; Photo-6671i\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-317 ; PG-5535\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2216 ; Photo-6677\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2219 ; Photo-6608av\" appears on the reverse pf the image.\u003c/p\u003e","\u003cp\u003eAccession number \"Rp-2219 ; Photo-6680d\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2219 ; Photo-6680c\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2219 ; Photo-6680b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2223 ; Photo-6683d\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2224 ; Photo-6684\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2226 ; Photo-6686\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2230 ; Photo-6689\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2231 ; Photo-6690\" appears on the revers of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-326 ; PG-555b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2243 ; Photo-6701i\" appears on the back of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2257 ; Photo-6715\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2256 ; Photo-6714\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2255 ; Photo-6713b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eRP-2255 ; Photo-6713a\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2241 ; Photo-6699aii\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2254 ; Photo-6712\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2252 ; Photo-6710\" appears on the reverse of the image\u003c/p\u003e","\u003cp\u003eAccesion number \"RP-2250 ; Photo-6708\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2249 ; Photo-6707a\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2249 ; Photo-6707e\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2249 ; Photo-6707c\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2249 ; Photo-6707f\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2249 ; Photo-6707b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2249 ; Photo-6707d\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2241 ; Photo-6699b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2245 ; Photo-6703\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2242 ; Photo-6700\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2238 ; Photo-6716b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2238 ; Photo-6717d\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2258 ; Photo-6716c\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2258 ; Photo-6716a\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-319 ; PG-5530\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2317 ; Photo-6774d\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2278 ; Photo-6736\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2317 ; Photo-6774a\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"rp-2317 ; Photo-6774e\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2317 ; Photo-6774c\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2317 ; Photo-6774b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2320 ; Photo-6777\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2261 ; Photo-6719\" appears on the reverse of the image/\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2263 ; Photo-6721\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2262 ; Photo-6720\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2264 ; Photo-6722\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-317 ; PG-5524\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2267 ; Photo-6725\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2309 ; Photo-6766\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2311 ; Photo-6768b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2308 ; Photo-6765a\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2308 ; Photo-6765b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eA duplicate of the photograph can be found in Box 21.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2277 ; Photo-6735a\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2277 ; Photo-6735c\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"Rp-2277 ; Photo-6735b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2277 ; Photo-6735d\" accession number appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2280 ; Photo-6738a\" appears on the reverse of the image\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2281 ; Photo-6739\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003eAccession number \"RP-2280 ; Photo-6738b\" appears on the reverse of the image.\u003c/p\u003e","\u003cp\u003e2 additional copies in the binder.\u003c/p\u003e","\u003cp\u003eRetro accession numbers on reverse - RP-1140 ; Photo-5591b\u003c/p\u003e","\u003cp\u003eRetro accession numbers on reverse - RP-1140 ; Photo-5591a\u003c/p\u003e","\u003cp\u003eRetro accession number - RP-1143 ; Photo-5594a\u003c/p\u003e","\u003cp\u003eRetro accession number - RP-1143 ; Photo-5594b\u003c/p\u003e","\u003cp\u003eRetro accession number - RP-1143 ; Photo-5595a\u003c/p\u003e","\u003cp\u003eRetro accession number - RP-1143 ; Photo-5595b\u003c/p\u003e","\u003cp\u003eRetro accession number - RP-1143 ; Photo-5594d\u003c/p\u003e","\u003cp\u003eRetro accession number - RP-1143 ; Photo-5594c\u003c/p\u003e","\u003cp\u003eRetro accession number - RP-1144 ; Photo-5596\u003c/p\u003e","\u003cp\u003e2 copies of the photograph in Box 33.\u003c/p\u003e","\u003cp\u003e2 copies of photograph in Box 33.\u003c/p\u003e","\u003cp\u003eThere are two copies of the photograph in the binder.\u003c/p\u003e","\u003cp\u003eSix copies of the photograph are found in the binder all of the same size.\u003c/p\u003e","\u003cp\u003eTwo copies in Box 33 - RP-1147 ; Photo-5619.\u003c/p\u003e","\u003cp\u003eTwo copies in Box 33, one oriented landscape and the other portrait.\u003c/p\u003e","\u003cp\u003eTwo copies of the photograph in Box 33.\u003c/p\u003e","\u003cp\u003eFour copies of the photograph in Box 33.\u003c/p\u003e","\u003cp\u003eTwo copies of the photograph in Box 33.\u003c/p\u003e","\u003cp\u003eTwo copies of the photograph are in Box 33.\u003c/p\u003e","\u003cp\u003eFour copies of the photograph in Box 33.\u003c/p\u003e","\u003cp\u003eTwo copies of the photograph in Box 33.\u003c/p\u003e","\u003cp\u003eTwo copies of photograph in Box 33.\u003c/p\u003e","\u003cp\u003eThere are two copies of the photograph in Box 33 - RP-1154 ; Photo-5633b\u003c/p\u003e","\u003cp\u003eThere are two additional copy photographs of the original located in Box 37 - BW-5199.\u003c/p\u003e","\u003cp\u003eThere are two photographs found in Box 38.\u003c/p\u003e","\u003cp\u003eTwo copies of the photograph can be found on Box 8; a third copy is located Box 3 - oversized materials.\u003c/p\u003e","\u003cp\u003eThere are two copies of this photograph at different sizes in Box 3 - oversized materials. See 'Dimensions' note.\u003c/p\u003e","\u003cp\u003eNotes from original envelope: ORDER by Dr. Paul Bartsch late of \"Lebanon,\" whose widow is Dr. Parker. Rec'd from Shirley Briggs, October 23, 1970\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing 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Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Date of original photograph is misdated in negative catalogue Book 2 for BW-5167 as 1860. Per page 207 of the Mount Vernon Historic Structures Report, 'The porch along the south colonnade, was severely damaged in 1861. A March 28, 1861 account states that \"...the winde carried away the covered passage from the house to the kitchen and one side of Judge Wn's [Washington's] porch...\" Two copies in Box 1. Reproduction copy made from RP-88.","Another copy appears in Box 1.","Source of copy photograph unknown. There is also a photostat of this image in Box 1.","Source of photostat unknown. There is also a photograph (copy) of this image in Box 1.","Copy photograph appears in box 1.","Includes seven copies (box 1).  One copy has a sticker reading: 'Used and returned by the Made in America Club 2/9/40.'","RP-2412 and PHOTO-6868a appear on reverse","Duplicate image from same negative also in Box 1. Duplicate image slightly out of focus.","RP-2414 and Photo-6871 appears on reverse","RP-2415 ; PHOTO-6872a","RP-2415 ; PHOTO-6872b","RP-2416a","A duplicate image also appears in Box 1.","An 8 in. x 10 in. copy also appears in Box 1.","A copy of the image also appears in box 1. The accession number reads: 'RP-2463 ; Photo-6820'","RP-2425 ; Photo-6883iii appears on reverse. Two 8 in. x 10 in. copies also appear in Box 1.","RP-2426 ; Photo-6884iii appears on reverse. Two copies in 6 3/4 in. x 9 1/2 in. are also in Box 1.","RP-2431 ; Photo-6889ii appears on reverse. Another copy of this image also appears in Box 1.","Photo-2436 ; Photo-6893","RP-2438 ; Photo-6895 appears on reverse","RP-2441 ; Photo-6898b appears on reverse","RP-2440 ; Photo-6897 appears on reverse","RP-2441 ; Photo-6898a","PR-2439 ; Photo-6897","Copy of the image (RP-2446 ; Photo-6803ii) also in Box 1.","RP-2447 ; Photo-68041. Another copy also appears in Box 2.","Albumen print.","Another 8 in. x 10 in. copy appears in Box 2.","Another 8 in. x 10 in. copy also appears in Box 2.","Three 8 in. x 10 in. copies also appear in Box 2.","Four additional 8 in. x 10 in. copies also appear in Box 2.","Accession number 'RP-2460 ; Photo-6817' appears on reverse","A copy of this image also appears in Box 2. The number RP-2462 ; Photo-6819a appears on the reverse.","Accession number 'RP-2456 ; Photo-6822b' appears on reverse.","Accession number 'RP-2456 ; Photo-6822a' appears on reverse.","Accession number 'RP-2467 ; Photo-6824' appears on reverse.","Accession number 'RP-2743 ; Photo-6831b' appears on reverse.","Accession number 'RP-2743 ; Photo-6831c'","Accession number 'RP-2743 ; Photo-6831d' appears on reverse","Accession number 'RP-2475 ; Photo-6835' appears on reverse","Numbers penciled on the back 'RP-2461 Photo-6818'","Accession number 'RP-2480 ; Photo-6840b' appears on reverse.","Accession number 'RP-2480 ; Photo-6840c' appears on reverse","A 6 1/4 in. x 9 1/8 in. copy also appears in Box 2.","Reverse reads \"RP-2485 ; Photo-6845b\"","Accession number 'RP-2486 ; Photo-6846b' written on back","Accession number 'RP-2486 ; Photo-6846c' appears on reverse","Accesion number 'RP-2486 ; Photo-6846a' appears on reverse","Accession number 'RP-2487 ; Photo-6847a' appears on reverse.","Accession number 'RP-2487 ; Photo-6847b' appears on reverse.","Accession number 'RP-2488 ; Photo-6484i' appears on reverse. Another copy also appears in Box 2.","Accession number 'RP-2489 ; Photo-6849a' appears on reverse","Accession number 'RP-2489 ; Photo-6849b' appears on reverse.","Accession number 'RP-2490 ; Photo-6850' appears on reverse","Reverse reads \"RP-2493 Photo-6853\"","Halftone photomechanical print","A 6 1/8 in. x 9 in. copy appears in Box 2.","Date of Photostat unknown.  Two other photographs (copies) appear in Box 1.","Photograph is attributed to Luke C. Dillon, has not been confirmed.","Photograph was unframed after donation. Backing material from frame includes handwriting 'P-EE-4 Alexander Gardner 921 Penna Ave., D.C. Matthew Brady's Partner.'","Black and white copy made from a 1901 negative. Handwritten note on reverse reads 'Taken 1901 Original 10'' x 24'' Detroit Pub. Co.' \nAccession number 'RP-2505 ; Photo-6872a' also appears on reverse.","Reproduction from a 1901 negative.","A 5 1/8 in. x 3 in. copy with accession number 'RP-65 ; PG-4005/b' appears in Box 3. Text on reverse reads: 'From Harold Abbott, June 1966 Print of his photograph prior to November 15, 1935.'","Accession number 'RP-2507 ; Photo-6874' appears on reverse.","A 5 7/8 in. x 3 1/2 in. and seven 10 in. x 8 in. copies appear in Box 3","Accession number 'RP-2513 ; Photo-6880' appears on reverse.","A 10 in. x 8 in. copy (accession number 'RP-2519 ; Photo-6886b') appears in Box 3","A 10 in. x 8 in. copy","An 8 in. x 10 in. copy with accession number 'RP-2547 ; Photo-6916b' is also in Box 3","Accession number 'RP-2548 ; Photo-6917' appears on reverse","Accession number 'RP-2548 ; Photo-6917' appears on reverse","Accession number 'RP-2548 ; Photo-6917' appears on reverse. Another copy with accession number 'RP-2549 ; Photo-6918a' appears in Box 3.","Accession number 'RP-2552 ; Photo-6921b' appears on reverse","Accession number 'RP-2553 ; Photo-6921v' appears on reverse. Four 10 in. x 8 in. copies with accession numbers 'RP-2553 ; Photo-6921ii' - 'RP-2553 ; Photo-6921v' appear in Box 3.","Accession number 'RP-2553 ; Photo-6921vi' appears on reverse. Another copy with accession number 'RP-2555 ; Photo-6923' appears in Box 3.","Accession number 'RP-2554 ; Photo-6922' appears on reverse.","Accession number 'RP-2558 ; Photo-6926ii' appears on reverse","Accession number 'RP-2558 ; Photo-6926i' appears on reverse.","A 5 in. x 7 in. copy also appears in Box 3.","A 3 3/4 in. x 5 7/8 in. with accession number 'RP-2521 ; Photo-6888' appears in Box 3.","Accession number 'RP-2571 ; Photo-6939a' appears on reverse","RP-2572 ; Photo-6940f","Accession number 'RP-2572 ; Photo-6940c' appears on reverse","Accession number 'RP-2578 ; Photo-6917a' appears on reverse","Accession number 'RP-2578 ; Photo-6917b' appears on reverse.","Accession number 'RP-2578 ; Photo-6917d' appears on reverse","Three 10 in. x 8 in. copies appear in Box 3","Two copies appear in Box 3","Two 10 in. x 8 in. copies appear in Box 3.","Accession number: 'RP-2585 ; Photo-6924' appears on reverse","A 10 in. x 8 in. copy appears in Box 3","A 10 in. x 8 in. copy appears in Box 3","A 4 7/8 in. x 3 1/4 in. copy appears in Box 3.","Accession number 'RP-1571 ; Photo-6058' appears on reverse","Copy photograph appears in Box 4 with accession number 'RP-88 ; PG-5015' on reverse","Accession number 'RP-2969 ; Photo-6947' appears on reverse","Two 6 7/8 in. x 5 3/8 in. copies appear in Box 4","Accession number 'RP-2983 ; Photo-6961' appears on reverse","Two additional copies appear in Box 4 with accession numbers: RP-2981 ; Photo-6959i - RP-2981 ; Photo-6959iii.","Accession number 'RP-383 ; EV-5663' appears on reverse.","A photostat appears in Box 4.","Original copy also appears in Box 4.","Identical copy images of both sides also appears in Box 4.","Accession number 'RP-242 ; Photo-5374/b' appears on reverse.","A 5 in. x 4 in. copy appears in Box 4 with accession number 'RP-242 ; Photo-5374/b' on reverse.","An 8 in. x 10 in. copy (with accession number 'RP-2959 ; Photo-6938b' on reverse) appears in Box 4.","Accession number 'RP-2959 ; Photo-6938a' appears on reverse.","Accession number 'RP-3002 ; Photo-6980aii' appears on reverse. A 10 in. x 8 in. copy appears in Box 4 with accession number 'RP-3002 ; Photo-6980ai' on reverse.","Accession number 'RP-3002 ; Photo-6980b' appears on reverse","Accession number 'RP-2960 ; Photo-6939ii' appears on reverse. \nA 10 in. x 8 in. copy appears in Box 4 with accession number 'RP-2960 ; Photo-6939i.'","A 6 1/2 in. x 4 3/4 in. copy appears in Box 4.","Accession number 'RP-3004 ; Photo-6982i' appears on reverse. \nA 5 in. x 4 in. copy and two 10 in. x 8 in. copies appear in Box 4.","A 6 1/2 in. x 4 1/2 in. copy appears in Box 4 with accession number: 'RP-3007 ; PS-6985bii' on reverse.","Accession number: 'RP-3013 ; Photo-6991a'appears on reverse.","Accession number 'RP-3012 ; Photo-6990' appears on reverse.","Accession number 'RP-3014 ; Photo-6992a' appears on reverse.","Accession number 'RP-3014 ; Photo-6922b' appears on reverse.","Accession number 'RP-3016 ; Photo-6993' appears on reverse.","Accession number 'RP-3018 ; Photo-6996' appears on reverse.","Accession number 'RP-3017 ; Photo-6995' appears on reverse.","Accession number 'RP-3019 ; Photo-6997a' appears on reverse","Accession number 'RP-3019 ; Photo-6997b' appears on reverse.","Accession number 'RP-3026 ; Photo-7004a' appears on reverse.","Accession number 'RP-3027 ; Photo-7005b' appears on reverse.","Accession number 'RP-3027 ; Photo-7005a' appears on reverse.","Accession number: 'RP-3011 ; Photo-6989' appears on reverse","Accession number 'RP-3028 ; Photo-7006a' appears on reverse.","Accession number 'RP-3037 ; Photo-7015a' appears on reverse.","Accession number 'RP-3037 ; Photo-7015b' appears on reverse.","Accession number 'RP-3045 ; Photo-7023aiii' appears on reverse.","Accession number 'RP-3045 ; Photo-7023bii' appears on reverse.","Accession number 'RP-3049 ; Photo-7027' appears on reverse.","Accession number 'RP-3051 ; Photo-7029' appears on reverse.","Accession number 'RP-3052 ; Photo-7030b' appears on reverse.","Accession number 'RP-3052 ; Photo-7030a' appears on reverse.","Accession number 'RP-3054 ; Photo-7032' appears on reverse","Accession number: 'RP-3063 ; Photo-7040b' appears on reverse.","Accession number 'RP-3064 ; Photo-7041' appears on reverse.","Accession number 'RP-3076 ; Photo-7053a' appears on reverse.","Accession number 'RP-3076 ; Photo-7053c' appears on reverse.","Accession number 'RP-3124 ; Photo-7089c' appears on reverse.","Accession number 'RP-3129 ; Photo-7094b' appears on reverse.","Accession number 'RP-3134 ; Photo-7099bii' appears on reverse.","Accession number 'RP-3137 ; Photo-7102aii' appears on reverse.","Two copies in the box. One copy includes accession number 'RP-3133 ; Photo-7098a' on the reverse. The second copy includes accession number 'RP-3127 ; Photo-7092b' on the reverse.","Accession number 'RP-3136 ; Photo-7101bii' appears on reverse.","Accession number 'RP-3141 ; Photo-7105b' appears on reverse","Accession number 'RP-3139 ; Photo-7103c' appears on reverse.","Accession number 'RP-3144 ; Photo-7108ii' appears on reverse.","Accession number 'RP-3145 ; Photo-7109b' appears on reverse.","Accession number 'RP-3145 ; Photo-7109c' appears on reverse.","Accession number 'RP-3145 ; Photo-7109d' appears on reverse","Accession number 'RP-3145 ; Photo-7109f' appears on reverse.","Accession number 'RP-3147 ; Photo-711' appears on reverse","Accession number 'RP-326 ; PG-5545' appears on reverse.","Accession number 'RP-3158 ; Photo-7122i' appears on reverse.","Accession number 'RP-3161 ; Photo-7125ii' appears on reverse.","Accession number 'RP-3166 ; Photo-7130a' appears on reverse.","Accession number 'RP-3168 ; Photo-7132b' appears on reverse.","Accession number \"RP-3187 ; Photo 7150c\" appears on reverse.","Accession number \"RP-3179 ; Photo-7142i\"","There are 4 copies of the photograph in Box 4 in varying sizes - see 'Dimensions' note.","There are 5 copies of the photograph in Box 8.","There are 4 total of copies of this photographic print in Box 9.","There are a total of two copies in Box 9.","There are a total of two copies in Box 7 as well as an additional copy in oversized Box 3.","There are a total of two copies in Box 9.","There are three copies of the photograph, in two different sizes, in Box 9. See 'Dimension' note.","There are a total of 3 copies in Box 9.","There are four copies of the photograph in two different sizes in Box 9 - see dimensions.","There are three copies in Box 9.","There are two different sized copies in Box 9 - see dimensions note.","Three duplicate copies of the photograph appear in Box 10, two with negative number BW-2069.","Retro accessioning includes assigned numbers RP-1742 ; Photo-6246 penciled on reverse. The second copy in Box 13 is numbered RP-1654 ; Photo-6145.","There are three photographs in Box 14, two are copies (BW-5910) and the third appears to have been printed by Detroit Publishing Company (RP-1758 ; Photo-6222).","This photograph contains no RP number. Contains sticker on back that says \"A7860\"","Writing on back of photograph states that photo was given to Mount Vernon by Vice regent for D.C., but does not specify who that is.","The photograph includes text that labels it as \"577a.\" however, the book labels this photo \"577b.\"","There are two copies of the photograph in Box 19.","Accession number RP-317 ; PG-5526 appears on the reverse","Two copies in the box. Accession number RP-326:PG-5546","Accession number 'RP-2108 ; Photo-6570a' appears on the reverse","Accession number 'RP-2108; hoto-6570b' appears on the reverse of the photo.","Accession number: RP-2112 ; Photo-6574b appears on the reverse of the photo.","Asseccion number RP-2115 ; Photo-6577 appears on the reverse of the image.","Accession number \"RP-2119 ; Photo-6582b\" appears on the reverse of the image.","Accession number \"RP-2119 ; Photo-6582a\" appears on the reverse of the image.","Accession number \"RP-2119 ; Photo-6582c\" appears on the reverse of the image.","Accession number \"RP-2122 ; Photo-6585\" appearson the reverse of the image.","Accession number \"RP-2124 ; Photo-6589a\" appears on the reverse of the image.","Accession number \"RP-2124 ; Photo-6589b\" appears on the reverse of the photo.","Accession number \"Rp-2125 ; Photo-6590\" appears on the back of the photo.","Accession number \"RP-2126 ; Photo-6591\" appears on the reverse of the image.","Accession number \"RP-2127 ; Photo-6592\" appears on the reverse of the phot","Accession number 'RP-2126 ; Photo-6594C' appears on the reverse.","Accession number 'RP-2129 ; Photo-6594a' appears on the reverse.","Accession number 'RP-2129 ; Photo-6594b' appears on reverse.","Accesion number \"RP-2143 ; Photo-6607a\" appears on the reverse of the photograph.","Accession number \"Rp-2143 ; Photo-6607b\" appears on the reverse of the image.","Accession number \"RP-2144 ; Photo-6607bi\" appears on the reverse of the image.","Accession number \"RP-2144 ; Photo-6607aii\" appears on the reverse of the photograph.","Accession number \"RP-2140 ; Photo-6605bii\" appears on the reverse of the photograph.","Accession number \"RP-2140 ; Photo-66052aii\" appears on the reverse of the image.","Accession number 'RP-2148 ; Photo-6611' appears on the reverse.","Accession number 'RP-2147 ; Photo-6610a' appears on the reverse of the image.","Accession number 'RP-2147 ; Photo-6610b' appears on the reverse of the image.","Accession number 'RP-2149 ; Photo-6612' appears on the reverse.","Accession number 'Rp-2150 ; Photo-6613a' appears on the reverse of the photograph.","Two copies of the photograph in Box 20 - RP-2151 ; Photo-6614ai and RP-2151 ; Photo-6614aii.","Accession number \"RP-2153 ; Photo-6616c\" appears on the reverse of the image.","Accession number \"RP-2162 ; Photo-6625\" appears on the reverse of the image.","Accession number \"RP-2157 ; Photo-6620\" appears on the reverse of the image.","Accession number \"RP-2154 ; Photo-6617i\" appears on the reverse of the image.","Accesion number \"RP-2162 ; Photo-6626\" appears on the reverse of the image.","Accession number \"RP-2163 ; Photo-6627\" appears on the reverse of the image.","Accession number \"RP-2168 ; Photo-6632\" appears on the reverse of the image.","Accession number \"RP-2182 ; Photo-6646b\" appears on the reverse of the image.","Accessoin number \"RP-2182 ; Photo-6646a\" appears on th reverse of the image.","Accession number \"RP-2159 ; Photo-6622\"appears on the reverse of the image.","Accession number \"RP-2187 ; Photo-6651a\" appears on the reverse of the image.","Accession number \"RP-2187 ; Photo-6651c\" appears on the reverse of the image.","Accession number \"RP-2187 ; Photo-6651d\" appears on the reverse of the image.","Accession number \"RP-2187 ; Photo-6651b\" appears on the reverse of the image.","Accessiuon number \"RP-2193 ; Photo-6654c\" appears on the reverse of the image.","Accession number \"RP-2193 ; Photo-6654c\" appears on the reverse of the photograph.","Accession number \"RP-2193 ; Photo-6654a\" appears on the reverse of the image.","Accession number \"RP-2193 ; Photo-6654b\" appears on the reverse of the image.","Accession number \"RP-2196 ; Photo-6657\" appears on the reverse of the image.","Accession number \"RP-2198 ; Photo-6659a\" appears on the reverse of the image.","Accession number \"RP-2204 ; Photo-6665i\" appears on the reverse of the image.","Accession number \"RP-2206 ; Photo-6667c\" appears on the reverse of the image.","Accession number \"RP-2207 ; Photo-6668c\" appears on the reverse of the image.","Accession number \"RP-2207 ; Photo-6668a\" appears on the reverse of the image.","Accession number \"RP-2008 ; Photo-6609b\" appears on the reverse of the image.","Accession number \"RP-2207 ; Photo-6668b\" appears on the reverse of the image.","Accession number \"RP-2211 ; Photo-6672ai\" appears on the reverse of the image.","Accession number \"RP-2210 ; Photo-6671i\" appears on the reverse of the image.","Accession number \"RP-317 ; PG-5535\" appears on the reverse of the image.","Accession number \"RP-2216 ; Photo-6677\" appears on the reverse of the image.","Accession number \"RP-2219 ; Photo-6608av\" appears on the reverse pf the image.","Accession number \"Rp-2219 ; Photo-6680d\" appears on the reverse of the image.","Accession number \"RP-2219 ; Photo-6680c\" appears on the reverse of the image.","Accession number \"RP-2219 ; Photo-6680b\" appears on the reverse of the image.","Accession number \"RP-2223 ; Photo-6683d\" appears on the reverse of the image.","Accession number \"RP-2224 ; Photo-6684\" appears on the reverse of the image.","Accession number \"RP-2226 ; Photo-6686\" appears on the reverse of the image.","Accession number \"RP-2230 ; Photo-6689\" appears on the reverse of the image.","Accession number \"RP-2231 ; Photo-6690\" appears on the revers of the image.","Accession number \"RP-326 ; PG-555b\" appears on the reverse of the image.","Accession number \"RP-2243 ; Photo-6701i\" appears on the back of the image.","Accession number \"RP-2257 ; Photo-6715\" appears on the reverse of the image.","Accession number \"RP-2256 ; Photo-6714\" appears on the reverse of the image.","Accession number \"RP-2255 ; Photo-6713b\" appears on the reverse of the image.","RP-2255 ; Photo-6713a","Accession number \"RP-2241 ; Photo-6699aii\" appears on the reverse of the image.","Accession number \"RP-2254 ; Photo-6712\" appears on the reverse of the image.","Accession number \"RP-2252 ; Photo-6710\" appears on the reverse of the image","Accesion number \"RP-2250 ; Photo-6708\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707a\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707e\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707c\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707f\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707b\" appears on the reverse of the image.","Accession number \"RP-2249 ; Photo-6707d\" appears on the reverse of the image.","Accession number \"RP-2241 ; Photo-6699b\" appears on the reverse of the image.","Accession number \"RP-2245 ; Photo-6703\" appears on the reverse of the image.","Accession number \"RP-2242 ; Photo-6700\" appears on the reverse of the image.","Accession number \"RP-2238 ; Photo-6716b\" appears on the reverse of the image.","Accession number \"RP-2238 ; Photo-6717d\" appears on the reverse of the image.","Accession number \"RP-2258 ; Photo-6716c\" appears on the reverse of the image.","Accession number \"RP-2258 ; Photo-6716a\" appears on the reverse of the image.","Accession number \"RP-319 ; PG-5530\" appears on the reverse of the image.","Accession number \"RP-2317 ; Photo-6774d\" appears on the reverse of the image.","Accession number \"RP-2278 ; Photo-6736\" appears on the reverse of the image.","Accession number \"RP-2317 ; Photo-6774a\" appears on the reverse of the image.","Accession number \"rp-2317 ; Photo-6774e\" appears on the reverse of the image.","Accession number \"RP-2317 ; Photo-6774c\" appears on the reverse of the image.","Accession number \"RP-2317 ; Photo-6774b\" appears on the reverse of the image.","Accession number \"RP-2320 ; Photo-6777\" appears on the reverse of the image.","Accession number \"RP-2261 ; Photo-6719\" appears on the reverse of the image/","Accession number \"RP-2263 ; Photo-6721\" appears on the reverse of the image.","Accession number \"RP-2262 ; Photo-6720\" appears on the reverse of the image.","Accession number \"RP-2264 ; Photo-6722\" appears on the reverse of the image.","Accession number \"RP-317 ; PG-5524\" appears on the reverse of the image.","Accession number \"RP-2267 ; Photo-6725\" appears on the reverse of the image.","Accession number \"RP-2309 ; Photo-6766\" appears on the reverse of the image.","Accession number \"RP-2311 ; Photo-6768b\" appears on the reverse of the image.","Accession number \"RP-2308 ; Photo-6765a\" appears on the reverse of the image.","Accession number \"RP-2308 ; Photo-6765b\" appears on the reverse of the image.","A duplicate of the photograph can be found in Box 21.","Accession number \"RP-2277 ; Photo-6735a\" appears on the reverse of the image.","Accession number \"RP-2277 ; Photo-6735c\" appears on the reverse of the image.","Accession number \"Rp-2277 ; Photo-6735b\" appears on the reverse of the image.","Accession number \"RP-2277 ; Photo-6735d\" accession number appears on the reverse of the image.","Accession number \"RP-2280 ; Photo-6738a\" appears on the reverse of the image","Accession number \"RP-2281 ; Photo-6739\" appears on the reverse of the image.","Accession number \"RP-2280 ; Photo-6738b\" appears on the reverse of the image.","2 additional copies in the binder.","Retro accession numbers on reverse - RP-1140 ; Photo-5591b","Retro accession numbers on reverse - RP-1140 ; Photo-5591a","Retro accession number - RP-1143 ; Photo-5594a","Retro accession number - RP-1143 ; Photo-5594b","Retro accession number - RP-1143 ; Photo-5595a","Retro accession number - RP-1143 ; Photo-5595b","Retro accession number - RP-1143 ; Photo-5594d","Retro accession number - RP-1143 ; Photo-5594c","Retro accession number - RP-1144 ; Photo-5596","2 copies of the photograph in Box 33.","2 copies of photograph in Box 33.","There are two copies of the photograph in the binder.","Six copies of the photograph are found in the binder all of the same size.","Two copies in Box 33 - RP-1147 ; Photo-5619.","Two copies in Box 33, one oriented landscape and the other portrait.","Two copies of the photograph in Box 33.","Four copies of the photograph in Box 33.","Two copies of the photograph in Box 33.","Two copies of the photograph are in Box 33.","Four copies of the photograph in Box 33.","Two copies of the photograph in Box 33.","Two copies of photograph in Box 33.","There are two copies of the photograph in Box 33 - RP-1154 ; Photo-5633b","There are two additional copy photographs of the original located in Box 37 - BW-5199.","There are two photographs found in Box 38.","Two copies of the photograph can be found on Box 8; a third copy is located Box 3 - oversized materials.","There are two copies of this photograph at different sizes in Box 3 - oversized materials. See 'Dimensions' note.","Notes from original envelope: ORDER by Dr. Paul Bartsch late of \"Lebanon,\" whose widow is Dr. Parker. Rec'd from Shirley Briggs, October 23, 1970"],"relatedmaterial_html_tesm":["\u003cp\u003eTwo duplicates with accession number 'RP-3014 ; Photo-6992a' and 'RP-2979 ; Photo-6957' appear in Box 4.\u003c/p\u003e","\u003cp\u003eA photograph mounted on a thicker material with dimensions of 'overall: 4 5/8 in. x 4 1/8 in. and photograph: 4 5/8 in. x 3 1/2 in.' and a 10 in. x 8 in. duplicate appear in Box 4.\u003c/p\u003e","\u003cp\u003eA 6 3/4 in. x 4 3/4 in. duplicate with accession number 'RP-3013 ; Photo-6991b' appears in Box 4. Image is adhered to thicker material.\u003c/p\u003e","\u003cp\u003eAn 8 in. x 10 in. cropped in copy of the photograph with accession number 'RP-3026 ; Photo-7004b' also appears in Box 4.\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 in. duplicate with accession number 'RP-3028 ; Photo-7006b' appears in Box 4.\u003c/p\u003e","\u003cp\u003eA duplicate 5 in. x 3 1/2 in. copy appears in Box 5.\u003c/p\u003e","\u003cp\u003eA duplicate 10 in. x 8 in. copy appears in Box 5\u003c/p\u003e","\u003cp\u003eTwo 10 in. x 8 in. copies appear in Box 5.\u003c/p\u003e","\u003cp\u003eA duplicate 8 in. x 10 in. copy appears in Box 5.\u003c/p\u003e","\u003cp\u003eA 5 in. x 7 in. copy with accession number 'RP-3065 ; Photo-7042b' on reverse appears in Box 5.\u003c/p\u003e","\u003cp\u003eTwo duplicate 10 in. x 8 in. copies appears in Box 5\u003c/p\u003e","\u003cp\u003eA photomechanical copy of this image appears in Box 6.\u003c/p\u003e","\u003cp\u003eBlack and white photographic print copy appears in Box 6.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies and a 10 in. x 7 in. copy appear in Box 6.\u003c/p\u003e","\u003cp\u003eDuplicate image and 10 in. x 8 in. copy appear in Box 6.\u003c/p\u003e","\u003cp\u003eDuplicate copy appears in Box 6.\u003c/p\u003e","\u003cp\u003eDuplicate image appears in Box 6.\u003c/p\u003e","\u003cp\u003eA 3 1/2 in. x 4 1/2 in. duplicate image adhered to a 7 1/2 in. x 9 1/2 in. piece of thicker material appears in Box 6.\u003c/p\u003e","\u003cp\u003eTwo 7 1/2 in. x 9 1/2 in. copies and one 8 in. x 10 in. copy appear in Box 6.\u003c/p\u003e","\u003cp\u003eTwo copies also appear in Box 6.\u003c/p\u003e","\u003cp\u003eA duplicate 10 in. x 8 in. appears in Box 6.\u003c/p\u003e","\u003cp\u003eA 7 in. x 5 in. copy appears in Box 6.\u003c/p\u003e","\u003cp\u003eA 7 in. x 5 in. copy appears in Box 6.\u003c/p\u003e","\u003cp\u003eA 7 in. x 5 in. copy appears in Box 6.\u003c/p\u003e","\u003cp\u003eAn 8 in. x 10 in. duplicate copy (with accession number 'RP-3158 ; Photo-7122ii' on reverse) appears in Box 6.\u003c/p\u003e","\u003cp\u003eAn 8 in. x 10 in. duplicate copy appears in Box 6.\u003c/p\u003e","\u003cp\u003eDuplicate 9 1/2 in. x 7 in. copy appears in Box 6.\u003c/p\u003e","\u003cp\u003eDuplicate 10 in. x 8 in. copy appears in Box 6.\u003c/p\u003e","\u003cp\u003eA 10 in. x 7 in. copy adhered to a thicker material appears in Box 6.\u003c/p\u003e","\u003cp\u003eDuplicate 8 in. x 10 in. image appears in Box 6.\u003c/p\u003e","\u003cp\u003eA 9 1/2 in. x 7 1/2 in. and 10 in. x 8 in. copies appear in Box 6.\u003c/p\u003e","\u003cp\u003eA duplicate 5 in. x 7 in. copy and an 8 in. x 10 in. copy appear in Box 6.\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 in. copy appears in Box 6.\u003c/p\u003e","\u003cp\u003eAn 8 in. x 10 in. copy appears in Box 6.\u003c/p\u003e","\u003cp\u003eThree copies (10 in. x 8 in.) appear in Box 7.\u003c/p\u003e","\u003cp\u003eAdditional copies: (1)  RP-3184 ; Photo-7147b with dimensions - 9 1/2 in. x 7 1/2 in. and (2) RP-3185 ; Photo-7148a with dimensions 9 1/4 in. x 7 1/2 in. also appears in box 7.\u003c/p\u003e","\u003cp\u003eCopy 1: 7 3/4 in. x 9 1/2 in.\nCopy 2: 8 in. x 10 in.\u003c/p\u003e","\u003cp\u003eA 10 in. x 7 in. copy photograph adhered to 10 in. x 8 in. cardstock.\u003c/p\u003e","\u003cp\u003eCopy photograph with dimensions 6 7/8 in. x 4 13/16 in.\u003c/p\u003e","\u003cp\u003eCopy 1: 8 in. x 10 in.\nCopy 2: 8 in. x 10 in.\u003c/p\u003e","\u003cp\u003ePhotograph 1: 10 in. x 8 in.\nPhotograph 2: 10 in. x 8 in.\nPhotograph 3: 9 3/4 in. x 7 3/4 in.\u003c/p\u003e","\u003cp\u003eTwo copy vertical photographs with dimensions of 7 1/2 in. x 9 3/4 in. appear in Box 7.\u003c/p\u003e","\u003cp\u003eCopy photograph: 10 in. x 8 in. appears in Box 7\u003c/p\u003e","\u003cp\u003ePhotograph 2: 10 in. x 8 in.\nPhotograph 3: 10 in. x 8 in.\nPhotograph 4: 10 in. x 8 in.\nPhotogrpah 5: 10 in. x 8 in.\nPhotograph 6: 10 in. x 8 in.\u003c/p\u003e","\u003cp\u003ePhotograph 2: 7 in. x 5 in.\nPhotograph 3: 7 in. x 5 in.\u003c/p\u003e","\u003cp\u003ePhotograph 2: 7 in. x 5 in.\nPhotograph 3: 7 in. x 5 in.\nPhotograph 4: 7 in. x 5 in.\u003c/p\u003e","\u003cp\u003eTwo copies of the photograph in Box 9.\u003c/p\u003e","\u003cp\u003eA duplicate copy of this photograph appears in Box 9.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 9.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph appear in Box 9.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 9.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 9.\u003c/p\u003e","\u003cp\u003eThree duplicate copies of the photograph appear in Box 9.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 9.\u003c/p\u003e","\u003cp\u003eThree duplicate copies of the photograph appear in Box 9.\u003c/p\u003e","\u003cp\u003eThree duplicate copies of the photograph appear in Box 9.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph appear in Box 9.\u003c/p\u003e","\u003cp\u003eThree dupicate copies of the photograph appear in Box 9.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 9.\u003c/p\u003e","\u003cp\u003eThree copies total of the photograph appear in Box 10.\u003c/p\u003e","\u003cp\u003eFive duplicate copies of the photograph and one photomechanical print appear in Box 10.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph and one photomechanical print appear in Box 10.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph appear in Box 10.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph appear in Box 10.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 10.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 10.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 10.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 10.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph appear in Box 10, both are copy photographs taken in the 1970s - BW-5895\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photo appear in Box 10.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 10.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph appear in Box 10.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph appear in Box 10.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 10.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 10.\u003c/p\u003e","\u003cp\u003eA copy of the photograph with negative number J-1565 appears in Box 10.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph with negative number J-1646 appears in Box 10.\u003c/p\u003e","\u003cp\u003eTwo cropped copies of the photograph appear in Box 10.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 10.\u003c/p\u003e","\u003cp\u003eThree duplicate copies of the photograph appear in Box 10. One mounted on card stock.\u003c/p\u003e","\u003cp\u003eA mirrored duplicate of the photograph appears in Box 12.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph appear in Box 12.\u003c/p\u003e","\u003cp\u003eThree duplicate copies of the photograph appear in Box 12.\u003c/p\u003e","\u003cp\u003eThree duplicate copies of the photograph appear in Box 12, one with negative number J-1639.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 12.\u003c/p\u003e","\u003cp\u003eA duplicate copy photograph with negative number BW-2905 appears in Box 12. Photographed by Robert B. Fisher, April - May 1950.\u003c/p\u003e","\u003cp\u003eA duplicate appears in Box 12.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 12 with number RP-1700 : Photo-6190.\u003c/p\u003e","\u003cp\u003eThree duplicate copiex of the photograph appear in Box 12, with numbers  RP-1671 : Photo-6161bii,  RP-1671 : Photo-6161biii, and RP-1671 : Photo-6161biv.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph with negative number BW-563 appears in Box 12.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 12.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph with number RP-1680 : Photo-6170ii appears in Box 12.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph with numbers RP-1682 : Photo-6172bi and Photo-6172bii appear in Box 12.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph with number RP-1682 : Photo-6172aii appears in Box 12.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 12.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph with number RP-1688 : Photo-6178ii appears in Box 12.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph with number RP-1691 : Photo-6185a appears in Box 12.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 12.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 12.\u003c/p\u003e","\u003cp\u003eOne duplicate copy and two cropped copies of the photograph appear in Box 12; numbers RP-1694 : Photo-6184b, RP-1694 : Photo-6184c, and RP-1695 : Photo-6185b.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph appear in Box 12.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 13.\u003c/p\u003e","\u003cp\u003eFour duplicate copies of the photograph with numbers RP-1713 : Photo-6207ii, 6207iv, 6207v, and 6207vi appear in Box 13.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 13.\u003c/p\u003e","\u003cp\u003eOne copy of the photograph with number RP-1717 : Photo-6211ii appears in Box 13.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 13.\u003c/p\u003e","\u003cp\u003eOne duplicate copy of the photograph appears in Box 13.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph with number RP-1733: Photo-6237b appears in Box 13.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 13.\u003c/p\u003e","\u003cp\u003eA heavily retouched copy of the photograph with number RP-1737 : Photo-6241 appears in Box 13.\u003c/p\u003e","\u003cp\u003eA second copy appears in Box 13.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph with number RP-1648 : Photo-6139 appears in Box 13.\u003c/p\u003e","\u003cp\u003eThree colored photomechanical prints with numbers RP-1647 : Photo-6138i, 6138ii, and 6138iii appear in Box 13.\u003c/p\u003e","\u003cp\u003eOne copy of the photograph (with number RP-1754 : Photo-6258) and one photomechanical copy (with number RP-1756 : Photo-6260a) appear in Box 14.\u003c/p\u003e","\u003cp\u003eFour copies of the photograph with numbers RP-1756 : Photo-6260ci, RP-1765 : Photo-6229, RP-1756 : Photo-6260ciii, and BW-5854 appear in Box 14.\u003c/p\u003e","\u003cp\u003eThree other copies, one with number BW-5850, appear in Box 14.\u003c/p\u003e","\u003cp\u003eA photostat copy appears in Box 14.\u003c/p\u003e","\u003cp\u003eThree duplicates of the photograph appear in Box 14.\u003c/p\u003e","\u003cp\u003eAn enlarged copy of one side of the stereograph appears in Box 14.\u003c/p\u003e","\u003cp\u003eA copy with number RP-383 : EV-5662 appears in Box 14.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph with number R-324 : PG-1146g appears in Box 14.\u003c/p\u003e","\u003cp\u003eA copy of the photograph with number RP-1784 ; Photo-6247 appears in Box 14.\u003c/p\u003e","\u003cp\u003eThree duplicate copies of the photograph appear in Box 14.\u003c/p\u003e","\u003cp\u003eA duplicate of the photograph with number RP-1790 ; Photo-6253 appears in Box 15.\u003c/p\u003e","\u003cp\u003eTwo other copies of the photograph appear in Box 15, one with number RP-1795 : Photo-6258i and Photo-6258ii.\u003c/p\u003e","\u003cp\u003eA copy of the photograph with number RP-1808 : Photo-6271 appears in Box 14.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies of the photograph with numbers RP-1804 : Photo-6267 and Photo-6267ii appear in Box 15.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph with number RP-1812 ; Photo-6275 appears in Box 15.\u003c/p\u003e","\u003cp\u003eA copy of the photograph with number RP-1824 : Photo-6287 appears in Box 15.\u003c/p\u003e","\u003cp\u003eA duplicate appears in Box 15.\u003c/p\u003e","\u003cp\u003eA second copy of the photograph with number RP-1844: Photo-6307 appears in Box 15.\u003c/p\u003e","\u003cp\u003eTwo copies of the photograph with numbers RP-1830 : Photo-6293 and RP-1847: Photo-6310 appear in Box 15.\u003c/p\u003e","\u003cp\u003eTwo copy photographs with numbers BW-5902 appear in Box 14.\u003c/p\u003e","\u003cp\u003eA duplicate copy with number BW-2349d appears in Box 16.\u003c/p\u003e","\u003cp\u003eTwo duplicate copies with numbers BW-2349a and BW-2349c appear in Box 16.\u003c/p\u003e","\u003cp\u003eA duplicate copy appears in Box 16.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 16.\u003c/p\u003e","\u003cp\u003eA second copy of the photograph with number RP-1859 : Photo-6322ii appears in Box 16.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 16.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 16.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 16.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 16.\u003c/p\u003e","\u003cp\u003eThere are two copies of this photo. The identifier for the second photograph is RP-1929 ; Photo-6392 ; J-1585. The dimensions are 8 in. x 10 in. It is found in box 17.\u003c/p\u003e","\u003cp\u003eThis photo has another copy. Dimensions: 10 in.x 7 15/16. Identifier: RP-1931 ; Photo-6394ii ; BW-J-1595. Copy is found in box 17.\u003c/p\u003e","\u003cp\u003eThis photograph has a duplicate. Dimensions: 9 15/16 in. x 8 in. Identifier: RP-1944 ; Photo-6407 ; BW-J-1591. Found in box 17.\u003c/p\u003e","\u003cp\u003eThere are two copies of this photo found in box 17. Dimensions: 8 1/16 in. x 6 1/8 in. Identifer: RP-1942 ; Photo-6405ii. Dimensions: 8 1/8 in. x 6 1/8 in. Identifier: RP-1937 ; Photo-6400\u003c/p\u003e","\u003cp\u003eThere are two other copies of this photo found in box 17. Dimensions: both 7 7/8 in. x 10 in. Identifiers: RP-1947 ; Photo-6410ii ; J-1588 and RP-1961 ; Photo-6424 ; J-1588.\u003c/p\u003e","\u003cp\u003eThere are two other copies of this photograph in box 17. Dimensions: 9 7/8 in. x 7 13/16 in. Identifiers: RP-1928 ; Photo-6391 ; J-1589 and RP-1950 ; Photo-6413 ; J-1589.\u003c/p\u003e","\u003cp\u003eThere are two copies of this photo in box 17. Identifiers: RP-1957 ; Photo-6420i ; J-1590 and RP-2957 ; Photo-6420ii ; J-1590. Dimensions: 10 in. x 7 15/16 in. and 10 in. x 7 7/8 in.\u003c/p\u003e","\u003cp\u003eThere are two other copies of this photo in box 17. Dimensions: 10 in. x 7 7/8 in. Identifiers: RP-1969 ;Photo-6432a ; J-1587 and RP-1952 ; Photo-6415ii ; J-1587.\u003c/p\u003e","\u003cp\u003eThere are two copies of this photogarph in box 17. Dimensions: 10 in. x 7 13/16 in. and 10 in. x 7 13/16 in.   Identifier: RP-1953 ; Photo-64iii ; Neg-57 and RP-1969 ; Photo-6432b ; BW-57\u003c/p\u003e","\u003cp\u003eThere are two copies of this photograph in box 17. Identifiers: RP-1955 ; Photo-6418ii. and RP-1959 ; Photo-6422. Dimensions: 7 15/16 in. x 10 in. and 6 5/16 in. 9 3/8 in.\u003c/p\u003e","\u003cp\u003eThere are two copies of this photogrpah in box 18. Dimensions: 9 7/8 in. x 6 11/16 in. and 9 7/8 in. x 6 11/16 in. Identifiers: RP-1986 ; Photo-6449 and RP-1992 ; Photo-6454.\u003c/p\u003e","\u003cp\u003eThere is a copy of this photogrpah in box 17. Dimensions: 5 in. x 3 3/4 in. Identifier: RP-1975 ; Photo-6438ii.\u003c/p\u003e","\u003cp\u003eThere is a copy of this photo in box 18. Dimensions: 6 1/2 in. x 4 3/4 in. Identifer: RP-1981 ; Photo-6444cii\u003c/p\u003e","\u003cp\u003eThere are two copies of this photograph in box 18. Dimensions: both 5 1/16 in. x 3 15/16 in. Identifers: RP-1991 ; Photo-6453iii and RP-1991 ; Photo-6453ii.\u003c/p\u003e","\u003cp\u003eThere is a copy of this photograph in box 18. Dimensions: Overall: 4 7/8 in. x 7 7/8 in. Photograph: 4 11/16 in. x 6 3/4 in. Identifier: RP-1996 ; Photo-6458ii\u003c/p\u003e","\u003cp\u003eThere is a copy of this photograph in box 18. Dimensions: 8 in. x 9 15/16 in. Identifiers: RP-2025 ; Photo-6487\u003c/p\u003e","\u003cp\u003eThere are two copies of this photograph in box 18. Dimensions: 9 3/4 in. x 7 13/16 in. and 9 3/4 in. x 7 9/16 in. Identifiers: RP-2036 ; Photo-6498a and RP-2021 ; Photo-6483a\u003c/p\u003e","\u003cp\u003eThere are two copies of this photogrpah in box 18. Identifiers: RP-2045 ; Photo-6507 ; J-1602 and RP-2022 ; Photo-6484a ; J-1601. Dimensions: 8 1/16 in. x 9 7/8 in. and 8 1/8 in. x 10 in.\u003c/p\u003e","\u003cp\u003eThere is a copy of this photograph in box 18. Dimensions: 8 in. x 9 7/8 in. Identifier: RP-2047 ; Photo-6509a ; J-1626\u003c/p\u003e","\u003cp\u003eThere are two copies of this photograph in box 18. Identifers: RP-2024 ; Photo-6486ii ; J-1600 and RP-2047 ; Photo-6509b ; J-1600. Dimensions: 8 in. x 10 in. and 8 1/16 in. x 9 7/8 in.\u003c/p\u003e","\u003cp\u003eThere are two copies of this photograph in box 18. Dimensions: 8 1/8 in. x 10 in. and 8 1/18 in. x 9 15/16. Identifiers: RP-2026 ; Photo-6488iii ; J-1596 and RP-2026 ; Photo-6488i ; J-1596.\u003c/p\u003e","\u003cp\u003eThere is a copy of this photograph in box 18. Identifier: RP-2027 ; Photo-6489i ; J-1634. Dimensions: 10 in. x 8 in.\u003c/p\u003e","\u003cp\u003eThere are two copies of this photograph in box 18. Identifiers: RP-2028 ; Photo-6490ii ; J-1599 and RP-2034 ; Photo-6496. Dimensions: 8 1/18 in. x 10 in. and 7 15/16 in. x 9 15/16 in.\u003c/p\u003e","\u003cp\u003eThere are three copies of this photograph in box 18. Dimensions: 10 in. x 8 1/16 in., 10 in. x 8 1/8 in., 10 in. x 8 1/8 in. Identifiers: RP-2029 ; Photo-6491i ; J-1603. RP-2029 ; Photo-6491ii ; J-1603. RP-2029 ; Photo-6491iii ; J-1603.\u003c/p\u003e","\u003cp\u003eThere is a copy of this photograph in box 18. Dimensions: 4 5/16 in. x 3 1/4 in. Identifiers: RP-2030 ; Photo-6492cii.\u003c/p\u003e","\u003cp\u003eThere are three copies of this photograph in box 18.  Identifiers and Dimensions: RP-2031 ; Photo-6493aii ; BW-1688 and 7 3/16 in. x 5 in, RP-2019 ; Photo-6481a and 7 in. x 4 15/16 in.,  RP-2031 ; Photo-6493aiii ; BW-1688 and 7 1/18 in. x 4 15/16 in.\u003c/p\u003e","\u003cp\u003eThere is a copy of this photograph in box 18. Identifier: RP-2046 ; Photo-6508 ; J-1624. Dimensions: 9 7/8 in. x 8 in.\u003c/p\u003e","\u003cp\u003eThere are two copies of this photograph in box 18. Identifiers: RP-2042 ; Photo-6504a ; J-1623 and RP-2038 ; Photo-6500. Dimensions: 10 in. x 8 in. and 9 15/16 in. x 7 15/16 in.\u003c/p\u003e","\u003cp\u003eThere is one copy of this photograph in box 18. Identifier: RP-2039 ; Photo-6501. Dimensions: 9 15/16 in. x 8 in. The back of this copy also includes text that says \" A.B. Hill Box 150 Wash. D.C.\"\u003c/p\u003e","\u003cp\u003eThere are two copies of this photograph in box 18. Identifiers: RP-2037 ; Photo-6499a ; BW-856 and RP-2049 ; Photo-6511i ; BW-856. Dimensions: 9 1/2 in. x 7 5/8 in. and 10 in. x 7 15/16 in.\u003c/p\u003e","\u003cp\u003eThere is a copy of this photograph in box 18. Identifier: RP-2055 ; Photo-6517ii ; BW-854. Dimensions: 10 in. x 8 in.\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eRegarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'\u003c/p\u003e","\u003cp\u003eThere is a copy of this photograph in box 19. Dimensions: 2 11/16 in. x 4 7/16 in. Identifiers: RP-2082 ; Photo-6543aii\u003c/p\u003e","\u003cp\u003eThere is a copy of this photograph in box 19. Dimensions: 4 15/16 in. x 3 1/2 in. Identifier: RP-1885 ; Photo-6348b ; 1176a\u003c/p\u003e","\u003cp\u003eThere is a 10 in. x 8 1/8 in. duplicate cop of this image (with the accession number RP-2112 ; Photo-6574a) in Box 19.\u003c/p\u003e","\u003cp\u003eSimilar image in Box 19 (with the accession number BW-2724) and  the difference between the photos is that the bowling green gate is closed.\u003c/p\u003e","\u003cp\u003eSimilar image in Box 19 (with the accession number BW-2723) and  the difference between the photos is that the bowling green gate is open.\u003c/p\u003e","\u003cp\u003eA 4 7/8 in. x 3 1/8 in. duplicate copy (with accession number RP-2117 ; Photo-6579) appears in Box 19 and has a handwritten date on the front \"Jan. 10, 1932.\"\u003c/p\u003e","\u003cp\u003eAn 10 in by 8 in. duplicate copy (with accession number 'BW-778' appears later in Box 19.\u003c/p\u003e","\u003cp\u003eSimilar image appears under the accession number \"BW-921\" with the difference being the prientation of the tractor. This image is looking straight on rather than from behind.\u003c/p\u003e","\u003cp\u003eA similar photograph appears under the accesion number \"BW-920\" with the difference being the orientation of the tractor; Mr. wall is viewing it from behind rather than straight on.\u003c/p\u003e","\u003cp\u003eA 5 in. x 3 7/16 in. copy with the acession number \"RP-2144 ; Photo-6607bii\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eRelated image appears in Box 20, one of the unidentified workers is standing in the unmowed grass as if to indicate its height. This image has the accession number \"BW-1258a.\"\u003c/p\u003e","\u003cp\u003eA 5 in. x 3 7/16 in copy with the accession number \"RP-2144 ; Photo-6607ai\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eRelated image appears in Box 20 with the accession number \"BW-1258.\" This image is of two workers posing on their mower after finishing a portion of the 12-acre field.\u003c/p\u003e","\u003cp\u003eA 5 in. x 3 1/8 in. copy appears in Box 20 with the accession number \"RP-2140 ; Photo-6605ai\" on the reverse of the image.\u003c/p\u003e","\u003cp\u003eSimilar image appears in Box 20 with the difference being that the Mansion is visible in the background\u003c/p\u003e","\u003cp\u003eSimilar image appears in Box 20 with the only difference being that there is no Mansion in the background.\u003c/p\u003e","\u003cp\u003eA '10 in. x 8 in.' copy of this image is in Box 20.\u003c/p\u003e","\u003cp\u003eA 6 7/8 in. x 4 15/16 in. duplicate copy appears in Box 20 with accession number \"RP-2153 ; Photo-6616a.\" A duplicate copy with the accession number \"RP-2153 ; Photo-6616b\" and dimensions \"8 in. x 6 1/8 in.\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 in. duplicate photograph appears in Box 20 with the accession number \"RP-2154 ; Photo-6617ii.\"\u003c/p\u003e","\u003cp\u003eA 8 in. x 10 in. copy photograph with the accession number \"RP-2175 ; Photo-6639\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 in. copy photograph with the accession number \"RP-2173 ; Photo-6637\" appears in box 20.\u003c/p\u003e","\u003cp\u003ea 10 in. x 8 in. copy photograph with the accession number \"RP-2174 ; Photo-6638\" appears in box 20.\u003c/p\u003e","\u003cp\u003eA 9 9/16 in. x 7 1/2 in. copy with the accessoin number \"RP-2183 ; Photo-6647i\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eA 9 9/16 in. x 7 5/8 in. copy photograph with the accession number \"RP-2204 ; Photo-6665ii\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 1/16 in. copy photograp with the accession numbers \"J-1583\" and \"RP-2211 ; Photo-6672aii\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eA 9 5/8 in. x 7 11/16 in. copy photograph appears in Box 20 with the accession numbers \"C-2455\" and \"RP-2210 ; Photo-6671ii\" appearing on the reverse of the image.\u003c/p\u003e","\u003cp\u003eA 9 3/4 in. x 7 7 5/8 in. copy with the accession number \"RP-2219 ; Photo-6680aiv\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eA 9 7/8 in. x 7 11/16 in. copy with the accession number \"RP-2219 ; Photo-6680aii\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eA 9 7/8 in. x 7 11/16 in. copy with the accession number \"RP-2219 ; Photo-6680aiii\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eA 9 13/16 in. x 7 5/8 in. copy with the accession number \"RP-2219 ; Photo-6680ai\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eA 9 3/4 in. x 7 5/8 in. copy appears in the reverse of the image with the accession number \"RP-2220 ; Photo-6681ii.\"\u003c/p\u003e","\u003cp\u003eA 3 3/8 in. x 2 1/2 in. copy photograph appears in Box 20 with the accession number \"RP-2234 ; Photo-6692ii.\"\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 in. copy photograph appears in Box 20 with the accession numbers \"BW-5898\" and \"RP-326 ; PG-555b.\"\u003c/p\u003e","\u003cp\u003eA 5 1/16 in. x 4 in. copy appears in Box 21 pasted onto a yellow piece of cardstock with another image. The copy has two accession numbers which are \"BW-472\" and \"RP-2243 ; Photo-6701ii.\"\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 in. copy photograph appears in Box 21 with the accession number \"BW-814b.\"\u003c/p\u003e","\u003cp\u003eA 10 in. x 8 in. copy photograph appears in Box 21 with the accession number \"J-1613.\"\u003c/p\u003e","\u003cp\u003eAn 8 in. x 10 in. copy photograph appears in Box 21 with accession number \"RP-2246 ; Photo-6704.\"\u003c/p\u003e","\u003cp\u003eThe photograph is glued to a piece of paper with another image below it on the paper with the accession numbers \"BW-383c\" and \"RP-2238 ; Photo-6716d.\"\u003c/p\u003e","\u003cp\u003eThe photograph is glued to a piece of paper with another image above it on the paper with the accession numbers \"BW-383a\" and \"RP-2238 ; Photo-6716b.\"\u003c/p\u003e","\u003cp\u003eThe photograph is glued to a piece of paper with another image on the rightof the paper with the accession numbers \"BW-383\" and \"RP-2258 ; Photo-6716a.\"\u003c/p\u003e","\u003cp\u003eThe photograph is glued to a piece of paper with another image on the rightof the paper with the accession numbers \"BW-383b\" and \"RP-2258 ; Photo-6716c.\"\u003c/p\u003e","\u003cp\u003eA duplicate photograph appears in Box 21 with the accession number \"RP-2260 ; Photo-6718i.\"\u003c/p\u003e","\u003cp\u003eA copy photograph with the accession number \"RP-2274 ; Photo-6732ii\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eA copy photograph with the accession number \"RP-2274 ; Photo-6732iii\" appears in Box 20.\u003c/p\u003e","\u003cp\u003eA 4 1/2 in. x 2 3/4 in. copy photograph with the accession number \"RP-2288 ; Photo-6746\" appears in ox 21.\u003c/p\u003e","\u003cp\u003e8 in. x 5 1/4 in. copy photograph appears in Box 21 with the accesson number \"RP-2288 ; Photo-6746bi.\"\u003c/p\u003e","\u003cp\u003ePrint made from glass negative - 2024-VR-016-003\u003c/p\u003e","\u003cp\u003eSee DA_001810\u003c/p\u003e","\u003cp\u003eA duplicate copy appears in Box 6.\u003c/p\u003e","\u003cp\u003eTwo copies of the photograph in Box 9.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 10.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 10.\u003c/p\u003e","\u003cp\u003eA duplicate copy of the photograph appears in Box 10.\u003c/p\u003e","\u003cp\u003eSame as photograph - RP-1133 (retro) ; Photo-5582a\u003c/p\u003e","\u003cp\u003eCabinet card photograph same as RP-3216 ; Waldsmith CC13 - DA_003489\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004007\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004007\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004007\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004007\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004007\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004007\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004007\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC08 - DA_003484\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC08 - DA_003484\u003c/p\u003e","\u003cp\u003eSame as cabinet card RM-255 - DA_004011\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC10 - DA_003486\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004017\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC17 - DA_003493\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-88 ; PG-5012 - DA_004019\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3220 ; Photo-7188b - DA_004021\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3220 ; Photo-7188b - DA_004021\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3220 ; Photo-7188b - DA_004021\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3220 ; Photo-7188a - DA_004022\u003c/p\u003e","\u003cp\u003eCabinet card same as R-393 ; Pg-1248 - DA_004023\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC01 - DA_003477\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC01 - DA_003477\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004024\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004028\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004028\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_004029\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC18 - DA_003494\u003c/p\u003e","\u003cp\u003eCabinet card sames as DA_004035\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496\u003c/p\u003e","\u003cp\u003eSame as cabinet card DA_004036\u003c/p\u003e","\u003cp\u003eSame as DA_004038\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-883 ; Photo-5299 - DA_004040\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001\u003c/p\u003e","\u003cp\u003eCabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001\u003c/p\u003e","\u003cp\u003eSame as cabinet card R-393 ; Pg-1253 - DA_004045\u003c/p\u003e","\u003cp\u003eSimilar to cabinet card\t2016-VR-018 - DA_001393\u003c/p\u003e","\u003cp\u003eSame as cabinet card - DA_004046\u003c/p\u003e","\u003cp\u003eSame as cabinet card - DA_004048\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-231 ; Photo-5236 - DA_000623\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-231 ; Photo-5236 - DA_000623\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-231 ; Photo-5236 - DA_000623\u003c/p\u003e","\u003cp\u003eSame as cabinet card - DA_004054\u003c/p\u003e","\u003cp\u003eSame as cabinet card - DA_004054\u003c/p\u003e","\u003cp\u003eSame as cabinet card DA_004054\u003c/p\u003e","\u003cp\u003eSame as cabinet card DA_000081\u003c/p\u003e","\u003cp\u003eCabinet card same as DA_000081\u003c/p\u003e","\u003cp\u003eSame as cabinet card DA_000081\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-176 ; Photo-5157b - DA_004059\u003c/p\u003e","\u003cp\u003eSimilar to cabinet card RP-176 ; Photo-5157b - DA_004059\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-176 ; Photo-5158a - DA_004060\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-88 ; PG-5007 - DA_001081\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-88 ; PG-5007 - DA_001081\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079\u003c/p\u003e","\u003cp\u003eCabinet card same as R-393 ; PG-1258 - DA_000034\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-88 ; PG-5006 - DA_001363\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-255 - DA_001365\u003c/p\u003e","\u003cp\u003eSame as cabinet card PG-68 - DA_001366\u003c/p\u003e","\u003cp\u003eSame as cabinet card PG-68 - DA_001366\u003c/p\u003e","\u003cp\u003eSame as cabinet card PG-68 - DA_001366\u003c/p\u003e","\u003cp\u003eSame as cabinet card [no accession #] - DA_001367\u003c/p\u003e","\u003cp\u003eSame as cabinet card [no accession #] - DA_001367\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-1025 ; Photo-5465 - DA_001368\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-1025 ; Photo-5465 - DA_001368\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-825 ; Photo-5231 - DA_001369\u003c/p\u003e","\u003cp\u003eSame as cabinet card R-380 ; PG-1223 - DA_001372\u003c/p\u003e","\u003cp\u003eSame as cabinet card R-380 ; PG-1223 - DA_001372\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-255 - DA_004063\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-255 - DA_004063\u003c/p\u003e","\u003cp\u003eSame as cabinet card - DA_004065\u003c/p\u003e","\u003cp\u003eSamea as cabinet card - DA_004065\u003c/p\u003e","\u003cp\u003eSame as cabinet card - DA_004065\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC37 - DA_003615\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC37 - DA_003615\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC37 - DA_003615\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC38 - DA_003616\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-916 ; Photo-5348c - DA_004066\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC39 - DA_003617\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-231 ; Photo-5239 - DA_001068\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-231 ; Photo-5235 - DA_004071\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC48 - DA_003624\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC49 - DA_003625\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC54 - DA_003631\u003c/p\u003e","\u003cp\u003eSame as cabinet card 2018-VR-021 - DA_002472\u003c/p\u003e","\u003cp\u003eSame as cabinet card 2018-VR-021 - DA_002472\u003c/p\u003e","\u003cp\u003eSame as cabinet card - DA_004073\u003c/p\u003e","\u003cp\u003eSame as cabinet card - DA_004074\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630\u003c/p\u003e","\u003cp\u003eSimiliar to cabinet card RP-3216 ; Waldsmith CC59 - DA_003635\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC57 - DA_003634\u003c/p\u003e","\u003cp\u003eSame as cabinet card R-380 ; PG-1224 - DA_004077\u003c/p\u003e","\u003cp\u003eSame as cabinet card R-380 ; PG-1224 - DA_004077\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC45 - DA_003628\u003c/p\u003e","\u003cp\u003eSame as cabinet card RP-3216 ; Waldsmith CC44 - DA_003622\u003c/p\u003e","\u003cp\u003eSame as cabinet card - DA_004094\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 209; Image identifier - DA_003399\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 209; Image identifier - DA_003399\u003c/p\u003e","\u003cp\u003eStereograph same as RP-14 ; St-3035; Image identifier - DA_000060\u003c/p\u003e","\u003cp\u003eStereograph same as RP-14 ; St-3035; Image identifier - DA_000060\u003c/p\u003e","\u003cp\u003eStereograph same as RP-14 ; St-3035; Image identifier - DA_000060\u003c/p\u003e","\u003cp\u003eStereograph same as RP-14 ; St-3035; Image identifier - DA_000060\u003c/p\u003e","\u003cp\u003eStereograph same as RP-14 ; St-3035; Image identifier - DA_000060\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 147; Image identifier - DA_003340\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 147; Image identifier - DA_003340\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 034; Image identifier - DA_003205\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 001; Image identifier - DA_001047\u003c/p\u003e","\u003cp\u003eStereograph same as 2019-VR-009; Image identifier - DA_002546\u003c/p\u003e","\u003cp\u003eStereograph same as A-809 ; Photo-4928; Image identifier - DA_000044\u003c/p\u003e","\u003cp\u003eStereograph same as A-809 ; Photo-4928; Image identifier - DA_000044\u003c/p\u003e","\u003cp\u003eStereograph same as RP-7; Image identifier - DA_000051\u003c/p\u003e","\u003cp\u003eStereograph same as RP-7; Image identifier - DA_000051\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3196 ; Photo-7159q; Image identifier - DA_000899\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256\u003c/p\u003e","\u003cp\u003eStereograph same as 2018-VR-022.013; Image identifier - DA_002521\u003c/p\u003e","\u003cp\u003eStereograph same as 2018-VR-022.013; Image identifier - DA_002521\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7154 ; Waldsmith 005; Image identifier - DA_002578\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 039; Image identifier - DA_003211\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 230; Image identifier - DA_003416\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 162; Image identifier - DA_003353\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 162; Image identifier - DA_003353\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 162; Image identifier - DA_003353\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 203; Image identifier - DA_003394\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 204; Image identifier - DA_003395\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 163; Image identifier - DA_003354\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 163; Image identifier - DA_003354\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 163; Image identifier - DA_003354\u003c/p\u003e","\u003cp\u003eStereograph same as 2019-VR-027.020; Image identifier - DA_002565\u003c/p\u003e","\u003cp\u003eStereograph same as 2019-VR-027.020; Image identifier - DA_002565\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 214; Image identifier - DA_001322\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 214; Image identifier - DA_001322\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 225; Image identifier - DA_003411\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 225; Image identifier - DA_003411\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 225; Image identifier - DA_003411\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 224; Image identifier - DA_003410\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 043; Image identifier - DA_001823\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 189; Image identifier - DA_003378\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 189; Image identifier - DA_003378\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 016; Image identifier - DA_002487\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 016; Image identifier - DA_002487\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 051; Image identifier - DA_003246\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 130; Image identifier - DA_003327\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 004; Image identifier - DA_002577\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 139; Image identifier - DA_003335\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 139; Image identifier - DA_003335\u003c/p\u003e","\u003cp\u003eSame as stereograph - RP-370\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 221; Image identifier - DA_003406\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 221; Image identifier - DA_003406\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 221; Image identifier - DA_003406\u003c/p\u003e","\u003cp\u003eStereograph same as RP-22 ; St-3045; Image identifier - DA_000049\u003c/p\u003e","\u003cp\u003eStereograph same as RP-22 ; St-3045; Image identifier - DA_000049\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3 ; St-3008; Image identifier - DA_000048\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3 ; St-3008; Image identifier - DA_000048\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3 ; St-3008; Image identifier - DA_000048\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3 ; St-3008; Image identifier - DA_000048\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3 ; St-3008; Image identifier - DA_000048\u003c/p\u003e","\u003cp\u003eStereograph same as St-3069; Image identifier - DA_000011\u003c/p\u003e","\u003cp\u003eStereograph same as St-3069; Image identifier - DA_000011\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 137; Image identifier - DA_003333\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 137; Image identifier - DA_003333\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 137; Image identifier - DA_003333\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 140; Image identifier - DA_003336\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 140; Image identifier - DA_003336\u003c/p\u003e","\u003cp\u003eStereograph same as RP-22 ; St-3048/b; Image identifier - DA_001374\u003c/p\u003e","\u003cp\u003eStereograph same as St-3078; Image identifier - DA_003683\u003c/p\u003e","\u003cp\u003eStereograph same as St-3078; Image identifier - DA_003683\u003c/p\u003e","\u003cp\u003eStereograph same as St-3078; Image identifier - DA_003683\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 041; Image identifier - DA_000017\u003c/p\u003e","\u003cp\u003eStereograph same as image identifier - DA_001378\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 222; Image identifier - DA_003408\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249\u003c/p\u003e","\u003cp\u003eStereograph same as St-3079 ; Image identifier - DA_003700\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 048; Image identifier - DA_000016\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 036; Image identifier - DA_000018\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 036; Image identifier - DA_000018\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 036; Image identifier - DA_000018\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 142; Image identifier - DA_001046\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 138; Image identifier - DA_003334\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 138; Image identifier - DA_003334\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 138; Image identifier - DA_003334\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 022; Image identifier - DA_002593\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 022; Image identifier - DA_002593\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 022; Image identifier - DA_002593\u003c/p\u003e","\u003cp\u003eStereograph same as RP-678 ; Photo-4823\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7154 ; Waldsmith 013; Image identifier - DA_002587\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 038; Image identifier - DA_003210\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 038; Image identifier - DA_003210\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 058; Image identifier - DA_003257\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 038; Image identifier - DA_003257\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 165; Image identifier - DA_003356\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 165; Image identifier - DA_003356\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 165; Image identifier - DA_003356\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 023; Image identifier - DA_002594\u003c/p\u003e","\u003cp\u003eStereograph same as RP-6 ; St-3015; Image identifier - DA_001793\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 174; Image identifier - DA_003364\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 174; Image identifier - DA_003364\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 174; Image identifier - DA_003364\u003c/p\u003e","\u003cp\u003eStereograph same as 2019-VR-027.018; Image identifier - DA_002568\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 047; Image identifier - DA_003240\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 047; Image identifier - DA_003240\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 010; Image identifier - DA_002584\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 227; Image identifier - DA_003414\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 183; Image identifier - DA_003373\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 217; Image identifier - DA_003403\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 217; Image identifier - DA_003403\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 218; Image identifier - DA_003404\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 218; Image identifier - DA_003404\u003c/p\u003e","\u003cp\u003eStereograph same as 2019-VR-027.019; Image identifier - DA_002569\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216; ST-7184; Waldsmith 098; Image identifier - DA_003300\u003c/p\u003e","\u003cp\u003eStereograph same as RP-3216 ; ST-7184 ; Waldsmith 193; Image identifier - DA_003382\u003c/p\u003e","\u003cp\u003eSee other photographs taken as part of series: 2019-VR-017.002 and 2019-VR-017.003\u003c/p\u003e","\u003cp\u003eSee other photographs taken as part of series: 2019-VR-017.001 and 2019-VR-017.003\u003c/p\u003e","\u003cp\u003eSee other photographs taken as part of series: 2019-VR-017.001 and 2019-VR-017.002\u003c/p\u003e","\u003cp\u003esee DA_003766\u003c/p\u003e","\u003cp\u003esee DA_003762\u003c/p\u003e","\u003cp\u003esee DA_003763\u003c/p\u003e","\u003cp\u003esee DA_003764\u003c/p\u003e","\u003cp\u003esee DA_004313\u003c/p\u003e","\u003cp\u003esee DA_003765\u003c/p\u003e","\u003cp\u003esee DA_001309\u003c/p\u003e","\u003cp\u003esee DA_001310\u003c/p\u003e","\u003cp\u003esee DA_001311\u003c/p\u003e","\u003cp\u003esee DA_003767\u003c/p\u003e","\u003cp\u003esee DA_004322\u003c/p\u003e","\u003cp\u003esee DA_003770\u003c/p\u003e","\u003cp\u003esee DA_003768\u003c/p\u003e","\u003cp\u003eSee DA_003774\u003c/p\u003e","\u003cp\u003esee DA_003769\u003c/p\u003e","\u003cp\u003esee - DA_003771\u003c/p\u003e","\u003cp\u003esee DA_003776\u003c/p\u003e","\u003cp\u003esee DA_003778\u003c/p\u003e","\u003cp\u003esee DA_003780\u003c/p\u003e","\u003cp\u003esee DA_003781\u003c/p\u003e","\u003cp\u003eSee DA_003784\u003c/p\u003e","\u003cp\u003eSee DA_003782\u003c/p\u003e","\u003cp\u003eSee DA_003783\u003c/p\u003e","\u003cp\u003eSee print made from negative - 2024-VR-016-004\u003c/p\u003e","\u003cp\u003eSee stereograph - RP-3216 ; ST-7184 ; Waldsmith 222 [Digital file - DA_003408]\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["Two duplicates with accession number 'RP-3014 ; Photo-6992a' and 'RP-2979 ; Photo-6957' appear in Box 4.","A photograph mounted on a thicker material with dimensions of 'overall: 4 5/8 in. x 4 1/8 in. and photograph: 4 5/8 in. x 3 1/2 in.' and a 10 in. x 8 in. duplicate appear in Box 4.","A 6 3/4 in. x 4 3/4 in. duplicate with accession number 'RP-3013 ; Photo-6991b' appears in Box 4. Image is adhered to thicker material.","An 8 in. x 10 in. cropped in copy of the photograph with accession number 'RP-3026 ; Photo-7004b' also appears in Box 4.","A 10 in. x 8 in. duplicate with accession number 'RP-3028 ; Photo-7006b' appears in Box 4.","A duplicate 5 in. x 3 1/2 in. copy appears in Box 5.","A duplicate 10 in. x 8 in. copy appears in Box 5","Two 10 in. x 8 in. copies appear in Box 5.","A duplicate 8 in. x 10 in. copy appears in Box 5.","A 5 in. x 7 in. copy with accession number 'RP-3065 ; Photo-7042b' on reverse appears in Box 5.","Two duplicate 10 in. x 8 in. copies appears in Box 5","A photomechanical copy of this image appears in Box 6.","Black and white photographic print copy appears in Box 6.","Two duplicate copies and a 10 in. x 7 in. copy appear in Box 6.","Duplicate image and 10 in. x 8 in. copy appear in Box 6.","Duplicate copy appears in Box 6.","Duplicate image appears in Box 6.","A 3 1/2 in. x 4 1/2 in. duplicate image adhered to a 7 1/2 in. x 9 1/2 in. piece of thicker material appears in Box 6.","Two 7 1/2 in. x 9 1/2 in. copies and one 8 in. x 10 in. copy appear in Box 6.","Two copies also appear in Box 6.","A duplicate 10 in. x 8 in. appears in Box 6.","A 7 in. x 5 in. copy appears in Box 6.","A 7 in. x 5 in. copy appears in Box 6.","A 7 in. x 5 in. copy appears in Box 6.","An 8 in. x 10 in. duplicate copy (with accession number 'RP-3158 ; Photo-7122ii' on reverse) appears in Box 6.","An 8 in. x 10 in. duplicate copy appears in Box 6.","Duplicate 9 1/2 in. x 7 in. copy appears in Box 6.","Duplicate 10 in. x 8 in. copy appears in Box 6.","A 10 in. x 7 in. copy adhered to a thicker material appears in Box 6.","Duplicate 8 in. x 10 in. image appears in Box 6.","A 9 1/2 in. x 7 1/2 in. and 10 in. x 8 in. copies appear in Box 6.","A duplicate 5 in. x 7 in. copy and an 8 in. x 10 in. copy appear in Box 6.","A 10 in. x 8 in. copy appears in Box 6.","An 8 in. x 10 in. copy appears in Box 6.","Three copies (10 in. x 8 in.) appear in Box 7.","Additional copies: (1)  RP-3184 ; Photo-7147b with dimensions - 9 1/2 in. x 7 1/2 in. and (2) RP-3185 ; Photo-7148a with dimensions 9 1/4 in. x 7 1/2 in. also appears in box 7.","Copy 1: 7 3/4 in. x 9 1/2 in.\nCopy 2: 8 in. x 10 in.","A 10 in. x 7 in. copy photograph adhered to 10 in. x 8 in. cardstock.","Copy photograph with dimensions 6 7/8 in. x 4 13/16 in.","Copy 1: 8 in. x 10 in.\nCopy 2: 8 in. x 10 in.","Photograph 1: 10 in. x 8 in.\nPhotograph 2: 10 in. x 8 in.\nPhotograph 3: 9 3/4 in. x 7 3/4 in.","Two copy vertical photographs with dimensions of 7 1/2 in. x 9 3/4 in. appear in Box 7.","Copy photograph: 10 in. x 8 in. appears in Box 7","Photograph 2: 10 in. x 8 in.\nPhotograph 3: 10 in. x 8 in.\nPhotograph 4: 10 in. x 8 in.\nPhotogrpah 5: 10 in. x 8 in.\nPhotograph 6: 10 in. x 8 in.","Photograph 2: 7 in. x 5 in.\nPhotograph 3: 7 in. x 5 in.","Photograph 2: 7 in. x 5 in.\nPhotograph 3: 7 in. x 5 in.\nPhotograph 4: 7 in. x 5 in.","Two copies of the photograph in Box 9.","A duplicate copy of this photograph appears in Box 9.","A duplicate copy of the photograph appears in Box 9.","Two duplicate copies of the photograph appear in Box 9.","A duplicate copy of the photograph appears in Box 9.","A duplicate copy of the photograph appears in Box 9.","Three duplicate copies of the photograph appear in Box 9.","A duplicate copy of the photograph appears in Box 9.","Three duplicate copies of the photograph appear in Box 9.","Three duplicate copies of the photograph appear in Box 9.","Two duplicate copies of the photograph appear in Box 9.","Three dupicate copies of the photograph appear in Box 9.","A duplicate copy of the photograph appears in Box 9.","Three copies total of the photograph appear in Box 10.","Five duplicate copies of the photograph and one photomechanical print appear in Box 10.","Two duplicate copies of the photograph and one photomechanical print appear in Box 10.","Two duplicate copies of the photograph appear in Box 10.","Two duplicate copies of the photograph appear in Box 10.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","Two duplicate copies of the photograph appear in Box 10, both are copy photographs taken in the 1970s - BW-5895","Two duplicate copies of the photo appear in Box 10.","A duplicate copy of the photograph appears in Box 10.","Two duplicate copies of the photograph appear in Box 10.","Two duplicate copies of the photograph appear in Box 10.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","A copy of the photograph with negative number J-1565 appears in Box 10.","A duplicate copy of the photograph with negative number J-1646 appears in Box 10.","Two cropped copies of the photograph appear in Box 10.","A duplicate copy of the photograph appears in Box 10.","Three duplicate copies of the photograph appear in Box 10. One mounted on card stock.","A mirrored duplicate of the photograph appears in Box 12.","Two duplicate copies of the photograph appear in Box 12.","Three duplicate copies of the photograph appear in Box 12.","Three duplicate copies of the photograph appear in Box 12, one with negative number J-1639.","A duplicate copy of the photograph appears in Box 12.","A duplicate copy photograph with negative number BW-2905 appears in Box 12. Photographed by Robert B. Fisher, April - May 1950.","A duplicate appears in Box 12.","A duplicate copy of the photograph appears in Box 12 with number RP-1700 : Photo-6190.","Three duplicate copiex of the photograph appear in Box 12, with numbers  RP-1671 : Photo-6161bii,  RP-1671 : Photo-6161biii, and RP-1671 : Photo-6161biv.","A duplicate copy of the photograph with negative number BW-563 appears in Box 12.","A duplicate copy of the photograph appears in Box 12.","A duplicate copy of the photograph with number RP-1680 : Photo-6170ii appears in Box 12.","Two duplicate copies of the photograph with numbers RP-1682 : Photo-6172bi and Photo-6172bii appear in Box 12.","A duplicate copy of the photograph with number RP-1682 : Photo-6172aii appears in Box 12.","A duplicate copy of the photograph appears in Box 12.","A duplicate copy of the photograph with number RP-1688 : Photo-6178ii appears in Box 12.","A duplicate copy of the photograph with number RP-1691 : Photo-6185a appears in Box 12.","A duplicate copy of the photograph appears in Box 12.","A duplicate copy of the photograph appears in Box 12.","One duplicate copy and two cropped copies of the photograph appear in Box 12; numbers RP-1694 : Photo-6184b, RP-1694 : Photo-6184c, and RP-1695 : Photo-6185b.","Two duplicate copies of the photograph appear in Box 12.","A duplicate copy of the photograph appears in Box 13.","Four duplicate copies of the photograph with numbers RP-1713 : Photo-6207ii, 6207iv, 6207v, and 6207vi appear in Box 13.","A duplicate copy of the photograph appears in Box 13.","One copy of the photograph with number RP-1717 : Photo-6211ii appears in Box 13.","A duplicate copy of the photograph appears in Box 13.","One duplicate copy of the photograph appears in Box 13.","A duplicate copy of the photograph with number RP-1733: Photo-6237b appears in Box 13.","A duplicate copy of the photograph appears in Box 13.","A heavily retouched copy of the photograph with number RP-1737 : Photo-6241 appears in Box 13.","A second copy appears in Box 13.","A duplicate copy of the photograph with number RP-1648 : Photo-6139 appears in Box 13.","Three colored photomechanical prints with numbers RP-1647 : Photo-6138i, 6138ii, and 6138iii appear in Box 13.","One copy of the photograph (with number RP-1754 : Photo-6258) and one photomechanical copy (with number RP-1756 : Photo-6260a) appear in Box 14.","Four copies of the photograph with numbers RP-1756 : Photo-6260ci, RP-1765 : Photo-6229, RP-1756 : Photo-6260ciii, and BW-5854 appear in Box 14.","Three other copies, one with number BW-5850, appear in Box 14.","A photostat copy appears in Box 14.","Three duplicates of the photograph appear in Box 14.","An enlarged copy of one side of the stereograph appears in Box 14.","A copy with number RP-383 : EV-5662 appears in Box 14.","A duplicate copy of the photograph with number R-324 : PG-1146g appears in Box 14.","A copy of the photograph with number RP-1784 ; Photo-6247 appears in Box 14.","Three duplicate copies of the photograph appear in Box 14.","A duplicate of the photograph with number RP-1790 ; Photo-6253 appears in Box 15.","Two other copies of the photograph appear in Box 15, one with number RP-1795 : Photo-6258i and Photo-6258ii.","A copy of the photograph with number RP-1808 : Photo-6271 appears in Box 14.","Two duplicate copies of the photograph with numbers RP-1804 : Photo-6267 and Photo-6267ii appear in Box 15.","A duplicate copy of the photograph with number RP-1812 ; Photo-6275 appears in Box 15.","A copy of the photograph with number RP-1824 : Photo-6287 appears in Box 15.","A duplicate appears in Box 15.","A second copy of the photograph with number RP-1844: Photo-6307 appears in Box 15.","Two copies of the photograph with numbers RP-1830 : Photo-6293 and RP-1847: Photo-6310 appear in Box 15.","Two copy photographs with numbers BW-5902 appear in Box 14.","A duplicate copy with number BW-2349d appears in Box 16.","Two duplicate copies with numbers BW-2349a and BW-2349c appear in Box 16.","A duplicate copy appears in Box 16.","A duplicate copy of the photograph appears in Box 16.","A second copy of the photograph with number RP-1859 : Photo-6322ii appears in Box 16.","A duplicate copy of the photograph appears in Box 16.","A duplicate copy of the photograph appears in Box 16.","A duplicate copy of the photograph appears in Box 16.","A duplicate copy of the photograph appears in Box 16.","There are two copies of this photo. The identifier for the second photograph is RP-1929 ; Photo-6392 ; J-1585. The dimensions are 8 in. x 10 in. It is found in box 17.","This photo has another copy. Dimensions: 10 in.x 7 15/16. Identifier: RP-1931 ; Photo-6394ii ; BW-J-1595. Copy is found in box 17.","This photograph has a duplicate. Dimensions: 9 15/16 in. x 8 in. Identifier: RP-1944 ; Photo-6407 ; BW-J-1591. Found in box 17.","There are two copies of this photo found in box 17. Dimensions: 8 1/16 in. x 6 1/8 in. Identifer: RP-1942 ; Photo-6405ii. Dimensions: 8 1/8 in. x 6 1/8 in. Identifier: RP-1937 ; Photo-6400","There are two other copies of this photo found in box 17. Dimensions: both 7 7/8 in. x 10 in. Identifiers: RP-1947 ; Photo-6410ii ; J-1588 and RP-1961 ; Photo-6424 ; J-1588.","There are two other copies of this photograph in box 17. Dimensions: 9 7/8 in. x 7 13/16 in. Identifiers: RP-1928 ; Photo-6391 ; J-1589 and RP-1950 ; Photo-6413 ; J-1589.","There are two copies of this photo in box 17. Identifiers: RP-1957 ; Photo-6420i ; J-1590 and RP-2957 ; Photo-6420ii ; J-1590. Dimensions: 10 in. x 7 15/16 in. and 10 in. x 7 7/8 in.","There are two other copies of this photo in box 17. Dimensions: 10 in. x 7 7/8 in. Identifiers: RP-1969 ;Photo-6432a ; J-1587 and RP-1952 ; Photo-6415ii ; J-1587.","There are two copies of this photogarph in box 17. Dimensions: 10 in. x 7 13/16 in. and 10 in. x 7 13/16 in.   Identifier: RP-1953 ; Photo-64iii ; Neg-57 and RP-1969 ; Photo-6432b ; BW-57","There are two copies of this photograph in box 17. Identifiers: RP-1955 ; Photo-6418ii. and RP-1959 ; Photo-6422. Dimensions: 7 15/16 in. x 10 in. and 6 5/16 in. 9 3/8 in.","There are two copies of this photogrpah in box 18. Dimensions: 9 7/8 in. x 6 11/16 in. and 9 7/8 in. x 6 11/16 in. Identifiers: RP-1986 ; Photo-6449 and RP-1992 ; Photo-6454.","There is a copy of this photogrpah in box 17. Dimensions: 5 in. x 3 3/4 in. Identifier: RP-1975 ; Photo-6438ii.","There is a copy of this photo in box 18. Dimensions: 6 1/2 in. x 4 3/4 in. Identifer: RP-1981 ; Photo-6444cii","There are two copies of this photograph in box 18. Dimensions: both 5 1/16 in. x 3 15/16 in. Identifers: RP-1991 ; Photo-6453iii and RP-1991 ; Photo-6453ii.","There is a copy of this photograph in box 18. Dimensions: Overall: 4 7/8 in. x 7 7/8 in. Photograph: 4 11/16 in. x 6 3/4 in. Identifier: RP-1996 ; Photo-6458ii","There is a copy of this photograph in box 18. Dimensions: 8 in. x 9 15/16 in. Identifiers: RP-2025 ; Photo-6487","There are two copies of this photograph in box 18. Dimensions: 9 3/4 in. x 7 13/16 in. and 9 3/4 in. x 7 9/16 in. Identifiers: RP-2036 ; Photo-6498a and RP-2021 ; Photo-6483a","There are two copies of this photogrpah in box 18. Identifiers: RP-2045 ; Photo-6507 ; J-1602 and RP-2022 ; Photo-6484a ; J-1601. Dimensions: 8 1/16 in. x 9 7/8 in. and 8 1/8 in. x 10 in.","There is a copy of this photograph in box 18. Dimensions: 8 in. x 9 7/8 in. Identifier: RP-2047 ; Photo-6509a ; J-1626","There are two copies of this photograph in box 18. Identifers: RP-2024 ; Photo-6486ii ; J-1600 and RP-2047 ; Photo-6509b ; J-1600. Dimensions: 8 in. x 10 in. and 8 1/16 in. x 9 7/8 in.","There are two copies of this photograph in box 18. Dimensions: 8 1/8 in. x 10 in. and 8 1/18 in. x 9 15/16. Identifiers: RP-2026 ; Photo-6488iii ; J-1596 and RP-2026 ; Photo-6488i ; J-1596.","There is a copy of this photograph in box 18. Identifier: RP-2027 ; Photo-6489i ; J-1634. Dimensions: 10 in. x 8 in.","There are two copies of this photograph in box 18. Identifiers: RP-2028 ; Photo-6490ii ; J-1599 and RP-2034 ; Photo-6496. Dimensions: 8 1/18 in. x 10 in. and 7 15/16 in. x 9 15/16 in.","There are three copies of this photograph in box 18. Dimensions: 10 in. x 8 1/16 in., 10 in. x 8 1/8 in., 10 in. x 8 1/8 in. Identifiers: RP-2029 ; Photo-6491i ; J-1603. RP-2029 ; Photo-6491ii ; J-1603. RP-2029 ; Photo-6491iii ; J-1603.","There is a copy of this photograph in box 18. Dimensions: 4 5/16 in. x 3 1/4 in. Identifiers: RP-2030 ; Photo-6492cii.","There are three copies of this photograph in box 18.  Identifiers and Dimensions: RP-2031 ; Photo-6493aii ; BW-1688 and 7 3/16 in. x 5 in, RP-2019 ; Photo-6481a and 7 in. x 4 15/16 in.,  RP-2031 ; Photo-6493aiii ; BW-1688 and 7 1/18 in. x 4 15/16 in.","There is a copy of this photograph in box 18. Identifier: RP-2046 ; Photo-6508 ; J-1624. Dimensions: 9 7/8 in. x 8 in.","There are two copies of this photograph in box 18. Identifiers: RP-2042 ; Photo-6504a ; J-1623 and RP-2038 ; Photo-6500. Dimensions: 10 in. x 8 in. and 9 15/16 in. x 7 15/16 in.","There is one copy of this photograph in box 18. Identifier: RP-2039 ; Photo-6501. Dimensions: 9 15/16 in. x 8 in. The back of this copy also includes text that says \" A.B. Hill Box 150 Wash. D.C.\"","There are two copies of this photograph in box 18. Identifiers: RP-2037 ; Photo-6499a ; BW-856 and RP-2049 ; Photo-6511i ; BW-856. Dimensions: 9 1/2 in. x 7 5/8 in. and 10 in. x 7 15/16 in.","There is a copy of this photograph in box 18. Identifier: RP-2055 ; Photo-6517ii ; BW-854. Dimensions: 10 in. x 8 in.","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","Regarding the measurements written on the back of the photograph, W. R. Mattoon, Extension Forester explains in an accompanying letter [September 22, 1932] the following:  'The measurements of height were taken not with a precise instrument but by the Biltmore stick that is only approximate. The diameters were carefully measured at a height of 4 ½ feet above the ground level.'","There is a copy of this photograph in box 19. Dimensions: 2 11/16 in. x 4 7/16 in. Identifiers: RP-2082 ; Photo-6543aii","There is a copy of this photograph in box 19. Dimensions: 4 15/16 in. x 3 1/2 in. Identifier: RP-1885 ; Photo-6348b ; 1176a","There is a 10 in. x 8 1/8 in. duplicate cop of this image (with the accession number RP-2112 ; Photo-6574a) in Box 19.","Similar image in Box 19 (with the accession number BW-2724) and  the difference between the photos is that the bowling green gate is closed.","Similar image in Box 19 (with the accession number BW-2723) and  the difference between the photos is that the bowling green gate is open.","A 4 7/8 in. x 3 1/8 in. duplicate copy (with accession number RP-2117 ; Photo-6579) appears in Box 19 and has a handwritten date on the front \"Jan. 10, 1932.\"","An 10 in by 8 in. duplicate copy (with accession number 'BW-778' appears later in Box 19.","Similar image appears under the accession number \"BW-921\" with the difference being the prientation of the tractor. This image is looking straight on rather than from behind.","A similar photograph appears under the accesion number \"BW-920\" with the difference being the orientation of the tractor; Mr. wall is viewing it from behind rather than straight on.","A 5 in. x 3 7/16 in. copy with the acession number \"RP-2144 ; Photo-6607bii\" appears in Box 20.","Related image appears in Box 20, one of the unidentified workers is standing in the unmowed grass as if to indicate its height. This image has the accession number \"BW-1258a.\"","A 5 in. x 3 7/16 in copy with the accession number \"RP-2144 ; Photo-6607ai\" appears in Box 20.","Related image appears in Box 20 with the accession number \"BW-1258.\" This image is of two workers posing on their mower after finishing a portion of the 12-acre field.","A 5 in. x 3 1/8 in. copy appears in Box 20 with the accession number \"RP-2140 ; Photo-6605ai\" on the reverse of the image.","Similar image appears in Box 20 with the difference being that the Mansion is visible in the background","Similar image appears in Box 20 with the only difference being that there is no Mansion in the background.","A '10 in. x 8 in.' copy of this image is in Box 20.","A 6 7/8 in. x 4 15/16 in. duplicate copy appears in Box 20 with accession number \"RP-2153 ; Photo-6616a.\" A duplicate copy with the accession number \"RP-2153 ; Photo-6616b\" and dimensions \"8 in. x 6 1/8 in.\" appears in Box 20.","A 10 in. x 8 in. duplicate photograph appears in Box 20 with the accession number \"RP-2154 ; Photo-6617ii.\"","A 8 in. x 10 in. copy photograph with the accession number \"RP-2175 ; Photo-6639\" appears in Box 20.","A 10 in. x 8 in. copy photograph with the accession number \"RP-2173 ; Photo-6637\" appears in box 20.","a 10 in. x 8 in. copy photograph with the accession number \"RP-2174 ; Photo-6638\" appears in box 20.","A 9 9/16 in. x 7 1/2 in. copy with the accessoin number \"RP-2183 ; Photo-6647i\" appears in Box 20.","A 9 9/16 in. x 7 5/8 in. copy photograph with the accession number \"RP-2204 ; Photo-6665ii\" appears in Box 20.","A 10 in. x 8 1/16 in. copy photograp with the accession numbers \"J-1583\" and \"RP-2211 ; Photo-6672aii\" appears in Box 20.","A 9 5/8 in. x 7 11/16 in. copy photograph appears in Box 20 with the accession numbers \"C-2455\" and \"RP-2210 ; Photo-6671ii\" appearing on the reverse of the image.","A 9 3/4 in. x 7 7 5/8 in. copy with the accession number \"RP-2219 ; Photo-6680aiv\" appears in Box 20.","A 9 7/8 in. x 7 11/16 in. copy with the accession number \"RP-2219 ; Photo-6680aii\" appears in Box 20.","A 9 7/8 in. x 7 11/16 in. copy with the accession number \"RP-2219 ; Photo-6680aiii\" appears in Box 20.","A 9 13/16 in. x 7 5/8 in. copy with the accession number \"RP-2219 ; Photo-6680ai\" appears in Box 20.","A 9 3/4 in. x 7 5/8 in. copy appears in the reverse of the image with the accession number \"RP-2220 ; Photo-6681ii.\"","A 3 3/8 in. x 2 1/2 in. copy photograph appears in Box 20 with the accession number \"RP-2234 ; Photo-6692ii.\"","A 10 in. x 8 in. copy photograph appears in Box 20 with the accession numbers \"BW-5898\" and \"RP-326 ; PG-555b.\"","A 5 1/16 in. x 4 in. copy appears in Box 21 pasted onto a yellow piece of cardstock with another image. The copy has two accession numbers which are \"BW-472\" and \"RP-2243 ; Photo-6701ii.\"","A 10 in. x 8 in. copy photograph appears in Box 21 with the accession number \"BW-814b.\"","A 10 in. x 8 in. copy photograph appears in Box 21 with the accession number \"J-1613.\"","An 8 in. x 10 in. copy photograph appears in Box 21 with accession number \"RP-2246 ; Photo-6704.\"","The photograph is glued to a piece of paper with another image below it on the paper with the accession numbers \"BW-383c\" and \"RP-2238 ; Photo-6716d.\"","The photograph is glued to a piece of paper with another image above it on the paper with the accession numbers \"BW-383a\" and \"RP-2238 ; Photo-6716b.\"","The photograph is glued to a piece of paper with another image on the rightof the paper with the accession numbers \"BW-383\" and \"RP-2258 ; Photo-6716a.\"","The photograph is glued to a piece of paper with another image on the rightof the paper with the accession numbers \"BW-383b\" and \"RP-2258 ; Photo-6716c.\"","A duplicate photograph appears in Box 21 with the accession number \"RP-2260 ; Photo-6718i.\"","A copy photograph with the accession number \"RP-2274 ; Photo-6732ii\" appears in Box 20.","A copy photograph with the accession number \"RP-2274 ; Photo-6732iii\" appears in Box 20.","A 4 1/2 in. x 2 3/4 in. copy photograph with the accession number \"RP-2288 ; Photo-6746\" appears in ox 21.","8 in. x 5 1/4 in. copy photograph appears in Box 21 with the accesson number \"RP-2288 ; Photo-6746bi.\"","Print made from glass negative - 2024-VR-016-003","See DA_001810","A duplicate copy appears in Box 6.","Two copies of the photograph in Box 9.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","A duplicate copy of the photograph appears in Box 10.","Same as photograph - RP-1133 (retro) ; Photo-5582a","Cabinet card photograph same as RP-3216 ; Waldsmith CC13 - DA_003489","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Cabinet card same as DA_004007","Same as cabinet card RP-3216 ; Waldsmith CC08 - DA_003484","Cabinet card same as RP-3216 ; Waldsmith CC08 - DA_003484","Same as cabinet card RM-255 - DA_004011","Same as cabinet card RP-3216 ; Waldsmith CC10 - DA_003486","Cabinet card same as DA_004017","Cabinet card same as RP-3216 ; Waldsmith CC17 - DA_003493","Cabinet card same as RP-88 ; PG-5012 - DA_004019","Cabinet card same as RP-3220 ; Photo-7188b - DA_004021","Cabinet card same as RP-3220 ; Photo-7188b - DA_004021","Cabinet card same as RP-3220 ; Photo-7188b - DA_004021","Cabinet card same as RP-3220 ; Photo-7188a - DA_004022","Cabinet card same as R-393 ; Pg-1248 - DA_004023","Cabinet card same as RP-3216 ; Waldsmith CC01 - DA_003477","Cabinet card same as RP-3216 ; Waldsmith CC01 - DA_003477","Cabinet card same as DA_004024","Cabinet card same as DA_004028","Cabinet card same as DA_004028","Cabinet card same as DA_004029","Same as cabinet card RP-3216 ; Waldsmith CC18 - DA_003494","Cabinet card sames as DA_004035","Cabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496","Cabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496","Cabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496","Cabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496","Cabinet card same as RP-3216 ; Waldsmith CC21 - DA_003496","Same as cabinet card DA_004036","Same as DA_004038","Cabinet card same as RP-883 ; Photo-5299 - DA_004040","Cabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495","Cabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495","Cabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495","Cabinet card same as RP-3216 ; Waldsmith CC20 - DA_003495","Cabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001","Cabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001","Cabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001","Cabinet card same as RP-3216 ; Waldsmith CC19 - DA_001001","Same as cabinet card R-393 ; Pg-1253 - DA_004045","Similar to cabinet card\t2016-VR-018 - DA_001393","Same as cabinet card - DA_004046","Same as cabinet card - DA_004048","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-3216 ; Waldsmith CC27 - DA_003601","Same as cabinet card RP-231 ; Photo-5236 - DA_000623","Same as cabinet card RP-231 ; Photo-5236 - DA_000623","Same as cabinet card RP-231 ; Photo-5236 - DA_000623","Same as cabinet card - DA_004054","Same as cabinet card - DA_004054","Same as cabinet card DA_004054","Same as cabinet card DA_000081","Cabinet card same as DA_000081","Same as cabinet card DA_000081","Same as cabinet card RP-176 ; Photo-5157b - DA_004059","Similar to cabinet card RP-176 ; Photo-5157b - DA_004059","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-3216 ; Waldsmith CC28 - DA_003602","Same as cabinet card RP-176 ; Photo-5158a - DA_004060","Same as cabinet card RP-88 ; PG-5007 - DA_001081","Same as cabinet card RP-88 ; PG-5007 - DA_001081","Same as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079","Same as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079","Same as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079","Same as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079","Same as cabinet card RP-3216 ; Waldsmith CC29 - DA_001079","Cabinet card same as R-393 ; PG-1258 - DA_000034","Same as cabinet card RP-88 ; PG-5006 - DA_001363","Same as cabinet card RP-255 - DA_001365","Same as cabinet card PG-68 - DA_001366","Same as cabinet card PG-68 - DA_001366","Same as cabinet card PG-68 - DA_001366","Same as cabinet card [no accession #] - DA_001367","Same as cabinet card [no accession #] - DA_001367","Same as cabinet card RP-1025 ; Photo-5465 - DA_001368","Same as cabinet card RP-1025 ; Photo-5465 - DA_001368","Same as cabinet card RP-825 ; Photo-5231 - DA_001369","Same as cabinet card R-380 ; PG-1223 - DA_001372","Same as cabinet card R-380 ; PG-1223 - DA_001372","Same as cabinet card RP-255 - DA_004063","Same as cabinet card RP-255 - DA_004063","Same as cabinet card - DA_004065","Samea as cabinet card - DA_004065","Same as cabinet card - DA_004065","Same as cabinet card RP-3216 ; Waldsmith CC37 - DA_003615","Same as cabinet card RP-3216 ; Waldsmith CC37 - DA_003615","Same as cabinet card RP-3216 ; Waldsmith CC37 - DA_003615","Same as cabinet card RP-3216 ; Waldsmith CC38 - DA_003616","Same as cabinet card RP-916 ; Photo-5348c - DA_004066","Same as cabinet card RP-3216 ; Waldsmith CC39 - DA_003617","Same as cabinet card RP-231 ; Photo-5239 - DA_001068","Same as cabinet card RP-231 ; Photo-5235 - DA_004071","Same as cabinet card RP-3216 ; Waldsmith CC48 - DA_003624","Same as cabinet card RP-3216 ; Waldsmith CC49 - DA_003625","Same as cabinet card RP-3216 ; Waldsmith CC54 - DA_003631","Same as cabinet card 2018-VR-021 - DA_002472","Same as cabinet card 2018-VR-021 - DA_002472","Same as cabinet card - DA_004073","Same as cabinet card - DA_004074","Same as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630","Same as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630","Same as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630","Same as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630","Same as cabinet card RP-3216 ; Waldsmith CC53 - DA_003630","Similiar to cabinet card RP-3216 ; Waldsmith CC59 - DA_003635","Same as cabinet card RP-3216 ; Waldsmith CC57 - DA_003634","Same as cabinet card R-380 ; PG-1224 - DA_004077","Same as cabinet card R-380 ; PG-1224 - DA_004077","Same as cabinet card RP-3216 ; Waldsmith CC45 - DA_003628","Same as cabinet card RP-3216 ; Waldsmith CC44 - DA_003622","Same as cabinet card - DA_004094","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 209; Image identifier - DA_003399","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 209; Image identifier - DA_003399","Stereograph same as RP-14 ; St-3035; Image identifier - DA_000060","Stereograph same as RP-14 ; St-3035; Image identifier - DA_000060","Stereograph same as RP-14 ; St-3035; Image identifier - DA_000060","Stereograph same as RP-14 ; St-3035; Image identifier - DA_000060","Stereograph same as RP-14 ; St-3035; Image identifier - DA_000060","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 147; Image identifier - DA_003340","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 147; Image identifier - DA_003340","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 034; Image identifier - DA_003205","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 001; Image identifier - DA_001047","Stereograph same as 2019-VR-009; Image identifier - DA_002546","Stereograph same as A-809 ; Photo-4928; Image identifier - DA_000044","Stereograph same as A-809 ; Photo-4928; Image identifier - DA_000044","Stereograph same as RP-7; Image identifier - DA_000051","Stereograph same as RP-7; Image identifier - DA_000051","Stereograph same as RP-3196 ; Photo-7159q; Image identifier - DA_000899","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 057; Image identifier - DA_003256","Stereograph same as 2018-VR-022.013; Image identifier - DA_002521","Stereograph same as 2018-VR-022.013; Image identifier - DA_002521","Stereograph same as RP-3216 ; ST-7154 ; Waldsmith 005; Image identifier - DA_002578","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 039; Image identifier - DA_003211","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 230; Image identifier - DA_003416","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 162; Image identifier - DA_003353","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 162; Image identifier - DA_003353","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 162; Image identifier - DA_003353","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 203; Image identifier - DA_003394","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 204; Image identifier - DA_003395","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 163; Image identifier - DA_003354","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 163; Image identifier - DA_003354","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 163; Image identifier - DA_003354","Stereograph same as 2019-VR-027.020; Image identifier - DA_002565","Stereograph same as 2019-VR-027.020; Image identifier - DA_002565","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 214; Image identifier - DA_001322","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 214; Image identifier - DA_001322","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 225; Image identifier - DA_003411","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 225; Image identifier - DA_003411","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 225; Image identifier - DA_003411","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 224; Image identifier - DA_003410","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 223; Image identifier - DA_003409","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 043; Image identifier - DA_001823","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 189; Image identifier - DA_003378","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 189; Image identifier - DA_003378","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 016; Image identifier - DA_002487","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 016; Image identifier - DA_002487","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 051; Image identifier - DA_003246","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 130; Image identifier - DA_003327","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 004; Image identifier - DA_002577","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 139; Image identifier - DA_003335","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 139; Image identifier - DA_003335","Same as stereograph - RP-370","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 221; Image identifier - DA_003406","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 221; Image identifier - DA_003406","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 221; Image identifier - DA_003406","Stereograph same as RP-22 ; St-3045; Image identifier - DA_000049","Stereograph same as RP-22 ; St-3045; Image identifier - DA_000049","Stereograph same as RP-3 ; St-3008; Image identifier - DA_000048","Stereograph same as RP-3 ; St-3008; Image identifier - DA_000048","Stereograph same as RP-3 ; St-3008; Image identifier - DA_000048","Stereograph same as RP-3 ; St-3008; Image identifier - DA_000048","Stereograph same as RP-3 ; St-3008; Image identifier - DA_000048","Stereograph same as St-3069; Image identifier - DA_000011","Stereograph same as St-3069; Image identifier - DA_000011","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 137; Image identifier - DA_003333","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 137; Image identifier - DA_003333","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 137; Image identifier - DA_003333","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 140; Image identifier - DA_003336","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 140; Image identifier - DA_003336","Stereograph same as RP-22 ; St-3048/b; Image identifier - DA_001374","Stereograph same as St-3078; Image identifier - DA_003683","Stereograph same as St-3078; Image identifier - DA_003683","Stereograph same as St-3078; Image identifier - DA_003683","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 041; Image identifier - DA_000017","Stereograph same as image identifier - DA_001378","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 222; Image identifier - DA_003408","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 054; Image identifier - DA_003249","Stereograph same as St-3079 ; Image identifier - DA_003700","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 048; Image identifier - DA_000016","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 036; Image identifier - DA_000018","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 036; Image identifier - DA_000018","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 036; Image identifier - DA_000018","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 142; Image identifier - DA_001046","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 138; Image identifier - DA_003334","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 138; Image identifier - DA_003334","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 138; Image identifier - DA_003334","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 022; Image identifier - DA_002593","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 022; Image identifier - DA_002593","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 022; Image identifier - DA_002593","Stereograph same as RP-678 ; Photo-4823","Stereograph same as RP-3216 ; ST-7154 ; Waldsmith 013; Image identifier - DA_002587","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 038; Image identifier - DA_003210","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 038; Image identifier - DA_003210","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 058; Image identifier - DA_003257","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 038; Image identifier - DA_003257","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 165; Image identifier - DA_003356","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 165; Image identifier - DA_003356","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 165; Image identifier - DA_003356","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 023; Image identifier - DA_002594","Stereograph same as RP-6 ; St-3015; Image identifier - DA_001793","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 174; Image identifier - DA_003364","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 174; Image identifier - DA_003364","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 174; Image identifier - DA_003364","Stereograph same as 2019-VR-027.018; Image identifier - DA_002568","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 047; Image identifier - DA_003240","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 047; Image identifier - DA_003240","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 010; Image identifier - DA_002584","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 227; Image identifier - DA_003414","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 183; Image identifier - DA_003373","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 217; Image identifier - DA_003403","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 217; Image identifier - DA_003403","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 218; Image identifier - DA_003404","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 218; Image identifier - DA_003404","Stereograph same as 2019-VR-027.019; Image identifier - DA_002569","Stereograph same as RP-3216; ST-7184; Waldsmith 098; Image identifier - DA_003300","Stereograph same as RP-3216 ; ST-7184 ; Waldsmith 193; Image identifier - DA_003382","See other photographs taken as part of series: 2019-VR-017.002 and 2019-VR-017.003","See other photographs taken as part of series: 2019-VR-017.001 and 2019-VR-017.003","See other photographs taken as part of series: 2019-VR-017.001 and 2019-VR-017.002","see DA_003766","see DA_003762","see DA_003763","see DA_003764","see DA_004313","see DA_003765","see DA_001309","see DA_001310","see DA_001311","see DA_003767","see DA_004322","see DA_003770","see DA_003768","See DA_003774","see DA_003769","see - DA_003771","see DA_003776","see DA_003778","see DA_003780","see DA_003781","See DA_003784","See DA_003782","See DA_003783","See print made from negative - 2024-VR-016-004","See stereograph - RP-3216 ; ST-7184 ; Waldsmith 222 [Digital file - DA_003408]"],"scopecontent_html_tesm":["\u003cp\u003eThe Historical Photograph Collection is largely comprised of materials created by or for the Mount Vernon Ladies' Association. Some of the earliest photographs of the estate were created and sold to visitors by the Association as a means of income. Those efforts helped to establish an important collection of 19th century views. The collection spans the 1850s to 2000s and includes over 140 linear feet of analog material providing a visual history of the Mansion, outbuildings, tombs, grounds, events, visitors, collection objects, personnel, and changes throughout the estate.\u003c/p\u003e","\u003cp\u003eCol. James Hollingsworth served as Superintendent for the Mount Vernon Ladies' Association from 1872-1885.\u003c/p\u003e","\u003cp\u003eCol. James Hollingsworth served as Superintendent for the Mount Vernon Ladies' Association from 1872-1885.\u003c/p\u003e","\u003cp\u003eJames Louis Petigru (1789-1863) of  Charleston, South Carolina, eminent lawyer and political leader. Mr.Petigru drew up the Charter granted to the Mount Vernon Ladies' Association in 1858. It is this same Charter underwhich the Association holds Mount Vernon today.\u003c/p\u003e","\u003cp\u003eJames Louis Petigru (1789-1863) of Charleston, South Carolina, eminent lawyer and political leader. Mr.Petigru drew up the Charter granted to the Mount Vernon Ladies' Association in 1858. It is this same Charter underwhich the Association holds Mount Vernon today.\u003c/p\u003e","\u003cp\u003eWillliam Lowndes Yancey (1814-1863) of Alabama. This famous statesman and lawyer raised over $3,000 for the Mount Vernon Fund in Alabama.\u003c/p\u003e","\u003cp\u003eThe Washignton, Alexandria and Mount Vernon Electric Railway offered transportation to Mount Vernon from 1892-1930.\u003c/p\u003e","\u003cp\u003ePhotograph print copied from ambrotype made in 1858, during the wedding trip of Mr. and Mrs. Warren O. Nettleton of Fair Haven, Connecticut. Photograph furnished by Walker O. Nettleton (grandson) on May 3, 1941/\u003c/p\u003e","\u003cp\u003eBlack and white photographic print of Thomas Rossiter's painting 'Visit of the Prince of Wales, President Buchanan, and Dignitaries to the Tomb of Washington at Mount Vernon, October 1860,' found in the collection at the Smithsonian American Art Museum [1906.9.18], 8 copies. Several copies include a key to the individuals portrayed in the painting.\u003c/p\u003e","\u003cp\u003eThe Vice Regent for the District of Columbia, Constance Ellen Tyler, brought an old family album containing the photograph of the Queen of Hawaii and her party at Mount Vernon on May 6, 1887. Mount Vernon staff member Robert B. Fisher re-photographed the pictures on March 1, 1961 for the Mount Vernon archives.\u003c/p\u003e","\u003cp\u003eReproduction by Mount Vernon staff member Robert B. Fisher of view of south end of Mansion and piazza around 1885 with group of visitors posing on the east lawn. Baby on lap is Frank L. West who allowed Mount Vernon to photograph this picture during his visit in May 1966. Likely original photograph was Luke C. Dillon.\u003c/p\u003e","\u003cp\u003eCopy photograph provided by the Office of the Curator at the Supreme Court of the United States. Hughes became a Supreme Court Chief Justice in the 1930s.\u003c/p\u003e","\u003cp\u003eCopy photograph of Brayton Scott and Maggie Wood Scott posing with other visitors at Mount Vernon. The Scotts visited Mount Vernon during their wedding trip in 1890. Photograph provided by Jane Frelick, wife of Robert W. Frelick, M.D. who was the grandson of Mr. and Mrs. Scott.\u003c/p\u003e","\u003cp\u003eMount Vernon experienced thousands of visitors from the G.A.R. daily throughout September 19-24, 1892. Visitors traveled by boat and by way of the newly constructed electric railway to Mount Vernon.\u003c/p\u003e","\u003cp\u003eIssued as 'Gift No. 140' for purchase of a book from H. E. Hoyt \u0026amp; Co.'s gift book store in Baltimore, Maryland. Gift book stores offered a prize with each purchased volume. Each book had a number or code on it corresponding to a random prize.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Historical Photograph Collection is largely comprised of materials created by or for the Mount Vernon Ladies' Association. Some of the earliest photographs of the estate were created and sold to visitors by the Association as a means of income. Those efforts helped to establish an important collection of 19th century views. The collection spans the 1850s to 2000s and includes over 140 linear feet of analog material providing a visual history of the Mansion, outbuildings, tombs, grounds, events, visitors, collection objects, personnel, and changes throughout the estate.","Col. James Hollingsworth served as Superintendent for the Mount Vernon Ladies' Association from 1872-1885.","Col. James Hollingsworth served as Superintendent for the Mount Vernon Ladies' Association from 1872-1885.","James Louis Petigru (1789-1863) of  Charleston, South Carolina, eminent lawyer and political leader. Mr.Petigru drew up the Charter granted to the Mount Vernon Ladies' Association in 1858. It is this same Charter underwhich the Association holds Mount Vernon today.","James Louis Petigru (1789-1863) of Charleston, South Carolina, eminent lawyer and political leader. Mr.Petigru drew up the Charter granted to the Mount Vernon Ladies' Association in 1858. It is this same Charter underwhich the Association holds Mount Vernon today.","Willliam Lowndes Yancey (1814-1863) of Alabama. This famous statesman and lawyer raised over $3,000 for the Mount Vernon Fund in Alabama.","The Washignton, Alexandria and Mount Vernon Electric Railway offered transportation to Mount Vernon from 1892-1930.","Photograph print copied from ambrotype made in 1858, during the wedding trip of Mr. and Mrs. Warren O. Nettleton of Fair Haven, Connecticut. Photograph furnished by Walker O. Nettleton (grandson) on May 3, 1941/","Black and white photographic print of Thomas Rossiter's painting 'Visit of the Prince of Wales, President Buchanan, and Dignitaries to the Tomb of Washington at Mount Vernon, October 1860,' found in the collection at the Smithsonian American Art Museum [1906.9.18], 8 copies. Several copies include a key to the individuals portrayed in the painting.","The Vice Regent for the District of Columbia, Constance Ellen Tyler, brought an old family album containing the photograph of the Queen of Hawaii and her party at Mount Vernon on May 6, 1887. Mount Vernon staff member Robert B. Fisher re-photographed the pictures on March 1, 1961 for the Mount Vernon archives.","Reproduction by Mount Vernon staff member Robert B. Fisher of view of south end of Mansion and piazza around 1885 with group of visitors posing on the east lawn. Baby on lap is Frank L. West who allowed Mount Vernon to photograph this picture during his visit in May 1966. Likely original photograph was Luke C. Dillon.","Copy photograph provided by the Office of the Curator at the Supreme Court of the United States. Hughes became a Supreme Court Chief Justice in the 1930s.","Copy photograph of Brayton Scott and Maggie Wood Scott posing with other visitors at Mount Vernon. The Scotts visited Mount Vernon during their wedding trip in 1890. Photograph provided by Jane Frelick, wife of Robert W. Frelick, M.D. who was the grandson of Mr. and Mrs. Scott.","Mount Vernon experienced thousands of visitors from the G.A.R. daily throughout September 19-24, 1892. Visitors traveled by boat and by way of the newly constructed electric railway to Mount Vernon.","Issued as 'Gift No. 140' for purchase of a book from H. E. Hoyt \u0026 Co.'s gift book store in Baltimore, Maryland. Gift book stores offered a prize with each purchased volume. Each book had a number or code on it corresponding to a random prize."],"userestrict_html_tesm":["\u003cp\u003eThis is a preliminary and incomplete proof; the sole property of Detroit Publishing Co. which reserves all rights of use. It is loaned on express condition of being returned without publication.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This is a preliminary and incomplete proof; the sole property of Detroit Publishing Co. which reserves all rights of use. It is loaned on express condition of being returned without publication."],"names_ssim":["Photo Archives of the Mount Vernon Ladies' Association","Mount Vernon Ladies' Association of the Union","Detroit Publishing Co.","Commercial Photo Co.","Henry's Camera Center","Brown Brothers (New York, N.Y.)","Library of Congress","Wayne Studio and Photographic Color Laboratories","United States. Forest Service","F. W. Van Zile Popular Tours","United States. Federal Highway Administration","Associates' Photography and News Service","Washington star-news (Washington, D.C.) (1852-1981)","Kadel \u0026 Herbert News Service (New York)","Wide World Photos, inc.","Hart, Schaffner \u0026 Marx","Davis, Wick, Rosengarten Company, Inc.","Sunday Group Editorial Service","Sunday Sun Magazine","Smithsonian American Art Museum","Grand Army of the Republic","Washington Photo Co. (1900s)","Judd \u0026 Detweiler","Central News Photo Service","Bain News Service","National Pictorial News","American Legion","National Photo Company","Warner Bros. Pictures (1923-1967)","Boy Scouts of America","International News Photos (New York, N.Y.)","National Broadcast Company","Rembrandt Studios, Inc.","Freemasons. Alexandria-Washington Lodge, No. 22 (Alexandria, Va.)","Washington Times-Herald","Acme Newspictures (New York, N.Y.)","U. S. Army Signal Corps","United States Information Agency","Carl Byoir \u0026 Associates","Republic Aviation Corporation","White House (Washington, D.C.)","Frick Art Reference Library (New York)","Corcoran Gallery of Art","Allen \u0026 Horton","Wenderoth, Taylor \u0026 Brown","Boude \u0026 Miley Photographers","Bell \u0026 Bro. (Washington, D.C.)","Currier \u0026 Ives","Whitehurst Gallery (Washington, D.C.)","Seeley \u0026 Murphy","R. F. Field \u0026 Co.","American Stereoscopic Company","Langenheim, Loyd \u0026 Co.","E. \u0026 H.T. Anthony (Firm)","London Stereoscopic Company","Underwood \u0026 Underwood","H.C. White Co.","Berry, Kelley \u0026 Chadwick","American Colortype Company","Kilburn Brothers","International View Co.","Stereo-Travel Co.","R. Newell \u0026 Son","Centennial Photographic Co.","Rudolph Lesch Fine Arts, Inc.","Young People's Christian Union (Founded 1893)","Israel \u0026 Riddle. Stephen Israel","H. E. Hoyt \u0026 Co.","Beck Engraving Company","McIntosh Stereopticon Co.","Williams, Brown \u0026 Earle","Buffalo Society of Natural Sciences","A. D. Handy, Stereopticons and Supplies (Boston, Ma)","Soule Art Company","Washington and Lee University","American Museum of Natural History (New York)","New York (State) Education Department. Division of visual instruction. ","L. Manasse, Lantern Slides (Chicago)","Pennsylvania. State Museum (Harrisburg, PA)","Fisher, Robert B.","Dunlop, James R.","Leet Bros.","Abbott, Harold T.","Chamberlain, Samuel V., 1895-1975","Johnston, Frances Benjamin, 1864-1952","Dillon, Luke C., 1836-1904","Gardner, Alexander, 1821-1882","Wall, Charles Cecil, 1903-1995","Rowe, Abbie, 1905-1967","Meek, James W.","Harris \u0026 Ewing","Brady, Mathew B., approximately 1823-1896","Penrose, Henry K.","Louden, Orren R.","Trowbridge, Raymond W., 1886-1936","Johnson, N. G.  (Newton G.)","Parker, Edmund, 1827-1898","Bushrod, Thomas, 1825-1902","Jarvis, J. F.  (John Fillis), 1849-1931","Glocker, Charles Peyton","Glocker, Marietta Rodgers Cooper, 1845-1920","Davis, V. C.","Simms, Charles","Graham, Albert Belmont, 1868-1960","Woltz, Lewis P.","Baker, Reid S.","Laverty, H.J. ","Lossing, Benson John, 1813-1891","Bailey, Worth, 1908-1980","Sprouse, Edith Moore","Lehman, Harry","Williams, Morley Jeffers, 1886-1977","Dodge, Harrison Howell, 1852-1937","Petitt, Arthur","Grimsley, Norman","Doughton, Page","Kennedy, George","Hatch","Webster, John Wallace","Grimsley, Norman, 1890-1976","Maxey, Mary Frances Campbell","Cragg, Esther Thomas, 1900-1966","Ritter, H.H.","Hillers, J.K.","Gibbs, Edward C., 1893-1963","Gibbs, Francis T.","Loeb, Morris, 1878-1969","Neitzey, Wilfred Henry, 1895-1988","Wernle, Albert","Vandenberg, Arthur H., Senator, 1884-1951","Washington, George, 1732-1799","Battle, John Stewart, 1890-1972","Harkness, Hope Hodgman Powel, 1889-1974","Tarr, Irene Haley, 1898-1988","Furness, Anna Ramsey, 1876-1964","Isham, Elizabeth Totten","Tyler, Constance Ellen, 1911-1963","Burdick, Alison Ward, 1912-2007","Lamont, Elinor Miner, 1901-1972","Sullivan, Priscilla Manning, 1911-1994","Cabot, Nancy Graves, 1889-1969","Beirne, Rosamond Randall, 1894-1969","Moore, Susan Rutledge, 1906-1987","Platt, Page Anderson, 1899-1984","Bolton, Frances Payne Bingham, 1885-1977","Leary, Eliza Ferry, 1851-1935","Fisher, Amos","Herbert, Upton","Tracy, Sarah, 1820-1896","Hollingsworth, John McHenry, 1823-1889","Blake, Levi Lowell, 1830-1904","Burgess, William H., 1816-1893","Woodbridge, S. Homer (Samuel Homer), 1848","Young , James","Sully, Thomas, 1783-1872","Petigru, James Louis, 1789-1863","Fraser, Charles, 1782-1860","Yancey, William Lowndes, 1814-1863","Thomas, O. J. \"Buck\" (Oswald)","Rouse, Harrison Dodge","Cragg, James \"Finney\", 1898-1977","Washington, Julian H., 1894-1953","Craig, James Y., 1839-1926","Bailey, Olive, 1903-1980","Quander, Thomas H.","Ford, George F., 1859-1935","Kaessinger, Charles H.","Holland, William, 1887-1968","Heiberg, Anna Howell Dodge, 1877-1967","Lowther, Minnie Kendall, 1869-1947","Livingood, Lily Foster","Rouse, James B., 1896-1946","Killam, Charles W.","Rouse, William L.","Enersen, Lawrence","Permar, William Jones, 1856-1940","Lacey, Fred","Simms, Walter","Ayres, Tom","Collins, Howard","Rogers, Manuel","McCalley, Charles","Deavers, Linton, 1906-1968","Costello, Ernest","Miller, George W. (Willie)","Taylor, Roy","Morse, Frank","Clapp, Harvey, Jr.","Fredericks, Harold J.","Duvall, James Garfield (Jesse)","Barnwell, Edward","Sutliff, Shirley","Tindall, Joyce","Neitzey, Albert","Macomber, Walter","Simms, Sherman","Thane, Elswyth, 1900-1984","Embrey, Ernest","Dodson, Howard","Thomas, James","Jacobs, William","Hammond, Frank H.","Castellani, John A., 1944-1993","Dakin, Monta Lee","Rhodehamel, John, H.","Clark, Ellen McCallister, 1953-","Norton, Dean","Schrage-Norton, Susanne","Thompson, Mary V., 1955-","Gorham, Anne Huber","Miller, Johnnie J.","Bermingham, Philip","Harbour, John E.","Compton, Grant","Horstman, Neil W., 1946-2020","Payne, John Lee, Sr., 1943-2007","Embrey, Ernest \"Lee\", Jr.","Talbot, Robert \"Abie\"","Dawson, Kenneth","Keeler, Sue","Kennedy, Flora","St. Mars, Hope","Tancil, Gladys","Meadows, Christine, 1932-2013","Tisara, Nina","Sarbanes, Paul","Lee, Jane Carew, 1931-2019","Stanton, Robert George, 1940-","Connolly, Harry, 1952-","Funderburk, Charles F.","Todd, Scotty","Staten, Henry","Carter, Theodore M.","Miller, Rebecca","Eves, Ethel","McDermott, Charlie","Hayes, Rutherford B., 1822-1893","Hayes, Lucy Webb, 1831-1889","Halsted, Nancy Marsh, 1817-1891","Hudson, Susan Edwards Johnson, 1825-1913","Gould, Jay, 1836-1892","Harrison, Benjamin, 1833-1901","Morton, Levi P.  (Levi Parsons), 1824-1920","McKinley, William, 1834-1901","Heinrich, Prince of Prussia, 1862-1929","Edison, Thomas A. (Thomas Alva), 1847-1931","Daniels, Josephus, 1862-1948","Comegys, Harriet Clayton, 1840-1927","Townsend, Justine Van Rensselaer, 1828-1912","Joffre, Joseph Jacques Césaire, 1852-1931","Viviani, René, 1863-1925","Balfour, Arthur James, 1848-1930","Foster, George E., Sir (George Eulas), 1847-1931","Lansing, Robert, 1864-1928","Riggs, Jane Agnes, 1854-1930","Moncheur, Ludovic, Baron, 1857-1940","Vesnić, Milenko, 1863-1921","Reading, Rufus Daniel Isaacs, Marquess of, 1860-1935","Lang, Cosmo Gordon, 1864-1945","Tokugawa, Iesato, 1863-1940","Albert I, King of the Belgians, 1875-1934","Marshall, Thomas R. (Thomas Riley), 1854-1925","Léopold III, King of the Belgians, 1901-1983","Elisabeth, Queen, consort of Albert I, King of the Belgians, 1876-1965","Foster, Victorine Du Pont, 1849-1934","Townsend, Amy Cornell","Marshall, Lois Irene Kimsey, 1873-1958","Baker, Newton Diehl, 1871-1937","Windsor, Edward, Duke of, 1894-1972","Phillips, William, 1878-1968","Gouraud, Henri, 1867-1946","Calles, Plutarco Elías, 1877-1945","Wright, J. Butler  (Joshua Butler), 1877-1939","George, David Lloyd, 1863-1945","Marie, Queen, consort of Ferdinand I, King of Romania, 1875-1938","Howard, Eleanor Washington, 1856-1937","Whitehill, Clarence, 1871-1932","Curtis, Charles, 1860-1936","Hoover, Herbert, 1874-1964","Hoover, Lou Henry, 1874-1944","Roosevelt, Eleanor, 1884-1962","Thayer, Pauline Revere, 1862-1934","Hart, Laurance H.","Roosevelt, Franklin D.  (Franklin Delano), 1882-1945","Damtew, Desta, Ras, 1892-1937","Richards, Alice Haliburton King, 1860-1936","Peery, George Campbell, 1873-1952","Peery, Nancy Gillespie, 1882-1963","Page, Roswell, 1858-1939","Call, Norman, 1880-1959","Smoot, William Albert, 2nd, 1878-1941","Watson, Edwin M.  (Edwin Martin), 1883-1945","Bastedo, Paul, 1887-1951","Buchan, John, 1875-1940","Stirl, George S.","George VI, King of Great Britain, 1895-1952","Elizabeth, Queen, consort of George VI, King of Great Britain, 1900-2002","Lamb, William Harrison","Marler, Howard B.","Towner, Harriet C. (Harriet Cole), 1869-1942","Qualters, Thomas","Bloom, Sol, 1870-1949","Lindsay, Ronald C., 1877-1945","Lindsay, Elizabeth Sherman Hoyt, 1885-1954","Somoza, Anastasio, 1896-1956","Somoza, Salvadora Debayle, 1895-1987","Juliana, Queen of the Netherlands, 1909-2004","Churchill, Winston, 1874-1965","Prado y Ugarteche, Manuel, 1889-1967 ","Petar II Karađorđević, King of Yugoslavia, 1923-1970","Darden, Colgate W. (Colgate Whitehead), 1897-1981","Wallington, Jimmy","Moncure, Henry T.","Chiang, May-ling Soong, 1897-2003","Brown, Wilson, 1882-1957","Peñaranda Castillo, Enrique, 1892-1969","Beneš, Edvard, 1884-1948","Billups, Mary Govan, 1874-1971","Failing, Mary Forbush, 1862-1947","Denham, Mary Simkins, 1868-1950","Loughborough, Louise Wright, 1881-1962","Hanks, Mary Esther Vilas, 1873-1959","Carpenter, Harriet Isham, 1869-1948","Morínigo, Higinio, 1897-1983","Mikołajczyk, Stanisław, 1901-1966","Gaulle, Charles de, 1890-1970","Hoppenot, Henri","Sveinn Björnsson, 1881-1952","Thor Thors, 1903-1965","Grau San Martín, Ramón, 1887-1969","ʻAbd al-Ilāh, Prince, 1913-1958","Ríos Morales, Juan Antonio, 1888-1946","Stelle, John H., 1891-1962","Cassell, C. Abayomi (Christian Abayomi)","Bevin, Ernest, 1881-1951","Saud, King of Saudi Arabia, 1902-1969","Alexander of Tunis, Harold Rupert Leofric George Alexander, Earl, 1891-1969","Truman, Harry S., 1884-1972","Patterson, Robert Porter, 1891-1952","Alemán, Miguel, 1905-1983","Marshall, George C. (George Catlett), 1880-1959","Clark, Tom C. (Tom Campbell), 1899-1977","Thurmond, Strom, 1902-2003","Thurmond, Jean Crouch, 1926-1960","Dutra, Eurico Gaspar, 1883-1974","Nehru, Kamala, 1899-1936","Nehru, Jawaharlal, 1889-1964","Gandhi, Indira, 1917-1984","Franks, Oliver, Baron, 1905-1992","Elizabeth II, Queen of Great Britain, 1926-","Philip, Prince, consort of Elizabeth II, Queen of Great Britain, 1921-2021","Simmons, John F. (John Farr), 1892-1968","Akihito, Emperor Emeritus of Japan, 1933-","Paul I, King of the Hellenes, 1901-1964","Frederika, Queen, consort of Paul I, King of the Hellenes, 1917-1981","Rhee, Syngman, 1875-1965","Haile Selassie I, Emperor of Ethiopia, 1892-1975","Tubman, William V. S., 1895-1971","Warren, Romayne Latta, 1877-1968","Magloire, Paul Eugène, 1907-2001","Scelba, Mario, 1901-","Martino, Gaetano, 1900-1967","Phibūnsongkhrām, Plǣk, 1897-1964","Nu, U, 1907-1995","Albert II, King of the Belgians, 1934-","Conger, Clement E.","Cunha, Paulo, 1908-1986","Robertson, Albert James, 1893-1978","Broyhill, Joel T.  (Joel Thomas), 1919-2006","Buxton, Clarence Edward, 1888-1978","Soekarno, 1901-1970","Cumming, Hugh S. (Hugh Smith), Jr., 1900-1986","Kishi, Nobusuke, 1896-1987","Giscard d'Estaing, Valéry, 1926-2020","Ford, Gerald R., 1913-2006","Cooke, Elizabeth Throckmorton, 1897-1993","Carter, Rosalynn","Bush, George, 1924-2018","Hussein, King of Jordan, 1935-1999","Bush, Laura Welch, 1946-","Bush, George W. (George Walker), 1946- ","Slaughter, Philip, Reverend, 1808-1890","Sharples, James, 1752-1811","Houdon, Jean-Antoine, 1741-1828","Mills, Clark, 1810-1883","Crosby, Ellen Lovell, 1853-1942","Crosby, Virginia Van Stone, 1888-1964","Merritt, J. D.","Mott, Agnes Peter, 1880-1957","Washington, Martha, 1731-1802","Kennon, Britannia Wellington Peter, 1815-1911","Bush, Margaret Gage","Everett, Edward, 1794-1865","Rockwood, George Gardner, 1832-1911","Farnsworth, Hannah Blake, 1802-1879","Lewis, Eleanor Parke Custis, 1779-1852","Gutekunst, Frederick, 1831-1917","McHenry, Mary","Mitchell, Jim, 1795-1870","Bufford, John Henry, 1810-1870","Nichols, David","Wright, Joseph, 1756-1793","Peale, Charles Willson, 1741-1827","Lee, Mary Randolph Custis, 1808-1873","Ferris, Stephen James, 1835-1915","Lincoln, Abraham, 1809-1865","Stuart, Gilbert, 1755-1828","Wollaston, John, 1710-1775?","Custis, George Washington Parke, 1781-1857","Leutze, Emanuel, 1816-1868","Worth, E. M. (Edwin M.), Professor, 1838-1917","Brewerton, George Douglas, 1820-1901","Whitehurst, Jesse Harrison, 1819-1875","Ingersoll, T. W. (Truman Ward), 1862-1922","Gibbs, J. (Joseph) Norman, 1855-1933","Lewis, Annie Burr Auchincloss, 1902-1959","Broadwell, Elizabeth Lytle","Sarony, Napoleon, 1821-1896","Dickinson, Alice London, 1814-1881","Eve, Philoclea Edgeworth Casey, 1813-1889","Pine, Robert Edge, 1730?-1788","Harper, Emily L. (Emily Louisa), 1812-1892","Rinehart, A. E.  (Alfred Edward), 1851-1915","Hill, Alice Hale, 1840-1908","Miley, Michael, 1841-1918","Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834","Laughton, Lily Macalester Berghmans, 1832-1891","Platz, Max","Leiter, Mary Theresa, 1844-1913","Murat, Catherine Willis, 1803-1867","Thomas, Samuel A.","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Mary Ball, 1708-1789","Naramore, D. H. (Daniel H.)","Baulch, William","Loyd, William","Langenheim, Frederick, 1809-1879","Langenheim, William, 1807-1874","England, William, 1830-1896","Waldsmith, Robert, 1913-1993","Stacy, George, 1831-1897","White, Hawley C.","Singley,  B. L.  (Benjamin Lloyd)","Kelley, E. W., active 1868-1908","Cremer, James, 1821-1893","Bell, William, 1830-1910","Wasson, C. L. (Charles L.)","Newell, Robert, 1822-1897","Brown, Henry Kirke, 1814-1886","Tuttle, H. C.","Kilburn, B. W.  (Benjamin West), 1827-1909","Weil, P. F. (Peter F.)","Chase, W. M.  (William M.), approximately 1818-1901","Butler, Lucretia Wolcott Dodge, 1876-1914","Greenough, Horatio, 1805-1852","O'Donovan, William Rudolph, 1844-1920","Votaw, Albert H.  (Albert Hiatt), 1850-1931","Walker, Lewis E.  (Lewis Emory), 1822-1880","DeSouza, E.","Miller, Arthur C.","Ulman, Nathalia","Rau, William Herman, 1855-1920","Thurston, John H.","Thompson, E. B. (Ezra Bowen), 1865-1951","Pyle, Howard, 1853-1911","Van Altena, Edward, 1873-1968","Heyder, Augusta A.","Wilcox, William A. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3769,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:50:40.181Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_4_resources_49_c45_c02_c21_c04"}},{"id":"viw_repositories_2_resources_9853","type":"collection","attributes":{"title":"Richard Wright collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright collection","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright collection"],"collection_title_tesim":["Richard Wright collection"],"collection_ssim":["Richard Wright collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-15T17:44:56.571Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright collection","title_ssm":["Richard Wright collection"],"title_tesim":["Richard Wright collection"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright collection","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright collection"],"collection_title_tesim":["Richard Wright collection"],"collection_ssim":["Richard Wright collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThe Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Richard Wright collection, compiled by Richard Wright and orginally referred to by Wright as \"The Richard Wright collection of Graphic Images of African Americans,\" focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-15T17:44:56.571Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=list"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon\u0026view=list"}},{"attributes":{"label":"Virginia Military Institute Archives","value":"Virginia Military Institute Archives","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Brepository%5D%5B%5D=Virginia+Military+Institute+Archives\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Burtis Family Papers","value":"Burtis Family Papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcollection%5D%5B%5D=Burtis+Family+Papers\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Cadet drawings, class assignments, and exercises","value":"Cadet drawings, class assignments, and exercises","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcollection%5D%5B%5D=Cadet+drawings%2C+class+assignments%2C+and+exercises\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Carl R. Dolmetsch Papers","value":"Carl R. Dolmetsch Papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcollection%5D%5B%5D=Carl+R.+Dolmetsch+Papers\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Historical Photograph Collection","value":"Historical Photograph Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcollection%5D%5B%5D=Historical+Photograph+Collection\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Moses J. Ezekiel papers","value":"Moses J. Ezekiel papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcollection%5D%5B%5D=Moses+J.+Ezekiel+papers\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Richard Wright collection","value":"Richard Wright collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcollection%5D%5B%5D=Richard+Wright+collection\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1751","value":"1751","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Bdate_range%5D%5B%5D=1751\u0026view=list"}},{"attributes":{"label":"1752","value":"1752","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Bdate_range%5D%5B%5D=1752\u0026view=list"}},{"attributes":{"label":"1753","value":"1753","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Bdate_range%5D%5B%5D=1753\u0026view=list"}},{"attributes":{"label":"1754","value":"1754","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Bdate_range%5D%5B%5D=1754\u0026view=list"}},{"attributes":{"label":"1755","value":"1755","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Bdate_range%5D%5B%5D=1755\u0026view=list"}},{"attributes":{"label":"1756","value":"1756","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Bdate_range%5D%5B%5D=1756\u0026view=list"}},{"attributes":{"label":"1757","value":"1757","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Bdate_range%5D%5B%5D=1757\u0026view=list"}},{"attributes":{"label":"1758","value":"1758","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Bdate_range%5D%5B%5D=1758\u0026view=list"}},{"attributes":{"label":"1759","value":"1759","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Bdate_range%5D%5B%5D=1759\u0026view=list"}},{"attributes":{"label":"1760","value":"1760","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Bdate_range%5D%5B%5D=1760\u0026view=list"}},{"attributes":{"label":"1761","value":"1761","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Bdate_range%5D%5B%5D=1761\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Allen, Robert C. (Robert Clotworthy), 1834-1863","value":"Allen, Robert C. (Robert Clotworthy), 1834-1863","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcreators%5D%5B%5D=Allen%2C+Robert+C.+%28Robert+Clotworthy%29%2C+1834-1863\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Bargamin, Eugene V. (Eugene Victor), 1835-1860","value":"Bargamin, Eugene V. (Eugene Victor), 1835-1860","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcreators%5D%5B%5D=Bargamin%2C+Eugene+V.+%28Eugene+Victor%29%2C+1835-1860\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Baugh, Abner P.","value":"Baugh, Abner P.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcreators%5D%5B%5D=Baugh%2C+Abner+P.\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Blackburn, Thomas, 1834-1854","value":"Blackburn, Thomas, 1834-1854","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcreators%5D%5B%5D=Blackburn%2C+Thomas%2C+1834-1854\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Blair, Henry W. (Henry Wayne), 1851-1884","value":"Blair, Henry W. (Henry Wayne), 1851-1884","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcreators%5D%5B%5D=Blair%2C+Henry+W.+%28Henry+Wayne%29%2C+1851-1884\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Blair, Robert S., 1835-1902","value":"Blair, Robert S., 1835-1902","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcreators%5D%5B%5D=Blair%2C+Robert+S.%2C+1835-1902\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Boyd, Thomas M. (Thomas Massie), 1838-1894","value":"Boyd, Thomas M. (Thomas Massie), 1838-1894","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcreators%5D%5B%5D=Boyd%2C+Thomas+M.+%28Thomas+Massie%29%2C+1838-1894\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Briggs, A. Sidney (Albert Sidney), 1902-1988","value":"Briggs, A. Sidney (Albert Sidney), 1902-1988","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawings+%28visual+works%29\u0026f%5Bcreators%5D%5B%5D=Briggs%2C+A.+Sidney+%28Albert+Sidney%29%2C+1902-1988\u0026f%5Bdate_range%5D%5B%5D=1876\u0026view=list"}},{"attributes":{"label":"Brockenbrough, William A. (William Austin), 1836-1896","value":"Brockenbrough, William A. 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