{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026page=2\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026page=2\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":14,"first_page?":true,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_764","type":"collection","attributes":{"title":"Book Baskets records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_764#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eRecords of the Book Baskets (1995-2018; 1.5 cubic feet) consists of meeting agendas, minutes, reports, news clippings, photographs, thank you letters, information on grants, contributors, and general correspondence. The collection is organized into three series.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_764#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_764","ead_ssi":"viu_repositories_3_resources_764","_root_":"viu_repositories_3_resources_764","_nest_parent_":"viu_repositories_3_resources_764","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_764.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/674","title_filing_ssi":"Book Baskets records","title_ssm":["Book Baskets records"],"title_tesim":["Book Baskets records"],"unitdate_ssm":["1995-2018"],"unitdate_inclusive_ssm":["1995-2018"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 15920","Archival Resource Key","/repositories/3/resources/764"],"text":["MSS 15920","Archival Resource Key","/repositories/3/resources/764","Book Baskets records","Color photographs","letters (correspondence)","The collection is open for research use.","Other accessions included in this collection were received on April 8, 2015, July 30, 2015, and November 7, 2016.","The collection is arranged into 3 series: Series 1. Records, Series 2. Thank you cards, Series 3. Grants and partnerships.","Book Baskets, a local nonprofit organization, was the brain child of Mildred Abraham and was established in 1995 with the goal of encouraging reading through book ownership. For over 20 years Book Baskets has been deeply committed to giving new or lightly used books to those children in the Charlottesville, Va. and Albemarle County area who might not otherwise have books of their own. They currently serve over 30 local social service agencies or education programs. On average, they place over 20,000 books per year into the appreciative hands of children. A small bookplate is placed in the front of each book, allowing the recipient to identify the gift book as his or her own.","Source:\nbased on https://bookbaskets.org/","Records of the Book Baskets (1995-2018; 1.5 cubic feet) consists of meeting agendas, minutes, reports, news clippings, photographs, thank you letters, information on grants, contributors, and general correspondence.\nThe collection is organized into three series.","Records include minutes of the Book Baskets meetings, treasury reports, book orders, correspondence, newspaper clippings, and photographs. There are some thank you notes, and grant or partnership information in this series although the majority of them are in their own series.","Mostly hand-made thank you cards from the students who received books from Book Baskets. Other thank you correspondence is included from teachers and partnerships.","Includes donor lists (contributors), and papers from the Scholastic Literacy Partners, Bama works (Dave Mathews Band), First Book Grants, Congregation Beth Israel, Charlottesville Area Community Foundation, and the Dollar General Literacy Foundation documenting their close work with Book Baskets.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 15920","Archival Resource Key","/repositories/3/resources/764"],"normalized_title_ssm":["Book Baskets records"],"collection_title_tesim":["Book Baskets records"],"collection_ssim":["Book Baskets records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Donated by Ann Southwell, 30 July on July 30, 2018."],"access_subjects_ssim":["Color photographs","letters (correspondence)"],"access_subjects_ssm":["Color photographs","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Cubic Feet 3 legal size document boxes"],"extent_tesim":["1.5 Cubic Feet 3 legal size document boxes"],"genreform_ssim":["Color photographs","letters (correspondence)"],"date_range_isim":[1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"accruals_html_tesm":["\u003cp\u003eOther accessions included in this collection were received on April 8, 2015, July 30, 2015, and November 7, 2016.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Other accessions included in this collection were received on April 8, 2015, July 30, 2015, and November 7, 2016."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 3 series: Series 1. Records, Series 2. Thank you cards, Series 3. Grants and partnerships.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 3 series: Series 1. Records, Series 2. Thank you cards, Series 3. Grants and partnerships."],"bioghist_html_tesm":["\u003cp\u003eBook Baskets, a local nonprofit organization, was the brain child of Mildred Abraham and was established in 1995 with the goal of encouraging reading through book ownership. For over 20 years Book Baskets has been deeply committed to giving new or lightly used books to those children in the Charlottesville, Va. and Albemarle County area who might not otherwise have books of their own. They currently serve over 30 local social service agencies or education programs. On average, they place over 20,000 books per year into the appreciative hands of children. A small bookplate is placed in the front of each book, allowing the recipient to identify the gift book as his or her own.\u003c/p\u003e\n","\u003cp\u003eSource:\nbased on https://bookbaskets.org/\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Book Baskets, a local nonprofit organization, was the brain child of Mildred Abraham and was established in 1995 with the goal of encouraging reading through book ownership. For over 20 years Book Baskets has been deeply committed to giving new or lightly used books to those children in the Charlottesville, Va. and Albemarle County area who might not otherwise have books of their own. They currently serve over 30 local social service agencies or education programs. On average, they place over 20,000 books per year into the appreciative hands of children. A small bookplate is placed in the front of each book, allowing the recipient to identify the gift book as his or her own.","Source:\nbased on https://bookbaskets.org/"],"prefercite_html_tesm":["\u003cp\u003eMSS 15920, Book Baskets records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 15920, Book Baskets records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of the Book Baskets (1995-2018; 1.5 cubic feet) consists of meeting agendas, minutes, reports, news clippings, photographs, thank you letters, information on grants, contributors, and general correspondence.\nThe collection is organized into three series.\u003c/p\u003e","\u003cp\u003eRecords include minutes of the Book Baskets meetings, treasury reports, book orders, correspondence, newspaper clippings, and photographs. There are some thank you notes, and grant or partnership information in this series although the majority of them are in their own series.\u003c/p\u003e","\u003cp\u003eMostly hand-made thank you cards from the students who received books from Book Baskets. Other thank you correspondence is included from teachers and partnerships.\u003c/p\u003e","\u003cp\u003eIncludes donor lists (contributors), and papers from the Scholastic Literacy Partners, Bama works (Dave Mathews Band), First Book Grants, Congregation Beth Israel, Charlottesville Area Community Foundation, and the Dollar General Literacy Foundation documenting their close work with Book Baskets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of the Book Baskets (1995-2018; 1.5 cubic feet) consists of meeting agendas, minutes, reports, news clippings, photographs, thank you letters, information on grants, contributors, and general correspondence.\nThe collection is organized into three series.","Records include minutes of the Book Baskets meetings, treasury reports, book orders, correspondence, newspaper clippings, and photographs. There are some thank you notes, and grant or partnership information in this series although the majority of them are in their own series.","Mostly hand-made thank you cards from the students who received books from Book Baskets. Other thank you correspondence is included from teachers and partnerships.","Includes donor lists (contributors), and papers from the Scholastic Literacy Partners, Bama works (Dave Mathews Band), First Book Grants, Congregation Beth Israel, Charlottesville Area Community Foundation, and the Dollar General Literacy Foundation documenting their close work with Book Baskets."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:22.235Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_764","ead_ssi":"viu_repositories_3_resources_764","_root_":"viu_repositories_3_resources_764","_nest_parent_":"viu_repositories_3_resources_764","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_764.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/674","title_filing_ssi":"Book Baskets records","title_ssm":["Book Baskets records"],"title_tesim":["Book Baskets records"],"unitdate_ssm":["1995-2018"],"unitdate_inclusive_ssm":["1995-2018"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 15920","Archival Resource Key","/repositories/3/resources/764"],"text":["MSS 15920","Archival Resource Key","/repositories/3/resources/764","Book Baskets records","Color photographs","letters (correspondence)","The collection is open for research use.","Other accessions included in this collection were received on April 8, 2015, July 30, 2015, and November 7, 2016.","The collection is arranged into 3 series: Series 1. Records, Series 2. Thank you cards, Series 3. Grants and partnerships.","Book Baskets, a local nonprofit organization, was the brain child of Mildred Abraham and was established in 1995 with the goal of encouraging reading through book ownership. For over 20 years Book Baskets has been deeply committed to giving new or lightly used books to those children in the Charlottesville, Va. and Albemarle County area who might not otherwise have books of their own. They currently serve over 30 local social service agencies or education programs. On average, they place over 20,000 books per year into the appreciative hands of children. A small bookplate is placed in the front of each book, allowing the recipient to identify the gift book as his or her own.","Source:\nbased on https://bookbaskets.org/","Records of the Book Baskets (1995-2018; 1.5 cubic feet) consists of meeting agendas, minutes, reports, news clippings, photographs, thank you letters, information on grants, contributors, and general correspondence.\nThe collection is organized into three series.","Records include minutes of the Book Baskets meetings, treasury reports, book orders, correspondence, newspaper clippings, and photographs. There are some thank you notes, and grant or partnership information in this series although the majority of them are in their own series.","Mostly hand-made thank you cards from the students who received books from Book Baskets. Other thank you correspondence is included from teachers and partnerships.","Includes donor lists (contributors), and papers from the Scholastic Literacy Partners, Bama works (Dave Mathews Band), First Book Grants, Congregation Beth Israel, Charlottesville Area Community Foundation, and the Dollar General Literacy Foundation documenting their close work with Book Baskets.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 15920","Archival Resource Key","/repositories/3/resources/764"],"normalized_title_ssm":["Book Baskets records"],"collection_title_tesim":["Book Baskets records"],"collection_ssim":["Book Baskets records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Donated by Ann Southwell, 30 July on July 30, 2018."],"access_subjects_ssim":["Color photographs","letters (correspondence)"],"access_subjects_ssm":["Color photographs","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Cubic Feet 3 legal size document boxes"],"extent_tesim":["1.5 Cubic Feet 3 legal size document boxes"],"genreform_ssim":["Color photographs","letters (correspondence)"],"date_range_isim":[1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"accruals_html_tesm":["\u003cp\u003eOther accessions included in this collection were received on April 8, 2015, July 30, 2015, and November 7, 2016.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Other accessions included in this collection were received on April 8, 2015, July 30, 2015, and November 7, 2016."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 3 series: Series 1. Records, Series 2. Thank you cards, Series 3. Grants and partnerships.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 3 series: Series 1. Records, Series 2. Thank you cards, Series 3. Grants and partnerships."],"bioghist_html_tesm":["\u003cp\u003eBook Baskets, a local nonprofit organization, was the brain child of Mildred Abraham and was established in 1995 with the goal of encouraging reading through book ownership. For over 20 years Book Baskets has been deeply committed to giving new or lightly used books to those children in the Charlottesville, Va. and Albemarle County area who might not otherwise have books of their own. They currently serve over 30 local social service agencies or education programs. On average, they place over 20,000 books per year into the appreciative hands of children. A small bookplate is placed in the front of each book, allowing the recipient to identify the gift book as his or her own.\u003c/p\u003e\n","\u003cp\u003eSource:\nbased on https://bookbaskets.org/\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Book Baskets, a local nonprofit organization, was the brain child of Mildred Abraham and was established in 1995 with the goal of encouraging reading through book ownership. For over 20 years Book Baskets has been deeply committed to giving new or lightly used books to those children in the Charlottesville, Va. and Albemarle County area who might not otherwise have books of their own. They currently serve over 30 local social service agencies or education programs. On average, they place over 20,000 books per year into the appreciative hands of children. A small bookplate is placed in the front of each book, allowing the recipient to identify the gift book as his or her own.","Source:\nbased on https://bookbaskets.org/"],"prefercite_html_tesm":["\u003cp\u003eMSS 15920, Book Baskets records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 15920, Book Baskets records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords of the Book Baskets (1995-2018; 1.5 cubic feet) consists of meeting agendas, minutes, reports, news clippings, photographs, thank you letters, information on grants, contributors, and general correspondence.\nThe collection is organized into three series.\u003c/p\u003e","\u003cp\u003eRecords include minutes of the Book Baskets meetings, treasury reports, book orders, correspondence, newspaper clippings, and photographs. There are some thank you notes, and grant or partnership information in this series although the majority of them are in their own series.\u003c/p\u003e","\u003cp\u003eMostly hand-made thank you cards from the students who received books from Book Baskets. Other thank you correspondence is included from teachers and partnerships.\u003c/p\u003e","\u003cp\u003eIncludes donor lists (contributors), and papers from the Scholastic Literacy Partners, Bama works (Dave Mathews Band), First Book Grants, Congregation Beth Israel, Charlottesville Area Community Foundation, and the Dollar General Literacy Foundation documenting their close work with Book Baskets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of the Book Baskets (1995-2018; 1.5 cubic feet) consists of meeting agendas, minutes, reports, news clippings, photographs, thank you letters, information on grants, contributors, and general correspondence.\nThe collection is organized into three series.","Records include minutes of the Book Baskets meetings, treasury reports, book orders, correspondence, newspaper clippings, and photographs. There are some thank you notes, and grant or partnership information in this series although the majority of them are in their own series.","Mostly hand-made thank you cards from the students who received books from Book Baskets. Other thank you correspondence is included from teachers and partnerships.","Includes donor lists (contributors), and papers from the Scholastic Literacy Partners, Bama works (Dave Mathews Band), First Book Grants, Congregation Beth Israel, Charlottesville Area Community Foundation, and the Dollar General Literacy Foundation documenting their close work with Book Baskets."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:22.235Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_764"}},{"id":"vifgm_repositories_2_resources_577","type":"collection","attributes":{"title":"College of Visual and Performing Arts records","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#creator","type":"document_value","attributes":{"value":"George Mason University. College of Visual \u0026 Performing Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#abstract_or_scope","type":"document_value","attributes":{"value":"The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_577"}},{"id":"vihart_repositories_4_resources_719","type":"collection","attributes":{"title":"Gail Kinsey photographs","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_719#creator","type":"document_value","attributes":{"value":"Kinsey, Gail, 1950-2015","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_719#abstract_or_scope","type":"document_value","attributes":{"value":"Three color photographs documenting Gail Kinsey's ('72) time as a student at Madison College.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_719#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_719","ead_ssi":"vihart_repositories_4_resources_719","_root_":"vihart_repositories_4_resources_719","_nest_parent_":"vihart_repositories_4_resources_719","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_719.xml","title_ssm":["Gail Kinsey photographs"],"title_tesim":["Gail Kinsey photographs"],"unitdate_ssm":["1969-1972"],"unitdate_inclusive_ssm":["1969-1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0346","/repositories/4/resources/719"],"text":["SC 0346","/repositories/4/resources/719","Gail Kinsey photographs","Color photographs","Photographs","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Bluestone, 1972. Harrisonburg (Va.): Madison College.","Gail Kinsey (1950-2015) graduated from Madison College in 1972 with a degree in Home Economics. While a student, she was a member of Phi Omicron Tau, the home economics honors fraternity; Percy H. Warren Honor Society; Home Economics Student Faculty Relations Council; and Frances Sale Club (president).","The photographs were sent to Fred Hilton by Gail Kinsey as part of the Centennial Celebration. Kinsey requested that they be returned but Hilton and/or the Centennial Office instead transferred them along with other alumni materials to Special Collections in 2008.","Three color photographs documenting Gail Kinsey's ('72) time as a student at Madison College. Two photographs feature Kinsey with her suitemates (Linda George, Diane Bush, Mary Moore) in Hanson Hall. One photograph is of Kinsey on graduation day (May 1972) in front of Moody Hall.","The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Three color photographs documenting Gail Kinsey's ('72) time as a student at Madison College.","James Madison University Libraries Special Collections","James Madison University. Centennial Office","Madison College -- Students","Madison College -- History","Madison College -- Buildings","James Madison University -- History","Kinsey, Gail, 1950-2015","English"],"unitid_tesim":["SC 0346","/repositories/4/resources/719"],"normalized_title_ssm":["Gail Kinsey photographs"],"collection_title_tesim":["Gail Kinsey photographs"],"collection_ssim":["Gail Kinsey photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Kinsey, Gail, 1950-2015","James Madison University. Centennial Office"],"creator_ssim":["Kinsey, Gail, 1950-2015","James Madison University. Centennial Office"],"creator_persname_ssim":["Kinsey, Gail, 1950-2015"],"creator_corpname_ssim":["James Madison University. Centennial Office"],"creators_ssim":["Kinsey, Gail, 1950-2015","James Madison University. Centennial Office"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Transferred to Special Collections in July 2008 by JMU's Centennial Office as part of a larger group of alumni materials."],"access_subjects_ssim":["Color photographs","Photographs"],"access_subjects_ssm":["Color photographs","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.08 cubic feet 1 folder"],"extent_tesim":["0.08 cubic feet 1 folder"],"genreform_ssim":["Color photographs","Photographs"],"date_range_isim":[1969,1970,1971,1972],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"bibliography_html_tesm":["\u003cbibref\u003eBluestone, 1972. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bluestone, 1972. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eGail Kinsey (1950-2015) graduated from Madison College in 1972 with a degree in Home Economics. While a student, she was a member of Phi Omicron Tau, the home economics honors fraternity; Percy H. Warren Honor Society; Home Economics Student Faculty Relations Council; and Frances Sale Club (president).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Gail Kinsey (1950-2015) graduated from Madison College in 1972 with a degree in Home Economics. While a student, she was a member of Phi Omicron Tau, the home economics honors fraternity; Percy H. Warren Honor Society; Home Economics Student Faculty Relations Council; and Frances Sale Club (president)."],"custodhist_html_tesm":["\u003cp\u003eThe photographs were sent to Fred Hilton by Gail Kinsey as part of the Centennial Celebration. Kinsey requested that they be returned but Hilton and/or the Centennial Office instead transferred them along with other alumni materials to Special Collections in 2008.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The photographs were sent to Fred Hilton by Gail Kinsey as part of the Centennial Celebration. Kinsey requested that they be returned but Hilton and/or the Centennial Office instead transferred them along with other alumni materials to Special Collections in 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Gail Kinsey Photographs, 1969-1972, SC 0346, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Gail Kinsey Photographs, 1969-1972, SC 0346, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThree color photographs documenting Gail Kinsey's ('72) time as a student at Madison College. Two photographs feature Kinsey with her suitemates (Linda George, Diane Bush, Mary Moore) in Hanson Hall. One photograph is of Kinsey on graduation day (May 1972) in front of Moody Hall.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Three color photographs documenting Gail Kinsey's ('72) time as a student at Madison College. Two photographs feature Kinsey with her suitemates (Linda George, Diane Bush, Mary Moore) in Hanson Hall. One photograph is of Kinsey on graduation day (May 1972) in front of Moody Hall."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_20da407655f74487437594c40ac8cf2a\"\u003eThree color photographs documenting Gail Kinsey's ('72) time as a student at Madison College.\u003c/abstract\u003e"],"abstract_tesim":["Three color photographs documenting Gail Kinsey's ('72) time as a student at Madison College."],"names_coll_ssim":["James Madison University. Centennial Office","Madison College -- Students","Madison College -- History","Madison College -- Buildings","James Madison University -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Centennial Office","Madison College -- Students","Madison College -- History","Madison College -- Buildings","James Madison University -- History","Kinsey, Gail, 1950-2015"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Centennial Office","Madison College -- Students","Madison College -- History","Madison College -- Buildings","James Madison University -- History"],"persname_ssim":["Kinsey, Gail, 1950-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:18:57.997Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_719","ead_ssi":"vihart_repositories_4_resources_719","_root_":"vihart_repositories_4_resources_719","_nest_parent_":"vihart_repositories_4_resources_719","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_719.xml","title_ssm":["Gail Kinsey photographs"],"title_tesim":["Gail Kinsey photographs"],"unitdate_ssm":["1969-1972"],"unitdate_inclusive_ssm":["1969-1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0346","/repositories/4/resources/719"],"text":["SC 0346","/repositories/4/resources/719","Gail Kinsey photographs","Color photographs","Photographs","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Bluestone, 1972. Harrisonburg (Va.): Madison College.","Gail Kinsey (1950-2015) graduated from Madison College in 1972 with a degree in Home Economics. While a student, she was a member of Phi Omicron Tau, the home economics honors fraternity; Percy H. Warren Honor Society; Home Economics Student Faculty Relations Council; and Frances Sale Club (president).","The photographs were sent to Fred Hilton by Gail Kinsey as part of the Centennial Celebration. Kinsey requested that they be returned but Hilton and/or the Centennial Office instead transferred them along with other alumni materials to Special Collections in 2008.","Three color photographs documenting Gail Kinsey's ('72) time as a student at Madison College. Two photographs feature Kinsey with her suitemates (Linda George, Diane Bush, Mary Moore) in Hanson Hall. One photograph is of Kinsey on graduation day (May 1972) in front of Moody Hall.","The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Three color photographs documenting Gail Kinsey's ('72) time as a student at Madison College.","James Madison University Libraries Special Collections","James Madison University. Centennial Office","Madison College -- Students","Madison College -- History","Madison College -- Buildings","James Madison University -- History","Kinsey, Gail, 1950-2015","English"],"unitid_tesim":["SC 0346","/repositories/4/resources/719"],"normalized_title_ssm":["Gail Kinsey photographs"],"collection_title_tesim":["Gail Kinsey photographs"],"collection_ssim":["Gail Kinsey photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Kinsey, Gail, 1950-2015","James Madison University. Centennial Office"],"creator_ssim":["Kinsey, Gail, 1950-2015","James Madison University. Centennial Office"],"creator_persname_ssim":["Kinsey, Gail, 1950-2015"],"creator_corpname_ssim":["James Madison University. Centennial Office"],"creators_ssim":["Kinsey, Gail, 1950-2015","James Madison University. Centennial Office"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Transferred to Special Collections in July 2008 by JMU's Centennial Office as part of a larger group of alumni materials."],"access_subjects_ssim":["Color photographs","Photographs"],"access_subjects_ssm":["Color photographs","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.08 cubic feet 1 folder"],"extent_tesim":["0.08 cubic feet 1 folder"],"genreform_ssim":["Color photographs","Photographs"],"date_range_isim":[1969,1970,1971,1972],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"bibliography_html_tesm":["\u003cbibref\u003eBluestone, 1972. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bluestone, 1972. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eGail Kinsey (1950-2015) graduated from Madison College in 1972 with a degree in Home Economics. While a student, she was a member of Phi Omicron Tau, the home economics honors fraternity; Percy H. Warren Honor Society; Home Economics Student Faculty Relations Council; and Frances Sale Club (president).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Gail Kinsey (1950-2015) graduated from Madison College in 1972 with a degree in Home Economics. While a student, she was a member of Phi Omicron Tau, the home economics honors fraternity; Percy H. Warren Honor Society; Home Economics Student Faculty Relations Council; and Frances Sale Club (president)."],"custodhist_html_tesm":["\u003cp\u003eThe photographs were sent to Fred Hilton by Gail Kinsey as part of the Centennial Celebration. Kinsey requested that they be returned but Hilton and/or the Centennial Office instead transferred them along with other alumni materials to Special Collections in 2008.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The photographs were sent to Fred Hilton by Gail Kinsey as part of the Centennial Celebration. Kinsey requested that they be returned but Hilton and/or the Centennial Office instead transferred them along with other alumni materials to Special Collections in 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Gail Kinsey Photographs, 1969-1972, SC 0346, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Gail Kinsey Photographs, 1969-1972, SC 0346, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThree color photographs documenting Gail Kinsey's ('72) time as a student at Madison College. Two photographs feature Kinsey with her suitemates (Linda George, Diane Bush, Mary Moore) in Hanson Hall. One photograph is of Kinsey on graduation day (May 1972) in front of Moody Hall.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Three color photographs documenting Gail Kinsey's ('72) time as a student at Madison College. Two photographs feature Kinsey with her suitemates (Linda George, Diane Bush, Mary Moore) in Hanson Hall. One photograph is of Kinsey on graduation day (May 1972) in front of Moody Hall."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_20da407655f74487437594c40ac8cf2a\"\u003eThree color photographs documenting Gail Kinsey's ('72) time as a student at Madison College.\u003c/abstract\u003e"],"abstract_tesim":["Three color photographs documenting Gail Kinsey's ('72) time as a student at Madison College."],"names_coll_ssim":["James Madison University. Centennial Office","Madison College -- Students","Madison College -- History","Madison College -- Buildings","James Madison University -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Centennial Office","Madison College -- Students","Madison College -- History","Madison College -- Buildings","James Madison University -- History","Kinsey, Gail, 1950-2015"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Centennial Office","Madison College -- Students","Madison College -- History","Madison College -- Buildings","James Madison University -- History"],"persname_ssim":["Kinsey, Gail, 1950-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:18:57.997Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_719"}},{"id":"viu_repositories_3_resources_1772","type":"collection","attributes":{"title":"Gitchell's Studio collection (accession 2017-0077)","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1772#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1772#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1772","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1772.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216792","title_filing_ssi":"Gitchell Studio collection","title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"unitdate_ssm":["1972-2016","1990-2014"],"unitdate_bulk_ssim":["1990-2014"],"unitdate_inclusive_ssm":["1972-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"text":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772","Gitchell's Studio collection (accession 2017-0077)","Black-and-white photographs","Color photographs","slides (photographs)","Poor to good.  Some items have water/mold damage.","This collection is unprocessed but available for use.","No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.","Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter  (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\"  Gitchell's Studio , https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A.  \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\"  Daily Progress . (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.","The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter","English"],"unitid_tesim":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"normalized_title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"collection_title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077)"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e\n","\u003cp\u003eSource\u003c/p\u003e\n","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e\n","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e\n","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter  (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\"  Gitchell's Studio , https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A.  \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\"  Daily Progress . (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. Carpenter"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":196,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:49:50.721Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1772","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1772.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216792","title_filing_ssi":"Gitchell Studio collection","title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"unitdate_ssm":["1972-2016","1990-2014"],"unitdate_bulk_ssim":["1990-2014"],"unitdate_inclusive_ssm":["1972-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"text":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772","Gitchell's Studio collection (accession 2017-0077)","Black-and-white photographs","Color photographs","slides (photographs)","Poor to good.  Some items have water/mold damage.","This collection is unprocessed but available for use.","No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.","Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter  (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\"  Gitchell's Studio , https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A.  \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\"  Daily Progress . (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.","The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter","English"],"unitid_tesim":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"normalized_title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"collection_title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077)"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e\n","\u003cp\u003eSource\u003c/p\u003e\n","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e\n","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e\n","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter  (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\"  Gitchell's Studio , https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A.  \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\"  Daily Progress . (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. Carpenter"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":196,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:49:50.721Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1772"}},{"id":"vihart_repositories_4_resources_622","type":"collection","attributes":{"title":"James Madison University Historic Photographs","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_622#abstract_or_scope","type":"document_value","attributes":{"value":"The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_622#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_622","ead_ssi":"vihart_repositories_4_resources_622","_root_":"vihart_repositories_4_resources_622","_nest_parent_":"vihart_repositories_4_resources_622","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_622.xml","title_ssm":["James Madison University Historic Photographs"],"title_tesim":["James Madison University Historic Photographs"],"unitdate_ssm":["1909-circa 2000"],"unitdate_inclusive_ssm":["1909-circa 2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0051","/repositories/4/resources/622"],"text":["UA 0051","/repositories/4/resources/622","James Madison University Historic Photographs","Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/","Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.","The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized.","In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.","The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.","James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016","English"],"unitid_tesim":["UA 0051","/repositories/4/resources/622"],"normalized_title_ssm":["James Madison University Historic Photographs"],"collection_title_tesim":["James Madison University Historic Photographs"],"collection_ssim":["James Madison University Historic Photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The photographs housed in this collection were contributed to Special Collections by individual donors, collected from JMU organizations and affiliates, or pulled from alumni collections by former Special Collections staff, from 1994-ca. 2007. Known donors include: Inez Roop, Bernice Catherine Jones, Charlotte Michael, Mrs. D. Patrick Snider, Mary Spitzer, Ethel Stevanus, Dr. Daniel McFarland, Craig Baugher, Fred Hilton, Jim Richardson, Milla Sue Wisecarver, and JMU Photography Services."],"access_subjects_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"access_subjects_ssm":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"has_online_content_ssim":["false"],"extent_ssm":["2.07 cubic feet 5 boxes, 1 flat file"],"extent_tesim":["2.07 cubic feet 5 boxes, 1 flat file"],"genreform_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eDigitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/"],"bioghist_html_tesm":["\u003cp\u003ePhotographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply."],"odd_html_tesm":["\u003cp\u003eThe photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.\u003c/p\u003e","\u003cp\u003eFour photographs have not been digitized.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University."],"processinfo_html_tesm":["\u003cp\u003eIn 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.\u003c/p\u003e","\u003cp\u003eIn 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.\u003c/p\u003e","\u003cp\u003eJMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu."],"scopecontent_html_tesm":["\u003cp\u003eThe James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.\u003c/p\u003e","\u003cp\u003eIncludes panoramic photographs of the student body.\u003c/p\u003e","\u003cp\u003eIncludes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_83e560e98fddf3237a4872324b030a30\"\u003eThe James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.\u003c/abstract\u003e"],"abstract_tesim":["The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000."],"names_coll_ssim":["State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History"],"names_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)"],"persname_ssim":["Jennings, Lillian Pegues, 1926-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:27:55.820Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_622","ead_ssi":"vihart_repositories_4_resources_622","_root_":"vihart_repositories_4_resources_622","_nest_parent_":"vihart_repositories_4_resources_622","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_622.xml","title_ssm":["James Madison University Historic Photographs"],"title_tesim":["James Madison University Historic Photographs"],"unitdate_ssm":["1909-circa 2000"],"unitdate_inclusive_ssm":["1909-circa 2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0051","/repositories/4/resources/622"],"text":["UA 0051","/repositories/4/resources/622","James Madison University Historic Photographs","Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/","Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.","The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized.","In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.","The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.","James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016","English"],"unitid_tesim":["UA 0051","/repositories/4/resources/622"],"normalized_title_ssm":["James Madison University Historic Photographs"],"collection_title_tesim":["James Madison University Historic Photographs"],"collection_ssim":["James Madison University Historic Photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The photographs housed in this collection were contributed to Special Collections by individual donors, collected from JMU organizations and affiliates, or pulled from alumni collections by former Special Collections staff, from 1994-ca. 2007. Known donors include: Inez Roop, Bernice Catherine Jones, Charlotte Michael, Mrs. D. Patrick Snider, Mary Spitzer, Ethel Stevanus, Dr. Daniel McFarland, Craig Baugher, Fred Hilton, Jim Richardson, Milla Sue Wisecarver, and JMU Photography Services."],"access_subjects_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"access_subjects_ssm":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"has_online_content_ssim":["false"],"extent_ssm":["2.07 cubic feet 5 boxes, 1 flat file"],"extent_tesim":["2.07 cubic feet 5 boxes, 1 flat file"],"genreform_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eDigitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/"],"bioghist_html_tesm":["\u003cp\u003ePhotographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply."],"odd_html_tesm":["\u003cp\u003eThe photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.\u003c/p\u003e","\u003cp\u003eFour photographs have not been digitized.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University."],"processinfo_html_tesm":["\u003cp\u003eIn 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.\u003c/p\u003e","\u003cp\u003eIn 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.\u003c/p\u003e","\u003cp\u003eJMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu."],"scopecontent_html_tesm":["\u003cp\u003eThe James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.\u003c/p\u003e","\u003cp\u003eIncludes panoramic photographs of the student body.\u003c/p\u003e","\u003cp\u003eIncludes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_83e560e98fddf3237a4872324b030a30\"\u003eThe James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.\u003c/abstract\u003e"],"abstract_tesim":["The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000."],"names_coll_ssim":["State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History"],"names_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)"],"persname_ssim":["Jennings, Lillian Pegues, 1926-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:27:55.820Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_622"}},{"id":"viu_repositories_3_resources_906","type":"collection","attributes":{"title":"Kathleen Bonnie Crispin Worsham papers","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_906#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance. The collection has been arranged into four series.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_906#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_906","ead_ssi":"viu_repositories_3_resources_906","_root_":"viu_repositories_3_resources_906","_nest_parent_":"viu_repositories_3_resources_906","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_906.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/806","title_filing_ssi":"Worsham, Kathleen Bonnie Crispin, papers","title_ssm":["Kathleen Bonnie Crispin Worsham papers"],"title_tesim":["Kathleen Bonnie Crispin Worsham papers"],"unitdate_ssm":["1860s-2018"],"unitdate_inclusive_ssm":["1860s-2018"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16435","Archival Resource Key","/repositories/3/resources/906"],"text":["MSS 16435","Archival Resource Key","/repositories/3/resources/906","Kathleen Bonnie Crispin Worsham papers","Plats (maps)","Color photographs","Black-and-white photographs","The collection is open for research use.","Materials in each series have been arranged chronologically.","Series 1. Research materials\nSeries 2. National Register of Historic places\nSeries 3. Photographs\nSeries 4. Personal materials","Kathleen Bonnie Crispin Worsham and her husband Raleigh own the house known as The Cedars in Cifax, Bedford County, Virginia. Worsham successfully registered Cifax on the National Register of Historic Places in 1992, and in 1997 she published her book \"The Cedars of Cifax: A Virginia Rural Historical District.\"","The Cedars were built by the Poindexter family in the mid-19th century--likely by Anderson Poindexter in 1855--and is the only pre-20th century brick structure in Cifax. ","Source: Materials within collection, Bedford Historical Society, National Register of Historic Places.","A related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia.","The Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series.","Albert and Shirley Small Special Collections Library","Materials are in English."],"unitid_tesim":["MSS 16435","Archival Resource Key","/repositories/3/resources/906"],"normalized_title_ssm":["Kathleen Bonnie Crispin Worsham papers"],"collection_title_tesim":["Kathleen Bonnie Crispin Worsham papers"],"collection_ssim":["Kathleen Bonnie Crispin Worsham papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Accession number 2018-0090, donated by K. Bonnie Crispin Worsham, 14 August 2018; Accession number 2018-0115, donated by K. Bonnie Crispin Worsham, 26 September 2018; Accession number 2019-0070, donated by K. Bonnie Crispin Worsham."],"access_subjects_ssim":["Plats (maps)","Color photographs","Black-and-white photographs"],"access_subjects_ssm":["Plats (maps)","Color photographs","Black-and-white photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.35 Cubic Feet 1 cubic foot box, 1 legal-size half-width document box, 4 OS folders"],"extent_tesim":["1.35 Cubic Feet 1 cubic foot box, 1 legal-size half-width document box, 4 OS folders"],"genreform_ssim":["Plats (maps)","Color photographs","Black-and-white photographs"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eMaterials in each series have been arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eSeries 1. Research materials\nSeries 2. National Register of Historic places\nSeries 3. Photographs\nSeries 4. Personal materials\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in each series have been arranged chronologically.","Series 1. Research materials\nSeries 2. National Register of Historic places\nSeries 3. Photographs\nSeries 4. Personal materials"],"bioghist_html_tesm":["\u003cp\u003eKathleen Bonnie Crispin Worsham and her husband Raleigh own the house known as The Cedars in Cifax, Bedford County, Virginia. Worsham successfully registered Cifax on the National Register of Historic Places in 1992, and in 1997 she published her book \"The Cedars of Cifax: A Virginia Rural Historical District.\"\u003c/p\u003e\n","\u003cp\u003eThe Cedars were built by the Poindexter family in the mid-19th century--likely by Anderson Poindexter in 1855--and is the only pre-20th century brick structure in Cifax. \u003c/p\u003e\n","\u003cp\u003eSource: Materials within collection, Bedford Historical Society, National Register of Historic Places.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Kathleen Bonnie Crispin Worsham and her husband Raleigh own the house known as The Cedars in Cifax, Bedford County, Virginia. Worsham successfully registered Cifax on the National Register of Historic Places in 1992, and in 1997 she published her book \"The Cedars of Cifax: A Virginia Rural Historical District.\"","The Cedars were built by the Poindexter family in the mid-19th century--likely by Anderson Poindexter in 1855--and is the only pre-20th century brick structure in Cifax. ","Source: Materials within collection, Bedford Historical Society, National Register of Historic Places."],"prefercite_html_tesm":["\u003cp\u003eMSS 16435, Kathleen Bonnie Crispin Worsham papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16435, Kathleen Bonnie Crispin Worsham papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eA related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["The Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["Materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":51,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:43:11.130Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_906","ead_ssi":"viu_repositories_3_resources_906","_root_":"viu_repositories_3_resources_906","_nest_parent_":"viu_repositories_3_resources_906","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_906.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/806","title_filing_ssi":"Worsham, Kathleen Bonnie Crispin, papers","title_ssm":["Kathleen Bonnie Crispin Worsham papers"],"title_tesim":["Kathleen Bonnie Crispin Worsham papers"],"unitdate_ssm":["1860s-2018"],"unitdate_inclusive_ssm":["1860s-2018"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16435","Archival Resource Key","/repositories/3/resources/906"],"text":["MSS 16435","Archival Resource Key","/repositories/3/resources/906","Kathleen Bonnie Crispin Worsham papers","Plats (maps)","Color photographs","Black-and-white photographs","The collection is open for research use.","Materials in each series have been arranged chronologically.","Series 1. Research materials\nSeries 2. National Register of Historic places\nSeries 3. Photographs\nSeries 4. Personal materials","Kathleen Bonnie Crispin Worsham and her husband Raleigh own the house known as The Cedars in Cifax, Bedford County, Virginia. Worsham successfully registered Cifax on the National Register of Historic Places in 1992, and in 1997 she published her book \"The Cedars of Cifax: A Virginia Rural Historical District.\"","The Cedars were built by the Poindexter family in the mid-19th century--likely by Anderson Poindexter in 1855--and is the only pre-20th century brick structure in Cifax. ","Source: Materials within collection, Bedford Historical Society, National Register of Historic Places.","A related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia.","The Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series.","Albert and Shirley Small Special Collections Library","Materials are in English."],"unitid_tesim":["MSS 16435","Archival Resource Key","/repositories/3/resources/906"],"normalized_title_ssm":["Kathleen Bonnie Crispin Worsham papers"],"collection_title_tesim":["Kathleen Bonnie Crispin Worsham papers"],"collection_ssim":["Kathleen Bonnie Crispin Worsham papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Accession number 2018-0090, donated by K. Bonnie Crispin Worsham, 14 August 2018; Accession number 2018-0115, donated by K. Bonnie Crispin Worsham, 26 September 2018; Accession number 2019-0070, donated by K. Bonnie Crispin Worsham."],"access_subjects_ssim":["Plats (maps)","Color photographs","Black-and-white photographs"],"access_subjects_ssm":["Plats (maps)","Color photographs","Black-and-white photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.35 Cubic Feet 1 cubic foot box, 1 legal-size half-width document box, 4 OS folders"],"extent_tesim":["1.35 Cubic Feet 1 cubic foot box, 1 legal-size half-width document box, 4 OS folders"],"genreform_ssim":["Plats (maps)","Color photographs","Black-and-white photographs"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eMaterials in each series have been arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eSeries 1. Research materials\nSeries 2. National Register of Historic places\nSeries 3. Photographs\nSeries 4. Personal materials\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in each series have been arranged chronologically.","Series 1. Research materials\nSeries 2. National Register of Historic places\nSeries 3. Photographs\nSeries 4. Personal materials"],"bioghist_html_tesm":["\u003cp\u003eKathleen Bonnie Crispin Worsham and her husband Raleigh own the house known as The Cedars in Cifax, Bedford County, Virginia. Worsham successfully registered Cifax on the National Register of Historic Places in 1992, and in 1997 she published her book \"The Cedars of Cifax: A Virginia Rural Historical District.\"\u003c/p\u003e\n","\u003cp\u003eThe Cedars were built by the Poindexter family in the mid-19th century--likely by Anderson Poindexter in 1855--and is the only pre-20th century brick structure in Cifax. \u003c/p\u003e\n","\u003cp\u003eSource: Materials within collection, Bedford Historical Society, National Register of Historic Places.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Kathleen Bonnie Crispin Worsham and her husband Raleigh own the house known as The Cedars in Cifax, Bedford County, Virginia. Worsham successfully registered Cifax on the National Register of Historic Places in 1992, and in 1997 she published her book \"The Cedars of Cifax: A Virginia Rural Historical District.\"","The Cedars were built by the Poindexter family in the mid-19th century--likely by Anderson Poindexter in 1855--and is the only pre-20th century brick structure in Cifax. ","Source: Materials within collection, Bedford Historical Society, National Register of Historic Places."],"prefercite_html_tesm":["\u003cp\u003eMSS 16435, Kathleen Bonnie Crispin Worsham papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16435, Kathleen Bonnie Crispin Worsham papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eA related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["The Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["Materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":51,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:43:11.130Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_906"}},{"id":"vihart_repositories_4_resources_358","type":"collection","attributes":{"title":"Nathan L. Jones Scrapbook","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_358#creator","type":"document_value","attributes":{"value":"Virginia. Department of Highways and Transportation","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_358#abstract_or_scope","type":"document_value","attributes":{"value":"The Nathan L. Jones Scrapbook, 1922-1974, consists of photographs, drawings, letters, and legal documents pertaining to the life and experiences of Nathan L. Jones, retired district highway equipment superintendent of the Virginia Department of Highways and Transportation.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_358#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_358","ead_ssi":"vihart_repositories_4_resources_358","_root_":"vihart_repositories_4_resources_358","_nest_parent_":"vihart_repositories_4_resources_358","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_358.xml","title_ssm":["Nathan L. Jones Scrapbook"],"title_tesim":["Nathan L. Jones Scrapbook"],"unitdate_ssm":["1922-1974"],"unitdate_inclusive_ssm":["1922-1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0127"],"text":["SC 0127","Nathan L. Jones Scrapbook","Roads -- Virginia -- History","Roads -- Virginia -- Maintenance and repair","Roads -- Virginia -- Design and construction","Transportation -- Virginia -- History","Letters (correspondence)","Newspaper clippings","Scrapbooks","Black-and-white photographs","Color photographs","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The scrapbook is housed in one oversize Hollinger box. The scrapbook is bound and the contents remain in their original chronological order.","Nathan Leigh Jones (1907-1989), a native of Smithfield, Virginia, served the Commonwealth of Virginia for more than five decades with the Department of Highways and Transportation. Jones began his career in 1923 as a member of a road construction crew in the Suffolk District. In 1928, he was promoted to a mechanic in the Suffolk shop. After marrying Della Marion Stidley in 1937, Jones was assigned to the Staunton District where he dedicated the remainder of his professional career. The only interruption to Jones' service with the Department of Highways and Transportation came in 1942 when he joined the Army; he served for three years. Jones retired in 1974, after 51 years of service, as district highway equipment superintendent.","The Nathan L. Jones Scrapbook, 1922-1974, is comprised of one bound scrapbook measuring 12 x 11 x 1 ½ inches. The scrapbook, compiled by Jones' colleagues at the Department of Highways and Transportation and presented to him upon his retirement, consists of photographs, drawings, congratulatory letters, and legal documents pertaining to the life and experiences of Nathan L. Jones. The scrapbook has a brown faux leather cover with Jones' name embossed on the front cover. The items in the scrapbook are placed on adhesive pages with clear plastic overlays. The contents are arranged in chronological order and chronicle the major events of Jones' life including adolescence, military service, and his career with the Department of Highways and Transportation.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Nathan L. Jones Scrapbook, 1922-1974, consists of photographs, drawings, letters, and legal documents pertaining to the life and experiences of Nathan L. Jones, retired district highway equipment superintendent of the Virginia Department of Highways and Transportation.","James Madison University Libraries Special Collections","Virginia. Department of Highways and Transportation","English \n.    "],"unitid_tesim":["SC 0127"],"normalized_title_ssm":["Nathan L. Jones Scrapbook"],"collection_title_tesim":["Nathan L. Jones Scrapbook"],"collection_ssim":["Nathan L. Jones Scrapbook"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Virginia. Department of Highways and Transportation"],"creator_ssim":["Virginia. Department of Highways and Transportation"],"creator_corpname_ssim":["Virginia. Department of Highways and Transportation"],"creators_ssim":["Virginia. Department of Highways and Transportation"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["This collection was donated to Special Collections by Dale Harter in January 2009."],"access_subjects_ssim":["Roads -- Virginia -- History","Roads -- Virginia -- Maintenance and repair","Roads -- Virginia -- Design and construction","Transportation -- Virginia -- History","Letters (correspondence)","Newspaper clippings","Scrapbooks","Black-and-white photographs","Color photographs"],"access_subjects_ssm":["Roads -- Virginia -- History","Roads -- Virginia -- Maintenance and repair","Roads -- Virginia -- Design and construction","Transportation -- Virginia -- History","Letters (correspondence)","Newspaper clippings","Scrapbooks","Black-and-white photographs","Color photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.3 cubic feet 1 scrapbook"],"extent_tesim":["0.3 cubic feet 1 scrapbook"],"genreform_ssim":["Letters (correspondence)","Newspaper clippings","Scrapbooks","Black-and-white photographs","Color photographs"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe scrapbook is housed in one oversize Hollinger box. The scrapbook is bound and the contents remain in their original chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The scrapbook is housed in one oversize Hollinger box. The scrapbook is bound and the contents remain in their original chronological order."],"bioghist_html_tesm":["\u003cp\u003eNathan Leigh Jones (1907-1989), a native of Smithfield, Virginia, served the Commonwealth of Virginia for more than five decades with the Department of Highways and Transportation. Jones began his career in 1923 as a member of a road construction crew in the Suffolk District. In 1928, he was promoted to a mechanic in the Suffolk shop. After marrying Della Marion Stidley in 1937, Jones was assigned to the Staunton District where he dedicated the remainder of his professional career. The only interruption to Jones' service with the Department of Highways and Transportation came in 1942 when he joined the Army; he served for three years. Jones retired in 1974, after 51 years of service, as district highway equipment superintendent.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Nathan Leigh Jones (1907-1989), a native of Smithfield, Virginia, served the Commonwealth of Virginia for more than five decades with the Department of Highways and Transportation. Jones began his career in 1923 as a member of a road construction crew in the Suffolk District. In 1928, he was promoted to a mechanic in the Suffolk shop. After marrying Della Marion Stidley in 1937, Jones was assigned to the Staunton District where he dedicated the remainder of his professional career. The only interruption to Jones' service with the Department of Highways and Transportation came in 1942 when he joined the Army; he served for three years. Jones retired in 1974, after 51 years of service, as district highway equipment superintendent."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Nathan L. Jones Scrapbook, 1922-1974, SC 0127, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Nathan L. Jones Scrapbook, 1922-1974, SC 0127, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Nathan L. Jones Scrapbook, 1922-1974, is comprised of one bound scrapbook measuring 12 x 11 x 1 ½ inches. The scrapbook, compiled by Jones' colleagues at the Department of Highways and Transportation and presented to him upon his retirement, consists of photographs, drawings, congratulatory letters, and legal documents pertaining to the life and experiences of Nathan L. Jones. The scrapbook has a brown faux leather cover with Jones' name embossed on the front cover. The items in the scrapbook are placed on adhesive pages with clear plastic overlays. The contents are arranged in chronological order and chronicle the major events of Jones' life including adolescence, military service, and his career with the Department of Highways and Transportation.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Nathan L. Jones Scrapbook, 1922-1974, is comprised of one bound scrapbook measuring 12 x 11 x 1 ½ inches. The scrapbook, compiled by Jones' colleagues at the Department of Highways and Transportation and presented to him upon his retirement, consists of photographs, drawings, congratulatory letters, and legal documents pertaining to the life and experiences of Nathan L. Jones. The scrapbook has a brown faux leather cover with Jones' name embossed on the front cover. The items in the scrapbook are placed on adhesive pages with clear plastic overlays. The contents are arranged in chronological order and chronicle the major events of Jones' life including adolescence, military service, and his career with the Department of Highways and Transportation."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_322829441b690a864e29121d65f8a7d0\"\u003eThe Nathan L. Jones Scrapbook, 1922-1974, consists of photographs, drawings, letters, and legal documents pertaining to the life and experiences of Nathan L. Jones, retired district highway equipment superintendent of the Virginia Department of Highways and Transportation.\u003c/abstract\u003e"],"abstract_tesim":["The Nathan L. Jones Scrapbook, 1922-1974, consists of photographs, drawings, letters, and legal documents pertaining to the life and experiences of Nathan L. Jones, retired district highway equipment superintendent of the Virginia Department of Highways and Transportation."],"names_coll_ssim":["Virginia. Department of Highways and Transportation"],"names_ssim":["James Madison University Libraries Special Collections","Virginia. Department of Highways and Transportation"],"corpname_ssim":["James Madison University Libraries Special Collections","Virginia. Department of Highways and Transportation"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:20.538Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_358","ead_ssi":"vihart_repositories_4_resources_358","_root_":"vihart_repositories_4_resources_358","_nest_parent_":"vihart_repositories_4_resources_358","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_358.xml","title_ssm":["Nathan L. Jones Scrapbook"],"title_tesim":["Nathan L. Jones Scrapbook"],"unitdate_ssm":["1922-1974"],"unitdate_inclusive_ssm":["1922-1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0127"],"text":["SC 0127","Nathan L. Jones Scrapbook","Roads -- Virginia -- History","Roads -- Virginia -- Maintenance and repair","Roads -- Virginia -- Design and construction","Transportation -- Virginia -- History","Letters (correspondence)","Newspaper clippings","Scrapbooks","Black-and-white photographs","Color photographs","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The scrapbook is housed in one oversize Hollinger box. The scrapbook is bound and the contents remain in their original chronological order.","Nathan Leigh Jones (1907-1989), a native of Smithfield, Virginia, served the Commonwealth of Virginia for more than five decades with the Department of Highways and Transportation. Jones began his career in 1923 as a member of a road construction crew in the Suffolk District. In 1928, he was promoted to a mechanic in the Suffolk shop. After marrying Della Marion Stidley in 1937, Jones was assigned to the Staunton District where he dedicated the remainder of his professional career. The only interruption to Jones' service with the Department of Highways and Transportation came in 1942 when he joined the Army; he served for three years. Jones retired in 1974, after 51 years of service, as district highway equipment superintendent.","The Nathan L. Jones Scrapbook, 1922-1974, is comprised of one bound scrapbook measuring 12 x 11 x 1 ½ inches. The scrapbook, compiled by Jones' colleagues at the Department of Highways and Transportation and presented to him upon his retirement, consists of photographs, drawings, congratulatory letters, and legal documents pertaining to the life and experiences of Nathan L. Jones. The scrapbook has a brown faux leather cover with Jones' name embossed on the front cover. The items in the scrapbook are placed on adhesive pages with clear plastic overlays. The contents are arranged in chronological order and chronicle the major events of Jones' life including adolescence, military service, and his career with the Department of Highways and Transportation.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Nathan L. Jones Scrapbook, 1922-1974, consists of photographs, drawings, letters, and legal documents pertaining to the life and experiences of Nathan L. Jones, retired district highway equipment superintendent of the Virginia Department of Highways and Transportation.","James Madison University Libraries Special Collections","Virginia. Department of Highways and Transportation","English \n.    "],"unitid_tesim":["SC 0127"],"normalized_title_ssm":["Nathan L. Jones Scrapbook"],"collection_title_tesim":["Nathan L. Jones Scrapbook"],"collection_ssim":["Nathan L. Jones Scrapbook"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Virginia. Department of Highways and Transportation"],"creator_ssim":["Virginia. Department of Highways and Transportation"],"creator_corpname_ssim":["Virginia. Department of Highways and Transportation"],"creators_ssim":["Virginia. Department of Highways and Transportation"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["This collection was donated to Special Collections by Dale Harter in January 2009."],"access_subjects_ssim":["Roads -- Virginia -- History","Roads -- Virginia -- Maintenance and repair","Roads -- Virginia -- Design and construction","Transportation -- Virginia -- History","Letters (correspondence)","Newspaper clippings","Scrapbooks","Black-and-white photographs","Color photographs"],"access_subjects_ssm":["Roads -- Virginia -- History","Roads -- Virginia -- Maintenance and repair","Roads -- Virginia -- Design and construction","Transportation -- Virginia -- History","Letters (correspondence)","Newspaper clippings","Scrapbooks","Black-and-white photographs","Color photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.3 cubic feet 1 scrapbook"],"extent_tesim":["0.3 cubic feet 1 scrapbook"],"genreform_ssim":["Letters (correspondence)","Newspaper clippings","Scrapbooks","Black-and-white photographs","Color photographs"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe scrapbook is housed in one oversize Hollinger box. The scrapbook is bound and the contents remain in their original chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The scrapbook is housed in one oversize Hollinger box. The scrapbook is bound and the contents remain in their original chronological order."],"bioghist_html_tesm":["\u003cp\u003eNathan Leigh Jones (1907-1989), a native of Smithfield, Virginia, served the Commonwealth of Virginia for more than five decades with the Department of Highways and Transportation. Jones began his career in 1923 as a member of a road construction crew in the Suffolk District. In 1928, he was promoted to a mechanic in the Suffolk shop. After marrying Della Marion Stidley in 1937, Jones was assigned to the Staunton District where he dedicated the remainder of his professional career. The only interruption to Jones' service with the Department of Highways and Transportation came in 1942 when he joined the Army; he served for three years. Jones retired in 1974, after 51 years of service, as district highway equipment superintendent.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Nathan Leigh Jones (1907-1989), a native of Smithfield, Virginia, served the Commonwealth of Virginia for more than five decades with the Department of Highways and Transportation. Jones began his career in 1923 as a member of a road construction crew in the Suffolk District. In 1928, he was promoted to a mechanic in the Suffolk shop. After marrying Della Marion Stidley in 1937, Jones was assigned to the Staunton District where he dedicated the remainder of his professional career. The only interruption to Jones' service with the Department of Highways and Transportation came in 1942 when he joined the Army; he served for three years. Jones retired in 1974, after 51 years of service, as district highway equipment superintendent."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Nathan L. Jones Scrapbook, 1922-1974, SC 0127, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Nathan L. Jones Scrapbook, 1922-1974, SC 0127, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Nathan L. Jones Scrapbook, 1922-1974, is comprised of one bound scrapbook measuring 12 x 11 x 1 ½ inches. The scrapbook, compiled by Jones' colleagues at the Department of Highways and Transportation and presented to him upon his retirement, consists of photographs, drawings, congratulatory letters, and legal documents pertaining to the life and experiences of Nathan L. Jones. The scrapbook has a brown faux leather cover with Jones' name embossed on the front cover. The items in the scrapbook are placed on adhesive pages with clear plastic overlays. The contents are arranged in chronological order and chronicle the major events of Jones' life including adolescence, military service, and his career with the Department of Highways and Transportation.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Nathan L. Jones Scrapbook, 1922-1974, is comprised of one bound scrapbook measuring 12 x 11 x 1 ½ inches. The scrapbook, compiled by Jones' colleagues at the Department of Highways and Transportation and presented to him upon his retirement, consists of photographs, drawings, congratulatory letters, and legal documents pertaining to the life and experiences of Nathan L. Jones. The scrapbook has a brown faux leather cover with Jones' name embossed on the front cover. The items in the scrapbook are placed on adhesive pages with clear plastic overlays. The contents are arranged in chronological order and chronicle the major events of Jones' life including adolescence, military service, and his career with the Department of Highways and Transportation."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_322829441b690a864e29121d65f8a7d0\"\u003eThe Nathan L. Jones Scrapbook, 1922-1974, consists of photographs, drawings, letters, and legal documents pertaining to the life and experiences of Nathan L. Jones, retired district highway equipment superintendent of the Virginia Department of Highways and Transportation.\u003c/abstract\u003e"],"abstract_tesim":["The Nathan L. Jones Scrapbook, 1922-1974, consists of photographs, drawings, letters, and legal documents pertaining to the life and experiences of Nathan L. Jones, retired district highway equipment superintendent of the Virginia Department of Highways and Transportation."],"names_coll_ssim":["Virginia. Department of Highways and Transportation"],"names_ssim":["James Madison University Libraries Special Collections","Virginia. Department of Highways and Transportation"],"corpname_ssim":["James Madison University Libraries Special Collections","Virginia. Department of Highways and Transportation"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:20.538Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_358"}},{"id":"vihart_repositories_4_resources_401","type":"collection","attributes":{"title":"Patricia Chalfant Women's Rights Collection","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_401#creator","type":"document_value","attributes":{"value":"Chalfant, Patricia, 1941-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_401#abstract_or_scope","type":"document_value","attributes":{"value":"The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_401#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_401","ead_ssi":"vihart_repositories_4_resources_401","_root_":"vihart_repositories_4_resources_401","_nest_parent_":"vihart_repositories_4_resources_401","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_401.xml","title_ssm":["Patricia Chalfant Women's Rights Collection"],"title_tesim":["Patricia Chalfant Women's Rights Collection"],"unitdate_ssm":["1968-1978"],"unitdate_inclusive_ssm":["1968-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0240"],"text":["SC 0240","Patricia Chalfant Women's Rights Collection","Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in three series. All series are arranged chronologically.","Publications, 1968-1978 Conferences and Events, 1975-1978 Ephemera, 1974-1978","Obituary for Patricia Jeanne Chalfant,  Intelligencer Journal  (Lancaster, PA), December 11, 2006.","Patricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.","This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.","All publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event.","The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. ","Series 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.","Series 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C.","James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)","Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-","English \n.    "],"unitid_tesim":["SC 0240"],"normalized_title_ssm":["Patricia Chalfant Women's Rights Collection"],"collection_title_tesim":["Patricia Chalfant Women's Rights Collection"],"collection_ssim":["Patricia Chalfant Women's Rights Collection"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Chalfant, Patricia, 1941-2006"],"creator_ssim":["Chalfant, Patricia, 1941-2006"],"creator_persname_ssim":["Chalfant, Patricia, 1941-2006"],"creators_ssim":["Chalfant, Patricia, 1941-2006"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Received on December 12, 2015 from Reba Leiding, former librarian at JMU."],"access_subjects_ssim":["Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"access_subjects_ssm":["Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"has_online_content_ssim":["false"],"extent_ssm":["1.65 cubic feet 3 boxes, 1 flat folder"],"extent_tesim":["1.65 cubic feet 3 boxes, 1 flat folder"],"genreform_ssim":["Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. All series are arranged chronologically.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePublications, 1968-1978\u003c/item\u003e\n      \u003citem\u003eConferences and Events, 1975-1978\u003c/item\u003e\n      \u003citem\u003eEphemera, 1974-1978\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. All series are arranged chronologically.","Publications, 1968-1978 Conferences and Events, 1975-1978 Ephemera, 1974-1978"],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Patricia Jeanne Chalfant, \u003cemph render=\"italic\"\u003eIntelligencer Journal\u003c/emph\u003e (Lancaster, PA), December 11, 2006.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Patricia Jeanne Chalfant,  Intelligencer Journal  (Lancaster, PA), December 11, 2006."],"bioghist_html_tesm":["\u003cp\u003ePatricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Information"],"bioghist_tesim":["Patricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania."],"custodhist_html_tesm":["\u003cp\u003eThis collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eAll publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["All publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event."],"scopecontent_html_tesm":["\u003cp\u003eThe Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. ","Series 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.","Series 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_90a374b9e69dc87763b2f3ec22480d37\"\u003eThe Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C.\u003c/abstract\u003e"],"abstract_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C."],"names_coll_ssim":["National Organization for Women -- History -- 20th century"],"names_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)","Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"corpname_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)"],"persname_ssim":["Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":50,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:18:27.342Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_401","ead_ssi":"vihart_repositories_4_resources_401","_root_":"vihart_repositories_4_resources_401","_nest_parent_":"vihart_repositories_4_resources_401","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_401.xml","title_ssm":["Patricia Chalfant Women's Rights Collection"],"title_tesim":["Patricia Chalfant Women's Rights Collection"],"unitdate_ssm":["1968-1978"],"unitdate_inclusive_ssm":["1968-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0240"],"text":["SC 0240","Patricia Chalfant Women's Rights Collection","Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in three series. All series are arranged chronologically.","Publications, 1968-1978 Conferences and Events, 1975-1978 Ephemera, 1974-1978","Obituary for Patricia Jeanne Chalfant,  Intelligencer Journal  (Lancaster, PA), December 11, 2006.","Patricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.","This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.","All publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event.","The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. ","Series 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.","Series 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C.","James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)","Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-","English \n.    "],"unitid_tesim":["SC 0240"],"normalized_title_ssm":["Patricia Chalfant Women's Rights Collection"],"collection_title_tesim":["Patricia Chalfant Women's Rights Collection"],"collection_ssim":["Patricia Chalfant Women's Rights Collection"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Chalfant, Patricia, 1941-2006"],"creator_ssim":["Chalfant, Patricia, 1941-2006"],"creator_persname_ssim":["Chalfant, Patricia, 1941-2006"],"creators_ssim":["Chalfant, Patricia, 1941-2006"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Received on December 12, 2015 from Reba Leiding, former librarian at JMU."],"access_subjects_ssim":["Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"access_subjects_ssm":["Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"has_online_content_ssim":["false"],"extent_ssm":["1.65 cubic feet 3 boxes, 1 flat folder"],"extent_tesim":["1.65 cubic feet 3 boxes, 1 flat folder"],"genreform_ssim":["Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in three series. All series are arranged chronologically.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePublications, 1968-1978\u003c/item\u003e\n      \u003citem\u003eConferences and Events, 1975-1978\u003c/item\u003e\n      \u003citem\u003eEphemera, 1974-1978\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. All series are arranged chronologically.","Publications, 1968-1978 Conferences and Events, 1975-1978 Ephemera, 1974-1978"],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Patricia Jeanne Chalfant, \u003cemph render=\"italic\"\u003eIntelligencer Journal\u003c/emph\u003e (Lancaster, PA), December 11, 2006.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Patricia Jeanne Chalfant,  Intelligencer Journal  (Lancaster, PA), December 11, 2006."],"bioghist_html_tesm":["\u003cp\u003ePatricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Information"],"bioghist_tesim":["Patricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania."],"custodhist_html_tesm":["\u003cp\u003eThis collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eAll publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["All publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event."],"scopecontent_html_tesm":["\u003cp\u003eThe Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. ","Series 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.","Series 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_90a374b9e69dc87763b2f3ec22480d37\"\u003eThe Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C.\u003c/abstract\u003e"],"abstract_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C."],"names_coll_ssim":["National Organization for Women -- History -- 20th century"],"names_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)","Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"corpname_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)"],"persname_ssim":["Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":50,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:18:27.342Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_401"}},{"id":"viu_repositories_3_resources_1835","type":"collection","attributes":{"title":"Sanjay Suchak photographs","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1835#creator","type":"document_value","attributes":{"value":"Suchak, Sanjay ","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1835#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1835#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1835","ead_ssi":"viu_repositories_3_resources_1835","_root_":"viu_repositories_3_resources_1835","_nest_parent_":"viu_repositories_3_resources_1835","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1835.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230977","title_filing_ssi":"Sanjay Suchak photographs","title_ssm":["Sanjay Suchak photographs"],"title_tesim":["Sanjay Suchak photographs"],"unitdate_ssm":["2017-2021"],"unitdate_inclusive_ssm":["2017-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835"],"text":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835","Sanjay Suchak photographs","Charlottesville (Va.)","Richmond (Va.)","Art and society","Monuments","Color photographs","This collection is open for research.","Sanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. ","His camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.","His work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. ","He has done commercial commissions for clients ranging from banks to universities to nonprofits. ","Sanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.","He is a proud member of Diversify Photo. ","His work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.","Press:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026 Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour","Sanjay is based in Charlottesville, Virginia.","Contact:\nemail: sanjaysuchak@gmail.com","Source: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio","The Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. ","This collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. The collection includes fifteen archival pigment prints documenting the removal of Confederate monuments in Charlottesville and Richmond that took place in the summer of 2020 and in 2021. ","The prints are signed, numbered limited editions measuring 17\" X 22\". These include:\n1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  ","2. The Graduate - Robert E. Lee Statue, Richmond, VA . ","3. Lee Overhead - Richmond, VA . ","4. The First Removal- (Removing Jackson) Richmond, VA. ","5. Under The Watchful Eye - Richmond, VA . ","6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. ","7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. ","8. A worker's notations on the Charlottesville statue of Stonewall Jackson. ","9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. ","10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. ","11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. ","12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. ","13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. ","14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). ","15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.","1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  ","2. The Graduate - Robert E. Lee Statue, Richmond, VA . ","3. Lee Overhead - Richmond, VA . ","4. The First Removal- (Removing Jackson) Richmond, VA. ","5. Under The Watchful Eye - Richmond, VA . ","6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. ","7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. ","8. A worker's notations on the Charlottesville statue of Stonewall Jackson. ","9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. ","10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. ","11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. ","12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. ","13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. ","14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). ","15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.","Albert and Shirley Small Special Collections Library","Suchak, Sanjay ","English"],"unitid_tesim":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835"],"normalized_title_ssm":["Sanjay Suchak photographs"],"collection_title_tesim":["Sanjay Suchak photographs"],"collection_ssim":["Sanjay Suchak photographs"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.)","Richmond (Va.)"],"geogname_ssim":["Charlottesville (Va.)","Richmond (Va.)"],"creator_ssm":["Suchak, Sanjay "],"creator_ssim":["Suchak, Sanjay "],"creator_persname_ssim":["Suchak, Sanjay "],"creators_ssim":["Suchak, Sanjay "],"places_ssim":["Charlottesville (Va.)","Richmond (Va.)"],"acqinfo_ssim":["This collection was a purchase from Monroe Gallery by the Small Special Collections Library at the University of Virginia Library on 22 May 2025."],"access_subjects_ssim":["Art and society","Monuments","Color photographs"],"access_subjects_ssm":["Art and society","Monuments","Color photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".91 Cubic Feet 1 large flat box"],"extent_tesim":[".91 Cubic Feet 1 large flat box"],"dimensions_tesim":["21 X 25 X 3 inches"],"genreform_ssim":["Color photographs"],"date_range_isim":[2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eSanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. \u003c/p\u003e\n","\u003cp\u003eHis camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.\u003c/p\u003e\n","\u003cp\u003eHis work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. \u003c/p\u003e\n","\u003cp\u003eHe has done commercial commissions for clients ranging from banks to universities to nonprofits. \u003c/p\u003e\n","\u003cp\u003eSanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.\u003c/p\u003e\n","\u003cp\u003eHe is a proud member of Diversify Photo. \u003c/p\u003e\n","\u003cp\u003eHis work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.\u003c/p\u003e\n","\u003cp\u003ePress:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026amp; Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour\u003c/p\u003e\n","\u003cp\u003eSanjay is based in Charlottesville, Virginia.\u003c/p\u003e\n","\u003cp\u003eContact:\nemail: sanjaysuchak@gmail.com\u003c/p\u003e\n","\u003cp\u003eSource: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. ","His camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.","His work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. ","He has done commercial commissions for clients ranging from banks to universities to nonprofits. ","Sanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.","He is a proud member of Diversify Photo. ","His work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.","Press:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026 Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour","Sanjay is based in Charlottesville, Virginia.","Contact:\nemail: sanjaysuchak@gmail.com","Source: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio"],"prefercite_html_tesm":["\u003cp\u003eMSS 16926, Sanjay Suchak photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16926, Sanjay Suchak photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. \u003c/p\u003e\n","\u003cp\u003eThis collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. The collection includes fifteen archival pigment prints documenting the removal of Confederate monuments in Charlottesville and Richmond that took place in the summer of 2020 and in 2021. \u003c/p\u003e\n","\u003cp\u003eThe prints are signed, numbered limited editions measuring 17\" X 22\". These include:\n1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  \u003c/p\u003e\n","\u003cp\u003e2. The Graduate - Robert E. Lee Statue, Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e3. Lee Overhead - Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e4. The First Removal- (Removing Jackson) Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e5. Under The Watchful Eye - Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. \u003c/p\u003e\n","\u003cp\u003e8. A worker's notations on the Charlottesville statue of Stonewall Jackson. \u003c/p\u003e\n","\u003cp\u003e9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. \u003c/p\u003e\n","\u003cp\u003e11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. \u003c/p\u003e\n","\u003cp\u003e12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. \u003c/p\u003e\n","\u003cp\u003e13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. \u003c/p\u003e\n","\u003cp\u003e14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). \u003c/p\u003e\n","\u003cp\u003e15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.\u003c/p\u003e","\u003cp\u003e1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  \u003c/p\u003e\n","\u003cp\u003e2. The Graduate - Robert E. Lee Statue, Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e3. Lee Overhead - Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e4. The First Removal- (Removing Jackson) Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e5. Under The Watchful Eye - Richmond, VA . \u003c/p\u003e","\u003cp\u003e6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. \u003c/p\u003e\n","\u003cp\u003e8. A worker's notations on the Charlottesville statue of Stonewall Jackson. \u003c/p\u003e\n","\u003cp\u003e9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. \u003c/p\u003e","\u003cp\u003e11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. \u003c/p\u003e\n","\u003cp\u003e12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. \u003c/p\u003e\n","\u003cp\u003e13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. \u003c/p\u003e\n","\u003cp\u003e14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). \u003c/p\u003e\n","\u003cp\u003e15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. ","This collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. The collection includes fifteen archival pigment prints documenting the removal of Confederate monuments in Charlottesville and Richmond that took place in the summer of 2020 and in 2021. ","The prints are signed, numbered limited editions measuring 17\" X 22\". These include:\n1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  ","2. The Graduate - Robert E. Lee Statue, Richmond, VA . ","3. Lee Overhead - Richmond, VA . ","4. The First Removal- (Removing Jackson) Richmond, VA. ","5. Under The Watchful Eye - Richmond, VA . ","6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. ","7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. ","8. A worker's notations on the Charlottesville statue of Stonewall Jackson. ","9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. ","10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. ","11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. ","12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. ","13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. ","14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). ","15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.","1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  ","2. The Graduate - Robert E. Lee Statue, Richmond, VA . ","3. Lee Overhead - Richmond, VA . ","4. The First Removal- (Removing Jackson) Richmond, VA. ","5. Under The Watchful Eye - Richmond, VA . ","6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. ","7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. ","8. A worker's notations on the Charlottesville statue of Stonewall Jackson. ","9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. ","10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. ","11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. ","12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. ","13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. ","14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). ","15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down."],"names_ssim":["Albert and Shirley Small Special Collections Library","Suchak, Sanjay "],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Suchak, Sanjay "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:33.741Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1835","ead_ssi":"viu_repositories_3_resources_1835","_root_":"viu_repositories_3_resources_1835","_nest_parent_":"viu_repositories_3_resources_1835","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1835.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230977","title_filing_ssi":"Sanjay Suchak photographs","title_ssm":["Sanjay Suchak photographs"],"title_tesim":["Sanjay Suchak photographs"],"unitdate_ssm":["2017-2021"],"unitdate_inclusive_ssm":["2017-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835"],"text":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835","Sanjay Suchak photographs","Charlottesville (Va.)","Richmond (Va.)","Art and society","Monuments","Color photographs","This collection is open for research.","Sanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. ","His camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.","His work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. ","He has done commercial commissions for clients ranging from banks to universities to nonprofits. ","Sanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.","He is a proud member of Diversify Photo. ","His work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.","Press:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026 Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour","Sanjay is based in Charlottesville, Virginia.","Contact:\nemail: sanjaysuchak@gmail.com","Source: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio","The Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. ","This collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. The collection includes fifteen archival pigment prints documenting the removal of Confederate monuments in Charlottesville and Richmond that took place in the summer of 2020 and in 2021. ","The prints are signed, numbered limited editions measuring 17\" X 22\". These include:\n1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  ","2. The Graduate - Robert E. Lee Statue, Richmond, VA . ","3. Lee Overhead - Richmond, VA . ","4. The First Removal- (Removing Jackson) Richmond, VA. ","5. Under The Watchful Eye - Richmond, VA . ","6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. ","7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. ","8. A worker's notations on the Charlottesville statue of Stonewall Jackson. ","9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. ","10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. ","11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. ","12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. ","13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. ","14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). ","15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.","1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  ","2. The Graduate - Robert E. Lee Statue, Richmond, VA . ","3. Lee Overhead - Richmond, VA . ","4. The First Removal- (Removing Jackson) Richmond, VA. ","5. Under The Watchful Eye - Richmond, VA . ","6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. ","7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. ","8. A worker's notations on the Charlottesville statue of Stonewall Jackson. ","9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. ","10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. ","11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. ","12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. ","13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. ","14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). ","15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.","Albert and Shirley Small Special Collections Library","Suchak, Sanjay ","English"],"unitid_tesim":["MSS 16926","Archival Resource Key","/repositories/3/resources/1835"],"normalized_title_ssm":["Sanjay Suchak photographs"],"collection_title_tesim":["Sanjay Suchak photographs"],"collection_ssim":["Sanjay Suchak photographs"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.)","Richmond (Va.)"],"geogname_ssim":["Charlottesville (Va.)","Richmond (Va.)"],"creator_ssm":["Suchak, Sanjay "],"creator_ssim":["Suchak, Sanjay "],"creator_persname_ssim":["Suchak, Sanjay "],"creators_ssim":["Suchak, Sanjay "],"places_ssim":["Charlottesville (Va.)","Richmond (Va.)"],"acqinfo_ssim":["This collection was a purchase from Monroe Gallery by the Small Special Collections Library at the University of Virginia Library on 22 May 2025."],"access_subjects_ssim":["Art and society","Monuments","Color photographs"],"access_subjects_ssm":["Art and society","Monuments","Color photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".91 Cubic Feet 1 large flat box"],"extent_tesim":[".91 Cubic Feet 1 large flat box"],"dimensions_tesim":["21 X 25 X 3 inches"],"genreform_ssim":["Color photographs"],"date_range_isim":[2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eSanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. \u003c/p\u003e\n","\u003cp\u003eHis camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.\u003c/p\u003e\n","\u003cp\u003eHis work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. \u003c/p\u003e\n","\u003cp\u003eHe has done commercial commissions for clients ranging from banks to universities to nonprofits. \u003c/p\u003e\n","\u003cp\u003eSanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.\u003c/p\u003e\n","\u003cp\u003eHe is a proud member of Diversify Photo. \u003c/p\u003e\n","\u003cp\u003eHis work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.\u003c/p\u003e\n","\u003cp\u003ePress:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026amp; Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour\u003c/p\u003e\n","\u003cp\u003eSanjay is based in Charlottesville, Virginia.\u003c/p\u003e\n","\u003cp\u003eContact:\nemail: sanjaysuchak@gmail.com\u003c/p\u003e\n","\u003cp\u003eSource: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sanjay Suchak is an American photographer and director known for his work with popular musical artists, global brands and documenting issues of modern social justice. ","His camera has taken him around the world as the photographer for the Dave Matthews Band and Public Enemy as well as the video director for Nathaniel Rateliff and the Night Sweats. Additionally he has toured with Slightly Stoopid, The Grateful Dead and Trey Anastasio.","His work from 2017-2024 covering the efforts to remove Confederate statues and memorials in the South is considered by many to be the most comprehensive look inside the process process to remove the statues. The project concluded with him being granted permission to document the melting of the Charlottesville statue of Robert E. Lee. These photos and all his photojournalism work are represented exclusively by the Monroe Gallery of Photography in Santa Fe, NM. ","He has done commercial commissions for clients ranging from banks to universities to nonprofits. ","Sanjay is a former Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia.","He is a proud member of Diversify Photo. ","His work resides in many private collections as well as that of the Spencer Museum of Art, The Museum of Contemporary Art - Los Angeles, The University of Virginia - Special Collections, The Rock and Roll Hall of Fame and others.","Press:\n    Capturing The Moment - Episode 1 - Sanjay Suchak - PBS\n    Dave Matthews Band photographer Sanjay Suchak's path from government work to a career in the arts - VPM\n    How Dave Matthews Band Tour Photographer Sanjay Suchak Meshes His Two Loves - The Creative Factor\n    Creatives \u0026 Coffee: How to Take a Great Portrait (in 5 Minutes or Less) \n    Dedicated to the 'Story Behind the Story'\n    Life on and off the road with Dave Matthews Band tour photographer Sanjay Suchak\n    A Day In The Life Of A Music Photographer On Tour","Sanjay is based in Charlottesville, Virginia.","Contact:\nemail: sanjaysuchak@gmail.com","Source: \nSanjay Suchak website: https://www.sanjaysuchak.com/bio"],"prefercite_html_tesm":["\u003cp\u003eMSS 16926, Sanjay Suchak photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16926, Sanjay Suchak photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThe Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. \u003c/p\u003e\n","\u003cp\u003eThis collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. The collection includes fifteen archival pigment prints documenting the removal of Confederate monuments in Charlottesville and Richmond that took place in the summer of 2020 and in 2021. \u003c/p\u003e\n","\u003cp\u003eThe prints are signed, numbered limited editions measuring 17\" X 22\". These include:\n1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  \u003c/p\u003e\n","\u003cp\u003e2. The Graduate - Robert E. Lee Statue, Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e3. Lee Overhead - Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e4. The First Removal- (Removing Jackson) Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e5. Under The Watchful Eye - Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. \u003c/p\u003e\n","\u003cp\u003e8. A worker's notations on the Charlottesville statue of Stonewall Jackson. \u003c/p\u003e\n","\u003cp\u003e9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. \u003c/p\u003e\n","\u003cp\u003e11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. \u003c/p\u003e\n","\u003cp\u003e12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. \u003c/p\u003e\n","\u003cp\u003e13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. \u003c/p\u003e\n","\u003cp\u003e14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). \u003c/p\u003e\n","\u003cp\u003e15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.\u003c/p\u003e","\u003cp\u003e1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  \u003c/p\u003e\n","\u003cp\u003e2. The Graduate - Robert E. Lee Statue, Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e3. Lee Overhead - Richmond, VA . \u003c/p\u003e\n","\u003cp\u003e4. The First Removal- (Removing Jackson) Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e5. Under The Watchful Eye - Richmond, VA . \u003c/p\u003e","\u003cp\u003e6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. \u003c/p\u003e\n","\u003cp\u003e8. A worker's notations on the Charlottesville statue of Stonewall Jackson. \u003c/p\u003e\n","\u003cp\u003e9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. \u003c/p\u003e\n","\u003cp\u003e10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. \u003c/p\u003e","\u003cp\u003e11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. \u003c/p\u003e\n","\u003cp\u003e12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. \u003c/p\u003e\n","\u003cp\u003e13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. \u003c/p\u003e\n","\u003cp\u003e14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). \u003c/p\u003e\n","\u003cp\u003e15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Unite the Right rally was a white supremacist rally that took place in Charlottesville, Virginia, from August 11 to 12, 2017. Some groups chanted racist and antisemitic slogans and carried weapons. The organizers' stated goals included the unification of the American white nationalist movement and opposing the proposed removal of the statue of General Robert E. Lee from Charlottesville's former Lee Park. The rally sparked a national debate over Confederate iconography, racial violence, and white supremacy. The event had hundreds of participants. ","This collection contains fifteen prints from photographer Sanjay Suchak, based in Charlottesville, Virginia, and Los Angeles, California. The collection includes fifteen archival pigment prints documenting the removal of Confederate monuments in Charlottesville and Richmond that took place in the summer of 2020 and in 2021. ","The prints are signed, numbered limited editions measuring 17\" X 22\". These include:\n1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  ","2. The Graduate - Robert E. Lee Statue, Richmond, VA . ","3. Lee Overhead - Richmond, VA . ","4. The First Removal- (Removing Jackson) Richmond, VA. ","5. Under The Watchful Eye - Richmond, VA . ","6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. ","7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. ","8. A worker's notations on the Charlottesville statue of Stonewall Jackson. ","9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. ","10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. ","11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. ","12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. ","13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. ","14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). ","15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down.","1. August 12, 2017 - Charlottesville, VA Members of the Unite the Right protest confront counter protesters in front of the Robert E. Lee statue in Charlottesville, VA.  ","2. The Graduate - Robert E. Lee Statue, Richmond, VA . ","3. Lee Overhead - Richmond, VA . ","4. The First Removal- (Removing Jackson) Richmond, VA. ","5. Under The Watchful Eye - Richmond, VA . ","6. Removal of \"Vindicatrix,\" also known as \"Miss Confederacy\", from the Jefferson Davis monument, Richmond, VA. ","7. The Statue of Robert E. Lee is seen as a flatbed truck pulls away from the park carrying the statue. ","8. A worker's notations on the Charlottesville statue of Stonewall Jackson. ","9. Pieces of the Pedestal of Robert E. Lee sit on pallets in an undisclosed location in Richmond, VA. ","10. The George Rogers Clark statue from the University of Virginia sits in a university owned storage site, facing the wall, away from prying eyes. ","11. Devon Henry, the contractor who accepted the role of removing the statues stands among the remains of the Richmond statues. ","12. Charlottesville's two monuments sit in city storage before they were moved. Lee to be melted down and Jackson to California for an exhibit. ","13. A foundry worker holds the face of Charlottesville's Robert E. Lee statue. Scored for breaking, it was shortly melted down. ","14. All of the Monument Avenue statues are seen in a row, stored in an undisclosed location (diptych/2 prints). ","15. A foundry worker holds the sword of Robert E. Lee shortly before it is melted down."],"names_ssim":["Albert and Shirley Small Special Collections Library","Suchak, Sanjay "],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Suchak, Sanjay "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:33.741Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1835"}},{"id":"vihart_repositories_4_resources_361","type":"collection","attributes":{"title":"Sarah McAllister Thrash Papers","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_361#creator","type":"document_value","attributes":{"value":"Thrash, Sarah Billopp McAllister","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_361#abstract_or_scope","type":"document_value","attributes":{"value":"The Sarah McAllister Thrash Papers, 1951-1995, contain memorabilia from Sarah McAllister Thrash's time at Madison College in the early 1950s. The collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_361#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_361","ead_ssi":"vihart_repositories_4_resources_361","_root_":"vihart_repositories_4_resources_361","_nest_parent_":"vihart_repositories_4_resources_361","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_361.xml","title_ssm":["Sarah McAllister Thrash Papers"],"title_tesim":["Sarah McAllister Thrash Papers"],"unitdate_ssm":["1951-1995"],"unitdate_inclusive_ssm":["1951-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0037","/repositories/4/resources/361"],"text":["SC 0037","/repositories/4/resources/361","Sarah McAllister Thrash Papers","Harrisonburg (Va.) -- History","Color photographs","Handbooks","Newspaper clippings","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged topically in two folders. Items are further arranged chronologically when possible.","The Schoolma'am , 1955. Harrisonburg (Va.): Madison College.","Sarah Billopp McAllister Thrash of Covington, Virginia graduated from Madison College in 1955 with a degree in English. Her extracurricular activities included working for The Breeze, and the college handbook as well as the honor council. She was a junior marshal and a member of  El Club Espanol, Le Cercle Francais, Canterbury Club (Episcopal student organization), Ex Libris Club (library science), YWCA, and the Cotillion Club.","By the early 1970s, Thrash moved to Salisbury, Maryland and was active in her community chapter of the Madison College/James Madison University Alumni Association.","The newspaper clipping announcing the engagement of Phyllis Ann Keith to Douglas Lee Creger was photocopied. The original was retained. Photographs and miscellaneous ephemera that were originally affixed to four loose sheets of construction paper were removed in preparation for possible adhesive failure. The sheets were photocopied prior to the removal of the photographs to preserve context.","The Sarah McAllister Thrash Papers, 1951-1995, consist of three folders and contain Thrash's 1951-1952 student handbook. \"Sally McAllister\" a well as \"(Sexie) Sally McAllister\" are written on the front. The back cover contains handwritten annotations. A newspaper clipping announcing the engagement of Phyllis Ann Keith, a classmate of Thrash's, to Douglas Lee Creger is included.","The collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995. The photographs feature Eastern Shore alumni events in 1971, 1972, and 1973and include guest speakers Raymond Dingledine, Francis Turner, and Ray Sonner. Photos from the 1973 Madison College Homecoming Parade are also included.","The collection also contains a loose assortment of photographs taken in 1995 at the 40th reunion of the Madison College Class of 1955. Thrash and many of her classmates are photographed; some individual names are provided on the back of the photographs. The photographs were taken around the university campus and include images of the Edith J. Carrier Arboretum. One photograph dating to 1980 features what is presumed to be the 35th reunion of the Madison College Class of 1955.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Sarah McAllister Thrash Papers, 1951-1995, contain memorabilia from Sarah McAllister Thrash's time at Madison College in the early 1950s. The collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995.","James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","James Madison University -- Students -- History","Thrash, Sarah Billopp McAllister","English"],"unitid_tesim":["SC 0037","/repositories/4/resources/361"],"normalized_title_ssm":["Sarah McAllister Thrash Papers"],"collection_title_tesim":["Sarah McAllister Thrash Papers"],"collection_ssim":["Sarah McAllister Thrash Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"creator_ssm":["Thrash, Sarah Billopp McAllister"],"creator_ssim":["Thrash, Sarah Billopp McAllister"],"creator_persname_ssim":["Thrash, Sarah Billopp McAllister"],"creators_ssim":["Thrash, Sarah Billopp McAllister"],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["This collection was donated to the James Madison University Alumni Association and was subsequently transferred to the Special Collections Library."],"access_subjects_ssim":["Color photographs","Handbooks","Newspaper clippings"],"access_subjects_ssm":["Color photographs","Handbooks","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["0.12 cubic feet 3 letter folders"],"extent_tesim":["0.12 cubic feet 3 letter folders"],"genreform_ssim":["Color photographs","Handbooks","Newspaper clippings"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged topically in two folders. Items are further arranged chronologically when possible.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged topically in two folders. Items are further arranged chronologically when possible."],"bibliography_html_tesm":["\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1955. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Schoolma'am , 1955. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eSarah Billopp McAllister Thrash of Covington, Virginia graduated from Madison College in 1955 with a degree in English. Her extracurricular activities included working for The Breeze, and the college handbook as well as the honor council. She was a junior marshal and a member of  El Club Espanol, Le Cercle Francais, Canterbury Club (Episcopal student organization), Ex Libris Club (library science), YWCA, and the Cotillion Club.\u003c/p\u003e\n","\u003cp\u003eBy the early 1970s, Thrash moved to Salisbury, Maryland and was active in her community chapter of the Madison College/James Madison University Alumni Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Sarah Billopp McAllister Thrash of Covington, Virginia graduated from Madison College in 1955 with a degree in English. Her extracurricular activities included working for The Breeze, and the college handbook as well as the honor council. She was a junior marshal and a member of  El Club Espanol, Le Cercle Francais, Canterbury Club (Episcopal student organization), Ex Libris Club (library science), YWCA, and the Cotillion Club.","By the early 1970s, Thrash moved to Salisbury, Maryland and was active in her community chapter of the Madison College/James Madison University Alumni Association."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Sarah McAllister Thrash Papers, 1951-1995, SC 0037, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Sarah McAllister Thrash Papers, 1951-1995, SC 0037, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe newspaper clipping announcing the engagement of Phyllis Ann Keith to Douglas Lee Creger was photocopied. The original was retained. Photographs and miscellaneous ephemera that were originally affixed to four loose sheets of construction paper were removed in preparation for possible adhesive failure. The sheets were photocopied prior to the removal of the photographs to preserve context.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The newspaper clipping announcing the engagement of Phyllis Ann Keith to Douglas Lee Creger was photocopied. The original was retained. Photographs and miscellaneous ephemera that were originally affixed to four loose sheets of construction paper were removed in preparation for possible adhesive failure. The sheets were photocopied prior to the removal of the photographs to preserve context."],"scopecontent_html_tesm":["\u003cp\u003eThe Sarah McAllister Thrash Papers, 1951-1995, consist of three folders and contain Thrash's 1951-1952 student handbook. \"Sally McAllister\" a well as \"(Sexie) Sally McAllister\" are written on the front. The back cover contains handwritten annotations. A newspaper clipping announcing the engagement of Phyllis Ann Keith, a classmate of Thrash's, to Douglas Lee Creger is included.\u003c/p\u003e\n","\u003cp\u003eThe collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995. The photographs feature Eastern Shore alumni events in 1971, 1972, and 1973and include guest speakers Raymond Dingledine, Francis Turner, and Ray Sonner. Photos from the 1973 Madison College Homecoming Parade are also included.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a loose assortment of photographs taken in 1995 at the 40th reunion of the Madison College Class of 1955. Thrash and many of her classmates are photographed; some individual names are provided on the back of the photographs. The photographs were taken around the university campus and include images of the Edith J. Carrier Arboretum. One photograph dating to 1980 features what is presumed to be the 35th reunion of the Madison College Class of 1955.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Sarah McAllister Thrash Papers, 1951-1995, consist of three folders and contain Thrash's 1951-1952 student handbook. \"Sally McAllister\" a well as \"(Sexie) Sally McAllister\" are written on the front. The back cover contains handwritten annotations. A newspaper clipping announcing the engagement of Phyllis Ann Keith, a classmate of Thrash's, to Douglas Lee Creger is included.","The collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995. The photographs feature Eastern Shore alumni events in 1971, 1972, and 1973and include guest speakers Raymond Dingledine, Francis Turner, and Ray Sonner. Photos from the 1973 Madison College Homecoming Parade are also included.","The collection also contains a loose assortment of photographs taken in 1995 at the 40th reunion of the Madison College Class of 1955. Thrash and many of her classmates are photographed; some individual names are provided on the back of the photographs. The photographs were taken around the university campus and include images of the Edith J. Carrier Arboretum. One photograph dating to 1980 features what is presumed to be the 35th reunion of the Madison College Class of 1955."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ade7f93898d6597556df5746d1aa04c7\"\u003eThe Sarah McAllister Thrash Papers, 1951-1995, contain memorabilia from Sarah McAllister Thrash's time at Madison College in the early 1950s. The collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995.\u003c/abstract\u003e"],"abstract_tesim":["The Sarah McAllister Thrash Papers, 1951-1995, contain memorabilia from Sarah McAllister Thrash's time at Madison College in the early 1950s. The collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995."],"names_coll_ssim":["Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","James Madison University -- Students -- History"],"names_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","James Madison University -- Students -- History","Thrash, Sarah Billopp McAllister"],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","James Madison University -- Students -- History"],"persname_ssim":["Thrash, Sarah Billopp McAllister"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:39.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_361","ead_ssi":"vihart_repositories_4_resources_361","_root_":"vihart_repositories_4_resources_361","_nest_parent_":"vihart_repositories_4_resources_361","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_361.xml","title_ssm":["Sarah McAllister Thrash Papers"],"title_tesim":["Sarah McAllister Thrash Papers"],"unitdate_ssm":["1951-1995"],"unitdate_inclusive_ssm":["1951-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0037","/repositories/4/resources/361"],"text":["SC 0037","/repositories/4/resources/361","Sarah McAllister Thrash Papers","Harrisonburg (Va.) -- History","Color photographs","Handbooks","Newspaper clippings","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged topically in two folders. Items are further arranged chronologically when possible.","The Schoolma'am , 1955. Harrisonburg (Va.): Madison College.","Sarah Billopp McAllister Thrash of Covington, Virginia graduated from Madison College in 1955 with a degree in English. Her extracurricular activities included working for The Breeze, and the college handbook as well as the honor council. She was a junior marshal and a member of  El Club Espanol, Le Cercle Francais, Canterbury Club (Episcopal student organization), Ex Libris Club (library science), YWCA, and the Cotillion Club.","By the early 1970s, Thrash moved to Salisbury, Maryland and was active in her community chapter of the Madison College/James Madison University Alumni Association.","The newspaper clipping announcing the engagement of Phyllis Ann Keith to Douglas Lee Creger was photocopied. The original was retained. Photographs and miscellaneous ephemera that were originally affixed to four loose sheets of construction paper were removed in preparation for possible adhesive failure. The sheets were photocopied prior to the removal of the photographs to preserve context.","The Sarah McAllister Thrash Papers, 1951-1995, consist of three folders and contain Thrash's 1951-1952 student handbook. \"Sally McAllister\" a well as \"(Sexie) Sally McAllister\" are written on the front. The back cover contains handwritten annotations. A newspaper clipping announcing the engagement of Phyllis Ann Keith, a classmate of Thrash's, to Douglas Lee Creger is included.","The collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995. The photographs feature Eastern Shore alumni events in 1971, 1972, and 1973and include guest speakers Raymond Dingledine, Francis Turner, and Ray Sonner. Photos from the 1973 Madison College Homecoming Parade are also included.","The collection also contains a loose assortment of photographs taken in 1995 at the 40th reunion of the Madison College Class of 1955. Thrash and many of her classmates are photographed; some individual names are provided on the back of the photographs. The photographs were taken around the university campus and include images of the Edith J. Carrier Arboretum. One photograph dating to 1980 features what is presumed to be the 35th reunion of the Madison College Class of 1955.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Sarah McAllister Thrash Papers, 1951-1995, contain memorabilia from Sarah McAllister Thrash's time at Madison College in the early 1950s. The collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995.","James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","James Madison University -- Students -- History","Thrash, Sarah Billopp McAllister","English"],"unitid_tesim":["SC 0037","/repositories/4/resources/361"],"normalized_title_ssm":["Sarah McAllister Thrash Papers"],"collection_title_tesim":["Sarah McAllister Thrash Papers"],"collection_ssim":["Sarah McAllister Thrash Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"creator_ssm":["Thrash, Sarah Billopp McAllister"],"creator_ssim":["Thrash, Sarah Billopp McAllister"],"creator_persname_ssim":["Thrash, Sarah Billopp McAllister"],"creators_ssim":["Thrash, Sarah Billopp McAllister"],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["This collection was donated to the James Madison University Alumni Association and was subsequently transferred to the Special Collections Library."],"access_subjects_ssim":["Color photographs","Handbooks","Newspaper clippings"],"access_subjects_ssm":["Color photographs","Handbooks","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["0.12 cubic feet 3 letter folders"],"extent_tesim":["0.12 cubic feet 3 letter folders"],"genreform_ssim":["Color photographs","Handbooks","Newspaper clippings"],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged topically in two folders. Items are further arranged chronologically when possible.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged topically in two folders. Items are further arranged chronologically when possible."],"bibliography_html_tesm":["\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1955. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Schoolma'am , 1955. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eSarah Billopp McAllister Thrash of Covington, Virginia graduated from Madison College in 1955 with a degree in English. Her extracurricular activities included working for The Breeze, and the college handbook as well as the honor council. She was a junior marshal and a member of  El Club Espanol, Le Cercle Francais, Canterbury Club (Episcopal student organization), Ex Libris Club (library science), YWCA, and the Cotillion Club.\u003c/p\u003e\n","\u003cp\u003eBy the early 1970s, Thrash moved to Salisbury, Maryland and was active in her community chapter of the Madison College/James Madison University Alumni Association.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Sarah Billopp McAllister Thrash of Covington, Virginia graduated from Madison College in 1955 with a degree in English. Her extracurricular activities included working for The Breeze, and the college handbook as well as the honor council. She was a junior marshal and a member of  El Club Espanol, Le Cercle Francais, Canterbury Club (Episcopal student organization), Ex Libris Club (library science), YWCA, and the Cotillion Club.","By the early 1970s, Thrash moved to Salisbury, Maryland and was active in her community chapter of the Madison College/James Madison University Alumni Association."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Sarah McAllister Thrash Papers, 1951-1995, SC 0037, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Sarah McAllister Thrash Papers, 1951-1995, SC 0037, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe newspaper clipping announcing the engagement of Phyllis Ann Keith to Douglas Lee Creger was photocopied. The original was retained. Photographs and miscellaneous ephemera that were originally affixed to four loose sheets of construction paper were removed in preparation for possible adhesive failure. The sheets were photocopied prior to the removal of the photographs to preserve context.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The newspaper clipping announcing the engagement of Phyllis Ann Keith to Douglas Lee Creger was photocopied. The original was retained. Photographs and miscellaneous ephemera that were originally affixed to four loose sheets of construction paper were removed in preparation for possible adhesive failure. The sheets were photocopied prior to the removal of the photographs to preserve context."],"scopecontent_html_tesm":["\u003cp\u003eThe Sarah McAllister Thrash Papers, 1951-1995, consist of three folders and contain Thrash's 1951-1952 student handbook. \"Sally McAllister\" a well as \"(Sexie) Sally McAllister\" are written on the front. The back cover contains handwritten annotations. A newspaper clipping announcing the engagement of Phyllis Ann Keith, a classmate of Thrash's, to Douglas Lee Creger is included.\u003c/p\u003e\n","\u003cp\u003eThe collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995. The photographs feature Eastern Shore alumni events in 1971, 1972, and 1973and include guest speakers Raymond Dingledine, Francis Turner, and Ray Sonner. Photos from the 1973 Madison College Homecoming Parade are also included.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a loose assortment of photographs taken in 1995 at the 40th reunion of the Madison College Class of 1955. Thrash and many of her classmates are photographed; some individual names are provided on the back of the photographs. The photographs were taken around the university campus and include images of the Edith J. Carrier Arboretum. One photograph dating to 1980 features what is presumed to be the 35th reunion of the Madison College Class of 1955.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Sarah McAllister Thrash Papers, 1951-1995, consist of three folders and contain Thrash's 1951-1952 student handbook. \"Sally McAllister\" a well as \"(Sexie) Sally McAllister\" are written on the front. The back cover contains handwritten annotations. A newspaper clipping announcing the engagement of Phyllis Ann Keith, a classmate of Thrash's, to Douglas Lee Creger is included.","The collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995. The photographs feature Eastern Shore alumni events in 1971, 1972, and 1973and include guest speakers Raymond Dingledine, Francis Turner, and Ray Sonner. Photos from the 1973 Madison College Homecoming Parade are also included.","The collection also contains a loose assortment of photographs taken in 1995 at the 40th reunion of the Madison College Class of 1955. Thrash and many of her classmates are photographed; some individual names are provided on the back of the photographs. The photographs were taken around the university campus and include images of the Edith J. Carrier Arboretum. One photograph dating to 1980 features what is presumed to be the 35th reunion of the Madison College Class of 1955."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ade7f93898d6597556df5746d1aa04c7\"\u003eThe Sarah McAllister Thrash Papers, 1951-1995, contain memorabilia from Sarah McAllister Thrash's time at Madison College in the early 1950s. The collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995.\u003c/abstract\u003e"],"abstract_tesim":["The Sarah McAllister Thrash Papers, 1951-1995, contain memorabilia from Sarah McAllister Thrash's time at Madison College in the early 1950s. The collection is comprised primarily of photographs taken at Madison College alumni events dating from the early 1970s to 1995."],"names_coll_ssim":["Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","James Madison University -- Students -- History"],"names_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","James Madison University -- Students -- History","Thrash, Sarah Billopp McAllister"],"corpname_ssim":["James Madison University Libraries Special Collections","Madison College -- History","Madison College -- Alumni and alumnae","Madison College -- Students","James Madison University -- Students -- History"],"persname_ssim":["Thrash, Sarah Billopp McAllister"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:39.142Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_361"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=list"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=list"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026view=list"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Book Baskets records","value":"Book Baskets records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcollection%5D%5B%5D=Book+Baskets+records\u0026view=list"}},{"attributes":{"label":"College of Visual and Performing Arts records","value":"College of Visual and Performing Arts records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcollection%5D%5B%5D=College+of+Visual+and+Performing+Arts+records\u0026view=list"}},{"attributes":{"label":"Gail Kinsey photographs","value":"Gail Kinsey photographs","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcollection%5D%5B%5D=Gail+Kinsey+photographs\u0026view=list"}},{"attributes":{"label":"Gitchell's Studio collection (accession 2017-0077)","value":"Gitchell's Studio collection (accession 2017-0077)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcollection%5D%5B%5D=Gitchell%27s+Studio+collection+%28accession+2017-0077%29\u0026view=list"}},{"attributes":{"label":"James Madison University Historic Photographs","value":"James Madison University Historic Photographs","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcollection%5D%5B%5D=James+Madison+University+Historic+Photographs\u0026view=list"}},{"attributes":{"label":"Kathleen Bonnie Crispin Worsham papers","value":"Kathleen Bonnie Crispin Worsham papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcollection%5D%5B%5D=Kathleen+Bonnie+Crispin+Worsham+papers\u0026view=list"}},{"attributes":{"label":"Nathan L. Jones Scrapbook","value":"Nathan L. Jones Scrapbook","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcollection%5D%5B%5D=Nathan+L.+Jones+Scrapbook\u0026view=list"}},{"attributes":{"label":"Patricia Chalfant Women's Rights Collection","value":"Patricia Chalfant Women's Rights Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcollection%5D%5B%5D=Patricia+Chalfant+Women%27s+Rights+Collection\u0026view=list"}},{"attributes":{"label":"Sanjay Suchak photographs","value":"Sanjay Suchak photographs","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcollection%5D%5B%5D=Sanjay+Suchak+photographs\u0026view=list"}},{"attributes":{"label":"Sarah McAllister Thrash Papers","value":"Sarah McAllister Thrash Papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcollection%5D%5B%5D=Sarah+McAllister+Thrash+Papers\u0026view=list"}},{"attributes":{"label":"School of Art and Art History Photographs","value":"School of Art and Art History Photographs","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcollection%5D%5B%5D=School+of+Art+and+Art+History+Photographs\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026view=list"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1860","value":"1860","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bdate_range%5D%5B%5D=1860\u0026view=list"}},{"attributes":{"label":"1861","value":"1861","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bdate_range%5D%5B%5D=1861\u0026view=list"}},{"attributes":{"label":"1862","value":"1862","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bdate_range%5D%5B%5D=1862\u0026view=list"}},{"attributes":{"label":"1863","value":"1863","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bdate_range%5D%5B%5D=1863\u0026view=list"}},{"attributes":{"label":"1864","value":"1864","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bdate_range%5D%5B%5D=1864\u0026view=list"}},{"attributes":{"label":"1865","value":"1865","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bdate_range%5D%5B%5D=1865\u0026view=list"}},{"attributes":{"label":"1866","value":"1866","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bdate_range%5D%5B%5D=1866\u0026view=list"}},{"attributes":{"label":"1867","value":"1867","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bdate_range%5D%5B%5D=1867\u0026view=list"}},{"attributes":{"label":"1868","value":"1868","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bdate_range%5D%5B%5D=1868\u0026view=list"}},{"attributes":{"label":"1869","value":"1869","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bdate_range%5D%5B%5D=1869\u0026view=list"}},{"attributes":{"label":"1870","value":"1870","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bdate_range%5D%5B%5D=1870\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Black, Kathy","value":"Black, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcreators%5D%5B%5D=Black%2C+Kathy\u0026view=list"}},{"attributes":{"label":"Chalfant, Patricia, 1941-2006","value":"Chalfant, Patricia, 1941-2006","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcreators%5D%5B%5D=Chalfant%2C+Patricia%2C+1941-2006\u0026view=list"}},{"attributes":{"label":"George Mason University. College of Visual \u0026 Performing Arts","value":"George Mason University. College of Visual \u0026 Performing Arts","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcreators%5D%5B%5D=George+Mason+University.+College+of+Visual+%26+Performing+Arts\u0026view=list"}},{"attributes":{"label":"James Madison University. Centennial Office","value":"James Madison University. Centennial Office","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcreators%5D%5B%5D=James+Madison+University.+Centennial+Office\u0026view=list"}},{"attributes":{"label":"James Madison University. School of Art and Art History","value":"James Madison University. School of Art and Art History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcreators%5D%5B%5D=James+Madison+University.+School+of+Art+and+Art+History\u0026view=list"}},{"attributes":{"label":"Kinsey, Gail, 1950-2015","value":"Kinsey, Gail, 1950-2015","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcreators%5D%5B%5D=Kinsey%2C+Gail%2C+1950-2015\u0026view=list"}},{"attributes":{"label":"Ropp, Kevin","value":"Ropp, Kevin","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcreators%5D%5B%5D=Ropp%2C+Kevin\u0026view=list"}},{"attributes":{"label":"Suchak, Sanjay ","value":"Suchak, Sanjay ","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcreators%5D%5B%5D=Suchak%2C+Sanjay+\u0026view=list"}},{"attributes":{"label":"Thrash, Sarah Billopp McAllister","value":"Thrash, Sarah Billopp McAllister","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcreators%5D%5B%5D=Thrash%2C+Sarah+Billopp+McAllister\u0026view=list"}},{"attributes":{"label":"Tschudi, Alan","value":"Tschudi, Alan","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcreators%5D%5B%5D=Tschudi%2C+Alan\u0026view=list"}},{"attributes":{"label":"Virginia. Department of Highways and Transportation","value":"Virginia. Department of Highways and Transportation","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bcreators%5D%5B%5D=Virginia.+Department+of+Highways+and+Transportation\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026view=list"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Albert and Shirley Small Special Collections Library","value":"Albert and Shirley Small Special Collections Library","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bnames%5D%5B%5D=Albert+and+Shirley+Small+Special+Collections+Library\u0026view=list"}},{"attributes":{"label":"Barton, Carol June, 1954-","value":"Barton, Carol June, 1954-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bnames%5D%5B%5D=Barton%2C+Carol+June%2C+1954-\u0026view=list"}},{"attributes":{"label":"Black, Kathy","value":"Black, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bnames%5D%5B%5D=Black%2C+Kathy\u0026view=list"}},{"attributes":{"label":"Borun, Minda","value":"Borun, Minda","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bnames%5D%5B%5D=Borun%2C+Minda\u0026view=list"}},{"attributes":{"label":"Chalfant, Patricia, 1941-2006","value":"Chalfant, Patricia, 1941-2006","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bnames%5D%5B%5D=Chalfant%2C+Patricia%2C+1941-2006\u0026view=list"}},{"attributes":{"label":"Chicago, Judy, 1939-","value":"Chicago, Judy, 1939-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bnames%5D%5B%5D=Chicago%2C+Judy%2C+1939-\u0026view=list"}},{"attributes":{"label":"Daily Progress","value":"Daily Progress","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bnames%5D%5B%5D=Daily+Progress\u0026view=list"}},{"attributes":{"label":"Densmore, Dana","value":"Densmore, Dana","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bnames%5D%5B%5D=Densmore%2C+Dana\u0026view=list"}},{"attributes":{"label":"Feminist Alliance Against Rape (U.S.)","value":"Feminist Alliance Against Rape (U.S.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bnames%5D%5B%5D=Feminist+Alliance+Against+Rape+%28U.S.%29\u0026view=list"}},{"attributes":{"label":"Freeman, Jo (1945-)","value":"Freeman, Jo (1945-)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bnames%5D%5B%5D=Freeman%2C+Jo+%281945-%29\u0026view=list"}},{"attributes":{"label":"George Mason University. College of Visual \u0026 Performing Arts","value":"George Mason University. College of Visual \u0026 Performing Arts","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bnames%5D%5B%5D=George+Mason+University.+College+of+Visual+%26+Performing+Arts\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026view=list"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Charlottesville (Va.)","value":"Charlottesville (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bplaces%5D%5B%5D=Charlottesville+%28Va.%29\u0026view=list"}},{"attributes":{"label":"Harrisonburg (Va.) -- History","value":"Harrisonburg (Va.) -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bplaces%5D%5B%5D=Harrisonburg+%28Va.%29+--+History\u0026view=list"}},{"attributes":{"label":"Richmond (Va.)","value":"Richmond (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Bplaces%5D%5B%5D=Richmond+%28Va.%29\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026view=list"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Architecture -- Virginia -- Albemarle County.","value":"Architecture -- Virginia -- Albemarle County.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Baccess_subjects%5D%5B%5D=Architecture+--+Virginia+--+Albemarle+County.\u0026view=list"}},{"attributes":{"label":"Art and society","value":"Art and society","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Baccess_subjects%5D%5B%5D=Art+and+society\u0026view=list"}},{"attributes":{"label":"Black-and-white photographs","value":"Black-and-white photographs","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Baccess_subjects%5D%5B%5D=Black-and-white+photographs\u0026view=list"}},{"attributes":{"label":"Booklets","value":"Booklets","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Baccess_subjects%5D%5B%5D=Booklets\u0026view=list"}},{"attributes":{"label":"Bylaws (administrative records)","value":"Bylaws (administrative records)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Baccess_subjects%5D%5B%5D=Bylaws+%28administrative+records%29\u0026view=list"}},{"attributes":{"label":"Color photographs","value":"Color photographs","hits":14},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026view=list"}},{"attributes":{"label":"Color photography","value":"Color photography","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Baccess_subjects%5D%5B%5D=Color+photography\u0026view=list"}},{"attributes":{"label":"Concert posters","value":"Concert posters","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Baccess_subjects%5D%5B%5D=Concert+posters\u0026view=list"}},{"attributes":{"label":"Dance","value":"Dance","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Baccess_subjects%5D%5B%5D=Dance\u0026view=list"}},{"attributes":{"label":"Domestic life.","value":"Domestic life.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Baccess_subjects%5D%5B%5D=Domestic+life.\u0026view=list"}},{"attributes":{"label":"Education, Higher -- Virginia -- Harrisonburg","value":"Education, Higher -- Virginia -- Harrisonburg","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Baccess_subjects%5D%5B%5D=Education%2C+Higher+--+Virginia+--+Harrisonburg\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026view=list"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":14},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=list"}},{"attributes":{"label":"File","value":"File","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Blevel%5D%5B%5D=File\u0026view=list"}},{"attributes":{"label":"Series","value":"Series","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026f%5Blevel%5D%5B%5D=Series\u0026view=list"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026view=list"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026search_field=all_fields\u0026view=list"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026search_field=keyword\u0026view=list"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026search_field=name\u0026view=list"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026search_field=place\u0026view=list"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026search_field=subject\u0026view=list"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026search_field=title\u0026view=list"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026search_field=container\u0026view=list"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026search_field=identifier\u0026view=list"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026sort=score+desc%2C+title_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026sort=date_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026sort=date_sort+desc\u0026view=list"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026sort=creator_sort+asc\u0026view=list"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026sort=creator_sort+desc\u0026view=list"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026sort=title_sort+asc\u0026view=list"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Color+photographs\u0026sort=title_sort+desc\u0026view=list"}}]}