{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Composition+%28Music%29\u0026f%5Bdate_range%5D%5B%5D=1954","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Composition+%28Music%29\u0026f%5Bdate_range%5D%5B%5D=1954\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"vifrem_repositories_2_resources_21","type":"collection","attributes":{"title":"Jean Slater Edson Papers","creator":{"id":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21#creator","type":"document_value","attributes":{"value":"Edson, Jean Slater","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifrem_repositories_2_resources_21","ead_ssi":"vifrem_repositories_2_resources_21","_root_":"vifrem_repositories_2_resources_21","_nest_parent_":"vifrem_repositories_2_resources_21","ead_source_url_ssi":"data/oai/MW/repositories_2_resources_21.xml","title_ssm":["Jean Slater Edson Papers"],"title_tesim":["Jean Slater Edson Papers"],"unitdate_ssm":["1929-1984"],"unitdate_inclusive_ssm":["1929-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.0009","/repositories/2/resources/21"],"text":["MSS.0009","/repositories/2/resources/21","Jean Slater Edson Papers","Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals","The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate.","Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington ","Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"","The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.","The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. ","University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W.","Contains songs written in German, French, and Russian."],"unitid_tesim":["MSS.0009","/repositories/2/resources/21"],"normalized_title_ssm":["Jean Slater Edson Papers"],"collection_title_tesim":["Jean Slater Edson Papers"],"collection_ssim":["Jean Slater Edson Papers"],"repository_ssm":["University of Mary Washington"],"repository_ssim":["University of Mary Washington"],"creator_ssm":["Edson, Jean Slater"],"creator_ssim":["Edson, Jean Slater"],"creator_persname_ssim":["Edson, Jean Slater"],"creators_ssim":["Edson, Jean Slater"],"acqinfo_ssim":["The first documented instance of a donation to this collection was on May 19, 1971, when Mary Washington College associate professor Jean Slater Edson donated recital programs as well as her organ arrangement of the University of Mary Washington's \"Alma Mater.\" The next series of donations occurred about ten years later and were given by Barbara Alden, Jean Slater Edson's friend and MWC's archivist at the time. On May 16, 1983, Alden donated some letters addressed to her from Mrs. Slater Edson; on November 01, 1984, she donated a revised score of Jean Slater Edson's original piece \"From Age to Age\"; and then on September 23, 1985, shortly after Mrs. Slater Edson's passing, she donated more correspondence.  ","There exists correspondence dated August 16, 1999, where James Baker, the then conductor of the Mary Washington College and Community Orchestra, writes about how he would like to donate some \"materials (original music compositions [of Edson's]… [that] came my way from the basement of Dr. G. C. Simpson.\" "],"access_subjects_ssim":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"access_subjects_ssm":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"extent_tesim":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.\u003c/p\u003e\n","\u003cp\u003eMaterial is arranged alphabetically except in a few instances where arrangement by date was more appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate."],"bioghist_html_tesm":["\u003cp\u003eJean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. \u003c/p\u003e\n","\u003cp\u003eIn addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book, \u003ci\u003eOrgan Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols\u003c/i\u003e. Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eMWC Today\u003c/i\u003e. \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. \u003c/p\u003e\n","\u003cp\u003eU of Mary Washington. \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed \u003c/p\u003e\n","\u003cp\u003eOctober 30, 2020. U of Mary Washington \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington "],"odd_html_tesm":["\u003cp\u003eNoted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\""],"phystech_html_tesm":["\u003cp\u003eThe library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended."],"scopecontent_html_tesm":["\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e\n","\u003cp\u003eOf particular interest is a collection of letters written by her while she was conducting research across Europe to complete her \u003ci\u003eOrgan Preludes\u003c/i\u003e publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work \u003ci\u003eMissa Universalis\u003c/i\u003e, which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. "],"names_ssim":["University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"corpname_ssim":["University of Mary Washington Special Collections and University Archives"],"names_coll_ssim":["Simpson, Grellet C., 1909-1997"],"persname_ssim":["Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"language_ssim":["Contains songs written in German, French, and Russian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:28:49.921Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifrem_repositories_2_resources_21","ead_ssi":"vifrem_repositories_2_resources_21","_root_":"vifrem_repositories_2_resources_21","_nest_parent_":"vifrem_repositories_2_resources_21","ead_source_url_ssi":"data/oai/MW/repositories_2_resources_21.xml","title_ssm":["Jean Slater Edson Papers"],"title_tesim":["Jean Slater Edson Papers"],"unitdate_ssm":["1929-1984"],"unitdate_inclusive_ssm":["1929-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.0009","/repositories/2/resources/21"],"text":["MSS.0009","/repositories/2/resources/21","Jean Slater Edson Papers","Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals","The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate.","Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington ","Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"","The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.","The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. ","University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W.","Contains songs written in German, French, and Russian."],"unitid_tesim":["MSS.0009","/repositories/2/resources/21"],"normalized_title_ssm":["Jean Slater Edson Papers"],"collection_title_tesim":["Jean Slater Edson Papers"],"collection_ssim":["Jean Slater Edson Papers"],"repository_ssm":["University of Mary Washington"],"repository_ssim":["University of Mary Washington"],"creator_ssm":["Edson, Jean Slater"],"creator_ssim":["Edson, Jean Slater"],"creator_persname_ssim":["Edson, Jean Slater"],"creators_ssim":["Edson, Jean Slater"],"acqinfo_ssim":["The first documented instance of a donation to this collection was on May 19, 1971, when Mary Washington College associate professor Jean Slater Edson donated recital programs as well as her organ arrangement of the University of Mary Washington's \"Alma Mater.\" The next series of donations occurred about ten years later and were given by Barbara Alden, Jean Slater Edson's friend and MWC's archivist at the time. On May 16, 1983, Alden donated some letters addressed to her from Mrs. Slater Edson; on November 01, 1984, she donated a revised score of Jean Slater Edson's original piece \"From Age to Age\"; and then on September 23, 1985, shortly after Mrs. Slater Edson's passing, she donated more correspondence.  ","There exists correspondence dated August 16, 1999, where James Baker, the then conductor of the Mary Washington College and Community Orchestra, writes about how he would like to donate some \"materials (original music compositions [of Edson's]… [that] came my way from the basement of Dr. G. C. Simpson.\" "],"access_subjects_ssim":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"access_subjects_ssm":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"extent_tesim":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.\u003c/p\u003e\n","\u003cp\u003eMaterial is arranged alphabetically except in a few instances where arrangement by date was more appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate."],"bioghist_html_tesm":["\u003cp\u003eJean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. \u003c/p\u003e\n","\u003cp\u003eIn addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book, \u003ci\u003eOrgan Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols\u003c/i\u003e. Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eMWC Today\u003c/i\u003e. \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. \u003c/p\u003e\n","\u003cp\u003eU of Mary Washington. \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed \u003c/p\u003e\n","\u003cp\u003eOctober 30, 2020. U of Mary Washington \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington "],"odd_html_tesm":["\u003cp\u003eNoted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\""],"phystech_html_tesm":["\u003cp\u003eThe library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended."],"scopecontent_html_tesm":["\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e\n","\u003cp\u003eOf particular interest is a collection of letters written by her while she was conducting research across Europe to complete her \u003ci\u003eOrgan Preludes\u003c/i\u003e publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work \u003ci\u003eMissa Universalis\u003c/i\u003e, which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. "],"names_ssim":["University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"corpname_ssim":["University of Mary Washington Special Collections and University Archives"],"names_coll_ssim":["Simpson, Grellet C., 1909-1997"],"persname_ssim":["Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"language_ssim":["Contains songs written in German, French, and Russian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:28:49.921Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21"}},{"id":"vilxw_repositories_5_resources_538","type":"collection","attributes":{"title":"Robert Stewart Papers","creator":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_538#creator","type":"document_value","attributes":{"value":"Stewart, Robert","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_538#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_538#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_538","ead_ssi":"vilxw_repositories_5_resources_538","_root_":"vilxw_repositories_5_resources_538","_nest_parent_":"vilxw_repositories_5_resources_538","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_538.xml","title_ssm":["Robert Stewart Papers"],"title_tesim":["Robert Stewart Papers"],"unitdate_ssm":["Inclusive 1954-1988","Bulk 1960-1980"],"unitdate_bulk_ssim":["Bulk 1960-1980"],"unitdate_inclusive_ssm":["Inclusive 1954-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0323"],"text":["WLU.Coll.0323","Robert Stewart Papers","Composition (Music)","Music","Includes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.","This file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.","This file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.","This file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'","This file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.","This file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.","This file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.","The file includes: A Lenfest Center folder Commencement Exercises Program, 1983 Fine Arts Division Presentation of Awards Program, June 2, 1993 Letter from John D. Wilson, December 2, 1986 Washington and Lee Concert Guild Program, 1989-90 Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.","This file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.","This file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.","This file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.","This file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.","This file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.","This file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.","This file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.","Robert Stewart was the Concertmaster.","This file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.","This file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Department of Music","American Composers Alliance","New York Times Company","Richmond Symphony","Chicago Federation of Musicians","Washington and Lee University","Atlanta Symphony Orchestra","Roanoke Symphony Orchestra","Madison College","University of South Carolina","Brevard Music Center","Louisiana State University (Baton Rouge, La.)","Georgia State University","Tennessee Technological University","James Madison University","Albany Symphony Orchestra","University of North Carolina at Chapel Hill","Mary Baldwin College","Washington Post Company","Tufts University","American Music Center (New York, N.Y.)","American University (Washington, D.C.)","Bennington College","University of Virginia","Hollins College","Georgia State College (Atlanta, Ga.)","Manhattan School of Music (New York, N.Y.)","University of Alabama","University of Georgia","New-York Historical Society","Southeastern Composers' League","Iowa String Quartet","University of Iowa","George Peabody College for Teachers","Stewart, Robert","Rentowski, Wieslaw","Sessions, William Lad","Mohler, William Norman","Luening, Otto","Fauteux, Kenneth Michael, Dr.","Homans, Peter Parkman","Babbitt, Milton","Moylan, William","Lessard, John","Booth, Philip","Hartog, William M., III","Gordon, Albert Claude","Spice, Gordon Philip","McAhren, Robert W. (Robert Willard)","Kolman, Barry H.","Lifchitz, Max","Miller, Anita","Wilson, John Delane","Watt, William Joseph","Williams, Henry Gordon, Jr.","Lancaster, Albert Lake","Pusey, William W., III (William Webb)","Elrod, John W.","Warner, John W.","Wright, Frank Lloyd","Radford College","Korte, Karl","Pfohl, James Christian","Corrigan, Eugene F.","Spencer, Edgar Winston","Bales, Richard","Stewart, Sue","Turetzky, Bertram","Wuorinen, Charles","Marx, Josef","Skowronek, Felix","Bloom, Arthur A.","Pachman, Maurice","Raab, Emil","Calabrese, Rosalie","Shelton, Mark","Atkins, Leroy C., II","Mahin, Bruce P.","Kniebusch, Carol","Niethamer, David","Wen-Chung, Chou","Strandberg, Newton","Rowand, Wilbur H.","Leyburn, James Graham","Junkin, Marion Montague","Spelman, Leslie P.","Doty, E. William (Ezra William)","Cummings, Barton","English \n.    "],"unitid_tesim":["WLU.Coll.0323"],"normalized_title_ssm":["Robert Stewart Papers"],"collection_title_tesim":["Robert Stewart Papers"],"collection_ssim":["Robert Stewart Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Stewart, Robert"],"creator_ssim":["Stewart, Robert"],"creator_persname_ssim":["Stewart, Robert"],"creators_ssim":["Stewart, Robert"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Composition (Music)","Music"],"access_subjects_ssm":["Composition (Music)","Music"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0323, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Robert Stewart Papers, WLU Coll. 0323, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eIncludes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.\u003c/p\u003e","\u003cp\u003eThis file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.\u003c/p\u003e","\u003cp\u003eThis file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.\u003c/p\u003e","\u003cp\u003eThis file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'\u003c/p\u003e","\u003cp\u003eThis file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.\u003c/p\u003e","\u003cp\u003eThis file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.\u003c/p\u003e","\u003cp\u003eThis file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.\u003c/p\u003e","\u003cp\u003eThe file includes:\u003cul\u003e\n\u003cli\u003eA Lenfest Center folder\u003c/li\u003e\n\u003cli\u003eCommencement Exercises Program, 1983\u003c/li\u003e\n\u003cli\u003eFine Arts Division Presentation of Awards Program, June 2, 1993\u003c/li\u003e\n\u003cli\u003eLetter from John D. Wilson, December 2, 1986\u003c/li\u003e\n\u003cli\u003eWashington and Lee Concert Guild Program, 1989-90\u003c/li\u003e\n\u003cli\u003eWashington and Lee fine Arts Calendar of Events\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eThis file consists of letters and documents pertaining to the American Composers Alliance.\u003c/p\u003e","\u003cp\u003eThis file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.\u003c/p\u003e","\u003cp\u003eThis file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.\u003c/p\u003e","\u003cp\u003eThis file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.\u003c/p\u003e","\u003cp\u003eThis file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.\u003c/p\u003e","\u003cp\u003eThis file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.\u003c/p\u003e","\u003cp\u003eThis file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.\u003c/p\u003e","\u003cp\u003eThis file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.\u003c/p\u003e","\u003cp\u003eThis file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.\u003c/p\u003e","\u003cp\u003eThis file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.\u003c/p\u003e","\u003cp\u003eThis file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.\u003c/p\u003e","\u003cp\u003eThis file consists of two programs that do not mention Robert Stewart's work. The first is from the Northern Virginia Teachers Association, and second is 'Currents - The New-Music Ensemble at the University of Richmond' presents 'New Music by Virginia Composers,' 1990.\u003c/p\u003e","\u003cp\u003eRobert Stewart was the Concertmaster.\u003c/p\u003e","\u003cp\u003eThis file consists of newsletters, minutes, and rosters of members from the Southeastern Composers' League.\u003c/p\u003e","\u003cp\u003eThis file consists of correspondences between Stewart and Barton Cummings regarding a tuba piece that Stewart composed for Cummings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes Stewart's correspondence, programs that include his compositions, classroom materials, reviews and notices of his works, and materials from professorial organizations and conferences.","This file consists of American Composers Alliance Catalogs and the Alliance's Articles of Association, 1955. The catalogs include strings, woodwinds, percussion, etc.","This file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.","This file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'","This file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.","This file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.","This file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.","The file includes: A Lenfest Center folder Commencement Exercises Program, 1983 Fine Arts Division Presentation of Awards Program, June 2, 1993 Letter from John D. Wilson, December 2, 1986 Washington and Lee Concert Guild Program, 1989-90 Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. 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Wilson, December 2, 1986 Washington and Lee Concert Guild Program, 1989-90 Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. 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It also contains letters of inquiry from Stewart and correspondences from different colleges. Many of the letters are from James G. Leyburn and Marion Letcher from Washington and Lee University.","This file consists of undergraduate report cards, a photograph, postcards, an Omicron Dela Kappa certificate, and a progam from the Washington and Lee Class of 1966 Twenty-Fifth Reunion.","This file consists of two programs that do not mention Robert Stewart's work. 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