{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawing\u0026f%5Blevel%5D%5B%5D=Collection","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Drawing\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_682","type":"collection","attributes":{"title":"Elizabeth Tatham scrapbook","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_682#creator","type":"document_value","attributes":{"value":"Firth, Elizabeth Walker (Elizabeth Walker Tatham), approximately 1849-1916","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_682#abstract_or_scope","type":"document_value","attributes":{"value":"Late Victorian-era scrapbook created by Elizabeth Tatham of Leeds, Yorkshire, England containing original drawings, handwritten copies of poems, autograph signatures, and various pasted-in illustrated clippings.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_682#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_682","ead_ssi":"vifgm_repositories_2_resources_682","_root_":"vifgm_repositories_2_resources_682","_nest_parent_":"vifgm_repositories_2_resources_682","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_682.xml","title_ssm":["Elizabeth Tatham scrapbook"],"title_tesim":["Elizabeth Tatham scrapbook"],"unitdate_ssm":["circa 1867-1873"],"unitdate_inclusive_ssm":["circa 1867-1873"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0394","/repositories/2/resources/682"],"text":["C0394","/repositories/2/resources/682","Elizabeth Tatham scrapbook","Leeds (England)","Scrapbooking","Drawing","Scrapbooks","There are no access restrictions.","This is a single item collection.","\"Elizabeth Walker Tatham (1849–Deceased).\" n.d. FamilySearch. Accessed October 4, 2023. https://ancestors.familysearch.org/en/GMQX-ZYY/elizabeth-walker-tatham-1849.","\"The History of Scrapbooking.\" n.d. Scrapbook.Com. Accessed October 4, 2023. https://www.scrapbook.com/articles/history-of-scrapbooking.","\"The History of Scrapbooks.\" 2019. CSUN University Library. October 22, 2019. https://library.csun.edu/SCA/Peek-in-the-Stacks/scrapbooking.","Elizabeth Walker Tatham was born circa 1849 in Leeds, West Yorkshire, England to George Tatham and Hannah Marie Walker. Elizabeth was the youngest of three sisters all very close in age, with eldest Annie Sophia Tatham born circa 1847 and middle sister Georgiana Tatham born circa 1848. Her father worked as a leather manufacturer and served as the Mayor of Leeds from 1879-1889. 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The first use of the word as a verb to describe the practice itself was recorded in 1879.","Processing and finding aid completed by Meghan Glasbrenner from September - October 2023.","The Special Collections Research center also holds other scrapbooks such as the   Lenora Little scrapbook   and the   Jerome Lawlor World War II scrapbook  .","Late Victorian-era scrapbook created by Elizabeth Tatham of Leeds, Yorkshire, England containing original pencil, pen and ink, and watercolor drawings, handwritten copies of poems, riddles and jokes, pasted-in illustrated clippings, and autograph signatures. Dated 1867 on the first page, accompanied with Elizabeth's signature, but most illustrations and poems are dated 1868 and dates of signatures range from 1867-1873. Many of the drawings are initialed with variations of \"G.T.\" without further identification. Clipped signature pages include numerous contemporary political figures, such as Lord Amberley (John Russell, Viscount Amberley), W.E. 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October 22, 2019. https://library.csun.edu/SCA/Peek-in-the-Stacks/scrapbooking."],"bioghist_html_tesm":["\u003cp\u003eElizabeth Walker Tatham was born circa 1849 in Leeds, West Yorkshire, England to George Tatham and Hannah Marie Walker. Elizabeth was the youngest of three sisters all very close in age, with eldest Annie Sophia Tatham born circa 1847 and middle sister Georgiana Tatham born circa 1848. Her father worked as a leather manufacturer and served as the Mayor of Leeds from 1879-1889. Elizabeth married Joseph Bottomley Firth on September 17, 1873 and does not appear to have had any children.\u003c/p\u003e\n","\u003cp\u003eVariations on the practice of scrapbooking date as far back as the 14th century when it was popular for upper-class members of European society to keep a bound journal of blank pages, known as a commonplace book, that served as a place for the owner to write informal notes taken from a variety of sources in one place. With the introduction of the printing press by Johannes Gutenberg in the 1440s, books and other printed materials became more accessible, increasing the use of the commonplace book as a way to organize the rapid growth of available information. While initially used primarily by men, women soon began keeping their own commonplace books filled with religious passages, recipes, and interesting quotations.\u003c/p\u003e\n","\u003cp\u003eBy the 1800s, as the availability and types of printed materials expanded, the role of the commonplace book shifted, with owners now filling them with clippings, poetry, drawings, and other various \"scraps\" of printed material, including greeting, calling, and prayer cards. 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Her father worked as a leather manufacturer and served as the Mayor of Leeds from 1879-1889. Elizabeth married Joseph Bottomley Firth on September 17, 1873 and does not appear to have had any children.","Variations on the practice of scrapbooking date as far back as the 14th century when it was popular for upper-class members of European society to keep a bound journal of blank pages, known as a commonplace book, that served as a place for the owner to write informal notes taken from a variety of sources in one place. With the introduction of the printing press by Johannes Gutenberg in the 1440s, books and other printed materials became more accessible, increasing the use of the commonplace book as a way to organize the rapid growth of available information. 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The first use of the word as a verb to describe the practice itself was recorded in 1879."],"prefercite_html_tesm":["\u003cp\u003eElizabeth Tatham scrapbook, C0394, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Elizabeth Tatham scrapbook, C0394, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from September - October 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from September - October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center also holds other scrapbooks such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0326\"\u003e Lenora Little scrapbook \u003c/a\u003e and the \u003ca href=\"https://aspace.gmu.edu/resources/c0318\"\u003e Jerome Lawlor World War II scrapbook \u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research center also holds other scrapbooks such as the   Lenora Little scrapbook   and the   Jerome Lawlor World War II scrapbook  ."],"scopecontent_html_tesm":["\u003cp\u003eLate Victorian-era scrapbook created by Elizabeth Tatham of Leeds, Yorkshire, England containing original pencil, pen and ink, and watercolor drawings, handwritten copies of poems, riddles and jokes, pasted-in illustrated clippings, and autograph signatures. Dated 1867 on the first page, accompanied with Elizabeth's signature, but most illustrations and poems are dated 1868 and dates of signatures range from 1867-1873. Many of the drawings are initialed with variations of \"G.T.\" without further identification. Clipped signature pages include numerous contemporary political figures, such as Lord Amberley (John Russell, Viscount Amberley), W.E. Gladstone, Sir Andrew Fairbairn, and Sir Thomas Bazley. \u003c/p\u003e\n","\u003cp\u003eThe exterior of the book is red leather with gold boarder design and marbled interior endpapers. Inside, several pages have been cut out and some pages appear to have missing items that were pasted, but have since been removed or fallen out, and there are a few loose poems and drawings placed in between pages.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Late Victorian-era scrapbook created by Elizabeth Tatham of Leeds, Yorkshire, England containing original pencil, pen and ink, and watercolor drawings, handwritten copies of poems, riddles and jokes, pasted-in illustrated clippings, and autograph signatures. Dated 1867 on the first page, accompanied with Elizabeth's signature, but most illustrations and poems are dated 1868 and dates of signatures range from 1867-1873. Many of the drawings are initialed with variations of \"G.T.\" without further identification. Clipped signature pages include numerous contemporary political figures, such as Lord Amberley (John Russell, Viscount Amberley), W.E. Gladstone, Sir Andrew Fairbairn, and Sir Thomas Bazley. ","The exterior of the book is red leather with gold boarder design and marbled interior endpapers. Inside, several pages have been cut out and some pages appear to have missing items that were pasted, but have since been removed or fallen out, and there are a few loose poems and drawings placed in between pages."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1ab24aa3520bcbcad8fe7ffa049f8246\"\u003eLate Victorian-era scrapbook created by Elizabeth Tatham of Leeds, Yorkshire, England containing original drawings, handwritten copies of poems, autograph signatures, and various pasted-in illustrated clippings.\u003c/abstract\u003e"],"abstract_tesim":["Late Victorian-era scrapbook created by Elizabeth Tatham of Leeds, Yorkshire, England containing original drawings, handwritten copies of poems, autograph signatures, and various pasted-in illustrated clippings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0299488b7e89f594bca28597dadf5945\"\u003eR 72, C 2, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 2, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Firth, Elizabeth Walker (Elizabeth Walker Tatham), approximately 1849-1916"],"corpname_ssim":["George Mason University. Libraries. 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FamilySearch. Accessed October 4, 2023. https://ancestors.familysearch.org/en/GMQX-ZYY/elizabeth-walker-tatham-1849.","\"The History of Scrapbooking.\" n.d. Scrapbook.Com. Accessed October 4, 2023. https://www.scrapbook.com/articles/history-of-scrapbooking.","\"The History of Scrapbooks.\" 2019. CSUN University Library. October 22, 2019. https://library.csun.edu/SCA/Peek-in-the-Stacks/scrapbooking.","Elizabeth Walker Tatham was born circa 1849 in Leeds, West Yorkshire, England to George Tatham and Hannah Marie Walker. Elizabeth was the youngest of three sisters all very close in age, with eldest Annie Sophia Tatham born circa 1847 and middle sister Georgiana Tatham born circa 1848. Her father worked as a leather manufacturer and served as the Mayor of Leeds from 1879-1889. 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Her father worked as a leather manufacturer and served as the Mayor of Leeds from 1879-1889. Elizabeth married Joseph Bottomley Firth on September 17, 1873 and does not appear to have had any children.","Variations on the practice of scrapbooking date as far back as the 14th century when it was popular for upper-class members of European society to keep a bound journal of blank pages, known as a commonplace book, that served as a place for the owner to write informal notes taken from a variety of sources in one place. With the introduction of the printing press by Johannes Gutenberg in the 1440s, books and other printed materials became more accessible, increasing the use of the commonplace book as a way to organize the rapid growth of available information. While initially used primarily by men, women soon began keeping their own commonplace books filled with religious passages, recipes, and interesting quotations.","By the 1800s, as the availability and types of printed materials expanded, the role of the commonplace book shifted, with owners now filling them with clippings, poetry, drawings, and other various \"scraps\" of printed material, including greeting, calling, and prayer cards. As the focus of these new scrapbooks shifted from academic interests to social interests and preservation of family materials, by the late 1800s the practice of \"scrapbooking\" had become a predominantly female hobby.","The first recorded use of the term \"scrap book\" as noun to describe these books with blank pages for pasting items is believed to be in 1821, with the two words morphing naturally overtime into the now common \"scrapbook\". The first use of the word as a verb to describe the practice itself was recorded in 1879."],"prefercite_html_tesm":["\u003cp\u003eElizabeth Tatham scrapbook, C0394, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Elizabeth Tatham scrapbook, C0394, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from September - October 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from September - October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research center also holds other scrapbooks such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0326\"\u003e Lenora Little scrapbook \u003c/a\u003e and the \u003ca href=\"https://aspace.gmu.edu/resources/c0318\"\u003e Jerome Lawlor World War II scrapbook \u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research center also holds other scrapbooks such as the   Lenora Little scrapbook   and the   Jerome Lawlor World War II scrapbook  ."],"scopecontent_html_tesm":["\u003cp\u003eLate Victorian-era scrapbook created by Elizabeth Tatham of Leeds, Yorkshire, England containing original pencil, pen and ink, and watercolor drawings, handwritten copies of poems, riddles and jokes, pasted-in illustrated clippings, and autograph signatures. Dated 1867 on the first page, accompanied with Elizabeth's signature, but most illustrations and poems are dated 1868 and dates of signatures range from 1867-1873. Many of the drawings are initialed with variations of \"G.T.\" without further identification. Clipped signature pages include numerous contemporary political figures, such as Lord Amberley (John Russell, Viscount Amberley), W.E. Gladstone, Sir Andrew Fairbairn, and Sir Thomas Bazley. \u003c/p\u003e\n","\u003cp\u003eThe exterior of the book is red leather with gold boarder design and marbled interior endpapers. Inside, several pages have been cut out and some pages appear to have missing items that were pasted, but have since been removed or fallen out, and there are a few loose poems and drawings placed in between pages.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Late Victorian-era scrapbook created by Elizabeth Tatham of Leeds, Yorkshire, England containing original pencil, pen and ink, and watercolor drawings, handwritten copies of poems, riddles and jokes, pasted-in illustrated clippings, and autograph signatures. Dated 1867 on the first page, accompanied with Elizabeth's signature, but most illustrations and poems are dated 1868 and dates of signatures range from 1867-1873. Many of the drawings are initialed with variations of \"G.T.\" without further identification. Clipped signature pages include numerous contemporary political figures, such as Lord Amberley (John Russell, Viscount Amberley), W.E. Gladstone, Sir Andrew Fairbairn, and Sir Thomas Bazley. ","The exterior of the book is red leather with gold boarder design and marbled interior endpapers. Inside, several pages have been cut out and some pages appear to have missing items that were pasted, but have since been removed or fallen out, and there are a few loose poems and drawings placed in between pages."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1ab24aa3520bcbcad8fe7ffa049f8246\"\u003eLate Victorian-era scrapbook created by Elizabeth Tatham of Leeds, Yorkshire, England containing original drawings, handwritten copies of poems, autograph signatures, and various pasted-in illustrated clippings.\u003c/abstract\u003e"],"abstract_tesim":["Late Victorian-era scrapbook created by Elizabeth Tatham of Leeds, Yorkshire, England containing original drawings, handwritten copies of poems, autograph signatures, and various pasted-in illustrated clippings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0299488b7e89f594bca28597dadf5945\"\u003eR 72, C 2, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 2, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Firth, Elizabeth Walker (Elizabeth Walker Tatham), approximately 1849-1916"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Firth, Elizabeth Walker (Elizabeth Walker Tatham), approximately 1849-1916"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:18:40.577Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_682"}},{"id":"vifgm_repositories_2_resources_515","type":"collection","attributes":{"title":"\"Le Menuet de la Cour\" drawing attributed to Le Couteur","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_515#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_515#abstract_or_scope","type":"document_value","attributes":{"value":"Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_515#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_515","ead_ssi":"vifgm_repositories_2_resources_515","_root_":"vifgm_repositories_2_resources_515","_nest_parent_":"vifgm_repositories_2_resources_515","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_515.xml","title_ssm":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"title_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"unitdate_ssm":["1775"],"unitdate_other_ssim":["1775"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0455","/repositories/2/resources/515"],"text":["C0455","/repositories/2/resources/515","\"Le Menuet de la Cour\" drawing attributed to Le Couteur","Art","Dance","Drawing","Minuet (Dance)","There are no access restrictions.","This is a single item collection.","The Editors of Encyclopaedia Britannica. \"Minuet.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet. ","The Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026 Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579.","The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"","This drawing is roughly 16\" by 20\".","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on the Performing Arts.","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819.","Public Domain. There are no known restrictions.","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","French \n.    "],"unitid_tesim":["C0455","/repositories/2/resources/515"],"normalized_title_ssm":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"collection_title_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"collection_ssim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J and J Lubrano Music Antiquarians on 10/13/2011."],"access_subjects_ssim":["Art","Dance","Drawing","Minuet (Dance)"],"access_subjects_ssm":["Art","Dance","Drawing","Minuet (Dance)"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1775],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Minuet.\" Encyclopædia Britannica. 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The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\""],"phystech_html_tesm":["\u003cp\u003eThis drawing is roughly 16\" by 20\".\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["This drawing is roughly 16\" by 20\"."],"prefercite_html_tesm":["\u003cp\u003e\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on the Performing Arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on the Performing Arts."],"scopecontent_html_tesm":["\u003cp\u003eOriginal pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. 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There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0a7494f824fb5be9f67ec8854ff6e097\" label=\"Abstract\"\u003eOriginal pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"\u003c/abstract\u003e"],"abstract_tesim":["Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\""],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8d2aeb013044c8f11c6fe68479bf89a8\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. 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"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_515","ead_ssi":"vifgm_repositories_2_resources_515","_root_":"vifgm_repositories_2_resources_515","_nest_parent_":"vifgm_repositories_2_resources_515","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_515.xml","title_ssm":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"title_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur"],"unitdate_ssm":["1775"],"unitdate_other_ssim":["1775"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0455","/repositories/2/resources/515"],"text":["C0455","/repositories/2/resources/515","\"Le Menuet de la Cour\" drawing attributed to Le Couteur","Art","Dance","Drawing","Minuet (Dance)","There are no access restrictions.","This is a single item collection.","The Editors of Encyclopaedia Britannica. \"Minuet.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 18, 2019. https://www.britannica.com/art/minuet. ","The Minuet: An Elegant PhoenixAuthor(s): Julia SuttonSource: Dance Chronicle, 1985, Vol. 8, No. 3/4 (1985), pp. 119-152Published by: Taylor \u0026 Francis, Ltd.Stable URL: http://www.jstor.com/stable/1567579.","The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"","This drawing is roughly 16\" by 20\".","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on the Performing Arts.","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\" The drawing is attributed to La Couteur, created circa 1775. There is an inscription on the back from 1819.","Public Domain. There are no known restrictions.","Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","French \n.    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It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Minuet, or \"le Menuet\" in French, was a couple's dance, and was massively popular in the 17th and 18th century French and English courts. It was especially popular during the reign of Louis XIV of France. The minuet was known for its extremely intricate moves, and was synonymous with etiquette and class ranking. According to dance historian Julia Sutton, \"Following the strictest order of protocol, each couple danced alone before their peers and addressed the Presence (those personages of highest rank who sat at the top of the hall) while, presumably, they entertained each other through their charm and flirtatiousness. The goal was to demonstrate by their exquisite manners, dress, and skill that they were indeed worthy adornments to society; their observers were active participants in the dance as well, judging every step and gesture with the utmost refinement and - should the dancers be truly elegant and charming - with great pleasure.\" The dance was so popular, minuet sequences appeared in operas and symphonies of the day, including Mozart's \"Don Giovanni\" and Handel's \"Berenice.\""],"phystech_html_tesm":["\u003cp\u003eThis drawing is roughly 16\" by 20\".\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["This drawing is roughly 16\" by 20\"."],"prefercite_html_tesm":["\u003cp\u003e\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"Le Menuet de la Cour\" drawing attributed to Le Couteur, C0455, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. 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There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0a7494f824fb5be9f67ec8854ff6e097\" label=\"Abstract\"\u003eOriginal pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\"\u003c/abstract\u003e"],"abstract_tesim":["Original pencil drawing of a couple performing the minuet, with accompanying musicians and onlookers, presumably set in a French ball. The drawing is titled \"Le Menuet de la Cour\" which translates from the French to \"The Minuet of the Court.\""],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8d2aeb013044c8f11c6fe68479bf89a8\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. 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Margaret MacMillan was born around the beginning of the nineteenth century and made/collected the contents of the sketchbook of Ireland and the commonplace book.  The mica paintings likely come from Mary's son Charles during his time in India as a British soldier.  After his time in the British service, he emigrated to Virginia in the United States, eventually to a the Fancy Hill vicinity of Rockbridge County, Virginia.","This collection consists of three scrapbooks with contents compiled by Mary MacMillan and her son Charles MacMillan.  The first contains scenes from a trip to Ireland, containing Mary MacMillan's pencil sketches of scenes and prints of Ireland mostly by James Howard Burgess.  The second contains poetry and calligraphy from Mary MacMillan and others as well as collections of dried and pressed marine marine algae or seaweed, watercolors sketches and cartoons.  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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","McMillan Family","MacMillan Family","MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890","English \n.    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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["These albums were a gift of Reverend H. 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After his time in the British service, he emigrated to Virginia in the United States, eventually to a the Fancy Hill vicinity of Rockbridge County, Virginia."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], MacMillan Albums, WLU Coll. 0266, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], MacMillan Albums, WLU Coll. 0266, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of three scrapbooks with contents compiled by Mary MacMillan and her son Charles MacMillan.  The first contains scenes from a trip to Ireland, containing Mary MacMillan's pencil sketches of scenes and prints of Ireland mostly by James Howard Burgess.  The second contains poetry and calligraphy from Mary MacMillan and others as well as collections of dried and pressed marine marine algae or seaweed, watercolors sketches and cartoons.  The third consists of mica paintings made in India for British tourists, and were most likely collected by Mary's son Charles.\u003c/p\u003e","\u003cp\u003eThis scrapbook contains a mixture of prints and sketches mostly of places in Ireland.  One half of the book consists of pencil sketches and one watercolor by Mary MacMillan.  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Other contents include a few pieces of pressed and dried seaweed or marine algae and a miniature piece of sheet music with hand drawn musical notes.","This scrapbook contains Indian mica paintings likely collected by Charles MacMillan.  These paintings consist of gouache paint on thin sheets of mica showing people and scenes in India.  They were made for the tourist trade during the British colonial era and were sold as souvenirs.  The paintings in this collection likely come from the city of Patna. The likely collector of this album was Charles MacMillan, son of Mary MacMillan, had served in the British Army in India. Charles emigrated to the United Sates from Scotland before 1861."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","McMillan Family","MacMillan Family","MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"names_coll_ssim":["McMillan Family","MacMillan Family"],"famname_ssim":["McMillan Family","MacMillan Family"],"persname_ssim":["MacMillan, Mary Shields, b. ca. 1800- d. ca. 1887","MacMillan, Charles Newton, 1820-1898","Burgess, James Howard (J.H.), 1817-1890"],"language_ssim":["English \n.    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