{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Composition+%28Music%29\u0026f%5Bdate_range%5D%5B%5D=1987","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Composition+%28Music%29\u0026f%5Bdate_range%5D%5B%5D=1987\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"wvmturhc_repositories_2_resources_3915","type":"collection","attributes":{"title":"John Beall, Professor of Music, Papers, 1957/2014","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#creator","type":"document_value","attributes":{"value":"Beall, John, 1942-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3915","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3915.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197712","title_ssm":["John Beall, Professor of Music, Papers"],"title_tesim":["John Beall, Professor of Music, Papers"],"unitdate_ssm":["circa 1957-2014"],"unitdate_inclusive_ssm":["circa 1957-2014"],"normalized_date_ssm":["1957/2014"],"normalized_title_ssm":["John Beall, Professor of Music, Papers, 1957/2014"],"text":["John Beall, Professor of Music, Papers, 1957/2014","A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915","Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music","Faculty evaluations are restricted for 75 years from the date of creation.  These are included in:\nBox 1, folders 12-13, 18-20, 26\nBox 2, folders 16-17, 19, 28-30\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\nBox 13b, item 1\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047. Restriction will be completely lifted in 2088 or upon the permission of the donor.","[Information from WVU website.]","John Beall","Professor – Composition","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel Ethan Frome was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965\nSongs of Autumn, 1965-1966\nLament for Those Lost in the War, 1972\nConcerto for Piano and Wind Orchestra, 1973\nConcerto for Brass Quintet and Wind Orchestra, 1978\nCelebration Music, 1985\nSymphony No. 1, 1985\nMountain Music, 1987\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\nCortege, Processional for Orchestra, 1991\nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966\nRilke Songs, 1974\nHammarskjold Songs, 1967-1983\nPsalm 51, SATB, 1977\nMerwin Songs: Book I, 1982-1983\nPsalm 19, SATB with organ, 1988\nMerwin Songs: Book II, 1988\nThe Lord Is Good, SATB with organ, 1989\nPsalm 84, SATB with organ, 1989\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\nRide On, Ride On, SATB with organ, 1991\nCome, Thou Holy Spirit, SATB with organ, 1991\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\nMerwin Songs: Book III,1993\nEthan Frome, Opera in Two Acts, 1994-1997","Keyboard:","Sonatina, 1966\nPartita, 1967\nAria and Variations, 1969-1972\nBlack Raindrops, 1977\nPiano Fantasy, 1980\nCapriccio for Piano 4 Hands, 1981\nHarpsichord Fantasy, 1982\nSummer Pieces, 1984\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974\nSonata for Violin and Piano, 1976\nSextet for Piano and Woodwind Quintet, 1976\nString Quartet, 1982\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\nSonata for Cello and Piano, 1984\nCelebration Fanfare, 1986\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\nTrio for Violin, Cello, and Piano, 1991\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\nWhitewater, for woodwind quintet \u0026 string quartet, 1994\nBreakers, for Flute and Piano, 1999\nWondrous Love: Variations for Viola and Piano, 1999\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\nOn Chestnut Ridge\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\nSonata for Violoncello and Piano\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\nShaker Tunes: Free Variations for Woodwind Sextet\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\nBarn Dance from Mountain Music\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\nSextet for Piano and Woodwind Quintet\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano\nSteven Herbert Smith, piano -- on Cambria CD1105\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\nSteven Herbert Smith, piano -- on Cambria CD1105\nPiano Fantasy\nSteven Herbert Smith, piano -- on Cambria CD1105\nBlack Raindrops\nSteven Herbert Smith, piano -- on Cambria CD1105\nCapriccio for Piano 4 Hands\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105","Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Includes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).","Includes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.","Includes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.","Includes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.","Includes assorted programs and newspaper clippings from various years (1979-1993).","Includes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.","Includes correspondence with various universities, various churches and religious organizations, letter to the editor of the Daily Athenaeum, music publishers, and others.","Includes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.","Includes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.","Includes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.","Includes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.","Includes materials related to Thomas Canning and his memorial concert.","Includes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.","Includes various clippings and programs.","Includes request for the usage of the novel rights.","Includes correspondence within WVU and other professional correspondence.","Includes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.","Includes programs and related documents.","Includes programs from performances from 1997 season.","Contains printed correspondence and various performance reviews.","Includes programs, clippings, and faculty evaluation information.","Includes information on programming and classes for Summer 2003.","Includes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.","Includes some programs and clippings, many printed emails, and evaluation information.","Includes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].","Includes realized figured bass (Basso Continuo) part for named piece [4 sheets].","Includes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \"Ethan Frome: Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.","Includes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.","Includes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".","Includes dedication and SSATTB sheet music.","Includes manuscript original and 8 xeroxed copies.","Includes manuscript original score and assorted parts.","Includes manuscript original and photocopy.","Includes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".","Includes original sketch manuscript and printing master copies.","Includes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.","Includes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).","Includes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from Ethan Frome (2 Pianos)\" (1997).","Includes a printed Piano score, soloist sheet music, and program notes.","Includes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"","Includes printing originals and vocal scores.","Includes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"","Includes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.","Includes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from Ethan Frome (1997).","Includes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"","Includes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.","Includes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.","An unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).","Includes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"","Works include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].","Works include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.","Includes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.","Includes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Beall, John, 1942-","English\n."],"collection_title_tesim":["John Beall, Professor of Music, Papers, 1957/2014"],"collection_ssim":["John Beall, Professor of Music, Papers, 1957/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"unitid_tesim":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Beall, John, 1942-","Beall, John, 1942-"],"creator_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creator_persname_ssim":["Beall, John, 1942-"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Beall, John, 1942-","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Beall, John, 2014 July 21"],"access_subjects_ssim":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"access_subjects_ssm":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"has_online_content_ssim":["false"],"extent_ssm":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"extent_tesim":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"genreform_ssim":["Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eFaculty evaluations are restricted for 75 years from the date of creation.  These are included in:\u003clb\u003e\u003c/lb\u003e\nBox 1, folders 12-13, 18-20, 26\u003clb\u003e\u003c/lb\u003e\nBox 2, folders 16-17, 19, 28-30\u003clb\u003e\u003c/lb\u003e\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\u003clb\u003e\u003c/lb\u003e\nBox 13b, item 1\u003clb\u003e\u003c/lb\u003e\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.\u003clb\u003e\u003c/lb\u003e Restriction will be completely lifted in 2088 or upon the permission of the donor.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in:\nBox 1, folders 12-13, 18-20, 26\nBox 2, folders 16-17, 19, 28-30\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\nBox 13b, item 1\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047. Restriction will be completely lifted in 2088 or upon the permission of the donor."],"bioghist_html_tesm":["\u003cp\u003e[Information from WVU website.]\u003c/p\u003e","\u003cp\u003eJohn Beall \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003eProfessor – Composition \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003eComposer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.\u003c/p\u003e","\u003cp\u003eBeall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.\u003c/p\u003e","\u003cp\u003eIn 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.\u003c/p\u003e","\u003cp\u003eList of Works:\u003c/p\u003e","\u003cp\u003eLarge Ensembles:\u003c/p\u003e","\u003cp\u003eEssay for Orchestra, 1964-1965\u003clb\u003e\u003c/lb\u003e\nSongs of Autumn, 1965-1966\u003clb\u003e\u003c/lb\u003e\nLament for Those Lost in the War, 1972\u003clb\u003e\u003c/lb\u003e\nConcerto for Piano and Wind Orchestra, 1973\u003clb\u003e\u003c/lb\u003e\nConcerto for Brass Quintet and Wind Orchestra, 1978\u003clb\u003e\u003c/lb\u003e\nCelebration Music, 1985\u003clb\u003e\u003c/lb\u003e\nSymphony No. 1, 1985\u003clb\u003e\u003c/lb\u003e\nMountain Music, 1987\u003clb\u003e\u003c/lb\u003e\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\u003clb\u003e\u003c/lb\u003e\nCortege, Processional for Orchestra, 1991\u003clb\u003e\u003c/lb\u003e\nConcerto for Violin and Orchestra, 1998\u003c/p\u003e","\u003cp\u003eChoral/Vocal:\u003c/p\u003e","\u003cp\u003eSongs of Autumn (in piano reduction), 1966\u003clb\u003e\u003c/lb\u003e\nRilke Songs, 1974\u003clb\u003e\u003c/lb\u003e\nHammarskjold Songs, 1967-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 51, SATB, 1977\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book I, 1982-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 19, SATB with organ, 1988\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book II, 1988\u003clb\u003e\u003c/lb\u003e\nThe Lord Is Good, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nPsalm 84, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\u003clb\u003e\u003c/lb\u003e\nRide On, Ride On, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nCome, Thou Holy Spirit, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book III,1993\u003clb\u003e\u003c/lb\u003e\n\u003ctitle\u003e\u003cpart\u003eEthan Frome, Opera in Two Acts\u003c/part\u003e\u003c/title\u003e, 1994-1997\u003c/p\u003e","\u003cp\u003eKeyboard:\u003c/p\u003e","\u003cp\u003eSonatina, 1966\u003clb\u003e\u003c/lb\u003e\nPartita, 1967\u003clb\u003e\u003c/lb\u003e\nAria and Variations, 1969-1972\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops, 1977\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy, 1980\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands, 1981\u003clb\u003e\u003c/lb\u003e\nHarpsichord Fantasy, 1982\u003clb\u003e\u003c/lb\u003e\nSummer Pieces, 1984\u003clb\u003e\u003c/lb\u003e\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\u003clb\u003e\u003c/lb\u003e\nSonata for Piano, 1992-1994\u003c/p\u003e","\u003cp\u003eChamber Music:\u003c/p\u003e","\u003cp\u003eSonata for Alto Saxophone and Piano, 1974\u003clb\u003e\u003c/lb\u003e\nSonata for Violin and Piano, 1976\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet, 1976\u003clb\u003e\u003c/lb\u003e\nString Quartet, 1982\u003clb\u003e\u003c/lb\u003e\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\u003clb\u003e\u003c/lb\u003e\nSonata for Cello and Piano, 1984\u003clb\u003e\u003c/lb\u003e\nCelebration Fanfare, 1986\u003clb\u003e\u003c/lb\u003e\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\u003clb\u003e\u003c/lb\u003e\nTrio for Violin, Cello, and Piano, 1991\u003clb\u003e\u003c/lb\u003e\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\u003clb\u003e\u003c/lb\u003e\nWhitewater, for woodwind quintet \u0026amp; string quartet, 1994\u003clb\u003e\u003c/lb\u003e\nBreakers, for Flute and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nWondrous Love: Variations for Viola and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\u003clb\u003e\u003c/lb\u003e\nThe River, for string Quartet, 2000\u003c/p\u003e","\u003cp\u003eList of Recorded Works:\u003c/p\u003e","\u003cp\u003eChamber Music:\u003c/p\u003e","\u003cp\u003eWhitewater\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSonata for Violoncello and Piano\u003clb\u003e\u003c/lb\u003e\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nShaker Tunes: Free Variations for Woodwind Sextet\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nBarn Dance from Mountain Music\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet\u003clb\u003e\u003c/lb\u003e\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255\u003c/p\u003e","\u003cp\u003ePiano Music:\u003c/p\u003e","\u003cp\u003eSonata for Piano\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands\u003clb\u003e\u003c/lb\u003e\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["[Information from WVU website.]","John Beall","Professor – Composition","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel Ethan Frome was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965\nSongs of Autumn, 1965-1966\nLament for Those Lost in the War, 1972\nConcerto for Piano and Wind Orchestra, 1973\nConcerto for Brass Quintet and Wind Orchestra, 1978\nCelebration Music, 1985\nSymphony No. 1, 1985\nMountain Music, 1987\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\nCortege, Processional for Orchestra, 1991\nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966\nRilke Songs, 1974\nHammarskjold Songs, 1967-1983\nPsalm 51, SATB, 1977\nMerwin Songs: Book I, 1982-1983\nPsalm 19, SATB with organ, 1988\nMerwin Songs: Book II, 1988\nThe Lord Is Good, SATB with organ, 1989\nPsalm 84, SATB with organ, 1989\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\nRide On, Ride On, SATB with organ, 1991\nCome, Thou Holy Spirit, SATB with organ, 1991\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\nMerwin Songs: Book III,1993\nEthan Frome, Opera in Two Acts, 1994-1997","Keyboard:","Sonatina, 1966\nPartita, 1967\nAria and Variations, 1969-1972\nBlack Raindrops, 1977\nPiano Fantasy, 1980\nCapriccio for Piano 4 Hands, 1981\nHarpsichord Fantasy, 1982\nSummer Pieces, 1984\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974\nSonata for Violin and Piano, 1976\nSextet for Piano and Woodwind Quintet, 1976\nString Quartet, 1982\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\nSonata for Cello and Piano, 1984\nCelebration Fanfare, 1986\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\nTrio for Violin, Cello, and Piano, 1991\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\nWhitewater, for woodwind quintet \u0026 string quartet, 1994\nBreakers, for Flute and Piano, 1999\nWondrous Love: Variations for Viola and Piano, 1999\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\nOn Chestnut Ridge\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\nSonata for Violoncello and Piano\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\nShaker Tunes: Free Variations for Woodwind Sextet\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\nBarn Dance from Mountain Music\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\nSextet for Piano and Woodwind Quintet\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano\nSteven Herbert Smith, piano -- on Cambria CD1105\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\nSteven Herbert Smith, piano -- on Cambria CD1105\nPiano Fantasy\nSteven Herbert Smith, piano -- on Cambria CD1105\nBlack Raindrops\nSteven Herbert Smith, piano -- on Cambria CD1105\nCapriccio for Piano 4 Hands\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026amp;M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e  ","\u003cp\u003eIncludes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).\u003c/p\u003e","\u003cp\u003eIncludes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.\u003c/p\u003e","\u003cp\u003eIncludes assorted programs and newspaper clippings from various years (1979-1993).\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with various universities, various churches and religious organizations, letter to the editor of the \u003ctitle\u003e\u003cpart\u003eDaily Athenaeum\u003c/part\u003e\u003c/title\u003e, music publishers, and others.\u003c/p\u003e","\u003cp\u003eIncludes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.\u003c/p\u003e","\u003cp\u003eIncludes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.\u003c/p\u003e","\u003cp\u003eIncludes materials related to Thomas Canning and his memorial concert.\u003c/p\u003e","\u003cp\u003eIncludes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.\u003c/p\u003e","\u003cp\u003eIncludes various clippings and programs.\u003c/p\u003e","\u003cp\u003eIncludes request for the usage of the novel rights.\u003c/p\u003e","\u003cp\u003eIncludes correspondence within WVU and other professional correspondence.\u003c/p\u003e","\u003cp\u003eIncludes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.\u003c/p\u003e","\u003cp\u003eIncludes programs and related documents.\u003c/p\u003e","\u003cp\u003eIncludes programs from performances from 1997 season.\u003c/p\u003e","\u003cp\u003eContains printed correspondence and various performance reviews.\u003c/p\u003e","\u003cp\u003eIncludes programs, clippings, and faculty evaluation information.\u003c/p\u003e","\u003cp\u003eIncludes information on programming and classes for Summer 2003.\u003c/p\u003e","\u003cp\u003eIncludes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.\u003c/p\u003e","\u003cp\u003eIncludes some programs and clippings, many printed emails, and evaluation information.\u003c/p\u003e","\u003cp\u003eIncludes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].\u003c/p\u003e","\u003cp\u003eIncludes realized figured bass (Basso Continuo) part for named piece [4 sheets].\u003c/p\u003e","\u003cp\u003eIncludes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \"\u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e: Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.\u003c/p\u003e","\u003cp\u003eIncludes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.\u003c/p\u003e","\u003cp\u003eIncludes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".\u003c/p\u003e","\u003cp\u003eIncludes dedication and SSATTB sheet music.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original and 8 xeroxed copies.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original score and assorted parts.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original and photocopy.\u003c/p\u003e","\u003cp\u003eIncludes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".\u003c/p\u003e","\u003cp\u003eIncludes original sketch manuscript and printing master copies.\u003c/p\u003e","\u003cp\u003eIncludes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.\u003c/p\u003e","\u003cp\u003eIncludes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).\u003c/p\u003e","\u003cp\u003eIncludes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e (2 Pianos)\" (1997).\u003c/p\u003e","\u003cp\u003eIncludes a printed Piano score, soloist sheet music, and program notes.\u003c/p\u003e","\u003cp\u003eIncludes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"\u003c/p\u003e","\u003cp\u003eIncludes printing originals and vocal scores.\u003c/p\u003e","\u003cp\u003eIncludes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"\u003c/p\u003e","\u003cp\u003eIncludes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.\u003c/p\u003e","\u003cp\u003eIncludes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e (1997).\u003c/p\u003e","\u003cp\u003eIncludes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"\u003c/p\u003e","\u003cp\u003eIncludes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.\u003c/p\u003e","\u003cp\u003eAn unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).\u003c/p\u003e","\u003cp\u003eIncludes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"\u003c/p\u003e","\u003cp\u003eWorks include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].\u003c/p\u003e","\u003cp\u003eWorks include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.\u003c/p\u003e","\u003cp\u003eIncludes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.\u003c/p\u003e","\u003cp\u003eIncludes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Includes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).","Includes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.","Includes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.","Includes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.","Includes assorted programs and newspaper clippings from various years (1979-1993).","Includes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.","Includes correspondence with various universities, various churches and religious organizations, letter to the editor of the Daily Athenaeum, music publishers, and others.","Includes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.","Includes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.","Includes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.","Includes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.","Includes materials related to Thomas Canning and his memorial concert.","Includes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.","Includes various clippings and programs.","Includes request for the usage of the novel rights.","Includes correspondence within WVU and other professional correspondence.","Includes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.","Includes programs and related documents.","Includes programs from performances from 1997 season.","Contains printed correspondence and various performance reviews.","Includes programs, clippings, and faculty evaluation information.","Includes information on programming and classes for Summer 2003.","Includes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.","Includes some programs and clippings, many printed emails, and evaluation information.","Includes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].","Includes realized figured bass (Basso Continuo) part for named piece [4 sheets].","Includes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \"Ethan Frome: Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.","Includes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.","Includes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".","Includes dedication and SSATTB sheet music.","Includes manuscript original and 8 xeroxed copies.","Includes manuscript original score and assorted parts.","Includes manuscript original and photocopy.","Includes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".","Includes original sketch manuscript and printing master copies.","Includes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.","Includes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).","Includes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from Ethan Frome (2 Pianos)\" (1997).","Includes a printed Piano score, soloist sheet music, and program notes.","Includes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"","Includes printing originals and vocal scores.","Includes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"","Includes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.","Includes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from Ethan Frome (1997).","Includes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"","Includes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.","Includes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.","An unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).","Includes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"","Works include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].","Works include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.","Includes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.","Includes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ad3970589b0c68f1179d53d9715f39b0\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Beall, John, 1942-"],"names_coll_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"names_ssim":["West Virginia and Regional History Center","Beall, John, 1942-"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":442,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:55:51.089Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3915","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3915.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197712","title_ssm":["John Beall, Professor of Music, Papers"],"title_tesim":["John Beall, Professor of Music, Papers"],"unitdate_ssm":["circa 1957-2014"],"unitdate_inclusive_ssm":["circa 1957-2014"],"normalized_date_ssm":["1957/2014"],"normalized_title_ssm":["John Beall, Professor of Music, Papers, 1957/2014"],"text":["John Beall, Professor of Music, Papers, 1957/2014","A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915","Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music","Faculty evaluations are restricted for 75 years from the date of creation.  These are included in:\nBox 1, folders 12-13, 18-20, 26\nBox 2, folders 16-17, 19, 28-30\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\nBox 13b, item 1\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047. Restriction will be completely lifted in 2088 or upon the permission of the donor.","[Information from WVU website.]","John Beall","Professor – Composition","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel Ethan Frome was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965\nSongs of Autumn, 1965-1966\nLament for Those Lost in the War, 1972\nConcerto for Piano and Wind Orchestra, 1973\nConcerto for Brass Quintet and Wind Orchestra, 1978\nCelebration Music, 1985\nSymphony No. 1, 1985\nMountain Music, 1987\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\nCortege, Processional for Orchestra, 1991\nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966\nRilke Songs, 1974\nHammarskjold Songs, 1967-1983\nPsalm 51, SATB, 1977\nMerwin Songs: Book I, 1982-1983\nPsalm 19, SATB with organ, 1988\nMerwin Songs: Book II, 1988\nThe Lord Is Good, SATB with organ, 1989\nPsalm 84, SATB with organ, 1989\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\nRide On, Ride On, SATB with organ, 1991\nCome, Thou Holy Spirit, SATB with organ, 1991\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\nMerwin Songs: Book III,1993\nEthan Frome, Opera in Two Acts, 1994-1997","Keyboard:","Sonatina, 1966\nPartita, 1967\nAria and Variations, 1969-1972\nBlack Raindrops, 1977\nPiano Fantasy, 1980\nCapriccio for Piano 4 Hands, 1981\nHarpsichord Fantasy, 1982\nSummer Pieces, 1984\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974\nSonata for Violin and Piano, 1976\nSextet for Piano and Woodwind Quintet, 1976\nString Quartet, 1982\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\nSonata for Cello and Piano, 1984\nCelebration Fanfare, 1986\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\nTrio for Violin, Cello, and Piano, 1991\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\nWhitewater, for woodwind quintet \u0026 string quartet, 1994\nBreakers, for Flute and Piano, 1999\nWondrous Love: Variations for Viola and Piano, 1999\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\nOn Chestnut Ridge\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\nSonata for Violoncello and Piano\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\nShaker Tunes: Free Variations for Woodwind Sextet\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\nBarn Dance from Mountain Music\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\nSextet for Piano and Woodwind Quintet\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano\nSteven Herbert Smith, piano -- on Cambria CD1105\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\nSteven Herbert Smith, piano -- on Cambria CD1105\nPiano Fantasy\nSteven Herbert Smith, piano -- on Cambria CD1105\nBlack Raindrops\nSteven Herbert Smith, piano -- on Cambria CD1105\nCapriccio for Piano 4 Hands\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105","Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Includes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).","Includes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.","Includes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.","Includes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.","Includes assorted programs and newspaper clippings from various years (1979-1993).","Includes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.","Includes correspondence with various universities, various churches and religious organizations, letter to the editor of the Daily Athenaeum, music publishers, and others.","Includes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.","Includes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.","Includes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.","Includes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.","Includes materials related to Thomas Canning and his memorial concert.","Includes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.","Includes various clippings and programs.","Includes request for the usage of the novel rights.","Includes correspondence within WVU and other professional correspondence.","Includes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.","Includes programs and related documents.","Includes programs from performances from 1997 season.","Contains printed correspondence and various performance reviews.","Includes programs, clippings, and faculty evaluation information.","Includes information on programming and classes for Summer 2003.","Includes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.","Includes some programs and clippings, many printed emails, and evaluation information.","Includes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].","Includes realized figured bass (Basso Continuo) part for named piece [4 sheets].","Includes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \"Ethan Frome: Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.","Includes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.","Includes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".","Includes dedication and SSATTB sheet music.","Includes manuscript original and 8 xeroxed copies.","Includes manuscript original score and assorted parts.","Includes manuscript original and photocopy.","Includes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".","Includes original sketch manuscript and printing master copies.","Includes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.","Includes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).","Includes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from Ethan Frome (2 Pianos)\" (1997).","Includes a printed Piano score, soloist sheet music, and program notes.","Includes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"","Includes printing originals and vocal scores.","Includes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"","Includes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.","Includes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from Ethan Frome (1997).","Includes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"","Includes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.","Includes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.","An unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).","Includes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"","Works include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].","Works include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.","Includes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.","Includes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Beall, John, 1942-","English\n."],"collection_title_tesim":["John Beall, Professor of Music, Papers, 1957/2014"],"collection_ssim":["John Beall, Professor of Music, Papers, 1957/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"unitid_tesim":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Beall, John, 1942-","Beall, John, 1942-"],"creator_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creator_persname_ssim":["Beall, John, 1942-"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Beall, John, 1942-","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Beall, John, 2014 July 21"],"access_subjects_ssim":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"access_subjects_ssm":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"has_online_content_ssim":["false"],"extent_ssm":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"extent_tesim":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"genreform_ssim":["Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eFaculty evaluations are restricted for 75 years from the date of creation.  These are included in:\u003clb\u003e\u003c/lb\u003e\nBox 1, folders 12-13, 18-20, 26\u003clb\u003e\u003c/lb\u003e\nBox 2, folders 16-17, 19, 28-30\u003clb\u003e\u003c/lb\u003e\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\u003clb\u003e\u003c/lb\u003e\nBox 13b, item 1\u003clb\u003e\u003c/lb\u003e\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.\u003clb\u003e\u003c/lb\u003e Restriction will be completely lifted in 2088 or upon the permission of the donor.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in:\nBox 1, folders 12-13, 18-20, 26\nBox 2, folders 16-17, 19, 28-30\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\nBox 13b, item 1\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047. Restriction will be completely lifted in 2088 or upon the permission of the donor."],"bioghist_html_tesm":["\u003cp\u003e[Information from WVU website.]\u003c/p\u003e","\u003cp\u003eJohn Beall \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003eProfessor – Composition \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003eComposer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.\u003c/p\u003e","\u003cp\u003eBeall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.\u003c/p\u003e","\u003cp\u003eIn 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.\u003c/p\u003e","\u003cp\u003eList of Works:\u003c/p\u003e","\u003cp\u003eLarge Ensembles:\u003c/p\u003e","\u003cp\u003eEssay for Orchestra, 1964-1965\u003clb\u003e\u003c/lb\u003e\nSongs of Autumn, 1965-1966\u003clb\u003e\u003c/lb\u003e\nLament for Those Lost in the War, 1972\u003clb\u003e\u003c/lb\u003e\nConcerto for Piano and Wind Orchestra, 1973\u003clb\u003e\u003c/lb\u003e\nConcerto for Brass Quintet and Wind Orchestra, 1978\u003clb\u003e\u003c/lb\u003e\nCelebration Music, 1985\u003clb\u003e\u003c/lb\u003e\nSymphony No. 1, 1985\u003clb\u003e\u003c/lb\u003e\nMountain Music, 1987\u003clb\u003e\u003c/lb\u003e\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\u003clb\u003e\u003c/lb\u003e\nCortege, Processional for Orchestra, 1991\u003clb\u003e\u003c/lb\u003e\nConcerto for Violin and Orchestra, 1998\u003c/p\u003e","\u003cp\u003eChoral/Vocal:\u003c/p\u003e","\u003cp\u003eSongs of Autumn (in piano reduction), 1966\u003clb\u003e\u003c/lb\u003e\nRilke Songs, 1974\u003clb\u003e\u003c/lb\u003e\nHammarskjold Songs, 1967-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 51, SATB, 1977\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book I, 1982-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 19, SATB with organ, 1988\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book II, 1988\u003clb\u003e\u003c/lb\u003e\nThe Lord Is Good, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nPsalm 84, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\u003clb\u003e\u003c/lb\u003e\nRide On, Ride On, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nCome, Thou Holy Spirit, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book III,1993\u003clb\u003e\u003c/lb\u003e\n\u003ctitle\u003e\u003cpart\u003eEthan Frome, Opera in Two Acts\u003c/part\u003e\u003c/title\u003e, 1994-1997\u003c/p\u003e","\u003cp\u003eKeyboard:\u003c/p\u003e","\u003cp\u003eSonatina, 1966\u003clb\u003e\u003c/lb\u003e\nPartita, 1967\u003clb\u003e\u003c/lb\u003e\nAria and Variations, 1969-1972\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops, 1977\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy, 1980\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands, 1981\u003clb\u003e\u003c/lb\u003e\nHarpsichord Fantasy, 1982\u003clb\u003e\u003c/lb\u003e\nSummer Pieces, 1984\u003clb\u003e\u003c/lb\u003e\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\u003clb\u003e\u003c/lb\u003e\nSonata for Piano, 1992-1994\u003c/p\u003e","\u003cp\u003eChamber Music:\u003c/p\u003e","\u003cp\u003eSonata for Alto Saxophone and Piano, 1974\u003clb\u003e\u003c/lb\u003e\nSonata for Violin and Piano, 1976\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet, 1976\u003clb\u003e\u003c/lb\u003e\nString Quartet, 1982\u003clb\u003e\u003c/lb\u003e\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\u003clb\u003e\u003c/lb\u003e\nSonata for Cello and Piano, 1984\u003clb\u003e\u003c/lb\u003e\nCelebration Fanfare, 1986\u003clb\u003e\u003c/lb\u003e\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\u003clb\u003e\u003c/lb\u003e\nTrio for Violin, Cello, and Piano, 1991\u003clb\u003e\u003c/lb\u003e\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\u003clb\u003e\u003c/lb\u003e\nWhitewater, for woodwind quintet \u0026amp; string quartet, 1994\u003clb\u003e\u003c/lb\u003e\nBreakers, for Flute and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nWondrous Love: Variations for Viola and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\u003clb\u003e\u003c/lb\u003e\nThe River, for string Quartet, 2000\u003c/p\u003e","\u003cp\u003eList of Recorded Works:\u003c/p\u003e","\u003cp\u003eChamber Music:\u003c/p\u003e","\u003cp\u003eWhitewater\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSonata for Violoncello and Piano\u003clb\u003e\u003c/lb\u003e\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nShaker Tunes: Free Variations for Woodwind Sextet\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nBarn Dance from Mountain Music\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet\u003clb\u003e\u003c/lb\u003e\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255\u003c/p\u003e","\u003cp\u003ePiano Music:\u003c/p\u003e","\u003cp\u003eSonata for Piano\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands\u003clb\u003e\u003c/lb\u003e\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["[Information from WVU website.]","John Beall","Professor – Composition","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel Ethan Frome was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965\nSongs of Autumn, 1965-1966\nLament for Those Lost in the War, 1972\nConcerto for Piano and Wind Orchestra, 1973\nConcerto for Brass Quintet and Wind Orchestra, 1978\nCelebration Music, 1985\nSymphony No. 1, 1985\nMountain Music, 1987\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\nCortege, Processional for Orchestra, 1991\nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966\nRilke Songs, 1974\nHammarskjold Songs, 1967-1983\nPsalm 51, SATB, 1977\nMerwin Songs: Book I, 1982-1983\nPsalm 19, SATB with organ, 1988\nMerwin Songs: Book II, 1988\nThe Lord Is Good, SATB with organ, 1989\nPsalm 84, SATB with organ, 1989\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\nRide On, Ride On, SATB with organ, 1991\nCome, Thou Holy Spirit, SATB with organ, 1991\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\nMerwin Songs: Book III,1993\nEthan Frome, Opera in Two Acts, 1994-1997","Keyboard:","Sonatina, 1966\nPartita, 1967\nAria and Variations, 1969-1972\nBlack Raindrops, 1977\nPiano Fantasy, 1980\nCapriccio for Piano 4 Hands, 1981\nHarpsichord Fantasy, 1982\nSummer Pieces, 1984\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974\nSonata for Violin and Piano, 1976\nSextet for Piano and Woodwind Quintet, 1976\nString Quartet, 1982\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\nSonata for Cello and Piano, 1984\nCelebration Fanfare, 1986\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\nTrio for Violin, Cello, and Piano, 1991\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\nWhitewater, for woodwind quintet \u0026 string quartet, 1994\nBreakers, for Flute and Piano, 1999\nWondrous Love: Variations for Viola and Piano, 1999\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\nOn Chestnut Ridge\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\nSonata for Violoncello and Piano\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\nShaker Tunes: Free Variations for Woodwind Sextet\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\nBarn Dance from Mountain Music\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\nSextet for Piano and Woodwind Quintet\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano\nSteven Herbert Smith, piano -- on Cambria CD1105\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\nSteven Herbert Smith, piano -- on Cambria CD1105\nPiano Fantasy\nSteven Herbert Smith, piano -- on Cambria CD1105\nBlack Raindrops\nSteven Herbert Smith, piano -- on Cambria CD1105\nCapriccio for Piano 4 Hands\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026amp;M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e  ","\u003cp\u003eIncludes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).\u003c/p\u003e","\u003cp\u003eIncludes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.\u003c/p\u003e","\u003cp\u003eIncludes assorted programs and newspaper clippings from various years (1979-1993).\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with various universities, various churches and religious organizations, letter to the editor of the \u003ctitle\u003e\u003cpart\u003eDaily Athenaeum\u003c/part\u003e\u003c/title\u003e, music publishers, and others.\u003c/p\u003e","\u003cp\u003eIncludes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.\u003c/p\u003e","\u003cp\u003eIncludes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.\u003c/p\u003e","\u003cp\u003eIncludes materials related to Thomas Canning and his memorial concert.\u003c/p\u003e","\u003cp\u003eIncludes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.\u003c/p\u003e","\u003cp\u003eIncludes various clippings and programs.\u003c/p\u003e","\u003cp\u003eIncludes request for the usage of the novel rights.\u003c/p\u003e","\u003cp\u003eIncludes correspondence within WVU and other professional correspondence.\u003c/p\u003e","\u003cp\u003eIncludes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.\u003c/p\u003e","\u003cp\u003eIncludes programs and related documents.\u003c/p\u003e","\u003cp\u003eIncludes programs from performances from 1997 season.\u003c/p\u003e","\u003cp\u003eContains printed correspondence and various performance reviews.\u003c/p\u003e","\u003cp\u003eIncludes programs, clippings, and faculty evaluation information.\u003c/p\u003e","\u003cp\u003eIncludes information on programming and classes for Summer 2003.\u003c/p\u003e","\u003cp\u003eIncludes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.\u003c/p\u003e","\u003cp\u003eIncludes some programs and clippings, many printed emails, and evaluation information.\u003c/p\u003e","\u003cp\u003eIncludes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].\u003c/p\u003e","\u003cp\u003eIncludes realized figured bass (Basso Continuo) part for named piece [4 sheets].\u003c/p\u003e","\u003cp\u003eIncludes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \"\u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e: Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.\u003c/p\u003e","\u003cp\u003eIncludes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.\u003c/p\u003e","\u003cp\u003eIncludes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".\u003c/p\u003e","\u003cp\u003eIncludes dedication and SSATTB sheet music.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original and 8 xeroxed copies.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original score and assorted parts.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original and photocopy.\u003c/p\u003e","\u003cp\u003eIncludes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".\u003c/p\u003e","\u003cp\u003eIncludes original sketch manuscript and printing master copies.\u003c/p\u003e","\u003cp\u003eIncludes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.\u003c/p\u003e","\u003cp\u003eIncludes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).\u003c/p\u003e","\u003cp\u003eIncludes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e (2 Pianos)\" (1997).\u003c/p\u003e","\u003cp\u003eIncludes a printed Piano score, soloist sheet music, and program notes.\u003c/p\u003e","\u003cp\u003eIncludes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"\u003c/p\u003e","\u003cp\u003eIncludes printing originals and vocal scores.\u003c/p\u003e","\u003cp\u003eIncludes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"\u003c/p\u003e","\u003cp\u003eIncludes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.\u003c/p\u003e","\u003cp\u003eIncludes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e (1997).\u003c/p\u003e","\u003cp\u003eIncludes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"\u003c/p\u003e","\u003cp\u003eIncludes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.\u003c/p\u003e","\u003cp\u003eAn unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).\u003c/p\u003e","\u003cp\u003eIncludes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"\u003c/p\u003e","\u003cp\u003eWorks include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].\u003c/p\u003e","\u003cp\u003eWorks include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.\u003c/p\u003e","\u003cp\u003eIncludes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.\u003c/p\u003e","\u003cp\u003eIncludes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Includes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).","Includes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.","Includes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.","Includes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.","Includes assorted programs and newspaper clippings from various years (1979-1993).","Includes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.","Includes correspondence with various universities, various churches and religious organizations, letter to the editor of the Daily Athenaeum, music publishers, and others.","Includes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.","Includes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.","Includes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.","Includes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.","Includes materials related to Thomas Canning and his memorial concert.","Includes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.","Includes various clippings and programs.","Includes request for the usage of the novel rights.","Includes correspondence within WVU and other professional correspondence.","Includes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.","Includes programs and related documents.","Includes programs from performances from 1997 season.","Contains printed correspondence and various performance reviews.","Includes programs, clippings, and faculty evaluation information.","Includes information on programming and classes for Summer 2003.","Includes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.","Includes some programs and clippings, many printed emails, and evaluation information.","Includes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].","Includes realized figured bass (Basso Continuo) part for named piece [4 sheets].","Includes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \"Ethan Frome: Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.","Includes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.","Includes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".","Includes dedication and SSATTB sheet music.","Includes manuscript original and 8 xeroxed copies.","Includes manuscript original score and assorted parts.","Includes manuscript original and photocopy.","Includes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".","Includes original sketch manuscript and printing master copies.","Includes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.","Includes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).","Includes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from Ethan Frome (2 Pianos)\" (1997).","Includes a printed Piano score, soloist sheet music, and program notes.","Includes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"","Includes printing originals and vocal scores.","Includes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"","Includes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.","Includes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from Ethan Frome (1997).","Includes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"","Includes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.","Includes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.","An unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).","Includes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"","Works include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].","Works include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.","Includes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.","Includes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ad3970589b0c68f1179d53d9715f39b0\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Beall, John, 1942-"],"names_coll_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"names_ssim":["West Virginia and Regional History Center","Beall, John, 1942-"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":442,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:55:51.089Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915"}},{"id":"vifgm_repositories_2_resources_747","type":"collection","attributes":{"title":"John U. Guillory, Jr. music compositions, 1963/2012","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_747#creator","type":"document_value","attributes":{"value":"Guillory, Jr., John Ural, 1940-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_747#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_747#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_747","ead_ssi":"vifgm_repositories_2_resources_747","_root_":"vifgm_repositories_2_resources_747","_nest_parent_":"vifgm_repositories_2_resources_747","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_747.xml","title_filing_ssi":"John U. Guillory, Jr. music compositions","title_ssm":["John U. Guillory, Jr. music compositions"],"title_tesim":["John U. Guillory, Jr. music compositions"],"unitdate_ssm":["1963-2012"],"unitdate_inclusive_ssm":["1963-2012"],"normalized_date_ssm":["1963/2012"],"normalized_title_ssm":["John U. Guillory, Jr. music compositions, 1963/2012"],"text":["John U. Guillory, Jr. music compositions, 1963/2012","C0533","/repositories/2/resources/747","Music -- 20th century","Composition (Music)","Sheet music","There are no access restrictions.","This is a single folder collection.","The Washington Post. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.","John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73.","Processing and finding aid completed by Meghan Glasbrenner in April 2025.","The Special Collections Research Center also holds the Sam di Bonaventura papers and \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript.","A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","R 71, C 2, S 5","George Mason University. Libraries. Special Collections Research Center","Guillory, Jr., John Ural, 1940-2013","English\n."],"collection_title_tesim":["John U. Guillory, Jr. music compositions, 1963/2012"],"collection_ssim":["John U. Guillory, Jr. music compositions, 1963/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0533","/repositories/2/resources/747"],"unitid_tesim":["C0533","/repositories/2/resources/747"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Guillory, Jr., John Ural, 1940-2013"],"creator_ssim":["Guillory, Jr., John Ural, 1940-2013"],"creator_persname_ssim":["Guillory, Jr., John Ural, 1940-2013"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Guillory, Jr., John Ural, 1940-2013","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eleanor B. Sutter on October 9, 2020."],"access_subjects_ssim":["Music -- 20th century","Composition (Music)","Sheet music"],"access_subjects_ssm":["Music -- 20th century","Composition (Music)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Washington Post\u003c/title\u003e. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Washington Post. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html."],"bioghist_html_tesm":["\u003cp\u003eJohn Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.\u003c/p\u003e","\u003cp\u003eA physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73."],"prefercite_html_tesm":["\u003cp\u003eJohn U. Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["John U. Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in April 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0070\"\u003eSam di Bonaventura papers\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0422\"\u003e\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Sam di Bonaventura papers and \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript."],"scopecontent_html_tesm":["\u003cp\u003eA collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_064f6320cfa4d4d296b0037c2147f831\"\u003eA collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.\u003c/abstract\u003e\n    "],"abstract_tesim":["A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c24e115d52d8f065f570c3ab36557bda\"\u003eR 71, C 2, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 2, S 5"],"corpname_ssim":["George Mason University. 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Guillory, Jr. music compositions"],"unitdate_ssm":["1963-2012"],"unitdate_inclusive_ssm":["1963-2012"],"normalized_date_ssm":["1963/2012"],"normalized_title_ssm":["John U. Guillory, Jr. music compositions, 1963/2012"],"text":["John U. Guillory, Jr. music compositions, 1963/2012","C0533","/repositories/2/resources/747","Music -- 20th century","Composition (Music)","Sheet music","There are no access restrictions.","This is a single folder collection.","The Washington Post. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.","John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73.","Processing and finding aid completed by Meghan Glasbrenner in April 2025.","The Special Collections Research Center also holds the Sam di Bonaventura papers and \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript.","A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","R 71, C 2, S 5","George Mason University. Libraries. Special Collections Research Center","Guillory, Jr., John Ural, 1940-2013","English\n."],"collection_title_tesim":["John U. Guillory, Jr. music compositions, 1963/2012"],"collection_ssim":["John U. Guillory, Jr. music compositions, 1963/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0533","/repositories/2/resources/747"],"unitid_tesim":["C0533","/repositories/2/resources/747"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Guillory, Jr., John Ural, 1940-2013"],"creator_ssim":["Guillory, Jr., John Ural, 1940-2013"],"creator_persname_ssim":["Guillory, Jr., John Ural, 1940-2013"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Guillory, Jr., John Ural, 1940-2013","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Eleanor B. Sutter on October 9, 2020."],"access_subjects_ssim":["Music -- 20th century","Composition (Music)","Sheet music"],"access_subjects_ssm":["Music -- 20th century","Composition (Music)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003e\u003ctitle\u003eThe Washington Post\u003c/title\u003e. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Washington Post. 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html."],"bioghist_html_tesm":["\u003cp\u003eJohn Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.\u003c/p\u003e","\u003cp\u003eA physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73."],"prefercite_html_tesm":["\u003cp\u003eJohn U. Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["John U. Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in April 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0070\"\u003eSam di Bonaventura papers\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0422\"\u003e\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Sam di Bonaventura papers and \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript."],"scopecontent_html_tesm":["\u003cp\u003eA collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_064f6320cfa4d4d296b0037c2147f831\"\u003eA collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.\u003c/abstract\u003e\n    "],"abstract_tesim":["A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c24e115d52d8f065f570c3ab36557bda\"\u003eR 71, C 2, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 2, S 5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Guillory, Jr., John Ural, 1940-2013"],"names_ssim":["George Mason University. Libraries. 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The catalogs include strings, woodwinds, percussion, etc.","This file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.","This file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'","This file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.","This file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.","This file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.","The file includes:A Lenfest Center folderCommencement Exercises Program, 1983Fine Arts Division Presentation of Awards Program, June 2, 1993Letter from John D. Wilson, December 2, 1986Washington and Lee Concert Guild Program, 1989-90Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.","This file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.","This file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.","This file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.","This file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.","This file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.","This file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.","This file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.","Robert Stewart was the Concertmaster.","This file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.","This file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","American Composers Alliance","New York Times Company","Richmond Symphony","Chicago Federation of Musicians","Washington and Lee University","Atlanta Symphony Orchestra","Roanoke Symphony Orchestra","Madison College","University of South Carolina","Brevard Music Center","Louisiana State University (Baton Rouge, La.)","Georgia State University","Tennessee Technological University","James Madison University","Albany Symphony Orchestra","University of North Carolina at Chapel Hill","Mary Baldwin College","Washington Post Company","Tufts University","American Music Center (New York, N.Y.)","American University (Washington, D.C.)","Bennington College","University of Virginia","Hollins College","Georgia State College (Atlanta, Ga.)","Manhattan School of Music (New York, N.Y.)","University of Alabama","University of Georgia","New-York Historical Society","Southeastern Composers' League","Iowa String Quartet","University of Iowa","George Peabody College for Teachers","Stewart, Robert","Rentowski, Wieslaw","Sessions, William Lad","Mohler, William Norman","Luening, Otto","Fauteux, Kenneth Michael, Dr.","Homans, Peter Parkman","Babbitt, Milton","Moylan, William","Lessard, John","Booth, Philip","Hartog, William M., III","Gordon, Albert Claude","Spice, Gordon P. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Composition (Music)","Music"],"access_subjects_ssm":["Composition (Music)","Music"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0323, Special Collections and Archives, James G. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Composition (Music)","Music"],"access_subjects_ssm":["Composition (Music)","Music"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0323, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0323, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eIncludes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.\u003c/p\u003e  ","\u003cp\u003eThis file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.\u003c/p\u003e","\u003cp\u003eThis file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.\u003c/p\u003e","\u003cp\u003eThis file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'\u003c/p\u003e","\u003cp\u003eThis file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.\u003c/p\u003e","\u003cp\u003eThis file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' 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Wilson, December 2, 1986\u003c/li\u003e\u003cli\u003eWashington and Lee Concert Guild Program, 1989-90\u003c/li\u003e\u003cli\u003eWashington and Lee fine Arts Calendar of Events\u003c/li\u003e\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eThis file consists of letters and documents pertaining to the American Composers Alliance.\u003c/p\u003e","\u003cp\u003eThis file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.\u003c/p\u003e","\u003cp\u003eThis file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.\u003c/p\u003e","\u003cp\u003eThis file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of Stewart's widow, Margaret Brouwer, in 1996."],"access_subjects_ssim":["Composition (Music)","Music","Correspondence","Societies"],"access_subjects_ssm":["Composition (Music)","Music","Correspondence","Societies"],"has_online_content_ssim":["false"],"extent_ssm":["24.5 Linear Feet"],"extent_tesim":["24.5 Linear Feet"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0244, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music"],"names_coll_ssim":["Washington and Lee University. Department of Music"],"persname_ssim":["Stewart, Robert"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","Stewart, Robert"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:37.512Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_537","ead_ssi":"vilxw_repositories_5_resources_537","_root_":"vilxw_repositories_5_resources_537","_nest_parent_":"vilxw_repositories_5_resources_537","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_537.xml","title_ssm":["Robert Stewart Papers"],"title_tesim":["Robert Stewart Papers"],"unitdate_ssm":["Inclusive 1959-1995"],"unitdate_inclusive_ssm":["Inclusive 1959-1995"],"normalized_date_ssm":["1959/1995"],"normalized_title_ssm":["Robert Stewart Papers, 1959/1995"],"text":["Robert Stewart Papers, 1959/1995","WLU.Coll.0244","/repositories/5/resources/537","Composition (Music)","Music","Correspondence","Societies","This collection includes papers, scores, professional files, and recordings reflecting Stewart's compositions in published and draft forms and their performances, as well as societies to which he belonged, and correspondence with colleagues. There are 9 reel-to-reel recordings of performances.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","Stewart, Robert","English"],"collection_title_tesim":["Robert Stewart Papers, 1959/1995"],"collection_ssim":["Robert Stewart Papers, 1959/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0244","/repositories/5/resources/537"],"unitid_tesim":["WLU.Coll.0244","/repositories/5/resources/537"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Stewart, Robert"],"creator_ssim":["Stewart, Robert"],"creator_persname_ssim":["Stewart, Robert"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music"],"creators_ssim":["Stewart, Robert","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of Stewart's widow, Margaret Brouwer, in 1996."],"access_subjects_ssim":["Composition (Music)","Music","Correspondence","Societies"],"access_subjects_ssm":["Composition (Music)","Music","Correspondence","Societies"],"has_online_content_ssim":["false"],"extent_ssm":["24.5 Linear Feet"],"extent_tesim":["24.5 Linear Feet"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0244, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0244, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes papers, scores, professional files, and recordings reflecting Stewart's compositions in published and draft forms and their performances, as well as societies to which he belonged, and correspondence with colleagues. There are 9 reel-to-reel recordings of performances.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes papers, scores, professional files, and recordings reflecting Stewart's compositions in published and draft forms and their performances, as well as societies to which he belonged, and correspondence with colleagues. There are 9 reel-to-reel recordings of performances."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music"],"names_coll_ssim":["Washington and Lee University. Department of Music"],"persname_ssim":["Stewart, Robert"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","Stewart, Robert"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:37.512Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_537"}},{"id":"vilxw_repositories_5_resources_535_c02","type":"Series","attributes":{"title":"Series 2, 1987/1993","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_535_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series includes correspondence, proofs, and reviews concerning Leyburn's book \u003ci\u003eThe Way We Lived\u003c/i\u003e. Correspondents include Kenneth Rockwell, Marshall Fishwick, Rupert Nelson Latture, Michael Barr, and Lon K. Savage. There are also photographs of Leyburn, his music programs, and notices of his death.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_535_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_535_c02","ref_ssm":["vilxw_repositories_5_resources_535_c02"],"id":"vilxw_repositories_5_resources_535_c02","ead_ssi":"vilxw_repositories_5_resources_535","_root_":"vilxw_repositories_5_resources_535","_nest_parent_":"vilxw_repositories_5_resources_535","parent_ssi":"vilxw_repositories_5_resources_535","parent_ssim":["James Graham Leyburn collection, 1902/1993"],"parent_ids_ssim":["vilxw_repositories_5_resources_535"],"title_filing_ssi":"Series 2","title_ssm":["Series 2"],"title_tesim":["Series 2"],"normalized_title_ssm":["Series 2, 1987/1993"],"text":["Series 2, 1987/1993","James Graham Leyburn collection, 1902/1993","Latture, Rupert Nelson","Fishwick, Marshall William","Savage, Lon","Leyburn, James Graham","Rockwell, W. J. Kenneth","Correspondence","Composition (Music)","Autobiography","Photographs","English","This series includes correspondence, proofs, and reviews concerning Leyburn's book The Way We Lived. Correspondents include Kenneth Rockwell, Marshall Fishwick, Rupert Nelson Latture, Michael Barr, and Lon K. Savage. There are also photographs of Leyburn, his music programs, and notices of his death."],"parent_unittitles_ssm":["James Graham Leyburn collection, 1902/1993"],"parent_unittitles_tesim":["James Graham Leyburn collection, 1902/1993"],"normalized_date_ssm":["1987/1993"],"unitdate_inclusive_ssm":["1987-1993"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":34,"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["James Graham Leyburn collection, 1902/1993"],"extent_ssm":["3.5 Linear Feet"],"extent_tesim":["3.5 Linear Feet"],"creator_ssim":["Fishwick, Marshall William","Savage, Lon","Leyburn, James Graham","Rockwell, W. J. Kenneth"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"persname_ssim":["Latture, Rupert Nelson","Fishwick, Marshall William","Savage, Lon","Leyburn, James Graham","Rockwell, W. J. Kenneth"],"names_ssim":["Latture, Rupert Nelson","Fishwick, Marshall William","Savage, Lon","Leyburn, James Graham","Rockwell, W. J. Kenneth"],"access_subjects_ssim":["Correspondence","Composition (Music)","Autobiography","Photographs"],"access_subjects_ssm":["Correspondence","Composition (Music)","Autobiography","Photographs"],"language_ssim":["English"],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993],"scopecontent_html_tesm":["\u003cp\u003eThis series includes correspondence, proofs, and reviews concerning Leyburn's book \u003ci\u003eThe Way We Lived\u003c/i\u003e. Correspondents include Kenneth Rockwell, Marshall Fishwick, Rupert Nelson Latture, Michael Barr, and Lon K. Savage. There are also photographs of Leyburn, his music programs, and notices of his death.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series includes correspondence, proofs, and reviews concerning Leyburn's book The Way We Lived. Correspondents include Kenneth Rockwell, Marshall Fishwick, Rupert Nelson Latture, Michael Barr, and Lon K. Savage. There are also photographs of Leyburn, his music programs, and notices of his death."],"_nest_path_":"/components#1","timestamp":"2026-06-23T07:01:37.512Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_535","ead_ssi":"vilxw_repositories_5_resources_535","_root_":"vilxw_repositories_5_resources_535","_nest_parent_":"vilxw_repositories_5_resources_535","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_535.xml","title_filing_ssi":"James Graham Leyburn collection","title_ssm":["James Graham Leyburn collection"],"title_tesim":["James Graham Leyburn collection"],"unitdate_ssm":["1902-1993"],"unitdate_inclusive_ssm":["1902-1993"],"normalized_date_ssm":["1902/1993"],"normalized_title_ssm":["James Graham Leyburn collection, 1902/1993"],"text":["James Graham Leyburn collection, 1902/1993","WLU.RG.58","/repositories/5/resources/535","South Africa","Europe","Haitians -- Social conditions","Haitians -- Economic conditions","Universities and colleges -- Faculty","Economic history","Voyages and travels","Autobiography","Correspondence","Scrapbooks","Diplomas","Photographs","The collection is open for research use.","View this collection online via W\u0026L's Digital Archive","James Graham Leyburn was born in Hedgesville, West Virginia, on January 17, 1902. He became a professor of sociology and Dean of the University at Washington and Lee in 1947 and held the post of Dean until 1956 continuing as Professor of Sociology until 1972. In the 1920s and 1930s Dr. Leyburn held professional positions at Hollins College, Princeton University, and Yale University. In 1943 he was engaged by the U. S. Government Foreign Economic Administration's Office of the Lend-Lease Administration to participate in a mission in South Africa.","The Haitian People","The Scotch-Irish","This collection contains many materials relating to the South African mission. Dr. Leyburn saved a number of newspaper articles concerning South Africa which are contained herein. Reports on various industries and other aspects of South Africa are included. Also within this collection are an assortment of Dr. Leyburn's speeches, some of which address South Africa. The remainder of the speeches concern the future of Washington and Lee University.","Among the correspondence in this collection are letters       concerning Yale, W\u0026L, and South Africa. There are also letters to his family, including his sister Ellen. A number of reviews of Dr. Leyburn's books,          The Haitian People and     The Way We Lived, as well as Dr. Leyburn's own reviews of other books are included.","The more telling items of this collection are the numerous student comments that Dr. Leyburn preserved. A voluminous journal of his world travels provides for interesting reading as does the poetry written by John Alexander Graham. Includes one photograph of Leyburn and three other professors (Riegel, Barritt, and Myers).","Appended to this collection are three scrapbooks which         provide a record of Dr. Leyburn's activities at W \u0026 L and afterward.","There are also Leyburn's musical compositions and diplomas.","This series contains many materials relating to his South African mission. Dr. Leyburn saved a number of newspaper articles concerning South Africa, which are contained herein. Reports on various industries and other aspects of South Africa are included. Also within this collection is an assortment of Dr. Leyburn's speeches, some of which concern South Africa. The remainder of the speeches concern the future of Washington and Lee University.","Among the correspondence in this collection are letters concerning Yale, Washington and Lee University, and South Africa. There are also letters to his family, including his sister Ellen. A number of reviews of Dr. Leyburn's book, The Haitian People,as well as Dr. Leyburn's own reviews of other books are included.","There are numerous student comments that Dr. Leyburn preserved as well as a voluminous journal of his world travels and the poetry written by John Alexander Graham. Includes one photograph of Leyburn and three other Washington and Lee professors (Riegel, Barritt, and Myers).","Additionally, there are three scrapbooks which         provide a record of Dr. Leyburn's activities at Washington and Lee and afterward.","This folder contains a biography of Dr. James G. Leyburn.","This series includes correspondence, proofs, and reviews concerning Leyburn's book The Way We Lived. Correspondents include Kenneth Rockwell, Marshall Fishwick, Rupert Nelson Latture, Michael Barr, and Lon K. Savage. There are also photographs of Leyburn, his music programs, and notices of his death.","This series consists of James G. Leyburn's diplomas and certificates of distinction.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","United States. Foreign Economic Administration","Yale University","Leyburn, James Graham","Leyburn, Ellen Douglass","Graham, John Alexander","Riegel, O. W. (Oscar Wetherhold)","Fishwick, Marshall William","Savage, Lon","Rockwell, W. J. Kenneth","Latture, Rupert Nelson","English"],"collection_title_tesim":["James Graham Leyburn collection, 1902/1993"],"collection_ssim":["James Graham Leyburn collection, 1902/1993"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.58","/repositories/5/resources/535"],"unitid_tesim":["WLU.RG.58","/repositories/5/resources/535"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["South Africa","Europe"],"geogname_ssim":["South Africa","Europe"],"places_ssim":["South Africa","Europe"],"creator_ssm":["Leyburn, James Graham"],"creator_ssim":["Leyburn, James Graham"],"creator_persname_ssim":["Leyburn, James Graham","Leyburn, Ellen Douglass","Graham, John Alexander","Riegel, O. W. (Oscar Wetherhold)","Fishwick, Marshall William","Savage, Lon","Rockwell, W. J. Kenneth","Latture, Rupert Nelson"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","United States. Foreign Economic Administration","Yale University"],"creators_ssim":["Leyburn, James Graham","Leyburn, Ellen Douglass","Graham, John Alexander","Riegel, O. W. (Oscar Wetherhold)","Fishwick, Marshall William","Savage, Lon","Rockwell, W. J. Kenneth","Latture, Rupert Nelson","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","United States. Foreign Economic Administration","Yale University"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Series 1 of this collection was given by Dr. Leyburn following his retirement from Washington and Lee University in 1972. Additional materials were donated by Dr. Kenneth Rockwell (Class of 1952). The 1966 lecture audiorecording was a gift of Ward Briggs, Jr."],"access_subjects_ssim":["Haitians -- Social conditions","Haitians -- Economic conditions","Universities and colleges -- Faculty","Economic history","Voyages and travels","Autobiography","Correspondence","Scrapbooks","Diplomas","Photographs"],"access_subjects_ssm":["Haitians -- Social conditions","Haitians -- Economic conditions","Universities and colleges -- Faculty","Economic history","Voyages and travels","Autobiography","Correspondence","Scrapbooks","Diplomas","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["10.5 Linear Feet"],"extent_tesim":["10.5 Linear Feet"],"genreform_ssim":["Photographs"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.wlu.edu/handle/11021/33668\"\u003eView this collection online via W\u0026amp;L's Digital Archive\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["View this collection online via W\u0026L's Digital Archive"],"bioghist_html_tesm":["\u003cp\u003eJames Graham Leyburn was born in Hedgesville, West Virginia, on January 17, 1902. He became a professor of sociology and Dean of the University at Washington and Lee in 1947 and held the post of Dean until 1956 continuing as Professor of Sociology until 1972. In the 1920s and 1930s Dr. Leyburn held professional positions at Hollins College, Princeton University, and Yale University. In 1943 he was engaged by the U. S. Government Foreign Economic Administration's Office of the Lend-Lease Administration to participate in a mission in South Africa.\u003c/p\u003e\n\nHe earned his A.B. in 1920, A.M. in 1921, LL.D. in 1962 all at Duke University as well as an A.M. at Princeton University in 1922, Ph.D. at Yale University in 1927, and Litt.D. at Washington and Lee University in 1974. He served as a professor of sociology and dean at Washington and Lee University from 1947-1956 and a dean and professor  emeritus from 1972-1993.  Leyburn wrote several books including ","\u003ci\u003eThe Haitian People\u003c/i\u003e, 1941 and ","\u003ci\u003eThe Scotch-Irish\u003c/i\u003e, 1962.  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Graham Leyburn was born in Hedgesville, West Virginia, on January 17, 1902. He became a professor of sociology and Dean of the University at Washington and Lee in 1947 and held the post of Dean until 1956 continuing as Professor of Sociology until 1972. In the 1920s and 1930s Dr. Leyburn held professional positions at Hollins College, Princeton University, and Yale University. In 1943 he was engaged by the U. S. Government Foreign Economic Administration's Office of the Lend-Lease Administration to participate in a mission in South Africa.","The Haitian People","The Scotch-Irish"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], James Graham Leyburn Collection, WLU-RG-0058, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], James Graham Leyburn Collection, WLU-RG-0058, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains many materials relating to the South African mission. Dr. Leyburn saved a number of newspaper articles concerning South Africa which are contained herein. Reports on various industries and other aspects of South Africa are included. Also within this collection are an assortment of Dr. Leyburn's speeches, some of which address South Africa. The remainder of the speeches concern the future of Washington and Lee University.\u003c/p\u003e         ","\u003cp\u003eAmong the correspondence in this collection are letters       concerning Yale, W\u0026amp;L, and South Africa. There are also letters to his family, including his sister Ellen. A number of reviews of Dr. Leyburn's books,          \u003ctitle render=\"italic\"\u003eThe Haitian People\u003c/title\u003e and     \u003ctitle render=\"italic\"\u003eThe Way We Lived\u003c/title\u003e, as well as Dr. Leyburn's own reviews of other books are included.\u003c/p\u003e         ","\u003cp\u003eThe more telling items of this collection are the numerous student comments that Dr. Leyburn preserved. A voluminous journal of his world travels provides for interesting reading as does the poetry written by John Alexander Graham. Includes one photograph of Leyburn and three other professors (Riegel, Barritt, and Myers).\u003c/p\u003e         ","\u003cp\u003eAppended to this collection are three scrapbooks which         provide a record of Dr. Leyburn's activities at W \u0026amp; L and afterward.\u003c/p\u003e ","\u003cp\u003eThere are also Leyburn's musical compositions and diplomas.\u003c/p\u003e\n\nThere is also an audiorecording of a class lecture given by Leyburn to his Communications 202 class on May 18, 1966.  In it, Leyburn talks about rhetoric and southern American writers, specifically women writers. This lecture is available online.  ","\u003cp\u003eThis series contains many materials relating to his South African mission. Dr. Leyburn saved a number of newspaper articles concerning South Africa, which are contained herein. Reports on various industries and other aspects of South Africa are included. Also within this collection is an assortment of Dr. Leyburn's speeches, some of which concern South Africa. The remainder of the speeches concern the future of Washington and Lee University.\u003c/p\u003e         \n","\u003cp\u003eAmong the correspondence in this collection are letters concerning Yale, Washington and Lee University, and South Africa. There are also letters to his family, including his sister Ellen. A number of reviews of Dr. Leyburn's book, \u003ctitle render=\"italic\"\u003eThe Haitian People,\u003c/title\u003eas well as Dr. Leyburn's own reviews of other books are included.\u003c/p\u003e         \n","\u003cp\u003e There are numerous student comments that Dr. Leyburn preserved as well as a voluminous journal of his world travels and the poetry written by John Alexander Graham. Includes one photograph of Leyburn and three other Washington and Lee professors (Riegel, Barritt, and Myers).\u003c/p\u003e         \n","\u003cp\u003eAdditionally, there are three scrapbooks which         provide a record of Dr. Leyburn's activities at Washington and Lee and afterward.\u003c/p\u003e","\u003cp\u003eThis folder contains a biography of Dr. James G. Leyburn.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence, proofs, and reviews concerning Leyburn's book \u003ci\u003eThe Way We Lived\u003c/i\u003e. Correspondents include Kenneth Rockwell, Marshall Fishwick, Rupert Nelson Latture, Michael Barr, and Lon K. Savage. There are also photographs of Leyburn, his music programs, and notices of his death.\u003c/p\u003e","\u003cp\u003eThis series consists of James G. Leyburn's diplomas and certificates of distinction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains many materials relating to the South African mission. Dr. Leyburn saved a number of newspaper articles concerning South Africa which are contained herein. Reports on various industries and other aspects of South Africa are included. Also within this collection are an assortment of Dr. Leyburn's speeches, some of which address South Africa. The remainder of the speeches concern the future of Washington and Lee University.","Among the correspondence in this collection are letters       concerning Yale, W\u0026L, and South Africa. There are also letters to his family, including his sister Ellen. A number of reviews of Dr. Leyburn's books,          The Haitian People and     The Way We Lived, as well as Dr. Leyburn's own reviews of other books are included.","The more telling items of this collection are the numerous student comments that Dr. Leyburn preserved. A voluminous journal of his world travels provides for interesting reading as does the poetry written by John Alexander Graham. Includes one photograph of Leyburn and three other professors (Riegel, Barritt, and Myers).","Appended to this collection are three scrapbooks which         provide a record of Dr. Leyburn's activities at W \u0026 L and afterward.","There are also Leyburn's musical compositions and diplomas.","This series contains many materials relating to his South African mission. Dr. Leyburn saved a number of newspaper articles concerning South Africa, which are contained herein. Reports on various industries and other aspects of South Africa are included. Also within this collection is an assortment of Dr. Leyburn's speeches, some of which concern South Africa. The remainder of the speeches concern the future of Washington and Lee University.","Among the correspondence in this collection are letters concerning Yale, Washington and Lee University, and South Africa. There are also letters to his family, including his sister Ellen. A number of reviews of Dr. Leyburn's book, The Haitian People,as well as Dr. Leyburn's own reviews of other books are included.","There are numerous student comments that Dr. Leyburn preserved as well as a voluminous journal of his world travels and the poetry written by John Alexander Graham. Includes one photograph of Leyburn and three other Washington and Lee professors (Riegel, Barritt, and Myers).","Additionally, there are three scrapbooks which         provide a record of Dr. Leyburn's activities at Washington and Lee and afterward.","This folder contains a biography of Dr. James G. 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