{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Creative+writing\u0026f%5Bdate_range%5D%5B%5D=1981","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Creative+writing\u0026f%5Bdate_range%5D%5B%5D=1981\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":7,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_553","type":"collection","attributes":{"title":"Alan Bowne papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_553#creator","type":"document_value","attributes":{"value":"Bowne, Alan","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_553#abstract_or_scope","type":"document_value","attributes":{"value":"The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_553#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_553","ead_ssi":"vifgm_repositories_2_resources_553","_root_":"vifgm_repositories_2_resources_553","_nest_parent_":"vifgm_repositories_2_resources_553","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_553.xml","title_ssm":["Alan Bowne papers"],"title_tesim":["Alan Bowne papers"],"unitdate_ssm":["1980-1989","circa 1964-1991"],"unitdate_bulk_ssim":["1980-1989"],"unitdate_inclusive_ssm":["circa 1964-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0319","/repositories/2/resources/553"],"text":["C0319","/repositories/2/resources/553","Alan Bowne papers","LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)","AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama","There are no access restrictions.","This collection is arranged into four series by format and then chronologically.","Series Series 1: Writings and Correspondence Series 2: Photographs and Audiovisual Materials Series 3: Additional writings Series 4: Notebooks","","","","Alan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old.","The Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access.","Processing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024.","The Special Collections Research Center holds other  performing arts collections .","Content Warning: Many of the notebooks in this collection contain graphic sexual content.","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.","Series 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Series 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Series 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.","Series 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.","Includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Graphic sexual content warning. Includes Bowne's thoughts on his potential, and eventually confirmed, AIDS diagnosis.","Includes a typed insert of some of Bowne's journal entries.","Includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Scrapbook pages compiled for Bowne by friend Ed Kruse. Includes photographs of Bowne with friends, travel photos from various locales, and postcards.","Includes photographs of a house - presumably Bowne's - and friends in Sonoma County, CA.","Includes photographs of a house - presumably Bowne's - and countryside scenes in Sonoma County, CA.","20 vinyl records.","Includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance techinal writings, resumes, and an obituary written after Bowne's passing.","Original title \"Hermitage\" is crossed out and \"RD\" written above it","Includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.","The book has been written in from both ends. One side is labeled \"Journal 1979-1982\" and the other is labeled \"November 1986-January 1988\". There are some blank pages in the middle between these two uses and some papers and wrappers inserted to mark various pages.","Includes several items, including two postcards, one photograph, and one postage stamp, adhered to various pages. There is a torn piece of a post-it note inserted to mark pages.","There are some papers inserted to mark various pages.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s.","R 73, C 3, S 1 \u0026 4","George Mason University. Libraries. Special Collections Research Center","Bowne, Alan","English \n.    "],"unitid_tesim":["C0319","/repositories/2/resources/553"],"normalized_title_ssm":["Alan Bowne papers"],"collection_title_tesim":["Alan Bowne papers"],"collection_ssim":["Alan Bowne papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)"],"geogname_ssim":["LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)"],"creator_ssm":["Bowne, Alan"],"creator_ssim":["Bowne, Alan"],"creator_persname_ssim":["Bowne, Alan"],"creators_ssim":["Bowne, Alan"],"places_ssim":["LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Barbara Hayes in January 2019. ","Additional materials donated by Broadway Play Publishing, Inc. in August 2021 and by Barabara Hayes in November 2023."],"access_subjects_ssim":["AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama"],"access_subjects_ssm":["AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 5 boxes"],"extent_tesim":["3 Linear Feet 5 boxes"],"genreform_ssim":[" LGBTQ+ drama"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series by format and then chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Writings and Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs and Audiovisual Materials\u003c/item\u003e\n      \u003citem\u003eSeries 3: Additional writings\u003c/item\u003e\n      \u003citem\u003eSeries 4: Notebooks\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into four series by format and then chronologically.","Series Series 1: Writings and Correspondence Series 2: Photographs and Audiovisual Materials Series 3: Additional writings Series 4: Notebooks"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.nytimes.com/1989/12/02/obituaries/alan-bowne-writer-44.htm\" title=\"'Alan Bowne, Writer, 44.' The New York Times. December 2, 1989. Accessed March 8, 2019. https://www.nytimes.com/1989/12/02/obituaries/alan-bowne-writer-44.html.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.imdb.com/name/nm0101428/\" title=\"'Alane Bowne.' IMDB. Accessed March 8, 2019. https://www.imdb.com/name/nm0101428/.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.entertainment-focus.com/theatre-section/theatre-reviews/beirut-review/\" title=\"Myatt, John. 'Beirut Review.' Entertainment Focus. June 20, 2018. Accessed March 8, 2019. https://www.entertainment-focus.com/theatre-section/theatre-reviews/beirut-review/.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["","",""],"bioghist_html_tesm":["\u003cp\u003eAlan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eAlan Bowne papers, C0319, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Alan Bowne papers, C0319, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts collections\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  performing arts collections ."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Many of the notebooks in this collection contain graphic sexual content.\u003c/p\u003e\n","\u003cp\u003eThe Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"\u003c/p\u003e\n","\u003cp\u003eSeries 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.\u003c/p\u003e","\u003cp\u003eIncludes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.\u003c/p\u003e","\u003cp\u003eGraphic sexual content warning. Includes Bowne's thoughts on his potential, and eventually confirmed, AIDS diagnosis.\u003c/p\u003e","\u003cp\u003eIncludes a typed insert of some of Bowne's journal entries.\u003c/p\u003e","\u003cp\u003eIncludes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"\u003c/p\u003e","\u003cp\u003eScrapbook pages compiled for Bowne by friend Ed Kruse. Includes photographs of Bowne with friends, travel photos from various locales, and postcards.\u003c/p\u003e","\u003cp\u003eIncludes photographs of a house - presumably Bowne's - and friends in Sonoma County, CA.\u003c/p\u003e","\u003cp\u003eIncludes photographs of a house - presumably Bowne's - and countryside scenes in Sonoma County, CA.\u003c/p\u003e","\u003cp\u003e20 vinyl records.\u003c/p\u003e","\u003cp\u003eIncludes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance techinal writings, resumes, and an obituary written after Bowne's passing.\u003c/p\u003e","\u003cp\u003eOriginal title \"Hermitage\" is crossed out and \"RD\" written above it\u003c/p\u003e","\u003cp\u003eIncludes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.\u003c/p\u003e","\u003cp\u003eThe book has been written in from both ends. One side is labeled \"Journal 1979-1982\" and the other is labeled \"November 1986-January 1988\". There are some blank pages in the middle between these two uses and some papers and wrappers inserted to mark various pages.\u003c/p\u003e","\u003cp\u003eIncludes several items, including two postcards, one photograph, and one postage stamp, adhered to various pages. There is a torn piece of a post-it note inserted to mark pages.\u003c/p\u003e","\u003cp\u003eThere are some papers inserted to mark various pages.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Many of the notebooks in this collection contain graphic sexual content.","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.","Series 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Series 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Series 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.","Series 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.","Includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Graphic sexual content warning. Includes Bowne's thoughts on his potential, and eventually confirmed, AIDS diagnosis.","Includes a typed insert of some of Bowne's journal entries.","Includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Scrapbook pages compiled for Bowne by friend Ed Kruse. Includes photographs of Bowne with friends, travel photos from various locales, and postcards.","Includes photographs of a house - presumably Bowne's - and friends in Sonoma County, CA.","Includes photographs of a house - presumably Bowne's - and countryside scenes in Sonoma County, CA.","20 vinyl records.","Includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance techinal writings, resumes, and an obituary written after Bowne's passing.","Original title \"Hermitage\" is crossed out and \"RD\" written above it","Includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.","The book has been written in from both ends. One side is labeled \"Journal 1979-1982\" and the other is labeled \"November 1986-January 1988\". There are some blank pages in the middle between these two uses and some papers and wrappers inserted to mark various pages.","Includes several items, including two postcards, one photograph, and one postage stamp, adhered to various pages. There is a torn piece of a post-it note inserted to mark pages.","There are some papers inserted to mark various pages."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65859acb752c8fe372ccb76f704859f\"\u003eR 73, C 3, S 1 \u0026amp; 4\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 1 \u0026 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bowne, Alan"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Bowne, Alan"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":54,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:16:45.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_553","ead_ssi":"vifgm_repositories_2_resources_553","_root_":"vifgm_repositories_2_resources_553","_nest_parent_":"vifgm_repositories_2_resources_553","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_553.xml","title_ssm":["Alan Bowne papers"],"title_tesim":["Alan Bowne papers"],"unitdate_ssm":["1980-1989","circa 1964-1991"],"unitdate_bulk_ssim":["1980-1989"],"unitdate_inclusive_ssm":["circa 1964-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0319","/repositories/2/resources/553"],"text":["C0319","/repositories/2/resources/553","Alan Bowne papers","LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)","AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama","There are no access restrictions.","This collection is arranged into four series by format and then chronologically.","Series Series 1: Writings and Correspondence Series 2: Photographs and Audiovisual Materials Series 3: Additional writings Series 4: Notebooks","","","","Alan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old.","The Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access.","Processing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024.","The Special Collections Research Center holds other  performing arts collections .","Content Warning: Many of the notebooks in this collection contain graphic sexual content.","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.","Series 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Series 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Series 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.","Series 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.","Includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Graphic sexual content warning. Includes Bowne's thoughts on his potential, and eventually confirmed, AIDS diagnosis.","Includes a typed insert of some of Bowne's journal entries.","Includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Scrapbook pages compiled for Bowne by friend Ed Kruse. Includes photographs of Bowne with friends, travel photos from various locales, and postcards.","Includes photographs of a house - presumably Bowne's - and friends in Sonoma County, CA.","Includes photographs of a house - presumably Bowne's - and countryside scenes in Sonoma County, CA.","20 vinyl records.","Includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance techinal writings, resumes, and an obituary written after Bowne's passing.","Original title \"Hermitage\" is crossed out and \"RD\" written above it","Includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.","The book has been written in from both ends. One side is labeled \"Journal 1979-1982\" and the other is labeled \"November 1986-January 1988\". There are some blank pages in the middle between these two uses and some papers and wrappers inserted to mark various pages.","Includes several items, including two postcards, one photograph, and one postage stamp, adhered to various pages. There is a torn piece of a post-it note inserted to mark pages.","There are some papers inserted to mark various pages.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s.","R 73, C 3, S 1 \u0026 4","George Mason University. Libraries. Special Collections Research Center","Bowne, Alan","English \n.    "],"unitid_tesim":["C0319","/repositories/2/resources/553"],"normalized_title_ssm":["Alan Bowne papers"],"collection_title_tesim":["Alan Bowne papers"],"collection_ssim":["Alan Bowne papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)"],"geogname_ssim":["LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)"],"creator_ssm":["Bowne, Alan"],"creator_ssim":["Bowne, Alan"],"creator_persname_ssim":["Bowne, Alan"],"creators_ssim":["Bowne, Alan"],"places_ssim":["LGBTQ+","New York (N.Y.) ","Sonoma County (Calif.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Barbara Hayes in January 2019. ","Additional materials donated by Broadway Play Publishing, Inc. in August 2021 and by Barabara Hayes in November 2023."],"access_subjects_ssim":["AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama"],"access_subjects_ssm":["AIDS (Disease)","Filmmaking (Motion pictures)","Playwriting","Theater -- United States","Screenplay writing","Creative writing"," LGBTQ+ drama"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 5 boxes"],"extent_tesim":["3 Linear Feet 5 boxes"],"genreform_ssim":[" LGBTQ+ drama"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into four series by format and then chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Writings and Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photographs and Audiovisual Materials\u003c/item\u003e\n      \u003citem\u003eSeries 3: Additional writings\u003c/item\u003e\n      \u003citem\u003eSeries 4: Notebooks\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into four series by format and then chronologically.","Series Series 1: Writings and Correspondence Series 2: Photographs and Audiovisual Materials Series 3: Additional writings Series 4: Notebooks"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.nytimes.com/1989/12/02/obituaries/alan-bowne-writer-44.htm\" title=\"'Alan Bowne, Writer, 44.' The New York Times. December 2, 1989. Accessed March 8, 2019. https://www.nytimes.com/1989/12/02/obituaries/alan-bowne-writer-44.html.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.imdb.com/name/nm0101428/\" title=\"'Alane Bowne.' IMDB. Accessed March 8, 2019. https://www.imdb.com/name/nm0101428/.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.entertainment-focus.com/theatre-section/theatre-reviews/beirut-review/\" title=\"Myatt, John. 'Beirut Review.' Entertainment Focus. June 20, 2018. Accessed March 8, 2019. https://www.entertainment-focus.com/theatre-section/theatre-reviews/beirut-review/.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["","",""],"bioghist_html_tesm":["\u003cp\u003eAlan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Alan Bowne was an American playwright and author. Born William Alan Bowne on February 20, 1945 in Hemet, California, Bowne was best known for a handful of works, including \"Beirut,\" \"Forty-Deuce,\" \"Sharon and Billy,\" as well as a novel, \"Wally Wonderstruck.\" Perhaps his most famous and enduring work, \"Beirut\" is a one-act play that tells the allegorical story of a heterosexual couple dealing with a mysterious disease that ravages dystopian New York. This fictional disease presumably represented the real HIV/AIDS epidemic of the 1980s. \"Beirut\" was eventually adapted into a 1993 television movie, re-titled \"Daybreak.\" Bowne passed away from AIDS-related complications on November 24, 1989 in his Sonoma County home at 44 years old."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play reel-to-reel tapes. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eAlan Bowne papers, C0319, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Alan Bowne papers, C0319, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Menjivar in March 2019. EAD markup completed by Amanda Menjivar in March 2019. Finding aid updated by Amanda Menjivar in February 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from March-April 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other \u003ca href=\"https://aspace.gmu.edu/subjects/sh85099818\"\u003eperforming arts collections\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other  performing arts collections ."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Many of the notebooks in this collection contain graphic sexual content.\u003c/p\u003e\n","\u003cp\u003eThe Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"\u003c/p\u003e\n","\u003cp\u003eSeries 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.\u003c/p\u003e","\u003cp\u003eIncludes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.\u003c/p\u003e","\u003cp\u003eGraphic sexual content warning. Includes Bowne's thoughts on his potential, and eventually confirmed, AIDS diagnosis.\u003c/p\u003e","\u003cp\u003eIncludes a typed insert of some of Bowne's journal entries.\u003c/p\u003e","\u003cp\u003eIncludes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"\u003c/p\u003e","\u003cp\u003eScrapbook pages compiled for Bowne by friend Ed Kruse. Includes photographs of Bowne with friends, travel photos from various locales, and postcards.\u003c/p\u003e","\u003cp\u003eIncludes photographs of a house - presumably Bowne's - and friends in Sonoma County, CA.\u003c/p\u003e","\u003cp\u003eIncludes photographs of a house - presumably Bowne's - and countryside scenes in Sonoma County, CA.\u003c/p\u003e","\u003cp\u003e20 vinyl records.\u003c/p\u003e","\u003cp\u003eIncludes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance techinal writings, resumes, and an obituary written after Bowne's passing.\u003c/p\u003e","\u003cp\u003eOriginal title \"Hermitage\" is crossed out and \"RD\" written above it\u003c/p\u003e","\u003cp\u003eIncludes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.\u003c/p\u003e","\u003cp\u003eThe book has been written in from both ends. One side is labeled \"Journal 1979-1982\" and the other is labeled \"November 1986-January 1988\". There are some blank pages in the middle between these two uses and some papers and wrappers inserted to mark various pages.\u003c/p\u003e","\u003cp\u003eIncludes several items, including two postcards, one photograph, and one postage stamp, adhered to various pages. There is a torn piece of a post-it note inserted to mark pages.\u003c/p\u003e","\u003cp\u003eThere are some papers inserted to mark various pages.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Many of the notebooks in this collection contain graphic sexual content.","The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s. The collections contains four series.","Series 1: Writings and Correspondence (1971 - 1991) includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Series 2: Photographs and Audiovisual Materials (circa 1970s - 1989) includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Series 3: Additional writings (circa 1960s - 1980s) includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance technical writings, resumes, and an obituary written after Bowne's passing.","Series 4: Notebooks (1979 - June 1989) includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.","Includes multiple drafts and scripts of Bowne's work, including drafts for \"Forty-Deuce,\" \"Sharon and Billy,\" and \"Wally Wonderstruck.\" It also includes correspondence and other materials related to submitting his written work to various publishers. Notable are two notebooks Bowne wrote in, one containing his thoughts on his presumed AIDS diagnosis.","Graphic sexual content warning. Includes Bowne's thoughts on his potential, and eventually confirmed, AIDS diagnosis.","Includes a typed insert of some of Bowne's journal entries.","Includes photographs of Bowne himself, with friends, on vacation, and of his Sonoma County, CA home and the surrounding countryside. The two audio cassettes and reel-to-reel tape contain recordings of a 1984 production of his play \"Sharon and Billy.\"","Scrapbook pages compiled for Bowne by friend Ed Kruse. Includes photographs of Bowne with friends, travel photos from various locales, and postcards.","Includes photographs of a house - presumably Bowne's - and friends in Sonoma County, CA.","Includes photographs of a house - presumably Bowne's - and countryside scenes in Sonoma County, CA.","20 vinyl records.","Includes additional written materials donated in 2021 and 2023. These include drafts and scripts of Bowne's work, including \"Cocaine and Underpants\", \"The Little Monsters\", and draft materials for additional uncompleted novels and short stories, as well as freelance techinal writings, resumes, and an obituary written after Bowne's passing.","Original title \"Hermitage\" is crossed out and \"RD\" written above it","Includes five additional notebooks containing handwritten writing by Bowne. Contents include personal journal entries, including thoughts on his AIDS diagnosis, as well as personal reading and writing projects, including one focused on reading and responding to each of Shakespeare's plays.","The book has been written in from both ends. One side is labeled \"Journal 1979-1982\" and the other is labeled \"November 1986-January 1988\". There are some blank pages in the middle between these two uses and some papers and wrappers inserted to mark various pages.","Includes several items, including two postcards, one photograph, and one postage stamp, adhered to various pages. There is a torn piece of a post-it note inserted to mark pages.","There are some papers inserted to mark various pages."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The Alan Bowne papers consists of five boxes of materials created over the course of Bowne's career as a playwright and author. These include play scripts and drafts, short story and novel drafts, screenplays, technical writings, correspondence, notebooks, photographs, audio cassettes, and one reel-to-reel tape. These materials originate from circa 1964 - 1991, with the bulk of the collection originating from the 1980s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65859acb752c8fe372ccb76f704859f\"\u003eR 73, C 3, S 1 \u0026amp; 4\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 1 \u0026 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bowne, Alan"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Bowne, Alan"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":54,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:16:45.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_553"}},{"id":"vino_repositories_3_resources_199","type":"collection","attributes":{"title":"Associated Writers Program Records","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_199#creator","type":"document_value","attributes":{"value":"Association of Writers \u0026 Writing Programs","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_199#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection contains brochures, newsletters, job listings and degree catalogs pertaining to the Associated Writers Program and their connection to Old Dominion University. The Associated Writers Program attempted to aid writers through contests based on poetry, nonfiction, novel and short fiction. The collection holds several brochures announcing the winner's names and published work.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_199#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_3_resources_199","ead_ssi":"vino_repositories_3_resources_199","_root_":"vino_repositories_3_resources_199","_nest_parent_":"vino_repositories_3_resources_199","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_199.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/199","title_filing_ssi":"Associated Writers Program","title_ssm":["Associated Writers Program Records"],"title_tesim":["Associated Writers Program Records"],"unitdate_ssm":["1980-1993"],"unitdate_inclusive_ssm":["1980-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 17-32A","/repositories/3/resources/199"],"text":["RG 17-32A","/repositories/3/resources/199","Associated Writers Program Records","Creative writing","Open to researchers without restrictions.","The Associated Writers Program (AWP) began in 1967 as an organization whose mission has been to support writers and engage in the presence of creative writing in higher educational institutions.  The entrance of creative writing programs into universities was often met with resistance by scholars who believed English departments should focus their attention on studying classic literature.  The AWP was created to act as an opposition to this tension and to provide opportunities for young writers.  Old Dominion University was a member of the AWP and participated in bringing their mission to campus, primarily through literary festivals.  For several years, the AWP staff office was located at Old Dominion University where brochures, newsletters and various documents were published.","Note written by Mel Frizzell","The collection was processed and finding aid created by Robert Borders in 2011.","The collection contains brochures, newsletters, job listings and degree catalogs pertaining to the Associated Writers Program and their connection to Old Dominion University. The Associated Writers Program attempted to aid writers through contests based on poetry, nonfiction, novel and short fiction. The collection holds several brochures announcing the winner's names and published work.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","ODU University Archives","Association of Writers \u0026 Writing Programs","Old Dominion University. Department of English","English"],"unitid_tesim":["RG 17-32A","/repositories/3/resources/199"],"normalized_title_ssm":["Associated Writers Program Records"],"collection_title_tesim":["Associated Writers Program Records"],"collection_ssim":["Associated Writers Program Records"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Association of Writers \u0026 Writing Programs"],"creator_ssim":["Association of Writers \u0026 Writing Programs"],"creator_corpname_ssim":["Association of Writers \u0026 Writing Programs"],"creators_ssim":["Association of Writers \u0026 Writing Programs"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Unknown"],"access_subjects_ssim":["Creative writing"],"access_subjects_ssm":["Creative writing"],"has_online_content_ssim":["false"],"extent_ssm":["0.40 Linear Feet","1 Hollinger document case boxes"],"extent_tesim":["0.40 Linear Feet","1 Hollinger document case boxes"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"bioghist_html_tesm":["\u003cp\u003eThe Associated Writers Program (AWP) began in 1967 as an organization whose mission has been to support writers and engage in the presence of creative writing in higher educational institutions.  The entrance of creative writing programs into universities was often met with resistance by scholars who believed English departments should focus their attention on studying classic literature.  The AWP was created to act as an opposition to this tension and to provide opportunities for young writers.  Old Dominion University was a member of the AWP and participated in bringing their mission to campus, primarily through literary festivals.  For several years, the AWP staff office was located at Old Dominion University where brochures, newsletters and various documents were published.\u003c/p\u003e\n","\u003cp\u003eNote written by Mel Frizzell\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Associated Writers Program (AWP) began in 1967 as an organization whose mission has been to support writers and engage in the presence of creative writing in higher educational institutions.  The entrance of creative writing programs into universities was often met with resistance by scholars who believed English departments should focus their attention on studying classic literature.  The AWP was created to act as an opposition to this tension and to provide opportunities for young writers.  Old Dominion University was a member of the AWP and participated in bringing their mission to campus, primarily through literary festivals.  For several years, the AWP staff office was located at Old Dominion University where brochures, newsletters and various documents were published.","Note written by Mel Frizzell"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Associated Writers Program Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Associated Writing Program, Miscellaneous, 1980-1991, Associated Writers Program Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Associated Writing Program, Job List, 1987-1988, Associated Writers Program Records, Special Collections and 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contains brochures, newsletters, job listings and degree catalogs pertaining to the Associated Writers Program and their connection to Old Dominion University. 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Department of English"],"corpname_ssim":["ODU University Archives","Association of Writers \u0026 Writing Programs","Old Dominion University. 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Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_90","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_90.xml","title_filing_ssi":"E. P. Conkle papers","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994"],"unitdate_inclusive_ssm":["1928-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157","/repositories/2/resources/90"],"text":["C0157","/repositories/2/resources/90","E. P. Conkle papers","Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence","There are no access restrictions.","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. ","Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","The Special Collections Research Center also holds the  .","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)","English"],"unitid_tesim":["C0157","/repositories/2/resources/90"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Conkle, E. P. (Ellsworth Prouty)"],"creator_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creator_persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creators_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994."],"access_subjects_ssim":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"access_subjects_ssm":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["Poetry","Manuscripts","Correspondence"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \u003c/p\u003e\n","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. "],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/resources/c0046\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" \u003c/p\u003e\n","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\u003c/p\u003e","\u003cp\u003eAustin, Texas\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e123 pages\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\u003c/p\u003e","\u003cp\u003e84 pages\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\u003c/p\u003e","\u003cp\u003esmall format type scripts\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student.\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4cc520ef016e4cf4b96e754985251fb\" label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973)."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_90","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_90.xml","title_filing_ssi":"E. P. Conkle papers","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994"],"unitdate_inclusive_ssm":["1928-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157","/repositories/2/resources/90"],"text":["C0157","/repositories/2/resources/90","E. P. Conkle papers","Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence","There are no access restrictions.","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. ","Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","The Special Collections Research Center also holds the  .","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)","English"],"unitid_tesim":["C0157","/repositories/2/resources/90"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Conkle, E. P. (Ellsworth Prouty)"],"creator_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creator_persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creators_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994."],"access_subjects_ssim":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"access_subjects_ssm":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["Poetry","Manuscripts","Correspondence"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \u003c/p\u003e\n","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. "],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/resources/c0046\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" \u003c/p\u003e\n","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\u003c/p\u003e","\u003cp\u003eAustin, Texas\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e123 pages\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\u003c/p\u003e","\u003cp\u003e84 pages\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\u003c/p\u003e","\u003cp\u003esmall format type scripts\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student.\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4cc520ef016e4cf4b96e754985251fb\" label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973)."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_90"}},{"id":"vifgm_repositories_2_resources_574","type":"collection","attributes":{"title":"George Mason University Northern Virginia Writing Project records","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_574#creator","type":"document_value","attributes":{"value":"George Mason University. English Department","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_574#abstract_or_scope","type":"document_value","attributes":{"value":"Photos, documents, correspondence, and audio-visual materials created over several years of the Northern Virginia Writing Project.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_574#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_574","ead_ssi":"vifgm_repositories_2_resources_574","_root_":"vifgm_repositories_2_resources_574","_nest_parent_":"vifgm_repositories_2_resources_574","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_574.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/nvwp.html","title_ssm":["George Mason University Northern Virginia Writing Project records"],"title_tesim":["George Mason University Northern Virginia Writing Project records"],"unitdate_ssm":["1973-2011"],"unitdate_other_ssim":["1973-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0149"],"text":["R0149","George Mason University Northern Virginia Writing Project records","Northern Virginia","Virginia, Northern","Creative writing","There are no access restrictions.","These records are arranged chronologically by year, and subsequently in the original order it was received by the donor, with the exception of bound and audio-visual materials, which are arranged by type of record, chronologically, and lastly original order. Boxes 12 - 15, processed separately, are arranged in original order.","The Northern Virginia Writing Project (NVWP) was originally founded in 1977 by George Mason University Professor Don Gallehr, who after attending and feeling inspired by the Bay Area Writing Project Summer Institute, decided to create the NVWP in order to foster a successful learning environment for his students, teachers in their own right. With the support of George Mason University and Fairfax County Public schools, the NVWP began in 1978. As of 2016, over 800,000 students have been taught in their Invitational Summer Institutes to great success. George Mason University remains the home of the NVWP.","Processing completed by Amanda Brent in 2016. EAD markup completed by Amanda Brent in 2017.","The Northern Virginia Writing Project records include photos, photo negatives, documents, correspondence, logs, and audio-visual materials created and gathered over several years of the Northern Virginia Writing Project (NVWP), spanning the years 1973 - 2011.","There are no restrictions on personal use. Permission to publish material from the Northern Virginia Writing Project records must be obtained from Special Collections and Archives, George Mason University Libraries.","Photos, documents, correspondence, and audio-visual materials created over several years of the Northern Virginia Writing Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. English Department","English"],"unitid_tesim":["R0149"],"normalized_title_ssm":["George Mason University Northern Virginia Writing Project records"],"collection_title_tesim":["George Mason University Northern Virginia Writing Project records"],"collection_ssim":["George Mason University Northern Virginia Writing Project records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Northern Virginia","Virginia, Northern"],"geogname_ssim":["Northern Virginia","Virginia, Northern"],"creator_ssm":["George Mason University. English Department"],"creator_ssim":["George Mason University. English Department"],"creator_corpname_ssim":["George Mason University. English Department"],"creators_ssim":["George Mason University. English Department"],"places_ssim":["Northern Virginia","Virginia, Northern"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Northern Virginia Writing Project records must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Transferred from Don Gallehr in October 2016."],"access_subjects_ssim":["Creative writing"],"access_subjects_ssm":["Creative writing"],"has_online_content_ssim":["false"],"extent_ssm":["13.5 linear feet (15 boxes)"],"extent_tesim":["13.5 linear feet (15 boxes)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThese records are arranged chronologically by year, and subsequently in the original order it was received by the donor, with the exception of bound and audio-visual materials, which are arranged by type of record, chronologically, and lastly original order. Boxes 12 - 15, processed separately, are arranged in original order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["These records are arranged chronologically by year, and subsequently in the original order it was received by the donor, with the exception of bound and audio-visual materials, which are arranged by type of record, chronologically, and lastly original order. Boxes 12 - 15, processed separately, are arranged in original order."],"bioghist_html_tesm":["\u003cp\u003eThe Northern Virginia Writing Project (NVWP) was originally founded in 1977 by George Mason University Professor Don Gallehr, who after attending and feeling inspired by the Bay Area Writing Project Summer Institute, decided to create the NVWP in order to foster a successful learning environment for his students, teachers in their own right. With the support of George Mason University and Fairfax County Public schools, the NVWP began in 1978. As of 2016, over 800,000 students have been taught in their Invitational Summer Institutes to great success. George Mason University remains the home of the NVWP.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Northern Virginia Writing Project (NVWP) was originally founded in 1977 by George Mason University Professor Don Gallehr, who after attending and feeling inspired by the Bay Area Writing Project Summer Institute, decided to create the NVWP in order to foster a successful learning environment for his students, teachers in their own right. With the support of George Mason University and Fairfax County Public schools, the NVWP began in 1978. As of 2016, over 800,000 students have been taught in their Invitational Summer Institutes to great success. George Mason University remains the home of the NVWP."],"prefercite_html_tesm":["\u003cp\u003eThe Northern Virginia Writing Project Records, R0149, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Northern Virginia Writing Project Records, R0149, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in 2016. EAD markup completed by Amanda Brent in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in 2016. EAD markup completed by Amanda Brent in 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe Northern Virginia Writing Project records include photos, photo negatives, documents, correspondence, logs, and audio-visual materials created and gathered over several years of the Northern Virginia Writing Project (NVWP), spanning the years 1973 - 2011.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The Northern Virginia Writing Project records include photos, photo negatives, documents, correspondence, logs, and audio-visual materials created and gathered over several years of the Northern Virginia Writing Project (NVWP), spanning the years 1973 - 2011."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Northern Virginia Writing Project records must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Northern Virginia Writing Project records must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003ePhotos, documents, correspondence, and audio-visual materials created over several years of the Northern Virginia Writing Project.\u003c/abstract\u003e"],"abstract_tesim":["Photos, documents, correspondence, and audio-visual materials created over several years of the Northern Virginia Writing Project."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. English Department"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. English Department"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":411,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:20:47.416Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_574","ead_ssi":"vifgm_repositories_2_resources_574","_root_":"vifgm_repositories_2_resources_574","_nest_parent_":"vifgm_repositories_2_resources_574","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_574.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/nvwp.html","title_ssm":["George Mason University Northern Virginia Writing Project records"],"title_tesim":["George Mason University Northern Virginia Writing Project records"],"unitdate_ssm":["1973-2011"],"unitdate_other_ssim":["1973-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0149"],"text":["R0149","George Mason University Northern Virginia Writing Project records","Northern Virginia","Virginia, Northern","Creative writing","There are no access restrictions.","These records are arranged chronologically by year, and subsequently in the original order it was received by the donor, with the exception of bound and audio-visual materials, which are arranged by type of record, chronologically, and lastly original order. Boxes 12 - 15, processed separately, are arranged in original order.","The Northern Virginia Writing Project (NVWP) was originally founded in 1977 by George Mason University Professor Don Gallehr, who after attending and feeling inspired by the Bay Area Writing Project Summer Institute, decided to create the NVWP in order to foster a successful learning environment for his students, teachers in their own right. With the support of George Mason University and Fairfax County Public schools, the NVWP began in 1978. As of 2016, over 800,000 students have been taught in their Invitational Summer Institutes to great success. George Mason University remains the home of the NVWP.","Processing completed by Amanda Brent in 2016. EAD markup completed by Amanda Brent in 2017.","The Northern Virginia Writing Project records include photos, photo negatives, documents, correspondence, logs, and audio-visual materials created and gathered over several years of the Northern Virginia Writing Project (NVWP), spanning the years 1973 - 2011.","There are no restrictions on personal use. Permission to publish material from the Northern Virginia Writing Project records must be obtained from Special Collections and Archives, George Mason University Libraries.","Photos, documents, correspondence, and audio-visual materials created over several years of the Northern Virginia Writing Project.","George Mason University. Libraries. Special Collections Research Center","George Mason University. English Department","English"],"unitid_tesim":["R0149"],"normalized_title_ssm":["George Mason University Northern Virginia Writing Project records"],"collection_title_tesim":["George Mason University Northern Virginia Writing Project records"],"collection_ssim":["George Mason University Northern Virginia Writing Project records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Northern Virginia","Virginia, Northern"],"geogname_ssim":["Northern Virginia","Virginia, Northern"],"creator_ssm":["George Mason University. English Department"],"creator_ssim":["George Mason University. English Department"],"creator_corpname_ssim":["George Mason University. English Department"],"creators_ssim":["George Mason University. English Department"],"places_ssim":["Northern Virginia","Virginia, Northern"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Northern Virginia Writing Project records must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Transferred from Don Gallehr in October 2016."],"access_subjects_ssim":["Creative writing"],"access_subjects_ssm":["Creative writing"],"has_online_content_ssim":["false"],"extent_ssm":["13.5 linear feet (15 boxes)"],"extent_tesim":["13.5 linear feet (15 boxes)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThese records are arranged chronologically by year, and subsequently in the original order it was received by the donor, with the exception of bound and audio-visual materials, which are arranged by type of record, chronologically, and lastly original order. Boxes 12 - 15, processed separately, are arranged in original order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["These records are arranged chronologically by year, and subsequently in the original order it was received by the donor, with the exception of bound and audio-visual materials, which are arranged by type of record, chronologically, and lastly original order. Boxes 12 - 15, processed separately, are arranged in original order."],"bioghist_html_tesm":["\u003cp\u003eThe Northern Virginia Writing Project (NVWP) was originally founded in 1977 by George Mason University Professor Don Gallehr, who after attending and feeling inspired by the Bay Area Writing Project Summer Institute, decided to create the NVWP in order to foster a successful learning environment for his students, teachers in their own right. With the support of George Mason University and Fairfax County Public schools, the NVWP began in 1978. As of 2016, over 800,000 students have been taught in their Invitational Summer Institutes to great success. George Mason University remains the home of the NVWP.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Northern Virginia Writing Project (NVWP) was originally founded in 1977 by George Mason University Professor Don Gallehr, who after attending and feeling inspired by the Bay Area Writing Project Summer Institute, decided to create the NVWP in order to foster a successful learning environment for his students, teachers in their own right. With the support of George Mason University and Fairfax County Public schools, the NVWP began in 1978. As of 2016, over 800,000 students have been taught in their Invitational Summer Institutes to great success. George Mason University remains the home of the NVWP."],"prefercite_html_tesm":["\u003cp\u003eThe Northern Virginia Writing Project Records, R0149, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Northern Virginia Writing Project Records, R0149, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in 2016. EAD markup completed by Amanda Brent in 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in 2016. EAD markup completed by Amanda Brent in 2017."],"scopecontent_html_tesm":["\u003cp\u003eThe Northern Virginia Writing Project records include photos, photo negatives, documents, correspondence, logs, and audio-visual materials created and gathered over several years of the Northern Virginia Writing Project (NVWP), spanning the years 1973 - 2011.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["The Northern Virginia Writing Project records include photos, photo negatives, documents, correspondence, logs, and audio-visual materials created and gathered over several years of the Northern Virginia Writing Project (NVWP), spanning the years 1973 - 2011."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Northern Virginia Writing Project records must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Northern Virginia Writing Project records must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003ePhotos, documents, correspondence, and audio-visual materials created over several years of the Northern Virginia Writing Project.\u003c/abstract\u003e"],"abstract_tesim":["Photos, documents, correspondence, and audio-visual materials created over several years of the Northern Virginia Writing Project."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. English Department"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. English Department"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":411,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:20:47.416Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_574"}},{"id":"vino_repositories_3_resources_295","type":"collection","attributes":{"title":"Literary Festival Collection","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_295#creator","type":"document_value","attributes":{"value":"Old Dominion University. Department of English","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_295#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_295#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_3_resources_295","ead_ssi":"vino_repositories_3_resources_295","_root_":"vino_repositories_3_resources_295","_nest_parent_":"vino_repositories_3_resources_295","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_295.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/295","title_filing_ssi":"Literary Festival","title_ssm":["Literary Festival Collection"],"title_tesim":["Literary Festival Collection"],"unitdate_ssm":["1977-2019, undated"],"unitdate_inclusive_ssm":["1977-2019, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 17-3A1","/repositories/3/resources/295"],"text":["RG 17-3A1","/repositories/3/resources/295","Literary Festival Collection","Writing","Creative writing","Festivals in literature","Open to researchers without restrictions.","Future accruals are expected.","The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.","In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)","Information from past Literary Festivals, including brochures and video, came be found in the \n Old Dominion University Libraries Digital Collection .","This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.","Includes brochures and pamphlets, flyers, news clippings, metadata sheets for digitized materials, and other such printed materials.","Digitized brochures and photos in tiff and jpeg format stored on compact discs.","Includes tiffs and jpegs","This sub-series contains posters and oversize clippings for the annual Literary Festival.","The original video from the 1st Annual Arts Reunion in 1978 was recorded on 3/4-inch U-Matic videocassettes. This sub-series is comprised of 10 of these tapes that have also been transferred to VHS tapes.","The 23rd, 24th, and 26th Annual Literary Festivals were recorded in full or in part on VHS-C tapes. This sub-series may be appended, should future festivals be recorded in this format.","Video from many of the Literary Festivals has been recorded in VHS format - either originally or the video has been migrated to this media format. There are notable gaps as not all Festivals were recorded; not all speakers were recorded for Festivals that were video taped; and some years were recorded using a different media type and not VHS. This sub-series may be appended, should future festivals be recorded in this format.","Transcribed March 1, 2000","Compact discs are the most common storage method for digitized video from the Festivals. As such, there are compact discs for virtually every year of the festival that were recorded. This sub-series may be appended, should digitized video from future festivals be stored in this media format.","While most digitized video is stored on compact discs, video from the 22nd Festival is stored on a Jazz disc. This year's video consists of the Rita Dove Final Event with Philip Raisor, Mike Pearson, and Gary Short. The original date of recording is October 15, 1999. It was migrated to a digital format on March 1, 2000.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.","ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival","English"],"unitid_tesim":["RG 17-3A1","/repositories/3/resources/295"],"normalized_title_ssm":["Literary Festival Collection"],"collection_title_tesim":["Literary Festival Collection"],"collection_ssim":["Literary Festival Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Old Dominion University. Department of English"],"creator_ssim":["Old Dominion University. Department of English"],"creator_corpname_ssim":["Old Dominion University. Department of English"],"creators_ssim":["Old Dominion University. Department of English"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Philip Raisor","Various transfers."],"access_subjects_ssim":["Writing","Creative writing","Festivals in literature"],"access_subjects_ssm":["Writing","Creative writing","Festivals in literature"],"has_online_content_ssim":["false"],"extent_ssm":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"extent_tesim":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video."],"bioghist_html_tesm":["\u003cp\u003eIn April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.\u003c/p\u003e\n","\u003cp\u003eSome of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.\u003c/p\u003e\n","\u003cp\u003eThe diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.\u003c/p\u003e\n","\u003cp\u003eOver the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.\u003c/p\u003e\n","\u003cp\u003eNote written by Phil Raisor (English Department) and Karen Vaughan (Library)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Brochures, 1977-1989, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Brochures, 1990-1998, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 3, Brochures, 1999-2019, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 4, Drawing, 9 October 1991, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 5, Metadata for Digitized Brochures and Photos, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 6, Metadata for Digitized Video: 1st, 15th, and 18th Festivals, 1978, 1992-1995, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 7, Metadata for Digitized Video: 20th-25th Festivals, 1997-2002, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 8, Metadata for Digitized Video: 26th-31st Festivals, 2003-2008, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 9, News Clippings, W. D. Snodgrass, 1977-1978, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 10, News Clippings, 1979-1980, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 11, 15th Annual Literary Festival, 1992, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 12, Poetry Jam I, 1978 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 13, Poetry Jam II, 1978 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 14, Poetry Jam, 1979 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 15, Flyers, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 16, Miscellaneous, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLiterary Festival Photos, circa 1978-2001, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBrochures, 1978-1982, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBrochures, 1983-1986, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBrochures, 1987-1991, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBrochures, 1992-1994, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBrochures, 1995-1998, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e22nd Literary Brochure Tiffs, 1999, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e23rd Literary Festival Brochure, Photo Tiffs and Author Jpgs, 2000, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e24th Literary Festival Brochure, Photo and Author Tiffs, 2001, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Oversize Box 17, Folder 1, Oversize Literary Festival Items, 1982-2019, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAnthony Hecht, Reading, 7:30 pm, 1978 September 25, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Woman's Voice: Nancy Bazin, Linda Mizejewski, and Debra Bruce, 12:30 pm, 1978 September 26, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTranslation Performance: Stelan Grunwald, Regula Meier, Abbot Sacks, Benjamin Clymer, 12:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 1, 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 1 (Repair Tape), 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 2, 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAWP Reading: Marvin Bell, Ellen Voigt, David Madden, 8:00 pm, 1978 September 28, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJazz/Poetry Performance: Martin Pachey Quartet, 12:00 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 1, 7:30 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 2, 7:30 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 1, 23rd Annual Literary Festival, 2000, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMFA Faculty Reading: Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short, 4:00 pm, 2000 October 6, Box 4, Folder 1, 23rd Annual Literary Festival, 2000, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRoberly Bell: Literary Festival Preview. September 30, 2001, 2:30pm; and Terry Perrel, Temple West, and Tom Yuill Graduates of ODU's MFA program. October 1, 2001. 4pm, 2001 September 30-October 1, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRoseann Runte, 8:00 pm, 2001 October 1, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAgymah Kamau. October 2, 2001. 2pm. and Tom Yuill Continued from October 1, 2001, 4pm, 2001 October 1-2, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSheryl St. Germain, 4:00 pm, 2001 October 2, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eEugene Gloria, 4:00 pm, 2001 October 3, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJoseph Skibell, 4:00 pm, 2001 October 4, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGreg Bottoms, 2:00 pm, 2001 October 5, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eKaren McElmurray, 4:00 pm, 2001 October 5, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRhoda Stamell, 2:00 pm, 2003 September 30, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJamie Callan, 8:00 pm, 2003 September 30, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePaul Miller, a.k.a. DJ Spooky that Subliminal Kid, 12:00 pm, 2003 October 1, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRick Skwiot, 10:00 pm, 2003 October 2, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarilyn Chin, 11:00 pm, 2003 October 3, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePeter Meinke, 3:00 pm, 2003 October 3, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAnthony Hecht. Reading, 7:30 pm, 1978 September 25, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Woman's Voice. Nancy Bazin, Linda Mizejewski, and Debra Bruce, 12:30 pm, 1978 September 26, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTranslation Performance. Stelan Grunwald, Regula Meier, Abbot Sax, and Benjamin Clymer, 12:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 1, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 1--Repair Tape, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 2, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAWP Reading: Marvin Bell, Ellen Voigt, David Madden, 8:00 pm, 1978 September 28, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJazz/Poetry Performance. Martin Pachey Quartet, 12:00 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 1, 7:30 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 2, 7:30 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWho All Killed Cock Robin? A Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw, 7:30 pm, 1992 October 4, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWords at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton, 6:00 am, 1992 October 6, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman and Paul West: Fiction Reading from The women of Whitechapel and Jack the Ripper, 7:30 pm, 1992 October 6, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eW.D. and Kathy Snodgrass: Poetry Reading and Slideshow From W.D.'s Midnight Carnival; and Jay O'Callahan: The Art of Storytelling, 11:00 am, 1992 October 7, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles Johnson: Fiction Reading. And John Toomey: Original Jazz Performance, 7:30 pm, 1992 October 8, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eIntro by M. Evelina Galang. Synthesis Motion Theater. Fiction Reading by Fiona Cheong. October 3, 1995. 11am. And Poetry Reading by Quraysh Ali. October 3, 1995. 1pm, 1995 October 3, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePanel Discussion: When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quraysh Ali, Eavan Boland, 3:00 pm, 1995 October 3, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMelody Ruffin Ward and Elbert Watson: Dance: Hymn for the Fainthearted. October 3, 1995. 7:45pm. Poetry Reading by Eavan Boland. October 3, 1995. 8pm. Poetry Reading by Tim Seibles. October 4, 1995. 11am, 1995 October 3-4, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoetry Reading by Agha Shahid Ali. October 4, 1995. 3pm. Music: Agnes Fuller Song to the Moon. October 4, 1995. 7:45pm. Fiction Reading by Ninotchka Rosca. October 4, 1995. 8pm, 1995 October 4, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoetry Reading by Mary Crow. October 5, 1995. 11am. Silencing of Women: Direct and Indirect Censorship, Ninotchka Rosca. October 5, 1995. 3pm, 1995 October 5, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWelcoming and Thanks by M. Evelina Galang. Illocano Dance Troupe. October 5, 1995. 7:45pm. Fiction Reading by Ariel Dorfman. October 5, 1995. 8pm, 1995 October 5, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCornelius Eady. Poetry, 10:00 am, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePanel Discussion: The Inner Mounting Flame: Self, Culture, and Witness. Cornelius Eady and Joy Harjo, 1:30 pm, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMelissa Fay Greene. Non-Fiction, 3:00 pm, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMike D'Orso: Journalism and Non-Fiction, 10am and Poetry Reading by Liz Waldner, 2pm, 1997 October 15, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePanel Discussion: What Kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. October 15, 1997. 3:30pm. And Fiction Reading by Reginald McKnight. October 15, 1997. 7:30pm, 1997 October 15, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Conversation with Martin Espada: Race, Culture, Rage and Compassion, 2:00 pm, 1997 October 16, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMartin Espada. Poetry Reading. October 16, 1997, 8pm. And Poetry Reading by Marita Golden, October 17, 1997. 10am, 1997 October 16-17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eFiction by Richard Hell. October 17, 1997, 2pm; and Panel Discussion Friction: The Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd, October 17, 1997, 3:30pm, 1997 October 17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGay Telese. Recital, 8:00 pm and 3:30 pm, 1997 October 17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTony Grooms. Fiction and Poetry, 2pm, and Jane Bernstein, Non-Fiction, 3:30pm, 1998 October 6, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRobert Pinsky, 8:00 pm, 1998 October 6, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJacqueline Woodson. Fiction, 10:00 am, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJack Myers, Poetry, 2pm. and Panel Discussion: Saying What You Mean: The Art of Honesty, Jack Myers and Jacqueline Woodson. 3:30pm, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNicole Brossard. Poetry, Fiction, and Non-Fiction, 8:00 pm, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eScott Cairns. Poetry and Open Mike, 10:00 am, 1998 October 8, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTony Hoagland, Poetry, 2pm; and Panel Discussion: A New Dialogue: Asian and Asian-American Writers in America, Li-Young Lee and Maria Luisa Carino, 3:30pm, 1998 October 8, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLi-Young Lee. Poetry, 8:00 pm, 1998 October 8, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePanel Discussion Who Do You Believe? Three Genres, Three Takes? Tony Hoagland, Sena Naslund, and Michael Pearson, 10:00 am, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSena Naslund. Fiction, 2:00 pm, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJohn McPhee, Non-Fiction, 8:00 pm, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRita Dove Final Event (with Philip Raisor, Mike Pearson, Gary Short), 8:00 pm, 15 October 1999, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTim O'Brien, 8:00 pm, 2000 October 3, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short, 4:00 pm, 2000 October 6, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHolly Hughes, 8:00 pm, 2001 October 2, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMargorie Agosin, 8:00 pm, 2001 October 2, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison, 8:00 pm, 2001 October 5, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Breathing Word: Promotional Video for the Annual Literary Festival, 2002 August, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWriting Women's Voices. Debra Bruce and Lenore Hart, 2:00 pm, 2002 September 30, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman, 8:00 pm, 2002 September 30, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoem as Community, Community as Poem. Universes - Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz, 12:30 pm, 2002 October 1, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings Across the Color Lines. Wanda Coleman and Gregory H. Williams, 8:00 pm, 2002 October 1, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCreative Non-Fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner, 11:00 am, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner, 2:00 pm, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply, 8:00 pm, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRe-Reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude, 11:00 am, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eForging the Individual Mind. Mark Doty, 2:00 pm, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePresident's Lecture Series. Susan Sontag, 8:00 pm, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGiven that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy, 11:00 am, 2002 October 4, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham, 2:00 pm, 2002 October 4, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt, 8:00 pm, 2002 October 4, Box 10, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Final Celebration. Stephen Dunn, 8:00 pm, 2002 October 5, Box 10, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Interview With W.D. Snodgrass by Michael McLane, 1979 January 24, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReading by Anthony Hecht, 7:30 pm, 1978 January 25, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReading the Women's Voice. Nancy Bazin, Linda Mizejewski, and Debra Bruce. September 26, 1978. 12:30pm; AWP Reading. Marvin Bell, Ellen Voigt, \u0026amp; David Madden. September 28, 1978. 8pm, 1978 September 26-28, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReading by W.D. Snodgrass, 8:00 pm, 1978 September 27, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTranslation Performance. Stelan Grunwald, Regula Meier, Abbot Sacks, Benjamin Clymer, and Hope Mihalap. September 27, 1978. 12pm; AWP Reading: Ellen Voigt. September 28, 1978. 8pm, 1978 September 27-28, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAWP Reading. Marvin Bell, Ellen Voigt, and David Madden. September 28, 1978. 8pm; The Final Reunion: Now and Then. Charles Wright. September 29, 1978. 7:30pm, 1978 September 28-29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJazz / Poetry Performance. Martin Pachey Quartet, 12:00 pm 2, 1978 September 29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReading by Anthony Hecht. September 25, 1978. 7:30pm; AWP Reading. William Matthews. September 27, 1978. 2pm; Poetry Quartet. September 29, 1978. 7:30pm; The Final Reunion: Now and Then. Daniel Halpern. September 29, 1978. 7:30pm, 1978 September 25-29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWho All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 1, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWho All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 2, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWho All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 3, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWords at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 1, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWords at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 2, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWords at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 3, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWords at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 4, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 1, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 2, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 3, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePaul West: Fiction Reading From The Women of Whitechapel and Jack the Ripper, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eW.D. and Kathy Snodgrass: Poetry Reading and Slideshow From W.D.'s Midnight Carnival, 11:00 am, 1992 October 7, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJay O'Callahan: The Art of Storytelling, 7:30 pm, 7 October 1992, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles Johnson: Fiction Reading. Part 1, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles Johnson: Fiction Reading. Part 2, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJohn Toomey: Original Jazz Performance, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSynthesis Motion Theater. Introduction by Evelina Galang, 11:00 am, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eFiona Cheong. Fiction, 11:00 am, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eQuraysh Ali. Poetry, 1:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWhen Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWhen Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHymn for the Fainthearted Dance and Poetry by Evan Boland, 7:45 pm, 1995 October 3, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTim Seibles. Poetry, 11:00 am, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAgha Shahid Ali. Poetry. Part 1, 3:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAgha Shahid Ali. Poetry. Part 2, 3:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNinotchka Rosca. Fiction Reading, 8:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMary Crow. Poetry. Part 1, 11:00 am, 5 October 1995, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMary Crow. Poetry. Part 2, 11:00 am, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSilencing of Women: Direct and Indirect Censorship. Ninotchka Rosca, 3:00 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eIllocana United Youth Dance Troupe, 7:45 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAriel Dorfman. Fiction, 8:00 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCornelius Eady. Poetry. Part 1, 10:00 am, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCornelius Eady. Poetry. Part 2, 10:00 am, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMelissa Faye Green. Non-Fiction, 3:00 pm, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMike D'Orso. Journalism and Non-Fiction. Part 1, 10:00 am, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMike D'Orso. Journalism and Non-Fiction. Part 2, 10:00 am, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLiz Waldner. Poetry, 2:00 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWhat Kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 1, 3:30 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWhat kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReginald McKnight. Fiction. Part 1, 10:00 am, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReginald McKnight. Fiction. Part 2, 10:00 am, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRace, Culture, Rage and Compassion by Martin Espada. Part 1, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRace, Culture, Rage and Compassion by Martin Espada. Part 2, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRace, Culture, Rage and Compassion by Martin Espada. Part 3, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRace, Culture, Rage and Compassion by Martin Espada. Part 4, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRace, Culture, Rage and Compassion by Martin Espada. Part 5, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLouise Redd. Fiction, 3:30 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarita Golden. Fiction. Part 1, 10:00 am, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarita Golden. Fiction. Part 2, 10:00 am, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRichard Hell. Fiction. Part 1, 2:00 pm, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRichard Hell. Fiction. Part 2, 2:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 1, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 2, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 3, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGay Telese. Non-Fiction. Part 1, 8:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGay Telese. Non-Fiction. Part 2, 8:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTony Grooms. Fiction and Poetry, 2:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJane Bernstein. Non-Fiction, 3:30 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRobert Pinsky. Part 1, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRobert Pinsky. Part 2, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRobert Pinsky. Part 3, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJacqueline Woodson. Fiction, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJack Myers. Poetry, 2:00, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJack Myers. Poetry, 2:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSaying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 1, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSaying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 2, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSaying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 1, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSaying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 2, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNicole Brossard. Poetry, Fiction, and Non-Fiction. Part 1, 8:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNicole Brossard. Poetry, Fiction, and Non-Fiction. Part 2, 8:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eScott Cairns. Poetry, 10:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOpen Mike. Part 1, 11:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOpen Mike. Part 2, 11:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTony Hoagland. Poetry, 2:00 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA New Dialogue: Asian and Asian-American Writers in America. Li-Young Lee and Maria Luisa Carino. Part 1, 3:30 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA New Dialogue: Asian and Asian-American Writers in America. Li-Young Lee and Maria Luisa Carino. Part 2, 3:30 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSena Naslund. Fiction. Part 1, 2:00 pm, 1998 October 9, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSena Naslund. Fiction. Part 2, 2:00 pm, 1998 October 9, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePhillip Raisor: Overview of the Literary Festival; Michael Pearson: Review of the 22nd Annual Literary Festival; Gary Short: Introduction to Rita Dove; and Michael Pearson: Closing Remarks, 1999 October, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTim O'Brien. Part 1, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTim O'Brien. Part 2, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTim O'Brien. Part 3, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short. Part 1, 4:00 pm, 2000 October 6, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short. Part 2, 4:00 pm, 2000 October 6, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eFestival Preview: Roberly Bell, 2:30 pm, 2001 September 30, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGraduates of ODU MFA Program: Terry Perrel, Temple West, Tom Yuill. Part 1, 4:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGraduates of ODU MFA Program: Terry Perrel, Temple West, Tom Yuill. Part 2, 4:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRoseann Runte. Part 1, 8:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRoseann Runte. Part 2, 8:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAgyma Kamau, 2:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSheryl St. Germain, 4:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHolly Hughes. Part 1, 8:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHolly Hughes. Part 2, 8:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eEugene Gloria, 4:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarjorie Agosin. Part 1, 8:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarjorie Agosin. Part 2, 8:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJoseph Skibell. Part 1, 4:00 pm, 2001 October 4, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJoseph Skibell. Part 2, 4:00 pm, 2001 October 4, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGreg Bottoms. Part 1, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGreg Bottoms. Part 2, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGreg Bottoms. Part 3, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eKaren McElmurray. Part 1, 4:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eKaren McElmurray. Part 2, 4:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison. Part 1, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison. Part 2, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison. Part 3, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison. Part 4, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison. Part 5, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWriting Women's Voices. Debra Bruce and Lenore Hart. Part 1, 2:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWriting Women's Voices. Debra Bruce and Lenore Hart. Part 2, 2:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman. Part 1, 8:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman. Part 2, 8:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoem as Community, Community as Poem. Universes--Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz. Part 1, 12:30 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoem as Community, Community as Poem. Universes--Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz. Part 2, 12:30 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings Across the Color Lines. Wanda Coleman and Gregory H. Williams. Part 1, 8:00 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings Across the Color Lines. Wanda Coleman and Gregory H. Williams. Part 2, 8:00 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCreative Non-fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner. Part 1, 11:00 am, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCreative Non-fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner. Part 2, 11:00 am, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner. Part 1, 2:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner. Part 2, 2:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply. Part 1, 8:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply. Part 2, 8:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRe-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 1, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRe-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 2, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRe-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 3, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eForging the Individual Mind. Mark Doty. Part 1, 2:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eForging the Individual Mind. Mark Doty. Part 2, 2:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePresident's Lecture Series. Susan Sontag. Part 1, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePresident's Lecture Series. Susan Sontag. Part 2, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePresident's Lecture Series. Susan Sontag. Part 3, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGiven that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy. Part 1, 11:00 am, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGiven that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy. Part 2, 11:00 am, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 1, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 2, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 3, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt. Part 1, 8:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt. Part 2, 8:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Final Celebration. Stephen Dunn. Part 1, 8:00 pm, 2002 October 5, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Final Celebration. Stephen Dunn. Part 2, 8:00 pm, 2002 October 5, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRhoda Stamell, 2:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJamie Callan. Part 1, 8:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJamie Callan. Part 2, 8:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePaul Miller, a.k.a. DJ Spooky that Subliminal Kid. Part 1, 12:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePaul Miller, a.k.a. DJ Spooky that Subliminal Kid. Part 2, 12:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMichael Pearson and Phil Raisor. Part 1, 2:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMichael Pearson and Phil Raisor. Part 2, 2:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRick Skwiot. Part 1, 10:00 am, 2003 October 2, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRick Skwiot. Part 2, 10:00 am, 2003 October 2, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarilyn Chin, 11:00 am, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePeter Meinke. Part 1, 3:00 pm, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePeter Meinke. Part 2, 3:00 pm, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRita Dove Final Event (With Philip Raisor, Mike Pearson, Gary Short), 8:00 pm, 1999 October 15, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 1, Brochures, 1977-1989, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 2, Brochures, 1990-1998, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 3, Brochures, 1999-2019, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 4, Drawing, 9 October 1991, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 5, Metadata for Digitized Brochures and Photos, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 6, Metadata for Digitized Video: 1st, 15th, and 18th Festivals, 1978, 1992-1995, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 7, Metadata for Digitized Video: 20th-25th Festivals, 1997-2002, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 8, Metadata for Digitized Video: 26th-31st Festivals, 2003-2008, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 9, News Clippings, W. D. Snodgrass, 1977-1978, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 10, News Clippings, 1979-1980, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 11, 15th Annual Literary Festival, 1992, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 12, Poetry Jam I, 1978 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 13, Poetry Jam II, 1978 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 14, Poetry Jam, 1979 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 15, Flyers, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 16, Miscellaneous, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Literary Festival Photos, circa 1978-2001, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Brochures, 1978-1982, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Brochures, 1983-1986, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Brochures, 1987-1991, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Brochures, 1992-1994, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Brochures, 1995-1998, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","22nd Literary Brochure Tiffs, 1999, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","23rd Literary Festival Brochure, Photo Tiffs and Author Jpgs, 2000, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","24th Literary Festival Brochure, Photo and Author Tiffs, 2001, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Oversize Box 17, Folder 1, Oversize Literary Festival Items, 1982-2019, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Anthony Hecht, Reading, 7:30 pm, 1978 September 25, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Woman's Voice: Nancy Bazin, Linda Mizejewski, and Debra Bruce, 12:30 pm, 1978 September 26, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Translation Performance: Stelan Grunwald, Regula Meier, Abbot Sacks, Benjamin Clymer, 12:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 1, 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 1 (Repair Tape), 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 2, 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","AWP Reading: Marvin Bell, Ellen Voigt, David Madden, 8:00 pm, 1978 September 28, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jazz/Poetry Performance: Martin Pachey Quartet, 12:00 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 1, 7:30 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 2, 7:30 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 1, 23rd Annual Literary Festival, 2000, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","MFA Faculty Reading: Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short, 4:00 pm, 2000 October 6, Box 4, Folder 1, 23rd Annual Literary Festival, 2000, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Roberly Bell: Literary Festival Preview. September 30, 2001, 2:30pm; and Terry Perrel, Temple West, and Tom Yuill Graduates of ODU's MFA program. October 1, 2001. 4pm, 2001 September 30-October 1, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Roseann Runte, 8:00 pm, 2001 October 1, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Agymah Kamau. October 2, 2001. 2pm. and Tom Yuill Continued from October 1, 2001, 4pm, 2001 October 1-2, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Sheryl St. Germain, 4:00 pm, 2001 October 2, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Eugene Gloria, 4:00 pm, 2001 October 3, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Joseph Skibell, 4:00 pm, 2001 October 4, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Greg Bottoms, 2:00 pm, 2001 October 5, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Karen McElmurray, 4:00 pm, 2001 October 5, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rhoda Stamell, 2:00 pm, 2003 September 30, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jamie Callan, 8:00 pm, 2003 September 30, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Paul Miller, a.k.a. DJ Spooky that Subliminal Kid, 12:00 pm, 2003 October 1, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rick Skwiot, 10:00 pm, 2003 October 2, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marilyn Chin, 11:00 pm, 2003 October 3, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Peter Meinke, 3:00 pm, 2003 October 3, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Anthony Hecht. Reading, 7:30 pm, 1978 September 25, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Woman's Voice. Nancy Bazin, Linda Mizejewski, and Debra Bruce, 12:30 pm, 1978 September 26, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Translation Performance. Stelan Grunwald, Regula Meier, Abbot Sax, and Benjamin Clymer, 12:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 1, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 1--Repair Tape, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 2, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","AWP Reading: Marvin Bell, Ellen Voigt, David Madden, 8:00 pm, 1978 September 28, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jazz/Poetry Performance. Martin Pachey Quartet, 12:00 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 1, 7:30 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 2, 7:30 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Who All Killed Cock Robin? A Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw, 7:30 pm, 1992 October 4, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Words at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton, 6:00 am, 1992 October 6, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman and Paul West: Fiction Reading from The women of Whitechapel and Jack the Ripper, 7:30 pm, 1992 October 6, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","W.D. and Kathy Snodgrass: Poetry Reading and Slideshow From W.D.'s Midnight Carnival; and Jay O'Callahan: The Art of Storytelling, 11:00 am, 1992 October 7, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Charles Johnson: Fiction Reading. And John Toomey: Original Jazz Performance, 7:30 pm, 1992 October 8, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Intro by M. Evelina Galang. Synthesis Motion Theater. Fiction Reading by Fiona Cheong. October 3, 1995. 11am. And Poetry Reading by Quraysh Ali. October 3, 1995. 1pm, 1995 October 3, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Panel Discussion: When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quraysh Ali, Eavan Boland, 3:00 pm, 1995 October 3, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Melody Ruffin Ward and Elbert Watson: Dance: Hymn for the Fainthearted. October 3, 1995. 7:45pm. Poetry Reading by Eavan Boland. October 3, 1995. 8pm. Poetry Reading by Tim Seibles. October 4, 1995. 11am, 1995 October 3-4, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Poetry Reading by Agha Shahid Ali. October 4, 1995. 3pm. Music: Agnes Fuller Song to the Moon. October 4, 1995. 7:45pm. Fiction Reading by Ninotchka Rosca. October 4, 1995. 8pm, 1995 October 4, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Poetry Reading by Mary Crow. October 5, 1995. 11am. Silencing of Women: Direct and Indirect Censorship, Ninotchka Rosca. October 5, 1995. 3pm, 1995 October 5, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Welcoming and Thanks by M. Evelina Galang. Illocano Dance Troupe. October 5, 1995. 7:45pm. Fiction Reading by Ariel Dorfman. October 5, 1995. 8pm, 1995 October 5, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Cornelius Eady. Poetry, 10:00 am, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Panel Discussion: The Inner Mounting Flame: Self, Culture, and Witness. Cornelius Eady and Joy Harjo, 1:30 pm, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Melissa Fay Greene. Non-Fiction, 3:00 pm, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Mike D'Orso: Journalism and Non-Fiction, 10am and Poetry Reading by Liz Waldner, 2pm, 1997 October 15, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Panel Discussion: What Kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. October 15, 1997. 3:30pm. And Fiction Reading by Reginald McKnight. October 15, 1997. 7:30pm, 1997 October 15, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Conversation with Martin Espada: Race, Culture, Rage and Compassion, 2:00 pm, 1997 October 16, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Martin Espada. Poetry Reading. October 16, 1997, 8pm. And Poetry Reading by Marita Golden, October 17, 1997. 10am, 1997 October 16-17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Fiction by Richard Hell. October 17, 1997, 2pm; and Panel Discussion Friction: The Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd, October 17, 1997, 3:30pm, 1997 October 17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Gay Telese. Recital, 8:00 pm and 3:30 pm, 1997 October 17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tony Grooms. Fiction and Poetry, 2pm, and Jane Bernstein, Non-Fiction, 3:30pm, 1998 October 6, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Robert Pinsky, 8:00 pm, 1998 October 6, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jacqueline Woodson. Fiction, 10:00 am, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jack Myers, Poetry, 2pm. and Panel Discussion: Saying What You Mean: The Art of Honesty, Jack Myers and Jacqueline Woodson. 3:30pm, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Nicole Brossard. Poetry, Fiction, and Non-Fiction, 8:00 pm, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Scott Cairns. Poetry and Open Mike, 10:00 am, 1998 October 8, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tony Hoagland, Poetry, 2pm; and Panel Discussion: A New Dialogue: Asian and Asian-American Writers in America, Li-Young Lee and Maria Luisa Carino, 3:30pm, 1998 October 8, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Li-Young Lee. Poetry, 8:00 pm, 1998 October 8, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Panel Discussion Who Do You Believe? Three Genres, Three Takes? Tony Hoagland, Sena Naslund, and Michael Pearson, 10:00 am, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Sena Naslund. Fiction, 2:00 pm, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","John McPhee, Non-Fiction, 8:00 pm, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rita Dove Final Event (with Philip Raisor, Mike Pearson, Gary Short), 8:00 pm, 15 October 1999, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tim O'Brien, 8:00 pm, 2000 October 3, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","MFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short, 4:00 pm, 2000 October 6, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Holly Hughes, 8:00 pm, 2001 October 2, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Margorie Agosin, 8:00 pm, 2001 October 2, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison, 8:00 pm, 2001 October 5, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Breathing Word: Promotional Video for the Annual Literary Festival, 2002 August, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Writing Women's Voices. Debra Bruce and Lenore Hart, 2:00 pm, 2002 September 30, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman, 8:00 pm, 2002 September 30, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Poem as Community, Community as Poem. Universes - Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz, 12:30 pm, 2002 October 1, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings Across the Color Lines. Wanda Coleman and Gregory H. Williams, 8:00 pm, 2002 October 1, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Creative Non-Fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner, 11:00 am, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner, 2:00 pm, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply, 8:00 pm, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Re-Reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude, 11:00 am, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Forging the Individual Mind. Mark Doty, 2:00 pm, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","President's Lecture Series. Susan Sontag, 8:00 pm, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Given that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy, 11:00 am, 2002 October 4, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham, 2:00 pm, 2002 October 4, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt, 8:00 pm, 2002 October 4, Box 10, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Final Celebration. Stephen Dunn, 8:00 pm, 2002 October 5, Box 10, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Interview With W.D. Snodgrass by Michael McLane, 1979 January 24, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reading by Anthony Hecht, 7:30 pm, 1978 January 25, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reading the Women's Voice. Nancy Bazin, Linda Mizejewski, and Debra Bruce. September 26, 1978. 12:30pm; AWP Reading. Marvin Bell, Ellen Voigt, \u0026 David Madden. September 28, 1978. 8pm, 1978 September 26-28, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reading by W.D. Snodgrass, 8:00 pm, 1978 September 27, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Translation Performance. Stelan Grunwald, Regula Meier, Abbot Sacks, Benjamin Clymer, and Hope Mihalap. September 27, 1978. 12pm; AWP Reading: Ellen Voigt. September 28, 1978. 8pm, 1978 September 27-28, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","AWP Reading. Marvin Bell, Ellen Voigt, and David Madden. September 28, 1978. 8pm; The Final Reunion: Now and Then. Charles Wright. September 29, 1978. 7:30pm, 1978 September 28-29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jazz / Poetry Performance. Martin Pachey Quartet, 12:00 pm 2, 1978 September 29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reading by Anthony Hecht. September 25, 1978. 7:30pm; AWP Reading. William Matthews. September 27, 1978. 2pm; Poetry Quartet. September 29, 1978. 7:30pm; The Final Reunion: Now and Then. Daniel Halpern. September 29, 1978. 7:30pm, 1978 September 25-29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Who All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 1, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Who All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 2, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Who All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 3, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Words at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 1, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Words at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 2, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Words at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 3, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Words at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 4, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 1, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 2, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 3, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Paul West: Fiction Reading From The Women of Whitechapel and Jack the Ripper, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","W.D. and Kathy Snodgrass: Poetry Reading and Slideshow From W.D.'s Midnight Carnival, 11:00 am, 1992 October 7, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jay O'Callahan: The Art of Storytelling, 7:30 pm, 7 October 1992, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Charles Johnson: Fiction Reading. Part 1, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Charles Johnson: Fiction Reading. Part 2, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","John Toomey: Original Jazz Performance, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Synthesis Motion Theater. Introduction by Evelina Galang, 11:00 am, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Fiona Cheong. Fiction, 11:00 am, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Quraysh Ali. Poetry, 1:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Hymn for the Fainthearted Dance and Poetry by Evan Boland, 7:45 pm, 1995 October 3, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tim Seibles. Poetry, 11:00 am, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Agha Shahid Ali. Poetry. Part 1, 3:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Agha Shahid Ali. Poetry. Part 2, 3:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Ninotchka Rosca. Fiction Reading, 8:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Mary Crow. Poetry. Part 1, 11:00 am, 5 October 1995, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Mary Crow. Poetry. Part 2, 11:00 am, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Silencing of Women: Direct and Indirect Censorship. Ninotchka Rosca, 3:00 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Illocana United Youth Dance Troupe, 7:45 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Ariel Dorfman. Fiction, 8:00 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Cornelius Eady. Poetry. Part 1, 10:00 am, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Cornelius Eady. Poetry. Part 2, 10:00 am, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Melissa Faye Green. Non-Fiction, 3:00 pm, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Mike D'Orso. Journalism and Non-Fiction. Part 1, 10:00 am, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Mike D'Orso. Journalism and Non-Fiction. Part 2, 10:00 am, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Liz Waldner. Poetry, 2:00 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","What Kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 1, 3:30 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","What kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reginald McKnight. Fiction. Part 1, 10:00 am, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reginald McKnight. Fiction. Part 2, 10:00 am, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Race, Culture, Rage and Compassion by Martin Espada. Part 1, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Race, Culture, Rage and Compassion by Martin Espada. Part 2, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Race, Culture, Rage and Compassion by Martin Espada. Part 3, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Race, Culture, Rage and Compassion by Martin Espada. Part 4, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Race, Culture, Rage and Compassion by Martin Espada. Part 5, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Louise Redd. Fiction, 3:30 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marita Golden. Fiction. Part 1, 10:00 am, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marita Golden. Fiction. Part 2, 10:00 am, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Richard Hell. Fiction. Part 1, 2:00 pm, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Richard Hell. Fiction. Part 2, 2:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 1, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 2, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 3, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Gay Telese. Non-Fiction. Part 1, 8:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Gay Telese. Non-Fiction. Part 2, 8:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tony Grooms. Fiction and Poetry, 2:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jane Bernstein. Non-Fiction, 3:30 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Robert Pinsky. Part 1, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Robert Pinsky. Part 2, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Robert Pinsky. Part 3, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jacqueline Woodson. Fiction, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jack Myers. Poetry, 2:00, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jack Myers. Poetry, 2:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Saying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 1, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Saying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 2, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Saying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 1, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Saying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 2, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Nicole Brossard. Poetry, Fiction, and Non-Fiction. Part 1, 8:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Nicole Brossard. Poetry, Fiction, and Non-Fiction. Part 2, 8:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Scott Cairns. Poetry, 10:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Open Mike. Part 1, 11:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Open Mike. Part 2, 11:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tony Hoagland. Poetry, 2:00 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A New Dialogue: Asian and Asian-American Writers in America. Li-Young Lee and Maria Luisa Carino. Part 1, 3:30 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A New Dialogue: Asian and Asian-American Writers in America. Li-Young Lee and Maria Luisa Carino. Part 2, 3:30 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Sena Naslund. Fiction. Part 1, 2:00 pm, 1998 October 9, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Sena Naslund. Fiction. Part 2, 2:00 pm, 1998 October 9, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Phillip Raisor: Overview of the Literary Festival; Michael Pearson: Review of the 22nd Annual Literary Festival; Gary Short: Introduction to Rita Dove; and Michael Pearson: Closing Remarks, 1999 October, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tim O'Brien. Part 1, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tim O'Brien. Part 2, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tim O'Brien. Part 3, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","MFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short. Part 1, 4:00 pm, 2000 October 6, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","MFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short. Part 2, 4:00 pm, 2000 October 6, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Festival Preview: Roberly Bell, 2:30 pm, 2001 September 30, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Graduates of ODU MFA Program: Terry Perrel, Temple West, Tom Yuill. Part 1, 4:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Graduates of ODU MFA Program: Terry Perrel, Temple West, Tom Yuill. Part 2, 4:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Roseann Runte. Part 1, 8:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Roseann Runte. Part 2, 8:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Agyma Kamau, 2:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Sheryl St. Germain, 4:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Holly Hughes. Part 1, 8:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Holly Hughes. Part 2, 8:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Eugene Gloria, 4:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marjorie Agosin. Part 1, 8:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marjorie Agosin. Part 2, 8:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Joseph Skibell. Part 1, 4:00 pm, 2001 October 4, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Joseph Skibell. Part 2, 4:00 pm, 2001 October 4, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Greg Bottoms. Part 1, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Greg Bottoms. Part 2, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Greg Bottoms. Part 3, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Karen McElmurray. Part 1, 4:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Karen McElmurray. Part 2, 4:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison. Part 1, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison. Part 2, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison. Part 3, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison. Part 4, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison. Part 5, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Writing Women's Voices. Debra Bruce and Lenore Hart. Part 1, 2:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Writing Women's Voices. Debra Bruce and Lenore Hart. Part 2, 2:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman. Part 1, 8:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman. Part 2, 8:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Poem as Community, Community as Poem. Universes--Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz. Part 1, 12:30 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Poem as Community, Community as Poem. Universes--Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz. Part 2, 12:30 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings Across the Color Lines. Wanda Coleman and Gregory H. Williams. Part 1, 8:00 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings Across the Color Lines. Wanda Coleman and Gregory H. Williams. Part 2, 8:00 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Creative Non-fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner. Part 1, 11:00 am, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Creative Non-fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner. Part 2, 11:00 am, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner. Part 1, 2:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner. Part 2, 2:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply. Part 1, 8:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply. Part 2, 8:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Re-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 1, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Re-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 2, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Re-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 3, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Forging the Individual Mind. Mark Doty. Part 1, 2:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Forging the Individual Mind. Mark Doty. Part 2, 2:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","President's Lecture Series. Susan Sontag. Part 1, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","President's Lecture Series. Susan Sontag. Part 2, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","President's Lecture Series. Susan Sontag. Part 3, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Given that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy. Part 1, 11:00 am, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Given that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy. Part 2, 11:00 am, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 1, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 2, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 3, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt. Part 1, 8:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt. Part 2, 8:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Final Celebration. Stephen Dunn. Part 1, 8:00 pm, 2002 October 5, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Final Celebration. Stephen Dunn. Part 2, 8:00 pm, 2002 October 5, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rhoda Stamell, 2:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jamie Callan. Part 1, 8:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jamie Callan. Part 2, 8:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Paul Miller, a.k.a. DJ Spooky that Subliminal Kid. Part 1, 12:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Paul Miller, a.k.a. DJ Spooky that Subliminal Kid. Part 2, 12:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Michael Pearson and Phil Raisor. Part 1, 2:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Michael Pearson and Phil Raisor. Part 2, 2:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rick Skwiot. Part 1, 10:00 am, 2003 October 2, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rick Skwiot. Part 2, 10:00 am, 2003 October 2, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marilyn Chin, 11:00 am, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Peter Meinke. Part 1, 3:00 pm, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Peter Meinke. Part 2, 3:00 pm, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rita Dove Final Event (With Philip Raisor, Mike Pearson, Gary Short), 8:00 pm, 1999 October 15, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eInformation from past Literary Festivals, including brochures and video, came be found in the \n\u003ca href=\"https://dc.lib.odu.edu/digital/collection/litfest\"\u003eOld Dominion University Libraries Digital Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Information from past Literary Festivals, including brochures and video, came be found in the \n Old Dominion University Libraries Digital Collection ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.\u003c/p\u003e","\u003cp\u003eIncludes brochures and pamphlets, flyers, news clippings, metadata sheets for digitized materials, and other such printed materials.\u003c/p\u003e","\u003cp\u003eDigitized brochures and photos in tiff and jpeg format stored on compact discs.\u003c/p\u003e","\u003cp\u003eIncludes tiffs and jpegs\u003c/p\u003e","\u003cp\u003eThis sub-series contains posters and oversize clippings for the annual Literary Festival.\u003c/p\u003e","\u003cp\u003eThe original video from the 1st Annual Arts Reunion in 1978 was recorded on 3/4-inch U-Matic videocassettes. This sub-series is comprised of 10 of these tapes that have also been transferred to VHS tapes.\u003c/p\u003e","\u003cp\u003eThe 23rd, 24th, and 26th Annual Literary Festivals were recorded in full or in part on VHS-C tapes. This sub-series may be appended, should future festivals be recorded in this format.\u003c/p\u003e","\u003cp\u003eVideo from many of the Literary Festivals has been recorded in VHS format - either originally or the video has been migrated to this media format. There are notable gaps as not all Festivals were recorded; not all speakers were recorded for Festivals that were video taped; and some years were recorded using a different media type and not VHS. This sub-series may be appended, should future festivals be recorded in this format.\u003c/p\u003e","\u003cp\u003eTranscribed March 1, 2000\u003c/p\u003e","\u003cp\u003eCompact discs are the most common storage method for digitized video from the Festivals. As such, there are compact discs for virtually every year of the festival that were recorded. This sub-series may be appended, should digitized video from future festivals be stored in this media format.\u003c/p\u003e","\u003cp\u003eWhile most digitized video is stored on compact discs, video from the 22nd Festival is stored on a Jazz disc. This year's video consists of the Rita Dove Final Event with Philip Raisor, Mike Pearson, and Gary Short. The original date of recording is October 15, 1999. It was migrated to a digital format on March 1, 2000.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.","Includes brochures and pamphlets, flyers, news clippings, metadata sheets for digitized materials, and other such printed materials.","Digitized brochures and photos in tiff and jpeg format stored on compact discs.","Includes tiffs and jpegs","This sub-series contains posters and oversize clippings for the annual Literary Festival.","The original video from the 1st Annual Arts Reunion in 1978 was recorded on 3/4-inch U-Matic videocassettes. This sub-series is comprised of 10 of these tapes that have also been transferred to VHS tapes.","The 23rd, 24th, and 26th Annual Literary Festivals were recorded in full or in part on VHS-C tapes. This sub-series may be appended, should future festivals be recorded in this format.","Video from many of the Literary Festivals has been recorded in VHS format - either originally or the video has been migrated to this media format. There are notable gaps as not all Festivals were recorded; not all speakers were recorded for Festivals that were video taped; and some years were recorded using a different media type and not VHS. This sub-series may be appended, should future festivals be recorded in this format.","Transcribed March 1, 2000","Compact discs are the most common storage method for digitized video from the Festivals. As such, there are compact discs for virtually every year of the festival that were recorded. This sub-series may be appended, should digitized video from future festivals be stored in this media format.","While most digitized video is stored on compact discs, video from the 22nd Festival is stored on a Jazz disc. This year's video consists of the Rita Dove Final Event with Philip Raisor, Mike Pearson, and Gary Short. The original date of recording is October 15, 1999. It was migrated to a digital format on March 1, 2000."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_01330098423365184e24eda0b5edbc13\" label=\"Abstract\"\u003eThis collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available."],"names_coll_ssim":["Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"names_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"corpname_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":337,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T19:50:12.884Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_3_resources_295","ead_ssi":"vino_repositories_3_resources_295","_root_":"vino_repositories_3_resources_295","_nest_parent_":"vino_repositories_3_resources_295","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_295.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/295","title_filing_ssi":"Literary Festival","title_ssm":["Literary Festival Collection"],"title_tesim":["Literary Festival Collection"],"unitdate_ssm":["1977-2019, undated"],"unitdate_inclusive_ssm":["1977-2019, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 17-3A1","/repositories/3/resources/295"],"text":["RG 17-3A1","/repositories/3/resources/295","Literary Festival Collection","Writing","Creative writing","Festivals in literature","Open to researchers without restrictions.","Future accruals are expected.","The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.","In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)","Information from past Literary Festivals, including brochures and video, came be found in the \n Old Dominion University Libraries Digital Collection .","This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.","Includes brochures and pamphlets, flyers, news clippings, metadata sheets for digitized materials, and other such printed materials.","Digitized brochures and photos in tiff and jpeg format stored on compact discs.","Includes tiffs and jpegs","This sub-series contains posters and oversize clippings for the annual Literary Festival.","The original video from the 1st Annual Arts Reunion in 1978 was recorded on 3/4-inch U-Matic videocassettes. This sub-series is comprised of 10 of these tapes that have also been transferred to VHS tapes.","The 23rd, 24th, and 26th Annual Literary Festivals were recorded in full or in part on VHS-C tapes. This sub-series may be appended, should future festivals be recorded in this format.","Video from many of the Literary Festivals has been recorded in VHS format - either originally or the video has been migrated to this media format. There are notable gaps as not all Festivals were recorded; not all speakers were recorded for Festivals that were video taped; and some years were recorded using a different media type and not VHS. This sub-series may be appended, should future festivals be recorded in this format.","Transcribed March 1, 2000","Compact discs are the most common storage method for digitized video from the Festivals. As such, there are compact discs for virtually every year of the festival that were recorded. This sub-series may be appended, should digitized video from future festivals be stored in this media format.","While most digitized video is stored on compact discs, video from the 22nd Festival is stored on a Jazz disc. This year's video consists of the Rita Dove Final Event with Philip Raisor, Mike Pearson, and Gary Short. The original date of recording is October 15, 1999. It was migrated to a digital format on March 1, 2000.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.","ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival","English"],"unitid_tesim":["RG 17-3A1","/repositories/3/resources/295"],"normalized_title_ssm":["Literary Festival Collection"],"collection_title_tesim":["Literary Festival Collection"],"collection_ssim":["Literary Festival Collection"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Old Dominion University. Department of English"],"creator_ssim":["Old Dominion University. Department of English"],"creator_corpname_ssim":["Old Dominion University. Department of English"],"creators_ssim":["Old Dominion University. Department of English"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Gift of Philip Raisor","Various transfers."],"access_subjects_ssim":["Writing","Creative writing","Festivals in literature"],"access_subjects_ssm":["Writing","Creative writing","Festivals in literature"],"has_online_content_ssim":["false"],"extent_ssm":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"extent_tesim":["7.60 Linear Feet","1 Hollinger document case, 15 multimedia boxes, 1 oversized box boxes"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into three series: Series I: Brochures, Clippings, and Memorabilia; Series II: Video Tapes; and Series III: Digitized Video."],"bioghist_html_tesm":["\u003cp\u003eIn April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.\u003c/p\u003e\n","\u003cp\u003eSome of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.\u003c/p\u003e\n","\u003cp\u003eThe diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.\u003c/p\u003e\n","\u003cp\u003eOver the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.\u003c/p\u003e\n","\u003cp\u003eNote written by Phil Raisor (English Department) and Karen Vaughan (Library)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In April 1978, the English Department held a Poetry Jam, featuring Richard Wilbur, W. D. Snodgrass, and Dave Smith. The success of the Poetry Jam and the recent explosion of community interest in the literary, visual, and performing arts in Hampton Roads, led to the First Annual Literary Festival. It was called The Arts Reunion,and it coincided with the arrival of the Associated Writing Programs' national headquarters, the birth of ODU's creative writing program, and the establishment of a Distinguished Visiting Writer position (W. D. Snodgrass was our first). It was a heady time.","Some of the writers speaking at the Literary Festival over the years have included Robert Pinsky, Rita Dove, John McPhee, William Styron, Ann Beattie, Charles Johnson, Derek Walcott, and Gwendolyn Brooks.","The diversity of readers, panels, workshops, and community involvement is one of the Festival hallmarks. Every two years the Festival is redesigned by a different English department member. The themes change from year to year. Major writers, cultural diversity, international perspectives, and numerous other approaches have been implemented over the years.","Over the years, students from Old Dominion University, surrounding campuses, and high schools have been encouraged to attend the literary events. Few, around the country, have an opportunity to hear and mingle with so many major and aspiring writers. Since Hampton Roads is areader friendlyenvironment, the Festival has consistently attracted patrons of bookstores, libraries, museums, and arts events.","Note written by Phil Raisor (English Department) and Karen Vaughan (Library)"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Brochures, 1977-1989, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Brochures, 1990-1998, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 3, Brochures, 1999-2019, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 4, Drawing, 9 October 1991, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 5, Metadata for Digitized Brochures and Photos, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 6, Metadata for Digitized Video: 1st, 15th, and 18th Festivals, 1978, 1992-1995, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 7, Metadata for Digitized Video: 20th-25th Festivals, 1997-2002, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 8, Metadata for Digitized Video: 26th-31st Festivals, 2003-2008, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 9, News Clippings, W. D. Snodgrass, 1977-1978, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 10, News Clippings, 1979-1980, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 11, 15th Annual Literary Festival, 1992, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 12, Poetry Jam I, 1978 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 13, Poetry Jam II, 1978 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 14, Poetry Jam, 1979 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 15, Flyers, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 16, Miscellaneous, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLiterary Festival Photos, circa 1978-2001, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBrochures, 1978-1982, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBrochures, 1983-1986, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBrochures, 1987-1991, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBrochures, 1992-1994, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBrochures, 1995-1998, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e22nd Literary Brochure Tiffs, 1999, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e23rd Literary Festival Brochure, Photo Tiffs and Author Jpgs, 2000, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e24th Literary Festival Brochure, Photo and Author Tiffs, 2001, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Oversize Box 17, Folder 1, Oversize Literary Festival Items, 1982-2019, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAnthony Hecht, Reading, 7:30 pm, 1978 September 25, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Woman's Voice: Nancy Bazin, Linda Mizejewski, and Debra Bruce, 12:30 pm, 1978 September 26, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTranslation Performance: Stelan Grunwald, Regula Meier, Abbot Sacks, Benjamin Clymer, 12:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 1, 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 1 (Repair Tape), 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 2, 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAWP Reading: Marvin Bell, Ellen Voigt, David Madden, 8:00 pm, 1978 September 28, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJazz/Poetry Performance: Martin Pachey Quartet, 12:00 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 1, 7:30 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 2, 7:30 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 1, 23rd Annual Literary Festival, 2000, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMFA Faculty Reading: Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short, 4:00 pm, 2000 October 6, Box 4, Folder 1, 23rd Annual Literary Festival, 2000, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRoberly Bell: Literary Festival Preview. September 30, 2001, 2:30pm; and Terry Perrel, Temple West, and Tom Yuill Graduates of ODU's MFA program. October 1, 2001. 4pm, 2001 September 30-October 1, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRoseann Runte, 8:00 pm, 2001 October 1, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAgymah Kamau. October 2, 2001. 2pm. and Tom Yuill Continued from October 1, 2001, 4pm, 2001 October 1-2, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSheryl St. Germain, 4:00 pm, 2001 October 2, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eEugene Gloria, 4:00 pm, 2001 October 3, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJoseph Skibell, 4:00 pm, 2001 October 4, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGreg Bottoms, 2:00 pm, 2001 October 5, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eKaren McElmurray, 4:00 pm, 2001 October 5, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRhoda Stamell, 2:00 pm, 2003 September 30, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJamie Callan, 8:00 pm, 2003 September 30, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePaul Miller, a.k.a. DJ Spooky that Subliminal Kid, 12:00 pm, 2003 October 1, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRick Skwiot, 10:00 pm, 2003 October 2, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarilyn Chin, 11:00 pm, 2003 October 3, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePeter Meinke, 3:00 pm, 2003 October 3, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAnthony Hecht. Reading, 7:30 pm, 1978 September 25, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Woman's Voice. Nancy Bazin, Linda Mizejewski, and Debra Bruce, 12:30 pm, 1978 September 26, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTranslation Performance. Stelan Grunwald, Regula Meier, Abbot Sax, and Benjamin Clymer, 12:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 1, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 1--Repair Tape, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 2, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAWP Reading: Marvin Bell, Ellen Voigt, David Madden, 8:00 pm, 1978 September 28, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJazz/Poetry Performance. Martin Pachey Quartet, 12:00 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 1, 7:30 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 2, 7:30 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWho All Killed Cock Robin? A Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw, 7:30 pm, 1992 October 4, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWords at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton, 6:00 am, 1992 October 6, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman and Paul West: Fiction Reading from The women of Whitechapel and Jack the Ripper, 7:30 pm, 1992 October 6, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eW.D. and Kathy Snodgrass: Poetry Reading and Slideshow From W.D.'s Midnight Carnival; and Jay O'Callahan: The Art of Storytelling, 11:00 am, 1992 October 7, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles Johnson: Fiction Reading. And John Toomey: Original Jazz Performance, 7:30 pm, 1992 October 8, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eIntro by M. Evelina Galang. Synthesis Motion Theater. Fiction Reading by Fiona Cheong. October 3, 1995. 11am. And Poetry Reading by Quraysh Ali. October 3, 1995. 1pm, 1995 October 3, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePanel Discussion: When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quraysh Ali, Eavan Boland, 3:00 pm, 1995 October 3, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMelody Ruffin Ward and Elbert Watson: Dance: Hymn for the Fainthearted. October 3, 1995. 7:45pm. Poetry Reading by Eavan Boland. October 3, 1995. 8pm. Poetry Reading by Tim Seibles. October 4, 1995. 11am, 1995 October 3-4, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoetry Reading by Agha Shahid Ali. October 4, 1995. 3pm. Music: Agnes Fuller Song to the Moon. October 4, 1995. 7:45pm. Fiction Reading by Ninotchka Rosca. October 4, 1995. 8pm, 1995 October 4, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoetry Reading by Mary Crow. October 5, 1995. 11am. Silencing of Women: Direct and Indirect Censorship, Ninotchka Rosca. October 5, 1995. 3pm, 1995 October 5, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWelcoming and Thanks by M. Evelina Galang. Illocano Dance Troupe. October 5, 1995. 7:45pm. Fiction Reading by Ariel Dorfman. October 5, 1995. 8pm, 1995 October 5, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCornelius Eady. Poetry, 10:00 am, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePanel Discussion: The Inner Mounting Flame: Self, Culture, and Witness. Cornelius Eady and Joy Harjo, 1:30 pm, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMelissa Fay Greene. Non-Fiction, 3:00 pm, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMike D'Orso: Journalism and Non-Fiction, 10am and Poetry Reading by Liz Waldner, 2pm, 1997 October 15, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePanel Discussion: What Kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. October 15, 1997. 3:30pm. And Fiction Reading by Reginald McKnight. October 15, 1997. 7:30pm, 1997 October 15, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Conversation with Martin Espada: Race, Culture, Rage and Compassion, 2:00 pm, 1997 October 16, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMartin Espada. Poetry Reading. October 16, 1997, 8pm. And Poetry Reading by Marita Golden, October 17, 1997. 10am, 1997 October 16-17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eFiction by Richard Hell. October 17, 1997, 2pm; and Panel Discussion Friction: The Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd, October 17, 1997, 3:30pm, 1997 October 17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGay Telese. Recital, 8:00 pm and 3:30 pm, 1997 October 17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTony Grooms. Fiction and Poetry, 2pm, and Jane Bernstein, Non-Fiction, 3:30pm, 1998 October 6, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRobert Pinsky, 8:00 pm, 1998 October 6, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJacqueline Woodson. Fiction, 10:00 am, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJack Myers, Poetry, 2pm. and Panel Discussion: Saying What You Mean: The Art of Honesty, Jack Myers and Jacqueline Woodson. 3:30pm, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNicole Brossard. Poetry, Fiction, and Non-Fiction, 8:00 pm, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eScott Cairns. Poetry and Open Mike, 10:00 am, 1998 October 8, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTony Hoagland, Poetry, 2pm; and Panel Discussion: A New Dialogue: Asian and Asian-American Writers in America, Li-Young Lee and Maria Luisa Carino, 3:30pm, 1998 October 8, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLi-Young Lee. Poetry, 8:00 pm, 1998 October 8, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePanel Discussion Who Do You Believe? Three Genres, Three Takes? Tony Hoagland, Sena Naslund, and Michael Pearson, 10:00 am, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSena Naslund. Fiction, 2:00 pm, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJohn McPhee, Non-Fiction, 8:00 pm, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRita Dove Final Event (with Philip Raisor, Mike Pearson, Gary Short), 8:00 pm, 15 October 1999, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTim O'Brien, 8:00 pm, 2000 October 3, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short, 4:00 pm, 2000 October 6, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHolly Hughes, 8:00 pm, 2001 October 2, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMargorie Agosin, 8:00 pm, 2001 October 2, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison, 8:00 pm, 2001 October 5, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Breathing Word: Promotional Video for the Annual Literary Festival, 2002 August, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWriting Women's Voices. Debra Bruce and Lenore Hart, 2:00 pm, 2002 September 30, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman, 8:00 pm, 2002 September 30, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoem as Community, Community as Poem. Universes - Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz, 12:30 pm, 2002 October 1, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings Across the Color Lines. Wanda Coleman and Gregory H. Williams, 8:00 pm, 2002 October 1, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCreative Non-Fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner, 11:00 am, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner, 2:00 pm, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply, 8:00 pm, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRe-Reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude, 11:00 am, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eForging the Individual Mind. Mark Doty, 2:00 pm, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePresident's Lecture Series. Susan Sontag, 8:00 pm, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGiven that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy, 11:00 am, 2002 October 4, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham, 2:00 pm, 2002 October 4, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt, 8:00 pm, 2002 October 4, Box 10, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Final Celebration. Stephen Dunn, 8:00 pm, 2002 October 5, Box 10, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Interview With W.D. Snodgrass by Michael McLane, 1979 January 24, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReading by Anthony Hecht, 7:30 pm, 1978 January 25, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReading the Women's Voice. Nancy Bazin, Linda Mizejewski, and Debra Bruce. September 26, 1978. 12:30pm; AWP Reading. Marvin Bell, Ellen Voigt, \u0026amp; David Madden. September 28, 1978. 8pm, 1978 September 26-28, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReading by W.D. Snodgrass, 8:00 pm, 1978 September 27, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTranslation Performance. Stelan Grunwald, Regula Meier, Abbot Sacks, Benjamin Clymer, and Hope Mihalap. September 27, 1978. 12pm; AWP Reading: Ellen Voigt. September 28, 1978. 8pm, 1978 September 27-28, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAWP Reading. Marvin Bell, Ellen Voigt, and David Madden. September 28, 1978. 8pm; The Final Reunion: Now and Then. Charles Wright. September 29, 1978. 7:30pm, 1978 September 28-29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJazz / Poetry Performance. Martin Pachey Quartet, 12:00 pm 2, 1978 September 29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReading by Anthony Hecht. September 25, 1978. 7:30pm; AWP Reading. William Matthews. September 27, 1978. 2pm; Poetry Quartet. September 29, 1978. 7:30pm; The Final Reunion: Now and Then. Daniel Halpern. September 29, 1978. 7:30pm, 1978 September 25-29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWho All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 1, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWho All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 2, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWho All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 3, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWords at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 1, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWords at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 2, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWords at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 3, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWords at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 4, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 1, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 2, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 3, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePaul West: Fiction Reading From The Women of Whitechapel and Jack the Ripper, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eW.D. and Kathy Snodgrass: Poetry Reading and Slideshow From W.D.'s Midnight Carnival, 11:00 am, 1992 October 7, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJay O'Callahan: The Art of Storytelling, 7:30 pm, 7 October 1992, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles Johnson: Fiction Reading. Part 1, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles Johnson: Fiction Reading. Part 2, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJohn Toomey: Original Jazz Performance, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSynthesis Motion Theater. Introduction by Evelina Galang, 11:00 am, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eFiona Cheong. Fiction, 11:00 am, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eQuraysh Ali. Poetry, 1:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWhen Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWhen Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHymn for the Fainthearted Dance and Poetry by Evan Boland, 7:45 pm, 1995 October 3, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTim Seibles. Poetry, 11:00 am, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAgha Shahid Ali. Poetry. Part 1, 3:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAgha Shahid Ali. Poetry. Part 2, 3:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNinotchka Rosca. Fiction Reading, 8:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMary Crow. Poetry. Part 1, 11:00 am, 5 October 1995, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMary Crow. Poetry. Part 2, 11:00 am, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSilencing of Women: Direct and Indirect Censorship. Ninotchka Rosca, 3:00 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eIllocana United Youth Dance Troupe, 7:45 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAriel Dorfman. Fiction, 8:00 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCornelius Eady. Poetry. Part 1, 10:00 am, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCornelius Eady. Poetry. Part 2, 10:00 am, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMelissa Faye Green. Non-Fiction, 3:00 pm, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMike D'Orso. Journalism and Non-Fiction. Part 1, 10:00 am, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMike D'Orso. Journalism and Non-Fiction. Part 2, 10:00 am, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLiz Waldner. Poetry, 2:00 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWhat Kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 1, 3:30 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWhat kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReginald McKnight. Fiction. Part 1, 10:00 am, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReginald McKnight. Fiction. Part 2, 10:00 am, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRace, Culture, Rage and Compassion by Martin Espada. Part 1, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRace, Culture, Rage and Compassion by Martin Espada. Part 2, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRace, Culture, Rage and Compassion by Martin Espada. Part 3, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRace, Culture, Rage and Compassion by Martin Espada. Part 4, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRace, Culture, Rage and Compassion by Martin Espada. Part 5, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLouise Redd. Fiction, 3:30 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarita Golden. Fiction. Part 1, 10:00 am, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarita Golden. Fiction. Part 2, 10:00 am, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRichard Hell. Fiction. Part 1, 2:00 pm, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRichard Hell. Fiction. Part 2, 2:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 1, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 2, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 3, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGay Telese. Non-Fiction. Part 1, 8:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGay Telese. Non-Fiction. Part 2, 8:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTony Grooms. Fiction and Poetry, 2:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJane Bernstein. Non-Fiction, 3:30 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRobert Pinsky. Part 1, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRobert Pinsky. Part 2, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRobert Pinsky. Part 3, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJacqueline Woodson. Fiction, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJack Myers. Poetry, 2:00, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJack Myers. Poetry, 2:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSaying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 1, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSaying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 2, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSaying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 1, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSaying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 2, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNicole Brossard. Poetry, Fiction, and Non-Fiction. Part 1, 8:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNicole Brossard. Poetry, Fiction, and Non-Fiction. Part 2, 8:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eScott Cairns. Poetry, 10:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOpen Mike. Part 1, 11:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOpen Mike. Part 2, 11:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTony Hoagland. Poetry, 2:00 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA New Dialogue: Asian and Asian-American Writers in America. Li-Young Lee and Maria Luisa Carino. Part 1, 3:30 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA New Dialogue: Asian and Asian-American Writers in America. Li-Young Lee and Maria Luisa Carino. Part 2, 3:30 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSena Naslund. Fiction. Part 1, 2:00 pm, 1998 October 9, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSena Naslund. Fiction. Part 2, 2:00 pm, 1998 October 9, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePhillip Raisor: Overview of the Literary Festival; Michael Pearson: Review of the 22nd Annual Literary Festival; Gary Short: Introduction to Rita Dove; and Michael Pearson: Closing Remarks, 1999 October, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTim O'Brien. Part 1, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTim O'Brien. Part 2, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTim O'Brien. Part 3, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short. Part 1, 4:00 pm, 2000 October 6, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short. Part 2, 4:00 pm, 2000 October 6, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eFestival Preview: Roberly Bell, 2:30 pm, 2001 September 30, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGraduates of ODU MFA Program: Terry Perrel, Temple West, Tom Yuill. Part 1, 4:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGraduates of ODU MFA Program: Terry Perrel, Temple West, Tom Yuill. Part 2, 4:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRoseann Runte. Part 1, 8:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRoseann Runte. Part 2, 8:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAgyma Kamau, 2:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSheryl St. Germain, 4:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHolly Hughes. Part 1, 8:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHolly Hughes. Part 2, 8:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eEugene Gloria, 4:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarjorie Agosin. Part 1, 8:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarjorie Agosin. Part 2, 8:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJoseph Skibell. Part 1, 4:00 pm, 2001 October 4, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJoseph Skibell. Part 2, 4:00 pm, 2001 October 4, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGreg Bottoms. Part 1, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGreg Bottoms. Part 2, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGreg Bottoms. Part 3, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eKaren McElmurray. Part 1, 4:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eKaren McElmurray. Part 2, 4:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison. Part 1, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison. Part 2, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison. Part 3, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison. Part 4, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDorothy Allison. Part 5, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWriting Women's Voices. Debra Bruce and Lenore Hart. Part 1, 2:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWriting Women's Voices. Debra Bruce and Lenore Hart. Part 2, 2:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman. Part 1, 8:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman. Part 2, 8:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoem as Community, Community as Poem. Universes--Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz. Part 1, 12:30 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoem as Community, Community as Poem. Universes--Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz. Part 2, 12:30 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings Across the Color Lines. Wanda Coleman and Gregory H. Williams. Part 1, 8:00 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReadings Across the Color Lines. Wanda Coleman and Gregory H. Williams. Part 2, 8:00 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCreative Non-fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner. Part 1, 11:00 am, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCreative Non-fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner. Part 2, 11:00 am, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner. Part 1, 2:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner. Part 2, 2:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply. Part 1, 8:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAn Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply. Part 2, 8:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRe-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 1, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRe-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 2, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRe-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 3, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eForging the Individual Mind. Mark Doty. Part 1, 2:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eForging the Individual Mind. Mark Doty. Part 2, 2:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePresident's Lecture Series. Susan Sontag. Part 1, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePresident's Lecture Series. Susan Sontag. Part 2, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePresident's Lecture Series. Susan Sontag. Part 3, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGiven that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy. Part 1, 11:00 am, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGiven that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy. Part 2, 11:00 am, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 1, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 2, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eReinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 3, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt. Part 1, 8:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt. Part 2, 8:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Final Celebration. Stephen Dunn. Part 1, 8:00 pm, 2002 October 5, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Final Celebration. Stephen Dunn. Part 2, 8:00 pm, 2002 October 5, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRhoda Stamell, 2:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJamie Callan. Part 1, 8:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJamie Callan. Part 2, 8:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePaul Miller, a.k.a. DJ Spooky that Subliminal Kid. Part 1, 12:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePaul Miller, a.k.a. DJ Spooky that Subliminal Kid. Part 2, 12:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMichael Pearson and Phil Raisor. Part 1, 2:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMichael Pearson and Phil Raisor. Part 2, 2:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRick Skwiot. Part 1, 10:00 am, 2003 October 2, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRick Skwiot. Part 2, 10:00 am, 2003 October 2, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarilyn Chin, 11:00 am, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePeter Meinke. Part 1, 3:00 pm, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePeter Meinke. Part 2, 3:00 pm, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRita Dove Final Event (With Philip Raisor, Mike Pearson, Gary Short), 8:00 pm, 1999 October 15, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 1, Brochures, 1977-1989, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 2, Brochures, 1990-1998, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 3, Brochures, 1999-2019, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 4, Drawing, 9 October 1991, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 5, Metadata for Digitized Brochures and Photos, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 6, Metadata for Digitized Video: 1st, 15th, and 18th Festivals, 1978, 1992-1995, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 7, Metadata for Digitized Video: 20th-25th Festivals, 1997-2002, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 8, Metadata for Digitized Video: 26th-31st Festivals, 2003-2008, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 9, News Clippings, W. D. Snodgrass, 1977-1978, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 10, News Clippings, 1979-1980, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 11, 15th Annual Literary Festival, 1992, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 12, Poetry Jam I, 1978 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 13, Poetry Jam II, 1978 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 14, Poetry Jam, 1979 April, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 15, Flyers, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 16, Miscellaneous, undated, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Literary Festival Photos, circa 1978-2001, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Brochures, 1978-1982, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Brochures, 1983-1986, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Brochures, 1987-1991, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Brochures, 1992-1994, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Brochures, 1995-1998, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","22nd Literary Brochure Tiffs, 1999, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","23rd Literary Festival Brochure, Photo Tiffs and Author Jpgs, 2000, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","24th Literary Festival Brochure, Photo and Author Tiffs, 2001, Box 2, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Oversize Box 17, Folder 1, Oversize Literary Festival Items, 1982-2019, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Anthony Hecht, Reading, 7:30 pm, 1978 September 25, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Woman's Voice: Nancy Bazin, Linda Mizejewski, and Debra Bruce, 12:30 pm, 1978 September 26, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Translation Performance: Stelan Grunwald, Regula Meier, Abbot Sacks, Benjamin Clymer, 12:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 1, 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 1 (Repair Tape), 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W. D. Snodgrass. And The Fuhrer Banker Staged by Paul Dicklin. Part 2, 8:00 pm, 1978 September 27, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","AWP Reading: Marvin Bell, Ellen Voigt, David Madden, 8:00 pm, 1978 September 28, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jazz/Poetry Performance: Martin Pachey Quartet, 12:00 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 1, 7:30 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 2, 7:30 pm, 1978 September 29, Box 3, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 1, 23rd Annual Literary Festival, 2000, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","MFA Faculty Reading: Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short, 4:00 pm, 2000 October 6, Box 4, Folder 1, 23rd Annual Literary Festival, 2000, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Roberly Bell: Literary Festival Preview. September 30, 2001, 2:30pm; and Terry Perrel, Temple West, and Tom Yuill Graduates of ODU's MFA program. October 1, 2001. 4pm, 2001 September 30-October 1, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Roseann Runte, 8:00 pm, 2001 October 1, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Agymah Kamau. October 2, 2001. 2pm. and Tom Yuill Continued from October 1, 2001, 4pm, 2001 October 1-2, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Sheryl St. Germain, 4:00 pm, 2001 October 2, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Eugene Gloria, 4:00 pm, 2001 October 3, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Joseph Skibell, 4:00 pm, 2001 October 4, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Greg Bottoms, 2:00 pm, 2001 October 5, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Karen McElmurray, 4:00 pm, 2001 October 5, Box 4, Folder 2, 24th Annual Literary Festival, 2001, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rhoda Stamell, 2:00 pm, 2003 September 30, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jamie Callan, 8:00 pm, 2003 September 30, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Paul Miller, a.k.a. DJ Spooky that Subliminal Kid, 12:00 pm, 2003 October 1, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rick Skwiot, 10:00 pm, 2003 October 2, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marilyn Chin, 11:00 pm, 2003 October 3, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Peter Meinke, 3:00 pm, 2003 October 3, Box 4, Folder 3, Annual Literary Festival, 2003, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Anthony Hecht. Reading, 7:30 pm, 1978 September 25, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Woman's Voice. Nancy Bazin, Linda Mizejewski, and Debra Bruce, 12:30 pm, 1978 September 26, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Translation Performance. Stelan Grunwald, Regula Meier, Abbot Sax, and Benjamin Clymer, 12:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 1, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 1--Repair Tape, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings by W.D. Snodgrass and The Fuhrer Banker staged by Paul Dicklin. Part 2, 8:00 pm, 1978 September 27, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","AWP Reading: Marvin Bell, Ellen Voigt, David Madden, 8:00 pm, 1978 September 28, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jazz/Poetry Performance. Martin Pachey Quartet, 12:00 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 1, 7:30 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Final Reunion, Now and Then AWP Reading: Daniel Halpern, Charles Wright and Intermission. Part 2, 7:30 pm, 1978 September 29, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Who All Killed Cock Robin? A Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw, 7:30 pm, 1992 October 4, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Words at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton, 6:00 am, 1992 October 6, Box 5, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman and Paul West: Fiction Reading from The women of Whitechapel and Jack the Ripper, 7:30 pm, 1992 October 6, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","W.D. and Kathy Snodgrass: Poetry Reading and Slideshow From W.D.'s Midnight Carnival; and Jay O'Callahan: The Art of Storytelling, 11:00 am, 1992 October 7, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Charles Johnson: Fiction Reading. And John Toomey: Original Jazz Performance, 7:30 pm, 1992 October 8, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Intro by M. Evelina Galang. Synthesis Motion Theater. Fiction Reading by Fiona Cheong. October 3, 1995. 11am. And Poetry Reading by Quraysh Ali. October 3, 1995. 1pm, 1995 October 3, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Panel Discussion: When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quraysh Ali, Eavan Boland, 3:00 pm, 1995 October 3, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Melody Ruffin Ward and Elbert Watson: Dance: Hymn for the Fainthearted. October 3, 1995. 7:45pm. Poetry Reading by Eavan Boland. October 3, 1995. 8pm. Poetry Reading by Tim Seibles. October 4, 1995. 11am, 1995 October 3-4, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Poetry Reading by Agha Shahid Ali. October 4, 1995. 3pm. Music: Agnes Fuller Song to the Moon. October 4, 1995. 7:45pm. Fiction Reading by Ninotchka Rosca. October 4, 1995. 8pm, 1995 October 4, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Poetry Reading by Mary Crow. October 5, 1995. 11am. Silencing of Women: Direct and Indirect Censorship, Ninotchka Rosca. October 5, 1995. 3pm, 1995 October 5, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Welcoming and Thanks by M. Evelina Galang. Illocano Dance Troupe. October 5, 1995. 7:45pm. Fiction Reading by Ariel Dorfman. October 5, 1995. 8pm, 1995 October 5, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Cornelius Eady. Poetry, 10:00 am, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Panel Discussion: The Inner Mounting Flame: Self, Culture, and Witness. Cornelius Eady and Joy Harjo, 1:30 pm, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Melissa Fay Greene. Non-Fiction, 3:00 pm, 1997 October 14, Box 6, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Mike D'Orso: Journalism and Non-Fiction, 10am and Poetry Reading by Liz Waldner, 2pm, 1997 October 15, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Panel Discussion: What Kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. October 15, 1997. 3:30pm. And Fiction Reading by Reginald McKnight. October 15, 1997. 7:30pm, 1997 October 15, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Conversation with Martin Espada: Race, Culture, Rage and Compassion, 2:00 pm, 1997 October 16, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Martin Espada. Poetry Reading. October 16, 1997, 8pm. And Poetry Reading by Marita Golden, October 17, 1997. 10am, 1997 October 16-17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Fiction by Richard Hell. October 17, 1997, 2pm; and Panel Discussion Friction: The Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd, October 17, 1997, 3:30pm, 1997 October 17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Gay Telese. Recital, 8:00 pm and 3:30 pm, 1997 October 17, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tony Grooms. Fiction and Poetry, 2pm, and Jane Bernstein, Non-Fiction, 3:30pm, 1998 October 6, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Robert Pinsky, 8:00 pm, 1998 October 6, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jacqueline Woodson. Fiction, 10:00 am, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jack Myers, Poetry, 2pm. and Panel Discussion: Saying What You Mean: The Art of Honesty, Jack Myers and Jacqueline Woodson. 3:30pm, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Nicole Brossard. Poetry, Fiction, and Non-Fiction, 8:00 pm, 1998 October 7, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Scott Cairns. Poetry and Open Mike, 10:00 am, 1998 October 8, Box 7, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tony Hoagland, Poetry, 2pm; and Panel Discussion: A New Dialogue: Asian and Asian-American Writers in America, Li-Young Lee and Maria Luisa Carino, 3:30pm, 1998 October 8, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Li-Young Lee. Poetry, 8:00 pm, 1998 October 8, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Panel Discussion Who Do You Believe? Three Genres, Three Takes? Tony Hoagland, Sena Naslund, and Michael Pearson, 10:00 am, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Sena Naslund. Fiction, 2:00 pm, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","John McPhee, Non-Fiction, 8:00 pm, 1998 October 9, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rita Dove Final Event (with Philip Raisor, Mike Pearson, Gary Short), 8:00 pm, 15 October 1999, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tim O'Brien, 8:00 pm, 2000 October 3, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","MFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short, 4:00 pm, 2000 October 6, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Holly Hughes, 8:00 pm, 2001 October 2, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Margorie Agosin, 8:00 pm, 2001 October 2, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison, 8:00 pm, 2001 October 5, Box 8, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Breathing Word: Promotional Video for the Annual Literary Festival, 2002 August, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Writing Women's Voices. Debra Bruce and Lenore Hart, 2:00 pm, 2002 September 30, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman, 8:00 pm, 2002 September 30, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Poem as Community, Community as Poem. Universes - Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz, 12:30 pm, 2002 October 1, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings Across the Color Lines. Wanda Coleman and Gregory H. Williams, 8:00 pm, 2002 October 1, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Creative Non-Fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner, 11:00 am, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner, 2:00 pm, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply, 8:00 pm, 2002 October 2, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Re-Reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude, 11:00 am, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Forging the Individual Mind. Mark Doty, 2:00 pm, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","President's Lecture Series. Susan Sontag, 8:00 pm, 2002 October 3, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Given that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy, 11:00 am, 2002 October 4, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham, 2:00 pm, 2002 October 4, Box 9, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt, 8:00 pm, 2002 October 4, Box 10, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Final Celebration. Stephen Dunn, 8:00 pm, 2002 October 5, Box 10, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Interview With W.D. Snodgrass by Michael McLane, 1979 January 24, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reading by Anthony Hecht, 7:30 pm, 1978 January 25, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reading the Women's Voice. Nancy Bazin, Linda Mizejewski, and Debra Bruce. September 26, 1978. 12:30pm; AWP Reading. Marvin Bell, Ellen Voigt, \u0026 David Madden. September 28, 1978. 8pm, 1978 September 26-28, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reading by W.D. Snodgrass, 8:00 pm, 1978 September 27, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Translation Performance. Stelan Grunwald, Regula Meier, Abbot Sacks, Benjamin Clymer, and Hope Mihalap. September 27, 1978. 12pm; AWP Reading: Ellen Voigt. September 28, 1978. 8pm, 1978 September 27-28, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","AWP Reading. Marvin Bell, Ellen Voigt, and David Madden. September 28, 1978. 8pm; The Final Reunion: Now and Then. Charles Wright. September 29, 1978. 7:30pm, 1978 September 28-29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jazz / Poetry Performance. Martin Pachey Quartet, 12:00 pm 2, 1978 September 29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reading by Anthony Hecht. September 25, 1978. 7:30pm; AWP Reading. William Matthews. September 27, 1978. 2pm; Poetry Quartet. September 29, 1978. 7:30pm; The Final Reunion: Now and Then. Daniel Halpern. September 29, 1978. 7:30pm, 1978 September 25-29, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Who All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 1, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Who All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 2, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Who All Killed Cock Robin? Play by William Patrick. Adapted by W.D. Snodgrass and DeLoss McGraw. Part 3, 7:30 pm, 1992 October 4, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Words at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 1, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Words at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 2, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Words at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 3, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Words at Play: A Panel Performance on Childhood and Literature. Jean Fritz, Jay O'Callahan, W.D. Snodgrass, Fred Chappell, and Kathryn Morton. Part 4, 11:00 am, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 1, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 2, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Staged Reading of Reverse Thunder: A Dramatic Poem by Diane Ackerman. Part 3, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Paul West: Fiction Reading From The Women of Whitechapel and Jack the Ripper, 7:30 pm, 1992 October 6, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","W.D. and Kathy Snodgrass: Poetry Reading and Slideshow From W.D.'s Midnight Carnival, 11:00 am, 1992 October 7, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jay O'Callahan: The Art of Storytelling, 7:30 pm, 7 October 1992, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Charles Johnson: Fiction Reading. Part 1, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Charles Johnson: Fiction Reading. Part 2, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","John Toomey: Original Jazz Performance, 7:30 pm, 1992 October 8, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Synthesis Motion Theater. Introduction by Evelina Galang, 11:00 am, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Fiona Cheong. Fiction, 11:00 am, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Quraysh Ali. Poetry, 1:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 1, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","When Political Struggle in Literature Stops Being Literature. Dana Heller, Agha Shahid Ali, Quaraysh Ali, and Evan Boland. Part 2, 3:00 pm, 1995 October 3, Box 11, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Hymn for the Fainthearted Dance and Poetry by Evan Boland, 7:45 pm, 1995 October 3, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tim Seibles. Poetry, 11:00 am, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Agha Shahid Ali. Poetry. Part 1, 3:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Agha Shahid Ali. Poetry. Part 2, 3:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Ninotchka Rosca. Fiction Reading, 8:00 pm, 1995 October 4, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Mary Crow. Poetry. Part 1, 11:00 am, 5 October 1995, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Mary Crow. Poetry. Part 2, 11:00 am, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Silencing of Women: Direct and Indirect Censorship. Ninotchka Rosca, 3:00 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Illocana United Youth Dance Troupe, 7:45 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Ariel Dorfman. Fiction, 8:00 pm, 1995 October 5, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Cornelius Eady. Poetry. Part 1, 10:00 am, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Cornelius Eady. Poetry. Part 2, 10:00 am, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Melissa Faye Green. Non-Fiction, 3:00 pm, 1997 October 14, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Mike D'Orso. Journalism and Non-Fiction. Part 1, 10:00 am, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Mike D'Orso. Journalism and Non-Fiction. Part 2, 10:00 am, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Liz Waldner. Poetry, 2:00 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","What Kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 1, 3:30 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","What kind of Fire: Three Genres, Three Truths? Liz Waldner, Reginald McKnight, and Melissa Fay Greene. Part 2, 3:30 pm, 1997 October 15, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reginald McKnight. Fiction. Part 1, 10:00 am, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reginald McKnight. Fiction. Part 2, 10:00 am, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Race, Culture, Rage and Compassion by Martin Espada. Part 1, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Race, Culture, Rage and Compassion by Martin Espada. Part 2, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Race, Culture, Rage and Compassion by Martin Espada. Part 3, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Race, Culture, Rage and Compassion by Martin Espada. Part 4, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Race, Culture, Rage and Compassion by Martin Espada. Part 5, 2:00 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Louise Redd. Fiction, 3:30 pm, 1997 October 16, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marita Golden. Fiction. Part 1, 10:00 am, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marita Golden. Fiction. Part 2, 10:00 am, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Richard Hell. Fiction. Part 1, 2:00 pm, 1997 October 17, Box 12, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Richard Hell. Fiction. Part 2, 2:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 1, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 2, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Rub Between Fiction and Non-Fiction. Richard Hell, Gay Talese, Mike D'Orso, Louise Redd. Part 3, 3:30 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Gay Telese. Non-Fiction. Part 1, 8:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Gay Telese. Non-Fiction. Part 2, 8:00 pm, 1997 October 17, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tony Grooms. Fiction and Poetry, 2:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jane Bernstein. Non-Fiction, 3:30 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Robert Pinsky. Part 1, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Robert Pinsky. Part 2, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Robert Pinsky. Part 3, 8:00 pm, 1998 October 6, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jacqueline Woodson. Fiction, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jack Myers. Poetry, 2:00, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jack Myers. Poetry, 2:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Saying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 1, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Saying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 2, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Saying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 1, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Saying What You Mean: The Art of Honesty. Jack Myers and Jacqueline Woodson. Part 2, 10:00 am, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Nicole Brossard. Poetry, Fiction, and Non-Fiction. Part 1, 8:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Nicole Brossard. Poetry, Fiction, and Non-Fiction. Part 2, 8:00 pm, 1998 October 7, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Scott Cairns. Poetry, 10:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Open Mike. Part 1, 11:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Open Mike. Part 2, 11:00 am, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tony Hoagland. Poetry, 2:00 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A New Dialogue: Asian and Asian-American Writers in America. Li-Young Lee and Maria Luisa Carino. Part 1, 3:30 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A New Dialogue: Asian and Asian-American Writers in America. Li-Young Lee and Maria Luisa Carino. Part 2, 3:30 pm, 1998 October 8, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Sena Naslund. Fiction. Part 1, 2:00 pm, 1998 October 9, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Sena Naslund. Fiction. Part 2, 2:00 pm, 1998 October 9, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Phillip Raisor: Overview of the Literary Festival; Michael Pearson: Review of the 22nd Annual Literary Festival; Gary Short: Introduction to Rita Dove; and Michael Pearson: Closing Remarks, 1999 October, Box 13, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tim O'Brien. Part 1, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tim O'Brien. Part 2, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Tim O'Brien. Part 3, 8:00 pm, 2000 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","MFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short. Part 1, 4:00 pm, 2000 October 6, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","MFA Faculty Reading. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Gary Short. Part 2, 4:00 pm, 2000 October 6, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Festival Preview: Roberly Bell, 2:30 pm, 2001 September 30, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Graduates of ODU MFA Program: Terry Perrel, Temple West, Tom Yuill. Part 1, 4:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Graduates of ODU MFA Program: Terry Perrel, Temple West, Tom Yuill. Part 2, 4:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Roseann Runte. Part 1, 8:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Roseann Runte. Part 2, 8:00 pm, 2001 October 1, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Agyma Kamau, 2:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Sheryl St. Germain, 4:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Holly Hughes. Part 1, 8:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Holly Hughes. Part 2, 8:00 pm, 2001 October 2, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Eugene Gloria, 4:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marjorie Agosin. Part 1, 8:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marjorie Agosin. Part 2, 8:00 pm, 2001 October 3, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Joseph Skibell. Part 1, 4:00 pm, 2001 October 4, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Joseph Skibell. Part 2, 4:00 pm, 2001 October 4, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Greg Bottoms. Part 1, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Greg Bottoms. Part 2, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Greg Bottoms. Part 3, 2:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Karen McElmurray. Part 1, 4:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Karen McElmurray. Part 2, 4:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison. Part 1, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison. Part 2, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison. Part 3, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison. Part 4, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Dorothy Allison. Part 5, 8:00 pm, 2001 October 5, Box 14, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Writing Women's Voices. Debra Bruce and Lenore Hart. Part 1, 2:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Writing Women's Voices. Debra Bruce and Lenore Hart. Part 2, 2:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman. Part 1, 8:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","The Round Square: Readings in a Fluid Box. Luisa Igloria, Michael Pearson, Janet Peery, Sheri Reynolds, Tim Seibles, and Brian Silberman. Part 2, 8:00 pm, 2002 September 30, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Poem as Community, Community as Poem. Universes--Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz. Part 1, 12:30 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Poem as Community, Community as Poem. Universes--Gamel Abdel Chasten, Lemon, Flaco Navaja, Steven Sapp, and Mildred Ruiz. Part 2, 12:30 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings Across the Color Lines. Wanda Coleman and Gregory H. Williams. Part 1, 8:00 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Readings Across the Color Lines. Wanda Coleman and Gregory H. Williams. Part 2, 8:00 pm, 2002 October 1, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Creative Non-fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner. Part 1, 11:00 am, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Creative Non-fiction. The Prismatic Genre. David Fenza, Philip Gerard, and Valerie Miner. Part 2, 11:00 am, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner. Part 1, 2:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Association of Readers. Allison Joseph, Pablo Medina, and Mark Winegardner. Part 2, 2:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply. Part 1, 8:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","An Evening of Translation and Performance. W.D. Snodgrass, Steve Kelley, Frederick Lubich, Marilyn Marloff, Agnes Mobley-Wynne, Peter Schulman, and Lee Teply. Part 2, 8:00 pm, 2002 October 2, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Re-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 1, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Re-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 2, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Re-reading the Literary Festival. Evelina Galang, William B. Patrick, Peggy Shumaker, and Wayne Ude. Part 3, 11:00 am, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Forging the Individual Mind. Mark Doty. Part 1, 2:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Forging the Individual Mind. Mark Doty. Part 2, 2:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","President's Lecture Series. Susan Sontag. Part 1, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","President's Lecture Series. Susan Sontag. Part 2, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","President's Lecture Series. Susan Sontag. Part 3, 8:00 pm, 2002 October 3, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Given that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy. Part 1, 11:00 am, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Given that the Painter is a Poet, the Poet a Painter. Mark Doty, W.D. Snodgrass, Donald Roller Wilson, and Linda McGreevy. Part 2, 11:00 am, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 1, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 2, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Reinventing Nature. Barbara Hurd, Robert Richardson, Marjorie Sandor, and Tom Robotham. Part 3, 2:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt. Part 1, 8:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Deep in the Bones. R.H.W. Dillard, George Garrett, Henry Taylor, and Ellen Bryant Voigt. Part 2, 8:00 pm, 2002 October 4, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Final Celebration. Stephen Dunn. Part 1, 8:00 pm, 2002 October 5, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","A Final Celebration. Stephen Dunn. Part 2, 8:00 pm, 2002 October 5, Box 15, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rhoda Stamell, 2:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jamie Callan. Part 1, 8:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Jamie Callan. Part 2, 8:00 pm, 2003 September 30, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Paul Miller, a.k.a. DJ Spooky that Subliminal Kid. Part 1, 12:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Paul Miller, a.k.a. DJ Spooky that Subliminal Kid. Part 2, 12:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Michael Pearson and Phil Raisor. Part 1, 2:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Michael Pearson and Phil Raisor. Part 2, 2:00 pm, 2003 October 1, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rick Skwiot. Part 1, 10:00 am, 2003 October 2, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rick Skwiot. Part 2, 10:00 am, 2003 October 2, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Marilyn Chin, 11:00 am, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Peter Meinke. Part 1, 3:00 pm, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Peter Meinke. Part 2, 3:00 pm, 2003 October 3, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries.","Rita Dove Final Event (With Philip Raisor, Mike Pearson, Gary Short), 8:00 pm, 1999 October 15, Box 16, Literary Festival Collection, Special Collections and University Archives, Old Dominion University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eInformation from past Literary Festivals, including brochures and video, came be found in the \n\u003ca href=\"https://dc.lib.odu.edu/digital/collection/litfest\"\u003eOld Dominion University Libraries Digital Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Information from past Literary Festivals, including brochures and video, came be found in the \n Old Dominion University Libraries Digital Collection ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.\u003c/p\u003e","\u003cp\u003eIncludes brochures and pamphlets, flyers, news clippings, metadata sheets for digitized materials, and other such printed materials.\u003c/p\u003e","\u003cp\u003eDigitized brochures and photos in tiff and jpeg format stored on compact discs.\u003c/p\u003e","\u003cp\u003eIncludes tiffs and jpegs\u003c/p\u003e","\u003cp\u003eThis sub-series contains posters and oversize clippings for the annual Literary Festival.\u003c/p\u003e","\u003cp\u003eThe original video from the 1st Annual Arts Reunion in 1978 was recorded on 3/4-inch U-Matic videocassettes. This sub-series is comprised of 10 of these tapes that have also been transferred to VHS tapes.\u003c/p\u003e","\u003cp\u003eThe 23rd, 24th, and 26th Annual Literary Festivals were recorded in full or in part on VHS-C tapes. This sub-series may be appended, should future festivals be recorded in this format.\u003c/p\u003e","\u003cp\u003eVideo from many of the Literary Festivals has been recorded in VHS format - either originally or the video has been migrated to this media format. There are notable gaps as not all Festivals were recorded; not all speakers were recorded for Festivals that were video taped; and some years were recorded using a different media type and not VHS. This sub-series may be appended, should future festivals be recorded in this format.\u003c/p\u003e","\u003cp\u003eTranscribed March 1, 2000\u003c/p\u003e","\u003cp\u003eCompact discs are the most common storage method for digitized video from the Festivals. As such, there are compact discs for virtually every year of the festival that were recorded. This sub-series may be appended, should digitized video from future festivals be stored in this media format.\u003c/p\u003e","\u003cp\u003eWhile most digitized video is stored on compact discs, video from the 22nd Festival is stored on a Jazz disc. This year's video consists of the Rita Dove Final Event with Philip Raisor, Mike Pearson, and Gary Short. The original date of recording is October 15, 1999. It was migrated to a digital format on March 1, 2000.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains material related to the Literary Festival held at Old Dominion University. Included in the collection are original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photographs; and original and digitized video, as available.","Includes brochures and pamphlets, flyers, news clippings, metadata sheets for digitized materials, and other such printed materials.","Digitized brochures and photos in tiff and jpeg format stored on compact discs.","Includes tiffs and jpegs","This sub-series contains posters and oversize clippings for the annual Literary Festival.","The original video from the 1st Annual Arts Reunion in 1978 was recorded on 3/4-inch U-Matic videocassettes. This sub-series is comprised of 10 of these tapes that have also been transferred to VHS tapes.","The 23rd, 24th, and 26th Annual Literary Festivals were recorded in full or in part on VHS-C tapes. This sub-series may be appended, should future festivals be recorded in this format.","Video from many of the Literary Festivals has been recorded in VHS format - either originally or the video has been migrated to this media format. There are notable gaps as not all Festivals were recorded; not all speakers were recorded for Festivals that were video taped; and some years were recorded using a different media type and not VHS. This sub-series may be appended, should future festivals be recorded in this format.","Transcribed March 1, 2000","Compact discs are the most common storage method for digitized video from the Festivals. As such, there are compact discs for virtually every year of the festival that were recorded. This sub-series may be appended, should digitized video from future festivals be stored in this media format.","While most digitized video is stored on compact discs, video from the 22nd Festival is stored on a Jazz disc. This year's video consists of the Rita Dove Final Event with Philip Raisor, Mike Pearson, and Gary Short. The original date of recording is October 15, 1999. It was migrated to a digital format on March 1, 2000."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_01330098423365184e24eda0b5edbc13\" label=\"Abstract\"\u003eThis collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains material from the Poetry Jam and first Literary Festival in 1978 and chronicles the annual Literary Festival onwards to the present day. Materials consist of original and digitized brochures, flyers, and promotional documents; schedules; news clippings; photos; and original and digitized video, as available."],"names_coll_ssim":["Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"names_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. Literary Festival"],"corpname_ssim":["ODU University Archives","Old Dominion University. Department of English","Old Dominion University. Libraries","Old Dominion University. 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Fisher papers","Virginia, Northern","Watercolor painting","Creative writing","Postcards","Poetry","Correspondence","There are no access restrictions.","Arranged by subject, chronologically and alphabetically.","Margaret Winslow Fisher was a painter, poet, and public lecturer. She served actively on numerous voluntary committees in Fairfax, Loudoun, and Arlington Counties, including the Goose Creek Scenic River Advisory Board, the Friends of George Mason University, and the Preservation Society of Loudoun County, and belonged to the National League of American Penwomen and the Virginia Watercolor Society. She was married to economist and congressman Joseph Lyman Fisher.","Processed by Special Collections Research Center staff, reprocessed by SCRC intern Amy Blake in 2018. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. 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EAD revised by Amy Blake in 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0028\" title=\"Joseph L. 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(Margaret Winslow)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":40,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:39:04.209Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_579"}},{"id":"vifgm_repositories_2_resources_19","type":"collection","attributes":{"title":"Vassily Aksyonov papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_19#creator","type":"document_value","attributes":{"value":"Aksenov, Vasiliĭ, 1932-2009","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_19#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_19#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_19","ead_ssi":"vifgm_repositories_2_resources_19","_root_":"vifgm_repositories_2_resources_19","_nest_parent_":"vifgm_repositories_2_resources_19","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_19.xml","title_filing_ssi":"Vassily Aksyonov papers","title_ssm":["Vassily Aksyonov papers"],"title_tesim":["Vassily Aksyonov papers"],"unitdate_ssm":["1980s-2004"],"unitdate_inclusive_ssm":["1980s-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0062","/repositories/2/resources/19"],"text":["C0062","/repositories/2/resources/19","Vassily Aksyonov papers","Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings","There are no access restrictions.","Organized by subject.","Born in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism. ","Though trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004. ","During his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009. ","Processed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012.","Special Collections and Archives also holds other collection of papers from Robinson Professors.","This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.","Contains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.","Contains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.","Pages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.","Pages 671-832. Page 775 marks chapter X.","Novel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.","Pages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.","Contains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.","Dedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]","The novel is unfinished. pp 130-300 [3.2]","Starting with page 51 a new count of pages begins. pp 1-118.","Begins with part 5 \"Gore, Gora, Goret'\". pp 119-218.","Begins with part 7 \"Kukushkini ostrova\". pp 219-298.","Begins with a story titled \"Baby Cassandra\" pp 299-449.","Begins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.","Begins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.","Contains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.","Information drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.","Contains a table of contents and epigraph to the novel. pp1-139.","Pages 140-308.","Pages 309-537. Page 535 has epilogue.","\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.","Has a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.","Aksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.","Treatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.","Pages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).","Pages 131-310.","Pages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.","[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.","\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.","Novel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.","Contains personal list of correction notes. pages 1-175. Page numbers have double counting.","Pages 176-384. Page numbers have double counting.","Pages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.","Various correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.","\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.","\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.","\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.","\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.","Various hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.","Personal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.","Fax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.","Handwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.","Puskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.","\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.","Pages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.","Pages 413-643. Page 643 ends the novel.","Two copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.","Contains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.","[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.","2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.","Two StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,","Typed manuscript in Russian, pages 1-173. Pages have a variation in page numbering.","Typed manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.","typed manuscript in Russian, pages 409-643, Fairfax.","Pages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.","A letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.","Typed novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.","A letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.","Various Radio Talks, typed in Russian.","Literary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).","Treatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.","Treatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.","A notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.","A note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.","A screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.","Film Script, Washington, pages 1-105.","Typed manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.","Typed manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.","Handwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".","Hand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.","Untitled novel, handwritten manuscript in Russian, pages 1-249.","Untitled novel, handwritten manuscript in Russian, pages 250-512.","Untitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.","Untitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.","War Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.","Unidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.","Unidentified novel, handwritten manuscript in Russian, pages 297-437.","Handwritten manuscript in Russian, pages 1-268.","Handwritten manuscript in Russian, pages 269-535.","Handwritten manuscript in Russian, pages 536-726.","Handwritten manuscript in Russian, pages 727-982.","Gora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.","Two cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov.","George Mason University. Libraries. Special Collections Research Center","Aksenov, Vasiliĭ, 1932-2009","Russian"],"unitid_tesim":["C0062","/repositories/2/resources/19"],"normalized_title_ssm":["Vassily Aksyonov papers"],"collection_title_tesim":["Vassily Aksyonov papers"],"collection_ssim":["Vassily Aksyonov papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Aksenov, Vasiliĭ, 1932-2009"],"creator_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"creator_persname_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"creators_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Vassily Aksyonov in 2004."],"access_subjects_ssim":["Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings"],"access_subjects_ssm":["Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 20 boxes"],"extent_tesim":["8 Linear Feet 20 boxes"],"genreform_ssim":["Manuscripts","Correspondence","Sound recordings","Video recordings"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by subject."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism. \u003c/p\u003e\n","\u003cp\u003eThough trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004. \u003c/p\u003e\n","\u003cp\u003eDuring his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism. ","Though trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004. ","During his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009. "],"prefercite_html_tesm":["\u003cp\u003eVassily Aksyonov papers, C0062, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Vassily Aksyonov papers, C0062, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds other collection of papers from Robinson Professors.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds other collection of papers from Robinson Professors."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.\u003c/p\u003e","\u003cp\u003eContains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.\u003c/p\u003e","\u003cp\u003eContains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.\u003c/p\u003e","\u003cp\u003ePages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.\u003c/p\u003e","\u003cp\u003ePages 671-832. Page 775 marks chapter X.\u003c/p\u003e","\u003cp\u003eNovel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.\u003c/p\u003e","\u003cp\u003ePages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.\u003c/p\u003e","\u003cp\u003eContains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.\u003c/p\u003e","\u003cp\u003eDedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]\u003c/p\u003e","\u003cp\u003eThe novel is unfinished. pp 130-300 [3.2]\u003c/p\u003e","\u003cp\u003eStarting with page 51 a new count of pages begins. pp 1-118.\u003c/p\u003e","\u003cp\u003eBegins with part 5 \"Gore, Gora, Goret'\". pp 119-218.\u003c/p\u003e","\u003cp\u003eBegins with part 7 \"Kukushkini ostrova\". pp 219-298.\u003c/p\u003e","\u003cp\u003eBegins with a story titled \"Baby Cassandra\" pp 299-449.\u003c/p\u003e","\u003cp\u003eBegins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.\u003c/p\u003e","\u003cp\u003eBegins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003eContains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.\u003c/p\u003e","\u003cp\u003eInformation drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.\u003c/p\u003e","\u003cp\u003eContains a table of contents and epigraph to the novel. pp1-139.\u003c/p\u003e","\u003cp\u003ePages 140-308.\u003c/p\u003e","\u003cp\u003ePages 309-537. Page 535 has epilogue.\u003c/p\u003e","\u003cp\u003e\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.\u003c/p\u003e","\u003cp\u003eHas a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.\u003c/p\u003e","\u003cp\u003eAksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.\u003c/p\u003e","\u003cp\u003eTreatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003ePages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).\u003c/p\u003e","\u003cp\u003ePages 131-310.\u003c/p\u003e","\u003cp\u003ePages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.\u003c/p\u003e","\u003cp\u003e[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.\u003c/p\u003e","\u003cp\u003e\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.\u003c/p\u003e","\u003cp\u003eNovel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.\u003c/p\u003e","\u003cp\u003eContains personal list of correction notes. pages 1-175. Page numbers have double counting.\u003c/p\u003e","\u003cp\u003ePages 176-384. Page numbers have double counting.\u003c/p\u003e","\u003cp\u003ePages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.\u003c/p\u003e","\u003cp\u003eVarious correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.\u003c/p\u003e","\u003cp\u003e\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.\u003c/p\u003e","\u003cp\u003e\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026amp; 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.\u003c/p\u003e","\u003cp\u003e\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.\u003c/p\u003e","\u003cp\u003e\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.\u003c/p\u003e","\u003cp\u003eVarious hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.\u003c/p\u003e","\u003cp\u003ePersonal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.\u003c/p\u003e","\u003cp\u003eFax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.\u003c/p\u003e","\u003cp\u003eHandwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.\u003c/p\u003e","\u003cp\u003ePuskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.\u003c/p\u003e","\u003cp\u003e\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.\u003c/p\u003e","\u003cp\u003ePages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003ePages 413-643. Page 643 ends the novel.\u003c/p\u003e","\u003cp\u003eTwo copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.\u003c/p\u003e","\u003cp\u003eContains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.\u003c/p\u003e","\u003cp\u003e[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003e2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.\u003c/p\u003e","\u003cp\u003eTwo StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,\u003c/p\u003e","\u003cp\u003eTyped manuscript in Russian, pages 1-173. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003eTyped manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003etyped manuscript in Russian, pages 409-643, Fairfax.\u003c/p\u003e","\u003cp\u003ePages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.\u003c/p\u003e","\u003cp\u003eA letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.\u003c/p\u003e","\u003cp\u003eTyped novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.\u003c/p\u003e","\u003cp\u003eA letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.\u003c/p\u003e","\u003cp\u003eVarious Radio Talks, typed in Russian.\u003c/p\u003e","\u003cp\u003eLiterary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).\u003c/p\u003e","\u003cp\u003eTreatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.\u003c/p\u003e","\u003cp\u003eTreatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.\u003c/p\u003e","\u003cp\u003eA notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.\u003c/p\u003e","\u003cp\u003eA note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.\u003c/p\u003e","\u003cp\u003eA screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.\u003c/p\u003e","\u003cp\u003eFilm Script, Washington, pages 1-105.\u003c/p\u003e","\u003cp\u003eTyped manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.\u003c/p\u003e","\u003cp\u003eTyped manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".\u003c/p\u003e","\u003cp\u003eHand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 1-249.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 250-512.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.\u003c/p\u003e","\u003cp\u003eWar Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.\u003c/p\u003e","\u003cp\u003eUnidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.\u003c/p\u003e","\u003cp\u003eUnidentified novel, handwritten manuscript in Russian, pages 297-437.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 1-268.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 269-535.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 536-726.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 727-982.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.\u003c/p\u003e","\u003cp\u003eTwo cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.","Contains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.","Contains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.","Pages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.","Pages 671-832. Page 775 marks chapter X.","Novel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.","Pages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.","Contains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.","Dedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]","The novel is unfinished. pp 130-300 [3.2]","Starting with page 51 a new count of pages begins. pp 1-118.","Begins with part 5 \"Gore, Gora, Goret'\". pp 119-218.","Begins with part 7 \"Kukushkini ostrova\". pp 219-298.","Begins with a story titled \"Baby Cassandra\" pp 299-449.","Begins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.","Begins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.","Contains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.","Information drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.","Contains a table of contents and epigraph to the novel. pp1-139.","Pages 140-308.","Pages 309-537. Page 535 has epilogue.","\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.","Has a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.","Aksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.","Treatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.","Pages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).","Pages 131-310.","Pages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.","[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.","\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.","Novel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.","Contains personal list of correction notes. pages 1-175. Page numbers have double counting.","Pages 176-384. Page numbers have double counting.","Pages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.","Various correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.","\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.","\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.","\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.","\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.","Various hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.","Personal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.","Fax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.","Handwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.","Puskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.","\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.","Pages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.","Pages 413-643. Page 643 ends the novel.","Two copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.","Contains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.","[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.","2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.","Two StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,","Typed manuscript in Russian, pages 1-173. Pages have a variation in page numbering.","Typed manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.","typed manuscript in Russian, pages 409-643, Fairfax.","Pages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.","A letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.","Typed novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.","A letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.","Various Radio Talks, typed in Russian.","Literary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).","Treatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.","Treatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.","A notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.","A note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.","A screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.","Film Script, Washington, pages 1-105.","Typed manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.","Typed manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.","Handwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".","Hand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.","Untitled novel, handwritten manuscript in Russian, pages 1-249.","Untitled novel, handwritten manuscript in Russian, pages 250-512.","Untitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.","Untitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.","War Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.","Unidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.","Unidentified novel, handwritten manuscript in Russian, pages 297-437.","Handwritten manuscript in Russian, pages 1-268.","Handwritten manuscript in Russian, pages 269-535.","Handwritten manuscript in Russian, pages 536-726.","Handwritten manuscript in Russian, pages 727-982.","Gora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.","Two cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffc59e28a9243164f863004b098ed546\" label=\"Abstract\"\u003eThis collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Aksenov, Vasiliĭ, 1932-2009"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"language_ssim":["Russian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":105,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:40:54.982Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_19","ead_ssi":"vifgm_repositories_2_resources_19","_root_":"vifgm_repositories_2_resources_19","_nest_parent_":"vifgm_repositories_2_resources_19","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_19.xml","title_filing_ssi":"Vassily Aksyonov papers","title_ssm":["Vassily Aksyonov papers"],"title_tesim":["Vassily Aksyonov papers"],"unitdate_ssm":["1980s-2004"],"unitdate_inclusive_ssm":["1980s-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0062","/repositories/2/resources/19"],"text":["C0062","/repositories/2/resources/19","Vassily Aksyonov papers","Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings","There are no access restrictions.","Organized by subject.","Born in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism. ","Though trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004. ","During his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009. ","Processed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012.","Special Collections and Archives also holds other collection of papers from Robinson Professors.","This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.","Contains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.","Contains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.","Pages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.","Pages 671-832. Page 775 marks chapter X.","Novel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.","Pages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.","Contains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.","Dedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]","The novel is unfinished. pp 130-300 [3.2]","Starting with page 51 a new count of pages begins. pp 1-118.","Begins with part 5 \"Gore, Gora, Goret'\". pp 119-218.","Begins with part 7 \"Kukushkini ostrova\". pp 219-298.","Begins with a story titled \"Baby Cassandra\" pp 299-449.","Begins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.","Begins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.","Contains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.","Information drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.","Contains a table of contents and epigraph to the novel. pp1-139.","Pages 140-308.","Pages 309-537. Page 535 has epilogue.","\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.","Has a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.","Aksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.","Treatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.","Pages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).","Pages 131-310.","Pages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.","[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.","\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.","Novel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.","Contains personal list of correction notes. pages 1-175. Page numbers have double counting.","Pages 176-384. Page numbers have double counting.","Pages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.","Various correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.","\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.","\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.","\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.","\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.","Various hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.","Personal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.","Fax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.","Handwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.","Puskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.","\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.","Pages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.","Pages 413-643. Page 643 ends the novel.","Two copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.","Contains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.","[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.","2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.","Two StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,","Typed manuscript in Russian, pages 1-173. Pages have a variation in page numbering.","Typed manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.","typed manuscript in Russian, pages 409-643, Fairfax.","Pages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.","A letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.","Typed novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.","A letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.","Various Radio Talks, typed in Russian.","Literary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).","Treatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.","Treatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.","A notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.","A note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.","A screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.","Film Script, Washington, pages 1-105.","Typed manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.","Typed manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.","Handwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".","Hand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.","Untitled novel, handwritten manuscript in Russian, pages 1-249.","Untitled novel, handwritten manuscript in Russian, pages 250-512.","Untitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.","Untitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.","War Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.","Unidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.","Unidentified novel, handwritten manuscript in Russian, pages 297-437.","Handwritten manuscript in Russian, pages 1-268.","Handwritten manuscript in Russian, pages 269-535.","Handwritten manuscript in Russian, pages 536-726.","Handwritten manuscript in Russian, pages 727-982.","Gora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.","Two cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov.","George Mason University. Libraries. Special Collections Research Center","Aksenov, Vasiliĭ, 1932-2009","Russian"],"unitid_tesim":["C0062","/repositories/2/resources/19"],"normalized_title_ssm":["Vassily Aksyonov papers"],"collection_title_tesim":["Vassily Aksyonov papers"],"collection_ssim":["Vassily Aksyonov papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Aksenov, Vasiliĭ, 1932-2009"],"creator_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"creator_persname_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"creators_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Vassily Aksyonov in 2004."],"access_subjects_ssim":["Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings"],"access_subjects_ssm":["Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 20 boxes"],"extent_tesim":["8 Linear Feet 20 boxes"],"genreform_ssim":["Manuscripts","Correspondence","Sound recordings","Video recordings"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by subject."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism. \u003c/p\u003e\n","\u003cp\u003eThough trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004. \u003c/p\u003e\n","\u003cp\u003eDuring his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism. ","Though trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004. ","During his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009. "],"prefercite_html_tesm":["\u003cp\u003eVassily Aksyonov papers, C0062, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Vassily Aksyonov papers, C0062, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds other collection of papers from Robinson Professors.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds other collection of papers from Robinson Professors."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.\u003c/p\u003e","\u003cp\u003eContains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.\u003c/p\u003e","\u003cp\u003eContains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.\u003c/p\u003e","\u003cp\u003ePages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.\u003c/p\u003e","\u003cp\u003ePages 671-832. Page 775 marks chapter X.\u003c/p\u003e","\u003cp\u003eNovel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.\u003c/p\u003e","\u003cp\u003ePages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.\u003c/p\u003e","\u003cp\u003eContains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.\u003c/p\u003e","\u003cp\u003eDedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]\u003c/p\u003e","\u003cp\u003eThe novel is unfinished. pp 130-300 [3.2]\u003c/p\u003e","\u003cp\u003eStarting with page 51 a new count of pages begins. pp 1-118.\u003c/p\u003e","\u003cp\u003eBegins with part 5 \"Gore, Gora, Goret'\". pp 119-218.\u003c/p\u003e","\u003cp\u003eBegins with part 7 \"Kukushkini ostrova\". pp 219-298.\u003c/p\u003e","\u003cp\u003eBegins with a story titled \"Baby Cassandra\" pp 299-449.\u003c/p\u003e","\u003cp\u003eBegins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.\u003c/p\u003e","\u003cp\u003eBegins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003eContains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.\u003c/p\u003e","\u003cp\u003eInformation drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.\u003c/p\u003e","\u003cp\u003eContains a table of contents and epigraph to the novel. pp1-139.\u003c/p\u003e","\u003cp\u003ePages 140-308.\u003c/p\u003e","\u003cp\u003ePages 309-537. Page 535 has epilogue.\u003c/p\u003e","\u003cp\u003e\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.\u003c/p\u003e","\u003cp\u003eHas a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.\u003c/p\u003e","\u003cp\u003eAksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.\u003c/p\u003e","\u003cp\u003eTreatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003ePages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).\u003c/p\u003e","\u003cp\u003ePages 131-310.\u003c/p\u003e","\u003cp\u003ePages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.\u003c/p\u003e","\u003cp\u003e[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.\u003c/p\u003e","\u003cp\u003e\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.\u003c/p\u003e","\u003cp\u003eNovel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.\u003c/p\u003e","\u003cp\u003eContains personal list of correction notes. pages 1-175. Page numbers have double counting.\u003c/p\u003e","\u003cp\u003ePages 176-384. Page numbers have double counting.\u003c/p\u003e","\u003cp\u003ePages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.\u003c/p\u003e","\u003cp\u003eVarious correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.\u003c/p\u003e","\u003cp\u003e\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.\u003c/p\u003e","\u003cp\u003e\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026amp; 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.\u003c/p\u003e","\u003cp\u003e\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.\u003c/p\u003e","\u003cp\u003e\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.\u003c/p\u003e","\u003cp\u003eVarious hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.\u003c/p\u003e","\u003cp\u003ePersonal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.\u003c/p\u003e","\u003cp\u003eFax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.\u003c/p\u003e","\u003cp\u003eHandwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.\u003c/p\u003e","\u003cp\u003ePuskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.\u003c/p\u003e","\u003cp\u003e\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.\u003c/p\u003e","\u003cp\u003ePages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003ePages 413-643. Page 643 ends the novel.\u003c/p\u003e","\u003cp\u003eTwo copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.\u003c/p\u003e","\u003cp\u003eContains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.\u003c/p\u003e","\u003cp\u003e[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003e2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.\u003c/p\u003e","\u003cp\u003eTwo StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,\u003c/p\u003e","\u003cp\u003eTyped manuscript in Russian, pages 1-173. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003eTyped manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003etyped manuscript in Russian, pages 409-643, Fairfax.\u003c/p\u003e","\u003cp\u003ePages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.\u003c/p\u003e","\u003cp\u003eA letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.\u003c/p\u003e","\u003cp\u003eTyped novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.\u003c/p\u003e","\u003cp\u003eA letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.\u003c/p\u003e","\u003cp\u003eVarious Radio Talks, typed in Russian.\u003c/p\u003e","\u003cp\u003eLiterary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).\u003c/p\u003e","\u003cp\u003eTreatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.\u003c/p\u003e","\u003cp\u003eTreatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.\u003c/p\u003e","\u003cp\u003eA notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.\u003c/p\u003e","\u003cp\u003eA note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.\u003c/p\u003e","\u003cp\u003eA screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.\u003c/p\u003e","\u003cp\u003eFilm Script, Washington, pages 1-105.\u003c/p\u003e","\u003cp\u003eTyped manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.\u003c/p\u003e","\u003cp\u003eTyped manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".\u003c/p\u003e","\u003cp\u003eHand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 1-249.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 250-512.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.\u003c/p\u003e","\u003cp\u003eWar Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.\u003c/p\u003e","\u003cp\u003eUnidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.\u003c/p\u003e","\u003cp\u003eUnidentified novel, handwritten manuscript in Russian, pages 297-437.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 1-268.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 269-535.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 536-726.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 727-982.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.\u003c/p\u003e","\u003cp\u003eTwo cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.","Contains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.","Contains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.","Pages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.","Pages 671-832. Page 775 marks chapter X.","Novel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.","Pages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.","Contains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.","Dedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]","The novel is unfinished. pp 130-300 [3.2]","Starting with page 51 a new count of pages begins. pp 1-118.","Begins with part 5 \"Gore, Gora, Goret'\". pp 119-218.","Begins with part 7 \"Kukushkini ostrova\". pp 219-298.","Begins with a story titled \"Baby Cassandra\" pp 299-449.","Begins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.","Begins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.","Contains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.","Information drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.","Contains a table of contents and epigraph to the novel. pp1-139.","Pages 140-308.","Pages 309-537. Page 535 has epilogue.","\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.","Has a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.","Aksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.","Treatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.","Pages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).","Pages 131-310.","Pages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.","[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.","\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.","Novel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.","Contains personal list of correction notes. pages 1-175. Page numbers have double counting.","Pages 176-384. Page numbers have double counting.","Pages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.","Various correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.","\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.","\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.","\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.","\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.","Various hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.","Personal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.","Fax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.","Handwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.","Puskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.","\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.","Pages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.","Pages 413-643. Page 643 ends the novel.","Two copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.","Contains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.","[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.","2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.","Two StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,","Typed manuscript in Russian, pages 1-173. Pages have a variation in page numbering.","Typed manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.","typed manuscript in Russian, pages 409-643, Fairfax.","Pages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.","A letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.","Typed novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.","A letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.","Various Radio Talks, typed in Russian.","Literary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).","Treatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.","Treatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.","A notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.","A note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.","A screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.","Film Script, Washington, pages 1-105.","Typed manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.","Typed manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.","Handwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".","Hand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.","Untitled novel, handwritten manuscript in Russian, pages 1-249.","Untitled novel, handwritten manuscript in Russian, pages 250-512.","Untitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.","Untitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.","War Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.","Unidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.","Unidentified novel, handwritten manuscript in Russian, pages 297-437.","Handwritten manuscript in Russian, pages 1-268.","Handwritten manuscript in Russian, pages 269-535.","Handwritten manuscript in Russian, pages 536-726.","Handwritten manuscript in Russian, pages 727-982.","Gora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.","Two cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffc59e28a9243164f863004b098ed546\" label=\"Abstract\"\u003eThis collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Aksenov, Vasiliĭ, 1932-2009"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"language_ssim":["Russian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":105,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:40:54.982Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_19"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Creative+writing\u0026f%5Bdate_range%5D%5B%5D=1981\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Creative+writing\u0026f%5Bdate_range%5D%5B%5D=1981\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Creative+writing\u0026f%5Bdate_range%5D%5B%5D=1981"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Alan Bowne papers","value":"Alan Bowne papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Creative+writing\u0026f%5Bcollection%5D%5B%5D=Alan+Bowne+papers\u0026f%5Bdate_range%5D%5B%5D=1981"}},{"attributes":{"label":"Associated Writers Program Records","value":"Associated Writers Program Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Creative+writing\u0026f%5Bcollection%5D%5B%5D=Associated+Writers+Program+Records\u0026f%5Bdate_range%5D%5B%5D=1981"}},{"attributes":{"label":"E. P. Conkle papers","value":"E. P. Conkle papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Creative+writing\u0026f%5Bcollection%5D%5B%5D=E.+P.+Conkle+papers\u0026f%5Bdate_range%5D%5B%5D=1981"}},{"attributes":{"label":"George Mason University Northern Virginia Writing Project records","value":"George Mason University Northern Virginia Writing Project records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Creative+writing\u0026f%5Bcollection%5D%5B%5D=George+Mason+University+Northern+Virginia+Writing+Project+records\u0026f%5Bdate_range%5D%5B%5D=1981"}},{"attributes":{"label":"Literary Festival Collection","value":"Literary Festival Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Creative+writing\u0026f%5Bcollection%5D%5B%5D=Literary+Festival+Collection\u0026f%5Bdate_range%5D%5B%5D=1981"}},{"attributes":{"label":"Margaret W. 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