{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Composition+%28Music%29","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Composition+%28Music%29\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"vifrem_repositories_2_resources_21","type":"collection","attributes":{"title":"Jean Slater Edson Papers","creator":{"id":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21#creator","type":"document_value","attributes":{"value":"Edson, Jean Slater","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifrem_repositories_2_resources_21","ead_ssi":"vifrem_repositories_2_resources_21","_root_":"vifrem_repositories_2_resources_21","_nest_parent_":"vifrem_repositories_2_resources_21","ead_source_url_ssi":"data/oai/MW/repositories_2_resources_21.xml","title_ssm":["Jean Slater Edson Papers"],"title_tesim":["Jean Slater Edson Papers"],"unitdate_ssm":["1929-1984"],"unitdate_inclusive_ssm":["1929-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.0009","/repositories/2/resources/21"],"text":["MSS.0009","/repositories/2/resources/21","Jean Slater Edson Papers","Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals","The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate.","Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington ","Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"","The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.","The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. ","University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W.","Contains songs written in German, French, and Russian."],"unitid_tesim":["MSS.0009","/repositories/2/resources/21"],"normalized_title_ssm":["Jean Slater Edson Papers"],"collection_title_tesim":["Jean Slater Edson Papers"],"collection_ssim":["Jean Slater Edson Papers"],"repository_ssm":["University of Mary Washington"],"repository_ssim":["University of Mary Washington"],"creator_ssm":["Edson, Jean Slater"],"creator_ssim":["Edson, Jean Slater"],"creator_persname_ssim":["Edson, Jean Slater"],"creators_ssim":["Edson, Jean Slater"],"acqinfo_ssim":["The first documented instance of a donation to this collection was on May 19, 1971, when Mary Washington College associate professor Jean Slater Edson donated recital programs as well as her organ arrangement of the University of Mary Washington's \"Alma Mater.\" The next series of donations occurred about ten years later and were given by Barbara Alden, Jean Slater Edson's friend and MWC's archivist at the time. On May 16, 1983, Alden donated some letters addressed to her from Mrs. Slater Edson; on November 01, 1984, she donated a revised score of Jean Slater Edson's original piece \"From Age to Age\"; and then on September 23, 1985, shortly after Mrs. Slater Edson's passing, she donated more correspondence.  ","There exists correspondence dated August 16, 1999, where James Baker, the then conductor of the Mary Washington College and Community Orchestra, writes about how he would like to donate some \"materials (original music compositions [of Edson's]… [that] came my way from the basement of Dr. G. C. Simpson.\" "],"access_subjects_ssim":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"access_subjects_ssm":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"extent_tesim":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.\u003c/p\u003e\n","\u003cp\u003eMaterial is arranged alphabetically except in a few instances where arrangement by date was more appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate."],"bioghist_html_tesm":["\u003cp\u003eJean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. \u003c/p\u003e\n","\u003cp\u003eIn addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book, \u003ci\u003eOrgan Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols\u003c/i\u003e. Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eMWC Today\u003c/i\u003e. \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. \u003c/p\u003e\n","\u003cp\u003eU of Mary Washington. \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed \u003c/p\u003e\n","\u003cp\u003eOctober 30, 2020. U of Mary Washington \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington "],"odd_html_tesm":["\u003cp\u003eNoted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\""],"phystech_html_tesm":["\u003cp\u003eThe library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended."],"scopecontent_html_tesm":["\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e\n","\u003cp\u003eOf particular interest is a collection of letters written by her while she was conducting research across Europe to complete her \u003ci\u003eOrgan Preludes\u003c/i\u003e publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work \u003ci\u003eMissa Universalis\u003c/i\u003e, which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. "],"names_ssim":["University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"corpname_ssim":["University of Mary Washington Special Collections and University Archives"],"names_coll_ssim":["Simpson, Grellet C., 1909-1997"],"persname_ssim":["Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"language_ssim":["Contains songs written in German, French, and Russian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:28:49.921Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifrem_repositories_2_resources_21","ead_ssi":"vifrem_repositories_2_resources_21","_root_":"vifrem_repositories_2_resources_21","_nest_parent_":"vifrem_repositories_2_resources_21","ead_source_url_ssi":"data/oai/MW/repositories_2_resources_21.xml","title_ssm":["Jean Slater Edson Papers"],"title_tesim":["Jean Slater Edson Papers"],"unitdate_ssm":["1929-1984"],"unitdate_inclusive_ssm":["1929-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.0009","/repositories/2/resources/21"],"text":["MSS.0009","/repositories/2/resources/21","Jean Slater Edson Papers","Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals","The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate.","Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington ","Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"","The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.","The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. ","University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W.","Contains songs written in German, French, and Russian."],"unitid_tesim":["MSS.0009","/repositories/2/resources/21"],"normalized_title_ssm":["Jean Slater Edson Papers"],"collection_title_tesim":["Jean Slater Edson Papers"],"collection_ssim":["Jean Slater Edson Papers"],"repository_ssm":["University of Mary Washington"],"repository_ssim":["University of Mary Washington"],"creator_ssm":["Edson, Jean Slater"],"creator_ssim":["Edson, Jean Slater"],"creator_persname_ssim":["Edson, Jean Slater"],"creators_ssim":["Edson, Jean Slater"],"acqinfo_ssim":["The first documented instance of a donation to this collection was on May 19, 1971, when Mary Washington College associate professor Jean Slater Edson donated recital programs as well as her organ arrangement of the University of Mary Washington's \"Alma Mater.\" The next series of donations occurred about ten years later and were given by Barbara Alden, Jean Slater Edson's friend and MWC's archivist at the time. On May 16, 1983, Alden donated some letters addressed to her from Mrs. Slater Edson; on November 01, 1984, she donated a revised score of Jean Slater Edson's original piece \"From Age to Age\"; and then on September 23, 1985, shortly after Mrs. Slater Edson's passing, she donated more correspondence.  ","There exists correspondence dated August 16, 1999, where James Baker, the then conductor of the Mary Washington College and Community Orchestra, writes about how he would like to donate some \"materials (original music compositions [of Edson's]… [that] came my way from the basement of Dr. G. C. Simpson.\" "],"access_subjects_ssim":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"access_subjects_ssm":["Composition (Music)","Organ music, Arranged","Keyboard instrument music, Arranged","Musicals"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"extent_tesim":["3 Linear Feet 2 upright legal-size document boxes (Box 1 and 2) and one flat storage box (Box 3). All oversize material is located in Box 3."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.\u003c/p\u003e\n","\u003cp\u003eMaterial is arranged alphabetically except in a few instances where arrangement by date was more appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series: 1) Musical Compositions, 2) Correspondence, 3) Printed Materials, 4) Unpublished Materials, and 5) Audio-Visual and Ephemera. The bulk of the collection consists of Professor Edson's written music, which has been arranged into sub-series to reflect the nature of the compositions and instrumentation.","Material is arranged alphabetically except in a few instances where arrangement by date was more appropriate."],"bioghist_html_tesm":["\u003cp\u003eJean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. \u003c/p\u003e\n","\u003cp\u003eIn addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book, \u003ci\u003eOrgan Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols\u003c/i\u003e. Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eMWC Today\u003c/i\u003e. \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. \u003c/p\u003e\n","\u003cp\u003eU of Mary Washington. \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed \u003c/p\u003e\n","\u003cp\u003eOctober 30, 2020. U of Mary Washington \u003c/p\u003e\n","\u003cp\u003e\u003ci\u003eThe Bullet\u003c/i\u003e. \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jean Slater Edson was an associate professor of music and physics at Mary Washington College, which has since been renamed the University of Mary Washington. Born on December 22, 1906, as Jean Slater, she grew to be equally interested in science and music. This passion led her to pursue both topics in higher education. Jean Slater began her education by obtaining a liberal arts degree from Vassar College, a Bachelor of Music with a minor in both science and math. From there, she pursued a Master of Arts of Music at Columbia University, where she also studied physics and earned a music fellowship abroad in Vienna, Austria. Jean Slater became Associate Professor of Music at Mary Washington College in 1947. After her first thirteen years of teaching there, she was additionally hired as a part-time professor of physics. Later, she would evenly split her time between her organ studio and physics labs at MWC. During her time at MWC, she married Andrew W. Edson and garnered the name that she would be known by today and in history: Jean Slater Edson. Likewise, some accounts and records of her refer to her as \"Mrs. Andrew W. Edson,\" denoting her status as married. Despite teaching at MWC, Edson was also an active member of the American Guild of Organists, which she held an Associate Degree and a Choir Master degree within. She retired from teaching at MWC in 1972 and died due to declining health on September 19, 1985. ","In addition to her research for physics, Edson also researched music and wrote composition pieces of a large variety. Her most well-known non-composition work is her book,  Organ Preludes: An Index to Compositions on Hymn Tunes, Chorales, Plainsong Melodies, Gregorian Tunes, and Carols . Edson wrote this with other organ players, like herself, in mind; she wanted other organists to have a good reference to the vast world of the instrument's repertoire. Her book outlines and cross-indexes over 3,000 different organ pieces for this purpose, and it was published by Scarecrow Press in 1970. Regarding compositional music, her two most popular pieces among the Fredericksburg community are those that she dedicated to Dr. Grellet C. Simpson, MWC Chancellor from 1956 to 1974. The first one titled \"Fanfare on G.C.S.\" for organ was composed for Dr. Simpson's inauguration, and the other one, titled \"From Age to Age\" for women's choir and organ, was composed for the tenth-year anniversary of his position. Other notable compositions by her include \"Missa Universalis,\" a work for men's choir, solo baritone, and organ that was commissioned and premiered by the Dartmouth College Glee Club, which had nearly fifty members at that time. ","Sources: ","MWC Today . \"In Memory of Jean Slater Edson.\" Winter 1986, 10. Accessed October 30, 2020. ","U of Mary Washington. ","The Bullet . \"MW College Will Offer Physics Major Next Year.\" February 19, 1960, 5. Accessed ","October 30, 2020. U of Mary Washington ","The Bullet . \"Mrs. Edson is Composer.\" November 16, 1963, 3. Accessed October 30, 2020. U of Mary Washington "],"odd_html_tesm":["\u003cp\u003eNoted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\"\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Noted on record: \"National Presbyterian Church Choir. Theodore Schaefer, Conductor. Paul Callaway, Organist. At Washington Cathedral.\""],"phystech_html_tesm":["\u003cp\u003eThe library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The library is not equipped with the appropriate technology to play the record or to transfer to digital. At this time, the record in this series is available only as an artifact and cannot be used as intended."],"scopecontent_html_tesm":["\u003cp\u003eThe Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. \u003c/p\u003e\n","\u003cp\u003eOf particular interest is a collection of letters written by her while she was conducting research across Europe to complete her \u003ci\u003eOrgan Preludes\u003c/i\u003e publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work \u003ci\u003eMissa Universalis\u003c/i\u003e, which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Jean Slater Edson papers span 3 boxes that contain her original music manuscripts, programs or news clippings that she was featured in, correspondence regarding her personal life and music, a vinyl of her original music, and other miscellaneous items that pertain to her. The dated materials span 1929 to 1984. Although the majority of her compositions are undated, most of her dated works were created during her time as a teacher at Mary Washington College. Additionally, most correspondence and publications in this collection are in reference to the publishing process for some of Jean Slater Edson's musical works while she was residing in the Northern Virginia/DC area. ","Of particular interest is a collection of letters written by her while she was conducting research across Europe to complete her  Organ Preludes  publication. These letters are addressed to both the family of MWC's former Chancellor, Dr. Simpson, and MWC's first archivist, Barbara Alden, and they document her journey through Germany, Denmark, and England. Some other items that are of note are the score and papers surrounding her large-scale work  Missa Universalis , which include correspondence, a performance program, a newspaper article, and various other documents that denote Jean Slater Edson's creative process for the piece as well as its public reception. "],"names_ssim":["University of Mary Washington Special Collections and University Archives","Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"corpname_ssim":["University of Mary Washington Special Collections and University Archives"],"names_coll_ssim":["Simpson, Grellet C., 1909-1997"],"persname_ssim":["Edson, Jean Slater","Simpson, Grellet C., 1909-1997","Raplee, Elizabeth Virginia","Berkowitz, Albert M., 1921-2015","Edson, Andrew W."],"language_ssim":["Contains songs written in German, French, and Russian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":118,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:28:49.921Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifrem_repositories_2_resources_21"}},{"id":"wvmturhc_repositories_2_resources_3915","type":"collection","attributes":{"title":"John Beall, Professor of Music, Papers","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#creator","type":"document_value","attributes":{"value":"Beall, John, 1942-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3915","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3915.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197712","title_ssm":["John Beall, Professor of Music, Papers"],"title_tesim":["John Beall, Professor of Music, Papers"],"unitdate_ssm":["circa 1957-2014"],"unitdate_inclusive_ssm":["circa 1957-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"text":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915","John Beall, Professor of Music, Papers","Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music","Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor.","[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105","Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Includes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).","Includes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.","Includes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.","Includes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.","Includes assorted programs and newspaper clippings from various years (1979-1993).","Includes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.","Includes correspondence with various universities, various churches and religious organizations, letter to the editor of the  Daily Athenaeum , music publishers, and others.","Includes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.","Includes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.","Includes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.","Includes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.","Includes materials related to Thomas Canning and his memorial concert.","Includes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.","Includes various clippings and programs.","Includes request for the usage of the novel rights.","Includes correspondence within WVU and other professional correspondence.","Includes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.","Includes programs and related documents.","Includes programs from performances from 1997 season.","Contains printed correspondence and various performance reviews.","Includes programs, clippings, and faculty evaluation information.","Includes information on programming and classes for Summer 2003.","Includes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.","Includes some programs and clippings, many printed emails, and evaluation information.","Includes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].","Includes realized figured bass (Basso Continuo) part for named piece [4 sheets].","Includes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \" Ethan Frome : Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.","Includes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.","Includes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".","Includes dedication and SSATTB sheet music.","Includes manuscript original and 8 xeroxed copies.","Includes manuscript original score and assorted parts.","Includes manuscript original and photocopy.","Includes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".","Includes original sketch manuscript and printing master copies.","Includes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.","Includes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).","Includes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from  Ethan Frome  (2 Pianos)\" (1997).","Includes a printed Piano score, soloist sheet music, and program notes.","Includes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"","Includes printing originals and vocal scores.","Includes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"","Includes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.","Includes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from  Ethan Frome  (1997).","Includes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"","Includes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.","Includes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.","An unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).","Includes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"","Works include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].","Works include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.","Includes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.","Includes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Beall, John, 1942-","English \n.    "],"unitid_tesim":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"normalized_title_ssm":["John Beall, Professor of Music, Papers"],"collection_title_tesim":["John Beall, Professor of Music, Papers"],"collection_ssim":["John Beall, Professor of Music, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Beall, John, 1942-","Beall, John, 1942-"],"creator_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creator_persname_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creators_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Beall, John, 2014 July 21"],"access_subjects_ssim":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"access_subjects_ssm":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"has_online_content_ssim":["false"],"extent_ssm":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"extent_tesim":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"genreform_ssim":["Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eFaculty evaluations are restricted for 75 years from the date of creation.  These are included in:\u003clb\u003e\u003c/lb\u003e\nBox 1, folders 12-13, 18-20, 26\u003clb\u003e\u003c/lb\u003e\nBox 2, folders 16-17, 19, 28-30\u003clb\u003e\u003c/lb\u003e\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\u003clb\u003e\u003c/lb\u003e\nBox 13b, item 1\u003clb\u003e\u003c/lb\u003e\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.\u003clb\u003e\u003c/lb\u003e Restriction will be completely lifted in 2088 or upon the permission of the donor.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor."],"bioghist_html_tesm":["\u003cp\u003e[Information from WVU website.]\u003c/p\u003e\n","\u003cp\u003eJohn Beall \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eProfessor – Composition \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eComposer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.\u003c/p\u003e\n","\u003cp\u003eBeall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.\u003c/p\u003e\n","\u003cp\u003eIn 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.\u003c/p\u003e\n","\u003cp\u003eList of Works:\u003c/p\u003e\n","\u003cp\u003eLarge Ensembles:\u003c/p\u003e\n","\u003cp\u003eEssay for Orchestra, 1964-1965\u003clb\u003e\u003c/lb\u003e\nSongs of Autumn, 1965-1966\u003clb\u003e\u003c/lb\u003e\nLament for Those Lost in the War, 1972\u003clb\u003e\u003c/lb\u003e\nConcerto for Piano and Wind Orchestra, 1973\u003clb\u003e\u003c/lb\u003e\nConcerto for Brass Quintet and Wind Orchestra, 1978\u003clb\u003e\u003c/lb\u003e\nCelebration Music, 1985\u003clb\u003e\u003c/lb\u003e\nSymphony No. 1, 1985\u003clb\u003e\u003c/lb\u003e\nMountain Music, 1987\u003clb\u003e\u003c/lb\u003e\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\u003clb\u003e\u003c/lb\u003e\nCortege, Processional for Orchestra, 1991\u003clb\u003e\u003c/lb\u003e\nConcerto for Violin and Orchestra, 1998\u003c/p\u003e\n","\u003cp\u003eChoral/Vocal:\u003c/p\u003e\n","\u003cp\u003eSongs of Autumn (in piano reduction), 1966\u003clb\u003e\u003c/lb\u003e\nRilke Songs, 1974\u003clb\u003e\u003c/lb\u003e\nHammarskjold Songs, 1967-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 51, SATB, 1977\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book I, 1982-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 19, SATB with organ, 1988\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book II, 1988\u003clb\u003e\u003c/lb\u003e\nThe Lord Is Good, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nPsalm 84, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\u003clb\u003e\u003c/lb\u003e\nRide On, Ride On, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nCome, Thou Holy Spirit, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book III,1993\u003clb\u003e\u003c/lb\u003e\n\u003ctitle\u003e\u003cpart\u003eEthan Frome, Opera in Two Acts\u003c/part\u003e\u003c/title\u003e, 1994-1997\u003c/p\u003e\n","\u003cp\u003eKeyboard:\u003c/p\u003e\n","\u003cp\u003eSonatina, 1966\u003clb\u003e\u003c/lb\u003e\nPartita, 1967\u003clb\u003e\u003c/lb\u003e\nAria and Variations, 1969-1972\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops, 1977\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy, 1980\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands, 1981\u003clb\u003e\u003c/lb\u003e\nHarpsichord Fantasy, 1982\u003clb\u003e\u003c/lb\u003e\nSummer Pieces, 1984\u003clb\u003e\u003c/lb\u003e\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\u003clb\u003e\u003c/lb\u003e\nSonata for Piano, 1992-1994\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Alto Saxophone and Piano, 1974\u003clb\u003e\u003c/lb\u003e\nSonata for Violin and Piano, 1976\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet, 1976\u003clb\u003e\u003c/lb\u003e\nString Quartet, 1982\u003clb\u003e\u003c/lb\u003e\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\u003clb\u003e\u003c/lb\u003e\nSonata for Cello and Piano, 1984\u003clb\u003e\u003c/lb\u003e\nCelebration Fanfare, 1986\u003clb\u003e\u003c/lb\u003e\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\u003clb\u003e\u003c/lb\u003e\nTrio for Violin, Cello, and Piano, 1991\u003clb\u003e\u003c/lb\u003e\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\u003clb\u003e\u003c/lb\u003e\nWhitewater, for woodwind quintet \u0026amp; string quartet, 1994\u003clb\u003e\u003c/lb\u003e\nBreakers, for Flute and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nWondrous Love: Variations for Viola and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\u003clb\u003e\u003c/lb\u003e\nThe River, for string Quartet, 2000\u003c/p\u003e\n","\u003cp\u003eList of Recorded Works:\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eWhitewater\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSonata for Violoncello and Piano\u003clb\u003e\u003c/lb\u003e\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nShaker Tunes: Free Variations for Woodwind Sextet\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nBarn Dance from Mountain Music\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet\u003clb\u003e\u003c/lb\u003e\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255\u003c/p\u003e\n","\u003cp\u003ePiano Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Piano\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands\u003clb\u003e\u003c/lb\u003e\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026amp;M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e","\u003cp\u003eIncludes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).\u003c/p\u003e","\u003cp\u003eIncludes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.\u003c/p\u003e","\u003cp\u003eIncludes assorted programs and newspaper clippings from various years (1979-1993).\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with various universities, various churches and religious organizations, letter to the editor of the \u003ctitle\u003e\u003cpart\u003eDaily Athenaeum\u003c/part\u003e\u003c/title\u003e, music publishers, and others.\u003c/p\u003e","\u003cp\u003eIncludes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.\u003c/p\u003e","\u003cp\u003eIncludes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.\u003c/p\u003e","\u003cp\u003eIncludes materials related to Thomas Canning and his memorial concert.\u003c/p\u003e","\u003cp\u003eIncludes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.\u003c/p\u003e","\u003cp\u003eIncludes various clippings and programs.\u003c/p\u003e","\u003cp\u003eIncludes request for the usage of the novel rights.\u003c/p\u003e","\u003cp\u003eIncludes correspondence within WVU and other professional correspondence.\u003c/p\u003e","\u003cp\u003eIncludes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.\u003c/p\u003e","\u003cp\u003eIncludes programs and related documents.\u003c/p\u003e","\u003cp\u003eIncludes programs from performances from 1997 season.\u003c/p\u003e","\u003cp\u003eContains printed correspondence and various performance reviews.\u003c/p\u003e","\u003cp\u003eIncludes programs, clippings, and faculty evaluation information.\u003c/p\u003e","\u003cp\u003eIncludes information on programming and classes for Summer 2003.\u003c/p\u003e","\u003cp\u003eIncludes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.\u003c/p\u003e","\u003cp\u003eIncludes some programs and clippings, many printed emails, and evaluation information.\u003c/p\u003e","\u003cp\u003eIncludes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].\u003c/p\u003e","\u003cp\u003eIncludes realized figured bass (Basso Continuo) part for named piece [4 sheets].\u003c/p\u003e","\u003cp\u003eIncludes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \"\u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e: Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.\u003c/p\u003e","\u003cp\u003eIncludes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.\u003c/p\u003e","\u003cp\u003eIncludes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".\u003c/p\u003e","\u003cp\u003eIncludes dedication and SSATTB sheet music.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original and 8 xeroxed copies.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original score and assorted parts.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original and photocopy.\u003c/p\u003e","\u003cp\u003eIncludes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".\u003c/p\u003e","\u003cp\u003eIncludes original sketch manuscript and printing master copies.\u003c/p\u003e","\u003cp\u003eIncludes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.\u003c/p\u003e","\u003cp\u003eIncludes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).\u003c/p\u003e","\u003cp\u003eIncludes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e (2 Pianos)\" (1997).\u003c/p\u003e","\u003cp\u003eIncludes a printed Piano score, soloist sheet music, and program notes.\u003c/p\u003e","\u003cp\u003eIncludes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"\u003c/p\u003e","\u003cp\u003eIncludes printing originals and vocal scores.\u003c/p\u003e","\u003cp\u003eIncludes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"\u003c/p\u003e","\u003cp\u003eIncludes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.\u003c/p\u003e","\u003cp\u003eIncludes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e (1997).\u003c/p\u003e","\u003cp\u003eIncludes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"\u003c/p\u003e","\u003cp\u003eIncludes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.\u003c/p\u003e","\u003cp\u003eAn unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).\u003c/p\u003e","\u003cp\u003eIncludes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"\u003c/p\u003e","\u003cp\u003eWorks include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].\u003c/p\u003e","\u003cp\u003eWorks include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.\u003c/p\u003e","\u003cp\u003eIncludes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.\u003c/p\u003e","\u003cp\u003eIncludes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Includes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).","Includes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.","Includes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.","Includes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.","Includes assorted programs and newspaper clippings from various years (1979-1993).","Includes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.","Includes correspondence with various universities, various churches and religious organizations, letter to the editor of the  Daily Athenaeum , music publishers, and others.","Includes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.","Includes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.","Includes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.","Includes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.","Includes materials related to Thomas Canning and his memorial concert.","Includes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.","Includes various clippings and programs.","Includes request for the usage of the novel rights.","Includes correspondence within WVU and other professional correspondence.","Includes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.","Includes programs and related documents.","Includes programs from performances from 1997 season.","Contains printed correspondence and various performance reviews.","Includes programs, clippings, and faculty evaluation information.","Includes information on programming and classes for Summer 2003.","Includes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.","Includes some programs and clippings, many printed emails, and evaluation information.","Includes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].","Includes realized figured bass (Basso Continuo) part for named piece [4 sheets].","Includes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \" Ethan Frome : Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.","Includes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.","Includes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".","Includes dedication and SSATTB sheet music.","Includes manuscript original and 8 xeroxed copies.","Includes manuscript original score and assorted parts.","Includes manuscript original and photocopy.","Includes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".","Includes original sketch manuscript and printing master copies.","Includes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.","Includes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).","Includes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from  Ethan Frome  (2 Pianos)\" (1997).","Includes a printed Piano score, soloist sheet music, and program notes.","Includes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"","Includes printing originals and vocal scores.","Includes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"","Includes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.","Includes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from  Ethan Frome  (1997).","Includes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"","Includes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.","Includes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.","An unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).","Includes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"","Works include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].","Works include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.","Includes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.","Includes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ad3970589b0c68f1179d53d9715f39b0\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Beall, John, 1942-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"persname_ssim":["Beall, John, 1942-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":442,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:32:40.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3915","ead_ssi":"wvmturhc_repositories_2_resources_3915","_root_":"wvmturhc_repositories_2_resources_3915","_nest_parent_":"wvmturhc_repositories_2_resources_3915","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3915.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197712","title_ssm":["John Beall, Professor of Music, Papers"],"title_tesim":["John Beall, Professor of Music, Papers"],"unitdate_ssm":["circa 1957-2014"],"unitdate_inclusive_ssm":["circa 1957-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"text":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915","John Beall, Professor of Music, Papers","Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music","Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor.","[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105","Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Includes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).","Includes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.","Includes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.","Includes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.","Includes assorted programs and newspaper clippings from various years (1979-1993).","Includes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.","Includes correspondence with various universities, various churches and religious organizations, letter to the editor of the  Daily Athenaeum , music publishers, and others.","Includes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.","Includes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.","Includes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.","Includes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.","Includes materials related to Thomas Canning and his memorial concert.","Includes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.","Includes various clippings and programs.","Includes request for the usage of the novel rights.","Includes correspondence within WVU and other professional correspondence.","Includes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.","Includes programs and related documents.","Includes programs from performances from 1997 season.","Contains printed correspondence and various performance reviews.","Includes programs, clippings, and faculty evaluation information.","Includes information on programming and classes for Summer 2003.","Includes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.","Includes some programs and clippings, many printed emails, and evaluation information.","Includes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].","Includes realized figured bass (Basso Continuo) part for named piece [4 sheets].","Includes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \" Ethan Frome : Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.","Includes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.","Includes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".","Includes dedication and SSATTB sheet music.","Includes manuscript original and 8 xeroxed copies.","Includes manuscript original score and assorted parts.","Includes manuscript original and photocopy.","Includes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".","Includes original sketch manuscript and printing master copies.","Includes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.","Includes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).","Includes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from  Ethan Frome  (2 Pianos)\" (1997).","Includes a printed Piano score, soloist sheet music, and program notes.","Includes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"","Includes printing originals and vocal scores.","Includes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"","Includes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.","Includes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from  Ethan Frome  (1997).","Includes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"","Includes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.","Includes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.","An unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).","Includes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"","Works include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].","Works include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.","Includes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.","Includes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Beall, John, 1942-","English \n.    "],"unitid_tesim":["A\u0026M 5185","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3915"],"normalized_title_ssm":["John Beall, Professor of Music, Papers"],"collection_title_tesim":["John Beall, Professor of Music, Papers"],"collection_ssim":["John Beall, Professor of Music, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Beall, John, 1942-","Beall, John, 1942-"],"creator_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creator_persname_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"creators_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Beall, John, 2014 July 21"],"access_subjects_ssim":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"access_subjects_ssm":["Composition teachers (Music)","Composition (Music)","Composers -- United States","Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"has_online_content_ssim":["false"],"extent_ssm":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"extent_tesim":["14.5 Linear Feet 9 document cases, 5 in. each; 1 document case, 2.5 in.; 6 record cartons, 15 in. each; 1 flat storage box, 1.5 in.; 10 flat storage boxes, 3.5 in. each"],"genreform_ssim":["Musical sketches","Music -- Manuscripts","Music -- Manuscripts -- Facsimiles","Piano music (4 hands)","Dramatic music","Orchestral music","Band music"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eFaculty evaluations are restricted for 75 years from the date of creation.  These are included in:\u003clb\u003e\u003c/lb\u003e\nBox 1, folders 12-13, 18-20, 26\u003clb\u003e\u003c/lb\u003e\nBox 2, folders 16-17, 19, 28-30\u003clb\u003e\u003c/lb\u003e\nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30\u003clb\u003e\u003c/lb\u003e\nBox 13b, item 1\u003clb\u003e\u003c/lb\u003e\nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.\u003clb\u003e\u003c/lb\u003e Restriction will be completely lifted in 2088 or upon the permission of the donor.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Faculty evaluations are restricted for 75 years from the date of creation.  These are included in: \nBox 1, folders 12-13, 18-20, 26 \nBox 2, folders 16-17, 19, 28-30 \nBox 3, folders 1-4, 6-8, 14-15, 21, 27-30 \nBox 13b, item 1 \nDue to the vast date range of these materials, restrictions can be lifted on a folder-by-folder basis starting in 2047.  Restriction will be completely lifted in 2088 or upon the permission of the donor."],"bioghist_html_tesm":["\u003cp\u003e[Information from WVU website.]\u003c/p\u003e\n","\u003cp\u003eJohn Beall \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eProfessor – Composition \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eComposer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.\u003c/p\u003e\n","\u003cp\u003eBeall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.\u003c/p\u003e\n","\u003cp\u003eIn 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.\u003c/p\u003e\n","\u003cp\u003eList of Works:\u003c/p\u003e\n","\u003cp\u003eLarge Ensembles:\u003c/p\u003e\n","\u003cp\u003eEssay for Orchestra, 1964-1965\u003clb\u003e\u003c/lb\u003e\nSongs of Autumn, 1965-1966\u003clb\u003e\u003c/lb\u003e\nLament for Those Lost in the War, 1972\u003clb\u003e\u003c/lb\u003e\nConcerto for Piano and Wind Orchestra, 1973\u003clb\u003e\u003c/lb\u003e\nConcerto for Brass Quintet and Wind Orchestra, 1978\u003clb\u003e\u003c/lb\u003e\nCelebration Music, 1985\u003clb\u003e\u003c/lb\u003e\nSymphony No. 1, 1985\u003clb\u003e\u003c/lb\u003e\nMountain Music, 1987\u003clb\u003e\u003c/lb\u003e\nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994)\u003clb\u003e\u003c/lb\u003e\nCortege, Processional for Orchestra, 1991\u003clb\u003e\u003c/lb\u003e\nConcerto for Violin and Orchestra, 1998\u003c/p\u003e\n","\u003cp\u003eChoral/Vocal:\u003c/p\u003e\n","\u003cp\u003eSongs of Autumn (in piano reduction), 1966\u003clb\u003e\u003c/lb\u003e\nRilke Songs, 1974\u003clb\u003e\u003c/lb\u003e\nHammarskjold Songs, 1967-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 51, SATB, 1977\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book I, 1982-1983\u003clb\u003e\u003c/lb\u003e\nPsalm 19, SATB with organ, 1988\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book II, 1988\u003clb\u003e\u003c/lb\u003e\nThe Lord Is Good, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nPsalm 84, SATB with organ, 1989\u003clb\u003e\u003c/lb\u003e\nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991\u003clb\u003e\u003c/lb\u003e\nRide On, Ride On, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nCome, Thou Holy Spirit, SATB with organ, 1991\u003clb\u003e\u003c/lb\u003e\nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992\u003clb\u003e\u003c/lb\u003e\nMerwin Songs: Book III,1993\u003clb\u003e\u003c/lb\u003e\n\u003ctitle\u003e\u003cpart\u003eEthan Frome, Opera in Two Acts\u003c/part\u003e\u003c/title\u003e, 1994-1997\u003c/p\u003e\n","\u003cp\u003eKeyboard:\u003c/p\u003e\n","\u003cp\u003eSonatina, 1966\u003clb\u003e\u003c/lb\u003e\nPartita, 1967\u003clb\u003e\u003c/lb\u003e\nAria and Variations, 1969-1972\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops, 1977\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy, 1980\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands, 1981\u003clb\u003e\u003c/lb\u003e\nHarpsichord Fantasy, 1982\u003clb\u003e\u003c/lb\u003e\nSummer Pieces, 1984\u003clb\u003e\u003c/lb\u003e\nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988\u003clb\u003e\u003c/lb\u003e\nSonata for Piano, 1992-1994\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Alto Saxophone and Piano, 1974\u003clb\u003e\u003c/lb\u003e\nSonata for Violin and Piano, 1976\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet, 1976\u003clb\u003e\u003c/lb\u003e\nString Quartet, 1982\u003clb\u003e\u003c/lb\u003e\nTrio Fantasy for Oboe, Bassoon, and Piano, 1981\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982\u003clb\u003e\u003c/lb\u003e\nSonata for Cello and Piano, 1984\u003clb\u003e\u003c/lb\u003e\nCelebration Fanfare, 1986\u003clb\u003e\u003c/lb\u003e\nVariations on John Henry, for Three Violins (Intermediate Level), 1987\u003clb\u003e\u003c/lb\u003e\nTrio for Violin, Cello, and Piano, 1991\u003clb\u003e\u003c/lb\u003e\nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone)\u003clb\u003e\u003c/lb\u003e\nWhitewater, for woodwind quintet \u0026amp; string quartet, 1994\u003clb\u003e\u003c/lb\u003e\nBreakers, for Flute and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nWondrous Love: Variations for Viola and Piano, 1999\u003clb\u003e\u003c/lb\u003e\nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999\u003clb\u003e\u003c/lb\u003e\nThe River, for string Quartet, 2000\u003c/p\u003e\n","\u003cp\u003eList of Recorded Works:\u003c/p\u003e\n","\u003cp\u003eChamber Music:\u003c/p\u003e\n","\u003cp\u003eWhitewater\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nOn Chestnut Ridge\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSonata for Violoncello and Piano\u003clb\u003e\u003c/lb\u003e\nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nShaker Tunes: Free Variations for Woodwind Sextet\u003clb\u003e\u003c/lb\u003e\nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nBarn Dance from Mountain Music\u003clb\u003e\u003c/lb\u003e\nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104\u003clb\u003e\u003c/lb\u003e\nSextet for Piano and Woodwind Quintet\u003clb\u003e\u003c/lb\u003e\nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255\u003c/p\u003e\n","\u003cp\u003ePiano Music:\u003c/p\u003e\n","\u003cp\u003eSonata for Piano\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer)\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nPiano Fantasy\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nBlack Raindrops\u003clb\u003e\u003c/lb\u003e\nSteven Herbert Smith, piano -- on Cambria CD1105\u003clb\u003e\u003c/lb\u003e\nCapriccio for Piano 4 Hands\u003clb\u003e\u003c/lb\u003e\nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["[Information from WVU website.]","John Beall ","Professor – Composition ","Composer-in-Residence\n    \nComposer John Beall studied composition at Baylor University with Charles Eakin and Richard Willis, and completed doctoral study at the Eastman School of Music, where he was a student of Samuel Adler. In 1972 he received the Louis Lane Prize for his orchestral work, Lament for Those Lost in the War, and in 1973, the Howard Hanson Prize for his Concerto for Piano and Wind Orchestra. Since 1978, Dr. Beall has been Professor of Music and Composer-in-Residence at West Virginia University. Summers since 1992 have been spent teaching at the Interlochen Center for the Arts in Michigan.","Beall has received commissions from the National Endowment for the Arts (two awards), several universities, the West Virginia Music Teachers Association (Composer of the Year, 1981), Radiological Consultants Association of West Virginia, and the West Virginia Symphony Orchestra. Performances have come from the Dallas, Rochester, Pittsburgh, and West Virginia Symphonies, the Bach Choir of Pittsburgh, chamber organizations such as the Interlochen Faculty Players, Quorum, Pittsburgh New Music Ensemble, Claremont Quintet, Laureate Wind Quintet, Rutgers Wind Quintet, Georgia Wind Quintet, Savannah Wind Quintet, Aeolian Chamber Players, and various university ensembles and professional soloists.","In 1985, Beall completed his Symphony No.1 while a fellow at the Rockefeller Foundation's Study and Conference Center at Bellagio, Italy, and at Yaddo, Saratoga Springs, N.Y. The work was premiered by the West Virginia University Symphony Orchestra under Rachael Worby in 1986. In 1990, he was named Benedum Distinguished Scholar for the Arts and Humanities by West Virginia University. He is an annual winner of Serious Music Awards from the American Society of Composers, Authors, and Publishers (ASCAP). His two-act opera based on Edith Wharton's novel  Ethan Frome  was performed as a part of the Centennial celebrations of the West Virginia University School of Music in November 1997, and recorded for video broadcast over Public Television. His music is published by MMB Music, Inc., Carl Fischer, and Southern Music Co. Recordings are on Crystal Records and Cambria Master Recordings. He is a member of ASCAP, Music Teachers National Association (MTNA), Society of Composers (SCI, Region III), and Phi Mu Alpha Sinfonia.","List of Works:","Large Ensembles:","Essay for Orchestra, 1964-1965 \nSongs of Autumn, 1965-1966 \nLament for Those Lost in the War, 1972 \nConcerto for Piano and Wind Orchestra, 1973 \nConcerto for Brass Quintet and Wind Orchestra, 1978 \nCelebration Music, 1985 \nSymphony No. 1, 1985 \nMountain Music, 1987 \nConcerto for Alto Saxophone and Orchestra, 1990-1991 (also scored for wind orchestra, 1994) \nCortege, Processional for Orchestra, 1991 \nConcerto for Violin and Orchestra, 1998","Choral/Vocal:","Songs of Autumn (in piano reduction), 1966 \nRilke Songs, 1974 \nHammarskjold Songs, 1967-1983 \nPsalm 51, SATB, 1977 \nMerwin Songs: Book I, 1982-1983 \nPsalm 19, SATB with organ, 1988 \nMerwin Songs: Book II, 1988 \nThe Lord Is Good, SATB with organ, 1989 \nPsalm 84, SATB with organ, 1989 \nAnglican Mass, STB solo, SATB, organ, and orchestra, 1978-1991 \nRide On, Ride On, SATB with organ, 1991 \nCome, Thou Holy Spirit, SATB with organ, 1991 \nAll Praise Be Thine, O Risen Christ, SATB with organ, 1992 \nMerwin Songs: Book III,1993 Ethan Frome, Opera in Two Acts , 1994-1997","Keyboard:","Sonatina, 1966 \nPartita, 1967 \nAria and Variations, 1969-1972 \nBlack Raindrops, 1977 \nPiano Fantasy, 1980 \nCapriccio for Piano 4 Hands, 1981 \nHarpsichord Fantasy, 1982 \nSummer Pieces, 1984 \nToccata and Fugue on Deus Tuorum Militum, for Organ, 1988 \nSonata for Piano, 1992-1994","Chamber Music:","Sonata for Alto Saxophone and Piano, 1974 \nSonata for Violin and Piano, 1976 \nSextet for Piano and Woodwind Quintet, 1976 \nString Quartet, 1982 \nTrio Fantasy for Oboe, Bassoon, and Piano, 1981 \nOn Chestnut Ridge, Quartet for Violin, Clarinet, Cello, and Piano, 1982 \nSonata for Cello and Piano, 1984 \nCelebration Fanfare, 1986 \nVariations on John Henry, for Three Violins (Intermediate Level), 1987 \nTrio for Violin, Cello, and Piano, 1991 \nShaker Tunes, Free Variations for Woodwind Quintet, 1992 (also sextet version with alto saxophone) \nWhitewater, for woodwind quintet \u0026 string quartet, 1994 \nBreakers, for Flute and Piano, 1999 \nWondrous Love: Variations for Viola and Piano, 1999 \nTerra Firma, Trio for Flute, Violoncello, and Piano, 1998-1999 \nThe River, for string Quartet, 2000","List of Recorded Works:","Chamber Music:","Whitewater \nThe Laureate Wind Quintet and the West Virginia University String Quartet, Lawrence Christianson, conductor- on Cambria CD1104 \nOn Chestnut Ridge \nStephen Beall, violin; John Weigand, clarinet; William Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nSonata for Violoncello and Piano \nWilliam Skidmore, violoncello; Carol Beall, piano -- on Cambria CD1104 \nShaker Tunes: Free Variations for Woodwind Sextet \nThe Laureate Wind Quintet with David Hastings, alto saxophone -- on Cambria CD1104 \nBarn Dance from Mountain Music \nStephen Beall, violin; Carol Beall, piano -- on Cambria CD1104 \nSextet for Piano and Woodwind Quintet \nThe Claremont Quintet with Steven Herbert Smith, piano -- on Crystal LP S255","Piano Music:","Sonata for Piano \nSteven Herbert Smith, piano -- on Cambria CD1105 \nSummer Pieces (Glass Stems of the Clouds, Early One Summer, Wolf of Summer) \nSteven Herbert Smith, piano -- on Cambria CD1105 \nPiano Fantasy \nSteven Herbert Smith, piano -- on Cambria CD1105 \nBlack Raindrops \nSteven Herbert Smith, piano -- on Cambria CD1105 \nCapriccio for Piano 4 Hands \nCarol Beall and Lucia Unrau, piano -- on Cambria CD1105"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026amp;M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], John Beall, Professor of Music, Papers, A\u0026M 5185, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.\u003c/p\u003e","\u003cp\u003eIncludes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).\u003c/p\u003e","\u003cp\u003eIncludes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.\u003c/p\u003e","\u003cp\u003eIncludes assorted programs and newspaper clippings from various years (1979-1993).\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with various universities, various churches and religious organizations, letter to the editor of the \u003ctitle\u003e\u003cpart\u003eDaily Athenaeum\u003c/part\u003e\u003c/title\u003e, music publishers, and others.\u003c/p\u003e","\u003cp\u003eIncludes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.\u003c/p\u003e","\u003cp\u003eIncludes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.\u003c/p\u003e","\u003cp\u003eIncludes materials related to Thomas Canning and his memorial concert.\u003c/p\u003e","\u003cp\u003eIncludes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.\u003c/p\u003e","\u003cp\u003eIncludes various clippings and programs.\u003c/p\u003e","\u003cp\u003eIncludes request for the usage of the novel rights.\u003c/p\u003e","\u003cp\u003eIncludes correspondence within WVU and other professional correspondence.\u003c/p\u003e","\u003cp\u003eIncludes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.\u003c/p\u003e","\u003cp\u003eIncludes programs and related documents.\u003c/p\u003e","\u003cp\u003eIncludes programs from performances from 1997 season.\u003c/p\u003e","\u003cp\u003eContains printed correspondence and various performance reviews.\u003c/p\u003e","\u003cp\u003eIncludes programs, clippings, and faculty evaluation information.\u003c/p\u003e","\u003cp\u003eIncludes information on programming and classes for Summer 2003.\u003c/p\u003e","\u003cp\u003eIncludes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.\u003c/p\u003e","\u003cp\u003eIncludes some programs and clippings, many printed emails, and evaluation information.\u003c/p\u003e","\u003cp\u003eIncludes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].\u003c/p\u003e","\u003cp\u003eIncludes realized figured bass (Basso Continuo) part for named piece [4 sheets].\u003c/p\u003e","\u003cp\u003eIncludes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \"\u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e: Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.\u003c/p\u003e","\u003cp\u003eIncludes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.\u003c/p\u003e","\u003cp\u003eIncludes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".\u003c/p\u003e","\u003cp\u003eIncludes dedication and SSATTB sheet music.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original and 8 xeroxed copies.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original score and assorted parts.\u003c/p\u003e","\u003cp\u003eIncludes manuscript original and photocopy.\u003c/p\u003e","\u003cp\u003eIncludes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".\u003c/p\u003e","\u003cp\u003eIncludes original sketch manuscript and printing master copies.\u003c/p\u003e","\u003cp\u003eIncludes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.\u003c/p\u003e","\u003cp\u003eIncludes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).\u003c/p\u003e","\u003cp\u003eIncludes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e (2 Pianos)\" (1997).\u003c/p\u003e","\u003cp\u003eIncludes a printed Piano score, soloist sheet music, and program notes.\u003c/p\u003e","\u003cp\u003eIncludes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"\u003c/p\u003e","\u003cp\u003eIncludes printing originals and vocal scores.\u003c/p\u003e","\u003cp\u003eIncludes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"\u003c/p\u003e","\u003cp\u003eIncludes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.\u003c/p\u003e","\u003cp\u003eIncludes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from \u003ctitle\u003e\u003cpart\u003eEthan Frome\u003c/part\u003e\u003c/title\u003e (1997).\u003c/p\u003e","\u003cp\u003eIncludes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"\u003c/p\u003e","\u003cp\u003eIncludes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.\u003c/p\u003e","\u003cp\u003eAn unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).\u003c/p\u003e","\u003cp\u003eIncludes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"\u003c/p\u003e","\u003cp\u003eWorks include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].\u003c/p\u003e","\u003cp\u003eWorks include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.\u003c/p\u003e","\u003cp\u003eIncludes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.\u003c/p\u003e","\u003cp\u003eIncludes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of West Virginia University professor of music and composer-in-residence John Beall. Includes correspondence, published scores and instrument parts, music manuscripts, composer notes, performance programs, and other materials. Beall's correspondence includes materials regarding his work with the Interlochen Center for the Arts, discussions with colleagues at other institutions, and more.","Includes correspondence from Dr. Beall's time teaching at Southwest Texas State University. Includes correspondence and memorandums relating to SWTSU, as well as correspondence with various other Texas universities (namely Baylor).","Includes correspondence with colleagues at Eastern Illinois University, with colleagues at neighboring universities, and with the WVU music department.","Includes correspondence with Bernard Fauchet [in French] and with various peers, including former colleagues at Eastern Illinois University.","Includes correspondence with M. Bernard Fauchet, correspondence with Alejandro Oyuela, and general professional and WVU correspondence.","Includes assorted programs and newspaper clippings from various years (1979-1993).","Includes correspondence regarding graduate admissions, music reviews, music rentals, the \"Electronic Music Plus Festival,\" performance of Beall's works [namely of \"The Piano Fantasy\" in Paris], and general correspondence.","Includes correspondence with various universities, various churches and religious organizations, letter to the editor of the  Daily Athenaeum , music publishers, and others.","Includes faculty evaluation forms, student evaluations of Dr. Beall, and other assorted programs and documents.","Includes correspondence between colleagues at WVU, WVU memorandums, correspondence regarding the licensing of Beall's compositions, and general correspondence with peers around the country. Documents relating to political lobbying included, as well as documents relating to entrance into an artist's colony.","Includes correspondence regarding sabbatical leave and the state of the University, regarding applications for employment at other universities, with Samuel Adler, with Lawrence Edwards, and with various universities and WVU.","Includes correspondence with prospective graduate students, various universities, and WVU colleagues and WVU memorandums.","Includes materials related to Thomas Canning and his memorial concert.","Includes submissions of compositions for symposia and festivals at various universities, correspondence between colleagues at WVU, WVU memorandums, and correspondence regarding the licensing of Beall's compositions.","Includes various clippings and programs.","Includes request for the usage of the novel rights.","Includes correspondence within WVU and other professional correspondence.","Includes materials regarding nominations for the 2007 Benedum Distinguished Scholar Award.","Includes programs and related documents.","Includes programs from performances from 1997 season.","Contains printed correspondence and various performance reviews.","Includes programs, clippings, and faculty evaluation information.","Includes information on programming and classes for Summer 2003.","Includes various thank-you cards, a program book for the National Flute Association, and a WVU research magazine.","Includes some programs and clippings, many printed emails, and evaluation information.","Includes \"Music for the Holy Eucharist: Rite II\" Treble vocal part for named piece [5 sheets] and a memo sheet advising printing alterations [1 sheet].","Includes realized figured bass (Basso Continuo) part for named piece [4 sheets].","Includes \"Black Raindrops (Study in Repeated Notes)\", 1978; \"Piano Fantasy\", 1980; \"Capriccio for Piano 4 Hands\", 1981; \"Harpsichord Fantasy\", 1982; \"Summer Pieces\", 1983; \" Ethan Frome : Sled Run from Act II, Scene 4: Arranged for Two Pianos by the Composer\", 1997.","Includes Soprano sheet music titled Music for the Holy Eucharist: Rite II (Trinity Mass); Miscellaneous. printing originals; Original manuscript draft; text drafts for Pater Noster and Phos hilaron: O Gracious Light; Miscellaneous. manuscript sketches; xeroxed copies of various movements with pencil commentary; manuscript sketch of Amen chord progressions; letter dated 1978 November 26 addressed to John from [Gary Zuivla]. on Eastern Illinois University letterhead; and xeroxed copies of various movements.","Includes printing master copies of \"Gloria, Kyrie, Sanctus\", and \"Agnus Dei\" and reduced size copies of \"Glory Be to God\".","Includes dedication and SSATTB sheet music.","Includes manuscript original and 8 xeroxed copies.","Includes manuscript original score and assorted parts.","Includes manuscript original and photocopy.","Includes three carols: \"Christo Paremis Canticam\", \"The Blessed Son of God\", and \"Jesu, Fili Virginis\".","Includes original sketch manuscript and printing master copies.","Includes Violin I, Violin II, Viola, Continuo, and Flute music for Aria of Cantata No. 8; 10 programs from performance (1995 December 10) at St. Thomas à Becket Episcopal Church in Morgantown, WV.","Includes five printed copies and an original manuscript of \"Thou\" (circa 1979-1995), four printed copies and a transparent copy of \"Thus It Was\" (1981), three printed copies of \"Body, My Playmate\" (1980), a transparent set of three, and a printed copy of \"Gethsemane\" (1995).","Includes \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1981), \"Harpsichord Fantasy\" (1982), \"Summer Pieces\" (1983), and \"Sled Run from  Ethan Frome  (2 Pianos)\" (1997).","Includes a printed Piano score, soloist sheet music, and program notes.","Includes vellum prints of the whole piece and a printed copy of \"The Song of the Lamb\"","Includes printing originals and vocal scores.","Includes four movements: \"Autumn Day,\" \"To Say Before Going to Sleep,\" \"Autumn,\" and \"Lament.\"","Includes printed score (subtitled \"Free Variations for Woodwind Quintet\") and printed parts.","Includes mixed photocopy of original manuscript and printed sheet music for \"Black Raindrops\" (1978), \"Piano Fantasy\" (1980), \"Capriccio for Piano 4 Hands\" (1982), \"Summer Pieces\" (1983), and \"Sled Run\" from  Ethan Frome  (1997).","Includes printed sheet music for four settings of hymn text: \"From East to West,\" \"Come Ye Disconsolate,\" \"O Christ You Are Both Light and Day,\" and \"All Praise to Thee My God This Night.\"","Includes photocopied manuscript of hymn tunes (\"Glory Be to God\" [SATB and Keyboard] and \"O Sacred Head Now Wounded\" [SATB]) and an \"About the Author\" sheet circa 1973.","Includes photocopies of original manuscript for three Trumpets in C, four Horns in F, three Trombones, and Timpani; manuscript original score; photocopy of manuscript with original mixed voice harmony; original manuscript sketches of piece; and blank staff paper.","An unpublished work consisting of four different sacred-themed pieces: \"The Word,\" \"If Then We Have Been Raised with Christ,\" \"Let Us Love One Another,\" and \"If God Is on Our Side\" (arranged in both C and D major).","Includes assorted parts of various compositions, including \"Ebb,\" \"The Blessed Son of God,\" \"Psalm 103,\" \"Psalm 26,\" \"Collect for Holy Communion\" [for Mixed Chorus, Brass Quintet, and Organ, vocal score], and \"Nowell.\"","Works include: Sonata for Violin and Pianoforte (1966-1967) [2 copies, photocopied and bound score], Episodes for Viola and String Orchestra (1969-1970) [2 copies, printed score], and Sonata No. 2 for Violin and Pianoforte (1968-1970) [printed score].","Works include: \"The Blessed Son of God\" [photocopied manuscript]; \"Jesu, Fili Virginis\" [transparency]; and an untitled handwritten manuscript.","Includes two copies of III (including a handwritten manuscript score), Songs of Autumn (Movement V), and an untitled manuscript.","Includes original manuscripts for I, Dag Hammarskjöld (1961), Quintet [first and second violin, viola, and cello parts] (1964), Quartet No. 2 [cello part], and two untitled pieces."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ad3970589b0c68f1179d53d9715f39b0\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Beall, John, 1942-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Beall, John, 1942-","Beall, John, 1942-"],"persname_ssim":["Beall, John, 1942-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":442,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:32:40.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3915"}},{"id":"vifgm_repositories_2_resources_747","type":"collection","attributes":{"title":"John U. Guillory, Jr. music compositions","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_747#creator","type":"document_value","attributes":{"value":"Guillory, Jr., John Ural, 1940-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_747#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_747#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_747","ead_ssi":"vifgm_repositories_2_resources_747","_root_":"vifgm_repositories_2_resources_747","_nest_parent_":"vifgm_repositories_2_resources_747","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_747.xml","title_filing_ssi":"John U. Guillory, Jr. music compositions","title_ssm":["John U. Guillory, Jr. music compositions"],"title_tesim":["John U. Guillory, Jr. music compositions"],"unitdate_ssm":["1963-2012"],"unitdate_inclusive_ssm":["1963-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0533","/repositories/2/resources/747"],"text":["C0533","/repositories/2/resources/747","John U. Guillory, Jr. music compositions","Music -- 20th century","Composition (Music)","Sheet music","There are no access restrictions.","This is a single folder collection.","The Washington Post . 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.","John Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73.","Processing and finding aid completed by Meghan Glasbrenner in April 2025.","The Special Collections Research Center also holds the  Sam di Bonaventura papers  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript .","A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. 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Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Washington Post . 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html."],"bioghist_html_tesm":["\u003cp\u003eJohn Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.\u003c/p\u003e\n","\u003cp\u003eA physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. 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He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73."],"prefercite_html_tesm":["\u003cp\u003eJohn U. Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["John U. Guillory, Jr. music compositions, C0533, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in April 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in April 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0070\"\u003eSam di Bonaventura papers\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0422\"\u003e\"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  Sam di Bonaventura papers  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_064f6320cfa4d4d296b0037c2147f831\"\u003eA collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.\u003c/abstract\u003e"],"abstract_tesim":["A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c24e115d52d8f065f570c3ab36557bda\"\u003eR 71, C 2, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 5"],"names_ssim":["George Mason University. 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Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.","A physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. He passed away on July 28, 2013 at the age of 73.","Processing and finding aid completed by Meghan Glasbrenner in April 2025.","The Special Collections Research Center also holds the  Sam di Bonaventura papers  and  \"Three solos for the violoncello with accompaniment for a bass\" by Johan Arnold Dahmen music manuscript .","A collection of 36 pieces of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr. between 1963-2012. All musical composition pieces are photocopies of handwritten or typed pieces, some with cover pages and some with accompanying lyrics. Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.","R 71, C 2, S 5","George Mason University. Libraries. Special Collections Research Center","Guillory, Jr., John Ural, 1940-2013","English \n.    "],"unitid_tesim":["C0533","/repositories/2/resources/747"],"normalized_title_ssm":["John U. Guillory, Jr. music compositions"],"collection_title_tesim":["John U. Guillory, Jr. music compositions"],"collection_ssim":["John U. 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Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Washington Post . 2013. \"John U. Guillory Jr., Physicist,\" August 29, 2013. https://www.washingtonpost.com/local/obituaries/john-u-guillory-jr-physicist/2013/08/29/b3865f1c-1032-11e3-bdf6-e4fc677d94a1_story.html."],"bioghist_html_tesm":["\u003cp\u003eJohn Ural Guillory, Jr. was born on July 15, 1940. In the early 1970s, he founded Musica Antiqua, a Medieval and Renaissance musical ensemble, and served as the group's director, musicologist, and wind instrument performer for 25 years, retiring in 1999. Additionally, he served as president of the Washington Early Music Society, performed with the Story Minstrels, and wrote over 30 musical compositions and 20 scholarly works on music history.\u003c/p\u003e\n","\u003cp\u003eA physicist by training, Guillory graduated from Rice University in Houston, Texas in 1962 with a Bachelor of Arts in physics and would go on to receive his Doctor of Philosophy (PhD) in physics from the University of California, Berkely in 1970. As a plasma physicist Dr. Guillory specialized in the study of ion and electron beams, a field with applications in astrophysics, and wrote over 100 publications. He taught at the University of Maryland from 1975-1979, consulted for a number of organizations, including the Naval Research Laboratory, and joined the faculty of George Mason University in 1993. During his time at Geroge Mason he helped develop the graduate program at the Institute for Computational Sciences and Informatics. Dr. Guillory retired in 2008. 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Each composition includes a title, date, attribution, including the names of sources and lyric contributors, and other information required for performance, such as musical instruments, written at the top of the first page. There are possible duplicate copies of a few individual titles."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_064f6320cfa4d4d296b0037c2147f831\"\u003eA collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr.\u003c/abstract\u003e"],"abstract_tesim":["A collection of sheet music composed by former George Mason University professor and physicist Dr. John Ural Guillory, Jr."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c24e115d52d8f065f570c3ab36557bda\"\u003eR 71, C 2, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Guillory, Jr., John Ural, 1940-2013"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Guillory, Jr., John Ural, 1940-2013"],"language_ssim":["English \n.    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The catalogs include strings, woodwinds, percussion, etc.","This file consists of many recommendation letters, letters concerning Robert Stewart's compositions, and personal letters.","This file consists of a lecture by Robert Stewart given at the 'CAC Meeting #4.'","This file consists of miscellanious items, mostly music programs, newspaper clippings, and a photograph of a bride and groom.","This file consists of reviews and notices of Robert Stewart's 'Trio No. 4.' The file also contains two photographs of the Roxbury Chamber Players, who played the piece.","This file consists of material regarding Robert Stewart's trip to Tufts University European Centers in Talloires, France to play in he Montanea Fesival in July 1991.","The file includes: A Lenfest Center folder Commencement Exercises Program, 1983 Fine Arts Division Presentation of Awards Program, June 2, 1993 Letter from John D. Wilson, December 2, 1986 Washington and Lee Concert Guild Program, 1989-90 Washington and Lee fine Arts Calendar of Events","This file consists of letters and documents pertaining to the American Composers Alliance.","This file consists of letters from George Steiner, Director of the American Music Symposium, to Robert Stewart concerning the American University's Contemporary Music Symposium, 1961. It also includes a program list. Robert Stewart's 'Prelude for Strings' was selected to be played at the symposium.","This file consists of letters, programs, notes, and newspaper articles about The Bennington Compersers' Conference. Most of the material is from 1961, 1962, and 1963.","This file consists of programs from Washington and Lee University, Hollins College, and the University of Virginia. It also includes a letter to Stewart from Anne McClenny of Hollins College, Va., a schedule of rehearsals and performances, and a page of financial records. Robert Stewart played the violin in the Blue Ridge Chamber Music Players.","This file consists of four copies of a program from Georgia State College's Fifth Annual Symposium of Contemporary Music for Brass where Robert Stewart's Brass Quintet No. 2 was featured. Brass Quintet No. 2 was commissioned at the 1965-66 Symposium by the Georgia State College Foundation. The file also includes a letter from Walter W. Wich inquiring to buy a copy of Brass Quintet No. 2.","This file consists of Robert Stewart's notes on 'Three Pieces for Brass Quintet,' a program where 'Quintet - 3 Pieces' was performed, and of a review by The Atlanta Constitution.","This file consists of letters to Stewart from The Brevard Music Center, regulations for the Third Annual Composers Symposium at Brevard Music Center, and a poster from the Transylvania Music Camp in Brevard, North Carolina.","This file consists of course assingments, notes, and examination requirements, many from Rizzo School of Music.","This file includes four copies of a program from the 16th Annual Regional Composers Forum at the University of Alabama, where Stewart's 'Fantasia for Viola and Chamber Orchestra' was played.","This file consists of two accounts of a great flood in Lexington as a result of Hurricane Camille in 1969.","This file consists of letters to Robert Stewart from the College and Specialist Bureau concerning opening at various colleges. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. 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