{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002\u0026page=3","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002\u0026page=2","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002\u0026page=4","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002\u0026page=14"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":14,"limit_value":10,"offset_value":20,"total_count":137,"first_page?":false,"last_page?":false}},"data":[{"id":"vilxv_repositories_3_resources_849","type":"collection","attributes":{"title":"Charles F. 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She died at the age of 103 on September 18th, 2002.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["Theresa Pollak (1899-2002) was a Virginia artist and art educator who was instrumental in the founding of Virginia Commonwealth University's School of the Arts. Born in Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions such as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.","Born August 13th, 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.","In 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.","A noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on September 18th, 2002."],"prefercite_html_tesm":["\u003cp\u003eChloe Lang and Tom Leback Theresa Pollak collection, 1974-2003, Collection # M 581, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Chloe Lang and Tom Leback Theresa Pollak collection, 1974-2003, Collection # M 581, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"relatedmaterial_html_tesm":["\u003ca href=\"https://archives.library.vcu.edu/repositories/5/resources/265\"\u003eTheresa Pollak papers\u003c/a\u003e.\n","\u003cp\u003e\nChloe Lang and Tom Leback also donated artwork by Theresa Pollak, which is part of the VCU Libraries Anderson Gallery collection.\n\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eList of artwork by Theresa Pollak donated by Lang and Leback in the Anderson Gallery collection:\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2003.2.1 \u003c/label\u003e\n        \u003citem\u003eUntitled (Garden) (1979), pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2003.2.2\u003c/label\u003e\n        \u003citem\u003eCapon Springs (1964) pastel drawing on paper \u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.1 \u003c/label\u003e\n        \u003citem\u003eRehearsal II (1962) pencil drawing on paper \u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.2\u003c/label\u003e\n        \u003citem\u003ePuilly, Switzerland (1962) pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.3\u003c/label\u003e\n        \u003citem\u003eUntitled (Flowers) (1973) pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.4\u003c/label\u003e\n        \u003citem\u003eUntitled (Girl) (1970) pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.5\u003c/label\u003e\n        \u003citem\u003eUntitled (Flute Player) (1969) pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.6\u003c/label\u003e\n        \u003citem\u003eFran with Baby Linda at Christmas (1970) pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eM 581\u003c/label\u003e\n        \u003citem\u003eUntitled (Chloe Lang) (undated) pastel drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Theresa Pollak papers","Chloe Lang and Tom Leback also donated artwork by Theresa Pollak, which is part of the VCU Libraries Anderson Gallery collection.","List of artwork by Theresa Pollak donated by Lang and Leback in the Anderson Gallery collection:\n      \n        Accession 2003.2.1 \n        Untitled (Garden) (1979), pen and ink drawing on paper\n      \n      \n        Accession 2003.2.2\n        Capon Springs (1964) pastel drawing on paper \n      \n      \n        Accession 2012.1.1 \n        Rehearsal II (1962) pencil drawing on paper \n      \n      \n        Accession 2012.1.2\n        Puilly, Switzerland (1962) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.3\n        Untitled (Flowers) (1973) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.4\n        Untitled (Girl) (1970) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.5\n        Untitled (Flute Player) (1969) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.6\n        Fran with Baby Linda at Christmas (1970) pen and ink drawing on paper\n      \n      \n        M 581\n        Untitled (Chloe Lang) (undated) pastel drawing on paper"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains personal correspondence from Theresa Pollak to Tom Leback and Chloe Lang Leback, photos, fabric patches, collected news clippings about Theresa Pollak, and two copies of the book European Drawings by Theresa Pollak. Collection also includes one drawing of Chloe Lang by Theresa Pollak.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection contains personal correspondence from Theresa Pollak to Tom Leback and Chloe Lang Leback, photos, fabric patches, collected news clippings about Theresa Pollak, and two copies of the book European Drawings by Theresa Pollak. Collection also includes one drawing of Chloe Lang by Theresa Pollak."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","Richmond Professional Institute -- Faculty","Virginia Commonwealth University. School of Art -- Faculty"],"names_coll_ssim":["Richmond Professional Institute -- Faculty","Virginia Commonwealth University. School of Art -- Faculty","Pollak, Theresa, 1899-2002","Lang Leback, Chloe -- Correspondence","Leback, Tom -- Correspondence","Leback, Tom"],"persname_ssim":["Lang Leback, Chloe","Leback, Tom","Pollak, Theresa, 1899-2002","Lang Leback, Chloe -- Correspondence","Leback, Tom -- Correspondence"],"names_ssim":["VCU James Branch Cabell Library","Richmond Professional Institute -- Faculty","Virginia Commonwealth University. School of Art -- Faculty","Lang Leback, Chloe","Leback, Tom","Pollak, Theresa, 1899-2002","Lang Leback, Chloe -- Correspondence","Leback, Tom -- Correspondence"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:38.841Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_659","ead_ssi":"vircu_repositories_5_resources_659","_root_":"vircu_repositories_5_resources_659","_nest_parent_":"vircu_repositories_5_resources_659","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_659.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/5/resources/659","title_filing_ssi":"Lang, Chloe and Tom Leback Theresa Pollak collection","title_ssm":["Chloe Lang and Tom Leback Theresa Pollak collection"],"title_tesim":["Chloe Lang and Tom Leback Theresa Pollak collection"],"unitdate_ssm":["1962-2003","1974-2003"],"unitdate_inclusive_ssm":["1962-2003"],"unitdate_bulk_ssim":["1974-2003"],"normalized_date_ssm":["1962/2003, bulk 1974/2003"],"normalized_title_ssm":["Chloe Lang and Tom Leback Theresa Pollak collection, 1962/2003, bulk 1974/2003"],"text":["Chloe Lang and Tom Leback Theresa Pollak collection, 1962/2003, bulk 1974/2003","M 581","/repositories/5/resources/659","Women painters -- Virginia -- Richmond","Painters -- Virginia -- Richmond","Women artists -- Virginia -- Richmond","Artists -- Virginia -- Richmond","Personal correspondence","Correspondence","clippings (information artifacts)","textile patches","Photographs","The collection is open to research.","Letters are arranged chronologically. Collection folders are arranged alphabetically.","Theresa Pollak (1899-2002) was a Virginia artist and art educator who was instrumental in the founding of Virginia Commonwealth University's School of the Arts. Born in Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions such as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.","Born August 13th, 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.","In 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.","A noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on September 18th, 2002.","Theresa Pollak papers","Chloe Lang and Tom Leback also donated artwork by Theresa Pollak, which is part of the VCU Libraries Anderson Gallery collection.","List of artwork by Theresa Pollak donated by Lang and Leback in the Anderson Gallery collection:\n      \n        Accession 2003.2.1 \n        Untitled (Garden) (1979), pen and ink drawing on paper\n      \n      \n        Accession 2003.2.2\n        Capon Springs (1964) pastel drawing on paper \n      \n      \n        Accession 2012.1.1 \n        Rehearsal II (1962) pencil drawing on paper \n      \n      \n        Accession 2012.1.2\n        Puilly, Switzerland (1962) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.3\n        Untitled (Flowers) (1973) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.4\n        Untitled (Girl) (1970) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.5\n        Untitled (Flute Player) (1969) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.6\n        Fran with Baby Linda at Christmas (1970) pen and ink drawing on paper\n      \n      \n        M 581\n        Untitled (Chloe Lang) (undated) pastel drawing on paper","Collection contains personal correspondence from Theresa Pollak to Tom Leback and Chloe Lang Leback, photos, fabric patches, collected news clippings about Theresa Pollak, and two copies of the book European Drawings by Theresa Pollak. Collection also includes one drawing of Chloe Lang by Theresa Pollak.","There are no restrictions.","VCU James Branch Cabell Library","Richmond Professional Institute -- Faculty","Virginia Commonwealth University. School of Art -- Faculty","Lang Leback, Chloe","Leback, Tom","Pollak, Theresa, 1899-2002","Lang Leback, Chloe -- Correspondence","Leback, Tom -- Correspondence","English"],"collection_title_tesim":["Chloe Lang and Tom Leback Theresa Pollak collection, 1962/2003, bulk 1974/2003"],"collection_ssim":["Chloe Lang and Tom Leback Theresa Pollak collection, 1962/2003, bulk 1974/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 581","/repositories/5/resources/659"],"unitid_tesim":["M 581","/repositories/5/resources/659"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Lang Leback, Chloe","Leback, Tom","Leback, Tom"],"creator_ssim":["Lang Leback, Chloe","Leback, Tom","Leback, Tom"],"creator_persname_ssim":["Lang Leback, Chloe","Leback, Tom","Pollak, Theresa, 1899-2002","Lang Leback, Chloe -- Correspondence","Leback, Tom -- Correspondence"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Richmond Professional Institute -- Faculty","Virginia Commonwealth University. School of Art -- Faculty"],"creators_ssim":["Lang Leback, Chloe","Leback, Tom","Pollak, Theresa, 1899-2002","Lang Leback, Chloe -- Correspondence","Leback, Tom -- Correspondence","VCU James Branch Cabell Library","Richmond Professional Institute -- Faculty","Virginia Commonwealth University. School of Art -- Faculty"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Gift of Chloe Lang Leback and Tom Leback, 2025-04-22."],"access_subjects_ssim":["Women painters -- Virginia -- Richmond","Painters -- Virginia -- Richmond","Women artists -- Virginia -- Richmond","Artists -- Virginia -- Richmond","Personal correspondence","Correspondence","clippings (information artifacts)","textile patches","Photographs"],"access_subjects_ssm":["Women painters -- Virginia -- Richmond","Painters -- Virginia -- Richmond","Women artists -- Virginia -- Richmond","Artists -- Virginia -- Richmond","Personal correspondence","Correspondence","clippings (information artifacts)","textile patches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.42 Linear Feet One letter document box."],"extent_tesim":["0.42 Linear Feet One letter document box."],"genreform_ssim":["Personal correspondence","Correspondence","clippings (information artifacts)","textile patches","Photographs"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access restrictions"],"accessrestrict_tesim":["The collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eLetters are arranged chronologically. Collection folders are arranged alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Letters are arranged chronologically. Collection folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eTheresa Pollak (1899-2002) was a Virginia artist and art educator who was instrumental in the founding of Virginia Commonwealth University's School of the Arts. Born in Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions such as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.\u003c/p\u003e","\u003cp\u003eBorn August 13th, 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.\u003c/p\u003e","\u003cp\u003eIn 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.\u003c/p\u003e","\u003cp\u003eA noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on September 18th, 2002.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["Theresa Pollak (1899-2002) was a Virginia artist and art educator who was instrumental in the founding of Virginia Commonwealth University's School of the Arts. Born in Richmond, Virginia, Pollak was a nationally recognized painter whose art works have been exhibited in institutions such as the Whitney Museum of American Art in New York, the Museum of Fine Art in Boston, and the Corcoran Gallery in Washington, D. C. More importantly, Pollak is credited with the introduction of modern art to Richmond.","Born August 13th, 1899, Pollak graduated from Westhampton College of the University of Richmond. In 1920 she was accepted at the Art Students League of New York, and with the support of Dr. Orie Latham Hatcher, who helped her get a tuition scholarship, she was able to continue her work at the League after graduating from Westhampton in 1921. During Pollak's stay in New York, one of her drawings was awarded the first prize at the Studio club of New York (1926). She continued her training with post-graduate work at the Fogg Museum of Harvard University, and later she studied at the Hans Hoffmann School of Painting in Provincetown, Massachusetts.","In 1928 Pollak became the first full time art teacher at Richmond Professional Institute (RPI), at that time a division of William and Mary College. Two years later she also helped start an art program at Westhampton College. In 1935 she began teaching full time at RPI and devoted much of her other time to her own work. A year after RPI merged in 1968 with the Medical College of Virginia to become Virginia Commonwealth University (VCU), Pollak retired from the school. In 1971, the newly completed fine arts building on what is now the Monroe Park campus of VCU was named in her honor. Her forty-one year teaching career influenced generations of Virginia artists.","A noted Virginia artist with paintings in the permanent collections of the Virginia Museum of Fine Arts, the University of Virginia, Mary Baldwin College, and in numerous private collections, Pollak's paintings are part of the Permanent Research Collection at Virginia Commonwealth University's Anderson Gallery. She died at the age of 103 on September 18th, 2002."],"prefercite_html_tesm":["\u003cp\u003eChloe Lang and Tom Leback Theresa Pollak collection, 1974-2003, Collection # M 581, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Chloe Lang and Tom Leback Theresa Pollak collection, 1974-2003, Collection # M 581, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"relatedmaterial_html_tesm":["\u003ca href=\"https://archives.library.vcu.edu/repositories/5/resources/265\"\u003eTheresa Pollak papers\u003c/a\u003e.\n","\u003cp\u003e\nChloe Lang and Tom Leback also donated artwork by Theresa Pollak, which is part of the VCU Libraries Anderson Gallery collection.\n\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eList of artwork by Theresa Pollak donated by Lang and Leback in the Anderson Gallery collection:\u003c/head\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2003.2.1 \u003c/label\u003e\n        \u003citem\u003eUntitled (Garden) (1979), pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2003.2.2\u003c/label\u003e\n        \u003citem\u003eCapon Springs (1964) pastel drawing on paper \u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.1 \u003c/label\u003e\n        \u003citem\u003eRehearsal II (1962) pencil drawing on paper \u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.2\u003c/label\u003e\n        \u003citem\u003ePuilly, Switzerland (1962) pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.3\u003c/label\u003e\n        \u003citem\u003eUntitled (Flowers) (1973) pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.4\u003c/label\u003e\n        \u003citem\u003eUntitled (Girl) (1970) pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.5\u003c/label\u003e\n        \u003citem\u003eUntitled (Flute Player) (1969) pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eAccession 2012.1.6\u003c/label\u003e\n        \u003citem\u003eFran with Baby Linda at Christmas (1970) pen and ink drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eM 581\u003c/label\u003e\n        \u003citem\u003eUntitled (Chloe Lang) (undated) pastel drawing on paper\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Theresa Pollak papers","Chloe Lang and Tom Leback also donated artwork by Theresa Pollak, which is part of the VCU Libraries Anderson Gallery collection.","List of artwork by Theresa Pollak donated by Lang and Leback in the Anderson Gallery collection:\n      \n        Accession 2003.2.1 \n        Untitled (Garden) (1979), pen and ink drawing on paper\n      \n      \n        Accession 2003.2.2\n        Capon Springs (1964) pastel drawing on paper \n      \n      \n        Accession 2012.1.1 \n        Rehearsal II (1962) pencil drawing on paper \n      \n      \n        Accession 2012.1.2\n        Puilly, Switzerland (1962) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.3\n        Untitled (Flowers) (1973) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.4\n        Untitled (Girl) (1970) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.5\n        Untitled (Flute Player) (1969) pen and ink drawing on paper\n      \n      \n        Accession 2012.1.6\n        Fran with Baby Linda at Christmas (1970) pen and ink drawing on paper\n      \n      \n        M 581\n        Untitled (Chloe Lang) (undated) pastel drawing on paper"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains personal correspondence from Theresa Pollak to Tom Leback and Chloe Lang Leback, photos, fabric patches, collected news clippings about Theresa Pollak, and two copies of the book European Drawings by Theresa Pollak. Collection also includes one drawing of Chloe Lang by Theresa Pollak.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection contains personal correspondence from Theresa Pollak to Tom Leback and Chloe Lang Leback, photos, fabric patches, collected news clippings about Theresa Pollak, and two copies of the book European Drawings by Theresa Pollak. Collection also includes one drawing of Chloe Lang by Theresa Pollak."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["VCU James Branch Cabell Library","Richmond Professional Institute -- Faculty","Virginia Commonwealth University. School of Art -- Faculty"],"names_coll_ssim":["Richmond Professional Institute -- Faculty","Virginia Commonwealth University. School of Art -- Faculty","Pollak, Theresa, 1899-2002","Lang Leback, Chloe -- Correspondence","Leback, Tom -- Correspondence","Leback, Tom"],"persname_ssim":["Lang Leback, Chloe","Leback, Tom","Pollak, Theresa, 1899-2002","Lang Leback, Chloe -- Correspondence","Leback, Tom -- Correspondence"],"names_ssim":["VCU James Branch Cabell Library","Richmond Professional Institute -- Faculty","Virginia Commonwealth University. School of Art -- Faculty","Lang Leback, Chloe","Leback, Tom","Pollak, Theresa, 1899-2002","Lang Leback, Chloe -- Correspondence","Leback, Tom -- Correspondence"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:38.841Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_659"}},{"id":"viw_repositories_2_resources_452","type":"collection","attributes":{"title":"Christmas Activities Collection, 1942/2002","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_452#creator","type":"document_value","attributes":{"value":"College of William and Mary","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_452#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAcc. 1981.115: Christmas Activities, 1935-1941. This accession documents the celebration of the Yule Log Ceremony and the President's Christmas Party. Materials include Dean Landrum's correspondence and memos, committee reports, stage instructions, programs, invitations, and newspaper clippings. This material is arranged chronologically.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_452#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_452","ead_ssi":"viw_repositories_2_resources_452","_root_":"viw_repositories_2_resources_452","_nest_parent_":"viw_repositories_2_resources_452","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_452.xml","title_filing_ssi":"Christmas Activities","title_ssm":["Christmas Activities Collection"],"title_tesim":["Christmas Activities Collection"],"unitdate_ssm":["1942-[ongoing]"],"unitdate_inclusive_ssm":["1942-[ongoing]"],"normalized_date_ssm":["1942/2002"],"normalized_title_ssm":["Christmas Activities Collection, 1942/2002"],"text":["Christmas Activities Collection, 1942/2002","UA 165","/repositories/2/resources/452","College of William and Mary--History--20th century","College of William and Mary--Students","Correspondence","Invitations","Programs","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","A portion of this collection was previously part of the University Archives Publications Collection.","University Archives Subject File Collection (UA 9); University Archives Photograph Collection (UA 8); Vice President for Student Affairs (UA 128).","Acc. 1981.115: Christmas Activities, 1935-1941. This accession documents the celebration of the Yule Log Ceremony and the President's Christmas Party. Materials include Dean Landrum's correspondence and memos, committee reports, stage instructions, programs, invitations, and newspaper clippings. This material is arranged chronologically.","The collection also includes material that was formerly part of the University Archives Publications Collection. It contains Christmas Vespers programs from 1942-1945 and Yule Log Ceremony announcements and programs from 1936-2002.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary","College of William and Mary. Dean of Women","Office of the Vice President for Student Affairs.","Landrum, Grace Warren, 1876-1951","English"],"collection_title_tesim":["Christmas Activities Collection, 1942/2002"],"collection_ssim":["Christmas Activities Collection, 1942/2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 165","/repositories/2/resources/452"],"unitid_tesim":["UA 165","/repositories/2/resources/452"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["College of William and Mary","College of William and Mary. Dean of Women","Landrum, Grace Warren, 1876-1951","Office of the Vice President for Student Affairs."],"creator_ssim":["College of William and Mary","College of William and Mary. Dean of Women","Landrum, Grace Warren, 1876-1951","Office of the Vice President for Student Affairs."],"creator_persname_ssim":["Landrum, Grace Warren, 1876-1951"],"creator_corpname_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary. Dean of Women","Office of the Vice President for Student Affairs."],"creators_ssim":["Landrum, Grace Warren, 1876-1951","Special Collections Research Center","College of William and Mary","College of William and Mary. Dean of Women","Office of the Vice President for Student Affairs."],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1981.115 transferred from Dean of Women's Office 09/1950. Additional material is added on an ongoing basis."],"access_subjects_ssim":["College of William and Mary--History--20th century","College of William and Mary--Students","Correspondence","Invitations","Programs"],"access_subjects_ssm":["College of William and Mary--History--20th century","College of William and Mary--Students","Correspondence","Invitations","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["0.60 Linear Feet"],"extent_tesim":["0.60 Linear Feet"],"genreform_ssim":["Correspondence","Invitations","Programs"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"custodhist_html_tesm":["\u003cp\u003eA portion of this collection was previously part of the University Archives Publications Collection.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["A portion of this collection was previously part of the University Archives Publications Collection."],"prefercite_html_tesm":["\u003cp\u003eChristmas Activities Collection, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Christmas Activities Collection, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Subject File Collection (UA 9); University Archives Photograph Collection (UA 8); Vice President for Student Affairs (UA 128).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Subject File Collection (UA 9); University Archives Photograph Collection (UA 8); Vice President for Student Affairs (UA 128)."],"scopecontent_html_tesm":["\u003cp\u003eAcc. 1981.115: Christmas Activities, 1935-1941. This accession documents the celebration of the Yule Log Ceremony and the President's Christmas Party. Materials include Dean Landrum's correspondence and memos, committee reports, stage instructions, programs, invitations, and newspaper clippings. This material is arranged chronologically.\u003c/p\u003e","\u003cp\u003e The collection also includes material that was formerly part of the University Archives Publications Collection. It contains Christmas Vespers programs from 1942-1945 and Yule Log Ceremony announcements and programs from 1936-2002.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Acc. 1981.115: Christmas Activities, 1935-1941. This accession documents the celebration of the Yule Log Ceremony and the President's Christmas Party. Materials include Dean Landrum's correspondence and memos, committee reports, stage instructions, programs, invitations, and newspaper clippings. This material is arranged chronologically.","The collection also includes material that was formerly part of the University Archives Publications Collection. It contains Christmas Vespers programs from 1942-1945 and Yule Log Ceremony announcements and programs from 1936-2002."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary. Dean of Women","Office of the Vice President for Student Affairs."],"persname_ssim":["Landrum, Grace Warren, 1876-1951"],"names_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary. Dean of Women","Office of the Vice President for Student Affairs.","Landrum, Grace Warren, 1876-1951"],"language_ssim":["English"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:49:50.727Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_452","ead_ssi":"viw_repositories_2_resources_452","_root_":"viw_repositories_2_resources_452","_nest_parent_":"viw_repositories_2_resources_452","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_452.xml","title_filing_ssi":"Christmas Activities","title_ssm":["Christmas Activities Collection"],"title_tesim":["Christmas Activities Collection"],"unitdate_ssm":["1942-[ongoing]"],"unitdate_inclusive_ssm":["1942-[ongoing]"],"normalized_date_ssm":["1942/2002"],"normalized_title_ssm":["Christmas Activities Collection, 1942/2002"],"text":["Christmas Activities Collection, 1942/2002","UA 165","/repositories/2/resources/452","College of William and Mary--History--20th century","College of William and Mary--Students","Correspondence","Invitations","Programs","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","A portion of this collection was previously part of the University Archives Publications Collection.","University Archives Subject File Collection (UA 9); University Archives Photograph Collection (UA 8); Vice President for Student Affairs (UA 128).","Acc. 1981.115: Christmas Activities, 1935-1941. This accession documents the celebration of the Yule Log Ceremony and the President's Christmas Party. Materials include Dean Landrum's correspondence and memos, committee reports, stage instructions, programs, invitations, and newspaper clippings. This material is arranged chronologically.","The collection also includes material that was formerly part of the University Archives Publications Collection. It contains Christmas Vespers programs from 1942-1945 and Yule Log Ceremony announcements and programs from 1936-2002.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary","College of William and Mary. Dean of Women","Office of the Vice President for Student Affairs.","Landrum, Grace Warren, 1876-1951","English"],"collection_title_tesim":["Christmas Activities Collection, 1942/2002"],"collection_ssim":["Christmas Activities Collection, 1942/2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 165","/repositories/2/resources/452"],"unitid_tesim":["UA 165","/repositories/2/resources/452"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["College of William and Mary","College of William and Mary. Dean of Women","Landrum, Grace Warren, 1876-1951","Office of the Vice President for Student Affairs."],"creator_ssim":["College of William and Mary","College of William and Mary. Dean of Women","Landrum, Grace Warren, 1876-1951","Office of the Vice President for Student Affairs."],"creator_persname_ssim":["Landrum, Grace Warren, 1876-1951"],"creator_corpname_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary. Dean of Women","Office of the Vice President for Student Affairs."],"creators_ssim":["Landrum, Grace Warren, 1876-1951","Special Collections Research Center","College of William and Mary","College of William and Mary. Dean of Women","Office of the Vice President for Student Affairs."],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1981.115 transferred from Dean of Women's Office 09/1950. Additional material is added on an ongoing basis."],"access_subjects_ssim":["College of William and Mary--History--20th century","College of William and Mary--Students","Correspondence","Invitations","Programs"],"access_subjects_ssm":["College of William and Mary--History--20th century","College of William and Mary--Students","Correspondence","Invitations","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["0.60 Linear Feet"],"extent_tesim":["0.60 Linear Feet"],"genreform_ssim":["Correspondence","Invitations","Programs"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"custodhist_html_tesm":["\u003cp\u003eA portion of this collection was previously part of the University Archives Publications Collection.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["A portion of this collection was previously part of the University Archives Publications Collection."],"prefercite_html_tesm":["\u003cp\u003eChristmas Activities Collection, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Christmas Activities Collection, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Subject File Collection (UA 9); University Archives Photograph Collection (UA 8); Vice President for Student Affairs (UA 128).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Subject File Collection (UA 9); University Archives Photograph Collection (UA 8); Vice President for Student Affairs (UA 128)."],"scopecontent_html_tesm":["\u003cp\u003eAcc. 1981.115: Christmas Activities, 1935-1941. This accession documents the celebration of the Yule Log Ceremony and the President's Christmas Party. Materials include Dean Landrum's correspondence and memos, committee reports, stage instructions, programs, invitations, and newspaper clippings. This material is arranged chronologically.\u003c/p\u003e","\u003cp\u003e The collection also includes material that was formerly part of the University Archives Publications Collection. It contains Christmas Vespers programs from 1942-1945 and Yule Log Ceremony announcements and programs from 1936-2002.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Acc. 1981.115: Christmas Activities, 1935-1941. This accession documents the celebration of the Yule Log Ceremony and the President's Christmas Party. Materials include Dean Landrum's correspondence and memos, committee reports, stage instructions, programs, invitations, and newspaper clippings. This material is arranged chronologically.","The collection also includes material that was formerly part of the University Archives Publications Collection. It contains Christmas Vespers programs from 1942-1945 and Yule Log Ceremony announcements and programs from 1936-2002."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary. Dean of Women","Office of the Vice President for Student Affairs."],"persname_ssim":["Landrum, Grace Warren, 1876-1951"],"names_ssim":["Special Collections Research Center","College of William and Mary","College of William and Mary. Dean of Women","Office of the Vice President for Student Affairs.","Landrum, Grace Warren, 1876-1951"],"language_ssim":["English"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:49:50.727Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_452"}},{"id":"viw_repositories_2_resources_8677","type":"collection","attributes":{"title":"Christopher Bram Papers, 1968/2014, bulk 1975/2000","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8677#creator","type":"document_value","attributes":{"value":"Bram, Christopher, 1952-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8677#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026amp; Mary, including materials from his undergraduate studies at William \u0026amp; Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. Series 26 contains audiovisual materials which have also been physically separated from the rest of the collection.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8677#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8677","ead_ssi":"viw_repositories_2_resources_8677","_root_":"viw_repositories_2_resources_8677","_nest_parent_":"viw_repositories_2_resources_8677","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8677.xml","title_filing_ssi":"Bram, Christopher","title_ssm":["Christopher Bram Papers"],"title_tesim":["Christopher Bram Papers"],"unitdate_ssm":["1968-2014","1975-2000"],"unitdate_inclusive_ssm":["1968-2014"],"unitdate_bulk_ssim":["1975-2000"],"normalized_date_ssm":["1968/2014, bulk 1975/2000"],"normalized_title_ssm":["Christopher Bram Papers, 1968/2014, bulk 1975/2000"],"text":["Christopher Bram Papers, 1968/2014, bulk 1975/2000","Mss. 99 B73","/repositories/2/resources/8677","Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications","Portions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","The collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual.","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Administrative History: Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.","As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Processed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015.","The Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026 Mary, including materials from his undergraduate studies at William \u0026 Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. Series 26 contains audiovisual materials which have also been physically separated from the rest of the collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of English","Bram, Christopher, 1952-","English"],"collection_title_tesim":["Christopher Bram Papers, 1968/2014, bulk 1975/2000"],"collection_ssim":["Christopher Bram Papers, 1968/2014, bulk 1975/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 99 B73","/repositories/2/resources/8677"],"unitid_tesim":["Mss. 99 B73","/repositories/2/resources/8677"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Bram, Christopher, 1952-"],"creator_ssim":["Bram, Christopher, 1952-"],"creator_persname_ssim":["Bram, Christopher, 1952-"],"creator_corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English"],"creators_ssim":["Bram, Christopher, 1952-","Special Collections Research Center","College of William and Mary. Dept. of English"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["1999-16 (1 box including correspondence, notebooks of writing while a student at the College, and memorabilia) received 5/4/1999; 2000-04 (1 box book reviews) received 1/19/2000; 2000-36 (card announcing book) received 7/2/2000; 2001-39 (2 boxes) received 9/17/2001; 2003-69 (Swem remarks) received 12/3/2003; 3 boxes received Fall 2008 (2008 addition). Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"access_subjects_ssm":["Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["21.75 Linear Feet"],"extent_tesim":["21.75 Linear Feet"],"genreform_ssim":["Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Portions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual."],"bioghist_html_tesm":["\u003cbioghist altrender=\"Biographical Information\" encodinganalog=\"545$a\"\u003e  Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram\n\n \u003c/bioghist\u003e ","\u003cbioghist altrender=\"Administrative History\" encodinganalog=\"545$b\"\u003e \u003chead\u003eAdministrative History:\u003c/head\u003e Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n \u003c/bioghist\u003e  ","\u003cp\u003eNovelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\u003c/p\u003e","\u003cp\u003e As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\u003c/p\u003e","\u003cp\u003e Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram\u003c/p\u003e  ","\u003cp\u003eNovelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical","Biographical Information:","Administrative History:"],"bioghist_tesim":["Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Administrative History: Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.","As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others."],"prefercite_html_tesm":["\u003cp\u003eChristopher Bram Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Christopher Bram Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026amp; Mary, including materials from his undergraduate studies at William \u0026amp; Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. Series 26 contains audiovisual materials which have also been physically separated from the rest of the collection.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026 Mary, including materials from his undergraduate studies at William \u0026 Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. Series 26 contains audiovisual materials which have also been physically separated from the rest of the collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English"],"names_coll_ssim":["College of William and Mary. Dept. of English"],"persname_ssim":["Bram, Christopher, 1952-"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English","Bram, Christopher, 1952-"],"language_ssim":["English"],"total_component_count_is":747,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:51:49.231Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8677","ead_ssi":"viw_repositories_2_resources_8677","_root_":"viw_repositories_2_resources_8677","_nest_parent_":"viw_repositories_2_resources_8677","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8677.xml","title_filing_ssi":"Bram, Christopher","title_ssm":["Christopher Bram Papers"],"title_tesim":["Christopher Bram Papers"],"unitdate_ssm":["1968-2014","1975-2000"],"unitdate_inclusive_ssm":["1968-2014"],"unitdate_bulk_ssim":["1975-2000"],"normalized_date_ssm":["1968/2014, bulk 1975/2000"],"normalized_title_ssm":["Christopher Bram Papers, 1968/2014, bulk 1975/2000"],"text":["Christopher Bram Papers, 1968/2014, bulk 1975/2000","Mss. 99 B73","/repositories/2/resources/8677","Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications","Portions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","The collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual.","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Administrative History: Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.","As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Processed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015.","The Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026 Mary, including materials from his undergraduate studies at William \u0026 Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. Series 26 contains audiovisual materials which have also been physically separated from the rest of the collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of English","Bram, Christopher, 1952-","English"],"collection_title_tesim":["Christopher Bram Papers, 1968/2014, bulk 1975/2000"],"collection_ssim":["Christopher Bram Papers, 1968/2014, bulk 1975/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 99 B73","/repositories/2/resources/8677"],"unitid_tesim":["Mss. 99 B73","/repositories/2/resources/8677"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Bram, Christopher, 1952-"],"creator_ssim":["Bram, Christopher, 1952-"],"creator_persname_ssim":["Bram, Christopher, 1952-"],"creator_corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English"],"creators_ssim":["Bram, Christopher, 1952-","Special Collections Research Center","College of William and Mary. Dept. of English"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["1999-16 (1 box including correspondence, notebooks of writing while a student at the College, and memorabilia) received 5/4/1999; 2000-04 (1 box book reviews) received 1/19/2000; 2000-36 (card announcing book) received 7/2/2000; 2001-39 (2 boxes) received 9/17/2001; 2003-69 (Swem remarks) received 12/3/2003; 3 boxes received Fall 2008 (2008 addition). Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"access_subjects_ssm":["Authors, American--20th century","Homosexuality and art","Homosexuality--Fiction.","Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"has_online_content_ssim":["false"],"extent_ssm":["21.75 Linear Feet"],"extent_tesim":["21.75 Linear Feet"],"genreform_ssim":["Artifacts","Certificates","Correspondence","Manuscripts (document genre)","Notebooks","Photographs","Postcards","Publications"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Portions of this collection are restricted. Materials related to the unpublished novel \"Gunny\" may not be quoted or published without the express permission of Christopher Bram or his estate. All diaries from October 1979 until the end of Bram's life are closed during the lifetime of Draper Shreeve. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into 26 series: Gunny, Surprising Myself, Hold Tight, In Memory of Angel Clare, Almost History, Father of Frankenstein, Gossip, The Notorious Dr. August: His Real Life and Crimes, Lives of the Circus Animals, Exiles in America, Mapping the Territory, Eminent Outlaws, Unfinished Novels, Short Works, Works featuring Bram, Notebooks, Work of Friends, Events and Recognition, Teaching, College of William and Mary, Literary Business, Personal Papers, Correspondence, Photographs, Ephemera and Artifacts, and Audiovisual."],"bioghist_html_tesm":["\u003cbioghist altrender=\"Biographical Information\" encodinganalog=\"545$a\"\u003e  Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram\n\n \u003c/bioghist\u003e ","\u003cbioghist altrender=\"Administrative History\" encodinganalog=\"545$b\"\u003e \u003chead\u003eAdministrative History:\u003c/head\u003e Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n \u003c/bioghist\u003e  ","\u003cp\u003eNovelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\u003c/p\u003e","\u003cp\u003e As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\u003c/p\u003e","\u003cp\u003e Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram\u003c/p\u003e  ","\u003cp\u003eNovelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical","Biographical Information:","Administrative History:"],"bioghist_tesim":["Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.\n\n As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.\n\n Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Administrative History: Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence.","As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdb.swem.wm.edu/wiki/index.php/Christopher_Bram","Novelist Christopher Bram was born on February 22, 1952 in Buffalo, New York. Raised predominantly in tidewater Virginia, Mr. Bram attended the College of William and Mary where he majored in English. As an undergraduate, he was actively involved in the Author's Guild, Omicron Delta Kappa, and served as the Editor of the literary journal, the William and Mary Review, from 1973-1974. After graduating with honors in 1974, Mr. Bram returned to the college in 1999 as a writer in residence. As a writer, Christopher Bram has published nine novels, a number of short stories and articles, as well as adapted his work into screenplays. His novels, including \"Surprising Myself (1987),\" \"Hold Tight (1988),\" \"In Memory of Angel Clare (1989),\" \"Almost History (1992),\" \"Father of Frankenstein (1995),\" \"Gossip (1997),\" \"The Notorious Dr. August: his Real Life and Crimes (2000),\" \"Lives of Circus Animals (2003),\" and \"Exiles in America (2006),\" have gained wide acclaim for addressing contemporary issues including homosexuality. He has been honored as a 2001 Guggenheim Fellow in 2003 received the Bill Whitehead Award for Lifetime Achievement. A 1998 film adaptation of Bram's novel \"Father of Frankenstein,\" entitled \"Gods and Monsters\" won an Oscar for \"Best Writing, Screenplay Based on Material in Another Medium.\" Bram has worked on a variety of screenplays including the short films \"George,\" \"Al,\" and \"Business-like.\" His short stories and articles have appeared in publications such as the New York Times Book Review, New York Native, Night and Day, Lamdba Book Report, Christopher Street, among others."],"prefercite_html_tesm":["\u003cp\u003eChristopher Bram Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Christopher Bram Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Antonio Bly in 2000 and Molly FitzGerald Perry 2008. Inventory added to Archon by Special Collections Student Assistant in October 2007. Acc. 2012.325 accessioned and minimally processed by Benjamin Bromley in September 2012. Acc. 2012.326 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2012.331 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in September 2012. Acc. 2013.020 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2014.043 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in April 2014. Collection was rehoused and fully processed by Matt Anthony, SCRC Staff, March 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026amp; Mary, including materials from his undergraduate studies at William \u0026amp; Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. Series 26 contains audiovisual materials which have also been physically separated from the rest of the collection.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Christopher Bram papers largely encompass Bram's career as a novelist and writer but also include personal papers, audiovisual material, and artifacts. The first 12 series comprise materials relating to each of the major book length works Bram has produced during his career. Series 1 contains materials relating to Bram's first novel, which remains unpublished. Subsequent series are organized chronologically by publication date. Series 13 and 14 contain Bram's shorter works, including material related to unfinished novels, as well as screenplays, short stories, and poetry. Series 15 contains works featuring Bram, including critical articles and interviews with Bram. Series 16 consists of Bram's notebooks, which contain his ideas for novels and short stories. Series 17 contains works by friends which Bram collected and, in some cases, edited. Series 18 contains materials related to events that Bram participated in, and awards and recognition which he received. Series 19 contains materials related to Bram's teaching. Series 20 contains materials related to Bram's connection with William \u0026 Mary, including materials from his undergraduate studies at William \u0026 Mary as well as his future involvement with the college as a Writer-in-Residence. Series 21 contains materials related to the literary business, including publication agreements and royalty statements. These materials retain Bram's original order, which sorted materials by the publishers he worked with throughout his career. Series 22 contains Bram's personal papers, including materials related to his high school, Boy Scouts, military service, employment, and family. This series also includes Bram's personal diaries, which are restricted during the lifetimes of Bram and his partner. Series 23 contains Bram's correspondence. This series is organized alphabetically by correspondent. Series 24 contains photographs. Series 25 contains artifacts and ephemera. Series 26 contains audiovisual materials which have also been physically separated from the rest of the collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English"],"names_coll_ssim":["College of William and Mary. Dept. of English"],"persname_ssim":["Bram, Christopher, 1952-"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of English","Bram, Christopher, 1952-"],"language_ssim":["English"],"total_component_count_is":747,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:51:49.231Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8677"}},{"id":"viw_repositories_2_resources_8508","type":"collection","attributes":{"title":"Claudia Stevens papers, 1967/2023","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508#creator","type":"document_value","attributes":{"value":"Stevens, Claudia","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8508","ead_ssi":"viw_repositories_2_resources_8508","_root_":"viw_repositories_2_resources_8508","_nest_parent_":"viw_repositories_2_resources_8508","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8508.xml","title_filing_ssi":"Claudia Stevens papers","title_ssm":["Claudia Stevens papers"],"title_tesim":["Claudia Stevens papers"],"unitdate_ssm":["1967-2023"],"unitdate_inclusive_ssm":["1967-2023"],"normalized_date_ssm":["1967/2023"],"normalized_title_ssm":["Claudia Stevens papers, 1967/2023"],"text":["Claudia Stevens papers, 1967/2023","MS 00037","/repositories/2/resources/8508","Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into five series.","Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary.","Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.","The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).","The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985","English"],"collection_title_tesim":["Claudia Stevens papers, 1967/2023"],"collection_ssim":["Claudia Stevens papers, 1967/2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00037","/repositories/2/resources/8508"],"unitid_tesim":["MS 00037","/repositories/2/resources/8508"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Stevens, Claudia"],"creator_ssim":["Stevens, Claudia"],"creator_persname_ssim":["Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"creator_corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"creators_ssim":["Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985","Special Collections Research Center","College of William and Mary. Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Mss. Acc. 2003.51 was a gift of Claudia Stevens on 9/15/2003. Acc. 2008.137 was a gift of Claudia Stevens received on 7/16/2008 via mail. Acc. 2009.003 was a gift of Claudia Stevens received on 1/9/2009 via mail. Acc. 2009.114 was a gift of Claudia Stevens on 3/23/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"access_subjects_ssm":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["6.92 Linear Feet 19 boxes"],"extent_tesim":["6.92 Linear Feet 19 boxes"],"genreform_ssim":["Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into five series."],"bioghist_html_tesm":["\u003cp\u003eClaudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026amp; Mary.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary."],"prefercite_html_tesm":["\u003cp\u003eClaudia Stevens papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Claudia Stevens papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.\u003c/p\u003e","\u003cp\u003e The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).\u003c/p\u003e","\u003cp\u003eVideocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.","The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04)."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.\u003c/p\u003e","\u003cp\u003eThe papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.\u003c/p\u003e","\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.\u003c/p\u003e","\u003cp\u003eDigital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.\u003c/p\u003e","\u003cp\u003eThe Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.\u003c/p\u003e","\u003cp\u003eDetailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"names_coll_ssim":["College of William and Mary. Dept. of Music","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"persname_ssim":["Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1008,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:51:29.765Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8508","ead_ssi":"viw_repositories_2_resources_8508","_root_":"viw_repositories_2_resources_8508","_nest_parent_":"viw_repositories_2_resources_8508","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8508.xml","title_filing_ssi":"Claudia Stevens papers","title_ssm":["Claudia Stevens papers"],"title_tesim":["Claudia Stevens papers"],"unitdate_ssm":["1967-2023"],"unitdate_inclusive_ssm":["1967-2023"],"normalized_date_ssm":["1967/2023"],"normalized_title_ssm":["Claudia Stevens papers, 1967/2023"],"text":["Claudia Stevens papers, 1967/2023","MS 00037","/repositories/2/resources/8508","Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into five series.","Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary.","Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.","The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).","The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. 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Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Mss. Acc. 2003.51 was a gift of Claudia Stevens on 9/15/2003. Acc. 2008.137 was a gift of Claudia Stevens received on 7/16/2008 via mail. Acc. 2009.003 was a gift of Claudia Stevens received on 1/9/2009 via mail. Acc. 2009.114 was a gift of Claudia Stevens on 3/23/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"access_subjects_ssm":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["6.92 Linear Feet 19 boxes"],"extent_tesim":["6.92 Linear Feet 19 boxes"],"genreform_ssim":["Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into five series."],"bioghist_html_tesm":["\u003cp\u003eClaudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026amp; Mary.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary."],"prefercite_html_tesm":["\u003cp\u003eClaudia Stevens papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Claudia Stevens papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.\u003c/p\u003e","\u003cp\u003e The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).\u003c/p\u003e","\u003cp\u003eVideocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.","The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04)."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.\u003c/p\u003e","\u003cp\u003eThe papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.\u003c/p\u003e","\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.\u003c/p\u003e","\u003cp\u003eDigital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.\u003c/p\u003e","\u003cp\u003eThe Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.\u003c/p\u003e","\u003cp\u003eDetailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"names_coll_ssim":["College of William and Mary. Dept. of Music","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"persname_ssim":["Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1008,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:51:29.765Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508"}},{"id":"vilxw_repositories_5_resources_312","type":"collection","attributes":{"title":"Collection of research materials about William R. Clark, 1950/2008","creator":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_312#creator","type":"document_value","attributes":{"value":"Wood, Alexander Barbour","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_312#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of a donor letter and accompanying materials about William R. Clark, specifically a photograph of Clark with Michael Dukakis and a copy of his Curriculum Vitae. The letter includes memories of interactions with Clark. There is also a photograph of male members of the Randolph Street Methodist Church, Lexington, Virginia (circa 1955).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_312#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_312","ead_ssi":"vilxw_repositories_5_resources_312","_root_":"vilxw_repositories_5_resources_312","_nest_parent_":"vilxw_repositories_5_resources_312","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_312.xml","title_filing_ssi":"Collection of research materials about William R. Clark","title_ssm":["Collection of research materials about William R. Clark"],"title_tesim":["Collection of research materials about William R. Clark"],"unitdate_ssm":["1950, circa 1955, 2008"],"unitdate_inclusive_ssm":["1950, circa 1955, 2008"],"normalized_date_ssm":["1950/2008"],"normalized_title_ssm":["Collection of research materials about William R. Clark, 1950/2008"],"text":["Collection of research materials about William R. Clark, 1950/2008","WLU.Coll.0432","/repositories/5/resources/312","Virginia -- Lexington","Correspondence","Church history","African American churches","Dr. William R. Clark was born on January 21, 1923 in Lexington, Va. He attended Lexington High School and graduated in 1942 from St. Emma Military Academy. In 1949, he graduated from Cedarville College. He earned a master's degree in education in 1954 and a doctorate in 1967 from the University of Colorado at Greeley. Clark served in the Army during World War II and the Korean War. He was a lifelong educator and was appointed as a trustee of North Adams State College in 1985 by Gov. Michael Dukakis. He died in Massachusetts on November 21, 1990.","This collection consists of a donor letter and accompanying materials about William R. Clark, specifically a photograph of Clark with Michael Dukakis and a copy of his Curriculum Vitae.  The letter includes memories of interactions with Clark. There is also a photograph of male members of the Randolph Street Methodist Church, Lexington, Virginia (circa 1955).","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","Randolph Street Methodist Church (Lexington, Va.)","Wood, Alexander Barbour","Clark, William R.","The collection is in English."],"collection_title_tesim":["Collection of research materials about William R. Clark, 1950/2008"],"collection_ssim":["Collection of research materials about William R. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source."],"acqinfo_ssim":["Donated by Alexander Wood"],"access_subjects_ssim":["Correspondence","Church history","African American churches"],"access_subjects_ssm":["Correspondence","Church history","African American churches"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Feet 1 folder"],"extent_tesim":["0.01 Linear Feet 1 folder"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"bioghist_html_tesm":["\u003cp\u003eDr. William R. Clark was born on January 21, 1923 in Lexington, Va. He attended Lexington High School and graduated in 1942 from St. Emma Military Academy. In 1949, he graduated from Cedarville College. He earned a master's degree in education in 1954 and a doctorate in 1967 from the University of Colorado at Greeley. Clark served in the Army during World War II and the Korean War. He was a lifelong educator and was appointed as a trustee of North Adams State College in 1985 by Gov. Michael Dukakis. He died in Massachusetts on November 21, 1990.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Dr. William R. Clark was born on January 21, 1923 in Lexington, Va. He attended Lexington High School and graduated in 1942 from St. Emma Military Academy. In 1949, he graduated from Cedarville College. He earned a master's degree in education in 1954 and a doctorate in 1967 from the University of Colorado at Greeley. Clark served in the Army during World War II and the Korean War. He was a lifelong educator and was appointed as a trustee of North Adams State College in 1985 by Gov. Michael Dukakis. He died in Massachusetts on November 21, 1990."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Collection of Research Materials about William R. Clark (WLU Coll. 0432), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, Va.\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Collection of Research Materials about William R. Clark (WLU Coll. 0432), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of a donor letter and accompanying materials about William R. Clark, specifically a photograph of Clark with Michael Dukakis and a copy of his Curriculum Vitae.  The letter includes memories of interactions with Clark. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is currently unprocessed. Please consult a staff member for assistance.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is currently unprocessed. Please consult a staff member for assistance."],"bioghist_html_tesm":["\u003cp\u003eInformation about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Counseling_Center\" title=\"Counseling Center\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["Information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"custodhist_html_tesm":["\u003cp\u003eA portion of these records contain patient history files that fall under General Schedule 111 101189. Acc. T2008.005 is set for destruction on 9/1/2011. Acc. T2008.008 is set for destruction on 9/1/2012. Acc. T2009.011 is set for destruction on 9/1/2013. Acc. T2010.013 is set for destruction on 9/1/2014. Acc. T2011.005 is set for destruction on 9/1/2015. Patient files that are a part of Acc. T2012.006 is set for destruction on 9/1/2016. Acc. T2012.015 is set for destruction on 9/1/2007. Acc. T2012.008 is set for destruction on 9/1/2018. Acc. T2012.013 is set for destruction on 9/1/2019. Acc. T2012.014 is set for destruction on 9/1/2020. Acc. T2012.017 is set for destruction on 9/1/2021.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["A portion of these records contain patient history files that fall under General Schedule 111 101189. Acc. T2008.005 is set for destruction on 9/1/2011. Acc. T2008.008 is set for destruction on 9/1/2012. Acc. T2009.011 is set for destruction on 9/1/2013. Acc. T2010.013 is set for destruction on 9/1/2014. Acc. T2011.005 is set for destruction on 9/1/2015. Patient files that are a part of Acc. T2012.006 is set for destruction on 9/1/2016. Acc. T2012.015 is set for destruction on 9/1/2007. Acc. T2012.008 is set for destruction on 9/1/2018. Acc. T2012.013 is set for destruction on 9/1/2019. Acc. T2012.014 is set for destruction on 9/1/2020. Acc. T2012.017 is set for destruction on 9/1/2021."],"prefercite_html_tesm":["\u003cp\u003eCounseling Center records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Counseling Center records, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2010.281 accessioned and minimally described by Steven Bookman, University Archives Specialist, in May 2010. Acc. T2012.006 accessioned and minimally described by Steven Bookman, University Archives Specialist, in July 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2010.281 accessioned and minimally described by Steven Bookman, University Archives Specialist, in May 2010. Acc. T2012.006 accessioned and minimally described by Steven Bookman, University Archives Specialist, in July 2012."],"scopecontent_html_tesm":["\u003cp\u003eAcc. 2010.281 contains administrative files from the office of the Director of the Counseling Center from 1994-2006. Included in the files are annual reports, statistics, and budget material. Acc. T2012.006 contains annual reports and various surveys.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Acc. 2010.281 contains administrative files from the office of the Director of the Counseling Center from 1994-2006. Included in the files are annual reports, statistics, and budget material. Acc. T2012.006 contains annual reports and various surveys."],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Counseling Center"],"names_coll_ssim":["College of William and Mary. Counseling Center"],"names_ssim":["Special Collections Research Center","College of William and Mary. Counseling Center"],"language_ssim":["English"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:49:50.727Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_3749"}},{"id":"vifgm_repositories_2_resources_520","type":"collection","attributes":{"title":"C-SPAN records, 1809/2012, bulk 1978/2012","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_520#creator","type":"document_value","attributes":{"value":"C-SPAN Corporation","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_520#abstract_or_scope","type":"document_value","attributes":{"value":"The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_520#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_520","ead_ssi":"vifgm_repositories_2_resources_520","_root_":"vifgm_repositories_2_resources_520","_nest_parent_":"vifgm_repositories_2_resources_520","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_520.xml","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_inclusive_ssm":["1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"normalized_date_ssm":["1809/2012, bulk 1978/2012"],"normalized_title_ssm":["C-SPAN records, 1809/2012, bulk 1978/2012"],"text":["C-SPAN records, 1809/2012, bulk 1978/2012","C0270","/repositories/2/resources/520","United States -- Politics and government","Washington (D.C.)","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings","There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions.","Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed","Series\n      Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n      Series 2: Routers, 1984-1996 (Boxes 51-60)\n      Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n      Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n      Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n      Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n      Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n      Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n      Series 9: Photographs, 1978-2008 (Boxes 403-444)\n      Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n      Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n      Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the Booknotes television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the . Purdue University houses the C-SPAN Video Library. More information is available on the .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","Map Case 19.1-19.3, 31.1","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","English"],"collection_title_tesim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"collection_ssim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270","/repositories/2/resources/520"],"unitid_tesim":["C0270","/repositories/2/resources/520"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government","Washington (D.C.)"],"geogname_ssim":["United States -- Politics and government","Washington (D.C.)"],"places_ssim":["United States -- Politics and government","Washington (D.C.)"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"creators_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet 471 boxes"],"extent_tesim":["200.0 linear feet 471 boxes"],"genreform_ssim":["Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eKelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the \u003cextptr show=\"new\" title=\"C-SPAN Portal\" href=\"https://cspancollections.gmu.edu/s/Home/page/Home\"\u003e\u003c/extptr\u003e, a broader site which groups material from a variety of other C-SPAN projects, and can be accessed \u003cextptr show=\"new\" title=\"here.\" href=\"https://cspancollections.gmu.edu/s/CSPANRecords/page/c-span-records\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed"],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n      \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n      \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series\n      Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n      Series 2: Routers, 1984-1996 (Boxes 51-60)\n      Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n      Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n      Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n      Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n      Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n      Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n      Series 9: Photographs, 1978-2008 (Boxes 403-444)\n      Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n      Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n      Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.c-span.org/\" title=\"C-SPAN.org\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\u003cextptr href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\" title=\"Purdue.edu\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e","\u003cp\u003e With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e","\u003cp\u003e C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \u003citalic\u003eBooknotes\u003c/italic\u003e television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the \u003cextptr href=\"https://cspancollections.gmu.edu/s/Booknotes/page/Booknotes\" title=\"Booknotes collection website\" show=\"new\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the \u003cextptr href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\" title=\"Purdue website\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the Booknotes television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the . Purdue University houses the C-SPAN Video Library. More information is available on the ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e","\u003cp\u003e Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e","\u003cp\u003e Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e","\u003cp\u003e Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e","\u003cp\u003e Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e","\u003cp\u003e Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e","\u003cp\u003e Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e","\u003cp\u003e Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e","\u003cp\u003e Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e","\u003cp\u003e Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e","\u003cp\u003e Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e","\u003cp\u003e Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e","\u003cp\u003e Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e\n    "],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6e98eea71e7aaf27fbc13ed54ff06f7a\"\u003eMap Case 19.1-19.3, 31.1\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 19.1-19.3, 31.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"names_coll_ssim":["United States. Congress","United States. Congress. House","United States. Congress. Senate","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:56.106Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_520","ead_ssi":"vifgm_repositories_2_resources_520","_root_":"vifgm_repositories_2_resources_520","_nest_parent_":"vifgm_repositories_2_resources_520","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_520.xml","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_inclusive_ssm":["1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"normalized_date_ssm":["1809/2012, bulk 1978/2012"],"normalized_title_ssm":["C-SPAN records, 1809/2012, bulk 1978/2012"],"text":["C-SPAN records, 1809/2012, bulk 1978/2012","C0270","/repositories/2/resources/520","United States -- Politics and government","Washington (D.C.)","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings","There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions.","Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed","Series\n      Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n      Series 2: Routers, 1984-1996 (Boxes 51-60)\n      Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n      Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n      Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n      Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n      Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n      Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n      Series 9: Photographs, 1978-2008 (Boxes 403-444)\n      Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n      Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n      Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the Booknotes television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the . Purdue University houses the C-SPAN Video Library. More information is available on the .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","Map Case 19.1-19.3, 31.1","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","English"],"collection_title_tesim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"collection_ssim":["C-SPAN records, 1809/2012, bulk 1978/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270","/repositories/2/resources/520"],"unitid_tesim":["C0270","/repositories/2/resources/520"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government","Washington (D.C.)"],"geogname_ssim":["United States -- Politics and government","Washington (D.C.)"],"places_ssim":["United States -- Politics and government","Washington (D.C.)"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"creators_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet 471 boxes"],"extent_tesim":["200.0 linear feet 471 boxes"],"genreform_ssim":["Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eKelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the \u003cextptr show=\"new\" title=\"C-SPAN Portal\" href=\"https://cspancollections.gmu.edu/s/Home/page/Home\"\u003e\u003c/extptr\u003e, a broader site which groups material from a variety of other C-SPAN projects, and can be accessed \u003cextptr show=\"new\" title=\"here.\" href=\"https://cspancollections.gmu.edu/s/CSPANRecords/page/c-span-records\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed"],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n      \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n      \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series\n      Series 1: Press Clippings, 1978-2012 (Boxes 1-51)\n      Series 2: Routers, 1984-1996 (Boxes 51-60)\n      Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\n      Series 4: Press Releases, 1985-2002 (Boxes 61-75)\n      Series 5: Green Room Faxes, 1994 (Boxes 75-91)\n      Series 6: Viewer Mail, 1994-2004 (Boxes 91-145)\n      Series 7: Education and Marketing, 1989-2009 (Boxes 145-229)\n      Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\n      Series 9: Photographs, 1978-2008 (Boxes 403-444)\n      Series 10: Audiovisual, 1980s-2012 (Boxes 445-452)\n      Series 11: Memorabilia, 1980s-2012 (Boxes 453-456)\n      Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.c-span.org/\" title=\"C-SPAN.org\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\u003cextptr href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\" title=\"Purdue.edu\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e","\u003cp\u003e With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e","\u003cp\u003e C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"","With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.","C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \u003citalic\u003eBooknotes\u003c/italic\u003e television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the \u003cextptr href=\"https://cspancollections.gmu.edu/s/Booknotes/page/Booknotes\" title=\"Booknotes collection website\" show=\"new\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the \u003cextptr href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\" title=\"Purdue website\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the Booknotes television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the . Purdue University houses the C-SPAN Video Library. More information is available on the ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e","\u003cp\u003e Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e","\u003cp\u003e Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e","\u003cp\u003e Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e","\u003cp\u003e Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e","\u003cp\u003e Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e","\u003cp\u003e Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e","\u003cp\u003e Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e","\u003cp\u003e Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e","\u003cp\u003e Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e","\u003cp\u003e Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e","\u003cp\u003e Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e","\u003cp\u003e Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.","Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.","Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.","Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.","Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.","Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.","Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e\n    "],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6e98eea71e7aaf27fbc13ed54ff06f7a\"\u003eMap Case 19.1-19.3, 31.1\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 19.1-19.3, 31.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"names_coll_ssim":["United States. Congress","United States. Congress. House","United States. Congress. Senate","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:56.106Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_520"}},{"id":"viw_repositories_2_resources_3805","type":"collection","attributes":{"title":"David L. 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The videocassette tape is for a project done by a student related to Essex County, Virginia. Also included is an edited manuscript for Dr. Holmes' book \"The Faiths of the Founding Fathers,\" published in 2006."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Bishop James Madison Society"],"names_coll_ssim":["Bishop James Madison Society"],"names_ssim":["Special Collections Research Center","Bishop James Madison Society"],"language_ssim":["English"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:49:50.727Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_3805"}},{"id":"viblbv_repositories_2_resources_3581","type":"collection","attributes":{"title":"Dean Carter Papers, 1950/2003, bulk 1964/1982","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3581#creator","type":"document_value","attributes":{"value":"Carter, Dean, 1922-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3581#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter (1922-2013), professor and former head of the Art Department at Virginia Tech from 1950-1992.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3581#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3581","ead_ssi":"viblbv_repositories_2_resources_3581","_root_":"viblbv_repositories_2_resources_3581","_nest_parent_":"viblbv_repositories_2_resources_3581","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3581.xml","title_filing_ssi":"Carter, Dean, Papers","title_ssm":["Dean Carter Papers"],"title_tesim":["Dean Carter Papers"],"unitdate_ssm":["1950-2003","1964-1982"],"unitdate_inclusive_ssm":["1950-2003"],"unitdate_bulk_ssim":["1964-1982"],"normalized_date_ssm":["1950/2003, bulk 1964/1982"],"normalized_title_ssm":["Dean Carter Papers, 1950/2003, bulk 1964/1982"],"text":["Dean Carter Papers, 1950/2003, bulk 1964/1982","Ms.2021.046","Art, American -- Virginia -- 20th century","Faculty and staff","University Archives","University History","Correspondence","Ephemera","Letters","The collection is open for research.","Duplicates were weeded or separated. One faculty evaluation was deaccessioned due to confidentiality and in accordance with the request of the donor.","This collection is arranged in three series, within each series the folders were arranged alphabetically:","Series I: Administrative Files, 1950-2003","Series II: Teaching Files, 1953-1999","Series III: Oversized Posters, 1974, undated","Dean Carter (1922-2013) was born in Henderson, North Carolina. He was a World War II veteran, serving in the U. S. Army Air Corps. He received a his bachelor's from American University and Master of Fine Arts from Indiana University. In 1950, Carter helped establish the Art Department at Virginia Tech and was department head for about 10 years. He taught numerous classes such as sculpture, drawing, and art history, from the years of 1950 to 1992.","His work in sculpture has been displayed and exhibited throughout the United States. In 1992, Carter and his wife established the Dean and Rosina Carter Endowed Art Scholarship, which awards funds to outstanding visual arts students in their junior year at Virginia Tech.","External Source:","\"In memoriam: Dean Carter, professor emeritus of art and art history, College of Architecture and Urban Studies.\" entry, VT News, May 2, 2013, https://vtx.vt.edu/articles/2013/05/050313-caus-deancarter.html","The guide to the Dean Carter Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Dean Carter Papers was completed in November 2021.","This collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter, professor and former head of the Art Department at Virginia Tech from 1950-1992.","Series I: Administrative Files, 1950-2003, contains departmental memorandums, letters, and other forms of correspondence between Dean Carter and other organizations and people. It also includes historical materials about the development of the Art Department at Virginia Tech, College of Architecture documents, and flyers and promotional materials for events and art exhibitions hosted by these departments. This series also has different photographs of artworks and sculptures, students in art class, and portraits, as well as an art gallery guestbook.","Series II: Teaching Files, 1953-1999, consists of art history, drawing, sculpture, and painting course materials, such as syllabi, tests, and worksheets from the Art Department from the 1960s to the 1990s. It also includes flyers, photographs, and promotional materials for these courses.","Series III: Oversized Posters, 1974, undated, contains promotional materials for art shows, craft fairs, art galleries, and other events.","The following publications were separated to the Rare Book Collection at Virginia Tech Special Collections and University Archives (SCUA):","Separated publications\n      \"Environment for Education\" (VPI President's Report), 1968/1969\n      \"A Report of Progress and A Look to Years Ahead\" (Bulletin Vol. LI, No. 9), July 1958\n      Commencement program, Department of Art, VPI\u0026SU, June 10, 1978\n      VPI Student Directory, 1967/1968\n      \"A New water system\", [Blacksburg, Va.] : Blacksburg, Christiansburg, V.P.I. Water Authority, 1957","Duplicate ephemera, such as brochures and flyers, were separated to the Record Group Vertical Files, also at SCUA.","The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter (1922-2013), professor and former head of the Art Department at Virginia Tech from 1950-1992.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Department of Art and Art History","Carter, Dean, 1922-2013","The materials in this collection are in English."],"collection_title_tesim":["Dean Carter Papers, 1950/2003, bulk 1964/1982"],"collection_ssim":["Dean Carter Papers, 1950/2003, bulk 1964/1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2021.046"],"unitid_tesim":["Ms.2021.046"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Carter, Dean, 1922-2013"],"creator_ssim":["Carter, Dean, 1922-2013"],"creator_persname_ssim":["Carter, Dean, 1922-2013"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Department of Art and Art History"],"creators_ssim":["Carter, Dean, 1922-2013","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Department of Art and Art History"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["This collection was donated to Special Collections and University Archives in September 2021."],"access_subjects_ssim":["Art, American -- Virginia -- 20th century","Faculty and staff","University Archives","University History","Correspondence","Ephemera","Letters"],"access_subjects_ssm":["Art, American -- Virginia -- 20th century","Faculty and staff","University Archives","University History","Correspondence","Ephemera","Letters"],"has_online_content_ssim":["false"],"extent_ssm":["4.2 Cubic Feet 2 boxes, 1 oversize folder"],"extent_tesim":["4.2 Cubic Feet 2 boxes, 1 oversize folder"],"genreform_ssim":["Correspondence","Ephemera","Letters"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"appraisal_html_tesm":["\u003cp\u003eDuplicates were weeded or separated. One faculty evaluation was deaccessioned due to confidentiality and in accordance with the request of the donor.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Duplicates were weeded or separated. One faculty evaluation was deaccessioned due to confidentiality and in accordance with the request of the donor."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in three series, within each series the folders were arranged alphabetically:\u003c/p\u003e","\u003cp\u003eSeries I: Administrative Files, 1950-2003\u003c/p\u003e","\u003cp\u003eSeries II: Teaching Files, 1953-1999\u003c/p\u003e","\u003cp\u003eSeries III: Oversized Posters, 1974, undated\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in three series, within each series the folders were arranged alphabetically:","Series I: Administrative Files, 1950-2003","Series II: Teaching Files, 1953-1999","Series III: Oversized Posters, 1974, undated"],"bioghist_html_tesm":["\u003cp\u003eDean Carter (1922-2013) was born in Henderson, North Carolina. He was a World War II veteran, serving in the U. S. Army Air Corps. He received a his bachelor's from American University and Master of Fine Arts from Indiana University. In 1950, Carter helped establish the Art Department at Virginia Tech and was department head for about 10 years. He taught numerous classes such as sculpture, drawing, and art history, from the years of 1950 to 1992. \u003c/p\u003e","\u003cp\u003eHis work in sculpture has been displayed and exhibited throughout the United States. In 1992, Carter and his wife established the Dean and Rosina Carter Endowed Art Scholarship, which awards funds to outstanding visual arts students in their junior year at Virginia Tech. \u003c/p\u003e","\u003cp\u003eExternal Source:\u003c/p\u003e","\u003cp\u003e\"In memoriam: Dean Carter, professor emeritus of art and art history, College of Architecture and Urban Studies.\" entry, VT News, May 2, 2013, \u003ca target=\"_blank\" href=\"https://vtx.vt.edu/articles/2013/05/050313-caus-deancarter.html\"\u003ehttps://vtx.vt.edu/articles/2013/05/050313-caus-deancarter.html\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Dean Carter (1922-2013) was born in Henderson, North Carolina. He was a World War II veteran, serving in the U. S. Army Air Corps. He received a his bachelor's from American University and Master of Fine Arts from Indiana University. In 1950, Carter helped establish the Art Department at Virginia Tech and was department head for about 10 years. He taught numerous classes such as sculpture, drawing, and art history, from the years of 1950 to 1992.","His work in sculpture has been displayed and exhibited throughout the United States. In 1992, Carter and his wife established the Dean and Rosina Carter Endowed Art Scholarship, which awards funds to outstanding visual arts students in their junior year at Virginia Tech.","External Source:","\"In memoriam: Dean Carter, professor emeritus of art and art history, College of Architecture and Urban Studies.\" entry, VT News, May 2, 2013, https://vtx.vt.edu/articles/2013/05/050313-caus-deancarter.html"],"odd_html_tesm":["\u003cp\u003eThe guide to the Dean Carter Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Dean Carter Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Dean Carter Papers, Ms2021-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Dean Carter Papers, Ms2021-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Dean Carter Papers was completed in November 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Dean Carter Papers was completed in November 2021."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter, professor and former head of the Art Department at Virginia Tech from 1950-1992.\u003c/p\u003e","\u003cp\u003eSeries I: Administrative Files, 1950-2003, contains departmental memorandums, letters, and other forms of correspondence between Dean Carter and other organizations and people. It also includes historical materials about the development of the Art Department at Virginia Tech, College of Architecture documents, and flyers and promotional materials for events and art exhibitions hosted by these departments. This series also has different photographs of artworks and sculptures, students in art class, and portraits, as well as an art gallery guestbook. \u003c/p\u003e","\u003cp\u003eSeries II: Teaching Files, 1953-1999, consists of art history, drawing, sculpture, and painting course materials, such as syllabi, tests, and worksheets from the Art Department from the 1960s to the 1990s. It also includes flyers, photographs, and promotional materials for these courses.\u003c/p\u003e","\u003cp\u003eSeries III: Oversized Posters, 1974, undated, contains promotional materials for art shows, craft fairs, art galleries, and other events.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter, professor and former head of the Art Department at Virginia Tech from 1950-1992.","Series I: Administrative Files, 1950-2003, contains departmental memorandums, letters, and other forms of correspondence between Dean Carter and other organizations and people. It also includes historical materials about the development of the Art Department at Virginia Tech, College of Architecture documents, and flyers and promotional materials for events and art exhibitions hosted by these departments. This series also has different photographs of artworks and sculptures, students in art class, and portraits, as well as an art gallery guestbook.","Series II: Teaching Files, 1953-1999, consists of art history, drawing, sculpture, and painting course materials, such as syllabi, tests, and worksheets from the Art Department from the 1960s to the 1990s. It also includes flyers, photographs, and promotional materials for these courses.","Series III: Oversized Posters, 1974, undated, contains promotional materials for art shows, craft fairs, art galleries, and other events."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications were separated to the Rare Book Collection at Virginia Tech Special Collections and University Archives (SCUA):\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eSeparated publications\u003c/head\u003e\n      \u003citem\u003e\"Environment for Education\" (VPI President's Report), 1968/1969\u003c/item\u003e\n      \u003citem\u003e\"A Report of Progress and A Look to Years Ahead\" (Bulletin Vol. LI, No. 9), July 1958\u003c/item\u003e\n      \u003citem\u003eCommencement program, Department of Art, VPI\u0026amp;SU, June 10, 1978\u003c/item\u003e\n      \u003citem\u003eVPI Student Directory, 1967/1968\u003c/item\u003e\n      \u003citem\u003e\"A New water system\", [Blacksburg, Va.] : Blacksburg, Christiansburg, V.P.I. Water Authority, 1957\u003c/item\u003e\n    \u003c/list\u003e\n","\u003cp\u003eDuplicate ephemera, such as brochures and flyers, were separated to the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/3150.oai_ead.xml\"\u003eRecord Group Vertical Files\u003c/a\u003e, also at SCUA.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications were separated to the Rare Book Collection at Virginia Tech Special Collections and University Archives (SCUA):","Separated publications\n      \"Environment for Education\" (VPI President's Report), 1968/1969\n      \"A Report of Progress and A Look to Years Ahead\" (Bulletin Vol. LI, No. 9), July 1958\n      Commencement program, Department of Art, VPI\u0026SU, June 10, 1978\n      VPI Student Directory, 1967/1968\n      \"A New water system\", [Blacksburg, Va.] : Blacksburg, Christiansburg, V.P.I. Water Authority, 1957","Duplicate ephemera, such as brochures and flyers, were separated to the Record Group Vertical Files, also at SCUA."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n\u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_88be1582beb972f0b539ed24b39447bb\" label=\"Abstract\"\u003eThis collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter (1922-2013), professor and former head of the Art Department at Virginia Tech from 1950-1992.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter (1922-2013), professor and former head of the Art Department at Virginia Tech from 1950-1992."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Department of Art and Art History"],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Department of Art and Art History"],"persname_ssim":["Carter, Dean, 1922-2013"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Department of Art and Art History","Carter, Dean, 1922-2013"],"language_ssim":["The materials in this collection are in English."],"total_component_count_is":194,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:17:47.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3581","ead_ssi":"viblbv_repositories_2_resources_3581","_root_":"viblbv_repositories_2_resources_3581","_nest_parent_":"viblbv_repositories_2_resources_3581","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3581.xml","title_filing_ssi":"Carter, Dean, Papers","title_ssm":["Dean Carter Papers"],"title_tesim":["Dean Carter Papers"],"unitdate_ssm":["1950-2003","1964-1982"],"unitdate_inclusive_ssm":["1950-2003"],"unitdate_bulk_ssim":["1964-1982"],"normalized_date_ssm":["1950/2003, bulk 1964/1982"],"normalized_title_ssm":["Dean Carter Papers, 1950/2003, bulk 1964/1982"],"text":["Dean Carter Papers, 1950/2003, bulk 1964/1982","Ms.2021.046","Art, American -- Virginia -- 20th century","Faculty and staff","University Archives","University History","Correspondence","Ephemera","Letters","The collection is open for research.","Duplicates were weeded or separated. One faculty evaluation was deaccessioned due to confidentiality and in accordance with the request of the donor.","This collection is arranged in three series, within each series the folders were arranged alphabetically:","Series I: Administrative Files, 1950-2003","Series II: Teaching Files, 1953-1999","Series III: Oversized Posters, 1974, undated","Dean Carter (1922-2013) was born in Henderson, North Carolina. He was a World War II veteran, serving in the U. S. Army Air Corps. He received a his bachelor's from American University and Master of Fine Arts from Indiana University. In 1950, Carter helped establish the Art Department at Virginia Tech and was department head for about 10 years. He taught numerous classes such as sculpture, drawing, and art history, from the years of 1950 to 1992.","His work in sculpture has been displayed and exhibited throughout the United States. In 1992, Carter and his wife established the Dean and Rosina Carter Endowed Art Scholarship, which awards funds to outstanding visual arts students in their junior year at Virginia Tech.","External Source:","\"In memoriam: Dean Carter, professor emeritus of art and art history, College of Architecture and Urban Studies.\" entry, VT News, May 2, 2013, https://vtx.vt.edu/articles/2013/05/050313-caus-deancarter.html","The guide to the Dean Carter Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement, and description of the Dean Carter Papers was completed in November 2021.","This collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter, professor and former head of the Art Department at Virginia Tech from 1950-1992.","Series I: Administrative Files, 1950-2003, contains departmental memorandums, letters, and other forms of correspondence between Dean Carter and other organizations and people. It also includes historical materials about the development of the Art Department at Virginia Tech, College of Architecture documents, and flyers and promotional materials for events and art exhibitions hosted by these departments. This series also has different photographs of artworks and sculptures, students in art class, and portraits, as well as an art gallery guestbook.","Series II: Teaching Files, 1953-1999, consists of art history, drawing, sculpture, and painting course materials, such as syllabi, tests, and worksheets from the Art Department from the 1960s to the 1990s. It also includes flyers, photographs, and promotional materials for these courses.","Series III: Oversized Posters, 1974, undated, contains promotional materials for art shows, craft fairs, art galleries, and other events.","The following publications were separated to the Rare Book Collection at Virginia Tech Special Collections and University Archives (SCUA):","Separated publications\n      \"Environment for Education\" (VPI President's Report), 1968/1969\n      \"A Report of Progress and A Look to Years Ahead\" (Bulletin Vol. LI, No. 9), July 1958\n      Commencement program, Department of Art, VPI\u0026SU, June 10, 1978\n      VPI Student Directory, 1967/1968\n      \"A New water system\", [Blacksburg, Va.] : Blacksburg, Christiansburg, V.P.I. Water Authority, 1957","Duplicate ephemera, such as brochures and flyers, were separated to the Record Group Vertical Files, also at SCUA.","The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter (1922-2013), professor and former head of the Art Department at Virginia Tech from 1950-1992.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. 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Department of Art and Art History"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["This collection was donated to Special Collections and University Archives in September 2021."],"access_subjects_ssim":["Art, American -- Virginia -- 20th century","Faculty and staff","University Archives","University History","Correspondence","Ephemera","Letters"],"access_subjects_ssm":["Art, American -- Virginia -- 20th century","Faculty and staff","University Archives","University History","Correspondence","Ephemera","Letters"],"has_online_content_ssim":["false"],"extent_ssm":["4.2 Cubic Feet 2 boxes, 1 oversize folder"],"extent_tesim":["4.2 Cubic Feet 2 boxes, 1 oversize folder"],"genreform_ssim":["Correspondence","Ephemera","Letters"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"appraisal_html_tesm":["\u003cp\u003eDuplicates were weeded or separated. One faculty evaluation was deaccessioned due to confidentiality and in accordance with the request of the donor.\u003c/p\u003e  "],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Duplicates were weeded or separated. One faculty evaluation was deaccessioned due to confidentiality and in accordance with the request of the donor."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in three series, within each series the folders were arranged alphabetically:\u003c/p\u003e","\u003cp\u003eSeries I: Administrative Files, 1950-2003\u003c/p\u003e","\u003cp\u003eSeries II: Teaching Files, 1953-1999\u003c/p\u003e","\u003cp\u003eSeries III: Oversized Posters, 1974, undated\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in three series, within each series the folders were arranged alphabetically:","Series I: Administrative Files, 1950-2003","Series II: Teaching Files, 1953-1999","Series III: Oversized Posters, 1974, undated"],"bioghist_html_tesm":["\u003cp\u003eDean Carter (1922-2013) was born in Henderson, North Carolina. He was a World War II veteran, serving in the U. S. Army Air Corps. He received a his bachelor's from American University and Master of Fine Arts from Indiana University. In 1950, Carter helped establish the Art Department at Virginia Tech and was department head for about 10 years. He taught numerous classes such as sculpture, drawing, and art history, from the years of 1950 to 1992. \u003c/p\u003e","\u003cp\u003eHis work in sculpture has been displayed and exhibited throughout the United States. In 1992, Carter and his wife established the Dean and Rosina Carter Endowed Art Scholarship, which awards funds to outstanding visual arts students in their junior year at Virginia Tech. \u003c/p\u003e","\u003cp\u003eExternal Source:\u003c/p\u003e","\u003cp\u003e\"In memoriam: Dean Carter, professor emeritus of art and art history, College of Architecture and Urban Studies.\" entry, VT News, May 2, 2013, \u003ca target=\"_blank\" href=\"https://vtx.vt.edu/articles/2013/05/050313-caus-deancarter.html\"\u003ehttps://vtx.vt.edu/articles/2013/05/050313-caus-deancarter.html\u003c/a\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Dean Carter (1922-2013) was born in Henderson, North Carolina. He was a World War II veteran, serving in the U. S. Army Air Corps. He received a his bachelor's from American University and Master of Fine Arts from Indiana University. In 1950, Carter helped establish the Art Department at Virginia Tech and was department head for about 10 years. He taught numerous classes such as sculpture, drawing, and art history, from the years of 1950 to 1992.","His work in sculpture has been displayed and exhibited throughout the United States. In 1992, Carter and his wife established the Dean and Rosina Carter Endowed Art Scholarship, which awards funds to outstanding visual arts students in their junior year at Virginia Tech.","External Source:","\"In memoriam: Dean Carter, professor emeritus of art and art history, College of Architecture and Urban Studies.\" entry, VT News, May 2, 2013, https://vtx.vt.edu/articles/2013/05/050313-caus-deancarter.html"],"odd_html_tesm":["\u003cp\u003eThe guide to the Dean Carter Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Dean Carter Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Dean Carter Papers, Ms2021-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Dean Carter Papers, Ms2021-046, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Dean Carter Papers was completed in November 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Dean Carter Papers was completed in November 2021."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter, professor and former head of the Art Department at Virginia Tech from 1950-1992.\u003c/p\u003e","\u003cp\u003eSeries I: Administrative Files, 1950-2003, contains departmental memorandums, letters, and other forms of correspondence between Dean Carter and other organizations and people. It also includes historical materials about the development of the Art Department at Virginia Tech, College of Architecture documents, and flyers and promotional materials for events and art exhibitions hosted by these departments. This series also has different photographs of artworks and sculptures, students in art class, and portraits, as well as an art gallery guestbook. \u003c/p\u003e","\u003cp\u003eSeries II: Teaching Files, 1953-1999, consists of art history, drawing, sculpture, and painting course materials, such as syllabi, tests, and worksheets from the Art Department from the 1960s to the 1990s. It also includes flyers, photographs, and promotional materials for these courses.\u003c/p\u003e","\u003cp\u003eSeries III: Oversized Posters, 1974, undated, contains promotional materials for art shows, craft fairs, art galleries, and other events.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter, professor and former head of the Art Department at Virginia Tech from 1950-1992.","Series I: Administrative Files, 1950-2003, contains departmental memorandums, letters, and other forms of correspondence between Dean Carter and other organizations and people. It also includes historical materials about the development of the Art Department at Virginia Tech, College of Architecture documents, and flyers and promotional materials for events and art exhibitions hosted by these departments. This series also has different photographs of artworks and sculptures, students in art class, and portraits, as well as an art gallery guestbook.","Series II: Teaching Files, 1953-1999, consists of art history, drawing, sculpture, and painting course materials, such as syllabi, tests, and worksheets from the Art Department from the 1960s to the 1990s. It also includes flyers, photographs, and promotional materials for these courses.","Series III: Oversized Posters, 1974, undated, contains promotional materials for art shows, craft fairs, art galleries, and other events."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications were separated to the Rare Book Collection at Virginia Tech Special Collections and University Archives (SCUA):\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eSeparated publications\u003c/head\u003e\n      \u003citem\u003e\"Environment for Education\" (VPI President's Report), 1968/1969\u003c/item\u003e\n      \u003citem\u003e\"A Report of Progress and A Look to Years Ahead\" (Bulletin Vol. LI, No. 9), July 1958\u003c/item\u003e\n      \u003citem\u003eCommencement program, Department of Art, VPI\u0026amp;SU, June 10, 1978\u003c/item\u003e\n      \u003citem\u003eVPI Student Directory, 1967/1968\u003c/item\u003e\n      \u003citem\u003e\"A New water system\", [Blacksburg, Va.] : Blacksburg, Christiansburg, V.P.I. Water Authority, 1957\u003c/item\u003e\n    \u003c/list\u003e\n","\u003cp\u003eDuplicate ephemera, such as brochures and flyers, were separated to the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/3150.oai_ead.xml\"\u003eRecord Group Vertical Files\u003c/a\u003e, also at SCUA.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications were separated to the Rare Book Collection at Virginia Tech Special Collections and University Archives (SCUA):","Separated publications\n      \"Environment for Education\" (VPI President's Report), 1968/1969\n      \"A Report of Progress and A Look to Years Ahead\" (Bulletin Vol. LI, No. 9), July 1958\n      Commencement program, Department of Art, VPI\u0026SU, June 10, 1978\n      VPI Student Directory, 1967/1968\n      \"A New water system\", [Blacksburg, Va.] : Blacksburg, Christiansburg, V.P.I. Water Authority, 1957","Duplicate ephemera, such as brochures and flyers, were separated to the Record Group Vertical Files, also at SCUA."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\n\u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions\nmay apply. Contact Special Collections and University Archives for\nassistance in determining the use of these materials.","Reproduction or\ndigitization of materials for personal or research use can be requested using\nour reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can\nbe requested using our publication/exhibition form:\nhttp://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_88be1582beb972f0b539ed24b39447bb\" label=\"Abstract\"\u003eThis collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter (1922-2013), professor and former head of the Art Department at Virginia Tech from 1950-1992.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains administrative and teaching records, such as art course materials, departmental correspondence, photographs, and art exhibition materials from Dean Carter (1922-2013), professor and former head of the Art Department at Virginia Tech from 1950-1992."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Department of Art and Art History"],"names_coll_ssim":["Virginia Polytechnic Institute and State University. Department of Art and Art History"],"persname_ssim":["Carter, Dean, 1922-2013"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Department of Art and Art History","Carter, Dean, 1922-2013"],"language_ssim":["The materials in this collection are in English."],"total_component_count_is":194,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:17:47.437Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3581"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":91},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":21},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"Virginia Commonwealth University, Cabell Library","value":"Virginia Commonwealth University, Cabell Library","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library"}},{"attributes":{"label":"Virginia Military Institute Archives","value":"Virginia Military Institute Archives","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002\u0026f%5Brepository%5D%5B%5D=Virginia+Military+Institute+Archives"}},{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}},{"attributes":{"label":"Washington and Lee University, Leyburn Library","value":"Washington and Lee University, Leyburn Library","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002\u0026f%5Brepository%5D%5B%5D=Washington+and+Lee+University%2C+Leyburn+Library"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=2002"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"A. 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