{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=DVDs\u0026f%5Bdate_range%5D%5B%5D=1996","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=DVDs\u0026f%5Bdate_range%5D%5B%5D=1996\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=DVDs\u0026f%5Bdate_range%5D%5B%5D=1996\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":17,"first_page?":true,"last_page?":false}},"data":[{"id":"vilxv_repositories_3_resources_726_c02","type":"Series","attributes":{"title":"Coeducation Court Case (United States v. 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Virginia) and assimilation of women","Bunting, Josiah, III, 1939-","Bunting, Josiah, III, 1939-","Sex discrimination in education -- Law and legislation","United States v. Virginia -- Coeducation Court Case","Virginia Military Institute -- Class of 2001","Virginia Military Institute -- Coeducation","Virginia Military Institute—Cadet life—1990-1999","Virginia Military Institute—Academics—History—20th century","Women -- Education -- Law and legislation -- United States.","DVDs","Videotapes","English","Contains copyright protected material. This material may not be copied or redistributed.","The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","This collection was originally in VHS videotape format and has been converted to DVD format.","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment."],"title_filing_ssi":"Coeducation Court Case (United States v. Virginia) and assimilation of women","title_ssm":["Coeducation Court Case (United States v. Virginia) and assimilation of women"],"title_tesim":["Coeducation Court Case (United States v. Virginia) and assimilation of women"],"unitdate_inclusive_ssm":["Majority of material found within 1990-2001"],"normalized_date_ssm":["1990/2001"],"normalized_title_ssm":["Coeducation Court Case (United States v. Virginia) and assimilation of women"],"component_level_isim":[1],"repository_ssim":["Virginia Military Institute Archives"],"collection_ssim":["Video Collections"],"extent_ssm":["1 boxes"],"extent_tesim":["1 boxes"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":247,"parent_access_restrict_tesm":["There are no restrictions"],"parent_access_terms_tesm":["This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment."],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"names_ssim":["Bunting, Josiah, III, 1939-","Bunting, Josiah, III, 1939-"],"persname_ssim":["Bunting, Josiah, III, 1939-"],"access_subjects_ssim":["Sex discrimination in education -- Law and legislation","United States v. 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This material may not be copied or redistributed.\u003c/legalstatus\u003e"],"accessrestrict_tesim":["Contains copyright protected material. This material may not be copied or redistributed."],"bioghist_html_tesm":["\u003cp\u003eThe U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally in VHS videotape format and has been converted to DVD format.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally in VHS videotape format and has been converted to DVD format."],"scopecontent_html_tesm":["\u003cp\u003eA collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news."],"userestrict_html_tesm":["\u003cp\u003eThis collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment."],"_nest_path_":"/components#1","timestamp":"2026-05-21T00:10:42.873Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_726","ead_ssi":"vilxv_repositories_3_resources_726","_root_":"vilxv_repositories_3_resources_726","_nest_parent_":"vilxv_repositories_3_resources_726","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_726.xml","title_ssm":["Video Collections"],"title_tesim":["Video Collections"],"unitdate_ssm":["1930's - [ongoing]; bulk after 1980"],"unitdate_inclusive_ssm":["1930's - [ongoing]; bulk after 1980"],"level_ssm":["collection"],"level_ssim":["Subgroup","Collection"],"unitid_ssm":["AV.Video","/repositories/3/resources/726"],"text":["AV.Video","/repositories/3/resources/726","Video Collections","Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes","This collection includes various formats, including film, VHS videotape and dvd. Some formats are not accessible at this time and are awaiting digital conversion.","There are no restrictions","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","This material is copyrighted.","Contains copyright protected material. This material may not be copied or redistributed.","There are no restrictions","There are no restrictions.","An MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive","This collection is arranged chronologically by year.","30th Commandant, U. S. Marine Corps","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","On the occasion of the VMI vs. Liberty football game","Stephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","VMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","Mark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.","The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","Louis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting.","3 copies","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This collection was originally in VHS videotape format and has been converted to DVD format.","Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project is found online in the  September 2013 issue of the Institute Report.","A collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.","John O. Marsh, Jr. receives the New Market Medal.","The graduation speaker was Donald H. Rumsfeld, Secretary of Defense.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","Ambassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006","Events of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner","Cadets whose articles were published in volume 1 of New Horizons talk about their research","Ceremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.","Various speeches to cadets and other VMI audiences from 19-200x. 2 disks.","Disk 1 Content","Disk 1 content Cadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003 COL Eric Hutchings Keydet Club speech, June 2000 SGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001 BG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.","Disk 2 content","Disk 2 content Hon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Hon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000 Address of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  ","See separate dvd for full recording of full panel discussion.","Events from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs","Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","ABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Color film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.","Sweat party, Fall 1987","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","Highlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Includes New Market Day ceremony, parade, and bible presentation","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC","General James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.","Inclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill","Video created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.","Unveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","Binder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","4 parts; total duration [02:01:01]","Duration [01:55:58]","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Item is copyright protected.  Video can be viewed in person, but we do not provide copies.","Use of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.","This material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.","Contact Archives to view this material.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Archives Stacks, Audio/Video","Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library","Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S.","English"],"unitid_tesim":["AV.Video","/repositories/3/resources/726"],"normalized_title_ssm":["Video Collections"],"collection_title_tesim":["Video Collections"],"collection_ssim":["Video Collections"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Virginia Military Institute. Office of Communications and Marketing"],"creator_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"creator_corpname_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"creators_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"access_terms_ssm":["Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes"],"access_subjects_ssm":["Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes"],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection includes various formats, including film, VHS videotape and dvd. Some formats are not accessible at this time and are awaiting digital conversion."],"extent_ssm":["40 c.f. cubic feet"],"extent_tesim":["40 c.f. cubic feet"],"genreform_ssim":["DVDs","Videotapes"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003clegalstatus id=\"aspace_333329e77d302b687ff227e2dd4140dd\"\u003eThis material is copyrighted.\u003c/legalstatus\u003e","\u003clegalstatus id=\"aspace_fb226dea4d219feb4db4f0467530df52\"\u003eContains copyright protected material. This material may not be copied or redistributed.\u003c/legalstatus\u003e","\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","This material is copyrighted.","Contains copyright protected material. This material may not be copied or redistributed.","There are no restrictions","There are no restrictions."],"altformavail_html_tesm":["\u003cp\u003eAn MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["An MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically by year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically by year."],"bioghist_html_tesm":["\u003cp\u003e30th Commandant, U. S. Marine Corps\u003c/p\u003e","\u003cp\u003eThis was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.\u003c/p\u003e","\u003cp\u003eOn the occasion of the VMI vs. Liberty football game\u003c/p\u003e","\u003cp\u003eStephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.\u003c/p\u003e","\u003cp\u003eLt. Terry Plunk was killed in action during Operation Desert Storm.\u003c/p\u003e","\u003cp\u003eVMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.\u003c/p\u003e","\u003cp\u003eLt. Terry Plunk was killed in action during Operation Desert Storm.\u003c/p\u003e","\u003cp\u003eMark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.\u003c/p\u003e","\u003cp\u003eThe U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.\u003c/p\u003e","\u003cp\u003eLouis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["30th Commandant, U. S. Marine Corps","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","On the occasion of the VMI vs. Liberty football game","Stephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","VMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","Mark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.","The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","Louis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting."],"odd_html_tesm":["\u003cp\u003e3 copies\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["3 copies"],"prefercite_html_tesm":["\u003cp\u003e[Name of collection/item], Virginia Military Institute Archives.\u003c/p\u003e"],"prefercite_tesim":["[Name of collection/item], Virginia Military Institute Archives."],"processinfo_html_tesm":["\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis collection was originally in VHS videotape format and has been converted to DVD format.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This collection was originally in VHS videotape format and has been converted to DVD format."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll7/id/4201\"\u003ePhotograph of Ambassador Young receiving the Daniels Award\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eBackground information about the Tick Rover Robot project is found online in the \u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll1/id/3097\"\u003eSeptember 2013 issue of the Institute Report.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Photograph","Related Materials"],"relatedmaterial_tesim":["Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project is found online in the  September 2013 issue of the Institute Report."],"scopecontent_html_tesm":["\u003cp\u003eA collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.\u003c/p\u003e","\u003cp\u003eJohn O. Marsh, Jr. receives the New Market Medal.\u003c/p\u003e","\u003cp\u003eThe graduation speaker was Donald H. Rumsfeld, Secretary of Defense.\u003c/p\u003e","\u003cp\u003eVideo of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.\u003c/p\u003e","\u003cp\u003eAmbassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006\u003c/p\u003e","\u003cp\u003eEvents of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner\u003c/p\u003e","\u003cp\u003eCadets whose articles were published in volume 1 of New Horizons talk about their research\u003c/p\u003e","\u003cp\u003eCeremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.\u003c/p\u003e","\u003cp\u003eOfficial breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.\u003c/p\u003e","\u003cp\u003eVarious speeches to cadets and other VMI audiences from 19-200x. 2 disks.\u003c/p\u003e\n","\u003cp\u003eDisk 1 Content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eDisk 1 content\u003c/head\u003e\n\u003citem\u003eCadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003\u003c/item\u003e\u003citem\u003eCOL Eric Hutchings Keydet Club speech, June 2000\u003c/item\u003e\u003citem\u003eSGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001\u003c/item\u003e\u003citem\u003eBG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004\u003c/item\u003e\u003citem\u003eAddress by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eDisk 2 content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eDisk 2 content\u003c/head\u003e\n\u003citem\u003eHon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003\u003c/item\u003e\u003citem\u003eAddress by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004\u003c/item\u003e\u003citem\u003eHon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991\u003c/item\u003e\u003citem\u003eCadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000\u003c/item\u003e\u003citem\u003eAddress of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eLocal PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  \u003c/p\u003e\n","\u003cp\u003eSee separate dvd for full recording of full panel discussion.\u003c/p\u003e","\u003cp\u003eEvents from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs\u003c/p\u003e","\u003cp\u003eIncludes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939\u003c/p\u003e","\u003cp\u003eOrientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.\u003c/p\u003e","\u003cp\u003eThis collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.\u003c/p\u003e","\u003cp\u003eABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.\u003c/p\u003e","\u003cp\u003eNews conference held at VMI, introducing General Peay as VMI's 14th Superintendent.\u003c/p\u003e","\u003cp\u003eNews videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.\u003c/p\u003e","\u003cp\u003eColor film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.\u003c/p\u003e","\u003cp\u003eSweat party, Fall 1987\u003c/p\u003e","\u003cp\u003eAddress to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.\u003c/p\u003e","\u003cp\u003eHighlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.\u003c/p\u003e","\u003cp\u003eIncludes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.\u003c/p\u003e","\u003cp\u003eIncludes New Market Day ceremony, parade, and bible presentation\u003c/p\u003e","\u003cp\u003eIn December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.\u003c/p\u003e","\u003cp\u003eGood Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC\u003c/p\u003e","\u003cp\u003eGeneral James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.\u003c/p\u003e","\u003cp\u003eInclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill\u003c/p\u003e","\u003cp\u003eVideo created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.\u003c/p\u003e","\u003cp\u003eUnveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.\u003c/p\u003e","\u003cp\u003eSupreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.\u003c/p\u003e","\u003cp\u003eA collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.\u003c/p\u003e","\u003cp\u003eBinder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.\u003c/p\u003e","\u003cp\u003eThis collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.\u003c/p\u003e","\u003cp\u003eDuration [00:08:13]\u003c/p\u003e","\u003cp\u003eDuration [00:28:27]; Produced by William Henricks Associates\u003c/p\u003e","\u003cp\u003eDuration [01:28:26]\u003c/p\u003e","\u003cp\u003e4 parts; total duration [02:01:01]\u003c/p\u003e","\u003cp\u003eDuration [01:55:58]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["A collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.","John O. Marsh, Jr. receives the New Market Medal.","The graduation speaker was Donald H. Rumsfeld, Secretary of Defense.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","Ambassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006","Events of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner","Cadets whose articles were published in volume 1 of New Horizons talk about their research","Ceremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.","Various speeches to cadets and other VMI audiences from 19-200x. 2 disks.","Disk 1 Content","Disk 1 content Cadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003 COL Eric Hutchings Keydet Club speech, June 2000 SGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001 BG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.","Disk 2 content","Disk 2 content Hon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Hon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000 Address of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  ","See separate dvd for full recording of full panel discussion.","Events from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs","Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","ABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Color film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.","Sweat party, Fall 1987","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","Highlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Includes New Market Day ceremony, parade, and bible presentation","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC","General James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.","Inclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill","Video created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.","Unveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","Binder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","4 parts; total duration [02:01:01]","Duration [01:55:58]"],"userestrict_html_tesm":["\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eItem is copyright protected.  Video can be viewed in person, but we do not provide copies.\u003c/p\u003e","\u003cp\u003eUse of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.\u003c/p\u003e","\u003cp\u003eThis material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.\u003c/p\u003e","\u003cp\u003eThis collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.\u003c/p\u003e","\u003cp\u003eContact Archives to view this material.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Item is copyright protected.  Video can be viewed in person, but we do not provide copies.","Use of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.","This material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.","Contact Archives to view this material.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3d96a804d049d7fd69b55a50bb62f86b\"\u003eArchives Stacks, Audio/Video\u003c/physloc\u003e"],"physloc_tesim":["Archives Stacks, Audio/Video"],"names_coll_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"names_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. 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(John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S."],"corpname_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library"],"persname_ssim":["Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. 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E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S."],"language_ssim":["English"],"total_component_count_is":266,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:10:42.873Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_726_c02"}},{"id":"vilxv_repositories_3_resources_843_c03","type":"Series","attributes":{"title":"Coeducation Court Case (United States v. Virginia) and assimilation of women","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_843_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eA collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. 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Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment."],"title_filing_ssi":"Coeducation Court Case (United States v. Virginia) and assimilation of women","title_ssm":["Coeducation Court Case (United States v. Virginia) and assimilation of women"],"title_tesim":["Coeducation Court Case (United States v. Virginia) and assimilation of women"],"unitdate_bulk_ssim":["1990-2001"],"normalized_title_ssm":["Coeducation Court Case (United States v. 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This material may not be copied or redistributed."],"bioghist_html_tesm":["\u003cp\u003eThe United States Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The United States Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally in VHS videotape format and has been converted to DVD format.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally in VHS videotape format and has been converted to DVD format."],"scopecontent_html_tesm":["\u003cp\u003eA collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. 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Researchers should contact the Archives for a viewing appointment."],"_nest_path_":"/components#2","timestamp":"2026-05-21T00:10:42.873Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_843","ead_ssi":"vilxv_repositories_3_resources_843","_root_":"vilxv_repositories_3_resources_843","_nest_parent_":"vilxv_repositories_3_resources_843","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_843.xml","title_ssm":["Office of Communications and Marketing audio and video collections"],"title_tesim":["Office of Communications and Marketing audio and video collections"],"unitdate_ssm":["1950s-[ongoing]"],"unitdate_inclusive_ssm":["1950s-[ongoing]"],"level_ssm":["collection"],"level_ssim":["Subgroup","Collection"],"unitid_ssm":["RG.05.Audio-Video","/repositories/3/resources/843"],"text":["RG.05.Audio-Video","/repositories/3/resources/843","Office of Communications and Marketing audio and video collections","There are no restrictions.","Contains copyright protected material. This material may not be copied or redistributed.","This collection is arranged chronologically by year.","VMI bugler Wilbur W. Swihart was known as \"Bill the Bugler.\" He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","The United States Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","3 copies","These DVDs have been converted to .mp4 files.","This collection was originally in VHS videotape format and has been converted to DVD format.","Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project can be found online in the  September 2013 issue of the Institute Report.","Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Includes New Market Day ceremony, parade, and bible presentation.","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI. Also includes excerpts from a panel discussion held at VMI.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC.","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke (Class of 1973) on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996. During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006). Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Events from Black History Month celebration, including Jonathan M. Daniels ceremony and panel discussion about Daniels.","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","Unveiling of the memorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama. The monument was sponsored by VMI.","Ceremony honoring Jonathan M. Daniels. Speakers include Superintendent Josiah Bunting III, E. Cabell Brand, who presents a painting and book to the Promaji Club, and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Disk 1 Content","Cadre member Cadet Anthony Peters (VMI Class of 2004) addresses incoming Rats, August 2003 Colonel Eric Hutchings Keydet Club speech, June 2000 Sergeant Major Al Hockaday addresses the VMI Class of 2004 at Breakout, February 2001 Brigadier General Alan Farrell addresses VMI Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams","Disk 2 content","Honorable Steven J. McAuliffe (VMI Class of 1970) addresses the VMI Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Honorable Julian Hirst (VMI Class of 1941) addresses the VMI Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting (VMI Class of 2001) addresses Rats of the VMI Class of 2004 during Cadre Week, August 2000 Address of Major General James Morgan, Jr. (VMI Class of 1945) at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Highlights of Coach John McKenna. Includes reflections by McKenna, his family, and Generals Bunting and Peay. Also includes footage from football games.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., and a football game. Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued). Video culminates with ceremony in Barracks courtyard.","ABC network television show \"Good Morning America.\" Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","Events of the weekend honoring football coach John McKenna.Includes members of his winning teams who returned to VMI for the event and McKenna and others speaking during celebratory dinner.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby N. Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","Video created to coincide with the dedication of Third Barracks, November 2008. It includes use of historical images from the VMI Archives along with film footage from 2008. Keith Gibson, VMI Museum director, provides some commentary.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law. The format was an interview conducted by two of her biographers. The event took place in Cameron Hall.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","Duration [02:01:02]","Duration [01:55:58]","Duration [01:20:07]","Duration [01:45:57]","Duration [01:11:15]","Duration [00:45:51]","Duration [03:34:59]","Duration [01:37:48]","Duration [00:57:26]","Duration [00:17:45]","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Item is copyright protected. Video can be viewed in person, but we do not provide copies.","This material is copyrighted and may not be reproduced. Researchers may view by making a appointment with the Archives staff.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","© April, 1994, Virginia Military Institute Research Laboratories, Inc. The user assumes all responsibility for identifying and satisfying any claimants of copyright. The VMI Archives must be cited as the source of the content in publication. Contact the VMI Archives for additional information.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.","Virginia Military Institute Archives","Virginia Military Institute. Library","Virginia Military Institute. Alumni Association","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Office of the Superintendent.","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","VMI Center for Undergraduate Research. VCUR","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Museum","Savage, Joseph L, Jr.","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Schmidt, Helmut, 1918-2015","Turman, Solon B.","Marston, Robert Q. (Robert Quarles), 1923-1999","Coffman, Michael H. (Michael Harold), 1955-","Elmore, Gay, Jr. (Otmer Gay)","Bunting, Josiah, III, 1939-","Marshall, George C. (George Catlett), 1880-1959","Heath, Edward R. G., Sir (Edward Richard George), 1916-2005","Blumenson, Martin, 1918-2005","Patton, George S. (George Smith), 1885-1945","Bennett, William J. (William John), 1943-","Walker, Sam S., 1925-2015","Marsh, John O., Jr. (John Otho), 1926-2019","DiMaggio, Joe, 1914-1999","Bush, George H. W. (George Herbert Walker), 1924-2018","Humes, James","Knapp, John W. (John Williams), 1932-","Hightower, George B. (George Bedney), 1911-?","Plunk, Terry L., 1966-1991","Thatcher, Margaret H. (Margaret Hilda), 1925-2013","Gray, Elmon T. (Elmon Taylor), 1925-2011","Ross, Bobby (Robert J.), 1936-","Powell, Colin L. (Colin Luther), 1937-2021","Cheney, Richard B. (Richard Bruce), 1941-2025","Allen, George F. (George Felix), 1952-","Patterson, Robert H., Jr.","Daniels, Jonathan M. (Jonathan Myrick), 1939-1965","Haskins, Thomas A., Jr. (Thomas Allen), 1973-","Gottwald, Thomas E.","Bryan, Charles F., Jr. (Charles Faulkner), 1946-","Peay, J. H. Binford, III, 1940-","Jackson, Stonewall, 1824-1863","Jordan, John H., Jr.","Simpson, John A., Very Reverend (John Arthur), 1933-2019","Brand, E. Cabell (Edward Cabell), 1923-2015","Gramm, William P. (William Philip), 1942-","Ambrose, Stephen E. (Stephen Edward), 1936-2002","Liddy, G. Gordon (George Gordon Battle), 1930-2021","Puller, Chesty, 1898-1971","Carter, Ronald, Jr., 1956-","Hirst, Julian F. (Julian Flavel Hirst), 1921-2005","Hutchings, Eric D. (Eric Dean)","Morgan, James M., Jr. (James Markus), 1923-2021","Farrell, Alan F., 1945-","McAuliffe, Steven J. (Steven James), 1948-","Abernathy, Donzaleigh, 1957-","McKenna, John, 1914-2007","Jones, James L., Jr. (James Logan), 1943-","Carter, James E., Jr. (James Earl), 1924-2024","Kissinger, Henry A. (Henry Alfred), 1923-2023","McCain, John, 1936-","Jumper, John P. (John Phillip), 1945-","Warner, Mark R. (Mark Robert)","Carrico, Harry L. (Harry Lee), 1916-2013","Myers, Richard B. (Richard Bowman), 1942-","Morgan, John L.","Dabney, William H. (William Howard), 1934-2012","Hammond, Leroy D.","Kaine, Timothy M. (Timothy Michael), 1958-","Young, Andrew J., Jr. (Andrew Jackson), 1932-","Sales, Ruby N. (Ruby Nell), 1948-","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Greenfield, Jeffrey H. (Jeffrey Henry), 1943-","King, Clark, 1923-2002","Gibson, Keith E.","OConnor, Sandra Day","Carter, Stephen L.","Nunn, Samuel A., Jr. (Samuel Augustus), 1938-","Luttrell, Marcus, 1975-","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr. (Frank Garrett)","Gates, Robert Michael, 1943-","Milley, Mark A. (Mark Alexander), 1958-","Ginsburg, Ruth Bader","Tsen, Meng C. (Meng Chi)","Patten, Christopher F., Lord (Christopher Francis), 1944-","Morgan, Jeffrey J. (Jeffrey John), 1957-2000","Goss, Porter J. (Porter Johnston), 1938-","Zinni, Anthony C. (Anthony Charles), 1943-","Rafferty, Christopher C. (Christopher Conrad), 1968-2006","O'Connor, Sandra Day, 1930-2023","Brent, Patrick T. (Patrick Timothy)","Stockwell, William J. (William John), 1952-2009","Evans, John A. (John Alexander), 1997-2009","Erchul, Ronald A. (Ronald Anton), 1938-2011","Mabus, Raymond E., Jr. (Raymond Edwin), 1948-","Clinton, Hillary D. R. (Hillary Diane Rodham), 1947-","Klunder, Matthew L. (Matthew Lewis), 1960-","Romney, Wilard M. (Wilard Mitt), 1947-","Slater, Thomas G., Jr.","Obama, Barack H., II (Barack Hussein), 1961-","Lippold, Kirk S., 1959-","Alter, Eric B. (Eric Bruce), ?-2014","Peters, Anthony R.","Spellman, James F., III (James Francis)","Jones, Thomas S.","Brill, William, 1931-2011","English"],"unitid_tesim":["RG.05.Audio-Video","/repositories/3/resources/843"],"normalized_title_ssm":["Office of Communications and Marketing audio and video collections"],"collection_title_tesim":["Office of Communications and Marketing audio and video collections"],"collection_ssim":["Office of Communications and Marketing audio and video collections"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"has_online_content_ssim":["false"],"extent_ssm":["ongoing items"],"extent_tesim":["ongoing items"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003clegalstatus id=\"aspace_fb226dea4d219feb4db4f0467530df52\"\u003eContains copyright protected material. This material may not be copied or redistributed.\u003c/legalstatus\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions.","Contains copyright protected material. This material may not be copied or redistributed."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically by year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically by year."],"bioghist_html_tesm":["\u003cp\u003eVMI bugler Wilbur W. Swihart was known as \"Bill the Bugler.\" He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.\u003c/p\u003e","\u003cp\u003eThis was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.\u003c/p\u003e","\u003cp\u003eThe United States Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["VMI bugler Wilbur W. Swihart was known as \"Bill the Bugler.\" He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","The United States Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997."],"odd_html_tesm":["\u003cp\u003e3 copies\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["3 copies"],"processinfo_html_tesm":["\u003cp\u003eThese DVDs have been converted to .mp4 files.\u003c/p\u003e","\u003cp\u003eThis collection was originally in VHS videotape format and has been converted to DVD format.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["These DVDs have been converted to .mp4 files.","This collection was originally in VHS videotape format and has been converted to DVD format."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll7/id/4201\"\u003ePhotograph of Ambassador Young receiving the Daniels Award\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eBackground information about the Tick Rover Robot project can be found online in the \u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll1/id/3097\"\u003eSeptember 2013 issue of the Institute Report.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Photograph","Related Materials"],"relatedmaterial_tesim":["Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project can be found online in the  September 2013 issue of the Institute Report."],"scopecontent_html_tesm":["\u003cp\u003eIncludes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939\u003c/p\u003e","\u003cp\u003eIncludes New Market Day ceremony, parade, and bible presentation.\u003c/p\u003e","\u003cp\u003eLocal PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI. Also includes excerpts from a panel discussion held at VMI.\u003c/p\u003e","\u003cp\u003eIncludes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.\u003c/p\u003e","\u003cp\u003eGood Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC.\u003c/p\u003e","\u003cp\u003eAddress to the Friends of Preston Library by VMI alumnus Michael A. Burke (Class of 1973) on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.\u003c/p\u003e","\u003cp\u003eIn December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996. During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006). Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.\u003c/p\u003e","\u003cp\u003eEvents from Black History Month celebration, including Jonathan M. Daniels ceremony and panel discussion about Daniels.\u003c/p\u003e","\u003cp\u003eOrientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.\u003c/p\u003e","\u003cp\u003eUnveiling of the memorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama. The monument was sponsored by VMI.\u003c/p\u003e","\u003cp\u003eCeremony honoring Jonathan M. Daniels. Speakers include Superintendent Josiah Bunting III, E. Cabell Brand, who presents a painting and book to the Promaji Club, and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.\u003c/p\u003e","\u003cp\u003eDisk 1 Content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eCadre member Cadet Anthony Peters (VMI Class of 2004) addresses incoming Rats, August 2003\u003c/item\u003e\u003citem\u003eColonel Eric Hutchings Keydet Club speech, June 2000\u003c/item\u003e\u003citem\u003eSergeant Major Al Hockaday addresses the VMI Class of 2004 at Breakout, February 2001\u003c/item\u003e\u003citem\u003eBrigadier General Alan Farrell addresses VMI Class of 2005 at their Ring Figure dinner, November 2004\u003c/item\u003e\u003citem\u003eAddress by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eDisk 2 content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eHonorable Steven J. McAuliffe (VMI Class of 1970) addresses the VMI Class of 1994 at their Ring presentation, 2003\u003c/item\u003e\u003citem\u003eAddress by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004\u003c/item\u003e\u003citem\u003eHonorable Julian Hirst (VMI Class of 1941) addresses the VMI Class of 1941 at their 50th reunion, April 1991\u003c/item\u003e\u003citem\u003eCadet Charles Bunting (VMI Class of 2001) addresses Rats of the VMI Class of 2004 during Cadre Week, August 2000\u003c/item\u003e\u003citem\u003eAddress of Major General James Morgan, Jr. (VMI Class of 1945) at the dedication of the Jackson Hope Medal Memorial, May 15, 2003\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eHighlights of Coach John McKenna. Includes reflections by McKenna, his family, and Generals Bunting and Peay. Also includes footage from football games.\u003c/p\u003e","\u003cp\u003eOfficial breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., and a football game. Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued). Video culminates with ceremony in Barracks courtyard.\u003c/p\u003e","\u003cp\u003eABC network television show \"Good Morning America.\" Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.\u003c/p\u003e","\u003cp\u003eNews conference held at VMI, introducing General Peay as VMI's 14th Superintendent.\u003c/p\u003e","\u003cp\u003eEvents of the weekend honoring football coach John McKenna.Includes members of his winning teams who returned to VMI for the event and McKenna and others speaking during celebratory dinner.\u003c/p\u003e","\u003cp\u003eVideo of speech about Civil Rights activist Jonathan M. Daniels by Ruby N. Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.\u003c/p\u003e","\u003cp\u003eThis collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.\u003c/p\u003e","\u003cp\u003eVideo created to coincide with the dedication of Third Barracks, November 2008. It includes use of historical images from the VMI Archives along with film footage from 2008. Keith Gibson, VMI Museum director, provides some commentary.\u003c/p\u003e","\u003cp\u003eNews videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.\u003c/p\u003e","\u003cp\u003eSupreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law. The format was an interview conducted by two of her biographers. The event took place in Cameron Hall.\u003c/p\u003e","\u003cp\u003eThis collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.\u003c/p\u003e","\u003cp\u003eDuration [00:08:13]\u003c/p\u003e","\u003cp\u003eDuration [00:28:27]; Produced by William Henricks Associates\u003c/p\u003e","\u003cp\u003eDuration [01:28:26]\u003c/p\u003e","\u003cp\u003eDuration [02:01:02]\u003c/p\u003e","\u003cp\u003eDuration [01:55:58]\u003c/p\u003e","\u003cp\u003eDuration [01:20:07]\u003c/p\u003e","\u003cp\u003eDuration [01:45:57]\u003c/p\u003e","\u003cp\u003eDuration [01:11:15]\u003c/p\u003e","\u003cp\u003eDuration [00:45:51]\u003c/p\u003e","\u003cp\u003eDuration [03:34:59]\u003c/p\u003e","\u003cp\u003eDuration [01:37:48]\u003c/p\u003e","\u003cp\u003eDuration [00:57:26]\u003c/p\u003e","\u003cp\u003eDuration [00:17:45]\u003c/p\u003e","\u003cp\u003eA collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Includes New Market Day ceremony, parade, and bible presentation.","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI. Also includes excerpts from a panel discussion held at VMI.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC.","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke (Class of 1973) on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996. During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006). Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Events from Black History Month celebration, including Jonathan M. Daniels ceremony and panel discussion about Daniels.","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","Unveiling of the memorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama. The monument was sponsored by VMI.","Ceremony honoring Jonathan M. Daniels. Speakers include Superintendent Josiah Bunting III, E. Cabell Brand, who presents a painting and book to the Promaji Club, and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Disk 1 Content","Cadre member Cadet Anthony Peters (VMI Class of 2004) addresses incoming Rats, August 2003 Colonel Eric Hutchings Keydet Club speech, June 2000 Sergeant Major Al Hockaday addresses the VMI Class of 2004 at Breakout, February 2001 Brigadier General Alan Farrell addresses VMI Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams","Disk 2 content","Honorable Steven J. McAuliffe (VMI Class of 1970) addresses the VMI Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Honorable Julian Hirst (VMI Class of 1941) addresses the VMI Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting (VMI Class of 2001) addresses Rats of the VMI Class of 2004 during Cadre Week, August 2000 Address of Major General James Morgan, Jr. (VMI Class of 1945) at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Highlights of Coach John McKenna. Includes reflections by McKenna, his family, and Generals Bunting and Peay. Also includes footage from football games.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., and a football game. Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued). Video culminates with ceremony in Barracks courtyard.","ABC network television show \"Good Morning America.\" Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","Events of the weekend honoring football coach John McKenna.Includes members of his winning teams who returned to VMI for the event and McKenna and others speaking during celebratory dinner.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby N. Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","Video created to coincide with the dedication of Third Barracks, November 2008. It includes use of historical images from the VMI Archives along with film footage from 2008. Keith Gibson, VMI Museum director, provides some commentary.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law. The format was an interview conducted by two of her biographers. The event took place in Cameron Hall.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","Duration [02:01:02]","Duration [01:55:58]","Duration [01:20:07]","Duration [01:45:57]","Duration [01:11:15]","Duration [00:45:51]","Duration [03:34:59]","Duration [01:37:48]","Duration [00:57:26]","Duration [00:17:45]","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news."],"userestrict_html_tesm":["\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eItem is copyright protected. Video can be viewed in person, but we do not provide copies.\u003c/p\u003e","\u003cp\u003eThis material is copyrighted and may not be reproduced. Researchers may view by making a appointment with the Archives staff.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003e© April, 1994, Virginia Military Institute Research Laboratories, Inc. The user assumes all responsibility for identifying and satisfying any claimants of copyright. The VMI Archives must be cited as the source of the content in publication. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eThis collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Item is copyright protected. Video can be viewed in person, but we do not provide copies.","This material is copyrighted and may not be reproduced. Researchers may view by making a appointment with the Archives staff.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","© April, 1994, Virginia Military Institute Research Laboratories, Inc. The user assumes all responsibility for identifying and satisfying any claimants of copyright. The VMI Archives must be cited as the source of the content in publication. Contact the VMI Archives for additional information.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment."],"names_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Library","Virginia Military Institute. Alumni Association","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Office of the Superintendent.","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","VMI Center for Undergraduate Research. VCUR","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Museum","Savage, Joseph L, Jr.","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Schmidt, Helmut, 1918-2015","Turman, Solon B.","Marston, Robert Q. (Robert Quarles), 1923-1999","Coffman, Michael H. (Michael Harold), 1955-","Elmore, Gay, Jr. (Otmer Gay)","Bunting, Josiah, III, 1939-","Marshall, George C. (George Catlett), 1880-1959","Heath, Edward R. G., Sir (Edward Richard George), 1916-2005","Blumenson, Martin, 1918-2005","Patton, George S. (George Smith), 1885-1945","Bennett, William J. (William John), 1943-","Walker, Sam S., 1925-2015","Marsh, John O., Jr. (John Otho), 1926-2019","DiMaggio, Joe, 1914-1999","Bush, George H. W. (George Herbert Walker), 1924-2018","Humes, James","Knapp, John W. (John Williams), 1932-","Hightower, George B. (George Bedney), 1911-?","Plunk, Terry L., 1966-1991","Thatcher, Margaret H. (Margaret Hilda), 1925-2013","Gray, Elmon T. (Elmon Taylor), 1925-2011","Ross, Bobby (Robert J.), 1936-","Powell, Colin L. (Colin Luther), 1937-2021","Cheney, Richard B. (Richard Bruce), 1941-2025","Allen, George F. (George Felix), 1952-","Patterson, Robert H., Jr.","Daniels, Jonathan M. (Jonathan Myrick), 1939-1965","Haskins, Thomas A., Jr. (Thomas Allen), 1973-","Gottwald, Thomas E.","Bryan, Charles F., Jr. (Charles Faulkner), 1946-","Peay, J. H. Binford, III, 1940-","Jackson, Stonewall, 1824-1863","Jordan, John H., Jr.","Simpson, John A., Very Reverend (John Arthur), 1933-2019","Brand, E. Cabell (Edward Cabell), 1923-2015","Gramm, William P. (William Philip), 1942-","Ambrose, Stephen E. (Stephen Edward), 1936-2002","Liddy, G. Gordon (George Gordon Battle), 1930-2021","Puller, Chesty, 1898-1971","Carter, Ronald, Jr., 1956-","Hirst, Julian F. (Julian Flavel Hirst), 1921-2005","Hutchings, Eric D. (Eric Dean)","Morgan, James M., Jr. (James Markus), 1923-2021","Farrell, Alan F., 1945-","McAuliffe, Steven J. (Steven James), 1948-","Abernathy, Donzaleigh, 1957-","McKenna, John, 1914-2007","Jones, James L., Jr. (James Logan), 1943-","Carter, James E., Jr. (James Earl), 1924-2024","Kissinger, Henry A. (Henry Alfred), 1923-2023","McCain, John, 1936-","Jumper, John P. (John Phillip), 1945-","Warner, Mark R. (Mark Robert)","Carrico, Harry L. (Harry Lee), 1916-2013","Myers, Richard B. (Richard Bowman), 1942-","Morgan, John L.","Dabney, William H. (William Howard), 1934-2012","Hammond, Leroy D.","Kaine, Timothy M. (Timothy Michael), 1958-","Young, Andrew J., Jr. (Andrew Jackson), 1932-","Sales, Ruby N. (Ruby Nell), 1948-","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Greenfield, Jeffrey H. (Jeffrey Henry), 1943-","King, Clark, 1923-2002","Gibson, Keith E.","OConnor, Sandra Day","Carter, Stephen L.","Nunn, Samuel A., Jr. (Samuel Augustus), 1938-","Luttrell, Marcus, 1975-","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr. (Frank Garrett)","Gates, Robert Michael, 1943-","Milley, Mark A. (Mark Alexander), 1958-","Ginsburg, Ruth Bader","Tsen, Meng C. (Meng Chi)","Patten, Christopher F., Lord (Christopher Francis), 1944-","Morgan, Jeffrey J. (Jeffrey John), 1957-2000","Goss, Porter J. (Porter Johnston), 1938-","Zinni, Anthony C. (Anthony Charles), 1943-","Rafferty, Christopher C. (Christopher Conrad), 1968-2006","O'Connor, Sandra Day, 1930-2023","Brent, Patrick T. (Patrick Timothy)","Stockwell, William J. (William John), 1952-2009","Evans, John A. (John Alexander), 1997-2009","Erchul, Ronald A. (Ronald Anton), 1938-2011","Mabus, Raymond E., Jr. (Raymond Edwin), 1948-","Clinton, Hillary D. R. (Hillary Diane Rodham), 1947-","Klunder, Matthew L. (Matthew Lewis), 1960-","Romney, Wilard M. (Wilard Mitt), 1947-","Slater, Thomas G., Jr.","Obama, Barack H., II (Barack Hussein), 1961-","Lippold, Kirk S., 1959-","Alter, Eric B. (Eric Bruce), ?-2014","Peters, Anthony R.","Spellman, James F., III (James Francis)","Jones, Thomas S.","Brill, William, 1931-2011"],"corpname_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Library","Virginia Military Institute. Alumni Association","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Office of the Superintendent.","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","VMI Center for Undergraduate Research. VCUR","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Museum"],"persname_ssim":["Savage, Joseph L, Jr.","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Schmidt, Helmut, 1918-2015","Turman, Solon B.","Marston, Robert Q. (Robert Quarles), 1923-1999","Coffman, Michael H. (Michael Harold), 1955-","Elmore, Gay, Jr. (Otmer Gay)","Bunting, Josiah, III, 1939-","Marshall, George C. (George Catlett), 1880-1959","Heath, Edward R. G., Sir (Edward Richard George), 1916-2005","Blumenson, Martin, 1918-2005","Patton, George S. (George Smith), 1885-1945","Bennett, William J. (William John), 1943-","Walker, Sam S., 1925-2015","Marsh, John O., Jr. (John Otho), 1926-2019","DiMaggio, Joe, 1914-1999","Bush, George H. W. (George Herbert Walker), 1924-2018","Humes, James","Knapp, John W. (John Williams), 1932-","Hightower, George B. (George Bedney), 1911-?","Plunk, Terry L., 1966-1991","Thatcher, Margaret H. (Margaret Hilda), 1925-2013","Gray, Elmon T. (Elmon Taylor), 1925-2011","Ross, Bobby (Robert J.), 1936-","Powell, Colin L. (Colin Luther), 1937-2021","Cheney, Richard B. (Richard Bruce), 1941-2025","Allen, George F. (George Felix), 1952-","Patterson, Robert H., Jr.","Daniels, Jonathan M. (Jonathan Myrick), 1939-1965","Haskins, Thomas A., Jr. (Thomas Allen), 1973-","Gottwald, Thomas E.","Bryan, Charles F., Jr. (Charles Faulkner), 1946-","Peay, J. H. Binford, III, 1940-","Jackson, Stonewall, 1824-1863","Jordan, John H., Jr.","Simpson, John A., Very Reverend (John Arthur), 1933-2019","Brand, E. Cabell (Edward Cabell), 1923-2015","Gramm, William P. (William Philip), 1942-","Ambrose, Stephen E. (Stephen Edward), 1936-2002","Liddy, G. Gordon (George Gordon Battle), 1930-2021","Puller, Chesty, 1898-1971","Carter, Ronald, Jr., 1956-","Hirst, Julian F. (Julian Flavel Hirst), 1921-2005","Hutchings, Eric D. (Eric Dean)","Morgan, James M., Jr. (James Markus), 1923-2021","Farrell, Alan F., 1945-","McAuliffe, Steven J. (Steven James), 1948-","Abernathy, Donzaleigh, 1957-","McKenna, John, 1914-2007","Jones, James L., Jr. (James Logan), 1943-","Carter, James E., Jr. (James Earl), 1924-2024","Kissinger, Henry A. (Henry Alfred), 1923-2023","McCain, John, 1936-","Jumper, John P. (John Phillip), 1945-","Warner, Mark R. (Mark Robert)","Carrico, Harry L. (Harry Lee), 1916-2013","Myers, Richard B. (Richard Bowman), 1942-","Morgan, John L.","Dabney, William H. (William Howard), 1934-2012","Hammond, Leroy D.","Kaine, Timothy M. (Timothy Michael), 1958-","Young, Andrew J., Jr. (Andrew Jackson), 1932-","Sales, Ruby N. (Ruby Nell), 1948-","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Greenfield, Jeffrey H. (Jeffrey Henry), 1943-","King, Clark, 1923-2002","Gibson, Keith E.","OConnor, Sandra Day","Carter, Stephen L.","Nunn, Samuel A., Jr. (Samuel Augustus), 1938-","Luttrell, Marcus, 1975-","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr. (Frank Garrett)","Gates, Robert Michael, 1943-","Milley, Mark A. (Mark Alexander), 1958-","Ginsburg, Ruth Bader","Tsen, Meng C. (Meng Chi)","Patten, Christopher F., Lord (Christopher Francis), 1944-","Morgan, Jeffrey J. (Jeffrey John), 1957-2000","Goss, Porter J. (Porter Johnston), 1938-","Zinni, Anthony C. (Anthony Charles), 1943-","Rafferty, Christopher C. (Christopher Conrad), 1968-2006","O'Connor, Sandra Day, 1930-2023","Brent, Patrick T. (Patrick Timothy)","Stockwell, William J. (William John), 1952-2009","Evans, John A. (John Alexander), 1997-2009","Erchul, Ronald A. (Ronald Anton), 1938-2011","Mabus, Raymond E., Jr. (Raymond Edwin), 1948-","Clinton, Hillary D. R. (Hillary Diane Rodham), 1947-","Klunder, Matthew L. (Matthew Lewis), 1960-","Romney, Wilard M. (Wilard Mitt), 1947-","Slater, Thomas G., Jr.","Obama, Barack H., II (Barack Hussein), 1961-","Lippold, Kirk S., 1959-","Alter, Eric B. (Eric Bruce), ?-2014","Peters, Anthony R.","Spellman, James F., III (James Francis)","Jones, Thomas S.","Brill, William, 1931-2011"],"language_ssim":["English"],"total_component_count_is":619,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:10:42.873Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_843_c03"}},{"id":"viw_repositories_2_resources_511","type":"collection","attributes":{"title":"David Brown Collection","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_511#creator","type":"document_value","attributes":{"value":"Brown, David M., 1956-2003","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_511#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains material related to David Brown's education at the College of William and Mary and his career in the Navy and NASA. It also contains material related specifically to the public promotion, research, operation, and remembrance of the space shuttle Columbia and its crew. The materials consist of photographs, articles, publications, news clippings, correspondence, and pamphlets, as well as artifacts such as patches, pins, coins, and decals. There are also CDs and DVDs regarding the shuttle mission. Larger artifacts include David Brown's Navy uniform and flight suit, his letterman jacket, a watercolor of the space shuttle and Brown's William and Mary blanket.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_511#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_511","ead_ssi":"viw_repositories_2_resources_511","_root_":"viw_repositories_2_resources_511","_nest_parent_":"viw_repositories_2_resources_511","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_511.xml","title_filing_ssi":"Brown, David, Collection","title_ssm":["David Brown Collection"],"title_tesim":["David Brown Collection"],"unitdate_ssm":["1969-2006","1999-2003"],"unitdate_bulk_ssim":["1999-2003"],"unitdate_inclusive_ssm":["1969-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.061","/repositories/2/resources/511"],"text":["UA 5.061","/repositories/2/resources/511","David Brown Collection","Astronauts--United States","Athletics--Gymnastics","College of William and Mary--Students","Space flights","Space shuttles--Accidents--United States","Space shuttles--United States","DVDs","Lapel Pins","Photographs","Publications","This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged into the following series: Education and Biographical Materials; STS-107 Columbia Mission, Publicity and Memorials; and Columbia Mission Maintenance and Training Manuals.","David Brown, a native of Virginia, received his B.S. in biology from William and Mary in 1978. During his four years as an undergraduate, he served as a resident adviser and was active on the gymnastics squad as a four year letterman. He was also a member of Pi Sigma and participated in Project Plus, an innovative educational program which led to coed housing on campus. Brown obtained his doctorate in medicine from Eastern Virginia Medical School in 1982. He then joined the Navy and became a flight surgeon, training as a pilot and naval aviator. In 1996 he was selected by NASA to train as an astronaut. Brown returned to William and Mary to share some of his insights as convocation speaker in 2002. He then became the first William and Mary alumnus to fly into space as a member of the STS-107 Columbia research mission in January, 2003. Tragically, he and his fellow crew members lost their lives upon the shuttle's reentry to Earth. In honor of his achievements, he was posthumously awarded the William and Mary Alumni Association's Award and the athletics department established the Dave Brown Memorial Endowment for scholar-athletes in his honor."," For more information regarding David Brown's life and career, see the official NASA website:  . Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","A gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155.","This collection contains material related to David Brown's education at the College of William and Mary and his career in the Navy and NASA. It also contains material related specifically to the public promotion, research, operation, and remembrance of the space shuttle Columbia and its crew. The materials consist of photographs, articles, publications, news clippings, correspondence, and pamphlets, as well as artifacts such as patches, pins, coins, and decals. There are also CDs and DVDs regarding the shuttle mission. Larger artifacts include David Brown's Navy uniform and flight suit, his letterman jacket, a watercolor of the space shuttle and Brown's William and Mary blanket.","This series includes material related to David Brown's student years including at the College of William and Mary and his career in the U.S. Navy and NASA. Materials include articles, invitations, and William and Mary publications. Artifacts include Brown's William and Mary blanket as well as his navy uniform, flight suit, and letterman jacket.","A pin is affixed to the blanket. Dimensions: 60\" W by 68\" H; stored rolled","NASA Flight Suit, dark blue cotton used during speaking engagements with the public. In 1996, NASA issued the suit to David Brown, who was part of Group 16, the largest cohort of astronauts to that time.","Patch on the right chest is a NASA patch. On the left chest is a leather patch printed with a gold image of naval aviator wings and \"D. M. Brown / LCDR USNR\" also in gold print. U.S. flag patch on the left shoulder and a patch for Astronaut Group 16 on the right shoulder.","Khaki green naval flight suit with triangular patch \"United States Naval Strike Warfare Center\" and rectangular ID patch \"Dave Brown / Naval Strike Warefare Center\" with Alaskan flag pin affixed in the upper right corner.","This series includes material related to the launch, flight, and loss of the space shuttle Columbia. The material consists of publications, correspondence, articles, and memorials. Artifacts include CDs, DVDs, decals, patches, and commemorative coins and pins.","The astronauts listened to this album during their mission. It was later dedicated to them.","NOTE: 2 copies are in the collection.","NOTE: This item is a companion to the book by the same name, which can be located in the library catalog.","This decal is the offical NASA logo. Dimensions: 4.75\"X4\" Condition: Excellent","This decal is the official STS-107 mission emblem with the names of the astronauts included on it. There are two in the collection. Dimensions: 4\"X5\" Condition: Excellent","This decal is the emblem of the NASA Fundamental Biology Program. Dimensions: 4.75\"X3\" Condition: Excellent","This decal is the emblem of the astronaut class of 1996. Dimensions: 4\"X4\" Condition: Excellent","This decal is the group motto: \"For Sardines Space is No Problem.\" Dimensions: 3\"X3\" Condition: Excellent","This patch is the official STS-107 mission logo. There are two in the collection. Dimensions: 3.5\"X5\" Condition:Excellent","This decal is the logo of astronaut class 1996. Dimensions: 4\"X4\" Condition: Excellent","This decal is a memorial patch for the crew. Dimensions: 3.5\"X5\" Condition: Excellent","Launch Guest Pin","Space Flight Awareness Pin","Official commemorative coin set in a decorated plastic box.","Novelty coin with STS-107 logo","Columbia memorial pin designed by the Space Shuttle Children's Trust Fund.","STS-107 crew memorial coin sealed in plastic. There are two in the collection.","Memorial ribbon pin.","Official logo of the STS-107 mission. There are two in the collection.","This series includes training and operational manuals for the Columbia shuttle mission, a schedule of daily activities, notes regarding pre-flight activities, personnel books, and flight checklists.","David Brown's 1975-1976 Colonial Echo yearbooks from William and Mary are housed separately from other portions of the collection. Lastly, Philip Chien's autographed book Columbia Final Voyage: The Last Flight of NASA's First Space Shuttle is housed separately from this collection in the University Archives book collection and can be found in the library's online catalog."," A gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary--Alumni and alumnae","Columbia (Spacecraft)","Space Shuttle Program (U.S.)","Brown, David M., 1956-2003","English"],"unitid_tesim":["UA 5.061","/repositories/2/resources/511"],"normalized_title_ssm":["David Brown Collection"],"collection_title_tesim":["David Brown Collection"],"collection_ssim":["David Brown Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Brown, David M., 1956-2003"],"creator_ssim":["Brown, David M., 1956-2003"],"creator_persname_ssim":["Brown, David M., 1956-2003"],"creators_ssim":["Brown, David M., 1956-2003"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Items received from Douglas Brown, 2004; items received 4/28/2006 from Fred Ward; items received from Cliff Gauthier."],"access_subjects_ssim":["Astronauts--United States","Athletics--Gymnastics","College of William and Mary--Students","Space flights","Space shuttles--Accidents--United States","Space shuttles--United States","DVDs","Lapel Pins","Photographs","Publications"],"access_subjects_ssm":["Astronauts--United States","Athletics--Gymnastics","College of William and Mary--Students","Space flights","Space shuttles--Accidents--United States","Space shuttles--United States","DVDs","Lapel Pins","Photographs","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet"],"extent_tesim":["1.25 Linear Feet"],"genreform_ssim":["DVDs","Lapel Pins","Photographs","Publications"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged into the following series: Education and Biographical Materials; STS-107 Columbia Mission, Publicity and Memorials; and Columbia Mission Maintenance and Training Manuals.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged into the following series: Education and Biographical Materials; STS-107 Columbia Mission, Publicity and Memorials; and Columbia Mission Maintenance and Training Manuals."],"bioghist_html_tesm":["\u003cp\u003eDavid Brown, a native of Virginia, received his B.S. in biology from William and Mary in 1978. During his four years as an undergraduate, he served as a resident adviser and was active on the gymnastics squad as a four year letterman. He was also a member of Pi Sigma and participated in Project Plus, an innovative educational program which led to coed housing on campus. Brown obtained his doctorate in medicine from Eastern Virginia Medical School in 1982. He then joined the Navy and became a flight surgeon, training as a pilot and naval aviator. In 1996 he was selected by NASA to train as an astronaut. Brown returned to William and Mary to share some of his insights as convocation speaker in 2002. He then became the first William and Mary alumnus to fly into space as a member of the STS-107 Columbia research mission in January, 2003. Tragically, he and his fellow crew members lost their lives upon the shuttle's reentry to Earth. In honor of his achievements, he was posthumously awarded the William and Mary Alumni Association's Award and the athletics department established the Dave Brown Memorial Endowment for scholar-athletes in his honor.\u003c/p\u003e\n","\u003cp\u003e For more information regarding David Brown's life and career, see the official NASA website: \u003cextref href=\"http://www.jsc.nasa.gov/Bios/htmlbios/brown.html\" title=\"brown.html\"\u003e\u003c/extref\u003e. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/David_M._Brown\" title=\"David M. Brown\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["David Brown, a native of Virginia, received his B.S. in biology from William and Mary in 1978. During his four years as an undergraduate, he served as a resident adviser and was active on the gymnastics squad as a four year letterman. He was also a member of Pi Sigma and participated in Project Plus, an innovative educational program which led to coed housing on campus. Brown obtained his doctorate in medicine from Eastern Virginia Medical School in 1982. He then joined the Navy and became a flight surgeon, training as a pilot and naval aviator. In 1996 he was selected by NASA to train as an astronaut. Brown returned to William and Mary to share some of his insights as convocation speaker in 2002. He then became the first William and Mary alumnus to fly into space as a member of the STS-107 Columbia research mission in January, 2003. Tragically, he and his fellow crew members lost their lives upon the shuttle's reentry to Earth. In honor of his achievements, he was posthumously awarded the William and Mary Alumni Association's Award and the athletics department established the Dave Brown Memorial Endowment for scholar-athletes in his honor."," For more information regarding David Brown's life and career, see the official NASA website:  . Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eDavid Brown Collection, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["David Brown Collection, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eA gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["A gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material related to David Brown's education at the College of William and Mary and his career in the Navy and NASA. It also contains material related specifically to the public promotion, research, operation, and remembrance of the space shuttle Columbia and its crew. The materials consist of photographs, articles, publications, news clippings, correspondence, and pamphlets, as well as artifacts such as patches, pins, coins, and decals. There are also CDs and DVDs regarding the shuttle mission. Larger artifacts include David Brown's Navy uniform and flight suit, his letterman jacket, a watercolor of the space shuttle and Brown's William and Mary blanket.\u003c/p\u003e","\u003cp\u003eThis series includes material related to David Brown's student years including at the College of William and Mary and his career in the U.S. Navy and NASA. Materials include articles, invitations, and William and Mary publications. Artifacts include Brown's William and Mary blanket as well as his navy uniform, flight suit, and letterman jacket.\u003c/p\u003e","\u003cp\u003eA pin is affixed to the blanket. Dimensions: 60\" W by 68\" H; stored rolled\u003c/p\u003e","\u003cp\u003eNASA Flight Suit, dark blue cotton used during speaking engagements with the public. In 1996, NASA issued the suit to David Brown, who was part of Group 16, the largest cohort of astronauts to that time.\u003c/p\u003e\n","\u003cp\u003ePatch on the right chest is a NASA patch. On the left chest is a leather patch printed with a gold image of naval aviator wings and \"D. M. Brown / LCDR USNR\" also in gold print. U.S. flag patch on the left shoulder and a patch for Astronaut Group 16 on the right shoulder.\u003c/p\u003e","\u003cp\u003eKhaki green naval flight suit with triangular patch \"United States Naval Strike Warfare Center\" and rectangular ID patch \"Dave Brown / Naval Strike Warefare Center\" with Alaskan flag pin affixed in the upper right corner.\u003c/p\u003e","\u003cp\u003eThis series includes material related to the launch, flight, and loss of the space shuttle Columbia. The material consists of publications, correspondence, articles, and memorials. Artifacts include CDs, DVDs, decals, patches, and commemorative coins and pins.\u003c/p\u003e","\u003cp\u003eThe astronauts listened to this album during their mission. It was later dedicated to them.\u003c/p\u003e","\u003cp\u003eNOTE: 2 copies are in the collection.\u003c/p\u003e","\u003cp\u003eNOTE: This item is a companion to the book by the same name, which can be located in the library catalog.\u003c/p\u003e","\u003cp\u003eThis decal is the offical NASA logo. Dimensions: 4.75\"X4\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis decal is the official STS-107 mission emblem with the names of the astronauts included on it. There are two in the collection. Dimensions: 4\"X5\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis decal is the emblem of the NASA Fundamental Biology Program. Dimensions: 4.75\"X3\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis decal is the emblem of the astronaut class of 1996. Dimensions: 4\"X4\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis decal is the group motto: \"For Sardines Space is No Problem.\" Dimensions: 3\"X3\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis patch is the official STS-107 mission logo. There are two in the collection. Dimensions: 3.5\"X5\" Condition:Excellent\u003c/p\u003e","\u003cp\u003eThis decal is the logo of astronaut class 1996. Dimensions: 4\"X4\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis decal is a memorial patch for the crew. Dimensions: 3.5\"X5\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eLaunch Guest Pin\u003c/p\u003e","\u003cp\u003eSpace Flight Awareness Pin\u003c/p\u003e","\u003cp\u003eOfficial commemorative coin set in a decorated plastic box.\u003c/p\u003e","\u003cp\u003eNovelty coin with STS-107 logo\u003c/p\u003e","\u003cp\u003eColumbia memorial pin designed by the Space Shuttle Children's Trust Fund.\u003c/p\u003e","\u003cp\u003eSTS-107 crew memorial coin sealed in plastic. There are two in the collection.\u003c/p\u003e","\u003cp\u003eMemorial ribbon pin.\u003c/p\u003e","\u003cp\u003eOfficial logo of the STS-107 mission. There are two in the collection.\u003c/p\u003e","\u003cp\u003eThis series includes training and operational manuals for the Columbia shuttle mission, a schedule of daily activities, notes regarding pre-flight activities, personnel books, and flight checklists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains material related to David Brown's education at the College of William and Mary and his career in the Navy and NASA. It also contains material related specifically to the public promotion, research, operation, and remembrance of the space shuttle Columbia and its crew. The materials consist of photographs, articles, publications, news clippings, correspondence, and pamphlets, as well as artifacts such as patches, pins, coins, and decals. There are also CDs and DVDs regarding the shuttle mission. Larger artifacts include David Brown's Navy uniform and flight suit, his letterman jacket, a watercolor of the space shuttle and Brown's William and Mary blanket.","This series includes material related to David Brown's student years including at the College of William and Mary and his career in the U.S. Navy and NASA. Materials include articles, invitations, and William and Mary publications. Artifacts include Brown's William and Mary blanket as well as his navy uniform, flight suit, and letterman jacket.","A pin is affixed to the blanket. Dimensions: 60\" W by 68\" H; stored rolled","NASA Flight Suit, dark blue cotton used during speaking engagements with the public. In 1996, NASA issued the suit to David Brown, who was part of Group 16, the largest cohort of astronauts to that time.","Patch on the right chest is a NASA patch. On the left chest is a leather patch printed with a gold image of naval aviator wings and \"D. M. Brown / LCDR USNR\" also in gold print. U.S. flag patch on the left shoulder and a patch for Astronaut Group 16 on the right shoulder.","Khaki green naval flight suit with triangular patch \"United States Naval Strike Warfare Center\" and rectangular ID patch \"Dave Brown / Naval Strike Warefare Center\" with Alaskan flag pin affixed in the upper right corner.","This series includes material related to the launch, flight, and loss of the space shuttle Columbia. The material consists of publications, correspondence, articles, and memorials. Artifacts include CDs, DVDs, decals, patches, and commemorative coins and pins.","The astronauts listened to this album during their mission. It was later dedicated to them.","NOTE: 2 copies are in the collection.","NOTE: This item is a companion to the book by the same name, which can be located in the library catalog.","This decal is the offical NASA logo. Dimensions: 4.75\"X4\" Condition: Excellent","This decal is the official STS-107 mission emblem with the names of the astronauts included on it. There are two in the collection. Dimensions: 4\"X5\" Condition: Excellent","This decal is the emblem of the NASA Fundamental Biology Program. Dimensions: 4.75\"X3\" Condition: Excellent","This decal is the emblem of the astronaut class of 1996. Dimensions: 4\"X4\" Condition: Excellent","This decal is the group motto: \"For Sardines Space is No Problem.\" Dimensions: 3\"X3\" Condition: Excellent","This patch is the official STS-107 mission logo. There are two in the collection. Dimensions: 3.5\"X5\" Condition:Excellent","This decal is the logo of astronaut class 1996. Dimensions: 4\"X4\" Condition: Excellent","This decal is a memorial patch for the crew. Dimensions: 3.5\"X5\" Condition: Excellent","Launch Guest Pin","Space Flight Awareness Pin","Official commemorative coin set in a decorated plastic box.","Novelty coin with STS-107 logo","Columbia memorial pin designed by the Space Shuttle Children's Trust Fund.","STS-107 crew memorial coin sealed in plastic. There are two in the collection.","Memorial ribbon pin.","Official logo of the STS-107 mission. There are two in the collection.","This series includes training and operational manuals for the Columbia shuttle mission, a schedule of daily activities, notes regarding pre-flight activities, personnel books, and flight checklists."],"separatedmaterial_html_tesm":["\u003cp\u003eDavid Brown's 1975-1976 Colonial Echo yearbooks from William and Mary are housed separately from other portions of the collection. Lastly, Philip Chien's autographed book Columbia Final Voyage: The Last Flight of NASA's First Space Shuttle is housed separately from this collection in the University Archives book collection and can be found in the library's online catalog.\u003c/p\u003e\n","\u003cp\u003e A gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["David Brown's 1975-1976 Colonial Echo yearbooks from William and Mary are housed separately from other portions of the collection. Lastly, Philip Chien's autographed book Columbia Final Voyage: The Last Flight of NASA's First Space Shuttle is housed separately from this collection in the University Archives book collection and can be found in the library's online catalog."," A gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Alumni and alumnae","Columbia (Spacecraft)","Space Shuttle Program (U.S.)"],"names_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae","Columbia (Spacecraft)","Space Shuttle Program (U.S.)","Brown, David M., 1956-2003"],"corpname_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae","Columbia (Spacecraft)","Space Shuttle Program (U.S.)"],"persname_ssim":["Brown, David M., 1956-2003"],"language_ssim":["English"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:26:00.258Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_511","ead_ssi":"viw_repositories_2_resources_511","_root_":"viw_repositories_2_resources_511","_nest_parent_":"viw_repositories_2_resources_511","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_511.xml","title_filing_ssi":"Brown, David, Collection","title_ssm":["David Brown Collection"],"title_tesim":["David Brown Collection"],"unitdate_ssm":["1969-2006","1999-2003"],"unitdate_bulk_ssim":["1999-2003"],"unitdate_inclusive_ssm":["1969-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.061","/repositories/2/resources/511"],"text":["UA 5.061","/repositories/2/resources/511","David Brown Collection","Astronauts--United States","Athletics--Gymnastics","College of William and Mary--Students","Space flights","Space shuttles--Accidents--United States","Space shuttles--United States","DVDs","Lapel Pins","Photographs","Publications","This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged into the following series: Education and Biographical Materials; STS-107 Columbia Mission, Publicity and Memorials; and Columbia Mission Maintenance and Training Manuals.","David Brown, a native of Virginia, received his B.S. in biology from William and Mary in 1978. During his four years as an undergraduate, he served as a resident adviser and was active on the gymnastics squad as a four year letterman. He was also a member of Pi Sigma and participated in Project Plus, an innovative educational program which led to coed housing on campus. Brown obtained his doctorate in medicine from Eastern Virginia Medical School in 1982. He then joined the Navy and became a flight surgeon, training as a pilot and naval aviator. In 1996 he was selected by NASA to train as an astronaut. Brown returned to William and Mary to share some of his insights as convocation speaker in 2002. He then became the first William and Mary alumnus to fly into space as a member of the STS-107 Columbia research mission in January, 2003. Tragically, he and his fellow crew members lost their lives upon the shuttle's reentry to Earth. In honor of his achievements, he was posthumously awarded the William and Mary Alumni Association's Award and the athletics department established the Dave Brown Memorial Endowment for scholar-athletes in his honor."," For more information regarding David Brown's life and career, see the official NASA website:  . Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","A gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155.","This collection contains material related to David Brown's education at the College of William and Mary and his career in the Navy and NASA. It also contains material related specifically to the public promotion, research, operation, and remembrance of the space shuttle Columbia and its crew. The materials consist of photographs, articles, publications, news clippings, correspondence, and pamphlets, as well as artifacts such as patches, pins, coins, and decals. There are also CDs and DVDs regarding the shuttle mission. Larger artifacts include David Brown's Navy uniform and flight suit, his letterman jacket, a watercolor of the space shuttle and Brown's William and Mary blanket.","This series includes material related to David Brown's student years including at the College of William and Mary and his career in the U.S. Navy and NASA. Materials include articles, invitations, and William and Mary publications. Artifacts include Brown's William and Mary blanket as well as his navy uniform, flight suit, and letterman jacket.","A pin is affixed to the blanket. Dimensions: 60\" W by 68\" H; stored rolled","NASA Flight Suit, dark blue cotton used during speaking engagements with the public. In 1996, NASA issued the suit to David Brown, who was part of Group 16, the largest cohort of astronauts to that time.","Patch on the right chest is a NASA patch. On the left chest is a leather patch printed with a gold image of naval aviator wings and \"D. M. Brown / LCDR USNR\" also in gold print. U.S. flag patch on the left shoulder and a patch for Astronaut Group 16 on the right shoulder.","Khaki green naval flight suit with triangular patch \"United States Naval Strike Warfare Center\" and rectangular ID patch \"Dave Brown / Naval Strike Warefare Center\" with Alaskan flag pin affixed in the upper right corner.","This series includes material related to the launch, flight, and loss of the space shuttle Columbia. The material consists of publications, correspondence, articles, and memorials. Artifacts include CDs, DVDs, decals, patches, and commemorative coins and pins.","The astronauts listened to this album during their mission. It was later dedicated to them.","NOTE: 2 copies are in the collection.","NOTE: This item is a companion to the book by the same name, which can be located in the library catalog.","This decal is the offical NASA logo. Dimensions: 4.75\"X4\" Condition: Excellent","This decal is the official STS-107 mission emblem with the names of the astronauts included on it. There are two in the collection. Dimensions: 4\"X5\" Condition: Excellent","This decal is the emblem of the NASA Fundamental Biology Program. Dimensions: 4.75\"X3\" Condition: Excellent","This decal is the emblem of the astronaut class of 1996. Dimensions: 4\"X4\" Condition: Excellent","This decal is the group motto: \"For Sardines Space is No Problem.\" Dimensions: 3\"X3\" Condition: Excellent","This patch is the official STS-107 mission logo. There are two in the collection. Dimensions: 3.5\"X5\" Condition:Excellent","This decal is the logo of astronaut class 1996. Dimensions: 4\"X4\" Condition: Excellent","This decal is a memorial patch for the crew. Dimensions: 3.5\"X5\" Condition: Excellent","Launch Guest Pin","Space Flight Awareness Pin","Official commemorative coin set in a decorated plastic box.","Novelty coin with STS-107 logo","Columbia memorial pin designed by the Space Shuttle Children's Trust Fund.","STS-107 crew memorial coin sealed in plastic. There are two in the collection.","Memorial ribbon pin.","Official logo of the STS-107 mission. There are two in the collection.","This series includes training and operational manuals for the Columbia shuttle mission, a schedule of daily activities, notes regarding pre-flight activities, personnel books, and flight checklists.","David Brown's 1975-1976 Colonial Echo yearbooks from William and Mary are housed separately from other portions of the collection. Lastly, Philip Chien's autographed book Columbia Final Voyage: The Last Flight of NASA's First Space Shuttle is housed separately from this collection in the University Archives book collection and can be found in the library's online catalog."," A gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary--Alumni and alumnae","Columbia (Spacecraft)","Space Shuttle Program (U.S.)","Brown, David M., 1956-2003","English"],"unitid_tesim":["UA 5.061","/repositories/2/resources/511"],"normalized_title_ssm":["David Brown Collection"],"collection_title_tesim":["David Brown Collection"],"collection_ssim":["David Brown Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Brown, David M., 1956-2003"],"creator_ssim":["Brown, David M., 1956-2003"],"creator_persname_ssim":["Brown, David M., 1956-2003"],"creators_ssim":["Brown, David M., 1956-2003"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Items received from Douglas Brown, 2004; items received 4/28/2006 from Fred Ward; items received from Cliff Gauthier."],"access_subjects_ssim":["Astronauts--United States","Athletics--Gymnastics","College of William and Mary--Students","Space flights","Space shuttles--Accidents--United States","Space shuttles--United States","DVDs","Lapel Pins","Photographs","Publications"],"access_subjects_ssm":["Astronauts--United States","Athletics--Gymnastics","College of William and Mary--Students","Space flights","Space shuttles--Accidents--United States","Space shuttles--United States","DVDs","Lapel Pins","Photographs","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet"],"extent_tesim":["1.25 Linear Feet"],"genreform_ssim":["DVDs","Lapel Pins","Photographs","Publications"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged into the following series: Education and Biographical Materials; STS-107 Columbia Mission, Publicity and Memorials; and Columbia Mission Maintenance and Training Manuals.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged into the following series: Education and Biographical Materials; STS-107 Columbia Mission, Publicity and Memorials; and Columbia Mission Maintenance and Training Manuals."],"bioghist_html_tesm":["\u003cp\u003eDavid Brown, a native of Virginia, received his B.S. in biology from William and Mary in 1978. During his four years as an undergraduate, he served as a resident adviser and was active on the gymnastics squad as a four year letterman. He was also a member of Pi Sigma and participated in Project Plus, an innovative educational program which led to coed housing on campus. Brown obtained his doctorate in medicine from Eastern Virginia Medical School in 1982. He then joined the Navy and became a flight surgeon, training as a pilot and naval aviator. In 1996 he was selected by NASA to train as an astronaut. Brown returned to William and Mary to share some of his insights as convocation speaker in 2002. He then became the first William and Mary alumnus to fly into space as a member of the STS-107 Columbia research mission in January, 2003. Tragically, he and his fellow crew members lost their lives upon the shuttle's reentry to Earth. In honor of his achievements, he was posthumously awarded the William and Mary Alumni Association's Award and the athletics department established the Dave Brown Memorial Endowment for scholar-athletes in his honor.\u003c/p\u003e\n","\u003cp\u003e For more information regarding David Brown's life and career, see the official NASA website: \u003cextref href=\"http://www.jsc.nasa.gov/Bios/htmlbios/brown.html\" title=\"brown.html\"\u003e\u003c/extref\u003e. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/David_M._Brown\" title=\"David M. Brown\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["David Brown, a native of Virginia, received his B.S. in biology from William and Mary in 1978. During his four years as an undergraduate, he served as a resident adviser and was active on the gymnastics squad as a four year letterman. He was also a member of Pi Sigma and participated in Project Plus, an innovative educational program which led to coed housing on campus. Brown obtained his doctorate in medicine from Eastern Virginia Medical School in 1982. He then joined the Navy and became a flight surgeon, training as a pilot and naval aviator. In 1996 he was selected by NASA to train as an astronaut. Brown returned to William and Mary to share some of his insights as convocation speaker in 2002. He then became the first William and Mary alumnus to fly into space as a member of the STS-107 Columbia research mission in January, 2003. Tragically, he and his fellow crew members lost their lives upon the shuttle's reentry to Earth. In honor of his achievements, he was posthumously awarded the William and Mary Alumni Association's Award and the athletics department established the Dave Brown Memorial Endowment for scholar-athletes in his honor."," For more information regarding David Brown's life and career, see the official NASA website:  . Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eDavid Brown Collection, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["David Brown Collection, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eA gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["A gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material related to David Brown's education at the College of William and Mary and his career in the Navy and NASA. It also contains material related specifically to the public promotion, research, operation, and remembrance of the space shuttle Columbia and its crew. The materials consist of photographs, articles, publications, news clippings, correspondence, and pamphlets, as well as artifacts such as patches, pins, coins, and decals. There are also CDs and DVDs regarding the shuttle mission. Larger artifacts include David Brown's Navy uniform and flight suit, his letterman jacket, a watercolor of the space shuttle and Brown's William and Mary blanket.\u003c/p\u003e","\u003cp\u003eThis series includes material related to David Brown's student years including at the College of William and Mary and his career in the U.S. Navy and NASA. Materials include articles, invitations, and William and Mary publications. Artifacts include Brown's William and Mary blanket as well as his navy uniform, flight suit, and letterman jacket.\u003c/p\u003e","\u003cp\u003eA pin is affixed to the blanket. Dimensions: 60\" W by 68\" H; stored rolled\u003c/p\u003e","\u003cp\u003eNASA Flight Suit, dark blue cotton used during speaking engagements with the public. In 1996, NASA issued the suit to David Brown, who was part of Group 16, the largest cohort of astronauts to that time.\u003c/p\u003e\n","\u003cp\u003ePatch on the right chest is a NASA patch. On the left chest is a leather patch printed with a gold image of naval aviator wings and \"D. M. Brown / LCDR USNR\" also in gold print. U.S. flag patch on the left shoulder and a patch for Astronaut Group 16 on the right shoulder.\u003c/p\u003e","\u003cp\u003eKhaki green naval flight suit with triangular patch \"United States Naval Strike Warfare Center\" and rectangular ID patch \"Dave Brown / Naval Strike Warefare Center\" with Alaskan flag pin affixed in the upper right corner.\u003c/p\u003e","\u003cp\u003eThis series includes material related to the launch, flight, and loss of the space shuttle Columbia. The material consists of publications, correspondence, articles, and memorials. Artifacts include CDs, DVDs, decals, patches, and commemorative coins and pins.\u003c/p\u003e","\u003cp\u003eThe astronauts listened to this album during their mission. It was later dedicated to them.\u003c/p\u003e","\u003cp\u003eNOTE: 2 copies are in the collection.\u003c/p\u003e","\u003cp\u003eNOTE: This item is a companion to the book by the same name, which can be located in the library catalog.\u003c/p\u003e","\u003cp\u003eThis decal is the offical NASA logo. Dimensions: 4.75\"X4\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis decal is the official STS-107 mission emblem with the names of the astronauts included on it. There are two in the collection. Dimensions: 4\"X5\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis decal is the emblem of the NASA Fundamental Biology Program. Dimensions: 4.75\"X3\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis decal is the emblem of the astronaut class of 1996. Dimensions: 4\"X4\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis decal is the group motto: \"For Sardines Space is No Problem.\" Dimensions: 3\"X3\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis patch is the official STS-107 mission logo. There are two in the collection. Dimensions: 3.5\"X5\" Condition:Excellent\u003c/p\u003e","\u003cp\u003eThis decal is the logo of astronaut class 1996. Dimensions: 4\"X4\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eThis decal is a memorial patch for the crew. Dimensions: 3.5\"X5\" Condition: Excellent\u003c/p\u003e","\u003cp\u003eLaunch Guest Pin\u003c/p\u003e","\u003cp\u003eSpace Flight Awareness Pin\u003c/p\u003e","\u003cp\u003eOfficial commemorative coin set in a decorated plastic box.\u003c/p\u003e","\u003cp\u003eNovelty coin with STS-107 logo\u003c/p\u003e","\u003cp\u003eColumbia memorial pin designed by the Space Shuttle Children's Trust Fund.\u003c/p\u003e","\u003cp\u003eSTS-107 crew memorial coin sealed in plastic. There are two in the collection.\u003c/p\u003e","\u003cp\u003eMemorial ribbon pin.\u003c/p\u003e","\u003cp\u003eOfficial logo of the STS-107 mission. There are two in the collection.\u003c/p\u003e","\u003cp\u003eThis series includes training and operational manuals for the Columbia shuttle mission, a schedule of daily activities, notes regarding pre-flight activities, personnel books, and flight checklists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains material related to David Brown's education at the College of William and Mary and his career in the Navy and NASA. It also contains material related specifically to the public promotion, research, operation, and remembrance of the space shuttle Columbia and its crew. The materials consist of photographs, articles, publications, news clippings, correspondence, and pamphlets, as well as artifacts such as patches, pins, coins, and decals. There are also CDs and DVDs regarding the shuttle mission. Larger artifacts include David Brown's Navy uniform and flight suit, his letterman jacket, a watercolor of the space shuttle and Brown's William and Mary blanket.","This series includes material related to David Brown's student years including at the College of William and Mary and his career in the U.S. Navy and NASA. Materials include articles, invitations, and William and Mary publications. Artifacts include Brown's William and Mary blanket as well as his navy uniform, flight suit, and letterman jacket.","A pin is affixed to the blanket. Dimensions: 60\" W by 68\" H; stored rolled","NASA Flight Suit, dark blue cotton used during speaking engagements with the public. In 1996, NASA issued the suit to David Brown, who was part of Group 16, the largest cohort of astronauts to that time.","Patch on the right chest is a NASA patch. On the left chest is a leather patch printed with a gold image of naval aviator wings and \"D. M. Brown / LCDR USNR\" also in gold print. U.S. flag patch on the left shoulder and a patch for Astronaut Group 16 on the right shoulder.","Khaki green naval flight suit with triangular patch \"United States Naval Strike Warfare Center\" and rectangular ID patch \"Dave Brown / Naval Strike Warefare Center\" with Alaskan flag pin affixed in the upper right corner.","This series includes material related to the launch, flight, and loss of the space shuttle Columbia. The material consists of publications, correspondence, articles, and memorials. Artifacts include CDs, DVDs, decals, patches, and commemorative coins and pins.","The astronauts listened to this album during their mission. It was later dedicated to them.","NOTE: 2 copies are in the collection.","NOTE: This item is a companion to the book by the same name, which can be located in the library catalog.","This decal is the offical NASA logo. Dimensions: 4.75\"X4\" Condition: Excellent","This decal is the official STS-107 mission emblem with the names of the astronauts included on it. There are two in the collection. Dimensions: 4\"X5\" Condition: Excellent","This decal is the emblem of the NASA Fundamental Biology Program. Dimensions: 4.75\"X3\" Condition: Excellent","This decal is the emblem of the astronaut class of 1996. Dimensions: 4\"X4\" Condition: Excellent","This decal is the group motto: \"For Sardines Space is No Problem.\" Dimensions: 3\"X3\" Condition: Excellent","This patch is the official STS-107 mission logo. There are two in the collection. Dimensions: 3.5\"X5\" Condition:Excellent","This decal is the logo of astronaut class 1996. Dimensions: 4\"X4\" Condition: Excellent","This decal is a memorial patch for the crew. Dimensions: 3.5\"X5\" Condition: Excellent","Launch Guest Pin","Space Flight Awareness Pin","Official commemorative coin set in a decorated plastic box.","Novelty coin with STS-107 logo","Columbia memorial pin designed by the Space Shuttle Children's Trust Fund.","STS-107 crew memorial coin sealed in plastic. There are two in the collection.","Memorial ribbon pin.","Official logo of the STS-107 mission. There are two in the collection.","This series includes training and operational manuals for the Columbia shuttle mission, a schedule of daily activities, notes regarding pre-flight activities, personnel books, and flight checklists."],"separatedmaterial_html_tesm":["\u003cp\u003eDavid Brown's 1975-1976 Colonial Echo yearbooks from William and Mary are housed separately from other portions of the collection. Lastly, Philip Chien's autographed book Columbia Final Voyage: The Last Flight of NASA's First Space Shuttle is housed separately from this collection in the University Archives book collection and can be found in the library's online catalog.\u003c/p\u003e\n","\u003cp\u003e A gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["David Brown's 1975-1976 Colonial Echo yearbooks from William and Mary are housed separately from other portions of the collection. Lastly, Philip Chien's autographed book Columbia Final Voyage: The Last Flight of NASA's First Space Shuttle is housed separately from this collection in the University Archives book collection and can be found in the library's online catalog."," A gymnastics award given to David Brown was separated from this collection and added to the University Archives Artifact Collection in March 2011, and was given the accession number 2011.155."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Alumni and alumnae","Columbia (Spacecraft)","Space Shuttle Program (U.S.)"],"names_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae","Columbia (Spacecraft)","Space Shuttle Program (U.S.)","Brown, David M., 1956-2003"],"corpname_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae","Columbia (Spacecraft)","Space Shuttle Program (U.S.)"],"persname_ssim":["Brown, David M., 1956-2003"],"language_ssim":["English"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:26:00.258Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_511"}},{"id":"vilxw_repositories_5_resources_164_c25","type":"File","attributes":{"title":"DVD - Drug Trafficking in the Mail Congressional Testimony","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_164_c25#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis file also includes 'Forensic adn Technical Services Branch,' 1985, 'Robbery of Carrier - Memphis,' 1990, 'Antrhax Press Conference,' 2001, 'Pauchueanu Prison - USPMO Scheme,' 1992, '900 Pone Scheme - Memphis,' 1990, and 'USPS Employee Drug Arrests - Nashville,' 1991.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_164_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_164_c25","ref_ssm":["vilxw_repositories_5_resources_164_c25"],"id":"vilxw_repositories_5_resources_164_c25","ead_ssi":"vilxw_repositories_5_resources_164","_root_":"vilxw_repositories_5_resources_164","_nest_parent_":"vilxw_repositories_5_resources_164","parent_ssi":"vilxw_repositories_5_resources_164","parent_ssim":["vilxw_repositories_5_resources_164"],"parent_ids_ssim":["vilxw_repositories_5_resources_164"],"parent_unittitles_ssm":["Kenneth W. Newman Records"],"parent_unittitles_tesim":["Kenneth W. Newman Records"],"text":["Kenneth W. Newman Records","DVD - Drug Trafficking in the Mail Congressional Testimony","Newman, Kenneth W.","DVDs","English .","box 3","This file also includes 'Forensic adn Technical Services Branch,' 1985, 'Robbery of Carrier - Memphis,' 1990, 'Antrhax Press Conference,' 2001, 'Pauchueanu Prison - USPMO Scheme,' 1992, '900 Pone Scheme - Memphis,' 1990, and 'USPS Employee Drug Arrests - Nashville,' 1991."],"title_filing_ssi":"DVD - Drug Trafficking in the Mail Congressional Testimony","title_ssm":["DVD - Drug Trafficking in the Mail Congressional Testimony"],"title_tesim":["DVD - Drug Trafficking in the Mail Congressional Testimony"],"unitdate_bulk_ssim":["1985-2001"],"normalized_title_ssm":["DVD - Drug Trafficking in the Mail Congressional Testimony"],"component_level_isim":[1],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Kenneth W. Newman Records"],"extent_ssm":["1 Item"],"extent_tesim":["1 Item"],"creator_ssim":["Newman, Kenneth W."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":25,"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"names_ssim":["Newman, Kenneth W."],"persname_ssim":["Newman, Kenneth W."],"access_subjects_ssim":["DVDs"],"access_subjects_ssm":["DVDs"],"language_ssim":["English ."],"containers_ssim":["box 3"],"scopecontent_html_tesm":["\u003cp\u003eThis file also includes 'Forensic adn Technical Services Branch,' 1985, 'Robbery of Carrier - Memphis,' 1990, 'Antrhax Press Conference,' 2001, 'Pauchueanu Prison - USPMO Scheme,' 1992, '900 Pone Scheme - Memphis,' 1990, and 'USPS Employee Drug Arrests - Nashville,' 1991.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This file also includes 'Forensic adn Technical Services Branch,' 1985, 'Robbery of Carrier - Memphis,' 1990, 'Antrhax Press Conference,' 2001, 'Pauchueanu Prison - USPMO Scheme,' 1992, '900 Pone Scheme - Memphis,' 1990, and 'USPS Employee Drug Arrests - Nashville,' 1991."],"_nest_path_":"/components#24","timestamp":"2026-05-20T23:45:42.947Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_164","ead_ssi":"vilxw_repositories_5_resources_164","_root_":"vilxw_repositories_5_resources_164","_nest_parent_":"vilxw_repositories_5_resources_164","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_164.xml","title_ssm":["Kenneth W. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","United States Postal Service. Postal Inspection Service","United States. Department of Justice","United States Postal Service","United States. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Anthrax","Postal inspectors","Government, Resistance to","Mail fraud"],"access_subjects_ssm":["Anthrax","Postal inspectors","Government, Resistance to","Mail fraud"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet"],"extent_tesim":["1.75 Linear Feet"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_heading_ssm":["Conditions Governing Access"],"bioghist_html_tesm":["\u003cp\u003eNewman was a member of the Washington and Lee University Class of 1971. At the time of his retirement after 31 years of federal government service, he held a high-ranking position with the U. S. 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Please contact Special Collections staff to verify the appropriate format."],"processinfo_heading_ssm":["Processing Information"],"scopecontent_html_tesm":["\u003cp\u003eCollection includes information on all aspects of criminal activities handled by the U. S. Postal Inspection Service (including mail fraud, drug trafficking, bombs, child pornography, and identity theft) as well as criminal cases undertaken by the Inspection Service for other government agencies, particularly the Department of Justice. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_coll_ssim":["United States Postal Service. Postal Inspection Service","United States. Department of Justice","Hanssen, Robert"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","United States Postal Service. Postal Inspection Service","United States. Department of Justice","United States Postal Service","United States. Federal Bureau of Investigation","American Society of Crime Laboratory Directors","Georgetown University","Federal Express Corporation","Fuqua School of Business (Duke University)","Pennsylvania Chiefs of Police Association","American University (Washington, D.C.)","Weaver family","Newman, Kenneth W.","Hanssen, Robert","Danforth, John C.","Nolan, John M.","Potter, John E.","Thornburgh, Dick","Reno, Janet","Freeh, Louis J.","Barr, William P.","Bolger, W. F.","Fisher, D. Michael","Weaver, Kenneth","Mica, John","Walter, Jess","Spence, Gerry","Gossett, Louis, Jr.","Silverman, Jonathan"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","United States Postal Service. Postal Inspection Service","United States. Department of Justice","United States Postal Service","United States. Federal Bureau of Investigation","American Society of Crime Laboratory Directors","Georgetown University","Federal Express Corporation","Fuqua School of Business (Duke University)","Pennsylvania Chiefs of Police Association","American University (Washington, D.C.)"],"famname_ssim":["Weaver family"],"persname_ssim":["Newman, Kenneth W.","Hanssen, Robert","Danforth, John C.","Nolan, John M.","Potter, John E.","Thornburgh, Dick","Reno, Janet","Freeh, Louis J.","Barr, William P.","Bolger, W. F.","Fisher, D. 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Some formats are not accessible at this time and are awaiting digital conversion.","There are no restrictions","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","This material is copyrighted.","Contains copyright protected material. This material may not be copied or redistributed.","There are no restrictions","There are no restrictions.","An MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive","This collection is arranged chronologically by year.","30th Commandant, U. S. Marine Corps","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","On the occasion of the VMI vs. Liberty football game","Stephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","VMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","Mark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.","The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","Louis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting.","3 copies","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This collection was originally in VHS videotape format and has been converted to DVD format.","Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project is found online in the  September 2013 issue of the Institute Report.","A collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.","John O. Marsh, Jr. receives the New Market Medal.","The graduation speaker was Donald H. Rumsfeld, Secretary of Defense.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","Ambassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006","Events of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner","Cadets whose articles were published in volume 1 of New Horizons talk about their research","Ceremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.","Various speeches to cadets and other VMI audiences from 19-200x. 2 disks.","Disk 1 Content","Disk 1 content Cadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003 COL Eric Hutchings Keydet Club speech, June 2000 SGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001 BG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.","Disk 2 content","Disk 2 content Hon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Hon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000 Address of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  ","See separate dvd for full recording of full panel discussion.","Events from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs","Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","ABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Color film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.","Sweat party, Fall 1987","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","Highlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Includes New Market Day ceremony, parade, and bible presentation","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC","General James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.","Inclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill","Video created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.","Unveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","Binder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","4 parts; total duration [02:01:01]","Duration [01:55:58]","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Item is copyright protected.  Video can be viewed in person, but we do not provide copies.","Use of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.","This material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.","Contact Archives to view this material.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Archives Stacks, Audio/Video","Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library","Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S.","English"],"unitid_tesim":["AV.Video","/repositories/3/resources/726"],"normalized_title_ssm":["Video Collections"],"collection_title_tesim":["Video Collections"],"collection_ssim":["Video Collections"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Virginia Military Institute. Office of Communications and Marketing"],"creator_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"creator_corpname_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"creators_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"access_terms_ssm":["Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes"],"access_subjects_ssm":["Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes"],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection includes various formats, including film, VHS videotape and dvd. Some formats are not accessible at this time and are awaiting digital conversion."],"extent_ssm":["40 c.f. cubic feet"],"extent_tesim":["40 c.f. cubic feet"],"genreform_ssim":["DVDs","Videotapes"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003clegalstatus id=\"aspace_333329e77d302b687ff227e2dd4140dd\"\u003eThis material is copyrighted.\u003c/legalstatus\u003e","\u003clegalstatus id=\"aspace_fb226dea4d219feb4db4f0467530df52\"\u003eContains copyright protected material. This material may not be copied or redistributed.\u003c/legalstatus\u003e","\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","This material is copyrighted.","Contains copyright protected material. This material may not be copied or redistributed.","There are no restrictions","There are no restrictions."],"altformavail_html_tesm":["\u003cp\u003eAn MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["An MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically by year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically by year."],"bioghist_html_tesm":["\u003cp\u003e30th Commandant, U. S. Marine Corps\u003c/p\u003e","\u003cp\u003eThis was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.\u003c/p\u003e","\u003cp\u003eOn the occasion of the VMI vs. Liberty football game\u003c/p\u003e","\u003cp\u003eStephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.\u003c/p\u003e","\u003cp\u003eLt. Terry Plunk was killed in action during Operation Desert Storm.\u003c/p\u003e","\u003cp\u003eVMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.\u003c/p\u003e","\u003cp\u003eLt. Terry Plunk was killed in action during Operation Desert Storm.\u003c/p\u003e","\u003cp\u003eMark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.\u003c/p\u003e","\u003cp\u003eThe U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.\u003c/p\u003e","\u003cp\u003eLouis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["30th Commandant, U. S. Marine Corps","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","On the occasion of the VMI vs. Liberty football game","Stephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","VMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","Mark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.","The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","Louis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting."],"odd_html_tesm":["\u003cp\u003e3 copies\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["3 copies"],"prefercite_html_tesm":["\u003cp\u003e[Name of collection/item], Virginia Military Institute Archives.\u003c/p\u003e"],"prefercite_tesim":["[Name of collection/item], Virginia Military Institute Archives."],"processinfo_html_tesm":["\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis collection was originally in VHS videotape format and has been converted to DVD format.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This collection was originally in VHS videotape format and has been converted to DVD format."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll7/id/4201\"\u003ePhotograph of Ambassador Young receiving the Daniels Award\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eBackground information about the Tick Rover Robot project is found online in the \u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll1/id/3097\"\u003eSeptember 2013 issue of the Institute Report.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Photograph","Related Materials"],"relatedmaterial_tesim":["Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project is found online in the  September 2013 issue of the Institute Report."],"scopecontent_html_tesm":["\u003cp\u003eA collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.\u003c/p\u003e","\u003cp\u003eJohn O. Marsh, Jr. receives the New Market Medal.\u003c/p\u003e","\u003cp\u003eThe graduation speaker was Donald H. Rumsfeld, Secretary of Defense.\u003c/p\u003e","\u003cp\u003eVideo of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.\u003c/p\u003e","\u003cp\u003eAmbassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006\u003c/p\u003e","\u003cp\u003eEvents of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner\u003c/p\u003e","\u003cp\u003eCadets whose articles were published in volume 1 of New Horizons talk about their research\u003c/p\u003e","\u003cp\u003eCeremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.\u003c/p\u003e","\u003cp\u003eOfficial breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.\u003c/p\u003e","\u003cp\u003eVarious speeches to cadets and other VMI audiences from 19-200x. 2 disks.\u003c/p\u003e\n","\u003cp\u003eDisk 1 Content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eDisk 1 content\u003c/head\u003e\n\u003citem\u003eCadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003\u003c/item\u003e\u003citem\u003eCOL Eric Hutchings Keydet Club speech, June 2000\u003c/item\u003e\u003citem\u003eSGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001\u003c/item\u003e\u003citem\u003eBG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004\u003c/item\u003e\u003citem\u003eAddress by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eDisk 2 content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eDisk 2 content\u003c/head\u003e\n\u003citem\u003eHon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003\u003c/item\u003e\u003citem\u003eAddress by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004\u003c/item\u003e\u003citem\u003eHon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991\u003c/item\u003e\u003citem\u003eCadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000\u003c/item\u003e\u003citem\u003eAddress of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eLocal PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  \u003c/p\u003e\n","\u003cp\u003eSee separate dvd for full recording of full panel discussion.\u003c/p\u003e","\u003cp\u003eEvents from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs\u003c/p\u003e","\u003cp\u003eIncludes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939\u003c/p\u003e","\u003cp\u003eOrientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.\u003c/p\u003e","\u003cp\u003eThis collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.\u003c/p\u003e","\u003cp\u003eABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.\u003c/p\u003e","\u003cp\u003eNews conference held at VMI, introducing General Peay as VMI's 14th Superintendent.\u003c/p\u003e","\u003cp\u003eNews videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.\u003c/p\u003e","\u003cp\u003eColor film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.\u003c/p\u003e","\u003cp\u003eSweat party, Fall 1987\u003c/p\u003e","\u003cp\u003eAddress to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.\u003c/p\u003e","\u003cp\u003eHighlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.\u003c/p\u003e","\u003cp\u003eIncludes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.\u003c/p\u003e","\u003cp\u003eIncludes New Market Day ceremony, parade, and bible presentation\u003c/p\u003e","\u003cp\u003eIn December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.\u003c/p\u003e","\u003cp\u003eGood Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC\u003c/p\u003e","\u003cp\u003eGeneral James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.\u003c/p\u003e","\u003cp\u003eInclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill\u003c/p\u003e","\u003cp\u003eVideo created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.\u003c/p\u003e","\u003cp\u003eUnveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.\u003c/p\u003e","\u003cp\u003eSupreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.\u003c/p\u003e","\u003cp\u003eA collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.\u003c/p\u003e","\u003cp\u003eBinder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.\u003c/p\u003e","\u003cp\u003eThis collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.\u003c/p\u003e","\u003cp\u003eDuration [00:08:13]\u003c/p\u003e","\u003cp\u003eDuration [00:28:27]; Produced by William Henricks Associates\u003c/p\u003e","\u003cp\u003eDuration [01:28:26]\u003c/p\u003e","\u003cp\u003e4 parts; total duration [02:01:01]\u003c/p\u003e","\u003cp\u003eDuration [01:55:58]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["A collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.","John O. Marsh, Jr. receives the New Market Medal.","The graduation speaker was Donald H. Rumsfeld, Secretary of Defense.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","Ambassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006","Events of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner","Cadets whose articles were published in volume 1 of New Horizons talk about their research","Ceremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.","Various speeches to cadets and other VMI audiences from 19-200x. 2 disks.","Disk 1 Content","Disk 1 content Cadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003 COL Eric Hutchings Keydet Club speech, June 2000 SGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001 BG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.","Disk 2 content","Disk 2 content Hon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Hon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000 Address of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  ","See separate dvd for full recording of full panel discussion.","Events from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs","Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","ABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Color film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.","Sweat party, Fall 1987","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","Highlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Includes New Market Day ceremony, parade, and bible presentation","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC","General James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.","Inclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill","Video created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.","Unveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","Binder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","4 parts; total duration [02:01:01]","Duration [01:55:58]"],"userestrict_html_tesm":["\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eItem is copyright protected.  Video can be viewed in person, but we do not provide copies.\u003c/p\u003e","\u003cp\u003eUse of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.\u003c/p\u003e","\u003cp\u003eThis material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.\u003c/p\u003e","\u003cp\u003eThis collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.\u003c/p\u003e","\u003cp\u003eContact Archives to view this material.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Item is copyright protected.  Video can be viewed in person, but we do not provide copies.","Use of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.","This material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.","Contact Archives to view this material.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3d96a804d049d7fd69b55a50bb62f86b\"\u003eArchives Stacks, Audio/Video\u003c/physloc\u003e"],"physloc_tesim":["Archives Stacks, Audio/Video"],"names_coll_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"names_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library","Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S."],"corpname_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library"],"persname_ssim":["Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S."],"language_ssim":["English"],"total_component_count_is":266,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:10:42.873Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_726_c01_c56"}},{"id":"vihart_repositories_4_resources_488","type":"collection","attributes":{"title":"Furious Flower Poetry Center Records","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488#creator","type":"document_value","attributes":{"value":"James Madison University. Furious Flower Poetry Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488#abstract_or_scope","type":"document_value","attributes":{"value":"The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). 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J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. 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(Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. 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J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488"}},{"id":"vilxv_repositories_3_resources_726_c01_c111","type":"Item","attributes":{"title":"Graduation, Class of 1996 [dvd]","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_726_c01_c111#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxv_repositories_3_resources_726_c01_c111","ref_ssm":["vilxv_repositories_3_resources_726_c01_c111"],"id":"vilxv_repositories_3_resources_726_c01_c111","ead_ssi":"vilxv_repositories_3_resources_726","_root_":"vilxv_repositories_3_resources_726","_nest_parent_":"vilxv_repositories_3_resources_726_c01","parent_ssi":"vilxv_repositories_3_resources_726_c01","parent_ssim":["vilxv_repositories_3_resources_726","vilxv_repositories_3_resources_726_c01"],"parent_ids_ssim":["vilxv_repositories_3_resources_726","vilxv_repositories_3_resources_726_c01"],"parent_unittitles_ssm":["Video Collections","VMI topics and events DVD collection"],"parent_unittitles_tesim":["Video Collections","VMI topics and events DVD collection"],"text":["Video Collections","VMI topics and events DVD collection","Graduation, Class of 1996 [dvd]","Gottwald, Thomas E.","Virginia Military Institute -- Class of 1996","Commencement ceremonies","Virginia Military Institute—Finals—20th century","Virginia Military Institute—Special events","Speeches, Addresses, etc.","Virginia Military Institute—Speeches, addresses, etc.","DVDs","English","box 03","Media Case/Sleeve 112"],"title_filing_ssi":"Graduation, Class of 1996 [dvd]","title_ssm":["Graduation, Class of 1996 [dvd]"],"title_tesim":["Graduation, Class of 1996 [dvd]"],"unitdate_other_ssim":["1996 May"],"normalized_date_ssm":["1996"],"normalized_title_ssm":["Graduation, Class of 1996 [dvd]"],"component_level_isim":[2],"repository_ssim":["Virginia Military Institute Archives"],"collection_ssim":["Video Collections"],"creator_ssim":["Gottwald, Thomas E."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":112,"parent_access_restrict_tesm":["There are no restrictions"],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1996],"names_ssim":["Gottwald, Thomas E."],"persname_ssim":["Gottwald, Thomas E."],"access_subjects_ssim":["Virginia Military Institute -- Class of 1996","Commencement ceremonies","Virginia Military Institute—Finals—20th century","Virginia Military Institute—Special events","Speeches, Addresses, etc.","Virginia Military Institute—Speeches, addresses, etc.","DVDs"],"access_subjects_ssm":["Virginia Military Institute -- Class of 1996","Commencement ceremonies","Virginia Military Institute—Finals—20th century","Virginia Military Institute—Special events","Speeches, Addresses, etc.","Virginia Military Institute—Speeches, addresses, etc.","DVDs"],"language_ssim":["English"],"containers_ssim":["box 03","Media Case/Sleeve 112"],"_nest_path_":"/components#0/components#110","timestamp":"2026-05-21T00:10:42.873Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_726","ead_ssi":"vilxv_repositories_3_resources_726","_root_":"vilxv_repositories_3_resources_726","_nest_parent_":"vilxv_repositories_3_resources_726","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_726.xml","title_ssm":["Video Collections"],"title_tesim":["Video Collections"],"unitdate_ssm":["1930's - [ongoing]; bulk after 1980"],"unitdate_inclusive_ssm":["1930's - [ongoing]; bulk after 1980"],"level_ssm":["collection"],"level_ssim":["Subgroup","Collection"],"unitid_ssm":["AV.Video","/repositories/3/resources/726"],"text":["AV.Video","/repositories/3/resources/726","Video Collections","Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes","This collection includes various formats, including film, VHS videotape and dvd. Some formats are not accessible at this time and are awaiting digital conversion.","There are no restrictions","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","This material is copyrighted.","Contains copyright protected material. This material may not be copied or redistributed.","There are no restrictions","There are no restrictions.","An MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive","This collection is arranged chronologically by year.","30th Commandant, U. S. Marine Corps","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","On the occasion of the VMI vs. Liberty football game","Stephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","VMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","Mark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.","The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","Louis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting.","3 copies","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This collection was originally in VHS videotape format and has been converted to DVD format.","Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project is found online in the  September 2013 issue of the Institute Report.","A collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.","John O. Marsh, Jr. receives the New Market Medal.","The graduation speaker was Donald H. Rumsfeld, Secretary of Defense.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","Ambassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006","Events of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner","Cadets whose articles were published in volume 1 of New Horizons talk about their research","Ceremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.","Various speeches to cadets and other VMI audiences from 19-200x. 2 disks.","Disk 1 Content","Disk 1 content Cadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003 COL Eric Hutchings Keydet Club speech, June 2000 SGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001 BG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.","Disk 2 content","Disk 2 content Hon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Hon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000 Address of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  ","See separate dvd for full recording of full panel discussion.","Events from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs","Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","ABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Color film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.","Sweat party, Fall 1987","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","Highlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Includes New Market Day ceremony, parade, and bible presentation","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC","General James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.","Inclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill","Video created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.","Unveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","Binder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","4 parts; total duration [02:01:01]","Duration [01:55:58]","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Item is copyright protected.  Video can be viewed in person, but we do not provide copies.","Use of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.","This material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.","Contact Archives to view this material.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Archives Stacks, Audio/Video","Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library","Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S.","English"],"unitid_tesim":["AV.Video","/repositories/3/resources/726"],"normalized_title_ssm":["Video Collections"],"collection_title_tesim":["Video Collections"],"collection_ssim":["Video Collections"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Virginia Military Institute. Office of Communications and Marketing"],"creator_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"creator_corpname_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"creators_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"access_terms_ssm":["Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes"],"access_subjects_ssm":["Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes"],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection includes various formats, including film, VHS videotape and dvd. Some formats are not accessible at this time and are awaiting digital conversion."],"extent_ssm":["40 c.f. cubic feet"],"extent_tesim":["40 c.f. cubic feet"],"genreform_ssim":["DVDs","Videotapes"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003clegalstatus id=\"aspace_333329e77d302b687ff227e2dd4140dd\"\u003eThis material is copyrighted.\u003c/legalstatus\u003e","\u003clegalstatus id=\"aspace_fb226dea4d219feb4db4f0467530df52\"\u003eContains copyright protected material. This material may not be copied or redistributed.\u003c/legalstatus\u003e","\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","This material is copyrighted.","Contains copyright protected material. This material may not be copied or redistributed.","There are no restrictions","There are no restrictions."],"altformavail_html_tesm":["\u003cp\u003eAn MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["An MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically by year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically by year."],"bioghist_html_tesm":["\u003cp\u003e30th Commandant, U. S. Marine Corps\u003c/p\u003e","\u003cp\u003eThis was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.\u003c/p\u003e","\u003cp\u003eOn the occasion of the VMI vs. Liberty football game\u003c/p\u003e","\u003cp\u003eStephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.\u003c/p\u003e","\u003cp\u003eLt. Terry Plunk was killed in action during Operation Desert Storm.\u003c/p\u003e","\u003cp\u003eVMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.\u003c/p\u003e","\u003cp\u003eLt. Terry Plunk was killed in action during Operation Desert Storm.\u003c/p\u003e","\u003cp\u003eMark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.\u003c/p\u003e","\u003cp\u003eThe U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.\u003c/p\u003e","\u003cp\u003eLouis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["30th Commandant, U. S. Marine Corps","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","On the occasion of the VMI vs. Liberty football game","Stephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","VMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","Mark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.","The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","Louis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting."],"odd_html_tesm":["\u003cp\u003e3 copies\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["3 copies"],"prefercite_html_tesm":["\u003cp\u003e[Name of collection/item], Virginia Military Institute Archives.\u003c/p\u003e"],"prefercite_tesim":["[Name of collection/item], Virginia Military Institute Archives."],"processinfo_html_tesm":["\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis collection was originally in VHS videotape format and has been converted to DVD format.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This collection was originally in VHS videotape format and has been converted to DVD format."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll7/id/4201\"\u003ePhotograph of Ambassador Young receiving the Daniels Award\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eBackground information about the Tick Rover Robot project is found online in the \u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll1/id/3097\"\u003eSeptember 2013 issue of the Institute Report.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Photograph","Related Materials"],"relatedmaterial_tesim":["Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project is found online in the  September 2013 issue of the Institute Report."],"scopecontent_html_tesm":["\u003cp\u003eA collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.\u003c/p\u003e","\u003cp\u003eJohn O. Marsh, Jr. receives the New Market Medal.\u003c/p\u003e","\u003cp\u003eThe graduation speaker was Donald H. Rumsfeld, Secretary of Defense.\u003c/p\u003e","\u003cp\u003eVideo of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.\u003c/p\u003e","\u003cp\u003eAmbassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006\u003c/p\u003e","\u003cp\u003eEvents of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner\u003c/p\u003e","\u003cp\u003eCadets whose articles were published in volume 1 of New Horizons talk about their research\u003c/p\u003e","\u003cp\u003eCeremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.\u003c/p\u003e","\u003cp\u003eOfficial breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.\u003c/p\u003e","\u003cp\u003eVarious speeches to cadets and other VMI audiences from 19-200x. 2 disks.\u003c/p\u003e\n","\u003cp\u003eDisk 1 Content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eDisk 1 content\u003c/head\u003e\n\u003citem\u003eCadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003\u003c/item\u003e\u003citem\u003eCOL Eric Hutchings Keydet Club speech, June 2000\u003c/item\u003e\u003citem\u003eSGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001\u003c/item\u003e\u003citem\u003eBG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004\u003c/item\u003e\u003citem\u003eAddress by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eDisk 2 content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eDisk 2 content\u003c/head\u003e\n\u003citem\u003eHon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003\u003c/item\u003e\u003citem\u003eAddress by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004\u003c/item\u003e\u003citem\u003eHon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991\u003c/item\u003e\u003citem\u003eCadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000\u003c/item\u003e\u003citem\u003eAddress of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eLocal PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  \u003c/p\u003e\n","\u003cp\u003eSee separate dvd for full recording of full panel discussion.\u003c/p\u003e","\u003cp\u003eEvents from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs\u003c/p\u003e","\u003cp\u003eIncludes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939\u003c/p\u003e","\u003cp\u003eOrientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.\u003c/p\u003e","\u003cp\u003eThis collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.\u003c/p\u003e","\u003cp\u003eABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.\u003c/p\u003e","\u003cp\u003eNews conference held at VMI, introducing General Peay as VMI's 14th Superintendent.\u003c/p\u003e","\u003cp\u003eNews videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.\u003c/p\u003e","\u003cp\u003eColor film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.\u003c/p\u003e","\u003cp\u003eSweat party, Fall 1987\u003c/p\u003e","\u003cp\u003eAddress to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.\u003c/p\u003e","\u003cp\u003eHighlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.\u003c/p\u003e","\u003cp\u003eIncludes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.\u003c/p\u003e","\u003cp\u003eIncludes New Market Day ceremony, parade, and bible presentation\u003c/p\u003e","\u003cp\u003eIn December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.\u003c/p\u003e","\u003cp\u003eGood Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC\u003c/p\u003e","\u003cp\u003eGeneral James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.\u003c/p\u003e","\u003cp\u003eInclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill\u003c/p\u003e","\u003cp\u003eVideo created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.\u003c/p\u003e","\u003cp\u003eUnveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.\u003c/p\u003e","\u003cp\u003eSupreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.\u003c/p\u003e","\u003cp\u003eA collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.\u003c/p\u003e","\u003cp\u003eBinder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.\u003c/p\u003e","\u003cp\u003eThis collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.\u003c/p\u003e","\u003cp\u003eDuration [00:08:13]\u003c/p\u003e","\u003cp\u003eDuration [00:28:27]; Produced by William Henricks Associates\u003c/p\u003e","\u003cp\u003eDuration [01:28:26]\u003c/p\u003e","\u003cp\u003e4 parts; total duration [02:01:01]\u003c/p\u003e","\u003cp\u003eDuration [01:55:58]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["A collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.","John O. Marsh, Jr. receives the New Market Medal.","The graduation speaker was Donald H. Rumsfeld, Secretary of Defense.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","Ambassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006","Events of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner","Cadets whose articles were published in volume 1 of New Horizons talk about their research","Ceremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.","Various speeches to cadets and other VMI audiences from 19-200x. 2 disks.","Disk 1 Content","Disk 1 content Cadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003 COL Eric Hutchings Keydet Club speech, June 2000 SGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001 BG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.","Disk 2 content","Disk 2 content Hon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Hon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000 Address of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  ","See separate dvd for full recording of full panel discussion.","Events from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs","Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","ABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Color film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.","Sweat party, Fall 1987","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","Highlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Includes New Market Day ceremony, parade, and bible presentation","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC","General James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.","Inclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill","Video created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.","Unveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","Binder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","4 parts; total duration [02:01:01]","Duration [01:55:58]"],"userestrict_html_tesm":["\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eItem is copyright protected.  Video can be viewed in person, but we do not provide copies.\u003c/p\u003e","\u003cp\u003eUse of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.\u003c/p\u003e","\u003cp\u003eThis material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.\u003c/p\u003e","\u003cp\u003eThis collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.\u003c/p\u003e","\u003cp\u003eContact Archives to view this material.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Item is copyright protected.  Video can be viewed in person, but we do not provide copies.","Use of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.","This material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.","Contact Archives to view this material.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3d96a804d049d7fd69b55a50bb62f86b\"\u003eArchives Stacks, Audio/Video\u003c/physloc\u003e"],"physloc_tesim":["Archives Stacks, Audio/Video"],"names_coll_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"names_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library","Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S."],"corpname_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library"],"persname_ssim":["Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S."],"language_ssim":["English"],"total_component_count_is":266,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:10:42.873Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_726_c01_c111"}},{"id":"vilxv_repositories_3_resources_726_c01_c159","type":"Item","attributes":{"title":"Introduction to Superintendent Josiah Bunting III [dvd]","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_726_c01_c159#abstract_or_scope","type":"document_value","attributes":{"value":"Video distribtued to VMI Alumni shortly after Josiah Bunting III became VMI's 13th Superintendent. He took office in August 1995","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_726_c01_c159#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxv_repositories_3_resources_726_c01_c159","ref_ssm":["vilxv_repositories_3_resources_726_c01_c159"],"id":"vilxv_repositories_3_resources_726_c01_c159","ead_ssi":"vilxv_repositories_3_resources_726","_root_":"vilxv_repositories_3_resources_726","_nest_parent_":"vilxv_repositories_3_resources_726_c01","parent_ssi":"vilxv_repositories_3_resources_726_c01","parent_ssim":["vilxv_repositories_3_resources_726","vilxv_repositories_3_resources_726_c01"],"parent_ids_ssim":["vilxv_repositories_3_resources_726","vilxv_repositories_3_resources_726_c01"],"parent_unittitles_ssm":["Video Collections","VMI topics and events DVD collection"],"parent_unittitles_tesim":["Video Collections","VMI topics and events DVD collection"],"text":["Video Collections","VMI topics and events DVD collection","Introduction to Superintendent Josiah Bunting III [dvd]","Virginia Military Institute. Office of the Superintendent.","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of the Superintendent.","Bunting, Josiah, III, 1939-","Bunting, Josiah, III, 1939-","Virginia Military Institute—Cadet life—1990-1999","Virginia Military Institute -- Administration","DVDs","English","box 04","Media Case/Sleeve DVD161","Video distribtued to VMI Alumni shortly after Josiah Bunting III became VMI's 13th Superintendent.  He took office in August 1995"],"title_filing_ssi":"Introduction to Superintendent Josiah Bunting III [dvd]","title_ssm":["Introduction to Superintendent Josiah Bunting III [dvd]"],"title_tesim":["Introduction to Superintendent Josiah Bunting III [dvd]"],"unitdate_other_ssim":["1996"],"normalized_date_ssm":["1996"],"normalized_title_ssm":["Introduction to Superintendent Josiah Bunting III [dvd]"],"component_level_isim":[2],"repository_ssim":["Virginia Military Institute Archives"],"collection_ssim":["Video Collections"],"creator_ssim":["Virginia Military Institute. Alumni Association"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":160,"parent_access_restrict_tesm":["There are no restrictions"],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1996],"names_ssim":["Virginia Military Institute. Office of the Superintendent.","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of the Superintendent.","Bunting, Josiah, III, 1939-","Bunting, Josiah, III, 1939-"],"corpname_ssim":["Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of the Superintendent."],"persname_ssim":["Bunting, Josiah, III, 1939-"],"access_subjects_ssim":["Virginia Military Institute—Cadet life—1990-1999","Virginia Military Institute -- Administration","DVDs"],"access_subjects_ssm":["Virginia Military Institute—Cadet life—1990-1999","Virginia Military Institute -- Administration","DVDs"],"language_ssim":["English"],"containers_ssim":["box 04","Media Case/Sleeve DVD161"],"abstract_html_tesm":["\u003cabstract id=\"aspace_92d0614d6239e74ff32bc27c65c15d3c\"\u003eVideo distribtued to VMI Alumni shortly after Josiah Bunting III became VMI's 13th Superintendent.  He took office in August 1995\u003c/abstract\u003e"],"abstract_tesim":["Video distribtued to VMI Alumni shortly after Josiah Bunting III became VMI's 13th Superintendent.  He took office in August 1995"],"_nest_path_":"/components#0/components#158","timestamp":"2026-05-21T00:10:42.873Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_726","ead_ssi":"vilxv_repositories_3_resources_726","_root_":"vilxv_repositories_3_resources_726","_nest_parent_":"vilxv_repositories_3_resources_726","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_726.xml","title_ssm":["Video Collections"],"title_tesim":["Video Collections"],"unitdate_ssm":["1930's - [ongoing]; bulk after 1980"],"unitdate_inclusive_ssm":["1930's - [ongoing]; bulk after 1980"],"level_ssm":["collection"],"level_ssim":["Subgroup","Collection"],"unitid_ssm":["AV.Video","/repositories/3/resources/726"],"text":["AV.Video","/repositories/3/resources/726","Video Collections","Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes","This collection includes various formats, including film, VHS videotape and dvd. Some formats are not accessible at this time and are awaiting digital conversion.","There are no restrictions","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","This material is copyrighted.","Contains copyright protected material. This material may not be copied or redistributed.","There are no restrictions","There are no restrictions.","An MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive","This collection is arranged chronologically by year.","30th Commandant, U. S. Marine Corps","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","On the occasion of the VMI vs. Liberty football game","Stephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","VMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","Mark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.","The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","Louis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting.","3 copies","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This collection was originally in VHS videotape format and has been converted to DVD format.","Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project is found online in the  September 2013 issue of the Institute Report.","A collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.","John O. Marsh, Jr. receives the New Market Medal.","The graduation speaker was Donald H. Rumsfeld, Secretary of Defense.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","Ambassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006","Events of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner","Cadets whose articles were published in volume 1 of New Horizons talk about their research","Ceremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.","Various speeches to cadets and other VMI audiences from 19-200x. 2 disks.","Disk 1 Content","Disk 1 content Cadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003 COL Eric Hutchings Keydet Club speech, June 2000 SGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001 BG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.","Disk 2 content","Disk 2 content Hon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Hon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000 Address of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  ","See separate dvd for full recording of full panel discussion.","Events from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs","Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","ABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Color film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.","Sweat party, Fall 1987","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","Highlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Includes New Market Day ceremony, parade, and bible presentation","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC","General James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.","Inclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill","Video created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.","Unveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","Binder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","4 parts; total duration [02:01:01]","Duration [01:55:58]","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Item is copyright protected.  Video can be viewed in person, but we do not provide copies.","Use of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.","This material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.","Contact Archives to view this material.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Archives Stacks, Audio/Video","Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library","Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S.","English"],"unitid_tesim":["AV.Video","/repositories/3/resources/726"],"normalized_title_ssm":["Video Collections"],"collection_title_tesim":["Video Collections"],"collection_ssim":["Video Collections"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Virginia Military Institute. Office of Communications and Marketing"],"creator_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"creator_corpname_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"creators_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"access_terms_ssm":["Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes"],"access_subjects_ssm":["Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes"],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection includes various formats, including film, VHS videotape and dvd. Some formats are not accessible at this time and are awaiting digital conversion."],"extent_ssm":["40 c.f. cubic feet"],"extent_tesim":["40 c.f. cubic feet"],"genreform_ssim":["DVDs","Videotapes"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003clegalstatus id=\"aspace_333329e77d302b687ff227e2dd4140dd\"\u003eThis material is copyrighted.\u003c/legalstatus\u003e","\u003clegalstatus id=\"aspace_fb226dea4d219feb4db4f0467530df52\"\u003eContains copyright protected material. This material may not be copied or redistributed.\u003c/legalstatus\u003e","\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","This material is copyrighted.","Contains copyright protected material. This material may not be copied or redistributed.","There are no restrictions","There are no restrictions."],"altformavail_html_tesm":["\u003cp\u003eAn MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["An MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically by year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically by year."],"bioghist_html_tesm":["\u003cp\u003e30th Commandant, U. S. Marine Corps\u003c/p\u003e","\u003cp\u003eThis was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.\u003c/p\u003e","\u003cp\u003eOn the occasion of the VMI vs. Liberty football game\u003c/p\u003e","\u003cp\u003eStephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.\u003c/p\u003e","\u003cp\u003eLt. Terry Plunk was killed in action during Operation Desert Storm.\u003c/p\u003e","\u003cp\u003eVMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.\u003c/p\u003e","\u003cp\u003eLt. Terry Plunk was killed in action during Operation Desert Storm.\u003c/p\u003e","\u003cp\u003eMark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.\u003c/p\u003e","\u003cp\u003eThe U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.\u003c/p\u003e","\u003cp\u003eLouis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["30th Commandant, U. S. Marine Corps","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","On the occasion of the VMI vs. Liberty football game","Stephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","VMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","Mark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.","The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","Louis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting."],"odd_html_tesm":["\u003cp\u003e3 copies\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["3 copies"],"prefercite_html_tesm":["\u003cp\u003e[Name of collection/item], Virginia Military Institute Archives.\u003c/p\u003e"],"prefercite_tesim":["[Name of collection/item], Virginia Military Institute Archives."],"processinfo_html_tesm":["\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis collection was originally in VHS videotape format and has been converted to DVD format.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This collection was originally in VHS videotape format and has been converted to DVD format."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll7/id/4201\"\u003ePhotograph of Ambassador Young receiving the Daniels Award\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eBackground information about the Tick Rover Robot project is found online in the \u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll1/id/3097\"\u003eSeptember 2013 issue of the Institute Report.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Photograph","Related Materials"],"relatedmaterial_tesim":["Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project is found online in the  September 2013 issue of the Institute Report."],"scopecontent_html_tesm":["\u003cp\u003eA collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.\u003c/p\u003e","\u003cp\u003eJohn O. Marsh, Jr. receives the New Market Medal.\u003c/p\u003e","\u003cp\u003eThe graduation speaker was Donald H. Rumsfeld, Secretary of Defense.\u003c/p\u003e","\u003cp\u003eVideo of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.\u003c/p\u003e","\u003cp\u003eAmbassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006\u003c/p\u003e","\u003cp\u003eEvents of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner\u003c/p\u003e","\u003cp\u003eCadets whose articles were published in volume 1 of New Horizons talk about their research\u003c/p\u003e","\u003cp\u003eCeremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.\u003c/p\u003e","\u003cp\u003eOfficial breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.\u003c/p\u003e","\u003cp\u003eVarious speeches to cadets and other VMI audiences from 19-200x. 2 disks.\u003c/p\u003e\n","\u003cp\u003eDisk 1 Content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eDisk 1 content\u003c/head\u003e\n\u003citem\u003eCadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003\u003c/item\u003e\u003citem\u003eCOL Eric Hutchings Keydet Club speech, June 2000\u003c/item\u003e\u003citem\u003eSGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001\u003c/item\u003e\u003citem\u003eBG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004\u003c/item\u003e\u003citem\u003eAddress by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eDisk 2 content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eDisk 2 content\u003c/head\u003e\n\u003citem\u003eHon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003\u003c/item\u003e\u003citem\u003eAddress by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004\u003c/item\u003e\u003citem\u003eHon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991\u003c/item\u003e\u003citem\u003eCadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000\u003c/item\u003e\u003citem\u003eAddress of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eLocal PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  \u003c/p\u003e\n","\u003cp\u003eSee separate dvd for full recording of full panel discussion.\u003c/p\u003e","\u003cp\u003eEvents from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs\u003c/p\u003e","\u003cp\u003eIncludes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939\u003c/p\u003e","\u003cp\u003eOrientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.\u003c/p\u003e","\u003cp\u003eThis collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.\u003c/p\u003e","\u003cp\u003eABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.\u003c/p\u003e","\u003cp\u003eNews conference held at VMI, introducing General Peay as VMI's 14th Superintendent.\u003c/p\u003e","\u003cp\u003eNews videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.\u003c/p\u003e","\u003cp\u003eColor film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.\u003c/p\u003e","\u003cp\u003eSweat party, Fall 1987\u003c/p\u003e","\u003cp\u003eAddress to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.\u003c/p\u003e","\u003cp\u003eHighlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.\u003c/p\u003e","\u003cp\u003eIncludes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.\u003c/p\u003e","\u003cp\u003eIncludes New Market Day ceremony, parade, and bible presentation\u003c/p\u003e","\u003cp\u003eIn December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.\u003c/p\u003e","\u003cp\u003eGood Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC\u003c/p\u003e","\u003cp\u003eGeneral James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.\u003c/p\u003e","\u003cp\u003eInclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill\u003c/p\u003e","\u003cp\u003eVideo created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.\u003c/p\u003e","\u003cp\u003eUnveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.\u003c/p\u003e","\u003cp\u003eSupreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.\u003c/p\u003e","\u003cp\u003eA collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.\u003c/p\u003e","\u003cp\u003eBinder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.\u003c/p\u003e","\u003cp\u003eThis collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.\u003c/p\u003e","\u003cp\u003eDuration [00:08:13]\u003c/p\u003e","\u003cp\u003eDuration [00:28:27]; Produced by William Henricks Associates\u003c/p\u003e","\u003cp\u003eDuration [01:28:26]\u003c/p\u003e","\u003cp\u003e4 parts; total duration [02:01:01]\u003c/p\u003e","\u003cp\u003eDuration [01:55:58]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["A collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.","John O. Marsh, Jr. receives the New Market Medal.","The graduation speaker was Donald H. Rumsfeld, Secretary of Defense.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","Ambassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006","Events of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner","Cadets whose articles were published in volume 1 of New Horizons talk about their research","Ceremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.","Various speeches to cadets and other VMI audiences from 19-200x. 2 disks.","Disk 1 Content","Disk 1 content Cadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003 COL Eric Hutchings Keydet Club speech, June 2000 SGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001 BG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.","Disk 2 content","Disk 2 content Hon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Hon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000 Address of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  ","See separate dvd for full recording of full panel discussion.","Events from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs","Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","ABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Color film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.","Sweat party, Fall 1987","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","Highlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Includes New Market Day ceremony, parade, and bible presentation","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC","General James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.","Inclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill","Video created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.","Unveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","Binder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","4 parts; total duration [02:01:01]","Duration [01:55:58]"],"userestrict_html_tesm":["\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eItem is copyright protected.  Video can be viewed in person, but we do not provide copies.\u003c/p\u003e","\u003cp\u003eUse of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.\u003c/p\u003e","\u003cp\u003eThis material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.\u003c/p\u003e","\u003cp\u003eThis collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.\u003c/p\u003e","\u003cp\u003eContact Archives to view this material.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Item is copyright protected.  Video can be viewed in person, but we do not provide copies.","Use of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.","This material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.","Contact Archives to view this material.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3d96a804d049d7fd69b55a50bb62f86b\"\u003eArchives Stacks, Audio/Video\u003c/physloc\u003e"],"physloc_tesim":["Archives Stacks, Audio/Video"],"names_coll_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"names_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library","Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S."],"corpname_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library"],"persname_ssim":["Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S."],"language_ssim":["English"],"total_component_count_is":266,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:10:42.873Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_726_c01_c159"}},{"id":"vihart_repositories_4_resources_484","type":"collection","attributes":{"title":"Libraries and Educational Technologies Records","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_484#creator","type":"document_value","attributes":{"value":"James Madison University. Libraries and Educational Technologies","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_484#abstract_or_scope","type":"document_value","attributes":{"value":"This collection of contains the administrative records for James Madison University Libraries and Educational Technologies (LET) from 1939-2016. In addition to administrative records, this collection also contains historical items relating to the history of the library.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_484#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_484","ead_ssi":"vihart_repositories_4_resources_484","_root_":"vihart_repositories_4_resources_484","_nest_parent_":"vihart_repositories_4_resources_484","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_484.xml","title_ssm":["Libraries and Educational Technologies Records"],"title_tesim":["Libraries and Educational Technologies Records"],"unitdate_ssm":["1939-2016","1988-2009"],"unitdate_bulk_ssim":["1988-2009"],"unitdate_inclusive_ssm":["1939-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0008","/repositories/4/resources/484"],"text":["UA 0008","/repositories/4/resources/484","Libraries and Educational Technologies Records","Libraries and colleges","Academic Libraries -- Finance","Academic Libraries -- Administration","Academic Libraries -- Virginia -- Harrisonburg -- History","Floor plans (orthographic projections)","CD-ROMS","DVDs","Printed Ephemera","Scrapbooks","Memorandums","Financial Records","Administrative records","Reviews (documents)","Reports","Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","May receive regular accruals.","The collection is arranged into seven series with Series 1:Financial Records further arranged into two subseries. Series 1: Financial Records is arranged chronologically, Series 7: 2018-0621 Accession is arranged in the order in which it was received by the donor, and all other series are arranged alphabetically.","Financial Records, 1975-2012 Committees, 1987-2012 Policies, 1989-2009 Subject Files, 1975-2013 Library Faculty and Staff, 1986-2003 Library History, 1939-2016 2018-0621 Accession, 1981-2004","James Madison University's first library was housed in Maury Hall and sat 40 students. In 1915, the library was moved to Harrison Hall, increasing its capacity to 98. Fifteen years later, a reading room was added to Harrison Hall, allowing it to seat 165 students and hold 20,000+ volumes. Despite these expansions, students called for a new building with more space and better lighting in October 1937. The following year, President Samuel Duke obtained funds from the Public Works Administration (PWA) and began construction on Madison Memorial Library. The library opened on September 22, 1939, seating 350 students and holding 80,000 volumes. Increased enrollment prompted additions in 1971, 1982, and 1994. Madison Memorial Library was renamed Carrier Library in 1984 after the fourth president of the university, Ronald Carrier. Today Carrier Library contains the humanities related collections. ","In August 2008, the University built a second library on East Campus. East Campus Library (ECL) doubled the staffing and services of the library. ECL was renamed Rose Library in 2012 after the fifth president of the university, Linwood H. Rose. Rose Library holds the science related collections. ","The University also has two subject specific libraries: the Music Library and the Educational Technology Media Center (ETMC). The Music Library is housed in the Music Building and provides scores, sound recordings, software titles, journals, and several special collections in support of the Music department. The ETMC in Memorial Hall works with the College of Education to provide access, assistance, and maintenance to the library collection. The ETMC houses the juvenile collection, a small reference collection supported by the library materials budget, and the K-12 curriculum materials that support the College of Education. ","In addition, Special Collections, located on the second floor of Carrier Library, was established in 1983 to document the history of JMU and the Central Shenandoah Valley. Today, Special Collections continues its mission of documenting the history of JMU and the Central Shenandoah Valley while also serving as Carrier Library's repository for rare and valuable materials and supporting JMU curriculum and community research through primary source materials. ","The newest member of Library and Educational Technologies is Innovation Services, located in both Carrier and Rose Library. Innovation Services is focused on creative technologies, such as 3D Printing, video production, sound recording, and virtual reality, and making them available to the JMU community. ","Duplicate items that Special Collections already has copies of outside of the Libraries and Educational Technologies Records have been discarded (One Books from Orientation, Student Course Catalogs, etc). Any duplicate items found within the collection itself have also been discarded. In addition, one acquisition in 2015 had a large amount of general institutional records, such as Self-Studies, or items unrelated to the Libraries and Educational Technologies Records. These materials have been transferred to appropriate collections within Special Collections. Large materials, such as floor plans, that were received folded up have been flatted. All media items in Box 34, Folder 4 of Series 6 are pending reprocessing. In April 2018, the Oversize Series was removed and integrated into appropriate series within the collection.","The order of the files in this series reflect the original arrangement as received by the donor. Folder titles provided by the donor were retained.","The Libraries and Educational Technologies Records span from 1939 to 2016, with the bulk of the records from 1988 to 2009. The records detail the administrative functions of the library and document its position as an academic resource on the JMU campus. Records consist of financial records, committee reports, library policies, various subject files, and library history primarily from the Office of the Dean as well as the Associate Dean. The collection is arranged into six series: Financial Records, Committees, Policies, Subject Files, Library Faculty and Staff, Library History.","Arranged in two subseries: Annual Reports, 1975-2012 and Budgets, 1982-2010. Arranged chronologically within each series.","Series 1: Financial Records, 1975-2012 is the largest series in the largest series within the collection. Most materials from this series are from 1980-2010, though some records are from as early as 1975.  Annual Reports are an evaluative tool required by any program subject to Academic Program Review.  These reports review the library's mission and goals, support the development of priorities, and contribution to strategic planning. The Annual Reports are from various departments within the library such as Periodicals, Serials, Technical Service Division, Educational Media Lab, and Collection Development, as well as a general summary report from JMU Libraries. The Budget subseries relates to collection management and acquisitions and contains many budgets for different areas of the library. Each budget is accompanied by an explanatory note.","Arranged alphabetically.","Series 2: Committees, 1987-2012 contains the records of committees within the library, committees associated with the library, and committees involving library staff. This series predominately contains records from the Academic Council and the Collection Development Committee. Records from the Academic Council include evaluations of current academic programs and suggestions for future improvement, minutes from meetings, and correspondences from President Carrier. Documents from the Collection Development Committee include meeting minutes, collection statistics, correspondences to academic departments, and plans of action. Also included in this series are various task force reports, evaluations of specific academic journals, and records from the commission of undergraduate studies, the graduate council, and the liberal studies committee. The majority of the records within this series pertain to the evaluation and advancement of the University's academic programs and the role of the library within those programs.","Arranged alphabetically.","Series 3: Policies, 1984-2009 contains documents that outline various campus-wide and library-specific policies. The series runs continuously from 1984-2009, with the exception of 1986-1988 and 2003-2004. Materials within this series include documents that outline the process and prioritization of resource acquisition, and collection development, including faculty request and evaluation forms. Information on Federal collection development policies is also included. Also contained within this series are documents detailing various University policies. These include policies on harassment, academic program reviews, and policies regarding the enhancement of programs. Outlines of various University employment policies are housed in this series and include: the appointment and termination of faculty, recruitment of minority faculty, retirement procedures, and misconduct in research and scholarly work. Series 3: Policies, 1989-2009 also contains records of University self-studies and correspondences regarding the policies and regulations of the Commission on Colleges. ","Series 4: Subject Files, 1973-2013 contains a wide range of documents relating to the library's relationship with the academic departments of the University. The series is arranged alphabetically. Materials include collection development planning and evaluation, reports detailing the current state and future plans of various academic programs, and correspondences and documents to and from the Dean of Libraries \u0026 Educational Technologies. Many of the materials within this series aim to clarify and improve the library's role as an academic resource to the University. In addition, Box 34, Folder 4 contains media items that include: Photos of East Campus Library (now Rose Library) and Carrier Library, as well as photos from Ralph Alberico, former Dean of Libraries and Educational Technologies; CDs containing SACS Library Maps; the L\u0026ET 2006 Self Study Report and Appendices; and one DVD, \"The Library as Place.\"","Arranged alphabetically. ","Series 5: Library Faculty and Staff, 1986-2003 contains documents relating to the work of library faculty and staff. Included in this series are faculty responsibility self-surveys, records from faculty and staff retreats/workshops, minutes from library department head meetings and liaison/faculty meetings. Also included are records and consideration of faculty and staff salaries and leave, performance assessment, and professional development. One item of interest is the development of a Mission Statement for Carrier Library, and a resulting strategic plan for the future of the library. Other items of interest are individual Meyers-Briggs results from staff workshops and faculty activity surveys. ","Items housed within Faculty Activity Survey RESTRICTED, 1993, 1995, 1998, 2001 (Box 23, Folder 8) are accessible to researchers. Because of personal information found on the documents, researchers agree to make no notes or other recordation of privacy protected information found within this folder, and further agree not to publish or disclose such information for any purpose.","Arranged alphabetically.","Series 6: Library History, 1939-2016 contains materials documenting significant events in the history of the library. Included in this series are news articles relating to the library, plans for library expansion and development, and ephemera from key library events. Also included in this series are pamphlets and documents outlining library skills and procedures, a timeline of library construction, and photographs of library staff. The Library Scrapbook, 1939-1941 housed within Box 28 is of particular interest. The scrapbook contains newspaper clippings and some copies of photographs documenting the first two years of Madison Memorial Library. Another item of interest, is correspondence from Madison College alumni Mary Wright Thrasher ('41) found in Box 26, Folder 1. In this letter to the former Dean, Ralph Alberico, she briefly mentions her remembrances of the library as a student when the library was housed in Harrison Hall. She also mentions that Carrier Library was not built until a few years after she graduated in 1941, although it opened to students in 1939. Items in Map Case 3:1 include architectural renderings of Rose Library showing placement of furniture on each floor of the library as well as architectural renderings for a new security entrance as well as poster titled New Library for the College of Integrated Science and Technology Campus, October 2004 with images of the CISAT campus with some construction being done. Also included in the map case are old Carrier Library floor plans.","Includes fixed asset inventories, collection financial reports, and reports generated by Integrated Postsecondary Education Data System (IPEDS) and the State Council of Higher Education for Virginia (SCHEV).","Academic Program Review Self-Studies and External Team Reports were transferred to UA 0002: Academic Affairs: Academic Program Reviews, 1993 – Present. Statistical Summaries from the Office of Institutional Research were cataloged, and duplicates were discarded. All published monographs of Library Accession Records have been cataloged individually and placed in Special Collections' rare book collection. The accession records run continuously from September 1909 to February 1987, with the exception of 1974.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, including those already documented within this Finding Aid, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu). ","This collection of contains the administrative records for James Madison University Libraries and Educational Technologies (LET) from 1939-2016. In addition to administrative records, this collection also contains historical items relating to the history of the library.","James Madison University Libraries Special Collections","James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University -- History","Madison College -- History","Gasser, Sharon","English"],"unitid_tesim":["UA 0008","/repositories/4/resources/484"],"normalized_title_ssm":["Libraries and Educational Technologies Records"],"collection_title_tesim":["Libraries and Educational Technologies Records"],"collection_ssim":["Libraries and Educational Technologies Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","Gasser, Sharon","James Madison University. Libraries"],"creator_ssim":["James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","Gasser, Sharon","James Madison University. Libraries"],"creator_persname_ssim":["Gasser, Sharon"],"creator_corpname_ssim":["James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University. Libraries"],"creators_ssim":["Gasser, Sharon","James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University. Libraries"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, including those already documented within this Finding Aid, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu). "],"acqinfo_ssim":["This collection was previously known as the Carrier Library Collection, LI 93-0406. In 2015 this collection was merged and reprocessed with the Carrier Library Vertical File as well as the LET Publications Vertical File along with multiple accessions from 2012, 2014, and 2015. Items from LI 93-0406 were placed in Series 6: Library History. Materials in the accessions included five linear feet from the Office of the Dean in 2012 and five linear feet from the office of Sharon Gasser, Associate Dean of Carrier Library in 2014. In 2015, three accessions were added. These include architectural renderings of Rose Library, ca. 2008, government documents, and files from the office of Reba Leiding, a former librarian at Carrier Library and Jody Hess, a former library staff member. The 2016 accession came from the filing cabinet in the Special Collections Reading Room and from the files of the departing Special Collections Librarian, Lynn Eaton. A 2018 accrual was received from Sharon Gasser upon her retirement."],"access_subjects_ssim":["Libraries and colleges","Academic Libraries -- Finance","Academic Libraries -- Administration","Academic Libraries -- Virginia -- Harrisonburg -- History","Floor plans (orthographic projections)","CD-ROMS","DVDs","Printed Ephemera","Scrapbooks","Memorandums","Financial Records","Administrative records","Reviews (documents)","Reports"],"access_subjects_ssm":["Libraries and colleges","Academic Libraries -- Finance","Academic Libraries -- Administration","Academic Libraries -- Virginia -- Harrisonburg -- History","Floor plans (orthographic projections)","CD-ROMS","DVDs","Printed Ephemera","Scrapbooks","Memorandums","Financial Records","Administrative records","Reviews (documents)","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["12.91 cubic feet 38 boxes, 1 map folder"],"extent_tesim":["12.91 cubic feet 38 boxes, 1 map folder"],"genreform_ssim":["Floor plans (orthographic projections)","CD-ROMS","DVDs","Printed Ephemera","Scrapbooks","Memorandums","Financial Records","Administrative records","Reviews (documents)","Reports"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"accruals_html_tesm":["\u003cp\u003eMay receive regular accruals.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["May receive regular accruals."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series with Series 1:Financial Records further arranged into two subseries. Series 1: Financial Records is arranged chronologically, Series 7: 2018-0621 Accession is arranged in the order in which it was received by the donor, and all other series are arranged alphabetically.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eFinancial Records, 1975-2012\u003c/item\u003e\n      \u003citem\u003eCommittees, 1987-2012\u003c/item\u003e\n      \u003citem\u003ePolicies, 1989-2009\u003c/item\u003e\n      \u003citem\u003eSubject Files, 1975-2013\u003c/item\u003e\n      \u003citem\u003eLibrary Faculty and Staff, 1986-2003\u003c/item\u003e\n      \u003citem\u003eLibrary History, 1939-2016\u003c/item\u003e\n      \u003citem\u003e2018-0621 Accession, 1981-2004\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series with Series 1:Financial Records further arranged into two subseries. Series 1: Financial Records is arranged chronologically, Series 7: 2018-0621 Accession is arranged in the order in which it was received by the donor, and all other series are arranged alphabetically.","Financial Records, 1975-2012 Committees, 1987-2012 Policies, 1989-2009 Subject Files, 1975-2013 Library Faculty and Staff, 1986-2003 Library History, 1939-2016 2018-0621 Accession, 1981-2004"],"bioghist_html_tesm":["\u003cp\u003eJames Madison University's first library was housed in Maury Hall and sat 40 students. In 1915, the library was moved to Harrison Hall, increasing its capacity to 98. Fifteen years later, a reading room was added to Harrison Hall, allowing it to seat 165 students and hold 20,000+ volumes. Despite these expansions, students called for a new building with more space and better lighting in October 1937. The following year, President Samuel Duke obtained funds from the Public Works Administration (PWA) and began construction on Madison Memorial Library. The library opened on September 22, 1939, seating 350 students and holding 80,000 volumes. Increased enrollment prompted additions in 1971, 1982, and 1994. Madison Memorial Library was renamed Carrier Library in 1984 after the fourth president of the university, Ronald Carrier. Today Carrier Library contains the humanities related collections. \u003c/p\u003e\n","\u003cp\u003eIn August 2008, the University built a second library on East Campus. East Campus Library (ECL) doubled the staffing and services of the library. ECL was renamed Rose Library in 2012 after the fifth president of the university, Linwood H. Rose. Rose Library holds the science related collections. \u003c/p\u003e\n","\u003cp\u003eThe University also has two subject specific libraries: the Music Library and the Educational Technology Media Center (ETMC). The Music Library is housed in the Music Building and provides scores, sound recordings, software titles, journals, and several special collections in support of the Music department. The ETMC in Memorial Hall works with the College of Education to provide access, assistance, and maintenance to the library collection. The ETMC houses the juvenile collection, a small reference collection supported by the library materials budget, and the K-12 curriculum materials that support the College of Education. \u003c/p\u003e\n","\u003cp\u003eIn addition, Special Collections, located on the second floor of Carrier Library, was established in 1983 to document the history of JMU and the Central Shenandoah Valley. Today, Special Collections continues its mission of documenting the history of JMU and the Central Shenandoah Valley while also serving as Carrier Library's repository for rare and valuable materials and supporting JMU curriculum and community research through primary source materials. \u003c/p\u003e\n","\u003cp\u003eThe newest member of Library and Educational Technologies is Innovation Services, located in both Carrier and Rose Library. Innovation Services is focused on creative technologies, such as 3D Printing, video production, sound recording, and virtual reality, and making them available to the JMU community. \u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["James Madison University's first library was housed in Maury Hall and sat 40 students. In 1915, the library was moved to Harrison Hall, increasing its capacity to 98. Fifteen years later, a reading room was added to Harrison Hall, allowing it to seat 165 students and hold 20,000+ volumes. Despite these expansions, students called for a new building with more space and better lighting in October 1937. The following year, President Samuel Duke obtained funds from the Public Works Administration (PWA) and began construction on Madison Memorial Library. The library opened on September 22, 1939, seating 350 students and holding 80,000 volumes. Increased enrollment prompted additions in 1971, 1982, and 1994. Madison Memorial Library was renamed Carrier Library in 1984 after the fourth president of the university, Ronald Carrier. Today Carrier Library contains the humanities related collections. ","In August 2008, the University built a second library on East Campus. East Campus Library (ECL) doubled the staffing and services of the library. ECL was renamed Rose Library in 2012 after the fifth president of the university, Linwood H. Rose. Rose Library holds the science related collections. ","The University also has two subject specific libraries: the Music Library and the Educational Technology Media Center (ETMC). The Music Library is housed in the Music Building and provides scores, sound recordings, software titles, journals, and several special collections in support of the Music department. The ETMC in Memorial Hall works with the College of Education to provide access, assistance, and maintenance to the library collection. The ETMC houses the juvenile collection, a small reference collection supported by the library materials budget, and the K-12 curriculum materials that support the College of Education. ","In addition, Special Collections, located on the second floor of Carrier Library, was established in 1983 to document the history of JMU and the Central Shenandoah Valley. Today, Special Collections continues its mission of documenting the history of JMU and the Central Shenandoah Valley while also serving as Carrier Library's repository for rare and valuable materials and supporting JMU curriculum and community research through primary source materials. ","The newest member of Library and Educational Technologies is Innovation Services, located in both Carrier and Rose Library. Innovation Services is focused on creative technologies, such as 3D Printing, video production, sound recording, and virtual reality, and making them available to the JMU community. "],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Libraries and Educational Technologies Records, 1939-2016, UA 0008, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Libraries and Educational Technologies Records, 1939-2016, UA 0008, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eDuplicate items that Special Collections already has copies of outside of the Libraries and Educational Technologies Records have been discarded (One Books from Orientation, Student Course Catalogs, etc). Any duplicate items found within the collection itself have also been discarded. In addition, one acquisition in 2015 had a large amount of general institutional records, such as Self-Studies, or items unrelated to the Libraries and Educational Technologies Records. These materials have been transferred to appropriate collections within Special Collections. Large materials, such as floor plans, that were received folded up have been flatted. All media items in Box 34, Folder 4 of Series 6 are pending reprocessing. In April 2018, the Oversize Series was removed and integrated into appropriate series within the collection.\u003c/p\u003e","\u003cp\u003eThe order of the files in this series reflect the original arrangement as received by the donor. Folder titles provided by the donor were retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Duplicate items that Special Collections already has copies of outside of the Libraries and Educational Technologies Records have been discarded (One Books from Orientation, Student Course Catalogs, etc). Any duplicate items found within the collection itself have also been discarded. In addition, one acquisition in 2015 had a large amount of general institutional records, such as Self-Studies, or items unrelated to the Libraries and Educational Technologies Records. These materials have been transferred to appropriate collections within Special Collections. Large materials, such as floor plans, that were received folded up have been flatted. All media items in Box 34, Folder 4 of Series 6 are pending reprocessing. In April 2018, the Oversize Series was removed and integrated into appropriate series within the collection.","The order of the files in this series reflect the original arrangement as received by the donor. Folder titles provided by the donor were retained."],"scopecontent_html_tesm":["\u003cp\u003eThe Libraries and Educational Technologies Records span from 1939 to 2016, with the bulk of the records from 1988 to 2009. The records detail the administrative functions of the library and document its position as an academic resource on the JMU campus. Records consist of financial records, committee reports, library policies, various subject files, and library history primarily from the Office of the Dean as well as the Associate Dean. The collection is arranged into six series: Financial Records, Committees, Policies, Subject Files, Library Faculty and Staff, Library History.\u003c/p\u003e","\u003cp\u003eArranged in two subseries: Annual Reports, 1975-2012 and Budgets, 1982-2010. Arranged chronologically within each series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Financial Records, 1975-2012 is the largest series in the largest series within the collection. Most materials from this series are from 1980-2010, though some records are from as early as 1975.  Annual Reports are an evaluative tool required by any program subject to Academic Program Review.  These reports review the library's mission and goals, support the development of priorities, and contribution to strategic planning. The Annual Reports are from various departments within the library such as Periodicals, Serials, Technical Service Division, Educational Media Lab, and Collection Development, as well as a general summary report from JMU Libraries. The Budget subseries relates to collection management and acquisitions and contains many budgets for different areas of the library. Each budget is accompanied by an explanatory note.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Committees, 1987-2012 contains the records of committees within the library, committees associated with the library, and committees involving library staff. This series predominately contains records from the Academic Council and the Collection Development Committee. Records from the Academic Council include evaluations of current academic programs and suggestions for future improvement, minutes from meetings, and correspondences from President Carrier. Documents from the Collection Development Committee include meeting minutes, collection statistics, correspondences to academic departments, and plans of action. Also included in this series are various task force reports, evaluations of specific academic journals, and records from the commission of undergraduate studies, the graduate council, and the liberal studies committee. The majority of the records within this series pertain to the evaluation and advancement of the University's academic programs and the role of the library within those programs.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Policies, 1984-2009 contains documents that outline various campus-wide and library-specific policies. The series runs continuously from 1984-2009, with the exception of 1986-1988 and 2003-2004. Materials within this series include documents that outline the process and prioritization of resource acquisition, and collection development, including faculty request and evaluation forms. Information on Federal collection development policies is also included. Also contained within this series are documents detailing various University policies. These include policies on harassment, academic program reviews, and policies regarding the enhancement of programs. Outlines of various University employment policies are housed in this series and include: the appointment and termination of faculty, recruitment of minority faculty, retirement procedures, and misconduct in research and scholarly work. Series 3: Policies, 1989-2009 also contains records of University self-studies and correspondences regarding the policies and regulations of the Commission on Colleges. \u003c/p\u003e","\u003cp\u003eSeries 4: Subject Files, 1973-2013 contains a wide range of documents relating to the library's relationship with the academic departments of the University. The series is arranged alphabetically. Materials include collection development planning and evaluation, reports detailing the current state and future plans of various academic programs, and correspondences and documents to and from the Dean of Libraries \u0026amp; Educational Technologies. Many of the materials within this series aim to clarify and improve the library's role as an academic resource to the University. In addition, Box 34, Folder 4 contains media items that include: Photos of East Campus Library (now Rose Library) and Carrier Library, as well as photos from Ralph Alberico, former Dean of Libraries and Educational Technologies; CDs containing SACS Library Maps; the L\u0026amp;ET 2006 Self Study Report and Appendices; and one DVD, \"The Library as Place.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Library Faculty and Staff, 1986-2003 contains documents relating to the work of library faculty and staff. Included in this series are faculty responsibility self-surveys, records from faculty and staff retreats/workshops, minutes from library department head meetings and liaison/faculty meetings. Also included are records and consideration of faculty and staff salaries and leave, performance assessment, and professional development. One item of interest is the development of a Mission Statement for Carrier Library, and a resulting strategic plan for the future of the library. Other items of interest are individual Meyers-Briggs results from staff workshops and faculty activity surveys. \u003c/p\u003e\n","\u003cp\u003eItems housed within Faculty Activity Survey RESTRICTED, 1993, 1995, 1998, 2001 (Box 23, Folder 8) are accessible to researchers. Because of personal information found on the documents, researchers agree to make no notes or other recordation of privacy protected information found within this folder, and further agree not to publish or disclose such information for any purpose.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Library History, 1939-2016 contains materials documenting significant events in the history of the library. Included in this series are news articles relating to the library, plans for library expansion and development, and ephemera from key library events. Also included in this series are pamphlets and documents outlining library skills and procedures, a timeline of library construction, and photographs of library staff. The Library Scrapbook, 1939-1941 housed within Box 28 is of particular interest. The scrapbook contains newspaper clippings and some copies of photographs documenting the first two years of Madison Memorial Library. Another item of interest, is correspondence from Madison College alumni Mary Wright Thrasher ('41) found in Box 26, Folder 1. In this letter to the former Dean, Ralph Alberico, she briefly mentions her remembrances of the library as a student when the library was housed in Harrison Hall. She also mentions that Carrier Library was not built until a few years after she graduated in 1941, although it opened to students in 1939. Items in Map Case 3:1 include architectural renderings of Rose Library showing placement of furniture on each floor of the library as well as architectural renderings for a new security entrance as well as poster titled New Library for the College of Integrated Science and Technology Campus, October 2004 with images of the CISAT campus with some construction being done. Also included in the map case are old Carrier Library floor plans.\u003c/p\u003e","\u003cp\u003eIncludes fixed asset inventories, collection financial reports, and reports generated by Integrated Postsecondary Education Data System (IPEDS) and the State Council of Higher Education for Virginia (SCHEV).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Libraries and Educational Technologies Records span from 1939 to 2016, with the bulk of the records from 1988 to 2009. The records detail the administrative functions of the library and document its position as an academic resource on the JMU campus. Records consist of financial records, committee reports, library policies, various subject files, and library history primarily from the Office of the Dean as well as the Associate Dean. The collection is arranged into six series: Financial Records, Committees, Policies, Subject Files, Library Faculty and Staff, Library History.","Arranged in two subseries: Annual Reports, 1975-2012 and Budgets, 1982-2010. Arranged chronologically within each series.","Series 1: Financial Records, 1975-2012 is the largest series in the largest series within the collection. Most materials from this series are from 1980-2010, though some records are from as early as 1975.  Annual Reports are an evaluative tool required by any program subject to Academic Program Review.  These reports review the library's mission and goals, support the development of priorities, and contribution to strategic planning. The Annual Reports are from various departments within the library such as Periodicals, Serials, Technical Service Division, Educational Media Lab, and Collection Development, as well as a general summary report from JMU Libraries. The Budget subseries relates to collection management and acquisitions and contains many budgets for different areas of the library. Each budget is accompanied by an explanatory note.","Arranged alphabetically.","Series 2: Committees, 1987-2012 contains the records of committees within the library, committees associated with the library, and committees involving library staff. This series predominately contains records from the Academic Council and the Collection Development Committee. Records from the Academic Council include evaluations of current academic programs and suggestions for future improvement, minutes from meetings, and correspondences from President Carrier. Documents from the Collection Development Committee include meeting minutes, collection statistics, correspondences to academic departments, and plans of action. Also included in this series are various task force reports, evaluations of specific academic journals, and records from the commission of undergraduate studies, the graduate council, and the liberal studies committee. The majority of the records within this series pertain to the evaluation and advancement of the University's academic programs and the role of the library within those programs.","Arranged alphabetically.","Series 3: Policies, 1984-2009 contains documents that outline various campus-wide and library-specific policies. The series runs continuously from 1984-2009, with the exception of 1986-1988 and 2003-2004. Materials within this series include documents that outline the process and prioritization of resource acquisition, and collection development, including faculty request and evaluation forms. Information on Federal collection development policies is also included. Also contained within this series are documents detailing various University policies. These include policies on harassment, academic program reviews, and policies regarding the enhancement of programs. Outlines of various University employment policies are housed in this series and include: the appointment and termination of faculty, recruitment of minority faculty, retirement procedures, and misconduct in research and scholarly work. Series 3: Policies, 1989-2009 also contains records of University self-studies and correspondences regarding the policies and regulations of the Commission on Colleges. ","Series 4: Subject Files, 1973-2013 contains a wide range of documents relating to the library's relationship with the academic departments of the University. The series is arranged alphabetically. Materials include collection development planning and evaluation, reports detailing the current state and future plans of various academic programs, and correspondences and documents to and from the Dean of Libraries \u0026 Educational Technologies. Many of the materials within this series aim to clarify and improve the library's role as an academic resource to the University. In addition, Box 34, Folder 4 contains media items that include: Photos of East Campus Library (now Rose Library) and Carrier Library, as well as photos from Ralph Alberico, former Dean of Libraries and Educational Technologies; CDs containing SACS Library Maps; the L\u0026ET 2006 Self Study Report and Appendices; and one DVD, \"The Library as Place.\"","Arranged alphabetically. ","Series 5: Library Faculty and Staff, 1986-2003 contains documents relating to the work of library faculty and staff. Included in this series are faculty responsibility self-surveys, records from faculty and staff retreats/workshops, minutes from library department head meetings and liaison/faculty meetings. Also included are records and consideration of faculty and staff salaries and leave, performance assessment, and professional development. One item of interest is the development of a Mission Statement for Carrier Library, and a resulting strategic plan for the future of the library. Other items of interest are individual Meyers-Briggs results from staff workshops and faculty activity surveys. ","Items housed within Faculty Activity Survey RESTRICTED, 1993, 1995, 1998, 2001 (Box 23, Folder 8) are accessible to researchers. Because of personal information found on the documents, researchers agree to make no notes or other recordation of privacy protected information found within this folder, and further agree not to publish or disclose such information for any purpose.","Arranged alphabetically.","Series 6: Library History, 1939-2016 contains materials documenting significant events in the history of the library. Included in this series are news articles relating to the library, plans for library expansion and development, and ephemera from key library events. Also included in this series are pamphlets and documents outlining library skills and procedures, a timeline of library construction, and photographs of library staff. The Library Scrapbook, 1939-1941 housed within Box 28 is of particular interest. The scrapbook contains newspaper clippings and some copies of photographs documenting the first two years of Madison Memorial Library. Another item of interest, is correspondence from Madison College alumni Mary Wright Thrasher ('41) found in Box 26, Folder 1. In this letter to the former Dean, Ralph Alberico, she briefly mentions her remembrances of the library as a student when the library was housed in Harrison Hall. She also mentions that Carrier Library was not built until a few years after she graduated in 1941, although it opened to students in 1939. Items in Map Case 3:1 include architectural renderings of Rose Library showing placement of furniture on each floor of the library as well as architectural renderings for a new security entrance as well as poster titled New Library for the College of Integrated Science and Technology Campus, October 2004 with images of the CISAT campus with some construction being done. Also included in the map case are old Carrier Library floor plans.","Includes fixed asset inventories, collection financial reports, and reports generated by Integrated Postsecondary Education Data System (IPEDS) and the State Council of Higher Education for Virginia (SCHEV)."],"separatedmaterial_html_tesm":["\u003cp\u003eAcademic Program Review Self-Studies and External Team Reports were transferred to UA 0002: Academic Affairs: Academic Program Reviews, 1993 – Present. Statistical Summaries from the Office of Institutional Research were cataloged, and duplicates were discarded. All published monographs of Library Accession Records have been cataloged individually and placed in Special Collections' rare book collection. The accession records run continuously from September 1909 to February 1987, with the exception of 1974.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Academic Program Review Self-Studies and External Team Reports were transferred to UA 0002: Academic Affairs: Academic Program Reviews, 1993 – Present. Statistical Summaries from the Office of Institutional Research were cataloged, and duplicates were discarded. All published monographs of Library Accession Records have been cataloged individually and placed in Special Collections' rare book collection. The accession records run continuously from September 1909 to February 1987, with the exception of 1974."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e\n","\u003cp\u003eStaff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, including those already documented within this Finding Aid, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu). \u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, including those already documented within this Finding Aid, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu). "],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f1640a0f6bda719dbec25d36911b063\"\u003eThis collection of contains the administrative records for James Madison University Libraries and Educational Technologies (LET) from 1939-2016. In addition to administrative records, this collection also contains historical items relating to the history of the library.\u003c/abstract\u003e"],"abstract_tesim":["This collection of contains the administrative records for James Madison University Libraries and Educational Technologies (LET) from 1939-2016. In addition to administrative records, this collection also contains historical items relating to the history of the library."],"names_coll_ssim":["James Madison University. Libraries","James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University -- History","Madison College -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University -- History","Madison College -- History","Gasser, Sharon"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University -- History","Madison College -- History"],"persname_ssim":["Gasser, Sharon"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":381,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:48.473Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_484","ead_ssi":"vihart_repositories_4_resources_484","_root_":"vihart_repositories_4_resources_484","_nest_parent_":"vihart_repositories_4_resources_484","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_484.xml","title_ssm":["Libraries and Educational Technologies Records"],"title_tesim":["Libraries and Educational Technologies Records"],"unitdate_ssm":["1939-2016","1988-2009"],"unitdate_bulk_ssim":["1988-2009"],"unitdate_inclusive_ssm":["1939-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0008","/repositories/4/resources/484"],"text":["UA 0008","/repositories/4/resources/484","Libraries and Educational Technologies Records","Libraries and colleges","Academic Libraries -- Finance","Academic Libraries -- Administration","Academic Libraries -- Virginia -- Harrisonburg -- History","Floor plans (orthographic projections)","CD-ROMS","DVDs","Printed Ephemera","Scrapbooks","Memorandums","Financial Records","Administrative records","Reviews (documents)","Reports","Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","May receive regular accruals.","The collection is arranged into seven series with Series 1:Financial Records further arranged into two subseries. Series 1: Financial Records is arranged chronologically, Series 7: 2018-0621 Accession is arranged in the order in which it was received by the donor, and all other series are arranged alphabetically.","Financial Records, 1975-2012 Committees, 1987-2012 Policies, 1989-2009 Subject Files, 1975-2013 Library Faculty and Staff, 1986-2003 Library History, 1939-2016 2018-0621 Accession, 1981-2004","James Madison University's first library was housed in Maury Hall and sat 40 students. In 1915, the library was moved to Harrison Hall, increasing its capacity to 98. Fifteen years later, a reading room was added to Harrison Hall, allowing it to seat 165 students and hold 20,000+ volumes. Despite these expansions, students called for a new building with more space and better lighting in October 1937. The following year, President Samuel Duke obtained funds from the Public Works Administration (PWA) and began construction on Madison Memorial Library. The library opened on September 22, 1939, seating 350 students and holding 80,000 volumes. Increased enrollment prompted additions in 1971, 1982, and 1994. Madison Memorial Library was renamed Carrier Library in 1984 after the fourth president of the university, Ronald Carrier. Today Carrier Library contains the humanities related collections. ","In August 2008, the University built a second library on East Campus. East Campus Library (ECL) doubled the staffing and services of the library. ECL was renamed Rose Library in 2012 after the fifth president of the university, Linwood H. Rose. Rose Library holds the science related collections. ","The University also has two subject specific libraries: the Music Library and the Educational Technology Media Center (ETMC). The Music Library is housed in the Music Building and provides scores, sound recordings, software titles, journals, and several special collections in support of the Music department. The ETMC in Memorial Hall works with the College of Education to provide access, assistance, and maintenance to the library collection. The ETMC houses the juvenile collection, a small reference collection supported by the library materials budget, and the K-12 curriculum materials that support the College of Education. ","In addition, Special Collections, located on the second floor of Carrier Library, was established in 1983 to document the history of JMU and the Central Shenandoah Valley. Today, Special Collections continues its mission of documenting the history of JMU and the Central Shenandoah Valley while also serving as Carrier Library's repository for rare and valuable materials and supporting JMU curriculum and community research through primary source materials. ","The newest member of Library and Educational Technologies is Innovation Services, located in both Carrier and Rose Library. Innovation Services is focused on creative technologies, such as 3D Printing, video production, sound recording, and virtual reality, and making them available to the JMU community. ","Duplicate items that Special Collections already has copies of outside of the Libraries and Educational Technologies Records have been discarded (One Books from Orientation, Student Course Catalogs, etc). Any duplicate items found within the collection itself have also been discarded. In addition, one acquisition in 2015 had a large amount of general institutional records, such as Self-Studies, or items unrelated to the Libraries and Educational Technologies Records. These materials have been transferred to appropriate collections within Special Collections. Large materials, such as floor plans, that were received folded up have been flatted. All media items in Box 34, Folder 4 of Series 6 are pending reprocessing. In April 2018, the Oversize Series was removed and integrated into appropriate series within the collection.","The order of the files in this series reflect the original arrangement as received by the donor. Folder titles provided by the donor were retained.","The Libraries and Educational Technologies Records span from 1939 to 2016, with the bulk of the records from 1988 to 2009. The records detail the administrative functions of the library and document its position as an academic resource on the JMU campus. Records consist of financial records, committee reports, library policies, various subject files, and library history primarily from the Office of the Dean as well as the Associate Dean. The collection is arranged into six series: Financial Records, Committees, Policies, Subject Files, Library Faculty and Staff, Library History.","Arranged in two subseries: Annual Reports, 1975-2012 and Budgets, 1982-2010. Arranged chronologically within each series.","Series 1: Financial Records, 1975-2012 is the largest series in the largest series within the collection. Most materials from this series are from 1980-2010, though some records are from as early as 1975.  Annual Reports are an evaluative tool required by any program subject to Academic Program Review.  These reports review the library's mission and goals, support the development of priorities, and contribution to strategic planning. The Annual Reports are from various departments within the library such as Periodicals, Serials, Technical Service Division, Educational Media Lab, and Collection Development, as well as a general summary report from JMU Libraries. The Budget subseries relates to collection management and acquisitions and contains many budgets for different areas of the library. Each budget is accompanied by an explanatory note.","Arranged alphabetically.","Series 2: Committees, 1987-2012 contains the records of committees within the library, committees associated with the library, and committees involving library staff. This series predominately contains records from the Academic Council and the Collection Development Committee. Records from the Academic Council include evaluations of current academic programs and suggestions for future improvement, minutes from meetings, and correspondences from President Carrier. Documents from the Collection Development Committee include meeting minutes, collection statistics, correspondences to academic departments, and plans of action. Also included in this series are various task force reports, evaluations of specific academic journals, and records from the commission of undergraduate studies, the graduate council, and the liberal studies committee. The majority of the records within this series pertain to the evaluation and advancement of the University's academic programs and the role of the library within those programs.","Arranged alphabetically.","Series 3: Policies, 1984-2009 contains documents that outline various campus-wide and library-specific policies. The series runs continuously from 1984-2009, with the exception of 1986-1988 and 2003-2004. Materials within this series include documents that outline the process and prioritization of resource acquisition, and collection development, including faculty request and evaluation forms. Information on Federal collection development policies is also included. Also contained within this series are documents detailing various University policies. These include policies on harassment, academic program reviews, and policies regarding the enhancement of programs. Outlines of various University employment policies are housed in this series and include: the appointment and termination of faculty, recruitment of minority faculty, retirement procedures, and misconduct in research and scholarly work. Series 3: Policies, 1989-2009 also contains records of University self-studies and correspondences regarding the policies and regulations of the Commission on Colleges. ","Series 4: Subject Files, 1973-2013 contains a wide range of documents relating to the library's relationship with the academic departments of the University. The series is arranged alphabetically. Materials include collection development planning and evaluation, reports detailing the current state and future plans of various academic programs, and correspondences and documents to and from the Dean of Libraries \u0026 Educational Technologies. Many of the materials within this series aim to clarify and improve the library's role as an academic resource to the University. In addition, Box 34, Folder 4 contains media items that include: Photos of East Campus Library (now Rose Library) and Carrier Library, as well as photos from Ralph Alberico, former Dean of Libraries and Educational Technologies; CDs containing SACS Library Maps; the L\u0026ET 2006 Self Study Report and Appendices; and one DVD, \"The Library as Place.\"","Arranged alphabetically. ","Series 5: Library Faculty and Staff, 1986-2003 contains documents relating to the work of library faculty and staff. Included in this series are faculty responsibility self-surveys, records from faculty and staff retreats/workshops, minutes from library department head meetings and liaison/faculty meetings. Also included are records and consideration of faculty and staff salaries and leave, performance assessment, and professional development. One item of interest is the development of a Mission Statement for Carrier Library, and a resulting strategic plan for the future of the library. Other items of interest are individual Meyers-Briggs results from staff workshops and faculty activity surveys. ","Items housed within Faculty Activity Survey RESTRICTED, 1993, 1995, 1998, 2001 (Box 23, Folder 8) are accessible to researchers. Because of personal information found on the documents, researchers agree to make no notes or other recordation of privacy protected information found within this folder, and further agree not to publish or disclose such information for any purpose.","Arranged alphabetically.","Series 6: Library History, 1939-2016 contains materials documenting significant events in the history of the library. Included in this series are news articles relating to the library, plans for library expansion and development, and ephemera from key library events. Also included in this series are pamphlets and documents outlining library skills and procedures, a timeline of library construction, and photographs of library staff. The Library Scrapbook, 1939-1941 housed within Box 28 is of particular interest. The scrapbook contains newspaper clippings and some copies of photographs documenting the first two years of Madison Memorial Library. Another item of interest, is correspondence from Madison College alumni Mary Wright Thrasher ('41) found in Box 26, Folder 1. In this letter to the former Dean, Ralph Alberico, she briefly mentions her remembrances of the library as a student when the library was housed in Harrison Hall. She also mentions that Carrier Library was not built until a few years after she graduated in 1941, although it opened to students in 1939. Items in Map Case 3:1 include architectural renderings of Rose Library showing placement of furniture on each floor of the library as well as architectural renderings for a new security entrance as well as poster titled New Library for the College of Integrated Science and Technology Campus, October 2004 with images of the CISAT campus with some construction being done. Also included in the map case are old Carrier Library floor plans.","Includes fixed asset inventories, collection financial reports, and reports generated by Integrated Postsecondary Education Data System (IPEDS) and the State Council of Higher Education for Virginia (SCHEV).","Academic Program Review Self-Studies and External Team Reports were transferred to UA 0002: Academic Affairs: Academic Program Reviews, 1993 – Present. Statistical Summaries from the Office of Institutional Research were cataloged, and duplicates were discarded. All published monographs of Library Accession Records have been cataloged individually and placed in Special Collections' rare book collection. The accession records run continuously from September 1909 to February 1987, with the exception of 1974.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, including those already documented within this Finding Aid, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu). ","This collection of contains the administrative records for James Madison University Libraries and Educational Technologies (LET) from 1939-2016. In addition to administrative records, this collection also contains historical items relating to the history of the library.","James Madison University Libraries Special Collections","James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University -- History","Madison College -- History","Gasser, Sharon","English"],"unitid_tesim":["UA 0008","/repositories/4/resources/484"],"normalized_title_ssm":["Libraries and Educational Technologies Records"],"collection_title_tesim":["Libraries and Educational Technologies Records"],"collection_ssim":["Libraries and Educational Technologies Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","Gasser, Sharon","James Madison University. Libraries"],"creator_ssim":["James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","Gasser, Sharon","James Madison University. Libraries"],"creator_persname_ssim":["Gasser, Sharon"],"creator_corpname_ssim":["James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University. Libraries"],"creators_ssim":["Gasser, Sharon","James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University. Libraries"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, including those already documented within this Finding Aid, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu). "],"acqinfo_ssim":["This collection was previously known as the Carrier Library Collection, LI 93-0406. In 2015 this collection was merged and reprocessed with the Carrier Library Vertical File as well as the LET Publications Vertical File along with multiple accessions from 2012, 2014, and 2015. Items from LI 93-0406 were placed in Series 6: Library History. Materials in the accessions included five linear feet from the Office of the Dean in 2012 and five linear feet from the office of Sharon Gasser, Associate Dean of Carrier Library in 2014. In 2015, three accessions were added. These include architectural renderings of Rose Library, ca. 2008, government documents, and files from the office of Reba Leiding, a former librarian at Carrier Library and Jody Hess, a former library staff member. The 2016 accession came from the filing cabinet in the Special Collections Reading Room and from the files of the departing Special Collections Librarian, Lynn Eaton. A 2018 accrual was received from Sharon Gasser upon her retirement."],"access_subjects_ssim":["Libraries and colleges","Academic Libraries -- Finance","Academic Libraries -- Administration","Academic Libraries -- Virginia -- Harrisonburg -- History","Floor plans (orthographic projections)","CD-ROMS","DVDs","Printed Ephemera","Scrapbooks","Memorandums","Financial Records","Administrative records","Reviews (documents)","Reports"],"access_subjects_ssm":["Libraries and colleges","Academic Libraries -- Finance","Academic Libraries -- Administration","Academic Libraries -- Virginia -- Harrisonburg -- History","Floor plans (orthographic projections)","CD-ROMS","DVDs","Printed Ephemera","Scrapbooks","Memorandums","Financial Records","Administrative records","Reviews (documents)","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["12.91 cubic feet 38 boxes, 1 map folder"],"extent_tesim":["12.91 cubic feet 38 boxes, 1 map folder"],"genreform_ssim":["Floor plans (orthographic projections)","CD-ROMS","DVDs","Printed Ephemera","Scrapbooks","Memorandums","Financial Records","Administrative records","Reviews (documents)","Reports"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"accruals_html_tesm":["\u003cp\u003eMay receive regular accruals.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["May receive regular accruals."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series with Series 1:Financial Records further arranged into two subseries. Series 1: Financial Records is arranged chronologically, Series 7: 2018-0621 Accession is arranged in the order in which it was received by the donor, and all other series are arranged alphabetically.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eFinancial Records, 1975-2012\u003c/item\u003e\n      \u003citem\u003eCommittees, 1987-2012\u003c/item\u003e\n      \u003citem\u003ePolicies, 1989-2009\u003c/item\u003e\n      \u003citem\u003eSubject Files, 1975-2013\u003c/item\u003e\n      \u003citem\u003eLibrary Faculty and Staff, 1986-2003\u003c/item\u003e\n      \u003citem\u003eLibrary History, 1939-2016\u003c/item\u003e\n      \u003citem\u003e2018-0621 Accession, 1981-2004\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series with Series 1:Financial Records further arranged into two subseries. Series 1: Financial Records is arranged chronologically, Series 7: 2018-0621 Accession is arranged in the order in which it was received by the donor, and all other series are arranged alphabetically.","Financial Records, 1975-2012 Committees, 1987-2012 Policies, 1989-2009 Subject Files, 1975-2013 Library Faculty and Staff, 1986-2003 Library History, 1939-2016 2018-0621 Accession, 1981-2004"],"bioghist_html_tesm":["\u003cp\u003eJames Madison University's first library was housed in Maury Hall and sat 40 students. In 1915, the library was moved to Harrison Hall, increasing its capacity to 98. Fifteen years later, a reading room was added to Harrison Hall, allowing it to seat 165 students and hold 20,000+ volumes. Despite these expansions, students called for a new building with more space and better lighting in October 1937. The following year, President Samuel Duke obtained funds from the Public Works Administration (PWA) and began construction on Madison Memorial Library. The library opened on September 22, 1939, seating 350 students and holding 80,000 volumes. Increased enrollment prompted additions in 1971, 1982, and 1994. Madison Memorial Library was renamed Carrier Library in 1984 after the fourth president of the university, Ronald Carrier. Today Carrier Library contains the humanities related collections. \u003c/p\u003e\n","\u003cp\u003eIn August 2008, the University built a second library on East Campus. East Campus Library (ECL) doubled the staffing and services of the library. ECL was renamed Rose Library in 2012 after the fifth president of the university, Linwood H. Rose. Rose Library holds the science related collections. \u003c/p\u003e\n","\u003cp\u003eThe University also has two subject specific libraries: the Music Library and the Educational Technology Media Center (ETMC). The Music Library is housed in the Music Building and provides scores, sound recordings, software titles, journals, and several special collections in support of the Music department. The ETMC in Memorial Hall works with the College of Education to provide access, assistance, and maintenance to the library collection. The ETMC houses the juvenile collection, a small reference collection supported by the library materials budget, and the K-12 curriculum materials that support the College of Education. \u003c/p\u003e\n","\u003cp\u003eIn addition, Special Collections, located on the second floor of Carrier Library, was established in 1983 to document the history of JMU and the Central Shenandoah Valley. Today, Special Collections continues its mission of documenting the history of JMU and the Central Shenandoah Valley while also serving as Carrier Library's repository for rare and valuable materials and supporting JMU curriculum and community research through primary source materials. \u003c/p\u003e\n","\u003cp\u003eThe newest member of Library and Educational Technologies is Innovation Services, located in both Carrier and Rose Library. Innovation Services is focused on creative technologies, such as 3D Printing, video production, sound recording, and virtual reality, and making them available to the JMU community. \u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["James Madison University's first library was housed in Maury Hall and sat 40 students. In 1915, the library was moved to Harrison Hall, increasing its capacity to 98. Fifteen years later, a reading room was added to Harrison Hall, allowing it to seat 165 students and hold 20,000+ volumes. Despite these expansions, students called for a new building with more space and better lighting in October 1937. The following year, President Samuel Duke obtained funds from the Public Works Administration (PWA) and began construction on Madison Memorial Library. The library opened on September 22, 1939, seating 350 students and holding 80,000 volumes. Increased enrollment prompted additions in 1971, 1982, and 1994. Madison Memorial Library was renamed Carrier Library in 1984 after the fourth president of the university, Ronald Carrier. Today Carrier Library contains the humanities related collections. ","In August 2008, the University built a second library on East Campus. East Campus Library (ECL) doubled the staffing and services of the library. ECL was renamed Rose Library in 2012 after the fifth president of the university, Linwood H. Rose. Rose Library holds the science related collections. ","The University also has two subject specific libraries: the Music Library and the Educational Technology Media Center (ETMC). The Music Library is housed in the Music Building and provides scores, sound recordings, software titles, journals, and several special collections in support of the Music department. The ETMC in Memorial Hall works with the College of Education to provide access, assistance, and maintenance to the library collection. The ETMC houses the juvenile collection, a small reference collection supported by the library materials budget, and the K-12 curriculum materials that support the College of Education. ","In addition, Special Collections, located on the second floor of Carrier Library, was established in 1983 to document the history of JMU and the Central Shenandoah Valley. Today, Special Collections continues its mission of documenting the history of JMU and the Central Shenandoah Valley while also serving as Carrier Library's repository for rare and valuable materials and supporting JMU curriculum and community research through primary source materials. ","The newest member of Library and Educational Technologies is Innovation Services, located in both Carrier and Rose Library. Innovation Services is focused on creative technologies, such as 3D Printing, video production, sound recording, and virtual reality, and making them available to the JMU community. "],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Libraries and Educational Technologies Records, 1939-2016, UA 0008, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Libraries and Educational Technologies Records, 1939-2016, UA 0008, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eDuplicate items that Special Collections already has copies of outside of the Libraries and Educational Technologies Records have been discarded (One Books from Orientation, Student Course Catalogs, etc). Any duplicate items found within the collection itself have also been discarded. In addition, one acquisition in 2015 had a large amount of general institutional records, such as Self-Studies, or items unrelated to the Libraries and Educational Technologies Records. These materials have been transferred to appropriate collections within Special Collections. Large materials, such as floor plans, that were received folded up have been flatted. All media items in Box 34, Folder 4 of Series 6 are pending reprocessing. In April 2018, the Oversize Series was removed and integrated into appropriate series within the collection.\u003c/p\u003e","\u003cp\u003eThe order of the files in this series reflect the original arrangement as received by the donor. Folder titles provided by the donor were retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Duplicate items that Special Collections already has copies of outside of the Libraries and Educational Technologies Records have been discarded (One Books from Orientation, Student Course Catalogs, etc). Any duplicate items found within the collection itself have also been discarded. In addition, one acquisition in 2015 had a large amount of general institutional records, such as Self-Studies, or items unrelated to the Libraries and Educational Technologies Records. These materials have been transferred to appropriate collections within Special Collections. Large materials, such as floor plans, that were received folded up have been flatted. All media items in Box 34, Folder 4 of Series 6 are pending reprocessing. In April 2018, the Oversize Series was removed and integrated into appropriate series within the collection.","The order of the files in this series reflect the original arrangement as received by the donor. Folder titles provided by the donor were retained."],"scopecontent_html_tesm":["\u003cp\u003eThe Libraries and Educational Technologies Records span from 1939 to 2016, with the bulk of the records from 1988 to 2009. The records detail the administrative functions of the library and document its position as an academic resource on the JMU campus. Records consist of financial records, committee reports, library policies, various subject files, and library history primarily from the Office of the Dean as well as the Associate Dean. The collection is arranged into six series: Financial Records, Committees, Policies, Subject Files, Library Faculty and Staff, Library History.\u003c/p\u003e","\u003cp\u003eArranged in two subseries: Annual Reports, 1975-2012 and Budgets, 1982-2010. Arranged chronologically within each series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Financial Records, 1975-2012 is the largest series in the largest series within the collection. Most materials from this series are from 1980-2010, though some records are from as early as 1975.  Annual Reports are an evaluative tool required by any program subject to Academic Program Review.  These reports review the library's mission and goals, support the development of priorities, and contribution to strategic planning. The Annual Reports are from various departments within the library such as Periodicals, Serials, Technical Service Division, Educational Media Lab, and Collection Development, as well as a general summary report from JMU Libraries. The Budget subseries relates to collection management and acquisitions and contains many budgets for different areas of the library. Each budget is accompanied by an explanatory note.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Committees, 1987-2012 contains the records of committees within the library, committees associated with the library, and committees involving library staff. This series predominately contains records from the Academic Council and the Collection Development Committee. Records from the Academic Council include evaluations of current academic programs and suggestions for future improvement, minutes from meetings, and correspondences from President Carrier. Documents from the Collection Development Committee include meeting minutes, collection statistics, correspondences to academic departments, and plans of action. Also included in this series are various task force reports, evaluations of specific academic journals, and records from the commission of undergraduate studies, the graduate council, and the liberal studies committee. The majority of the records within this series pertain to the evaluation and advancement of the University's academic programs and the role of the library within those programs.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Policies, 1984-2009 contains documents that outline various campus-wide and library-specific policies. The series runs continuously from 1984-2009, with the exception of 1986-1988 and 2003-2004. Materials within this series include documents that outline the process and prioritization of resource acquisition, and collection development, including faculty request and evaluation forms. Information on Federal collection development policies is also included. Also contained within this series are documents detailing various University policies. These include policies on harassment, academic program reviews, and policies regarding the enhancement of programs. Outlines of various University employment policies are housed in this series and include: the appointment and termination of faculty, recruitment of minority faculty, retirement procedures, and misconduct in research and scholarly work. Series 3: Policies, 1989-2009 also contains records of University self-studies and correspondences regarding the policies and regulations of the Commission on Colleges. \u003c/p\u003e","\u003cp\u003eSeries 4: Subject Files, 1973-2013 contains a wide range of documents relating to the library's relationship with the academic departments of the University. The series is arranged alphabetically. Materials include collection development planning and evaluation, reports detailing the current state and future plans of various academic programs, and correspondences and documents to and from the Dean of Libraries \u0026amp; Educational Technologies. Many of the materials within this series aim to clarify and improve the library's role as an academic resource to the University. In addition, Box 34, Folder 4 contains media items that include: Photos of East Campus Library (now Rose Library) and Carrier Library, as well as photos from Ralph Alberico, former Dean of Libraries and Educational Technologies; CDs containing SACS Library Maps; the L\u0026amp;ET 2006 Self Study Report and Appendices; and one DVD, \"The Library as Place.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Library Faculty and Staff, 1986-2003 contains documents relating to the work of library faculty and staff. Included in this series are faculty responsibility self-surveys, records from faculty and staff retreats/workshops, minutes from library department head meetings and liaison/faculty meetings. Also included are records and consideration of faculty and staff salaries and leave, performance assessment, and professional development. One item of interest is the development of a Mission Statement for Carrier Library, and a resulting strategic plan for the future of the library. Other items of interest are individual Meyers-Briggs results from staff workshops and faculty activity surveys. \u003c/p\u003e\n","\u003cp\u003eItems housed within Faculty Activity Survey RESTRICTED, 1993, 1995, 1998, 2001 (Box 23, Folder 8) are accessible to researchers. Because of personal information found on the documents, researchers agree to make no notes or other recordation of privacy protected information found within this folder, and further agree not to publish or disclose such information for any purpose.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Library History, 1939-2016 contains materials documenting significant events in the history of the library. Included in this series are news articles relating to the library, plans for library expansion and development, and ephemera from key library events. Also included in this series are pamphlets and documents outlining library skills and procedures, a timeline of library construction, and photographs of library staff. The Library Scrapbook, 1939-1941 housed within Box 28 is of particular interest. The scrapbook contains newspaper clippings and some copies of photographs documenting the first two years of Madison Memorial Library. Another item of interest, is correspondence from Madison College alumni Mary Wright Thrasher ('41) found in Box 26, Folder 1. In this letter to the former Dean, Ralph Alberico, she briefly mentions her remembrances of the library as a student when the library was housed in Harrison Hall. She also mentions that Carrier Library was not built until a few years after she graduated in 1941, although it opened to students in 1939. Items in Map Case 3:1 include architectural renderings of Rose Library showing placement of furniture on each floor of the library as well as architectural renderings for a new security entrance as well as poster titled New Library for the College of Integrated Science and Technology Campus, October 2004 with images of the CISAT campus with some construction being done. Also included in the map case are old Carrier Library floor plans.\u003c/p\u003e","\u003cp\u003eIncludes fixed asset inventories, collection financial reports, and reports generated by Integrated Postsecondary Education Data System (IPEDS) and the State Council of Higher Education for Virginia (SCHEV).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Libraries and Educational Technologies Records span from 1939 to 2016, with the bulk of the records from 1988 to 2009. The records detail the administrative functions of the library and document its position as an academic resource on the JMU campus. Records consist of financial records, committee reports, library policies, various subject files, and library history primarily from the Office of the Dean as well as the Associate Dean. The collection is arranged into six series: Financial Records, Committees, Policies, Subject Files, Library Faculty and Staff, Library History.","Arranged in two subseries: Annual Reports, 1975-2012 and Budgets, 1982-2010. Arranged chronologically within each series.","Series 1: Financial Records, 1975-2012 is the largest series in the largest series within the collection. Most materials from this series are from 1980-2010, though some records are from as early as 1975.  Annual Reports are an evaluative tool required by any program subject to Academic Program Review.  These reports review the library's mission and goals, support the development of priorities, and contribution to strategic planning. The Annual Reports are from various departments within the library such as Periodicals, Serials, Technical Service Division, Educational Media Lab, and Collection Development, as well as a general summary report from JMU Libraries. The Budget subseries relates to collection management and acquisitions and contains many budgets for different areas of the library. Each budget is accompanied by an explanatory note.","Arranged alphabetically.","Series 2: Committees, 1987-2012 contains the records of committees within the library, committees associated with the library, and committees involving library staff. This series predominately contains records from the Academic Council and the Collection Development Committee. Records from the Academic Council include evaluations of current academic programs and suggestions for future improvement, minutes from meetings, and correspondences from President Carrier. Documents from the Collection Development Committee include meeting minutes, collection statistics, correspondences to academic departments, and plans of action. Also included in this series are various task force reports, evaluations of specific academic journals, and records from the commission of undergraduate studies, the graduate council, and the liberal studies committee. The majority of the records within this series pertain to the evaluation and advancement of the University's academic programs and the role of the library within those programs.","Arranged alphabetically.","Series 3: Policies, 1984-2009 contains documents that outline various campus-wide and library-specific policies. The series runs continuously from 1984-2009, with the exception of 1986-1988 and 2003-2004. Materials within this series include documents that outline the process and prioritization of resource acquisition, and collection development, including faculty request and evaluation forms. Information on Federal collection development policies is also included. Also contained within this series are documents detailing various University policies. These include policies on harassment, academic program reviews, and policies regarding the enhancement of programs. Outlines of various University employment policies are housed in this series and include: the appointment and termination of faculty, recruitment of minority faculty, retirement procedures, and misconduct in research and scholarly work. Series 3: Policies, 1989-2009 also contains records of University self-studies and correspondences regarding the policies and regulations of the Commission on Colleges. ","Series 4: Subject Files, 1973-2013 contains a wide range of documents relating to the library's relationship with the academic departments of the University. The series is arranged alphabetically. Materials include collection development planning and evaluation, reports detailing the current state and future plans of various academic programs, and correspondences and documents to and from the Dean of Libraries \u0026 Educational Technologies. Many of the materials within this series aim to clarify and improve the library's role as an academic resource to the University. In addition, Box 34, Folder 4 contains media items that include: Photos of East Campus Library (now Rose Library) and Carrier Library, as well as photos from Ralph Alberico, former Dean of Libraries and Educational Technologies; CDs containing SACS Library Maps; the L\u0026ET 2006 Self Study Report and Appendices; and one DVD, \"The Library as Place.\"","Arranged alphabetically. ","Series 5: Library Faculty and Staff, 1986-2003 contains documents relating to the work of library faculty and staff. Included in this series are faculty responsibility self-surveys, records from faculty and staff retreats/workshops, minutes from library department head meetings and liaison/faculty meetings. Also included are records and consideration of faculty and staff salaries and leave, performance assessment, and professional development. One item of interest is the development of a Mission Statement for Carrier Library, and a resulting strategic plan for the future of the library. Other items of interest are individual Meyers-Briggs results from staff workshops and faculty activity surveys. ","Items housed within Faculty Activity Survey RESTRICTED, 1993, 1995, 1998, 2001 (Box 23, Folder 8) are accessible to researchers. Because of personal information found on the documents, researchers agree to make no notes or other recordation of privacy protected information found within this folder, and further agree not to publish or disclose such information for any purpose.","Arranged alphabetically.","Series 6: Library History, 1939-2016 contains materials documenting significant events in the history of the library. Included in this series are news articles relating to the library, plans for library expansion and development, and ephemera from key library events. Also included in this series are pamphlets and documents outlining library skills and procedures, a timeline of library construction, and photographs of library staff. The Library Scrapbook, 1939-1941 housed within Box 28 is of particular interest. The scrapbook contains newspaper clippings and some copies of photographs documenting the first two years of Madison Memorial Library. Another item of interest, is correspondence from Madison College alumni Mary Wright Thrasher ('41) found in Box 26, Folder 1. In this letter to the former Dean, Ralph Alberico, she briefly mentions her remembrances of the library as a student when the library was housed in Harrison Hall. She also mentions that Carrier Library was not built until a few years after she graduated in 1941, although it opened to students in 1939. Items in Map Case 3:1 include architectural renderings of Rose Library showing placement of furniture on each floor of the library as well as architectural renderings for a new security entrance as well as poster titled New Library for the College of Integrated Science and Technology Campus, October 2004 with images of the CISAT campus with some construction being done. Also included in the map case are old Carrier Library floor plans.","Includes fixed asset inventories, collection financial reports, and reports generated by Integrated Postsecondary Education Data System (IPEDS) and the State Council of Higher Education for Virginia (SCHEV)."],"separatedmaterial_html_tesm":["\u003cp\u003eAcademic Program Review Self-Studies and External Team Reports were transferred to UA 0002: Academic Affairs: Academic Program Reviews, 1993 – Present. Statistical Summaries from the Office of Institutional Research were cataloged, and duplicates were discarded. All published monographs of Library Accession Records have been cataloged individually and placed in Special Collections' rare book collection. The accession records run continuously from September 1909 to February 1987, with the exception of 1974.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["Academic Program Review Self-Studies and External Team Reports were transferred to UA 0002: Academic Affairs: Academic Program Reviews, 1993 – Present. Statistical Summaries from the Office of Institutional Research were cataloged, and duplicates were discarded. All published monographs of Library Accession Records have been cataloged individually and placed in Special Collections' rare book collection. The accession records run continuously from September 1909 to February 1987, with the exception of 1974."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e\n","\u003cp\u003eStaff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, including those already documented within this Finding Aid, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu). \u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials found within this collection. However, in rare instances, including those already documented within this Finding Aid, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu). "],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f1640a0f6bda719dbec25d36911b063\"\u003eThis collection of contains the administrative records for James Madison University Libraries and Educational Technologies (LET) from 1939-2016. In addition to administrative records, this collection also contains historical items relating to the history of the library.\u003c/abstract\u003e"],"abstract_tesim":["This collection of contains the administrative records for James Madison University Libraries and Educational Technologies (LET) from 1939-2016. In addition to administrative records, this collection also contains historical items relating to the history of the library."],"names_coll_ssim":["James Madison University. Libraries","James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University -- History","Madison College -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University -- History","Madison College -- History","Gasser, Sharon"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Libraries and Educational Technologies","James Madison University. Libraries","James Madison University -- History","Madison College -- History"],"persname_ssim":["Gasser, Sharon"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":381,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:48.473Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_484"}},{"id":"viw_repositories_2_resources_695","type":"collection","attributes":{"title":"Manuscripts Audiovisual Collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_695#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_695#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_695","ead_ssi":"viw_repositories_2_resources_695","_root_":"viw_repositories_2_resources_695","_nest_parent_":"viw_repositories_2_resources_695","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_695.xml","title_filing_ssi":"Audiovisual, Manuscripts Collection","title_ssm":["Manuscripts Audiovisual Collection"],"title_tesim":["Manuscripts Audiovisual Collection"],"unitdate_ssm":["1920-2013"],"unitdate_inclusive_ssm":["1920-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 1.04","/repositories/2/resources/695"],"text":["01/Mss. 1.04","/repositories/2/resources/695","Manuscripts Audiovisual Collection","Audiocassettes","DVDs","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions are being made to this collection on an ongoing basis.","Many of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known.","The physical condition of some audiovisual formats may restrict access to the original recordings."," Special equipment is required to listen to or view audiovisual recordings.","The Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.","Contains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).","One VHS tape.","One VHS tape","One VHS tape","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","Two VHS tapes.","One VHS tape","One VHS tape","One VHS tape","Contains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).","One VHS tape","Contains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.","One VHS tape","One VHS Tape","One VHS tape","One Betamax tape.","One VHS tape.","One VHS tape.","One VHS show.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape, performed at Deutsches Theater, Berlin.","One VHS tape.","One VHS tape.","One VHS tape.","Two VHS tapes.","One oversize VHS tape.  Stored at the end of Series 1.","Running time 13:34. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).","Three VHS tapes.","Contains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).","One VHS tape.","1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon","Contains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.","Two U-matic tapes.","One VHS tape.","Running time 30 min. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","For more, see audio cassette tapes.","One VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Jive.  C-SPAN.  One VHS tape.","Berlin, NYC.  One VHS tape.","One VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Contains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).","One VHS tape.","One VHS tape.","One VHS tape.","Marketing video with cassette tape which was to be placed with video. One VHS tape.","Contains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).","One VHS tape.","One VHS tape.","One VHS tape.","For more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.","One VHS tape.","Tape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.","1 VHS tape, running time 18 min.","One VHS tape, running time 12 min.","One VHS Tape.","One VHS tape.","One VHS tape.","Virginia Senate District 3, VA Delegates District 96 \u0026 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.","One VHS tape.","One VHS tape.","Produced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Three VHS tapes.","One VHS tape.","Two VHS tapes.","One VHS tape.","One oversized VHS tape.  Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.","Two VHS tapes.","One Betacam tape with two WWE wrestlers.","This accession also includes an oversize video tape and a cassette tape.","Running time 63 minutes. One VHS tape.","Redford. One VHS tape.","The Kanew Company. Tape Dub. One VHS tape.","One VHS tape. 1 hr 37 min.","Length: 11:30. One VHS tape.","Starring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.","One VHS tape.","Roughcut. Viewing cassette. One VHS tape.","One VHS tape.","Sesame Street. One VHS tape.","The Lifetime Channel. One VHS tape.","One VHS tape.","Dub. One VHS tape.","Greta Cammermeyer - Prime Time Live. One VHS tape.","Walt Disney Pictures. 60 sec. One VHS tape.","Rough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.","Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Los Angeles Coverage. One VHS tape.","One VHS tape.","Guests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. One VHS tape.","One VHS tape.","TCA Highlights. One VHS tape.","TCA Highlights. One VHS tape.","Avid Cut. RT: 11:03. One VHS tape.","TRT - 45:00. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Includes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.","Trailers. One VHS tape.","Columbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Nightline. One VHS tape.","Columbia Pictures. Featurette. Length: 5:59. One VHS tape.","Hosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.","Winner Communications. 105:00. One VHS tape.","Sarajevo Package. One VHS tape.","Subject - Sarajevo. One VHS tape.","Columbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.","Walt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.","One VHS tape.","Sizzle Piece v. 5. TRT: 3:00. One VHS tape.","Walt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.","Walt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.","ABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.","One VHS tape.","ABC Hollywood. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","TRT : 59:30. One VHS tape.","B-Roll selects. One VHS tape.","Master Dub. One VHS tape.","Press Tour. One VHS tape.","One VHS tape.","B-Roll selects. One VHS tape.","B-Roll. Running Time 9:00. One VHS tape.","Rabbit Ears Productions. 30 mins. One VHS tape.","One VHS tape.","One VHS tape.","1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.","Scott Mauro Entertainment. 12:36. One VHS tape.","EP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.","Three Cassette Tapes.","Basil Rathbone.  Dupont Theatre.  Two Cassette Tapes.","One Cassette Tape.","Nine Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One cassette tape.","Nine Cassette Tapes. For more, see Sub-Series 6.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Chapel of the Wren Building, at the College of William and Mary. One Cassette Tape.","Accession number 1990-36. One cassette tape.","One Cassette Tape.","One Cassette Tape.","Recorded interviews on James City County history.","One cassette tape.","One cassette tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","Four Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. See Doris Wildenburger.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. No transcripts, cassette dated 12/8/87.","Three Cassette Tapes.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","For more, see Sub-Series 3.","One Cassette Tape.","Jeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","80 min. One Cassette Tape.","One Cassette Tape.","40 min. One Cassette Tape.","Svec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.","Frank Shatz is the interviewer. Run time 20 min. One Cassette Tape.","Running time 20 minutes. One Cassette Tape.","Running times 20min and 30 min, respectively. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Interviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.","Interviewer Frank Shatz. 15 minutes. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Six Cassette Tapes.","Jack \u0026 Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer. 15 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 20 min. One Cassette Tape.","Fifty-four audio cassette tapes of interviews by James A. Bill.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","New York. One Cassette Tape.","Austin, TX. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","One Cassette Tape.","Princeton. One Cassette Tape.","One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","New York. One Cassette Tape.","New York City. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Washington, D.C. One Cassette Tape.","Cambridge, MA. One Cassette Tape.","One audio cassette tape.","One audio cassette tape.","One audio cassette tape interview possibly covering the Iran-Contra affair.","Tapes are CLOSED.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Frank Shatz is the Interviewer. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Tapes are CLOSED.","Reves Center Global Forum, 40 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Read by Scott Martin. Two cassette tapes.","Tapes are CLOSED.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. 15 min. One cassette tape.","Frank Shatz is the interviewer.  20 min.  One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Recorded by Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Frank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.","Tapes are CLOSED.","Telephone Interview by Frank Shatz. One cassette tape.","Interview by Frank Shatz. One cassette tape.","Interviews on cassette tapes.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape. For more, see B side of tape 52.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Two cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Two cassette tapes.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Three cassette tapes.","Two cassette tapes.","Three cassette tapes.","One cassette tape.","One cassette tape.","By League of Women Voters. Williamsburg Public Library. One cassette tape.","Four cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Five cassette tapes with music for common year (?).","One cassette tape.","One cassette tape.","Three cassette tape.","GC-4089 and GC-4088. One cassette tape.","GC-4107 and GC-4085. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Tapes are CLOSED. Nine cassette tapes.","Interview at the Reves Center with Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 40 min. One cassette tape.","Interview by Frank Shatz. 25 min. One cassette tape.","Interview by Frank Shatz. 35 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Audio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","The radio broadcast for \"NPR Playhouse.\"  One cassette tape.","Tapes are CLOSED. Thirteen tapes.","Frank Shatz is the interviewer. 25 min. One cassette tape.","Frank Shatz is the interviewer. 35 min. One cassette tape.","One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer.  Running time 10 min.  One cassette tape.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 45 min. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Tapes are CLOSED.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Fank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Audiocassette tapes of piano performances by Claudia Stevens.","One audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14","Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).","Scope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","Tapes are closed.","Interview by Frank Shatz. The tape is approximately 30 minutes in length.","Interview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.","Interview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.","One CD.","Three CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.","One CD.","One CD.","One CD.","Piano, 1816, owned by William \u0026 Mary, 2003. Conservation by John Watson \u0026 Louis Dolive, Colonial Williamsburg. One CD.","Recordings of Claudia Stevens' piano concerts, including programs.","One CD.","One CD.","One CD.","Two CDs related to Jamestown Commemorative Postage Stamp.","One CD.","One CD.","Inaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.","With Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.","With Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.","With Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.","Branch Fields, with Ruth Easterling Winters. One CD.","With Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.","With Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.","With Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.","With Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.","With Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.","CD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.","One CD.","One CD.","One CD.","One CD.","One CD.","One CD.","Five Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.","Two unopened CDs.","One CD.","One CD.","One CD.","One CD.","One CD.","In PDF format. One CD.","April 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.","Veterans' Day, 2007. One CD.","Veterans' Day, 2010. One CD.","Memorial Day, 2010. One CD.","One CD.","One CD.","Performed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.","Recording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.","One compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.","Played on the organ of Bruton Parish Church by James Darling, organist.","Two copies of a DVD on John Marshall. Running time 29 min.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","One DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD case.","One DVD.","Hightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.","One DVD.","Two DVDs.","One DVD.","Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Ida Green Arena Theater. Item 12. One DVD.","One DVD.","Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","Recorded at Berkeley Art Center. One DVD.","A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Baltimore Theater. One DVD.","Charlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.","Charlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.","Charlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.","One DVD.","Two DVDs.","One DVD.","A film by Julia Melchoir and Sebastian Denhardt. One DVD.","At St. John's Kirk, Perth, Scotland. One DVD.","Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Contains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Format is Word Perfect 5.1. One 3.5 inch floppy disk.","WHRA","Two 3.5 inch floppy disks.","One disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","FS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Four disks with office files.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Pictures, files. Four 3.5 inch floppy disks","President's files.","Brochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.","LWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.","Newsletter and labels, invitations and flyers. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Board meetings, agenda, letter. One 3.5 inch floppy disk.","Policies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.","Scope and Contents Must be played with wooden \"Kacti\" needle. One record.","An example of material distributed during political campaigns. One 33 rpm disk.","By R. B. Tisdale. One 33 1/3 rpm disk.","Songs: Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.","Dunmore - Bouree - Fireworks. One 33 1/3 rpm disk.","Country dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.","Dunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.","Dunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.","Sowers \u0026 Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.","One disk.","One 33 1/3 rpm disk.","One disk.","Side 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.","Dunmore Ballet, Rainy Night. One 33 1/3 rpm disk.","Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.","Recorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.","One disk.","One 33 1/3 rpm disk.","One disk. Damaged.","Dave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.","One 78 rpm disk.","One disk.","One 33 1/3 rpm disk.","George Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.","Roanoke, Va.  One 33 1/3 rpm disk.","Richmond, Va.  Three 78 rpm disks.","Three 33 1/3 rpm disks.","Political Anns. Open \u0026 Closing included.  One 33 1/3 rpm disk.","José Iturbi, pianist.  One disk.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.","Two records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.","Transferred from the music library.","Soundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.","Scope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.","A musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.","Eleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.","Soundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.","Album by Perry Como. Case signed by the artist. One record.","The Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.","Recording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.","\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.","Directed by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record","Narrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.","Performed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.","State Capitol. One 1/4 inch audio reel.","Audio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.","Two 1/4 inch audio reels.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Probably belonging to Mary M. Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Radford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.","One 1/4 inch audio reel.","Reel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.","Box 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.","Box 2. Contents unknown. One 1/4 inch audio reel.","Box 3. Contents unknown. One 1/4 inch audio reel.","Box 4. Contents unknown. One 1/4 inch audio reel.","Box 5. Contents unknown. One 1/4 inch audio reel.","Box 6. Contents unknown. One 1/4 inch audio reel.","Box 7. Contents unknown. One 1/4 inch audio reel.","Box 8. Contents unknown. One 1/4 inch audio reel.","Box 9. Contents unknown. One 1/4 inch audio reel.","Box 10. Contents unknown. One 1/4 inch audio reel.","Collection is CLOSED.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","One sixty second radio spot. 7 1/2 ips - mono, one reel.","One sixty second radio spot.  7 1/2 ips - mono, one reel.","One sixty second radio spot. One reel.","One sixty second radio spot. 7 1/2 ips - mono master, one reel.","Reel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.","The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Contains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"","Scope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.","One 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.","Scope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.","One reel-to-reel audiotape labeled Mine workers monologues...European History.","Could have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.","No sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.","Run time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.","Run time 1 minute. One color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.","One 16mm video reel.","Run time 30 seconds. One 16mm color video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Presented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.","TV video reel, black and white with sound.  One 50 mm oversize video reel.","One 16mm video reel with audio.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","Running time 15 minutes.  One 1/2 inch audio and video reel.","No good - damaged. One oversize 1/2 inch audio and video reel.","Shipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","From 2005.38 addition. One small reel to reel video tape in plastic case.","Audiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013."," Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection."," Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["01/Mss. 1.04","/repositories/2/resources/695"],"normalized_title_ssm":["Manuscripts Audiovisual Collection"],"collection_title_tesim":["Manuscripts Audiovisual Collection"],"collection_ssim":["Manuscripts Audiovisual Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Audiocassettes","DVDs","Video recordings"],"access_subjects_ssm":["Audiocassettes","DVDs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear Feet"],"extent_tesim":["20.0 Linear Feet"],"genreform_ssim":["Audiocassettes","DVDs","Video recordings"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions are being made to this collection on an ongoing basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additions are being made to this collection on an ongoing basis."],"custodhist_html_tesm":["\u003cp\u003eMany of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Many of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known."],"phystech_html_tesm":["\u003cp\u003eThe physical condition of some audiovisual formats may restrict access to the original recordings.\u003c/p\u003e","\u003cp\u003e Special equipment is required to listen to or view audiovisual recordings.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["The physical condition of some audiovisual formats may restrict access to the original recordings."," Special equipment is required to listen to or view audiovisual recordings."],"prefercite_html_tesm":["\u003cp\u003eManuscripts Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Manuscripts Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThe Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.\u003c/p\u003e","\u003cp\u003eContains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS Tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne Betamax tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS show.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape, performed at Deutsches Theater, Berlin.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne oversize VHS tape.  Stored at the end of Series 1.\u003c/p\u003e","\u003cp\u003eRunning time 13:34. One oversize VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).\u003c/p\u003e","\u003cp\u003eThree VHS tapes.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003e1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.\u003c/p\u003e","\u003cp\u003eTwo U-matic tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eRunning time 30 min. One oversize VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eFor more, see audio cassette tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).\u003c/p\u003e","\u003cp\u003eJive.  C-SPAN.  One VHS tape.\u003c/p\u003e","\u003cp\u003eBerlin, NYC.  One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eMarketing video with cassette tape which was to be placed with video. One VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eFor more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.\u003c/p\u003e","\u003cp\u003e1 VHS tape, running time 18 min.\u003c/p\u003e","\u003cp\u003eOne VHS tape, running time 12 min.\u003c/p\u003e","\u003cp\u003eOne VHS Tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eVirginia Senate District 3, VA Delegates District 96 \u0026amp; 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eProduced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eThree VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne oversized VHS tape.  Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne Betacam tape with two WWE wrestlers.\u003c/p\u003e","\u003cp\u003eThis accession also includes an oversize video tape and a cassette tape.\u003c/p\u003e","\u003cp\u003eRunning time 63 minutes. One VHS tape.\u003c/p\u003e","\u003cp\u003eRedford. One VHS tape.\u003c/p\u003e","\u003cp\u003eThe Kanew Company. Tape Dub. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape. 1 hr 37 min.\u003c/p\u003e","\u003cp\u003eLength: 11:30. One VHS tape.\u003c/p\u003e","\u003cp\u003eStarring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eRoughcut. Viewing cassette. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eSesame Street. One VHS tape.\u003c/p\u003e","\u003cp\u003eThe Lifetime Channel. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eDub. One VHS tape.\u003c/p\u003e","\u003cp\u003eGreta Cammermeyer - Prime Time Live. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. 60 sec. One VHS tape.\u003c/p\u003e","\u003cp\u003eRough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.\u003c/p\u003e","\u003cp\u003eEntertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.\u003c/p\u003e","\u003cp\u003eLos Angeles Coverage. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eGuests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Electronic Press Kit. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTCA Highlights. One VHS tape.\u003c/p\u003e","\u003cp\u003eTCA Highlights. One VHS tape.\u003c/p\u003e","\u003cp\u003eAvid Cut. RT: 11:03. One VHS tape.\u003c/p\u003e","\u003cp\u003eTRT - 45:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Length 1:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Length 1:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eIncludes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.\u003c/p\u003e","\u003cp\u003eTrailers. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.\u003c/p\u003e","\u003cp\u003eNightline. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Featurette. Length: 5:59. One VHS tape.\u003c/p\u003e","\u003cp\u003eHosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.\u003c/p\u003e","\u003cp\u003eWinner Communications. 105:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eSarajevo Package. One VHS tape.\u003c/p\u003e","\u003cp\u003eSubject - Sarajevo. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eSizzle Piece v. 5. TRT: 3:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.\u003c/p\u003e","\u003cp\u003eABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eABC Hollywood. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTRT : 59:30. One VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll selects. One VHS tape.\u003c/p\u003e","\u003cp\u003eMaster Dub. One VHS tape.\u003c/p\u003e","\u003cp\u003ePress Tour. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll selects. One VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll. Running Time 9:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eRabbit Ears Productions. 30 mins. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003e1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.\u003c/p\u003e","\u003cp\u003eScott Mauro Entertainment. 12:36. One VHS tape.\u003c/p\u003e","\u003cp\u003eEP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eVideocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.\u003c/p\u003e","\u003cp\u003eVideo exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eBasil Rathbone.  Dupont Theatre.  Two Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eNine Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eNine Cassette Tapes. For more, see Sub-Series 6.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eChapel of the Wren Building, at the College of William and Mary. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eAccession number 1990-36. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eRecorded interviews on James City County history.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eFour Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape. See Doris Wildenburger.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape. No transcripts, cassette dated 12/8/87.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eFor more, see Sub-Series 3.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eJeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003e80 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003e40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eSvec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Run time 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRunning time 20 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRunning times 20min and 30 min, respectively. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer Frank Shatz. 15 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eSix Cassette Tapes.\u003c/p\u003e","\u003cp\u003eJack \u0026amp; Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 15 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFifty-four audio cassette tapes of interviews by James A. Bill.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eNew York. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eAustin, TX. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWilliamsburg, VA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003ePrinceton. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eWilliamsburg, VA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eNew York. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eNew York City. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eCambridge, MA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape interview possibly covering the Iran-Contra affair.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eReves Center Global Forum, 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRead by Scott Martin. Two cassette tapes.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  20 min.  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eRecorded by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eTelephone Interview by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviews on cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape. For more, see B side of tape 52.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eThree cassette tapes.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eThree cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eBy League of Women Voters. Williamsburg Public Library. One cassette tape.\u003c/p\u003e","\u003cp\u003eFour cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eFive cassette tapes with music for common year (?).\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eThree cassette tape.\u003c/p\u003e","\u003cp\u003eGC-4089 and GC-4088. One cassette tape.\u003c/p\u003e","\u003cp\u003eGC-4107 and GC-4085. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED. Nine cassette tapes.\u003c/p\u003e","\u003cp\u003eInterview at the Reves Center with Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 25 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 35 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eAudio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eThe radio broadcast for \"NPR Playhouse.\"  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED. Thirteen tapes.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 35 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  Running time 10 min.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 45 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eAudiocassette tapes of piano performances by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOne audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14\u003c/p\u003e","\u003cp\u003eAudiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.\u003c/p\u003e","\u003cp\u003eTapes are closed.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. The tape is approximately 30 minutes in length.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eThree CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003ePiano, 1816, owned by William \u0026amp; Mary, 2003. Conservation by John Watson \u0026amp; Louis Dolive, Colonial Williamsburg. One CD.\u003c/p\u003e","\u003cp\u003eRecordings of Claudia Stevens' piano concerts, including programs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eTwo CDs related to Jamestown Commemorative Postage Stamp.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eInaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.\u003c/p\u003e","\u003cp\u003eWith Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.\u003c/p\u003e","\u003cp\u003eWith Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.\u003c/p\u003e","\u003cp\u003eBranch Fields, with Ruth Easterling Winters. One CD.\u003c/p\u003e","\u003cp\u003eWith Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.\u003c/p\u003e","\u003cp\u003eWith Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.\u003c/p\u003e","\u003cp\u003eWith Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.\u003c/p\u003e","\u003cp\u003eWith Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.\u003c/p\u003e","\u003cp\u003eWith Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.\u003c/p\u003e","\u003cp\u003eWith Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.\u003c/p\u003e","\u003cp\u003eWith Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.\u003c/p\u003e","\u003cp\u003eCD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eFive Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.\u003c/p\u003e","\u003cp\u003eTwo unopened CDs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eIn PDF format. One CD.\u003c/p\u003e","\u003cp\u003eApril 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.\u003c/p\u003e","\u003cp\u003eVeterans' Day, 2007. One CD.\u003c/p\u003e","\u003cp\u003eVeterans' Day, 2010. One CD.\u003c/p\u003e","\u003cp\u003eMemorial Day, 2010. One CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003ePerformed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.\u003c/p\u003e","\u003cp\u003eRecording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.\u003c/p\u003e","\u003cp\u003eOne compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.\u003c/p\u003e","\u003cp\u003ePlayed on the organ of Bruton Parish Church by James Darling, organist.\u003c/p\u003e","\u003cp\u003eTwo copies of a DVD on John Marshall. Running time 29 min.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.\u003c/p\u003e","\u003cp\u003eOne DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.\u003c/p\u003e","\u003cp\u003eOne DVD case.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eHightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.\u003c/p\u003e","\u003cp\u003eWith Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.\u003c/p\u003e","\u003cp\u003eWith Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.\u003c/p\u003e","\u003cp\u003eWith Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.\u003c/p\u003e","\u003cp\u003eWith Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.\u003c/p\u003e","\u003cp\u003eWith Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eTwo DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eMeredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.\u003c/p\u003e","\u003cp\u003eIda Green Arena Theater. Item 12. One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eHerbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.\u003c/p\u003e","\u003cp\u003eRecorded at Berkeley Art Center. One DVD.\u003c/p\u003e","\u003cp\u003eA solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.\u003c/p\u003e","\u003cp\u003eBaltimore Theater. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eTwo DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eA film by Julia Melchoir and Sebastian Denhardt. One DVD.\u003c/p\u003e","\u003cp\u003eAt St. John's Kirk, Perth, Scotland. One DVD.\u003c/p\u003e","\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e","\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e","\u003cp\u003eVideo exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFormat is Word Perfect 5.1. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eWHRA\u003c/p\u003e","\u003cp\u003eTwo 3.5 inch floppy disks.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFour disks with office files.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003ePictures, files. Four 3.5 inch floppy disks\u003c/p\u003e","\u003cp\u003ePresident's files.\u003c/p\u003e","\u003cp\u003eBrochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eLWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eNewsletter and labels, invitations and flyers. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eBoard meetings, agenda, letter. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003ePolicies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eScope and Contents Must be played with wooden \"Kacti\" needle. One record.\u003c/p\u003e","\u003cp\u003eAn example of material distributed during political campaigns. One 33 rpm disk.\u003c/p\u003e","\u003cp\u003eBy R. B. Tisdale. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eSongs: Ballet, Allemande, Country Dance, Reap \u0026amp; Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore - Bouree - Fireworks. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eCountry dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.\u003c/p\u003e","\u003cp\u003eSowers \u0026amp; Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eSide 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Rainy Night. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eBallet, Allemande, Country Dance, Reap \u0026amp; Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eRecorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk. Damaged.\u003c/p\u003e","\u003cp\u003eDave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.\u003c/p\u003e","\u003cp\u003eOne 78 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eGeorge Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.\u003c/p\u003e","\u003cp\u003eRoanoke, Va.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eRichmond, Va.  Three 78 rpm disks.\u003c/p\u003e","\u003cp\u003eThree 33 1/3 rpm disks.\u003c/p\u003e","\u003cp\u003ePolitical Anns. Open \u0026amp; Closing included.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eJosé Iturbi, pianist.  One disk.\u003c/p\u003e","\u003cp\u003eScope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.\u003c/p\u003e","\u003cp\u003eTwo records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.\u003c/p\u003e","\u003cp\u003eTransferred from the music library.\u003c/p\u003e","\u003cp\u003eSoundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.\u003c/p\u003e","\u003cp\u003eScope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.\u003c/p\u003e","\u003cp\u003eA musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.\u003c/p\u003e","\u003cp\u003eEleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.\u003c/p\u003e","\u003cp\u003eSoundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.\u003c/p\u003e","\u003cp\u003eAlbum by Perry Como. Case signed by the artist. One record.\u003c/p\u003e","\u003cp\u003eThe Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.\u003c/p\u003e","\u003cp\u003eRecording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.\u003c/p\u003e","\u003cp\u003e\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.\u003c/p\u003e","\u003cp\u003eDirected by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record\u003c/p\u003e","\u003cp\u003eNarrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.\u003c/p\u003e","\u003cp\u003ePerformed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.\u003c/p\u003e","\u003cp\u003eState Capitol. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.\u003c/p\u003e","\u003cp\u003eTwo 1/4 inch audio reels.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eProbably belonging to Mary M. Galt. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eRadford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eReel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.\u003c/p\u003e","\u003cp\u003eBox 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 2. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 3. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 4. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 5. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 6. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 7. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 8. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 9. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 10. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eCollection is CLOSED.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eFives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. 7 1/2 ips - mono, one reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot.  7 1/2 ips - mono, one reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. One reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. 7 1/2 ips - mono master, one reel.\u003c/p\u003e","\u003cp\u003eReel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThe program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.\u003c/p\u003e","\u003cp\u003ePortions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.\u003c/p\u003e","\u003cp\u003eScope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.\u003c/p\u003e","\u003cp\u003eProgram includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.\u003c/p\u003e","\u003cp\u003eProgram includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.\u003c/p\u003e","\u003cp\u003eConducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.\u003c/p\u003e","\u003cp\u003eProgram includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.\u003c/p\u003e","\u003cp\u003eProgram includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.\u003c/p\u003e","\u003cp\u003eProgram includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.\u003c/p\u003e","\u003cp\u003eContains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"\u003c/p\u003e","\u003cp\u003eScope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.\u003c/p\u003e","\u003cp\u003eOne 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.\u003c/p\u003e","\u003cp\u003eScope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.\u003c/p\u003e","\u003cp\u003eOne reel-to-reel audiotape labeled Mine workers monologues...European History.\u003c/p\u003e","\u003cp\u003eCould have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.\u003c/p\u003e","\u003cp\u003eNo sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.\u003c/p\u003e","\u003cp\u003eRun time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.\u003c/p\u003e","\u003cp\u003eRun time 1 minute. One color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.\u003c/p\u003e","\u003cp\u003eOne 16mm video reel.\u003c/p\u003e","\u003cp\u003eRun time 30 seconds. One 16mm color video reel.\u003c/p\u003e","\u003cp\u003ePromo film, run time 60 seconds. Retired March 1976. One 16mm video reel.\u003c/p\u003e","\u003cp\u003ePromo film, run time 60 seconds. Retired March 1976. One 16mm video reel.\u003c/p\u003e","\u003cp\u003ePresented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.\u003c/p\u003e","\u003cp\u003eTV video reel, black and white with sound.  One 50 mm oversize video reel.\u003c/p\u003e","\u003cp\u003eOne 16mm video reel with audio.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eRunning time 15 minutes.  One 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eNo good - damaged. One oversize 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eShipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eFrom 2005.38 addition. One small reel to reel video tape in plastic case.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.","Contains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).","One VHS tape.","One VHS tape","One VHS tape","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","Two VHS tapes.","One VHS tape","One VHS tape","One VHS tape","Contains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).","One VHS tape","Contains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.","One VHS tape","One VHS Tape","One VHS tape","One Betamax tape.","One VHS tape.","One VHS tape.","One VHS show.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape, performed at Deutsches Theater, Berlin.","One VHS tape.","One VHS tape.","One VHS tape.","Two VHS tapes.","One oversize VHS tape.  Stored at the end of Series 1.","Running time 13:34. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).","Three VHS tapes.","Contains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).","One VHS tape.","1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon","Contains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.","Two U-matic tapes.","One VHS tape.","Running time 30 min. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","For more, see audio cassette tapes.","One VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Jive.  C-SPAN.  One VHS tape.","Berlin, NYC.  One VHS tape.","One VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Contains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).","One VHS tape.","One VHS tape.","One VHS tape.","Marketing video with cassette tape which was to be placed with video. One VHS tape.","Contains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).","One VHS tape.","One VHS tape.","One VHS tape.","For more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.","One VHS tape.","Tape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.","1 VHS tape, running time 18 min.","One VHS tape, running time 12 min.","One VHS Tape.","One VHS tape.","One VHS tape.","Virginia Senate District 3, VA Delegates District 96 \u0026 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.","One VHS tape.","One VHS tape.","Produced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Three VHS tapes.","One VHS tape.","Two VHS tapes.","One VHS tape.","One oversized VHS tape.  Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.","Two VHS tapes.","One Betacam tape with two WWE wrestlers.","This accession also includes an oversize video tape and a cassette tape.","Running time 63 minutes. One VHS tape.","Redford. One VHS tape.","The Kanew Company. Tape Dub. One VHS tape.","One VHS tape. 1 hr 37 min.","Length: 11:30. One VHS tape.","Starring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.","One VHS tape.","Roughcut. Viewing cassette. One VHS tape.","One VHS tape.","Sesame Street. One VHS tape.","The Lifetime Channel. One VHS tape.","One VHS tape.","Dub. One VHS tape.","Greta Cammermeyer - Prime Time Live. One VHS tape.","Walt Disney Pictures. 60 sec. One VHS tape.","Rough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.","Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Los Angeles Coverage. One VHS tape.","One VHS tape.","Guests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. One VHS tape.","One VHS tape.","TCA Highlights. One VHS tape.","TCA Highlights. One VHS tape.","Avid Cut. RT: 11:03. One VHS tape.","TRT - 45:00. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Includes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.","Trailers. One VHS tape.","Columbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Nightline. One VHS tape.","Columbia Pictures. Featurette. Length: 5:59. One VHS tape.","Hosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.","Winner Communications. 105:00. One VHS tape.","Sarajevo Package. One VHS tape.","Subject - Sarajevo. One VHS tape.","Columbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.","Walt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.","One VHS tape.","Sizzle Piece v. 5. TRT: 3:00. One VHS tape.","Walt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.","Walt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.","ABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.","One VHS tape.","ABC Hollywood. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","TRT : 59:30. One VHS tape.","B-Roll selects. One VHS tape.","Master Dub. One VHS tape.","Press Tour. One VHS tape.","One VHS tape.","B-Roll selects. One VHS tape.","B-Roll. Running Time 9:00. One VHS tape.","Rabbit Ears Productions. 30 mins. One VHS tape.","One VHS tape.","One VHS tape.","1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.","Scott Mauro Entertainment. 12:36. One VHS tape.","EP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.","Three Cassette Tapes.","Basil Rathbone.  Dupont Theatre.  Two Cassette Tapes.","One Cassette Tape.","Nine Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One cassette tape.","Nine Cassette Tapes. For more, see Sub-Series 6.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Chapel of the Wren Building, at the College of William and Mary. One Cassette Tape.","Accession number 1990-36. One cassette tape.","One Cassette Tape.","One Cassette Tape.","Recorded interviews on James City County history.","One cassette tape.","One cassette tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","Four Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. See Doris Wildenburger.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. No transcripts, cassette dated 12/8/87.","Three Cassette Tapes.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","For more, see Sub-Series 3.","One Cassette Tape.","Jeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","80 min. One Cassette Tape.","One Cassette Tape.","40 min. One Cassette Tape.","Svec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.","Frank Shatz is the interviewer. Run time 20 min. One Cassette Tape.","Running time 20 minutes. One Cassette Tape.","Running times 20min and 30 min, respectively. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Interviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.","Interviewer Frank Shatz. 15 minutes. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Six Cassette Tapes.","Jack \u0026 Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer. 15 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 20 min. One Cassette Tape.","Fifty-four audio cassette tapes of interviews by James A. Bill.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","New York. One Cassette Tape.","Austin, TX. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","One Cassette Tape.","Princeton. One Cassette Tape.","One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","New York. One Cassette Tape.","New York City. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Washington, D.C. One Cassette Tape.","Cambridge, MA. One Cassette Tape.","One audio cassette tape.","One audio cassette tape.","One audio cassette tape interview possibly covering the Iran-Contra affair.","Tapes are CLOSED.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Frank Shatz is the Interviewer. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Tapes are CLOSED.","Reves Center Global Forum, 40 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Read by Scott Martin. Two cassette tapes.","Tapes are CLOSED.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. 15 min. One cassette tape.","Frank Shatz is the interviewer.  20 min.  One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Recorded by Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Frank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.","Tapes are CLOSED.","Telephone Interview by Frank Shatz. One cassette tape.","Interview by Frank Shatz. One cassette tape.","Interviews on cassette tapes.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape. For more, see B side of tape 52.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Two cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Two cassette tapes.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Three cassette tapes.","Two cassette tapes.","Three cassette tapes.","One cassette tape.","One cassette tape.","By League of Women Voters. Williamsburg Public Library. One cassette tape.","Four cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Five cassette tapes with music for common year (?).","One cassette tape.","One cassette tape.","Three cassette tape.","GC-4089 and GC-4088. One cassette tape.","GC-4107 and GC-4085. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Tapes are CLOSED. Nine cassette tapes.","Interview at the Reves Center with Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 40 min. One cassette tape.","Interview by Frank Shatz. 25 min. One cassette tape.","Interview by Frank Shatz. 35 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Audio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","The radio broadcast for \"NPR Playhouse.\"  One cassette tape.","Tapes are CLOSED. Thirteen tapes.","Frank Shatz is the interviewer. 25 min. One cassette tape.","Frank Shatz is the interviewer. 35 min. One cassette tape.","One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer.  Running time 10 min.  One cassette tape.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 45 min. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Tapes are CLOSED.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Fank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Audiocassette tapes of piano performances by Claudia Stevens.","One audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14","Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).","Scope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","Tapes are closed.","Interview by Frank Shatz. The tape is approximately 30 minutes in length.","Interview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.","Interview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.","One CD.","Three CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.","One CD.","One CD.","One CD.","Piano, 1816, owned by William \u0026 Mary, 2003. Conservation by John Watson \u0026 Louis Dolive, Colonial Williamsburg. One CD.","Recordings of Claudia Stevens' piano concerts, including programs.","One CD.","One CD.","One CD.","Two CDs related to Jamestown Commemorative Postage Stamp.","One CD.","One CD.","Inaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.","With Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.","With Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.","With Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.","Branch Fields, with Ruth Easterling Winters. One CD.","With Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.","With Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.","With Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.","With Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.","With Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.","CD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.","One CD.","One CD.","One CD.","One CD.","One CD.","One CD.","Five Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.","Two unopened CDs.","One CD.","One CD.","One CD.","One CD.","One CD.","In PDF format. One CD.","April 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.","Veterans' Day, 2007. One CD.","Veterans' Day, 2010. One CD.","Memorial Day, 2010. One CD.","One CD.","One CD.","Performed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.","Recording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.","One compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.","Played on the organ of Bruton Parish Church by James Darling, organist.","Two copies of a DVD on John Marshall. Running time 29 min.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","One DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD case.","One DVD.","Hightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.","One DVD.","Two DVDs.","One DVD.","Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Ida Green Arena Theater. Item 12. One DVD.","One DVD.","Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","Recorded at Berkeley Art Center. One DVD.","A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Baltimore Theater. One DVD.","Charlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.","Charlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.","Charlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.","One DVD.","Two DVDs.","One DVD.","A film by Julia Melchoir and Sebastian Denhardt. One DVD.","At St. John's Kirk, Perth, Scotland. One DVD.","Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Contains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Format is Word Perfect 5.1. One 3.5 inch floppy disk.","WHRA","Two 3.5 inch floppy disks.","One disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","FS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Four disks with office files.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Pictures, files. Four 3.5 inch floppy disks","President's files.","Brochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.","LWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.","Newsletter and labels, invitations and flyers. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Board meetings, agenda, letter. One 3.5 inch floppy disk.","Policies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.","Scope and Contents Must be played with wooden \"Kacti\" needle. One record.","An example of material distributed during political campaigns. One 33 rpm disk.","By R. B. Tisdale. One 33 1/3 rpm disk.","Songs: Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.","Dunmore - Bouree - Fireworks. One 33 1/3 rpm disk.","Country dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.","Dunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.","Dunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.","Sowers \u0026 Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.","One disk.","One 33 1/3 rpm disk.","One disk.","Side 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.","Dunmore Ballet, Rainy Night. One 33 1/3 rpm disk.","Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.","Recorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.","One disk.","One 33 1/3 rpm disk.","One disk. Damaged.","Dave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.","One 78 rpm disk.","One disk.","One 33 1/3 rpm disk.","George Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.","Roanoke, Va.  One 33 1/3 rpm disk.","Richmond, Va.  Three 78 rpm disks.","Three 33 1/3 rpm disks.","Political Anns. Open \u0026 Closing included.  One 33 1/3 rpm disk.","José Iturbi, pianist.  One disk.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.","Two records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.","Transferred from the music library.","Soundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.","Scope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.","A musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.","Eleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.","Soundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.","Album by Perry Como. Case signed by the artist. One record.","The Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.","Recording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.","\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.","Directed by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record","Narrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.","Performed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.","State Capitol. One 1/4 inch audio reel.","Audio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.","Two 1/4 inch audio reels.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Probably belonging to Mary M. Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Radford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.","One 1/4 inch audio reel.","Reel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.","Box 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.","Box 2. Contents unknown. One 1/4 inch audio reel.","Box 3. Contents unknown. One 1/4 inch audio reel.","Box 4. Contents unknown. One 1/4 inch audio reel.","Box 5. Contents unknown. One 1/4 inch audio reel.","Box 6. Contents unknown. One 1/4 inch audio reel.","Box 7. Contents unknown. One 1/4 inch audio reel.","Box 8. Contents unknown. One 1/4 inch audio reel.","Box 9. Contents unknown. One 1/4 inch audio reel.","Box 10. Contents unknown. One 1/4 inch audio reel.","Collection is CLOSED.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","One sixty second radio spot. 7 1/2 ips - mono, one reel.","One sixty second radio spot.  7 1/2 ips - mono, one reel.","One sixty second radio spot. One reel.","One sixty second radio spot. 7 1/2 ips - mono master, one reel.","Reel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.","The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Contains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"","Scope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.","One 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.","Scope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.","One reel-to-reel audiotape labeled Mine workers monologues...European History.","Could have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.","No sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.","Run time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.","Run time 1 minute. One color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.","One 16mm video reel.","Run time 30 seconds. One 16mm color video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Presented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.","TV video reel, black and white with sound.  One 50 mm oversize video reel.","One 16mm video reel with audio.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","Running time 15 minutes.  One 1/2 inch audio and video reel.","No good - damaged. One oversize 1/2 inch audio and video reel.","Shipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","From 2005.38 addition. One small reel to reel video tape in plastic case."],"separatedmaterial_html_tesm":["\u003cp\u003eAudiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013.\u003c/p\u003e\n","\u003cp\u003e Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection.\u003c/p\u003e\n","\u003cp\u003e Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Audiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013."," Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection."," Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":1000,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:42:09.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_695","ead_ssi":"viw_repositories_2_resources_695","_root_":"viw_repositories_2_resources_695","_nest_parent_":"viw_repositories_2_resources_695","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_695.xml","title_filing_ssi":"Audiovisual, Manuscripts Collection","title_ssm":["Manuscripts Audiovisual Collection"],"title_tesim":["Manuscripts Audiovisual Collection"],"unitdate_ssm":["1920-2013"],"unitdate_inclusive_ssm":["1920-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 1.04","/repositories/2/resources/695"],"text":["01/Mss. 1.04","/repositories/2/resources/695","Manuscripts Audiovisual Collection","Audiocassettes","DVDs","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions are being made to this collection on an ongoing basis.","Many of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known.","The physical condition of some audiovisual formats may restrict access to the original recordings."," Special equipment is required to listen to or view audiovisual recordings.","The Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.","Contains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).","One VHS tape.","One VHS tape","One VHS tape","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","Two VHS tapes.","One VHS tape","One VHS tape","One VHS tape","Contains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).","One VHS tape","Contains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.","One VHS tape","One VHS Tape","One VHS tape","One Betamax tape.","One VHS tape.","One VHS tape.","One VHS show.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape, performed at Deutsches Theater, Berlin.","One VHS tape.","One VHS tape.","One VHS tape.","Two VHS tapes.","One oversize VHS tape.  Stored at the end of Series 1.","Running time 13:34. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).","Three VHS tapes.","Contains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).","One VHS tape.","1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon","Contains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.","Two U-matic tapes.","One VHS tape.","Running time 30 min. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","For more, see audio cassette tapes.","One VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Jive.  C-SPAN.  One VHS tape.","Berlin, NYC.  One VHS tape.","One VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Contains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).","One VHS tape.","One VHS tape.","One VHS tape.","Marketing video with cassette tape which was to be placed with video. One VHS tape.","Contains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).","One VHS tape.","One VHS tape.","One VHS tape.","For more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.","One VHS tape.","Tape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.","1 VHS tape, running time 18 min.","One VHS tape, running time 12 min.","One VHS Tape.","One VHS tape.","One VHS tape.","Virginia Senate District 3, VA Delegates District 96 \u0026 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.","One VHS tape.","One VHS tape.","Produced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Three VHS tapes.","One VHS tape.","Two VHS tapes.","One VHS tape.","One oversized VHS tape.  Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.","Two VHS tapes.","One Betacam tape with two WWE wrestlers.","This accession also includes an oversize video tape and a cassette tape.","Running time 63 minutes. One VHS tape.","Redford. One VHS tape.","The Kanew Company. Tape Dub. One VHS tape.","One VHS tape. 1 hr 37 min.","Length: 11:30. One VHS tape.","Starring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.","One VHS tape.","Roughcut. Viewing cassette. One VHS tape.","One VHS tape.","Sesame Street. One VHS tape.","The Lifetime Channel. One VHS tape.","One VHS tape.","Dub. One VHS tape.","Greta Cammermeyer - Prime Time Live. One VHS tape.","Walt Disney Pictures. 60 sec. One VHS tape.","Rough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.","Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Los Angeles Coverage. One VHS tape.","One VHS tape.","Guests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. One VHS tape.","One VHS tape.","TCA Highlights. One VHS tape.","TCA Highlights. One VHS tape.","Avid Cut. RT: 11:03. One VHS tape.","TRT - 45:00. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Includes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.","Trailers. One VHS tape.","Columbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Nightline. One VHS tape.","Columbia Pictures. Featurette. Length: 5:59. One VHS tape.","Hosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.","Winner Communications. 105:00. One VHS tape.","Sarajevo Package. One VHS tape.","Subject - Sarajevo. One VHS tape.","Columbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.","Walt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.","One VHS tape.","Sizzle Piece v. 5. TRT: 3:00. One VHS tape.","Walt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.","Walt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.","ABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.","One VHS tape.","ABC Hollywood. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","TRT : 59:30. One VHS tape.","B-Roll selects. One VHS tape.","Master Dub. One VHS tape.","Press Tour. One VHS tape.","One VHS tape.","B-Roll selects. One VHS tape.","B-Roll. Running Time 9:00. One VHS tape.","Rabbit Ears Productions. 30 mins. One VHS tape.","One VHS tape.","One VHS tape.","1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.","Scott Mauro Entertainment. 12:36. One VHS tape.","EP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.","Three Cassette Tapes.","Basil Rathbone.  Dupont Theatre.  Two Cassette Tapes.","One Cassette Tape.","Nine Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One cassette tape.","Nine Cassette Tapes. For more, see Sub-Series 6.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Chapel of the Wren Building, at the College of William and Mary. One Cassette Tape.","Accession number 1990-36. One cassette tape.","One Cassette Tape.","One Cassette Tape.","Recorded interviews on James City County history.","One cassette tape.","One cassette tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","Four Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. See Doris Wildenburger.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. No transcripts, cassette dated 12/8/87.","Three Cassette Tapes.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","For more, see Sub-Series 3.","One Cassette Tape.","Jeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","80 min. One Cassette Tape.","One Cassette Tape.","40 min. One Cassette Tape.","Svec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.","Frank Shatz is the interviewer. Run time 20 min. One Cassette Tape.","Running time 20 minutes. One Cassette Tape.","Running times 20min and 30 min, respectively. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Interviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.","Interviewer Frank Shatz. 15 minutes. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Six Cassette Tapes.","Jack \u0026 Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer. 15 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 20 min. One Cassette Tape.","Fifty-four audio cassette tapes of interviews by James A. Bill.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","New York. One Cassette Tape.","Austin, TX. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","One Cassette Tape.","Princeton. One Cassette Tape.","One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","New York. One Cassette Tape.","New York City. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Washington, D.C. One Cassette Tape.","Cambridge, MA. One Cassette Tape.","One audio cassette tape.","One audio cassette tape.","One audio cassette tape interview possibly covering the Iran-Contra affair.","Tapes are CLOSED.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Frank Shatz is the Interviewer. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Tapes are CLOSED.","Reves Center Global Forum, 40 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Read by Scott Martin. Two cassette tapes.","Tapes are CLOSED.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. 15 min. One cassette tape.","Frank Shatz is the interviewer.  20 min.  One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Recorded by Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Frank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.","Tapes are CLOSED.","Telephone Interview by Frank Shatz. One cassette tape.","Interview by Frank Shatz. One cassette tape.","Interviews on cassette tapes.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape. For more, see B side of tape 52.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Two cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Two cassette tapes.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Three cassette tapes.","Two cassette tapes.","Three cassette tapes.","One cassette tape.","One cassette tape.","By League of Women Voters. Williamsburg Public Library. One cassette tape.","Four cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Five cassette tapes with music for common year (?).","One cassette tape.","One cassette tape.","Three cassette tape.","GC-4089 and GC-4088. One cassette tape.","GC-4107 and GC-4085. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Tapes are CLOSED. Nine cassette tapes.","Interview at the Reves Center with Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 40 min. One cassette tape.","Interview by Frank Shatz. 25 min. One cassette tape.","Interview by Frank Shatz. 35 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Audio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","The radio broadcast for \"NPR Playhouse.\"  One cassette tape.","Tapes are CLOSED. Thirteen tapes.","Frank Shatz is the interviewer. 25 min. One cassette tape.","Frank Shatz is the interviewer. 35 min. One cassette tape.","One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer.  Running time 10 min.  One cassette tape.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 45 min. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Tapes are CLOSED.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Fank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Audiocassette tapes of piano performances by Claudia Stevens.","One audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14","Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).","Scope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","Tapes are closed.","Interview by Frank Shatz. The tape is approximately 30 minutes in length.","Interview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.","Interview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.","One CD.","Three CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.","One CD.","One CD.","One CD.","Piano, 1816, owned by William \u0026 Mary, 2003. Conservation by John Watson \u0026 Louis Dolive, Colonial Williamsburg. One CD.","Recordings of Claudia Stevens' piano concerts, including programs.","One CD.","One CD.","One CD.","Two CDs related to Jamestown Commemorative Postage Stamp.","One CD.","One CD.","Inaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.","With Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.","With Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.","With Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.","Branch Fields, with Ruth Easterling Winters. One CD.","With Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.","With Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.","With Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.","With Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.","With Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.","CD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.","One CD.","One CD.","One CD.","One CD.","One CD.","One CD.","Five Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.","Two unopened CDs.","One CD.","One CD.","One CD.","One CD.","One CD.","In PDF format. One CD.","April 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.","Veterans' Day, 2007. One CD.","Veterans' Day, 2010. One CD.","Memorial Day, 2010. One CD.","One CD.","One CD.","Performed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.","Recording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.","One compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.","Played on the organ of Bruton Parish Church by James Darling, organist.","Two copies of a DVD on John Marshall. Running time 29 min.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","One DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD case.","One DVD.","Hightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.","One DVD.","Two DVDs.","One DVD.","Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Ida Green Arena Theater. Item 12. One DVD.","One DVD.","Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","Recorded at Berkeley Art Center. One DVD.","A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Baltimore Theater. One DVD.","Charlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.","Charlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.","Charlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.","One DVD.","Two DVDs.","One DVD.","A film by Julia Melchoir and Sebastian Denhardt. One DVD.","At St. John's Kirk, Perth, Scotland. One DVD.","Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Contains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Format is Word Perfect 5.1. One 3.5 inch floppy disk.","WHRA","Two 3.5 inch floppy disks.","One disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","FS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Four disks with office files.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Pictures, files. Four 3.5 inch floppy disks","President's files.","Brochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.","LWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.","Newsletter and labels, invitations and flyers. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Board meetings, agenda, letter. One 3.5 inch floppy disk.","Policies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.","Scope and Contents Must be played with wooden \"Kacti\" needle. One record.","An example of material distributed during political campaigns. One 33 rpm disk.","By R. B. Tisdale. One 33 1/3 rpm disk.","Songs: Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.","Dunmore - Bouree - Fireworks. One 33 1/3 rpm disk.","Country dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.","Dunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.","Dunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.","Sowers \u0026 Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.","One disk.","One 33 1/3 rpm disk.","One disk.","Side 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.","Dunmore Ballet, Rainy Night. One 33 1/3 rpm disk.","Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.","Recorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.","One disk.","One 33 1/3 rpm disk.","One disk. Damaged.","Dave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.","One 78 rpm disk.","One disk.","One 33 1/3 rpm disk.","George Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.","Roanoke, Va.  One 33 1/3 rpm disk.","Richmond, Va.  Three 78 rpm disks.","Three 33 1/3 rpm disks.","Political Anns. Open \u0026 Closing included.  One 33 1/3 rpm disk.","José Iturbi, pianist.  One disk.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.","Two records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.","Transferred from the music library.","Soundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.","Scope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.","A musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.","Eleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.","Soundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.","Album by Perry Como. Case signed by the artist. One record.","The Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.","Recording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.","\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.","Directed by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record","Narrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.","Performed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.","State Capitol. One 1/4 inch audio reel.","Audio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.","Two 1/4 inch audio reels.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Probably belonging to Mary M. Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Radford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.","One 1/4 inch audio reel.","Reel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.","Box 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.","Box 2. Contents unknown. One 1/4 inch audio reel.","Box 3. Contents unknown. One 1/4 inch audio reel.","Box 4. Contents unknown. One 1/4 inch audio reel.","Box 5. Contents unknown. One 1/4 inch audio reel.","Box 6. Contents unknown. One 1/4 inch audio reel.","Box 7. Contents unknown. One 1/4 inch audio reel.","Box 8. Contents unknown. One 1/4 inch audio reel.","Box 9. Contents unknown. One 1/4 inch audio reel.","Box 10. Contents unknown. One 1/4 inch audio reel.","Collection is CLOSED.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","One sixty second radio spot. 7 1/2 ips - mono, one reel.","One sixty second radio spot.  7 1/2 ips - mono, one reel.","One sixty second radio spot. One reel.","One sixty second radio spot. 7 1/2 ips - mono master, one reel.","Reel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.","The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Contains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"","Scope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.","One 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.","Scope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.","One reel-to-reel audiotape labeled Mine workers monologues...European History.","Could have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.","No sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.","Run time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.","Run time 1 minute. One color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.","One 16mm video reel.","Run time 30 seconds. One 16mm color video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Presented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.","TV video reel, black and white with sound.  One 50 mm oversize video reel.","One 16mm video reel with audio.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","Running time 15 minutes.  One 1/2 inch audio and video reel.","No good - damaged. One oversize 1/2 inch audio and video reel.","Shipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","From 2005.38 addition. One small reel to reel video tape in plastic case.","Audiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013."," Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection."," Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["01/Mss. 1.04","/repositories/2/resources/695"],"normalized_title_ssm":["Manuscripts Audiovisual Collection"],"collection_title_tesim":["Manuscripts Audiovisual Collection"],"collection_ssim":["Manuscripts Audiovisual Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Audiocassettes","DVDs","Video recordings"],"access_subjects_ssm":["Audiocassettes","DVDs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear Feet"],"extent_tesim":["20.0 Linear Feet"],"genreform_ssim":["Audiocassettes","DVDs","Video recordings"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions are being made to this collection on an ongoing basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additions are being made to this collection on an ongoing basis."],"custodhist_html_tesm":["\u003cp\u003eMany of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Many of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known."],"phystech_html_tesm":["\u003cp\u003eThe physical condition of some audiovisual formats may restrict access to the original recordings.\u003c/p\u003e","\u003cp\u003e Special equipment is required to listen to or view audiovisual recordings.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["The physical condition of some audiovisual formats may restrict access to the original recordings."," Special equipment is required to listen to or view audiovisual recordings."],"prefercite_html_tesm":["\u003cp\u003eManuscripts Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Manuscripts Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThe Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.\u003c/p\u003e","\u003cp\u003eContains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS Tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne Betamax tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS show.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape, performed at Deutsches Theater, Berlin.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne oversize VHS tape.  Stored at the end of Series 1.\u003c/p\u003e","\u003cp\u003eRunning time 13:34. One oversize VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).\u003c/p\u003e","\u003cp\u003eThree VHS tapes.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003e1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.\u003c/p\u003e","\u003cp\u003eTwo U-matic tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eRunning time 30 min. One oversize VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eFor more, see audio cassette tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).\u003c/p\u003e","\u003cp\u003eJive.  C-SPAN.  One VHS tape.\u003c/p\u003e","\u003cp\u003eBerlin, NYC.  One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eMarketing video with cassette tape which was to be placed with video. One VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eFor more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.\u003c/p\u003e","\u003cp\u003e1 VHS tape, running time 18 min.\u003c/p\u003e","\u003cp\u003eOne VHS tape, running time 12 min.\u003c/p\u003e","\u003cp\u003eOne VHS Tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eVirginia Senate District 3, VA Delegates District 96 \u0026amp; 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eProduced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eThree VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne oversized VHS tape.  Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne Betacam tape with two WWE wrestlers.\u003c/p\u003e","\u003cp\u003eThis accession also includes an oversize video tape and a cassette tape.\u003c/p\u003e","\u003cp\u003eRunning time 63 minutes. One VHS tape.\u003c/p\u003e","\u003cp\u003eRedford. One VHS tape.\u003c/p\u003e","\u003cp\u003eThe Kanew Company. Tape Dub. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape. 1 hr 37 min.\u003c/p\u003e","\u003cp\u003eLength: 11:30. One VHS tape.\u003c/p\u003e","\u003cp\u003eStarring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eRoughcut. Viewing cassette. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eSesame Street. One VHS tape.\u003c/p\u003e","\u003cp\u003eThe Lifetime Channel. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eDub. One VHS tape.\u003c/p\u003e","\u003cp\u003eGreta Cammermeyer - Prime Time Live. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. 60 sec. One VHS tape.\u003c/p\u003e","\u003cp\u003eRough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.\u003c/p\u003e","\u003cp\u003eEntertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.\u003c/p\u003e","\u003cp\u003eLos Angeles Coverage. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eGuests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Electronic Press Kit. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTCA Highlights. One VHS tape.\u003c/p\u003e","\u003cp\u003eTCA Highlights. One VHS tape.\u003c/p\u003e","\u003cp\u003eAvid Cut. RT: 11:03. One VHS tape.\u003c/p\u003e","\u003cp\u003eTRT - 45:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Length 1:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Length 1:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eIncludes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.\u003c/p\u003e","\u003cp\u003eTrailers. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.\u003c/p\u003e","\u003cp\u003eNightline. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Featurette. Length: 5:59. One VHS tape.\u003c/p\u003e","\u003cp\u003eHosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.\u003c/p\u003e","\u003cp\u003eWinner Communications. 105:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eSarajevo Package. One VHS tape.\u003c/p\u003e","\u003cp\u003eSubject - Sarajevo. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eSizzle Piece v. 5. TRT: 3:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.\u003c/p\u003e","\u003cp\u003eABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eABC Hollywood. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTRT : 59:30. One VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll selects. One VHS tape.\u003c/p\u003e","\u003cp\u003eMaster Dub. One VHS tape.\u003c/p\u003e","\u003cp\u003ePress Tour. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll selects. One VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll. Running Time 9:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eRabbit Ears Productions. 30 mins. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003e1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.\u003c/p\u003e","\u003cp\u003eScott Mauro Entertainment. 12:36. One VHS tape.\u003c/p\u003e","\u003cp\u003eEP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eVideocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.\u003c/p\u003e","\u003cp\u003eVideo exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eBasil Rathbone.  Dupont Theatre.  Two Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eNine Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eNine Cassette Tapes. For more, see Sub-Series 6.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eChapel of the Wren Building, at the College of William and Mary. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eAccession number 1990-36. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eRecorded interviews on James City County history.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eFour Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape. See Doris Wildenburger.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape. No transcripts, cassette dated 12/8/87.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eFor more, see Sub-Series 3.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eJeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003e80 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003e40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eSvec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Run time 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRunning time 20 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRunning times 20min and 30 min, respectively. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer Frank Shatz. 15 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eSix Cassette Tapes.\u003c/p\u003e","\u003cp\u003eJack \u0026amp; Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 15 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFifty-four audio cassette tapes of interviews by James A. Bill.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eNew York. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eAustin, TX. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWilliamsburg, VA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003ePrinceton. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eWilliamsburg, VA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eNew York. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eNew York City. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eCambridge, MA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape interview possibly covering the Iran-Contra affair.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eReves Center Global Forum, 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRead by Scott Martin. Two cassette tapes.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  20 min.  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eRecorded by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eTelephone Interview by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviews on cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape. For more, see B side of tape 52.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eThree cassette tapes.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eThree cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eBy League of Women Voters. Williamsburg Public Library. One cassette tape.\u003c/p\u003e","\u003cp\u003eFour cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eFive cassette tapes with music for common year (?).\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eThree cassette tape.\u003c/p\u003e","\u003cp\u003eGC-4089 and GC-4088. One cassette tape.\u003c/p\u003e","\u003cp\u003eGC-4107 and GC-4085. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED. Nine cassette tapes.\u003c/p\u003e","\u003cp\u003eInterview at the Reves Center with Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 25 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 35 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eAudio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eThe radio broadcast for \"NPR Playhouse.\"  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED. Thirteen tapes.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 35 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  Running time 10 min.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 45 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eAudiocassette tapes of piano performances by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOne audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14\u003c/p\u003e","\u003cp\u003eAudiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.\u003c/p\u003e","\u003cp\u003eTapes are closed.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. The tape is approximately 30 minutes in length.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eThree CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003ePiano, 1816, owned by William \u0026amp; Mary, 2003. Conservation by John Watson \u0026amp; Louis Dolive, Colonial Williamsburg. One CD.\u003c/p\u003e","\u003cp\u003eRecordings of Claudia Stevens' piano concerts, including programs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eTwo CDs related to Jamestown Commemorative Postage Stamp.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eInaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.\u003c/p\u003e","\u003cp\u003eWith Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.\u003c/p\u003e","\u003cp\u003eWith Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.\u003c/p\u003e","\u003cp\u003eBranch Fields, with Ruth Easterling Winters. One CD.\u003c/p\u003e","\u003cp\u003eWith Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.\u003c/p\u003e","\u003cp\u003eWith Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.\u003c/p\u003e","\u003cp\u003eWith Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.\u003c/p\u003e","\u003cp\u003eWith Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.\u003c/p\u003e","\u003cp\u003eWith Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.\u003c/p\u003e","\u003cp\u003eWith Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.\u003c/p\u003e","\u003cp\u003eWith Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.\u003c/p\u003e","\u003cp\u003eCD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eFive Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.\u003c/p\u003e","\u003cp\u003eTwo unopened CDs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eIn PDF format. One CD.\u003c/p\u003e","\u003cp\u003eApril 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.\u003c/p\u003e","\u003cp\u003eVeterans' Day, 2007. One CD.\u003c/p\u003e","\u003cp\u003eVeterans' Day, 2010. One CD.\u003c/p\u003e","\u003cp\u003eMemorial Day, 2010. One CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003ePerformed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.\u003c/p\u003e","\u003cp\u003eRecording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.\u003c/p\u003e","\u003cp\u003eOne compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.\u003c/p\u003e","\u003cp\u003ePlayed on the organ of Bruton Parish Church by James Darling, organist.\u003c/p\u003e","\u003cp\u003eTwo copies of a DVD on John Marshall. Running time 29 min.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.\u003c/p\u003e","\u003cp\u003eOne DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.\u003c/p\u003e","\u003cp\u003eOne DVD case.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eHightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.\u003c/p\u003e","\u003cp\u003eWith Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.\u003c/p\u003e","\u003cp\u003eWith Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.\u003c/p\u003e","\u003cp\u003eWith Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.\u003c/p\u003e","\u003cp\u003eWith Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.\u003c/p\u003e","\u003cp\u003eWith Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eTwo DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eMeredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.\u003c/p\u003e","\u003cp\u003eIda Green Arena Theater. Item 12. One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eHerbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.\u003c/p\u003e","\u003cp\u003eRecorded at Berkeley Art Center. One DVD.\u003c/p\u003e","\u003cp\u003eA solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.\u003c/p\u003e","\u003cp\u003eBaltimore Theater. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eTwo DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eA film by Julia Melchoir and Sebastian Denhardt. One DVD.\u003c/p\u003e","\u003cp\u003eAt St. John's Kirk, Perth, Scotland. One DVD.\u003c/p\u003e","\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e","\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e","\u003cp\u003eVideo exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFormat is Word Perfect 5.1. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eWHRA\u003c/p\u003e","\u003cp\u003eTwo 3.5 inch floppy disks.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFour disks with office files.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003ePictures, files. Four 3.5 inch floppy disks\u003c/p\u003e","\u003cp\u003ePresident's files.\u003c/p\u003e","\u003cp\u003eBrochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eLWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eNewsletter and labels, invitations and flyers. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eBoard meetings, agenda, letter. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003ePolicies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eScope and Contents Must be played with wooden \"Kacti\" needle. One record.\u003c/p\u003e","\u003cp\u003eAn example of material distributed during political campaigns. One 33 rpm disk.\u003c/p\u003e","\u003cp\u003eBy R. B. Tisdale. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eSongs: Ballet, Allemande, Country Dance, Reap \u0026amp; Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore - Bouree - Fireworks. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eCountry dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.\u003c/p\u003e","\u003cp\u003eSowers \u0026amp; Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eSide 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Rainy Night. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eBallet, Allemande, Country Dance, Reap \u0026amp; Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eRecorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk. Damaged.\u003c/p\u003e","\u003cp\u003eDave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.\u003c/p\u003e","\u003cp\u003eOne 78 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eGeorge Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.\u003c/p\u003e","\u003cp\u003eRoanoke, Va.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eRichmond, Va.  Three 78 rpm disks.\u003c/p\u003e","\u003cp\u003eThree 33 1/3 rpm disks.\u003c/p\u003e","\u003cp\u003ePolitical Anns. Open \u0026amp; Closing included.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eJosé Iturbi, pianist.  One disk.\u003c/p\u003e","\u003cp\u003eScope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.\u003c/p\u003e","\u003cp\u003eTwo records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.\u003c/p\u003e","\u003cp\u003eTransferred from the music library.\u003c/p\u003e","\u003cp\u003eSoundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.\u003c/p\u003e","\u003cp\u003eScope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.\u003c/p\u003e","\u003cp\u003eA musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.\u003c/p\u003e","\u003cp\u003eEleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.\u003c/p\u003e","\u003cp\u003eSoundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.\u003c/p\u003e","\u003cp\u003eAlbum by Perry Como. Case signed by the artist. One record.\u003c/p\u003e","\u003cp\u003eThe Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.\u003c/p\u003e","\u003cp\u003eRecording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.\u003c/p\u003e","\u003cp\u003e\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.\u003c/p\u003e","\u003cp\u003eDirected by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record\u003c/p\u003e","\u003cp\u003eNarrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.\u003c/p\u003e","\u003cp\u003ePerformed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.\u003c/p\u003e","\u003cp\u003eState Capitol. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.\u003c/p\u003e","\u003cp\u003eTwo 1/4 inch audio reels.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eProbably belonging to Mary M. Galt. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eRadford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eReel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.\u003c/p\u003e","\u003cp\u003eBox 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 2. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 3. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 4. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 5. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 6. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 7. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 8. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 9. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 10. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eCollection is CLOSED.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eFives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. 7 1/2 ips - mono, one reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot.  7 1/2 ips - mono, one reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. One reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. 7 1/2 ips - mono master, one reel.\u003c/p\u003e","\u003cp\u003eReel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThe program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.\u003c/p\u003e","\u003cp\u003ePortions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.\u003c/p\u003e","\u003cp\u003eScope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.\u003c/p\u003e","\u003cp\u003eProgram includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.\u003c/p\u003e","\u003cp\u003eProgram includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.\u003c/p\u003e","\u003cp\u003eConducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.\u003c/p\u003e","\u003cp\u003eProgram includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.\u003c/p\u003e","\u003cp\u003eProgram includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.\u003c/p\u003e","\u003cp\u003eProgram includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.\u003c/p\u003e","\u003cp\u003eContains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"\u003c/p\u003e","\u003cp\u003eScope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.\u003c/p\u003e","\u003cp\u003eOne 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.\u003c/p\u003e","\u003cp\u003eScope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.\u003c/p\u003e","\u003cp\u003eOne reel-to-reel audiotape labeled Mine workers monologues...European History.\u003c/p\u003e","\u003cp\u003eCould have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.\u003c/p\u003e","\u003cp\u003eNo sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.\u003c/p\u003e","\u003cp\u003eRun time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.\u003c/p\u003e","\u003cp\u003eRun time 1 minute. One color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.\u003c/p\u003e","\u003cp\u003eOne 16mm video reel.\u003c/p\u003e","\u003cp\u003eRun time 30 seconds. One 16mm color video reel.\u003c/p\u003e","\u003cp\u003ePromo film, run time 60 seconds. Retired March 1976. One 16mm video reel.\u003c/p\u003e","\u003cp\u003ePromo film, run time 60 seconds. Retired March 1976. One 16mm video reel.\u003c/p\u003e","\u003cp\u003ePresented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.\u003c/p\u003e","\u003cp\u003eTV video reel, black and white with sound.  One 50 mm oversize video reel.\u003c/p\u003e","\u003cp\u003eOne 16mm video reel with audio.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eRunning time 15 minutes.  One 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eNo good - damaged. One oversize 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eShipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eFrom 2005.38 addition. One small reel to reel video tape in plastic case.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.","Contains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).","One VHS tape.","One VHS tape","One VHS tape","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","Two VHS tapes.","One VHS tape","One VHS tape","One VHS tape","Contains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).","One VHS tape","Contains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.","One VHS tape","One VHS Tape","One VHS tape","One Betamax tape.","One VHS tape.","One VHS tape.","One VHS show.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape, performed at Deutsches Theater, Berlin.","One VHS tape.","One VHS tape.","One VHS tape.","Two VHS tapes.","One oversize VHS tape.  Stored at the end of Series 1.","Running time 13:34. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).","Three VHS tapes.","Contains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).","One VHS tape.","1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon","Contains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.","Two U-matic tapes.","One VHS tape.","Running time 30 min. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","For more, see audio cassette tapes.","One VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Jive.  C-SPAN.  One VHS tape.","Berlin, NYC.  One VHS tape.","One VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Contains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).","One VHS tape.","One VHS tape.","One VHS tape.","Marketing video with cassette tape which was to be placed with video. One VHS tape.","Contains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).","One VHS tape.","One VHS tape.","One VHS tape.","For more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.","One VHS tape.","Tape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.","1 VHS tape, running time 18 min.","One VHS tape, running time 12 min.","One VHS Tape.","One VHS tape.","One VHS tape.","Virginia Senate District 3, VA Delegates District 96 \u0026 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.","One VHS tape.","One VHS tape.","Produced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Three VHS tapes.","One VHS tape.","Two VHS tapes.","One VHS tape.","One oversized VHS tape.  Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.","Two VHS tapes.","One Betacam tape with two WWE wrestlers.","This accession also includes an oversize video tape and a cassette tape.","Running time 63 minutes. One VHS tape.","Redford. One VHS tape.","The Kanew Company. Tape Dub. One VHS tape.","One VHS tape. 1 hr 37 min.","Length: 11:30. One VHS tape.","Starring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.","One VHS tape.","Roughcut. Viewing cassette. One VHS tape.","One VHS tape.","Sesame Street. One VHS tape.","The Lifetime Channel. One VHS tape.","One VHS tape.","Dub. One VHS tape.","Greta Cammermeyer - Prime Time Live. One VHS tape.","Walt Disney Pictures. 60 sec. One VHS tape.","Rough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.","Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Los Angeles Coverage. One VHS tape.","One VHS tape.","Guests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. One VHS tape.","One VHS tape.","TCA Highlights. One VHS tape.","TCA Highlights. One VHS tape.","Avid Cut. RT: 11:03. One VHS tape.","TRT - 45:00. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Includes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.","Trailers. One VHS tape.","Columbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Nightline. One VHS tape.","Columbia Pictures. Featurette. Length: 5:59. One VHS tape.","Hosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.","Winner Communications. 105:00. One VHS tape.","Sarajevo Package. One VHS tape.","Subject - Sarajevo. One VHS tape.","Columbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.","Walt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.","One VHS tape.","Sizzle Piece v. 5. TRT: 3:00. One VHS tape.","Walt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.","Walt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.","ABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.","One VHS tape.","ABC Hollywood. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","TRT : 59:30. One VHS tape.","B-Roll selects. One VHS tape.","Master Dub. One VHS tape.","Press Tour. One VHS tape.","One VHS tape.","B-Roll selects. One VHS tape.","B-Roll. Running Time 9:00. One VHS tape.","Rabbit Ears Productions. 30 mins. One VHS tape.","One VHS tape.","One VHS tape.","1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.","Scott Mauro Entertainment. 12:36. One VHS tape.","EP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.","Three Cassette Tapes.","Basil Rathbone.  Dupont Theatre.  Two Cassette Tapes.","One Cassette Tape.","Nine Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One cassette tape.","Nine Cassette Tapes. For more, see Sub-Series 6.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Chapel of the Wren Building, at the College of William and Mary. One Cassette Tape.","Accession number 1990-36. One cassette tape.","One Cassette Tape.","One Cassette Tape.","Recorded interviews on James City County history.","One cassette tape.","One cassette tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","Four Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. See Doris Wildenburger.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. No transcripts, cassette dated 12/8/87.","Three Cassette Tapes.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","For more, see Sub-Series 3.","One Cassette Tape.","Jeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","80 min. One Cassette Tape.","One Cassette Tape.","40 min. One Cassette Tape.","Svec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.","Frank Shatz is the interviewer. Run time 20 min. One Cassette Tape.","Running time 20 minutes. One Cassette Tape.","Running times 20min and 30 min, respectively. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Interviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.","Interviewer Frank Shatz. 15 minutes. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Six Cassette Tapes.","Jack \u0026 Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer. 15 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 20 min. One Cassette Tape.","Fifty-four audio cassette tapes of interviews by James A. Bill.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","New York. One Cassette Tape.","Austin, TX. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","One Cassette Tape.","Princeton. One Cassette Tape.","One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","New York. One Cassette Tape.","New York City. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Washington, D.C. One Cassette Tape.","Cambridge, MA. One Cassette Tape.","One audio cassette tape.","One audio cassette tape.","One audio cassette tape interview possibly covering the Iran-Contra affair.","Tapes are CLOSED.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Frank Shatz is the Interviewer. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Tapes are CLOSED.","Reves Center Global Forum, 40 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Read by Scott Martin. Two cassette tapes.","Tapes are CLOSED.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. 15 min. One cassette tape.","Frank Shatz is the interviewer.  20 min.  One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Recorded by Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Frank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.","Tapes are CLOSED.","Telephone Interview by Frank Shatz. One cassette tape.","Interview by Frank Shatz. One cassette tape.","Interviews on cassette tapes.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape. For more, see B side of tape 52.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Two cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Two cassette tapes.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Three cassette tapes.","Two cassette tapes.","Three cassette tapes.","One cassette tape.","One cassette tape.","By League of Women Voters. Williamsburg Public Library. One cassette tape.","Four cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Five cassette tapes with music for common year (?).","One cassette tape.","One cassette tape.","Three cassette tape.","GC-4089 and GC-4088. One cassette tape.","GC-4107 and GC-4085. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Tapes are CLOSED. Nine cassette tapes.","Interview at the Reves Center with Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 40 min. One cassette tape.","Interview by Frank Shatz. 25 min. One cassette tape.","Interview by Frank Shatz. 35 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Audio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","The radio broadcast for \"NPR Playhouse.\"  One cassette tape.","Tapes are CLOSED. Thirteen tapes.","Frank Shatz is the interviewer. 25 min. One cassette tape.","Frank Shatz is the interviewer. 35 min. One cassette tape.","One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer.  Running time 10 min.  One cassette tape.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 45 min. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Tapes are CLOSED.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Fank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Audiocassette tapes of piano performances by Claudia Stevens.","One audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14","Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).","Scope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","Tapes are closed.","Interview by Frank Shatz. The tape is approximately 30 minutes in length.","Interview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.","Interview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.","One CD.","Three CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.","One CD.","One CD.","One CD.","Piano, 1816, owned by William \u0026 Mary, 2003. Conservation by John Watson \u0026 Louis Dolive, Colonial Williamsburg. One CD.","Recordings of Claudia Stevens' piano concerts, including programs.","One CD.","One CD.","One CD.","Two CDs related to Jamestown Commemorative Postage Stamp.","One CD.","One CD.","Inaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.","With Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.","With Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.","With Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.","Branch Fields, with Ruth Easterling Winters. One CD.","With Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.","With Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.","With Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.","With Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.","With Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.","CD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.","One CD.","One CD.","One CD.","One CD.","One CD.","One CD.","Five Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.","Two unopened CDs.","One CD.","One CD.","One CD.","One CD.","One CD.","In PDF format. One CD.","April 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.","Veterans' Day, 2007. One CD.","Veterans' Day, 2010. One CD.","Memorial Day, 2010. One CD.","One CD.","One CD.","Performed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.","Recording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.","One compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.","Played on the organ of Bruton Parish Church by James Darling, organist.","Two copies of a DVD on John Marshall. Running time 29 min.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","One DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD case.","One DVD.","Hightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.","One DVD.","Two DVDs.","One DVD.","Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Ida Green Arena Theater. Item 12. One DVD.","One DVD.","Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","Recorded at Berkeley Art Center. One DVD.","A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Baltimore Theater. One DVD.","Charlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.","Charlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.","Charlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.","One DVD.","Two DVDs.","One DVD.","A film by Julia Melchoir and Sebastian Denhardt. One DVD.","At St. John's Kirk, Perth, Scotland. One DVD.","Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Contains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Format is Word Perfect 5.1. One 3.5 inch floppy disk.","WHRA","Two 3.5 inch floppy disks.","One disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","FS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Four disks with office files.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Pictures, files. Four 3.5 inch floppy disks","President's files.","Brochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.","LWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.","Newsletter and labels, invitations and flyers. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Board meetings, agenda, letter. One 3.5 inch floppy disk.","Policies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.","Scope and Contents Must be played with wooden \"Kacti\" needle. One record.","An example of material distributed during political campaigns. One 33 rpm disk.","By R. B. Tisdale. One 33 1/3 rpm disk.","Songs: Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.","Dunmore - Bouree - Fireworks. One 33 1/3 rpm disk.","Country dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.","Dunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.","Dunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.","Sowers \u0026 Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.","One disk.","One 33 1/3 rpm disk.","One disk.","Side 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.","Dunmore Ballet, Rainy Night. One 33 1/3 rpm disk.","Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.","Recorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.","One disk.","One 33 1/3 rpm disk.","One disk. Damaged.","Dave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.","One 78 rpm disk.","One disk.","One 33 1/3 rpm disk.","George Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.","Roanoke, Va.  One 33 1/3 rpm disk.","Richmond, Va.  Three 78 rpm disks.","Three 33 1/3 rpm disks.","Political Anns. Open \u0026 Closing included.  One 33 1/3 rpm disk.","José Iturbi, pianist.  One disk.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.","Two records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.","Transferred from the music library.","Soundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.","Scope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.","A musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.","Eleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.","Soundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.","Album by Perry Como. Case signed by the artist. One record.","The Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.","Recording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.","\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.","Directed by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record","Narrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.","Performed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.","State Capitol. One 1/4 inch audio reel.","Audio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.","Two 1/4 inch audio reels.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Probably belonging to Mary M. Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Radford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.","One 1/4 inch audio reel.","Reel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.","Box 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.","Box 2. Contents unknown. One 1/4 inch audio reel.","Box 3. Contents unknown. One 1/4 inch audio reel.","Box 4. Contents unknown. One 1/4 inch audio reel.","Box 5. Contents unknown. One 1/4 inch audio reel.","Box 6. Contents unknown. One 1/4 inch audio reel.","Box 7. Contents unknown. One 1/4 inch audio reel.","Box 8. Contents unknown. One 1/4 inch audio reel.","Box 9. Contents unknown. One 1/4 inch audio reel.","Box 10. Contents unknown. One 1/4 inch audio reel.","Collection is CLOSED.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","One sixty second radio spot. 7 1/2 ips - mono, one reel.","One sixty second radio spot.  7 1/2 ips - mono, one reel.","One sixty second radio spot. One reel.","One sixty second radio spot. 7 1/2 ips - mono master, one reel.","Reel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.","The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Contains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"","Scope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.","One 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.","Scope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.","One reel-to-reel audiotape labeled Mine workers monologues...European History.","Could have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.","No sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.","Run time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.","Run time 1 minute. One color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.","One 16mm video reel.","Run time 30 seconds. One 16mm color video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Presented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.","TV video reel, black and white with sound.  One 50 mm oversize video reel.","One 16mm video reel with audio.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","Running time 15 minutes.  One 1/2 inch audio and video reel.","No good - damaged. One oversize 1/2 inch audio and video reel.","Shipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","From 2005.38 addition. One small reel to reel video tape in plastic case."],"separatedmaterial_html_tesm":["\u003cp\u003eAudiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013.\u003c/p\u003e\n","\u003cp\u003e Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection.\u003c/p\u003e\n","\u003cp\u003e Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Audiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013."," Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection."," Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":1000,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:42:09.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_695"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=DVDs\u0026f%5Bdate_range%5D%5B%5D=1996\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=DVDs\u0026f%5Bdate_range%5D%5B%5D=1996\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Virginia Military Institute Archives","value":"Virginia Military Institute Archives","hits":9},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=DVDs\u0026f%5Bdate_range%5D%5B%5D=1996\u0026f%5Brepository%5D%5B%5D=Virginia+Military+Institute+Archives"}},{"attributes":{"label":"Washington and Lee University, Leyburn Library","value":"Washington and Lee University, Leyburn Library","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=DVDs\u0026f%5Bdate_range%5D%5B%5D=1996\u0026f%5Brepository%5D%5B%5D=Washington+and+Lee+University%2C+Leyburn+Library"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=DVDs\u0026f%5Bdate_range%5D%5B%5D=1996"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"David Brown Collection","value":"David Brown Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=DVDs\u0026f%5Bcollection%5D%5B%5D=David+Brown+Collection\u0026f%5Bdate_range%5D%5B%5D=1996"}},{"attributes":{"label":"Furious Flower Poetry Center Records","value":"Furious Flower Poetry Center Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=DVDs\u0026f%5Bcollection%5D%5B%5D=Furious+Flower+Poetry+Center+Records\u0026f%5Bdate_range%5D%5B%5D=1996"}},{"attributes":{"label":"Kenneth W. Newman Records","value":"Kenneth W. 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