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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"persname_ssim":["Tyler, Lyon Gardiner, 1853-1935","Ewell, Benjamin Stoddert, 1810-1894"],"names_ssim":["Tyler, Lyon Gardiner, 1853-1935","Ewell, Benjamin Stoddert, 1810-1894"],"access_subjects_ssim":["Wills","College of William and Mary--History--19th century","Clippings (information artifacts)","Broadsides"],"access_subjects_ssm":["Wills","College of William and Mary--History--19th century","Clippings (information artifacts)","Broadsides"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899],"bioghist_html_tesm":["\u003cp\u003eBefore being named the Matthew Whaley School, it was referred to as the Model School or Mattey School.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Before being named the Matthew Whaley School, it was referred to as the Model School or Mattey School."],"scopecontent_html_tesm":["\u003cp\u003eItems transferred from the W\u0026amp;M College Papers. Includes a 1850s transcription Copy of Mary Whaley's 1741 will;  Copy of bill of chancery, 1750, amended 1751, concerning the disposition by her executor of certain funds bequeathed by Mary Whaley to the Mattey School, 9 pp., 1751, and reply, 3 pp. Copy of court order, 1752, for the settlement of the estate of Mary Whaley, 22 pp. Clipping concerning the legacy left by Mary Whaley for the Mattey School. Copy of court order, 1866, transferring certain annuities to the College, 3 pp. Supplemental report on the Whaley legacy, by Benjamin S. Ewell, 1866, 2 pieces. Incomplete script of a pageant depicting a meeting of the faculty, 1866, with information on the Mattey fund, 1 piece. Broadside advertising the Mattey School, 1868. Lease of the grammar school building and lot to the city of Williamsburg, 1884, 1 piece. Copy of proposition made by the College to the school board of Williamsburg concerning a model school in connection with the Mattey School and the reply, 1889, 2 pieces. Outline of the course of study of the model school, 1899, 65 pp., 26 cm. Article: \"Hoary old Williamsburg builds a modern school,\" by Helen Foss Weeks, undated, 1 piece. Lyon G. Tyler, \"The Mattey Whaley model and practice school of the William and Mary College,\" Richmond, printed by Whittet and Shepperson, 1895, 18 pp., 23 cm\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Items transferred from the W\u0026M College Papers. Includes a 1850s transcription Copy of Mary Whaley's 1741 will;  Copy of bill of chancery, 1750, amended 1751, concerning the disposition by her executor of certain funds bequeathed by Mary Whaley to the Mattey School, 9 pp., 1751, and reply, 3 pp. Copy of court order, 1752, for the settlement of the estate of Mary Whaley, 22 pp. Clipping concerning the legacy left by Mary Whaley for the Mattey School. Copy of court order, 1866, transferring certain annuities to the College, 3 pp. Supplemental report on the Whaley legacy, by Benjamin S. Ewell, 1866, 2 pieces. Incomplete script of a pageant depicting a meeting of the faculty, 1866, with information on the Mattey fund, 1 piece. Broadside advertising the Mattey School, 1868. Lease of the grammar school building and lot to the city of Williamsburg, 1884, 1 piece. Copy of proposition made by the College to the school board of Williamsburg concerning a model school in connection with the Mattey School and the reply, 1889, 2 pieces. Outline of the course of study of the model school, 1899, 65 pp., 26 cm. Article: \"Hoary old Williamsburg builds a modern school,\" by Helen Foss Weeks, undated, 1 piece. Lyon G. Tyler, \"The Mattey Whaley model and practice school of the William and Mary College,\" Richmond, printed by Whittet and Shepperson, 1895, 18 pp., 23 cm"],"_nest_path_":"/components#2","timestamp":"2026-06-23T07:41:50.510Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1395","ead_ssi":"viw_repositories_2_resources_1395","_root_":"viw_repositories_2_resources_1395","_nest_parent_":"viw_repositories_2_resources_1395","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1395.xml","title_filing_ssi":"Matthew Whaley School Collection","title_ssm":["Matthew Whaley School Collection"],"title_tesim":["Matthew Whaley School Collection"],"unitdate_ssm":["1850-2012 and undated","1880-1960"],"unitdate_inclusive_ssm":["1850-2012 and undated"],"unitdate_bulk_ssim":["1880-1960"],"normalized_date_ssm":["1850/2012, bulk 1880/1960"],"normalized_title_ssm":["Matthew Whaley School Collection, 1850/2012, bulk 1880/1960"],"text":["Matthew Whaley School Collection, 1850/2012, bulk 1880/1960","0/2 Mss. 1.11","/repositories/2/resources/1395","Williamsburg (Va.)--History--20th century","Education--Virginia--History--20th century","Education--Virginia--Williamsburg--20th century","Matthew Whaley School (Williamsburg, Va.)","Schools--Virginia--Williamsburg","Handbooks","Invitations","Newspapers","Photographs","Plays (document genre)","Programs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","Arranged by accession number additions.","Williamsburg High School became the Matthew Whaley School in 1931, named after the son of a colonial woman who, after his death at age nine, financially supported a free school named in his honor. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:","Before being named the Matthew Whaley School, it was referred to as the Model School or Mattey School.","See also:\nMss. 1.01 Williamsburg Reunion Collection.","Robb-Bernard papers (Mss. 65 R54),  Series 24 (Acc. 2010.353) contains Matthew Whaley high school yearbooks, 1948-1950.","This is an artificial collection of material from and about Matthew Whaley School in Williamsburg, Virginia including material from the annual fifty year reunions. The school newspaper, The Powder Horn, 1930-1937 and 1946-1948, is available in Rare Books call number AN47 .W54 P68.","Newspaper clippings, copy of poetry, 1933 graduation invitation, newspaper photograph of Class of 1933, photograph of students on stage and program of two plays, \"The Knave of Hearts\" and \"Two Crooks and a Lady.\"","Publications, class material, newspaper articles and photographs. Part of this accession that deals with other areas of the Williamsburg community is filed under the Accession Number 1990.42. \"Growing Up in Williamsburg: from the Depression to Pearl Harbor\" by Ed Belvin (1981)was transferred to Rare Books.","Programs to school events, histories about Matthew Whaley School and teacher instruction items.","Clippings about overcrowded school conditions in Williamsburg, Virginia.","Class pictures of students from Matthew Whaley School. Some photographs have names of students written on the back side.","Newspaper clippings, school projects and photographs of and pertaining to Matthew Whaley School of which Miss Etheridge was teacher and later principal. 150 items.","Scripts and programs for \"Bring Them to Justice\" written and performed by Matthew Whaley School students.","Newspaper clippings and articles about activities of students and teachers at Matthew Whaley School. 51 items.","Newspaper articles about Matthew Whaley school students involved in international activities, such as pen pals in Vietnam, meeting Idina Prime Minister Indira Gandhi and meeting Nigerian president Hamani Diori. 18 items.","Photographs of Matthew Whaley School students and teachers doing various school activities.","Photographs of teachers and students showing class projects and activities.  133 items.","Photographs of class projects on Africa, meeting Nigerian President Hamani Diori and a newspaper article about the meeting. 11 items.","\"Myths and Poems of Ancient Greece\" booklet made by the Upper C and homemade programs for the student production of \"Aida.\" 6 items.","Newspaper articles and \"Grammar and Mattey Practice and Model School\" on the history of Matthew Whaley School. 13 items.","Copy of \"A History of the Matthew Whaley High School Class of 1937\" by James W. Clark.","Programs for Matthew Whaley Dramatic Club presentations, 1931-1933, Graduation Program dated June 2, 1933 and John Stewart Bryan inauguration program, October 20, 1934.","Copy and original of \"My Forty-two Years at Matthew Whaley School: A Brief Review\" by Jeanne Etheridge.","Matthew Whaley School Graduation Program for 1952. Gift of Mrs. Julia Oxrieder.","Matthew Whaley School, Williamsburg, Va., Self Study 1976-1977.","Grades 7-12, \"Grand Prizes for Best Costumes\" flyer with hand drawn picture of a man with a pipe.","Photographs and programs of the activities of Matthew Whaley Class of 1932. 1931-1932 Handbook of Matthew Whaley School.","Matthew Whaley Student Handbook for 1954-55, 1955-56 and 1956-57. Stapled printed handout, \"Superintendent Sammy Says,\" a behavioral handbook for industrial arts and shop students. Undated.","Program for the Junior Class play, \"Don't Take My Penny\" in March [1942].","Program for Matthew Whaley Junior Senior Banquet, \"What's Next\" in 1949.","Minutes of the Class of 1943 activities from 1940 to 1943 by Helen Langton. Blue United States Air Force armband received with this accession has been transferred to the Artifact Collection in 2009.","50th Anniversary of Matthew Whaley photographs, 1938-39 photograph of Matthew Whaley Girl Scouts, 1944 Matthew Whaley invitation and commencement, Memories Book of Mary McGinnis and play program, \"Cinderella in Flowerland\" presented by 7th and 8th grades.","Photocopies of a photograph of Jeanne Etheridge, who was the principal at Matthew Whaley for 23 years. Article about Jeanne Etheridge, after her death in 2009, added to accession.","Contains cards, invitations, programs, and invitations relating to the Powder Horn, the school newspaper of Matthew Whaley High School.","Senior class booklet.","Program for the 1943 play \"What A Life,\" put on by the seniors at the Matthew Whaley School, and a 2012 speech about Helen Young Langton.","1 vol., 31 pp. (all photocopies!). Includes reminiscences of class members as well as photocopies of the following: photographs, pages of the Powderhorn, news clippings, certificates. Probably compiled on the occasion of the 50th reunion, 1995 or shortly thereafter.","1970 souvenir prints of the front page of the 1940 Powder Horn, a newspaper of Matthew Whaley School in Williamsburg,  Virginia. Includes copies of the newspaper and a negative. Picture of the 1940 graduating class on the front page. See acquisition entries for accession information.","Issues of the school newspaper, The Powder Horn. These issues have been transferred to the Newspaper Collection in Rare Books, under AN47 .W54 P68.","Items transferred from the W\u0026M College Papers. Includes a 1850s transcription Copy of Mary Whaley's 1741 will;  Copy of bill of chancery, 1750, amended 1751, concerning the disposition by her executor of certain funds bequeathed by Mary Whaley to the Mattey School, 9 pp., 1751, and reply, 3 pp. Copy of court order, 1752, for the settlement of the estate of Mary Whaley, 22 pp. Clipping concerning the legacy left by Mary Whaley for the Mattey School. Copy of court order, 1866, transferring certain annuities to the College, 3 pp. Supplemental report on the Whaley legacy, by Benjamin S. Ewell, 1866, 2 pieces. Incomplete script of a pageant depicting a meeting of the faculty, 1866, with information on the Mattey fund, 1 piece. Broadside advertising the Mattey School, 1868. Lease of the grammar school building and lot to the city of Williamsburg, 1884, 1 piece. Copy of proposition made by the College to the school board of Williamsburg concerning a model school in connection with the Mattey School and the reply, 1889, 2 pieces. Outline of the course of study of the model school, 1899, 65 pp., 26 cm. Article: \"Hoary old Williamsburg builds a modern school,\" by Helen Foss Weeks, undated, 1 piece. Lyon G. Tyler, \"The Mattey Whaley model and practice school of the William and Mary College,\" Richmond, printed by Whittet and Shepperson, 1895, 18 pp., 23 cm","This series contains a scrapbook of clippings, photographs, and programs featuring the Matthew Whaley football team. The bulk of the scrapbook is from the first football season in 1946 but the scrapbook also contains material from 1947 and 1948.","Issues of the school newspaper, The Powder Horn,  have been transferred to the Newspaper Collection in Rare Books, under AN47 .W54 P68.","Issues of the school newspaper, The Powder Horn. have been transferred to the Newspaper Collection in Rare Books, under AN47 .W54 P68.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Matthew Whaley School (Williamsburg, Va.)","Williamsburg High School (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Clark, James W.","Etheridge, Jeanne","Langton, Helen","Pedersen, Thelma","Tyler, Lyon Gardiner, 1853-1935","Ewell, Benjamin Stoddert, 1810-1894","English"],"collection_title_tesim":["Matthew Whaley School Collection, 1850/2012, bulk 1880/1960"],"collection_ssim":["Matthew Whaley School Collection, 1850/2012, bulk 1880/1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["0/2 Mss. 1.11","/repositories/2/resources/1395"],"unitid_tesim":["0/2 Mss. 1.11","/repositories/2/resources/1395"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History--20th century"],"geogname_ssim":["Williamsburg (Va.)--History--20th century"],"places_ssim":["Williamsburg (Va.)--History--20th century"],"creator_ssm":["Matthew Whaley School (Williamsburg, Va.)","Clark, James W.","Etheridge, Jeanne","Langton, Helen","Pedersen, Thelma","Williamsburg High School (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Tyler, Lyon Gardiner, 1853-1935"],"creator_ssim":["Matthew Whaley School (Williamsburg, Va.)","Clark, James W.","Etheridge, Jeanne","Langton, Helen","Pedersen, Thelma","Williamsburg High School (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Tyler, Lyon Gardiner, 1853-1935"],"creator_persname_ssim":["Clark, James W.","Etheridge, Jeanne","Langton, Helen","Pedersen, Thelma","Tyler, Lyon Gardiner, 1853-1935","Ewell, Benjamin Stoddert, 1810-1894"],"creator_corpname_ssim":["Special Collections Research Center","Matthew Whaley School (Williamsburg, Va.)","Williamsburg High School (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)"],"creators_ssim":["Clark, James W.","Etheridge, Jeanne","Langton, Helen","Pedersen, Thelma","Tyler, Lyon Gardiner, 1853-1935","Ewell, Benjamin Stoddert, 1810-1894","Special Collections Research Center","Matthew Whaley School (Williamsburg, Va.)","Williamsburg High School (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts via the Williamsburg Historic Records Association. Mss. Acc. 1990.42 Gift of Mrs. Thelma Pedersen. Mss. Acc. 1990.43 Gift of Jeanne Etheridge Mss. Acc. 1993.14 Gift of James W. Clark. Mss. Acc. 1994.50 Gift of Lola Creasey. Mss. Acc. 1994.61 Gift of Jeanne Etheridge. Mss. Acc. 1996.04.01  Gift of Julia Oxrieder. Mss. Acc. 1998.55 Gift of Nell Gilley Taft. Mss. Acc. 2001.20 Gift of Jane Ayers Davis. Mss. Acc. 2003.11 Gift of Mary Lib Geiger (through Frances Robb). Mss. Acc. 2003.31 Unknown. Mss. Acc. 2003.49 Gift of Helen Langton. Mss. Acc. 2005.61 Gift of Mary McGinnis White. Mss. Acc. 2007.95 Gift of Sue Godson. Powder Horns: Transferred from many WHRA Collections, but also include the following accessions: Mss. Acc. 1990.42 Gift of Mrs. Thelma Pedersen (1925-1939 issues) Mss. Acc. 1996.19 Gift of S.F. Royall (1928-30, 1938) Mss. Acc. 2002.51 Will Molineux for donors including Turner Richardson and Linda Bowe. Mss. Acc. 2006.43 Merle Kimball, 3 issues, 5/53, 1/55 and 11/55."],"access_subjects_ssim":["Education--Virginia--History--20th century","Education--Virginia--Williamsburg--20th century","Matthew Whaley School (Williamsburg, Va.)","Schools--Virginia--Williamsburg","Handbooks","Invitations","Newspapers","Photographs","Plays (document genre)","Programs"],"access_subjects_ssm":["Education--Virginia--History--20th century","Education--Virginia--Williamsburg--20th century","Matthew Whaley School (Williamsburg, Va.)","Schools--Virginia--Williamsburg","Handbooks","Invitations","Newspapers","Photographs","Plays (document genre)","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["1.2 Linear Feet"],"extent_tesim":["1.2 Linear Feet"],"genreform_ssim":["Handbooks","Invitations","Newspapers","Photographs","Plays (document genre)","Programs"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eArranged by accession number additions.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged by accession number additions."],"bioghist_html_tesm":["\u003cp\u003eWilliamsburg High School became the Matthew Whaley School in 1931, named after the son of a colonial woman who, after his death at age nine, financially supported a free school named in his honor. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Matthew_Whaley_School_(Williamsburg,_Va.)\" title=\"Matthew Whaley School (Williamsburg, Va.)\"\u003e\u003c/extref\u003e\u003c/p\u003e  ","\u003cp\u003eBefore being named the Matthew Whaley School, it was referred to as the Model School or Mattey School.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:","Biographical / Historical"],"bioghist_tesim":["Williamsburg High School became the Matthew Whaley School in 1931, named after the son of a colonial woman who, after his death at age nine, financially supported a free school named in his honor. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:","Before being named the Matthew Whaley School, it was referred to as the Model School or Mattey School."],"prefercite_html_tesm":["\u003cp\u003eMatthew Whaley School Collection, Special Collections Research Center, Swem Library, College of William and Mary\u003c/p\u003e  "],"prefercite_tesim":["Matthew Whaley School Collection, Special Collections Research Center, Swem Library, College of William and Mary"],"relatedmaterial_html_tesm":["\u003cp\u003eSee also:\nMss. 1.01 Williamsburg Reunion Collection.\u003c/p\u003e","\u003cp\u003eRobb-Bernard papers (Mss. 65 R54),  Series 24 (Acc. 2010.353) contains Matthew Whaley high school yearbooks, 1948-1950.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See also:\nMss. 1.01 Williamsburg Reunion Collection.","Robb-Bernard papers (Mss. 65 R54),  Series 24 (Acc. 2010.353) contains Matthew Whaley high school yearbooks, 1948-1950."],"scopecontent_html_tesm":["\u003cp\u003eThis is an artificial collection of material from and about Matthew Whaley School in Williamsburg, Virginia including material from the annual fifty year reunions. The school newspaper, The Powder Horn, 1930-1937 and 1946-1948, is available in Rare Books call number AN47 .W54 P68.\u003c/p\u003e  ","\u003cp\u003eNewspaper clippings, copy of poetry, 1933 graduation invitation, newspaper photograph of Class of 1933, photograph of students on stage and program of two plays, \"The Knave of Hearts\" and \"Two Crooks and a Lady.\"\u003c/p\u003e","\u003cp\u003ePublications, class material, newspaper articles and photographs. Part of this accession that deals with other areas of the Williamsburg community is filed under the Accession Number 1990.42. \"Growing Up in Williamsburg: from the Depression to Pearl Harbor\" by Ed Belvin (1981)was transferred to Rare Books.\u003c/p\u003e","\u003cp\u003ePrograms to school events, histories about Matthew Whaley School and teacher instruction items.\u003c/p\u003e","\u003cp\u003eClippings about overcrowded school conditions in Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eClass pictures of students from Matthew Whaley School. Some photographs have names of students written on the back side.\u003c/p\u003e","\u003cp\u003eNewspaper clippings, school projects and photographs of and pertaining to Matthew Whaley School of which Miss Etheridge was teacher and later principal. 150 items.\u003c/p\u003e","\u003cp\u003eScripts and programs for \"Bring Them to Justice\" written and performed by Matthew Whaley School students.\u003c/p\u003e","\u003cp\u003eNewspaper clippings and articles about activities of students and teachers at Matthew Whaley School. 51 items.\u003c/p\u003e","\u003cp\u003eNewspaper articles about Matthew Whaley school students involved in international activities, such as pen pals in Vietnam, meeting Idina Prime Minister Indira Gandhi and meeting Nigerian president Hamani Diori. 18 items.\u003c/p\u003e","\u003cp\u003ePhotographs of Matthew Whaley School students and teachers doing various school activities.\u003c/p\u003e","\u003cp\u003ePhotographs of teachers and students showing class projects and activities.  133 items.\u003c/p\u003e","\u003cp\u003ePhotographs of class projects on Africa, meeting Nigerian President Hamani Diori and a newspaper article about the meeting. 11 items.\u003c/p\u003e","\u003cp\u003e\"Myths and Poems of Ancient Greece\" booklet made by the Upper C and homemade programs for the student production of \"Aida.\" 6 items.\u003c/p\u003e","\u003cp\u003eNewspaper articles and \"Grammar and Mattey Practice and Model School\" on the history of Matthew Whaley School. 13 items.\u003c/p\u003e","\u003cp\u003eCopy of \"A History of the Matthew Whaley High School Class of 1937\" by James W. Clark.\u003c/p\u003e","\u003cp\u003ePrograms for Matthew Whaley Dramatic Club presentations, 1931-1933, Graduation Program dated June 2, 1933 and John Stewart Bryan inauguration program, October 20, 1934.\u003c/p\u003e","\u003cp\u003eCopy and original of \"My Forty-two Years at Matthew Whaley School: A Brief Review\" by Jeanne Etheridge.\u003c/p\u003e","\u003cp\u003eMatthew Whaley School Graduation Program for 1952. Gift of Mrs. Julia Oxrieder.\u003c/p\u003e","\u003cp\u003eMatthew Whaley School, Williamsburg, Va., Self Study 1976-1977.\u003c/p\u003e","\u003cp\u003eGrades 7-12, \"Grand Prizes for Best Costumes\" flyer with hand drawn picture of a man with a pipe.\u003c/p\u003e","\u003cp\u003ePhotographs and programs of the activities of Matthew Whaley Class of 1932. 1931-1932 Handbook of Matthew Whaley School.\u003c/p\u003e","\u003cp\u003eMatthew Whaley Student Handbook for 1954-55, 1955-56 and 1956-57. Stapled printed handout, \"Superintendent Sammy Says,\" a behavioral handbook for industrial arts and shop students. Undated.\u003c/p\u003e","\u003cp\u003eProgram for the Junior Class play, \"Don't Take My Penny\" in March [1942].\u003c/p\u003e","\u003cp\u003eProgram for Matthew Whaley Junior Senior Banquet, \"What's Next\" in 1949.\u003c/p\u003e","\u003cp\u003eMinutes of the Class of 1943 activities from 1940 to 1943 by Helen Langton. Blue United States Air Force armband received with this accession has been transferred to the Artifact Collection in 2009.\u003c/p\u003e","\u003cp\u003e50th Anniversary of Matthew Whaley photographs, 1938-39 photograph of Matthew Whaley Girl Scouts, 1944 Matthew Whaley invitation and commencement, Memories Book of Mary McGinnis and play program, \"Cinderella in Flowerland\" presented by 7th and 8th grades.\u003c/p\u003e","\u003cp\u003ePhotocopies of a photograph of Jeanne Etheridge, who was the principal at Matthew Whaley for 23 years. Article about Jeanne Etheridge, after her death in 2009, added to accession.\u003c/p\u003e","\u003cp\u003eContains cards, invitations, programs, and invitations relating to the Powder Horn, the school newspaper of Matthew Whaley High School.\u003c/p\u003e","\u003cp\u003eSenior class booklet.\u003c/p\u003e","\u003cp\u003eProgram for the 1943 play \"What A Life,\" put on by the seniors at the Matthew Whaley School, and a 2012 speech about Helen Young Langton.\u003c/p\u003e","\u003cp\u003e1 vol., 31 pp. (all photocopies!). Includes reminiscences of class members as well as photocopies of the following: photographs, pages of the Powderhorn, news clippings, certificates. Probably compiled on the occasion of the 50th reunion, 1995 or shortly thereafter.\u003c/p\u003e","\u003cp\u003e\n1970 souvenir prints of the front page of the 1940 Powder Horn, a newspaper of Matthew Whaley School in Williamsburg,  Virginia. Includes copies of the newspaper and a negative. Picture of the 1940 graduating class on the front page. See acquisition entries for accession information. \u003c/p\u003e","\u003cp\u003eIssues of the school newspaper, The Powder Horn. These issues have been transferred to the Newspaper Collection in Rare Books, under AN47 .W54 P68. \u003c/p\u003e","\u003cp\u003eItems transferred from the W\u0026amp;M College Papers. Includes a 1850s transcription Copy of Mary Whaley's 1741 will;  Copy of bill of chancery, 1750, amended 1751, concerning the disposition by her executor of certain funds bequeathed by Mary Whaley to the Mattey School, 9 pp., 1751, and reply, 3 pp. Copy of court order, 1752, for the settlement of the estate of Mary Whaley, 22 pp. Clipping concerning the legacy left by Mary Whaley for the Mattey School. Copy of court order, 1866, transferring certain annuities to the College, 3 pp. Supplemental report on the Whaley legacy, by Benjamin S. Ewell, 1866, 2 pieces. Incomplete script of a pageant depicting a meeting of the faculty, 1866, with information on the Mattey fund, 1 piece. Broadside advertising the Mattey School, 1868. Lease of the grammar school building and lot to the city of Williamsburg, 1884, 1 piece. Copy of proposition made by the College to the school board of Williamsburg concerning a model school in connection with the Mattey School and the reply, 1889, 2 pieces. Outline of the course of study of the model school, 1899, 65 pp., 26 cm. Article: \"Hoary old Williamsburg builds a modern school,\" by Helen Foss Weeks, undated, 1 piece. Lyon G. Tyler, \"The Mattey Whaley model and practice school of the William and Mary College,\" Richmond, printed by Whittet and Shepperson, 1895, 18 pp., 23 cm\u003c/p\u003e","\u003cp\u003eThis series contains a scrapbook of clippings, photographs, and programs featuring the Matthew Whaley football team. The bulk of the scrapbook is from the first football season in 1946 but the scrapbook also contains material from 1947 and 1948.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This is an artificial collection of material from and about Matthew Whaley School in Williamsburg, Virginia including material from the annual fifty year reunions. The school newspaper, The Powder Horn, 1930-1937 and 1946-1948, is available in Rare Books call number AN47 .W54 P68.","Newspaper clippings, copy of poetry, 1933 graduation invitation, newspaper photograph of Class of 1933, photograph of students on stage and program of two plays, \"The Knave of Hearts\" and \"Two Crooks and a Lady.\"","Publications, class material, newspaper articles and photographs. Part of this accession that deals with other areas of the Williamsburg community is filed under the Accession Number 1990.42. \"Growing Up in Williamsburg: from the Depression to Pearl Harbor\" by Ed Belvin (1981)was transferred to Rare Books.","Programs to school events, histories about Matthew Whaley School and teacher instruction items.","Clippings about overcrowded school conditions in Williamsburg, Virginia.","Class pictures of students from Matthew Whaley School. Some photographs have names of students written on the back side.","Newspaper clippings, school projects and photographs of and pertaining to Matthew Whaley School of which Miss Etheridge was teacher and later principal. 150 items.","Scripts and programs for \"Bring Them to Justice\" written and performed by Matthew Whaley School students.","Newspaper clippings and articles about activities of students and teachers at Matthew Whaley School. 51 items.","Newspaper articles about Matthew Whaley school students involved in international activities, such as pen pals in Vietnam, meeting Idina Prime Minister Indira Gandhi and meeting Nigerian president Hamani Diori. 18 items.","Photographs of Matthew Whaley School students and teachers doing various school activities.","Photographs of teachers and students showing class projects and activities.  133 items.","Photographs of class projects on Africa, meeting Nigerian President Hamani Diori and a newspaper article about the meeting. 11 items.","\"Myths and Poems of Ancient Greece\" booklet made by the Upper C and homemade programs for the student production of \"Aida.\" 6 items.","Newspaper articles and \"Grammar and Mattey Practice and Model School\" on the history of Matthew Whaley School. 13 items.","Copy of \"A History of the Matthew Whaley High School Class of 1937\" by James W. Clark.","Programs for Matthew Whaley Dramatic Club presentations, 1931-1933, Graduation Program dated June 2, 1933 and John Stewart Bryan inauguration program, October 20, 1934.","Copy and original of \"My Forty-two Years at Matthew Whaley School: A Brief Review\" by Jeanne Etheridge.","Matthew Whaley School Graduation Program for 1952. Gift of Mrs. Julia Oxrieder.","Matthew Whaley School, Williamsburg, Va., Self Study 1976-1977.","Grades 7-12, \"Grand Prizes for Best Costumes\" flyer with hand drawn picture of a man with a pipe.","Photographs and programs of the activities of Matthew Whaley Class of 1932. 1931-1932 Handbook of Matthew Whaley School.","Matthew Whaley Student Handbook for 1954-55, 1955-56 and 1956-57. Stapled printed handout, \"Superintendent Sammy Says,\" a behavioral handbook for industrial arts and shop students. Undated.","Program for the Junior Class play, \"Don't Take My Penny\" in March [1942].","Program for Matthew Whaley Junior Senior Banquet, \"What's Next\" in 1949.","Minutes of the Class of 1943 activities from 1940 to 1943 by Helen Langton. Blue United States Air Force armband received with this accession has been transferred to the Artifact Collection in 2009.","50th Anniversary of Matthew Whaley photographs, 1938-39 photograph of Matthew Whaley Girl Scouts, 1944 Matthew Whaley invitation and commencement, Memories Book of Mary McGinnis and play program, \"Cinderella in Flowerland\" presented by 7th and 8th grades.","Photocopies of a photograph of Jeanne Etheridge, who was the principal at Matthew Whaley for 23 years. Article about Jeanne Etheridge, after her death in 2009, added to accession.","Contains cards, invitations, programs, and invitations relating to the Powder Horn, the school newspaper of Matthew Whaley High School.","Senior class booklet.","Program for the 1943 play \"What A Life,\" put on by the seniors at the Matthew Whaley School, and a 2012 speech about Helen Young Langton.","1 vol., 31 pp. (all photocopies!). Includes reminiscences of class members as well as photocopies of the following: photographs, pages of the Powderhorn, news clippings, certificates. Probably compiled on the occasion of the 50th reunion, 1995 or shortly thereafter.","1970 souvenir prints of the front page of the 1940 Powder Horn, a newspaper of Matthew Whaley School in Williamsburg,  Virginia. Includes copies of the newspaper and a negative. Picture of the 1940 graduating class on the front page. See acquisition entries for accession information.","Issues of the school newspaper, The Powder Horn. These issues have been transferred to the Newspaper Collection in Rare Books, under AN47 .W54 P68.","Items transferred from the W\u0026M College Papers. Includes a 1850s transcription Copy of Mary Whaley's 1741 will;  Copy of bill of chancery, 1750, amended 1751, concerning the disposition by her executor of certain funds bequeathed by Mary Whaley to the Mattey School, 9 pp., 1751, and reply, 3 pp. Copy of court order, 1752, for the settlement of the estate of Mary Whaley, 22 pp. Clipping concerning the legacy left by Mary Whaley for the Mattey School. Copy of court order, 1866, transferring certain annuities to the College, 3 pp. Supplemental report on the Whaley legacy, by Benjamin S. Ewell, 1866, 2 pieces. Incomplete script of a pageant depicting a meeting of the faculty, 1866, with information on the Mattey fund, 1 piece. Broadside advertising the Mattey School, 1868. Lease of the grammar school building and lot to the city of Williamsburg, 1884, 1 piece. Copy of proposition made by the College to the school board of Williamsburg concerning a model school in connection with the Mattey School and the reply, 1889, 2 pieces. Outline of the course of study of the model school, 1899, 65 pp., 26 cm. Article: \"Hoary old Williamsburg builds a modern school,\" by Helen Foss Weeks, undated, 1 piece. Lyon G. Tyler, \"The Mattey Whaley model and practice school of the William and Mary College,\" Richmond, printed by Whittet and Shepperson, 1895, 18 pp., 23 cm","This series contains a scrapbook of clippings, photographs, and programs featuring the Matthew Whaley football team. The bulk of the scrapbook is from the first football season in 1946 but the scrapbook also contains material from 1947 and 1948."],"separatedmaterial_html_tesm":["\u003cp\u003eIssues of the school newspaper, The Powder Horn,  have been transferred to the Newspaper Collection in Rare Books, under AN47 .W54 P68.\u003c/p\u003e  ","\u003cp\u003eIssues of the school newspaper, The Powder Horn. have been transferred to the Newspaper Collection in Rare Books, under AN47 .W54 P68.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Issues of the school newspaper, The Powder Horn,  have been transferred to the Newspaper Collection in Rare Books, under AN47 .W54 P68.","Issues of the school newspaper, The Powder Horn. have been transferred to the Newspaper Collection in Rare Books, under AN47 .W54 P68."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Matthew Whaley School (Williamsburg, Va.)","Williamsburg High School (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)"],"persname_ssim":["Clark, James W.","Etheridge, Jeanne","Langton, Helen","Pedersen, Thelma","Tyler, Lyon Gardiner, 1853-1935","Ewell, Benjamin Stoddert, 1810-1894"],"names_ssim":["Special Collections Research Center","Matthew Whaley School (Williamsburg, Va.)","Williamsburg High School (Williamsburg, Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Clark, James W.","Etheridge, Jeanne","Langton, Helen","Pedersen, Thelma","Tyler, Lyon Gardiner, 1853-1935","Ewell, Benjamin Stoddert, 1810-1894"],"language_ssim":["English"],"total_component_count_is":40,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:41:50.510Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1395_c03"}},{"id":"vilxw_repositories_5_resources_485","type":"collection","attributes":{"title":"South Carolina Papers, 1795/1867","creator":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_485#creator","type":"document_value","attributes":{"value":"Wheeler, Joseph","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_485#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of papers from South Carolina, including: two letters, January 11 and January 14, 1865, from Major General Joseph Wheeler to General Braxton Bragg; printed 1833 broadside of a restrictive bill concerning slavery in South Carolina; other Civil War documents.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_485#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_485","ead_ssi":"vilxw_repositories_5_resources_485","_root_":"vilxw_repositories_5_resources_485","_nest_parent_":"vilxw_repositories_5_resources_485","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_485.xml","title_ssm":["South Carolina Papers"],"title_tesim":["South Carolina Papers"],"unitdate_ssm":["Inclusive 1795-1867"],"unitdate_inclusive_ssm":["Inclusive 1795-1867"],"normalized_date_ssm":["1795/1867"],"normalized_title_ssm":["South Carolina Papers, 1795/1867"],"text":["South Carolina Papers, 1795/1867","WLU.Coll.0086","/repositories/5/resources/485","South Carolina","Slavery","Correspondence","Broadsides","Slavery -- Legal status, laws, etc.","This collection consists of papers from South Carolina, including: two letters, January 11 and January 14, 1865, from Major General Joseph Wheeler to General Braxton Bragg; printed 1833 broadside of a restrictive bill concerning slavery in South Carolina; other Civil War documents.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Wheeler, Joseph","Bragg, Braxton","English"],"collection_title_tesim":["South Carolina Papers, 1795/1867"],"collection_ssim":["South Carolina Papers, 1795/1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0086","/repositories/5/resources/485"],"unitid_tesim":["WLU.Coll.0086","/repositories/5/resources/485"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["South Carolina"],"geogname_ssim":["South Carolina"],"places_ssim":["South Carolina"],"creator_ssm":["Wheeler, Joseph","Bragg, Braxton"],"creator_ssim":["Wheeler, Joseph","Bragg, Braxton"],"creator_persname_ssim":["Wheeler, Joseph","Bragg, Braxton"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creators_ssim":["Wheeler, Joseph","Bragg, Braxton","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Slavery","Correspondence","Broadsides","Slavery -- Legal status, laws, etc."],"access_subjects_ssm":["Slavery","Correspondence","Broadsides","Slavery -- Legal status, laws, etc."],"has_online_content_ssim":["false"],"extent_ssm":["1 Files"],"extent_tesim":["1 Files"],"date_range_isim":[1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], South Carolina Papers, WLU Coll. 0086, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], South Carolina Papers, WLU Coll. 0086, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of papers from South Carolina, including: two letters, January 11 and January 14, 1865, from Major General Joseph Wheeler to General Braxton Bragg; printed 1833 broadside of a restrictive bill concerning slavery in South Carolina; other Civil War documents.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of papers from South Carolina, including: two letters, January 11 and January 14, 1865, from Major General Joseph Wheeler to General Braxton Bragg; printed 1833 broadside of a restrictive bill concerning slavery in South Carolina; other Civil War documents."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Wheeler, Joseph","Bragg, Braxton"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Wheeler, Joseph","Bragg, Braxton"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:37.512Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_485","ead_ssi":"vilxw_repositories_5_resources_485","_root_":"vilxw_repositories_5_resources_485","_nest_parent_":"vilxw_repositories_5_resources_485","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_485.xml","title_ssm":["South Carolina Papers"],"title_tesim":["South Carolina Papers"],"unitdate_ssm":["Inclusive 1795-1867"],"unitdate_inclusive_ssm":["Inclusive 1795-1867"],"normalized_date_ssm":["1795/1867"],"normalized_title_ssm":["South Carolina Papers, 1795/1867"],"text":["South Carolina Papers, 1795/1867","WLU.Coll.0086","/repositories/5/resources/485","South Carolina","Slavery","Correspondence","Broadsides","Slavery -- Legal status, laws, etc.","This collection consists of papers from South Carolina, including: two letters, January 11 and January 14, 1865, from Major General Joseph Wheeler to General Braxton Bragg; printed 1833 broadside of a restrictive bill concerning slavery in South Carolina; other Civil War documents.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Slavery","Correspondence","Broadsides","Slavery -- Legal status, laws, etc."],"access_subjects_ssm":["Slavery","Correspondence","Broadsides","Slavery -- Legal status, laws, etc."],"has_online_content_ssim":["false"],"extent_ssm":["1 Files"],"extent_tesim":["1 Files"],"date_range_isim":[1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], South Carolina Papers, WLU Coll. 0086, Special Collections and Archives, James G. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Wheeler, Joseph","Bragg, Braxton"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Wheeler, Joseph","Bragg, Braxton"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:37.512Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_485"}},{"id":"vilxw_repositories_5_resources_644","type":"collection","attributes":{"title":"\"The Battle Rainbow\" Broadside, 1862","creator":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_644#creator","type":"document_value","attributes":{"value":"Thompson, John Reuben","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_644#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis broadside of the poem 'The Battle Rainbow' by John R. Thompson was printed for the June 1862 \u003ci\u003eSouthern Literary Messenger\u003c/i\u003e.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_644#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_644","ead_ssi":"vilxw_repositories_5_resources_644","_root_":"vilxw_repositories_5_resources_644","_nest_parent_":"vilxw_repositories_5_resources_644","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_644.xml","title_ssm":["\"The Battle Rainbow\" Broadside"],"title_tesim":["\"The Battle Rainbow\" Broadside"],"unitdate_ssm":["1862"],"unitdate_other_ssim":["1862"],"normalized_date_ssm":["1862"],"normalized_title_ssm":["\"The Battle Rainbow\" Broadside, 1862"],"text":["\"The Battle Rainbow\" Broadside, 1862","WLU.Coll.0310","/repositories/5/resources/644","Poetry","War poetry","Broadsides","This broadside of the poem 'The Battle Rainbow' by John R. Thompson was printed for the June 1862 Southern Literary Messenger.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","WLU Coll. 310 is housed in a box with WLU Coll. 311 and WLU Coll. 312.","Washington and Lee University, University Library Special Collections and Archives","Thompson, John Reuben","English"],"collection_title_tesim":["\"The Battle Rainbow\" Broadside, 1862"],"collection_ssim":["\"The Battle Rainbow\" Broadside, 1862"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0310","/repositories/5/resources/644"],"unitid_tesim":["WLU.Coll.0310","/repositories/5/resources/644"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Thompson, John Reuben"],"creator_ssim":["Thompson, John Reuben"],"creator_persname_ssim":["Thompson, John Reuben"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creators_ssim":["Thompson, John Reuben","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","WLU Coll. 310 is housed in a box with WLU Coll. 311 and WLU Coll. 312.","Washington and Lee University, University Library Special Collections and Archives","Thompson, John Reuben","English"],"collection_title_tesim":["\"The Battle Rainbow\" Broadside, 1862"],"collection_ssim":["\"The Battle Rainbow\" Broadside, 1862"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0310","/repositories/5/resources/644"],"unitid_tesim":["WLU.Coll.0310","/repositories/5/resources/644"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Thompson, John Reuben"],"creator_ssim":["Thompson, John Reuben"],"creator_persname_ssim":["Thompson, John Reuben"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creators_ssim":["Thompson, John Reuben","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Theater","Broadsides","Theater programs","Autographs","Correspondence","Envelopes (Stationery)","Photographs","Postcards"],"access_subjects_ssm":["Theater","Broadsides","Theater programs","Autographs","Correspondence","Envelopes (Stationery)","Photographs","Postcards"],"has_online_content_ssim":["false"],"extent_ssm":[".2 Linear Feet"],"extent_tesim":[".2 Linear Feet"],"genreform_ssim":["Photographs","Postcards"],"date_range_isim":[1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923],"bioghist_html_tesm":["\u003cp\u003eConnors was a member of Washington and Lee University Class of 1984 and a professor of history at the University of Northern Iowa.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Connors was a member of Washington and Lee University Class of 1984 and a professor of history at the University of Northern Iowa."],"odd_html_tesm":["\u003cp\u003eThis photographic postcard is colorized.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This photographic postcard is colorized."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Thomas Connors Collection, WLU Coll. 0299, Special Collections and Archives, James G. 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Please contact Special Collections staff to verify the appropriate format."],"processinfo_html_tesm":["\u003cp\u003eBlue sheet prepared by Betty Kondayan (06/27/07)\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Blue sheet prepared by Betty Kondayan (06/27/07)"],"scopecontent_html_tesm":["\u003cp\u003eContains 19th and early 20th century British and American theater memorabilia, including autographs of major actors, writers, and managers; and letters, broadsides, and photographs.\u003c/p\u003e  ","\u003cp\u003eContent of the letter includes 'getting a Tragedy on stage'\u003c/p\u003e","\u003cp\u003eThe content of the letter regards the London Consumption Hospital.\u003c/p\u003e","\u003cp\u003eThe content of this letter is a comment on a play.\u003c/p\u003e","\u003cp\u003eThe letter is written on stationary from the Kind Edward Hotel, Toronto, Canada.\u003c/p\u003e","\u003cp\u003eFred writes about being too sick to work.\u003c/p\u003e","\u003cp\u003eJohn writes about upcoming plays in his letter.\u003c/p\u003e","\u003cp\u003eThis letter is written in third person.\u003c/p\u003e","\u003cp\u003eThis letter was written on stationary from the King Edward Hotel in Toronto, Canada.\u003c/p\u003e","\u003cp\u003eThe content of this letter regards the purchase MS of Algernon Swinburne article.\u003c/p\u003e","\u003cp\u003eThe letter is an angry letter initialed 'W.B.'\u003c/p\u003e","\u003cp\u003eThe content of this letter contains 'great show last night.'\u003c/p\u003e","\u003cp\u003eThe subject of this letter is 'Farnum,' most likely William Farnum, American actor.\u003c/p\u003e","\u003cp\u003eThis letter is a letter of introduction from Herne to Barrett.\u003c/p\u003e","\u003cp\u003eJefferson writes about sending a donation.\u003c/p\u003e","\u003cp\u003eThe letter was written on stationary from the Hotel Touraine, Boston, Ma.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Contains 19th and early 20th century British and American theater memorabilia, including autographs of major actors, writers, and managers; and letters, broadsides, and photographs.","Content of the letter includes 'getting a Tragedy on stage'","The content of the letter regards the London Consumption Hospital.","The content of this letter is a comment on a play.","The letter is written on stationary from the Kind Edward Hotel, Toronto, Canada.","Fred writes about being too sick to work.","John writes about upcoming plays in his letter.","This letter is written in third person.","This letter was written on stationary from the King Edward Hotel in Toronto, Canada.","The content of this letter regards the purchase MS of Algernon Swinburne article.","The letter is an angry letter initialed 'W.B.'","The content of this letter contains 'great show last night.'","The subject of this letter is 'Farnum,' most likely William Farnum, American actor.","This letter is a letter of introduction from Herne to Barrett.","Jefferson writes about sending a donation.","The letter was written on stationary from the Hotel Touraine, Boston, Ma."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  ","\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Lyceum Theatre (London, England)","Parker House (Boston, Mass.)"],"persname_ssim":["Connors, Thomas","Covent Garden Theatre","Siddons, Sarah","Kemble, Charles","Booth, Junius Brutus, Jr.","Kean, Charles John","Keeley, Robert","Matthews, Charles","Scott, Walter","Macready, William Charles","Modjeska, Helena","Ames, Winthrop","Byron, Henry J. (Henry James)","Bancroft, Marie Effie Wilton","Tree, Herbert Beerbohm, Sir","Campbell, Patrick, Mrs.","Compton, Virginia Bateman","Du Maurier, Gerald, Sir","Hare, John","Irving, Henry, Sir","Kendal, Madge","Maude, Cyril","Robertson, T. W. (Thomas William)","Terriss, William","Terry, Edward O'Connor","Terry, Ellen, Dame","Terry, Fred","Thomas, Brandon","Toole, John Lawrence","Ward, Genevieve","Wyndham, Charles","Forbes-Robertson, Johnston, Sir","Novello, Ivor","Parker, Louis Napoleon","Thorndike, Sybil, Dame","Frankau, Gilbert","Willard, E. S. (Edward Smith)","Swinburne, Algernon Charles","Barrett, Wilson","Booth, Edwin","Crane, William H.","Cushman, Charlotte","Daly, Augustin","Davenport, Fanny","Drew, John","Faversham, William","Fiske, Minnie Maddern","Fitch, Clyde","Florence, William Jermyn","Forrest, Edwin","Frohman, Daniel","Fyles, Franklin","Herne, James A.","Jefferson, Joseph","Losee, Frank","Mansfield, Richard","Marlowe, Julia","Sothern, E. H. (Edward Hugh)","McCullough, John","Salvini, Tommaso","Templeton, Fay","Thomas, A. E. (Albert Ellsworth)","Cobb, Irvin S. (Irvin Shrewsbury)","Warfield, David","Winter, William","Dunne, Thomas Potter"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Lyceum Theatre (London, England)","Parker House (Boston, Mass.)","Connors, Thomas","Covent Garden Theatre","Siddons, Sarah","Kemble, Charles","Booth, Junius Brutus, Jr.","Kean, Charles John","Keeley, Robert","Matthews, Charles","Scott, Walter","Macready, William Charles","Modjeska, Helena","Ames, Winthrop","Byron, Henry J. (Henry James)","Bancroft, Marie Effie Wilton","Tree, Herbert Beerbohm, Sir","Campbell, Patrick, Mrs.","Compton, Virginia Bateman","Du Maurier, Gerald, Sir","Hare, John","Irving, Henry, Sir","Kendal, Madge","Maude, Cyril","Robertson, T. W. (Thomas William)","Terriss, William","Terry, Edward O'Connor","Terry, Ellen, Dame","Terry, Fred","Thomas, Brandon","Toole, John Lawrence","Ward, Genevieve","Wyndham, Charles","Forbes-Robertson, Johnston, Sir","Novello, Ivor","Parker, Louis Napoleon","Thorndike, Sybil, Dame","Frankau, Gilbert","Willard, E. S. (Edward Smith)","Swinburne, Algernon Charles","Barrett, Wilson","Booth, Edwin","Crane, William H.","Cushman, Charlotte","Daly, Augustin","Davenport, Fanny","Drew, John","Faversham, William","Fiske, Minnie Maddern","Fitch, Clyde","Florence, William Jermyn","Forrest, Edwin","Frohman, Daniel","Fyles, Franklin","Herne, James A.","Jefferson, Joseph","Losee, Frank","Mansfield, Richard","Marlowe, Julia","Sothern, E. H. (Edward Hugh)","McCullough, John","Salvini, Tommaso","Templeton, Fay","Thomas, A. E. (Albert Ellsworth)","Cobb, Irvin S. (Irvin Shrewsbury)","Warfield, David","Winter, William","Dunne, Thomas Potter"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:08.296Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_175_c02"}},{"id":"vilxw_repositories_5_resources_594","type":"collection","attributes":{"title":"The Ward Briggs Collection of James Dickey, 1940/2013","creator":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_594#creator","type":"document_value","attributes":{"value":"Briggs, Ward Wright, Jr., Dr.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_594#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of 1st editions of a selection of James Dickey's publications (some signed and/or inscribed); Dickey's contributions to books and pamphlets; journal articles by Dickey; interviews; criticism; anthologies; multimedia; photographs; broadsides (some framed, signed); miscellaneous items on his book and the film \u003ci\u003eDeliverance\u003c/i\u003e; and publications related to Ward Briggs' book \u003ci\u003eThe Complete Poems of James Dickey\u003c/i\u003e (U. South Carolina, 2013).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_594#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_594","ead_ssi":"vilxw_repositories_5_resources_594","_root_":"vilxw_repositories_5_resources_594","_nest_parent_":"vilxw_repositories_5_resources_594","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_594.xml","title_ssm":["The Ward Briggs Collection of James Dickey"],"title_tesim":["The Ward Briggs Collection of James Dickey"],"unitdate_ssm":["1940-2013"],"unitdate_inclusive_ssm":["1940-2013"],"normalized_date_ssm":["1940/2013"],"normalized_title_ssm":["The Ward Briggs Collection of James Dickey, 1940/2013"],"text":["The Ward Briggs Collection of James Dickey, 1940/2013","WLU.Coll.0511","/repositories/5/resources/594","American literature","Broadsides","Criticism","Poetry","Interviews","Photographs","This collection is open for research use.","This collection consists of 1st editions of a selection of James Dickey's publications (some signed and/or inscribed); Dickey's contributions to books and pamphlets; journal articles by Dickey; interviews; criticism; anthologies; multimedia; photographs; broadsides (some framed, signed); miscellaneous items on his book and the film Deliverance; and publications related to Ward Briggs' book The Complete Poems of James Dickey (U. South Carolina, 2013).","All books in this box are authored by Dickey. Some (or all?) are first editions.","Anilham; To the White Sea; Night Hurdling; Crux: the Letters of James Dickey.","Includes inscriptions, dedications, signatures by James Dickey.","All books authored by James Dickey. Some are first editions.\nEzra Pound Lecture (by Dickey), The Water-Bug's Mittens, The Starry Place Between the Antlers, A Private Brinkmanship, The Enemy from Eden, Some Sort of Grandeur, Head-Deep in Strange Sounds, Sorties, The Suspect in Poetry, Babel to Byzantium, Crux, Self-Interviews, Striking In,Deliverance","Includes inscriptions, dedications, and signatures by James Dickey.","Please see Subject entries for scope of content.","Wayfairer, In Pursuit of the Grey Soul, Self-Interviews, Firing Line, Spinning the Crystal Ball, Night Hurdling, Classes on Modern Poets and the Art of Poetry, The Voiced Connections of James Dickey, Deliverance, To the White Sea","Includes inscriptions, dedications, signatures.","All books are collections of poems by Dickey.\n.\nThe Whole Motion: Collected Poems, 1945-1992, Poems, 1957-1967, The Zodiac, The Whole Motion: Collected Poems, 1948-1992, The Strength of Fields","Includes inscription, dedications, signatures.","Please see the Subject entries for scope of contents.","Exchanges, James Dickey at 70, Drowning with Others, The Early Motion, Tucky the Hunter, Veteran Birth, Buckdancer's Choice, Metaphor as Pure Adventure, Poets of Today VII, The Eye-Beaters, Blood Victory, Madness, Buckhead and Mercy, Helmets, Falling, May Day Sermon, and Other Poems, The Central Motion: Poems 1968-1979, The Eagle's Mile, Varmland, The Zodiac, James Dickey: Poems 1957-1967, Bronwen, the Trawl, and the Shape Shifter, The Owl King, Two Poems of the Air, Looking for the Buckhead Boys (broadside), False Youth, Four Seasons, Apollo Circling, The Strength of Fields","This box contains anthologies in which Dickey's work is published, as well as several biographical sources on Dickey. Includes inscriptions, dedications, signatures.","The Great American Writers' Cookbook, Ah Men!, Translations by American Poets, Of Poetry and Poets, New Aquist of True Experience, Readings for Writing, Tell it to the King, Travels, The Writer as Celebrity, Land of Superior Mirages, Richard Eberhart: a Celebration, On Being a Writer, Through the Wheat, McCullough's Brief Lives, Osiris at the Roller Derby, South, The Call of the Wild, White Fang and Other Stories, From the Green Horseshoe, Interviews with Contemporary Writers, Short Story, no. 2, Spring 2007, The Form 1970-1979, Rotten Rejections, Singular Voices, F. Scott Fitzgerald: Poems 1911-1940, Dictionary of Literary Biography, 1982, 1984, 1986.","This box contains anthologies in which Dickey's work is published. Includes inscriptions, dedications, signatures.","The Call of the Wild, The Craft of Poetry, John Keats's Porridge, Dear Scott, Selected Poems of Edwin Arlington Robinson, 45 Contemporary Poems: the Creative Process, Deliverance, The Reading Commitment, The Wreck of the Deutschland, American Christmas, The Biblical Etchings of Marvin Hayes, Frost: Centennial Essays, Pages: the World of Books, Writers, and Writing, A New Spirit, a New Commitment, a New America (Jimmy Carter inauguration), Close-Ups: the Movie Star Book, The Adventures of Tom Sawyer and the Adventures of Huckleberry Finn, Contemporary American Authors, vol. 10, Preferences: 51 American Poets Choose Poems from their Own Work and from the Past, The Southern Mystique, Conversations with Writers, Fountain of Youth, Garnet and Black: Carolina's Magazine Network, May 1974.","This box contains books in which Dickey has made a contribution, such as an introduction, a translation, etc.","The New Yorker Book of Poems, Soundings, the Writer's Voice, The University and the New Intellectual Environment, New World Writing 21, James Dickey: a Checklist, This is my Best in the Third Quarter of the Century, Stolen Apples (Yevtushenko), James Dickey: the Expansive Imagination, Vandal, Best Poems of 1970: Borestone Mountain Poetry Awards, Poets on Poetry (Nemerov), Selected Poems by Edwin Arlington Robinson, A Symposium on Contemporary Poetry, All is Brillig (or Ought to Be), Stephen Crane in Transition, Meaning: a Common Ground of Linguistics and Literature, The Young American Poets, The Great Ideas Today, 1968, The Distinctive Voice, Best Poems of 1965, Contemporary Poets of the English Language, Super Bowl XXVIII at Georgia Dome, Creative Responses for Composition","Please see Subject entries for scope and content of box.","Hands of the Saddlemaker, Best Poems of 1962(Borestone Mountain Poetry Awards, Lombardi [Vince], The Writer and his Tradition [U. Tennessee], White Plum Thickets, A Southern Renascence Man: Views of Robert Penn Warren, All the Rights and Privileges Appertaining Thereto, James Dickey: a Bibliography, Contemporary Sources: Readings from \"Writer's Workshop\", The New York Times Book of Verse, Writers at Work [Paris Review interviews], Simposio Pablo Neruda: Actas, The Red Badge of Courage, Craft So Hard to Learn\n, Poetry's Catbird Seat, South Carolina Business 1983, vol.3, Toward the Year 2000 [Bell South Corp.], Conversations with South Carolina Poets, Lyrikvannen, no.4, 1980, Master Poems of the English Language, The Seamless Web, The Complete Short Stories of Thomas Wolfe, Oystering: a Way of Life, Ghosts [Jane Tuckerman], Dictionary of Literary Biography, vol. 5, 1980, The Imagination as Glory: the Poetry of James Dickey, Three American Poets [Life Educational Reprint, 1957]","Includes inscriptions, decications, signatures.","Please see Subject entries for scope and content of this box.","Living in the Resurrection, Cities of Memory, Bears Dancing in the Northern Air, Stone Crop, Thinking the World Visible, My Shining Archipelago, James Dickey: Splintered Sunlight, James Dickey: a Descriptive Bibliography, Dictionary of Literary Biography, vol. 7, 1978, Washington University Libraries Guide to Modern Literary Manuscripts, Images of the Southern Writer [Mark Morrow, photographer], Looking for Magical Country, Writers [Nancy Crampton, photographer], The Arts Journal, Nov. 1981","Includes inscriptions, dedications, signatures.","This box contains literary journals in which Dickey's poems have been published. Includes long runs of The Kenyon Review and The Hudson Review.","For all other titles, please consult the paper guide to the collection, located in Special Collections, or the box itself.","This box contains journals in which Dickey's poems have been published. It includes long runs of The Sewanee Review, Partisan Review, and Poetry.","For other journal titles in this box, please consult the paper guide to the collection, located in Special Collections, or the box itself.","This box contains literary journals in Dickey's poems have been published. Includes long runs of The Paris Review, Quarterly Review of Literature, Shenandoah, The Southern Review,The Virginia Quarterly Review, and the Yale Review.","This box contains appearances of Dickey's work in The Atlantic, Harper's, and The New Yorker. Includes book reviews of Dickey's work as well.","Note that Box C6 also contains issues of The New Yorker.","This box contains magazines in which Dickey's works have been published, or book reviews about his work appeared: Esquire, GQ, Time, Southern Living, Mademoiselle, People, Saturday Review.","Entries by and about James Dickey in Playboy Magazine and The New Yorker. Note that box C4 also contains The New Yorker.","This box contains interviews with Dickey published in a variety of magazines, journals, a few newspapers, and books. The book titles are:\nParting the Curtains: Interviews with Southern Writers, The Writer's Mind: Interviews with American Authors, and Speak So I Shall Know Thee: Interviews with Southern Writers.","This box contains criticism and reviews of Dickey's work. Some items are inscribed and signed.","Fatal Flowers: On Sin, Sex, and Suicide in the Deep South, The Way We Read James Dickey, James Dickey and the Politics of Canon, James Dickey and the Gentle Ecstacy of Earth, Struggling for Wings: the Art of James Dickey, Speaking with Strangers, The Kick: a Memoir, Adventures of a Suburban Boy , American Poetry: Wildness and Domesticity, Privileged Moments, Confessions of a Female Chauvenist\n, James Dickey: the Critic as Poet, The Leonard L Milberg Collection of American Poetry, Cathedrals of Kudzu, James Dickey [Calhoun and Hill, eds.], Separate Country, Understanding James Dickey.","This box contains mostly books about Dickey's life and work, including some bibliographies. Several books are signed.","Summer of Deliverance, The Hi-Ways, [Dickey's 1940 High School Yearbook], Harvard Guide to Contemporary American Writing, The American Literary Anthology, James Dickey: the Poet as Pitchman, The Sixties [magazine, Robert Bly, ed.], James Dickey: the Life and Lies of a Poet, James Dickey: a Bibliography, 1947-1974, The Achievement of James Dickey, Do I Owe You Something?, Truman Capote [G. Plimpton], Contemporary Authors, vol. 2, 1986, A Century of Arts and Letters, Buckhead: a Place for All Time, New York Days, Bulletin of Bibliography, 1981.","This box contains unpublished typescripts of screenplays and other works by Dickey, as well as some biographical and critical works about Dickey.","SCREENPLAYS:\nDeliverance; Gene Bullard; The Sentence ; The Claim; The Call of the Wild; Flying Blind; Anilham","POETRY:\nTwo Poems on the Survival of the Male Body","SHORT STORY:\nThe Eye of the Fire","FILM TREATMENT:\nAway from the Sun","BIOGRAPHY and CRITICISM:\nDictionary of Literary Biography Documentary Series: James Dickey, an Illustrated Chronicle; Dueling Banjos: The Deliverance of Drew; Critical Essays on James Dickey [Kirschten]","Includes some signed pieces.","Entrance to the Honeycomb; Death and the Day's Light; Strong Horses Circling; The Casting; Crux; Philosophy Notebooks; Tom Dickey Juvenilia; Celebration [Film by W. Hale]; and various journals.","This box contains books and journals that feature Dickey's work.","Best Poems of 1961 [Borestone Mountain Poetry Awards]; Motion: American Sports Poems; How to Use the Power of the Printed Word; A Game of Passion [NFL]; Splash!; The James Dickey Reader; Best Poems of 1964 [Borestone Mountain Poetry Awards]; The New Consciousness; Men in Sports; Beach Glass; 100 Postwar Poems; Visions of America by the Poets of Our Time; Sounds and Silences: Poetry for Now; The World on Wheels; Southern Christmas: Literary Classics of the Holidays; The Wesleyan Tradition: Four Decades of American Poetry; Men Without Masks; Things Appalachian; A Southern Album [Glusker, ed.]; Southern Writing in the Sixties/Poetry; On Doctoring; The Water of Light; Decade: a Collection of Poems from the First Ten Years of the Wesleyan Poetry Program; American Poetry, 1965\n; Dog Music: Poetry About Dogs\n; The American Literary Anthology/1; Some Haystacks Don't Even Have a Needle; Encounters: an Anthology from the First Ten Years of Encounter Magazine; Gathered Waters; Where Is Vietnam: American Poets Respond.","This box contains books and journals mostly, but not always, featuring work by Dickey.","Christmas at The New Yorker; The Poetry of the Negro, 1746-1970; The Norton Anthology of Modern Poetry, 1973; Randall Jarrell, 1914-1965; Georgia Voices; Modern Poems: an Introduction to Poetry; Divided Light: Father and Son Poems; James Dickey: the Selected Poems; The Appalachian Trail Reader; American Sports Poems; The James Dickey Reader; Brother Songs: a Male Anthology of Poetry; More Than a Game [NFL]; Other Things and the Aardvark; America in Poetry; The Best Parts Are Underlined: Great Rape Scences from Literature; A Controversy of Poets; Contemporary American Poetry [H. Nemerov]; On William Stafford; The Twentieth Century Treasury of Sports; Georgia Voices; Best Poems of 1966 [Borestone Mountain Poetry Awards]; Yellow Silk II: International Erotic Stories and Poems; Pictures That Storm Inside My Head: Poems for the Inner You; The Poetry Anthology, 1912-1977.","This box contains a variety of materials related to the 1972 motion picture Deliverance. It holds lobby cards, action shots of the actors, a VHS of the movie, movie reviews, posters, and other miscellaneous items.","Includes the score of Duelling Banjos, the main song of the movie.","This box contains large runs of both the James Dickey Newsletter and its successor, the James Dickey Review. It also includes VHS, DVD, and CD materials.","James Dickey Newsletter; James Dickey Review; Listening to America with Bill Moyers [VHS]; Call of the Wild [VHS]; Lord Let Me Die But Not Die Out [VHS]; James Dickey and Robert Penn Warren: Two Poets, Two Friends [VHS]; James Dickey Tribute [VHS]; Guilty as Charged [VHS]; Writer's Workshop [VHS]; Whispers on the Wind [VHS]; James Dickey Obituary [VHS]; To the White Sea [audiotape]; Verb Audio Literary Magazine [CD]; Birds, Beasts, and Flowers [CD]; Apollo 11: As It Happened [CD].","This box contains mostly book reviews in many New York Times Book Reviews and Life magazines, but also includes a few oversized books. Some materials are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.","Life Magazine; New York Times Book Review; The Incredible Year '68 [Life Magazine]; A Festschrift for Lloyd J. Reynolds; Intervisions: Poems and Photographs; God's Images: the Bible, a New Version.","This box contains mostly LP vinyl sound recordings, but also books, a film and a few posters. Some items are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.","LP RECORDS: The Poems of James Dickey (1957-1967); God's Images For the First Manned Moon Orbit, on \"Apollo Circling\"; Duelling Banjos; James Dickey Reading His Poetry; The Inaugural Album [Jimmy Carter, 1977. Includes book]; A Talk with James Dickey.","BOOKS: Jericho: the South Beheld; Georgia Atlas and Gazetteer.","FILM: James Dickey: \"Lord Let Me Die\" [Encyclopedia Britannica Film, 1970].","This box contains books and newspapers in which a portrait photograph of Dickey is featured.","10,000 Eyes [magazine photographers]; A Portrait of Southern Writers [Curt Richter]; Rollie McKenna: A Life in Photography; Southern Writers [David Spielman]; The Writer's Image [Jill Krementz]; Artists at Large [Rollie McKenna].","This box contains issues of featured writers in the James Dickey Poetry Series. It also includes some writings by Dickey's children, and some miscellaneous items, such as a t-shirt related to the movie Deliverance and items from Dickey's desk at the University of South Carolina.","James Dickey Contemporary Poetry Series; Caverns of Fire; James Dickey: a Celebration; Dickey Conference at U of South Carolina; Newsweek; Oxford American;  Jimmy Carter; To Write a Poem Like Dickey [Hank Malone]; Cahulawassee t-shirt [Deliverance]; Dickey's desk items at U of South Carolina.","This box contains the first copy of Briggs' Complete Poems of James Dickey, as well as proofs and some promotional materials related to the book.","Complete Poems of James Dickey; The Dailey Gamecock [USC student newspaper]; Free Times [Columbia, S.C. newspaper]; proofs of Briggs' book; promotional materials for Briggs' book.","This category identifies framed fine press editions of  broadsides of some of Dickey's most loved poems, as well as other framed materials. All framed work hangs on racks in the Special Collections' vault.","Bronwen,the Traw and the Shape Shifter, 1986; Movie poster for Deliverance; Buck Dancer's Choice, 1979; The Eagle's Mile, 1981; Knock, 1977; Summons, 1988; For a Time and Place, 1983; Deliverance still with small card signed by major actors; In the Child's Night, 1981; Photograph of James Dickey playing guitar; Hunger, Time and the Moon [from Strength of Fields, 1977]; The Shark at the Window, 1977; Mexican Valley, 1978.","This box contains materials related to the death of James Dickey.\nFolder 0 is the Control Folder.","NOTE: Folders 9-12 are not displaying in public interface.\nFOLDER 9: Carolinian\nFOLDER 10: Current Biography\nFOLDER 11: American Poet\nFOLDER 12: Oxford American","Folder 0-12Obituaries, varied sourcesObituaries, varied sourcesObituaries, varied sourcesMemorial ServicePhotographs of Dickey's office at USCNewsweekTimePeople","This box contains issues of the USC student newspapers, The Gamecock and Garnet and Black, as well as issues of the Columbia, S.C. newspaper, The State, and issues of New York Times Book Review and The Point.","This oversized box contains the life mask of James Dickey. It also includes a photograph of Ward Briggs used for display purposes. NOTE: this oversized box is not shelved with the collection.\n---\nIn the mid-70s, North Carolina sculptor William Dunlap made this aluminum life mask of James Dickey. Dickey appeared, wearing a replica of the mask on his face, on the February 1976 cover of Esquire magazine. The first chapter of his second novel, Alnilam, was excerpted in the same issue. Dickey claimed that chemicals from the cast used to make the mask had seeped into his eyes and rendered him temporarily blind. His \"blindness\" was later heavily disputed, but Dickey said the experience inspired Alnilam, which is about a blind man searching for his son.","This box contains additional materials related to James Dickey, donated by Ward Briggs in March 2017. There is no specific focus. Check the subject headings to learn about the box's content.","Includes: Belgrade Literary Magazine; La Violencia Esta en Nostros; Vergilius; Poems from the Hills, 1970; Washington and Lee Alumnus, June 1970; For Aaron Copland, 14 Nov 1978; Le Montagne, 30 Nov 1971; Firsts: the Book Collector's Magazine; Falling [the Sandlapper Singers]; Barat Review; Deliverance [in clamshell box edition]; miscellaneous materials.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Dickey","Briggs, Ward Wright, Jr., Dr.","Dickey, James (James Lafayette) (19230202-19970119)","Dickey, James","These materials are in English, except for translations of Dickey's novels."],"collection_title_tesim":["The Ward Briggs Collection of James Dickey, 1940/2013"],"collection_ssim":["The Ward Briggs Collection of James Dickey, 1940/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0511","/repositories/5/resources/594"],"unitid_tesim":["WLU.Coll.0511","/repositories/5/resources/594"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Briggs, Ward Wright, Jr., Dr."],"creator_ssim":["Briggs, Ward Wright, Jr., Dr."],"creator_persname_ssim":["Briggs, Ward Wright, Jr., Dr.","Dickey, James (James Lafayette) (19230202-19970119)","Dickey, James"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creator_famname_ssim":["Dickey"],"creators_ssim":["Briggs, Ward Wright, Jr., Dr.","Dickey, James (James Lafayette) (19230202-19970119)","Dickey, James","Washington and Lee University, University Library Special Collections and Archives","Dickey"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Received from Ward Briggs, Washington and Lee University class of 1967, between 2014 and 2017."],"access_subjects_ssim":["American literature","Broadsides","Criticism","Poetry","Interviews","Photographs"],"access_subjects_ssm":["American literature","Broadsides","Criticism","Poetry","Interviews","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["52 Linear Feet"],"extent_tesim":["52 Linear Feet"],"genreform_ssim":["Photographs"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], The Ward Briggs Collection of James Dickey, WLU Coll. 0511, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], The Ward Briggs Collection of James Dickey, WLU Coll. 0511, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 1st editions of a selection of James Dickey's publications (some signed and/or inscribed); Dickey's contributions to books and pamphlets; journal articles by Dickey; interviews; criticism; anthologies; multimedia; photographs; broadsides (some framed, signed); miscellaneous items on his book and the film \u003ci\u003eDeliverance\u003c/i\u003e; and publications related to Ward Briggs' book \u003ci\u003eThe Complete Poems of James Dickey\u003c/i\u003e (U. South Carolina, 2013).\u003c/p\u003e  ","\u003cp\u003eAll books in this box are authored by Dickey. Some (or all?) are first editions.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnilham\u003c/title\u003e; \u003ctitle\u003eTo the White Sea\u003c/title\u003e; \u003ctitle\u003eNight Hurdling\u003c/title\u003e; \u003ctitle\u003eCrux: the Letters of James Dickey.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eIncludes inscriptions, dedications, signatures by James Dickey.\u003c/p\u003e","\u003cp\u003eAll books authored by James Dickey. Some are first editions.\nEzra Pound Lecture (by Dickey), \u003ctitle\u003eThe Water-Bug's Mittens\u003c/title\u003e, \u003ctitle\u003eThe Starry Place Between the Antlers\u003c/title\u003e,\u003ctitle\u003e A Private Brinkmanship\u003c/title\u003e, \u003ctitle\u003eThe Enemy from Eden\u003c/title\u003e, \u003ctitle\u003eSome Sort of Grandeur\u003c/title\u003e, \u003ctitle\u003eHead-Deep in Strange Sounds\u003c/title\u003e, \u003ctitle\u003eSorties\u003c/title\u003e, \u003ctitle\u003eThe Suspect in Poetry\u003c/title\u003e, \u003ctitle\u003eBabel to Byzantium\u003c/title\u003e, \u003ctitle\u003eCrux\u003c/title\u003e, \u003ctitle\u003eSelf-Interviews\u003c/title\u003e, \u003ctitle\u003eStriking In\u003c/title\u003e,\u003ctitle\u003eDeliverance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eIncludes inscriptions, dedications, and signatures by James Dickey.\u003c/p\u003e","\u003cp\u003ePlease see Subject entries for scope of content.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWayfairer\u003c/title\u003e, \u003ctitle\u003eIn Pursuit of the Grey Soul\u003c/title\u003e, \u003ctitle\u003eSelf-Interviews\u003c/title\u003e, \u003ctitle\u003eFiring Line\u003c/title\u003e, \u003ctitle\u003eSpinning the Crystal Ball\u003c/title\u003e, \u003ctitle\u003eNight Hurdling\u003c/title\u003e, \u003ctitle\u003eClasses on Modern Poets and the Art of Poetry\u003c/title\u003e, \u003ctitle\u003eThe Voiced Connections of James Dickey\u003c/title\u003e, \u003ctitle\u003eDeliverance\u003c/title\u003e, \u003ctitle\u003eTo the White Sea\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eIncludes inscriptions, dedications, signatures.\u003c/p\u003e","\u003cp\u003eAll books are collections of poems by Dickey.\n.\n\u003ctitle\u003eThe Whole Motion: Collected Poems, 1945-1992\u003c/title\u003e, \u003ctitle\u003ePoems, 1957-1967\u003c/title\u003e, \u003ctitle\u003eThe Zodiac\u003c/title\u003e, \u003ctitle\u003eThe Whole Motion: Collected Poems, 1948-1992\u003c/title\u003e, \u003ctitle\u003eThe Strength of Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eIncludes inscription, dedications, signatures.\u003c/p\u003e","\u003cp\u003ePlease see the Subject entries for scope of contents.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eExchanges\u003c/title\u003e, \u003ctitle\u003eJames Dickey at 70\u003c/title\u003e, \u003ctitle\u003eDrowning with Others\u003c/title\u003e, \u003ctitle\u003eThe Early Motion\u003c/title\u003e, \u003ctitle\u003eTucky the Hunter\u003c/title\u003e, \u003ctitle\u003eVeteran Birth\u003c/title\u003e, \u003ctitle\u003eBuckdancer's Choice\u003c/title\u003e, \u003ctitle\u003eMetaphor as Pure Adventure\u003c/title\u003e, \u003ctitle\u003ePoets of Today VII\u003c/title\u003e, \u003ctitle\u003eThe Eye-Beaters\u003c/title\u003e, \u003ctitle\u003eBlood Victory\u003c/title\u003e, \u003ctitle\u003eMadness, Buckhead and Mercy\u003c/title\u003e, \u003ctitle\u003eHelmets\u003c/title\u003e, \u003ctitle\u003eFalling, May Day Sermon, and Other Poems\u003c/title\u003e, \u003ctitle\u003eThe Central Motion: Poems 1968-1979\u003c/title\u003e, \u003ctitle\u003eThe Eagle's Mile\u003c/title\u003e, \u003ctitle\u003eVarmland\u003c/title\u003e, \u003ctitle\u003eThe Zodiac\u003c/title\u003e, \u003ctitle\u003eJames Dickey: Poems 1957-1967\u003c/title\u003e, \u003ctitle\u003eBronwen, the Trawl, and the Shape Shifter\u003c/title\u003e, \u003ctitle\u003eThe Owl King\u003c/title\u003e, \u003ctitle\u003eTwo Poems of the Air\u003c/title\u003e, \u003ctitle\u003eLooking for the Buckhead Boys\u003c/title\u003e (broadside), \u003ctitle\u003eFalse Youth\u003c/title\u003e, \u003ctitle\u003eFour Seasons\u003c/title\u003e, \u003ctitle\u003eApollo Circling\u003c/title\u003e, \u003ctitle\u003eThe Strength of Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis box contains anthologies in which Dickey's work is published, as well as several biographical sources on Dickey. Includes inscriptions, dedications, signatures.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Great American Writers' Cookbook\u003c/title\u003e, \u003ctitle\u003eAh Men!\u003c/title\u003e, \u003ctitle\u003eTranslations by American Poets\u003c/title\u003e, \u003ctitle\u003eOf Poetry and Poets\u003c/title\u003e, \u003ctitle\u003eNew Aquist of True Experience\u003c/title\u003e, \u003ctitle\u003eReadings for Writing\u003c/title\u003e, \u003ctitle\u003eTell it to the King\u003c/title\u003e, \u003ctitle\u003eTravels\u003c/title\u003e, \u003ctitle\u003eThe Writer as Celebrity\u003c/title\u003e, \u003ctitle\u003eLand of Superior Mirages\u003c/title\u003e, \u003ctitle\u003eRichard Eberhart: a Celebration\u003c/title\u003e, \u003ctitle\u003eOn Being a Writer\u003c/title\u003e, \u003ctitle\u003eThrough the Wheat\u003c/title\u003e, \u003ctitle\u003eMcCullough's Brief Lives\u003c/title\u003e, \u003ctitle\u003eOsiris at the Roller Derby\u003c/title\u003e, \u003ctitle\u003eSouth\u003c/title\u003e, \u003ctitle\u003eThe Call of the Wild, White Fang and Other Stories\u003c/title\u003e, \u003ctitle\u003eFrom the Green Horseshoe\u003c/title\u003e, \u003ctitle\u003eInterviews with Contemporary Writers\u003c/title\u003e, \u003ctitle\u003eShort Story\u003c/title\u003e, no. 2, Spring 2007, \u003ctitle\u003eThe Form 1970-1979\u003c/title\u003e, \u003ctitle\u003eRotten Rejections\u003c/title\u003e, \u003ctitle\u003eSingular Voices\u003c/title\u003e, \u003ctitle\u003eF. Scott Fitzgerald: Poems 1911-1940\u003c/title\u003e, \u003ctitle\u003eDictionary of Literary Biography\u003c/title\u003e, 1982, 1984, 1986.\u003c/p\u003e","\u003cp\u003eThis box contains anthologies in which Dickey's work is published. Includes inscriptions, dedications, signatures.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Call of the Wild\u003c/title\u003e,\u003ctitle\u003e The Craft of Poetry\u003c/title\u003e, \u003ctitle\u003eJohn Keats's Porridge\u003c/title\u003e, \u003ctitle\u003eDear Scott\u003c/title\u003e, \u003ctitle\u003eSelected Poems of Edwin Arlington Robinson\u003c/title\u003e, \u003ctitle\u003e45 Contemporary Poems: the Creative Process\u003c/title\u003e, \u003ctitle\u003eDeliverance\u003c/title\u003e, \u003ctitle\u003eThe Reading Commitment\u003c/title\u003e, \u003ctitle\u003eThe Wreck of the Deutschland\u003c/title\u003e, \u003ctitle\u003eAmerican Christmas\u003c/title\u003e, \u003ctitle\u003eThe Biblical Etchings of Marvin Hayes\u003c/title\u003e, \u003ctitle\u003eFrost: Centennial Essays\u003c/title\u003e, \u003ctitle\u003ePages: the World of Books, Writers, and Writing\u003c/title\u003e, \u003ctitle\u003eA New Spirit, a New Commitment, a New America\u003c/title\u003e (Jimmy Carter inauguration), \u003ctitle\u003eClose-Ups: the Movie Star Book\u003c/title\u003e, \u003ctitle\u003eThe Adventures of Tom Sawyer and the Adventures of Huckleberry Finn\u003c/title\u003e, \u003ctitle\u003eContemporary American Authors\u003c/title\u003e, vol. 10, \u003ctitle\u003ePreferences: 51 American Poets Choose Poems from their Own Work and from the Past\u003c/title\u003e, \u003ctitle\u003eThe Southern Mystique\u003c/title\u003e, \u003ctitle\u003eConversations with Writers\u003c/title\u003e, \u003ctitle\u003eFountain of Youth\u003c/title\u003e, \u003ctitle\u003eGarnet and Black: Carolina's Magazine Network\u003c/title\u003e, May 1974.\u003c/p\u003e","\u003cp\u003eThis box contains books in which Dickey has made a contribution, such as an introduction, a translation, etc.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe New Yorker Book of Poems\u003c/title\u003e, \u003ctitle\u003eSoundings, the Writer's Voice\u003c/title\u003e, \u003ctitle\u003eThe University and the New Intellectual Environment\u003c/title\u003e, \u003ctitle\u003eNew World Writing 21\u003c/title\u003e, \u003ctitle\u003eJames Dickey: a Checklist\u003c/title\u003e, \u003ctitle\u003eThis is my Best in the Third Quarter of the Century\u003c/title\u003e, \u003ctitle\u003eStolen Apples\u003c/title\u003e (Yevtushenko), \u003ctitle\u003eJames Dickey: the Expansive Imagination\u003c/title\u003e, \u003ctitle\u003eVandal\u003c/title\u003e, \u003ctitle\u003eBest Poems of 1970: Borestone Mountain Poetry Awards\u003c/title\u003e, \u003ctitle\u003ePoets on Poetry\u003c/title\u003e (Nemerov), \u003ctitle\u003eSelected Poems by Edwin Arlington Robinson\u003c/title\u003e, \u003ctitle\u003eA Symposium on Contemporary Poetry\u003c/title\u003e, \u003ctitle\u003eAll is Brillig (or Ought to Be)\u003c/title\u003e, \u003ctitle\u003eStephen Crane in Transition\u003c/title\u003e, \u003ctitle\u003eMeaning: a Common Ground of Linguistics and Literature\u003c/title\u003e, \u003ctitle\u003eThe Young American Poets\u003c/title\u003e, \u003ctitle\u003eThe Great Ideas Today, 1968\u003c/title\u003e, \u003ctitle\u003eThe Distinctive Voice\u003c/title\u003e, \u003ctitle\u003eBest Poems of 1965\u003c/title\u003e, \u003ctitle\u003eContemporary Poets of the English Language\u003c/title\u003e, \u003ctitle\u003eSuper Bowl XXVIII at Georgia Dome\u003c/title\u003e, \u003ctitle\u003eCreative Responses for Composition\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlease see Subject entries for scope and content of box.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHands of the Saddlemaker\u003c/title\u003e, \u003ctitle\u003eBest Poems of 1962\u003c/title\u003e(Borestone Mountain Poetry Awards, \u003ctitle\u003eLombardi\u003c/title\u003e [Vince], \u003ctitle\u003eThe Writer and his Tradition\u003c/title\u003e [U. Tennessee], \u003ctitle\u003eWhite Plum Thickets\u003c/title\u003e, \u003ctitle\u003eA Southern Renascence Man: Views of Robert Penn Warren\u003c/title\u003e,\u003ctitle\u003e All the Rights and Privileges Appertaining Thereto\u003c/title\u003e, \u003ctitle\u003eJames Dickey: a Bibliography\u003c/title\u003e, \u003ctitle\u003eContemporary Sources: Readings from \"Writer's Workshop\"\u003c/title\u003e, \u003ctitle\u003eThe New York Times Book of Verse\u003c/title\u003e, \u003ctitle\u003eWriters at Work\u003c/title\u003e [Paris Review interviews], \u003ctitle\u003eSimposio Pablo Neruda: Actas\u003c/title\u003e, \u003ctitle\u003eThe Red Badge of Courage\u003c/title\u003e, \u003ctitle\u003eCraft So Hard to Learn\n\u003c/title\u003e, \u003ctitle\u003ePoetry's Catbird Seat\u003c/title\u003e, \u003ctitle\u003eSouth Carolina Business \u003c/title\u003e1983, vol.3, \u003ctitle\u003eToward the Year 2000\u003c/title\u003e [Bell South Corp.], \u003ctitle\u003eConversations with South Carolina Poets\u003c/title\u003e, \u003ctitle\u003eLyrikvannen\u003c/title\u003e, no.4, 1980, \u003ctitle\u003eMaster Poems of the English Language\u003c/title\u003e, \u003ctitle\u003eThe Seamless Web\u003c/title\u003e, \u003ctitle\u003eThe Complete Short Stories of Thomas Wolfe\u003c/title\u003e, \u003ctitle\u003eOystering: a Way of Life\u003c/title\u003e, \u003ctitle\u003eGhosts\u003c/title\u003e [Jane Tuckerman], \u003ctitle\u003eDictionary of Literary Biography\u003c/title\u003e, vol. 5, 1980, \u003ctitle\u003eThe Imagination as Glory: the Poetry of James Dickey\u003c/title\u003e, \u003ctitle\u003eThree American Poets\u003c/title\u003e [Life Educational Reprint, 1957]\u003c/p\u003e","\u003cp\u003eIncludes inscriptions, decications, signatures.\u003c/p\u003e","\u003cp\u003ePlease see Subject entries for scope and content of this box.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLiving in the Resurrection\u003c/title\u003e, \u003ctitle\u003eCities of Memory\u003c/title\u003e,\u003ctitle\u003e Bears Dancing in the Northern Air\u003c/title\u003e, \u003ctitle\u003eStone Crop\u003c/title\u003e, \u003ctitle\u003eThinking the World Visible\u003c/title\u003e, \u003ctitle\u003eMy Shining Archipelago\u003c/title\u003e, \u003ctitle\u003eJames Dickey: Splintered Sunlight\u003c/title\u003e, \u003ctitle\u003eJames Dickey: a Descriptive Bibliography\u003c/title\u003e, \u003ctitle\u003eDictionary of Literary Biography\u003c/title\u003e, vol. 7, 1978, \u003ctitle\u003eWashington University Libraries Guide to Modern Literary Manuscripts\u003c/title\u003e, \u003ctitle\u003eImages of the Southern Writer\u003c/title\u003e [Mark Morrow, photographer], \u003ctitle\u003eLooking for Magical Country\u003c/title\u003e, \u003ctitle\u003eWriters\u003c/title\u003e [Nancy Crampton, photographer], \u003ctitle\u003eThe Arts Journal\u003c/title\u003e, Nov. 1981\u003c/p\u003e","\u003cp\u003eIncludes inscriptions, dedications, signatures.\u003c/p\u003e","\u003cp\u003eThis box contains literary journals in which Dickey's poems have been published. Includes long runs of \u003ctitle\u003eThe Kenyon Review\u003c/title\u003e and \u003ctitle\u003eThe Hudson Review\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eFor all other titles, please consult the paper guide to the collection, located in Special Collections, or the box itself.\u003c/p\u003e","\u003cp\u003eThis box contains journals in which Dickey's poems have been published. It includes long runs of \u003ctitle\u003eThe Sewanee Review\u003c/title\u003e, \u003ctitle\u003ePartisan Review\u003c/title\u003e, and \u003ctitle\u003ePoetry\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eFor other journal titles in this box, please consult the paper guide to the collection, located in Special Collections, or the box itself.\u003c/p\u003e","\u003cp\u003eThis box contains literary journals in Dickey's poems have been published. Includes long runs of \u003ctitle\u003eThe Paris Review\u003c/title\u003e, \u003ctitle\u003eQuarterly Review of Literature\u003c/title\u003e, \u003ctitle\u003eShenandoah\u003c/title\u003e, \u003ctitle\u003eThe Southern Review\u003c/title\u003e,\u003ctitle\u003eThe Virginia Quarterly Review\u003c/title\u003e, and the \u003ctitle\u003eYale Review\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains appearances of Dickey's work in \u003ctitle\u003eThe Atlantic\u003c/title\u003e, \u003ctitle\u003eHarper's\u003c/title\u003e, and \u003ctitle\u003eThe New Yorker\u003c/title\u003e. Includes book reviews of Dickey's work as well.\u003c/p\u003e","\u003cp\u003eNote that Box C6 also contains issues of \u003ctitle\u003eThe New Yorker\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains magazines in which Dickey's works have been published, or book reviews about his work appeared: \u003ctitle\u003eEsquire\u003c/title\u003e,\u003ctitle\u003e GQ\u003c/title\u003e, \u003ctitle\u003eTime\u003c/title\u003e, \u003ctitle\u003eSouthern Living\u003c/title\u003e, \u003ctitle\u003eMademoiselle\u003c/title\u003e, \u003ctitle\u003ePeople\u003c/title\u003e, \u003ctitle\u003eSaturday Review.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eEntries by and about James Dickey in \u003ctitle\u003ePlayboy Magazine\u003c/title\u003e and \u003ctitle\u003eThe New Yorker\u003c/title\u003e. Note that box C4 also contains \u003ctitle\u003eThe New Yorker\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains interviews with Dickey published in a variety of magazines, journals, a few newspapers, and books. The book titles are:\n\u003ctitle\u003eParting the Curtains: Interviews with Southern Writers\u003c/title\u003e, \u003ctitle\u003eThe Writer's Mind: Interviews with American Authors\u003c/title\u003e, and \u003ctitle\u003eSpeak So I Shall Know Thee: Interviews with Southern Writers\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains criticism and reviews of Dickey's work. Some items are inscribed and signed.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFatal Flowers: On Sin, Sex, and Suicide in the Deep South\u003c/title\u003e, \u003ctitle\u003eThe Way We Read James Dickey\u003c/title\u003e, \u003ctitle\u003eJames Dickey and the Politics of Canon\u003c/title\u003e, \u003ctitle\u003eJames Dickey and the Gentle Ecstacy of Earth\u003c/title\u003e, \u003ctitle\u003eStruggling for Wings: the Art of James Dickey\u003c/title\u003e, \u003ctitle\u003eSpeaking with Strangers\u003c/title\u003e, \u003ctitle\u003eThe Kick: a Memoir\u003c/title\u003e, \u003ctitle\u003eAdventures of a Suburban Boy \u003c/title\u003e, \u003ctitle\u003eAmerican Poetry: Wildness and Domesticity\u003c/title\u003e, \u003ctitle\u003ePrivileged Moments\u003c/title\u003e, \u003ctitle\u003eConfessions of a Female Chauvenist\n\u003c/title\u003e, \u003ctitle\u003eJames Dickey: the Critic as Poet\u003c/title\u003e, \u003ctitle\u003eThe Leonard L Milberg Collection of American Poetry\u003c/title\u003e, \u003ctitle\u003eCathedrals of Kudzu\u003c/title\u003e, \u003ctitle\u003eJames Dickey\u003c/title\u003e [Calhoun and Hill, eds.], \u003ctitle\u003eSeparate Country\u003c/title\u003e, \u003ctitle\u003eUnderstanding James Dickey\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains mostly books about Dickey's life and work, including some bibliographies. Several books are signed.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSummer of Deliverance\u003c/title\u003e, \u003ctitle\u003eThe Hi-Ways\u003c/title\u003e, [Dickey's 1940 High School Yearbook], \u003ctitle\u003eHarvard Guide to Contemporary American Writing\u003c/title\u003e, \u003ctitle\u003eThe American Literary Anthology\u003c/title\u003e, \u003ctitle\u003eJames Dickey: the Poet as Pitchman\u003c/title\u003e, \u003ctitle\u003eThe Sixties\u003c/title\u003e [magazine, Robert Bly, ed.], J\u003ctitle\u003eames Dickey: the Life and Lies of a Poet\u003c/title\u003e, \u003ctitle\u003eJames Dickey: a Bibliography, 1947-1974\u003c/title\u003e, \u003ctitle\u003eThe Achievement of James Dickey\u003c/title\u003e, \u003ctitle\u003eDo I Owe You Something?\u003c/title\u003e, \u003ctitle\u003eTruman Capote \u003c/title\u003e[G. Plimpton], \u003ctitle\u003eContemporary Authors\u003c/title\u003e, vol. 2, 1986, \u003ctitle\u003eA Century of Arts and Letters\u003c/title\u003e, \u003ctitle\u003eBuckhead: a Place for All Time\u003c/title\u003e, \u003ctitle\u003eNew York Days\u003c/title\u003e, \u003ctitle\u003eBulletin of Bibliography\u003c/title\u003e, 1981.\u003c/p\u003e","\u003cp\u003eThis box contains unpublished typescripts of screenplays and other works by Dickey, as well as some biographical and critical works about Dickey.\u003c/p\u003e","\u003cp\u003eSCREENPLAYS:\n\u003ctitle\u003eDeliverance\u003c/title\u003e; \u003ctitle\u003eGene Bullard\u003c/title\u003e; \u003ctitle\u003eThe Sentence \u003c/title\u003e; \u003ctitle\u003eThe Claim\u003c/title\u003e; \u003ctitle\u003eThe Call of the Wild\u003c/title\u003e; \u003ctitle\u003eFlying Blind\u003c/title\u003e; \u003ctitle\u003eAnilham\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePOETRY:\n\u003ctitle\u003eTwo Poems on the Survival of the Male Body\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSHORT STORY:\n\u003ctitle\u003eThe Eye of the Fire\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFILM TREATMENT:\n\u003ctitle\u003eAway from the Sun\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eBIOGRAPHY and CRITICISM:\n\u003ctitle\u003eDictionary of Literary Biography Documentary Series: James Dickey, an Illustrated Chronicle\u003c/title\u003e; \u003ctitle\u003eDueling Banjos: The Deliverance of Drew\u003c/title\u003e; \u003ctitle\u003eCritical Essays on James Dickey\u003c/title\u003e [Kirschten]\u003c/p\u003e","\u003cp\u003eIncludes some signed pieces.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEntrance to the Honeycomb\u003c/title\u003e;\u003ctitle\u003e Death and the Day's Light\u003c/title\u003e; \u003ctitle\u003eStrong Horses Circling\u003c/title\u003e; \u003ctitle\u003eThe Casting\u003c/title\u003e; \u003ctitle\u003eCrux\u003c/title\u003e; \u003ctitle\u003ePhilosophy Notebooks\u003c/title\u003e; \u003ctitle\u003eTom Dickey Juvenilia\u003c/title\u003e; \u003ctitle\u003eCelebration\u003c/title\u003e [Film by W. Hale]; and various journals.\u003c/p\u003e","\u003cp\u003eThis box contains books and journals that feature Dickey's work.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBest Poems of 1961\u003c/title\u003e [Borestone Mountain Poetry Awards]; \u003ctitle\u003eMotion: American Sports Poems\u003c/title\u003e; \u003ctitle\u003eHow to Use the Power of the Printed Word\u003c/title\u003e; \u003ctitle\u003eA Game of Passion\u003c/title\u003e [NFL]; \u003ctitle\u003eSplash!\u003c/title\u003e; \u003ctitle\u003eThe James Dickey Reader\u003c/title\u003e; \u003ctitle\u003eBest Poems of 1964\u003c/title\u003e [Borestone Mountain Poetry Awards]; \u003ctitle\u003eThe New Consciousness\u003c/title\u003e; \u003ctitle\u003eMen in Sports\u003c/title\u003e; \u003ctitle\u003eBeach Glass\u003c/title\u003e; \u003ctitle\u003e100 Postwar Poems\u003c/title\u003e; \u003ctitle\u003eVisions of America by the Poets of Our Time\u003c/title\u003e; \u003ctitle\u003eSounds and Silences: Poetry for Now\u003c/title\u003e; \u003ctitle\u003eThe World on Wheels\u003c/title\u003e; \u003ctitle\u003eSouthern Christmas: Literary Classics of the Holidays\u003c/title\u003e; \u003ctitle\u003eThe Wesleyan Tradition: Four Decades of American Poetry\u003c/title\u003e; \u003ctitle\u003eMen Without Masks\u003c/title\u003e; \u003ctitle\u003eThings Appalachian\u003c/title\u003e; \u003ctitle\u003eA Southern Album\u003c/title\u003e [Glusker, ed.]; \u003ctitle\u003eSouthern Writing in the Sixties/Poetry\u003c/title\u003e; \u003ctitle\u003eOn Doctoring\u003c/title\u003e; \u003ctitle\u003eThe Water of Light\u003c/title\u003e; \u003ctitle\u003eDecade: a Collection of Poems from the First Ten Years of the Wesleyan Poetry Program\u003c/title\u003e; \u003ctitle\u003eAmerican Poetry, 1965\n\u003c/title\u003e; \u003ctitle\u003eDog Music: Poetry About Dogs\n\u003c/title\u003e; \u003ctitle\u003eThe American Literary Anthology/1\u003c/title\u003e; \u003ctitle\u003eSome Haystacks Don't Even Have a Needle\u003c/title\u003e; \u003ctitle\u003eEncounters: an Anthology from the First Ten Years of Encounter Magazine\u003c/title\u003e; \u003ctitle\u003eGathered Waters\u003c/title\u003e; \u003ctitle\u003eWhere Is Vietnam: American Poets Respond\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains books and journals mostly, but not always, featuring work by Dickey.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas at The New Yorker\u003c/title\u003e; \u003ctitle\u003eThe Poetry of the Negro, 1746-1970\u003c/title\u003e; \u003ctitle\u003eThe Norton Anthology of Modern Poetry, 1973\u003c/title\u003e; \u003ctitle\u003eRandall Jarrell, 1914-1965\u003c/title\u003e; \u003ctitle\u003eGeorgia Voices\u003c/title\u003e; \u003ctitle\u003eModern Poems: an Introduction to Poetry\u003c/title\u003e; \u003ctitle\u003eDivided Light: Father and Son Poems\u003c/title\u003e; \u003ctitle\u003eJames Dickey: the Selected Poems\u003c/title\u003e; \u003ctitle\u003eThe Appalachian Trail Reader\u003c/title\u003e; \u003ctitle\u003eAmerican Sports Poems\u003c/title\u003e; \u003ctitle\u003eThe James Dickey Reader\u003c/title\u003e; \u003ctitle\u003eBrother Songs: a Male Anthology of Poetry\u003c/title\u003e; \u003ctitle\u003eMore Than a Game\u003c/title\u003e [NFL]; \u003ctitle\u003eOther Things and the Aardvark\u003c/title\u003e; \u003ctitle\u003eAmerica in Poetry\u003c/title\u003e; \u003ctitle\u003eThe Best Parts Are Underlined: Great Rape Scences from Literature\u003c/title\u003e; \u003ctitle\u003eA Controversy of Poets\u003c/title\u003e; \u003ctitle\u003eContemporary American Poetry\u003c/title\u003e [H. Nemerov]; \u003ctitle\u003eOn William Stafford\u003c/title\u003e; \u003ctitle\u003eThe Twentieth Century Treasury of Sports\u003c/title\u003e; \u003ctitle\u003eGeorgia Voices\u003c/title\u003e; \u003ctitle\u003eBest Poems of 1966\u003c/title\u003e [Borestone Mountain Poetry Awards]; \u003ctitle\u003eYellow Silk II: International Erotic Stories and Poems\u003c/title\u003e; \u003ctitle\u003ePictures That Storm Inside My Head: Poems for the Inner You\u003c/title\u003e; \u003ctitle\u003eThe Poetry Anthology, 1912-1977.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis box contains a variety of materials related to the 1972 motion picture \u003ctitle\u003eDeliverance\u003c/title\u003e. It holds lobby cards, action shots of the actors, a VHS of the movie, movie reviews, posters, and other miscellaneous items.\u003c/p\u003e","\u003cp\u003eIncludes the score of \u003ctitle\u003eDuelling Banjos\u003c/title\u003e, the main song of the movie.\u003c/p\u003e","\u003cp\u003eThis box contains large runs of both the \u003ctitle\u003eJames Dickey Newsletter\u003c/title\u003e and its successor, the \u003ctitle\u003eJames Dickey Review\u003c/title\u003e. It also includes VHS, DVD, and CD materials.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eJames Dickey Newsletter\u003c/title\u003e; \u003ctitle\u003eJames Dickey Review\u003c/title\u003e; \u003ctitle\u003eListening to America with Bill Moyers \u003c/title\u003e[VHS]; \u003ctitle\u003eCall of the Wild\u003c/title\u003e [VHS]; \u003ctitle\u003eLord Let Me Die But Not Die Out\u003c/title\u003e [VHS]; \u003ctitle\u003eJames Dickey and Robert Penn Warren: Two Poets, Two Friends\u003c/title\u003e [VHS]; \u003ctitle\u003eJames Dickey Tribute\u003c/title\u003e [VHS];\u003ctitle\u003e Guilty as Charged\u003c/title\u003e [VHS]; \u003ctitle\u003eWriter's Workshop\u003c/title\u003e [VHS]; \u003ctitle\u003eWhispers on the Wind\u003c/title\u003e [VHS]; \u003ctitle\u003eJames Dickey Obituary\u003c/title\u003e [VHS]; \u003ctitle\u003eTo the White Sea\u003c/title\u003e [audiotape]; \u003ctitle\u003eVerb Audio Literary Magazine\u003c/title\u003e [CD]; \u003ctitle\u003eBirds, Beasts, and Flowers \u003c/title\u003e[CD]; \u003ctitle\u003eApollo 11: As It Happened\u003c/title\u003e [CD].\u003c/p\u003e","\u003cp\u003eThis box contains mostly book reviews in many \u003ctitle\u003eNew York Times Book Reviews\u003c/title\u003e and \u003ctitle\u003eLife\u003c/title\u003e magazines, but also includes a few oversized books. Some materials are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife Magazine\u003c/title\u003e; \u003ctitle\u003eNew York Times Book Review\u003c/title\u003e; \u003ctitle\u003eThe Incredible Year '68\u003c/title\u003e [Life Magazine]; \u003ctitle\u003eA Festschrift for Lloyd J. Reynolds\u003c/title\u003e; \u003ctitle\u003eIntervisions: Poems and Photographs\u003c/title\u003e; \u003ctitle\u003eGod's Images: the Bible, a New Version\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains mostly LP vinyl sound recordings, but also books, a film and a few posters. Some items are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.\u003c/p\u003e","\u003cp\u003eLP RECORDS: \u003ctitle\u003eThe Poems of James Dickey (1957-1967)\u003c/title\u003e; \u003ctitle\u003eGod's Images For the First Manned Moon Orbit, on \"Apollo Circling\"\u003c/title\u003e; \u003ctitle\u003eDuelling Banjos\u003c/title\u003e; \u003ctitle\u003eJames Dickey Reading His Poetry\u003c/title\u003e; \u003ctitle\u003eThe Inaugural Album\u003c/title\u003e [Jimmy Carter, 1977. Includes book]; \u003ctitle\u003eA Talk with James Dickey\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eBOOKS: \u003ctitle\u003eJericho: the South Beheld\u003c/title\u003e; \u003ctitle\u003eGeorgia Atlas and Gazetteer\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eFILM: \u003ctitle\u003eJames Dickey: \"Lord Let Me Die\"\u003c/title\u003e [Encyclopedia Britannica Film, 1970].\u003c/p\u003e","\u003cp\u003eThis box contains books and newspapers in which a portrait photograph of Dickey is featured.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e10,000 Eyes\u003c/title\u003e [magazine photographers]; \u003ctitle\u003eA Portrait of Southern Writers\u003c/title\u003e [Curt Richter]; \u003ctitle\u003eRollie McKenna: A Life in Photography\u003c/title\u003e; \u003ctitle\u003eSouthern Writers\u003c/title\u003e [David Spielman]; \u003ctitle\u003eThe Writer's Image\u003c/title\u003e [Jill Krementz]; \u003ctitle\u003eArtists at Large\u003c/title\u003e [Rollie McKenna].\u003c/p\u003e","\u003cp\u003eThis box contains issues of featured writers in the James Dickey Poetry Series. It also includes some writings by Dickey's children, and some miscellaneous items, such as a t-shirt related to the movie \u003ctitle\u003eDeliverance\u003c/title\u003e and items from Dickey's desk at the University of South Carolina.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e\u003ctitle\u003eJames Dickey Contemporary Poetry Series\u003c/title\u003e; Caverns of Fire\u003c/title\u003e; \u003ctitle\u003eJames Dickey: a Celebration\u003c/title\u003e; \u003ctitle\u003eDickey Conference\u003c/title\u003e at U of South Carolina; \u003ctitle\u003eNewsweek\u003c/title\u003e; \u003ctitle\u003eOxford American\u003c/title\u003e;  \u003ctitle\u003eJimmy Carter\u003c/title\u003e; \u003ctitle\u003eTo Write a Poem Like Dickey\u003c/title\u003e [Hank Malone]; Cahulawassee t-shirt [Deliverance]; Dickey's desk items at U of South Carolina.\u003c/p\u003e","\u003cp\u003eThis box contains the first copy of Briggs' \u003ctitle\u003eComplete Poems of James Dickey\u003c/title\u003e, as well as proofs and some promotional materials related to the book.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eComplete Poems of James Dickey\u003c/title\u003e; \u003ctitle\u003eThe Dailey Gamecock\u003c/title\u003e [USC student newspaper]; \u003ctitle\u003eFree Times\u003c/title\u003e [Columbia, S.C. newspaper]; proofs of Briggs' book; promotional materials for Briggs' book.\u003c/p\u003e","\u003cp\u003eThis category identifies framed fine press editions of  broadsides of some of Dickey's most loved poems, as well as other framed materials. All framed work hangs on racks in the Special Collections' vault.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBronwen,the Traw and the Shape Shifter\u003c/title\u003e, 1986; Movie poster for \u003ctitle\u003eDeliverance\u003c/title\u003e; \u003ctitle\u003eBuck Dancer's Choice\u003c/title\u003e, 1979; \u003ctitle\u003eThe Eagle's Mile\u003c/title\u003e, 1981; \u003ctitle\u003eKnock,\u003c/title\u003e 1977; \u003ctitle\u003eSummons\u003c/title\u003e, 1988; \u003ctitle\u003eFor a Time and Place\u003c/title\u003e, 1983; \u003ctitle\u003eDeliverance\u003c/title\u003e still with small card signed by major actors; \u003ctitle\u003eIn the Child's Night\u003c/title\u003e, 1981; Photograph of James Dickey playing guitar; \u003ctitle\u003eHunger, Time and the Moon\u003c/title\u003e [from \u003ctitle\u003eStrength of Fields\u003c/title\u003e, 1977]; \u003ctitle\u003eThe Shark at the Window\u003c/title\u003e, 1977; \u003ctitle\u003eMexican Valley\u003c/title\u003e, 1978.\u003c/p\u003e","\u003cp\u003eThis box contains materials related to the death of James Dickey.\nFolder 0 is the Control Folder.\u003c/p\u003e","\u003cp\u003eNOTE: Folders 9-12 are not displaying in public interface.\nFOLDER 9: Carolinian\nFOLDER 10: Current Biography\nFOLDER 11: American Poet\nFOLDER 12: Oxford American\u003c/p\u003e","\u003clist numeration=\"upperroman\" type=\"ordered\"\u003e\u003chead\u003eFolder 0-12\u003c/head\u003e\u003citem\u003eObituaries, varied sources\u003c/item\u003e\u003citem\u003eObituaries, varied sources\u003c/item\u003e\u003citem\u003eObituaries, varied sources\u003c/item\u003e\u003citem\u003eMemorial Service\u003c/item\u003e\u003citem\u003ePhotographs of Dickey's office at USC\u003c/item\u003e\u003citem\u003eNewsweek\u003c/item\u003e\u003citem\u003eTime\u003c/item\u003e\u003citem\u003ePeople\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eThis box contains issues of the USC student newspapers, \u003ctitle\u003eThe Gamecock\u003c/title\u003e and \u003ctitle\u003eGarnet and Black\u003c/title\u003e, as well as issues of the Columbia, S.C. newspaper, \u003ctitle\u003eThe State\u003c/title\u003e, and issues of \u003ctitle\u003eNew York Times Book Review\u003c/title\u003e and \u003ctitle\u003eThe Point\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis oversized box contains the life mask of James Dickey. It also includes a photograph of Ward Briggs used for display purposes. NOTE: this oversized box is not shelved with the collection.\n---\nIn the mid-70s, North Carolina sculptor William Dunlap made this aluminum life mask of James Dickey. Dickey appeared, wearing a replica of the mask on his face, on the February 1976 cover of \u003ctitle\u003eEsquire\u003c/title\u003e magazine. The first chapter of his second novel, \u003ctitle\u003eAlnilam\u003c/title\u003e, was excerpted in the same issue. Dickey claimed that chemicals from the cast used to make the mask had seeped into his eyes and rendered him temporarily blind. His \"blindness\" was later heavily disputed, but Dickey said the experience inspired \u003ctitle\u003eAlnilam\u003c/title\u003e, which is about a blind man searching for his son.\u003c/p\u003e","\u003cp\u003eThis box contains additional materials related to James Dickey, donated by Ward Briggs in March 2017. There is no specific focus. Check the subject headings to learn about the box's content.\u003c/p\u003e","\u003cp\u003eIncludes: \u003ctitle\u003eBelgrade Literary Magazine\u003c/title\u003e; \u003ctitle\u003eLa Violencia Esta en Nostros\u003c/title\u003e; \u003ctitle\u003eVergilius\u003c/title\u003e; \u003ctitle\u003ePoems from the Hills, 1970\u003c/title\u003e; \u003ctitle\u003eWashington and Lee Alumnus\u003c/title\u003e, June 1970; \u003ctitle\u003eFor Aaron Copland, 14 Nov 1978\u003c/title\u003e; \u003ctitle\u003eLe Montagne\u003c/title\u003e, 30 Nov 1971; \u003ctitle\u003eFirsts: the Book Collector's Magazine\u003c/title\u003e; \u003ctitle\u003eFalling\u003c/title\u003e [the Sandlapper Singers]; \u003ctitle\u003eBarat Review\u003c/title\u003e; \u003ctitle\u003eDeliverance\u003c/title\u003e [in clamshell box edition]; miscellaneous materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of 1st editions of a selection of James Dickey's publications (some signed and/or inscribed); Dickey's contributions to books and pamphlets; journal articles by Dickey; interviews; criticism; anthologies; multimedia; photographs; broadsides (some framed, signed); miscellaneous items on his book and the film Deliverance; and publications related to Ward Briggs' book The Complete Poems of James Dickey (U. South Carolina, 2013).","All books in this box are authored by Dickey. Some (or all?) are first editions.","Anilham; To the White Sea; Night Hurdling; Crux: the Letters of James Dickey.","Includes inscriptions, dedications, signatures by James Dickey.","All books authored by James Dickey. Some are first editions.\nEzra Pound Lecture (by Dickey), The Water-Bug's Mittens, The Starry Place Between the Antlers, A Private Brinkmanship, The Enemy from Eden, Some Sort of Grandeur, Head-Deep in Strange Sounds, Sorties, The Suspect in Poetry, Babel to Byzantium, Crux, Self-Interviews, Striking In,Deliverance","Includes inscriptions, dedications, and signatures by James Dickey.","Please see Subject entries for scope of content.","Wayfairer, In Pursuit of the Grey Soul, Self-Interviews, Firing Line, Spinning the Crystal Ball, Night Hurdling, Classes on Modern Poets and the Art of Poetry, The Voiced Connections of James Dickey, Deliverance, To the White Sea","Includes inscriptions, dedications, signatures.","All books are collections of poems by Dickey.\n.\nThe Whole Motion: Collected Poems, 1945-1992, Poems, 1957-1967, The Zodiac, The Whole Motion: Collected Poems, 1948-1992, The Strength of Fields","Includes inscription, dedications, signatures.","Please see the Subject entries for scope of contents.","Exchanges, James Dickey at 70, Drowning with Others, The Early Motion, Tucky the Hunter, Veteran Birth, Buckdancer's Choice, Metaphor as Pure Adventure, Poets of Today VII, The Eye-Beaters, Blood Victory, Madness, Buckhead and Mercy, Helmets, Falling, May Day Sermon, and Other Poems, The Central Motion: Poems 1968-1979, The Eagle's Mile, Varmland, The Zodiac, James Dickey: Poems 1957-1967, Bronwen, the Trawl, and the Shape Shifter, The Owl King, Two Poems of the Air, Looking for the Buckhead Boys (broadside), False Youth, Four Seasons, Apollo Circling, The Strength of Fields","This box contains anthologies in which Dickey's work is published, as well as several biographical sources on Dickey. Includes inscriptions, dedications, signatures.","The Great American Writers' Cookbook, Ah Men!, Translations by American Poets, Of Poetry and Poets, New Aquist of True Experience, Readings for Writing, Tell it to the King, Travels, The Writer as Celebrity, Land of Superior Mirages, Richard Eberhart: a Celebration, On Being a Writer, Through the Wheat, McCullough's Brief Lives, Osiris at the Roller Derby, South, The Call of the Wild, White Fang and Other Stories, From the Green Horseshoe, Interviews with Contemporary Writers, Short Story, no. 2, Spring 2007, The Form 1970-1979, Rotten Rejections, Singular Voices, F. Scott Fitzgerald: Poems 1911-1940, Dictionary of Literary Biography, 1982, 1984, 1986.","This box contains anthologies in which Dickey's work is published. Includes inscriptions, dedications, signatures.","The Call of the Wild, The Craft of Poetry, John Keats's Porridge, Dear Scott, Selected Poems of Edwin Arlington Robinson, 45 Contemporary Poems: the Creative Process, Deliverance, The Reading Commitment, The Wreck of the Deutschland, American Christmas, The Biblical Etchings of Marvin Hayes, Frost: Centennial Essays, Pages: the World of Books, Writers, and Writing, A New Spirit, a New Commitment, a New America (Jimmy Carter inauguration), Close-Ups: the Movie Star Book, The Adventures of Tom Sawyer and the Adventures of Huckleberry Finn, Contemporary American Authors, vol. 10, Preferences: 51 American Poets Choose Poems from their Own Work and from the Past, The Southern Mystique, Conversations with Writers, Fountain of Youth, Garnet and Black: Carolina's Magazine Network, May 1974.","This box contains books in which Dickey has made a contribution, such as an introduction, a translation, etc.","The New Yorker Book of Poems, Soundings, the Writer's Voice, The University and the New Intellectual Environment, New World Writing 21, James Dickey: a Checklist, This is my Best in the Third Quarter of the Century, Stolen Apples (Yevtushenko), James Dickey: the Expansive Imagination, Vandal, Best Poems of 1970: Borestone Mountain Poetry Awards, Poets on Poetry (Nemerov), Selected Poems by Edwin Arlington Robinson, A Symposium on Contemporary Poetry, All is Brillig (or Ought to Be), Stephen Crane in Transition, Meaning: a Common Ground of Linguistics and Literature, The Young American Poets, The Great Ideas Today, 1968, The Distinctive Voice, Best Poems of 1965, Contemporary Poets of the English Language, Super Bowl XXVIII at Georgia Dome, Creative Responses for Composition","Please see Subject entries for scope and content of box.","Hands of the Saddlemaker, Best Poems of 1962(Borestone Mountain Poetry Awards, Lombardi [Vince], The Writer and his Tradition [U. Tennessee], White Plum Thickets, A Southern Renascence Man: Views of Robert Penn Warren, All the Rights and Privileges Appertaining Thereto, James Dickey: a Bibliography, Contemporary Sources: Readings from \"Writer's Workshop\", The New York Times Book of Verse, Writers at Work [Paris Review interviews], Simposio Pablo Neruda: Actas, The Red Badge of Courage, Craft So Hard to Learn\n, Poetry's Catbird Seat, South Carolina Business 1983, vol.3, Toward the Year 2000 [Bell South Corp.], Conversations with South Carolina Poets, Lyrikvannen, no.4, 1980, Master Poems of the English Language, The Seamless Web, The Complete Short Stories of Thomas Wolfe, Oystering: a Way of Life, Ghosts [Jane Tuckerman], Dictionary of Literary Biography, vol. 5, 1980, The Imagination as Glory: the Poetry of James Dickey, Three American Poets [Life Educational Reprint, 1957]","Includes inscriptions, decications, signatures.","Please see Subject entries for scope and content of this box.","Living in the Resurrection, Cities of Memory, Bears Dancing in the Northern Air, Stone Crop, Thinking the World Visible, My Shining Archipelago, James Dickey: Splintered Sunlight, James Dickey: a Descriptive Bibliography, Dictionary of Literary Biography, vol. 7, 1978, Washington University Libraries Guide to Modern Literary Manuscripts, Images of the Southern Writer [Mark Morrow, photographer], Looking for Magical Country, Writers [Nancy Crampton, photographer], The Arts Journal, Nov. 1981","Includes inscriptions, dedications, signatures.","This box contains literary journals in which Dickey's poems have been published. Includes long runs of The Kenyon Review and The Hudson Review.","For all other titles, please consult the paper guide to the collection, located in Special Collections, or the box itself.","This box contains journals in which Dickey's poems have been published. It includes long runs of The Sewanee Review, Partisan Review, and Poetry.","For other journal titles in this box, please consult the paper guide to the collection, located in Special Collections, or the box itself.","This box contains literary journals in Dickey's poems have been published. Includes long runs of The Paris Review, Quarterly Review of Literature, Shenandoah, The Southern Review,The Virginia Quarterly Review, and the Yale Review.","This box contains appearances of Dickey's work in The Atlantic, Harper's, and The New Yorker. Includes book reviews of Dickey's work as well.","Note that Box C6 also contains issues of The New Yorker.","This box contains magazines in which Dickey's works have been published, or book reviews about his work appeared: Esquire, GQ, Time, Southern Living, Mademoiselle, People, Saturday Review.","Entries by and about James Dickey in Playboy Magazine and The New Yorker. Note that box C4 also contains The New Yorker.","This box contains interviews with Dickey published in a variety of magazines, journals, a few newspapers, and books. The book titles are:\nParting the Curtains: Interviews with Southern Writers, The Writer's Mind: Interviews with American Authors, and Speak So I Shall Know Thee: Interviews with Southern Writers.","This box contains criticism and reviews of Dickey's work. Some items are inscribed and signed.","Fatal Flowers: On Sin, Sex, and Suicide in the Deep South, The Way We Read James Dickey, James Dickey and the Politics of Canon, James Dickey and the Gentle Ecstacy of Earth, Struggling for Wings: the Art of James Dickey, Speaking with Strangers, The Kick: a Memoir, Adventures of a Suburban Boy , American Poetry: Wildness and Domesticity, Privileged Moments, Confessions of a Female Chauvenist\n, James Dickey: the Critic as Poet, The Leonard L Milberg Collection of American Poetry, Cathedrals of Kudzu, James Dickey [Calhoun and Hill, eds.], Separate Country, Understanding James Dickey.","This box contains mostly books about Dickey's life and work, including some bibliographies. Several books are signed.","Summer of Deliverance, The Hi-Ways, [Dickey's 1940 High School Yearbook], Harvard Guide to Contemporary American Writing, The American Literary Anthology, James Dickey: the Poet as Pitchman, The Sixties [magazine, Robert Bly, ed.], James Dickey: the Life and Lies of a Poet, James Dickey: a Bibliography, 1947-1974, The Achievement of James Dickey, Do I Owe You Something?, Truman Capote [G. Plimpton], Contemporary Authors, vol. 2, 1986, A Century of Arts and Letters, Buckhead: a Place for All Time, New York Days, Bulletin of Bibliography, 1981.","This box contains unpublished typescripts of screenplays and other works by Dickey, as well as some biographical and critical works about Dickey.","SCREENPLAYS:\nDeliverance; Gene Bullard; The Sentence ; The Claim; The Call of the Wild; Flying Blind; Anilham","POETRY:\nTwo Poems on the Survival of the Male Body","SHORT STORY:\nThe Eye of the Fire","FILM TREATMENT:\nAway from the Sun","BIOGRAPHY and CRITICISM:\nDictionary of Literary Biography Documentary Series: James Dickey, an Illustrated Chronicle; Dueling Banjos: The Deliverance of Drew; Critical Essays on James Dickey [Kirschten]","Includes some signed pieces.","Entrance to the Honeycomb; Death and the Day's Light; Strong Horses Circling; The Casting; Crux; Philosophy Notebooks; Tom Dickey Juvenilia; Celebration [Film by W. Hale]; and various journals.","This box contains books and journals that feature Dickey's work.","Best Poems of 1961 [Borestone Mountain Poetry Awards]; Motion: American Sports Poems; How to Use the Power of the Printed Word; A Game of Passion [NFL]; Splash!; The James Dickey Reader; Best Poems of 1964 [Borestone Mountain Poetry Awards]; The New Consciousness; Men in Sports; Beach Glass; 100 Postwar Poems; Visions of America by the Poets of Our Time; Sounds and Silences: Poetry for Now; The World on Wheels; Southern Christmas: Literary Classics of the Holidays; The Wesleyan Tradition: Four Decades of American Poetry; Men Without Masks; Things Appalachian; A Southern Album [Glusker, ed.]; Southern Writing in the Sixties/Poetry; On Doctoring; The Water of Light; Decade: a Collection of Poems from the First Ten Years of the Wesleyan Poetry Program; American Poetry, 1965\n; Dog Music: Poetry About Dogs\n; The American Literary Anthology/1; Some Haystacks Don't Even Have a Needle; Encounters: an Anthology from the First Ten Years of Encounter Magazine; Gathered Waters; Where Is Vietnam: American Poets Respond.","This box contains books and journals mostly, but not always, featuring work by Dickey.","Christmas at The New Yorker; The Poetry of the Negro, 1746-1970; The Norton Anthology of Modern Poetry, 1973; Randall Jarrell, 1914-1965; Georgia Voices; Modern Poems: an Introduction to Poetry; Divided Light: Father and Son Poems; James Dickey: the Selected Poems; The Appalachian Trail Reader; American Sports Poems; The James Dickey Reader; Brother Songs: a Male Anthology of Poetry; More Than a Game [NFL]; Other Things and the Aardvark; America in Poetry; The Best Parts Are Underlined: Great Rape Scences from Literature; A Controversy of Poets; Contemporary American Poetry [H. Nemerov]; On William Stafford; The Twentieth Century Treasury of Sports; Georgia Voices; Best Poems of 1966 [Borestone Mountain Poetry Awards]; Yellow Silk II: International Erotic Stories and Poems; Pictures That Storm Inside My Head: Poems for the Inner You; The Poetry Anthology, 1912-1977.","This box contains a variety of materials related to the 1972 motion picture Deliverance. It holds lobby cards, action shots of the actors, a VHS of the movie, movie reviews, posters, and other miscellaneous items.","Includes the score of Duelling Banjos, the main song of the movie.","This box contains large runs of both the James Dickey Newsletter and its successor, the James Dickey Review. It also includes VHS, DVD, and CD materials.","James Dickey Newsletter; James Dickey Review; Listening to America with Bill Moyers [VHS]; Call of the Wild [VHS]; Lord Let Me Die But Not Die Out [VHS]; James Dickey and Robert Penn Warren: Two Poets, Two Friends [VHS]; James Dickey Tribute [VHS]; Guilty as Charged [VHS]; Writer's Workshop [VHS]; Whispers on the Wind [VHS]; James Dickey Obituary [VHS]; To the White Sea [audiotape]; Verb Audio Literary Magazine [CD]; Birds, Beasts, and Flowers [CD]; Apollo 11: As It Happened [CD].","This box contains mostly book reviews in many New York Times Book Reviews and Life magazines, but also includes a few oversized books. Some materials are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.","Life Magazine; New York Times Book Review; The Incredible Year '68 [Life Magazine]; A Festschrift for Lloyd J. Reynolds; Intervisions: Poems and Photographs; God's Images: the Bible, a New Version.","This box contains mostly LP vinyl sound recordings, but also books, a film and a few posters. Some items are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.","LP RECORDS: The Poems of James Dickey (1957-1967); God's Images For the First Manned Moon Orbit, on \"Apollo Circling\"; Duelling Banjos; James Dickey Reading His Poetry; The Inaugural Album [Jimmy Carter, 1977. Includes book]; A Talk with James Dickey.","BOOKS: Jericho: the South Beheld; Georgia Atlas and Gazetteer.","FILM: James Dickey: \"Lord Let Me Die\" [Encyclopedia Britannica Film, 1970].","This box contains books and newspapers in which a portrait photograph of Dickey is featured.","10,000 Eyes [magazine photographers]; A Portrait of Southern Writers [Curt Richter]; Rollie McKenna: A Life in Photography; Southern Writers [David Spielman]; The Writer's Image [Jill Krementz]; Artists at Large [Rollie McKenna].","This box contains issues of featured writers in the James Dickey Poetry Series. It also includes some writings by Dickey's children, and some miscellaneous items, such as a t-shirt related to the movie Deliverance and items from Dickey's desk at the University of South Carolina.","James Dickey Contemporary Poetry Series; Caverns of Fire; James Dickey: a Celebration; Dickey Conference at U of South Carolina; Newsweek; Oxford American;  Jimmy Carter; To Write a Poem Like Dickey [Hank Malone]; Cahulawassee t-shirt [Deliverance]; Dickey's desk items at U of South Carolina.","This box contains the first copy of Briggs' Complete Poems of James Dickey, as well as proofs and some promotional materials related to the book.","Complete Poems of James Dickey; The Dailey Gamecock [USC student newspaper]; Free Times [Columbia, S.C. newspaper]; proofs of Briggs' book; promotional materials for Briggs' book.","This category identifies framed fine press editions of  broadsides of some of Dickey's most loved poems, as well as other framed materials. All framed work hangs on racks in the Special Collections' vault.","Bronwen,the Traw and the Shape Shifter, 1986; Movie poster for Deliverance; Buck Dancer's Choice, 1979; The Eagle's Mile, 1981; Knock, 1977; Summons, 1988; For a Time and Place, 1983; Deliverance still with small card signed by major actors; In the Child's Night, 1981; Photograph of James Dickey playing guitar; Hunger, Time and the Moon [from Strength of Fields, 1977]; The Shark at the Window, 1977; Mexican Valley, 1978.","This box contains materials related to the death of James Dickey.\nFolder 0 is the Control Folder.","NOTE: Folders 9-12 are not displaying in public interface.\nFOLDER 9: Carolinian\nFOLDER 10: Current Biography\nFOLDER 11: American Poet\nFOLDER 12: Oxford American","Folder 0-12Obituaries, varied sourcesObituaries, varied sourcesObituaries, varied sourcesMemorial ServicePhotographs of Dickey's office at USCNewsweekTimePeople","This box contains issues of the USC student newspapers, The Gamecock and Garnet and Black, as well as issues of the Columbia, S.C. newspaper, The State, and issues of New York Times Book Review and The Point.","This oversized box contains the life mask of James Dickey. It also includes a photograph of Ward Briggs used for display purposes. NOTE: this oversized box is not shelved with the collection.\n---\nIn the mid-70s, North Carolina sculptor William Dunlap made this aluminum life mask of James Dickey. Dickey appeared, wearing a replica of the mask on his face, on the February 1976 cover of Esquire magazine. The first chapter of his second novel, Alnilam, was excerpted in the same issue. Dickey claimed that chemicals from the cast used to make the mask had seeped into his eyes and rendered him temporarily blind. His \"blindness\" was later heavily disputed, but Dickey said the experience inspired Alnilam, which is about a blind man searching for his son.","This box contains additional materials related to James Dickey, donated by Ward Briggs in March 2017. There is no specific focus. Check the subject headings to learn about the box's content.","Includes: Belgrade Literary Magazine; La Violencia Esta en Nostros; Vergilius; Poems from the Hills, 1970; Washington and Lee Alumnus, June 1970; For Aaron Copland, 14 Nov 1978; Le Montagne, 30 Nov 1971; Firsts: the Book Collector's Magazine; Falling [the Sandlapper Singers]; Barat Review; Deliverance [in clamshell box edition]; miscellaneous materials."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"famname_ssim":["Dickey"],"persname_ssim":["Briggs, Ward Wright, Jr., Dr.","Dickey, James (James Lafayette) (19230202-19970119)","Dickey, James"],"names_coll_ssim":["Dickey, James (James Lafayette) (19230202-19970119)"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Dickey","Briggs, Ward Wright, Jr., Dr.","Dickey, James (James Lafayette) (19230202-19970119)","Dickey, James"],"language_ssim":["These materials are in English, except for translations of Dickey's novels."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:14.389Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_594","ead_ssi":"vilxw_repositories_5_resources_594","_root_":"vilxw_repositories_5_resources_594","_nest_parent_":"vilxw_repositories_5_resources_594","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_594.xml","title_ssm":["The Ward Briggs Collection of James Dickey"],"title_tesim":["The Ward Briggs Collection of James Dickey"],"unitdate_ssm":["1940-2013"],"unitdate_inclusive_ssm":["1940-2013"],"normalized_date_ssm":["1940/2013"],"normalized_title_ssm":["The Ward Briggs Collection of James Dickey, 1940/2013"],"text":["The Ward Briggs Collection of James Dickey, 1940/2013","WLU.Coll.0511","/repositories/5/resources/594","American literature","Broadsides","Criticism","Poetry","Interviews","Photographs","This collection is open for research use.","This collection consists of 1st editions of a selection of James Dickey's publications (some signed and/or inscribed); Dickey's contributions to books and pamphlets; journal articles by Dickey; interviews; criticism; anthologies; multimedia; photographs; broadsides (some framed, signed); miscellaneous items on his book and the film Deliverance; and publications related to Ward Briggs' book The Complete Poems of James Dickey (U. South Carolina, 2013).","All books in this box are authored by Dickey. Some (or all?) are first editions.","Anilham; To the White Sea; Night Hurdling; Crux: the Letters of James Dickey.","Includes inscriptions, dedications, signatures by James Dickey.","All books authored by James Dickey. Some are first editions.\nEzra Pound Lecture (by Dickey), The Water-Bug's Mittens, The Starry Place Between the Antlers, A Private Brinkmanship, The Enemy from Eden, Some Sort of Grandeur, Head-Deep in Strange Sounds, Sorties, The Suspect in Poetry, Babel to Byzantium, Crux, Self-Interviews, Striking In,Deliverance","Includes inscriptions, dedications, and signatures by James Dickey.","Please see Subject entries for scope of content.","Wayfairer, In Pursuit of the Grey Soul, Self-Interviews, Firing Line, Spinning the Crystal Ball, Night Hurdling, Classes on Modern Poets and the Art of Poetry, The Voiced Connections of James Dickey, Deliverance, To the White Sea","Includes inscriptions, dedications, signatures.","All books are collections of poems by Dickey.\n.\nThe Whole Motion: Collected Poems, 1945-1992, Poems, 1957-1967, The Zodiac, The Whole Motion: Collected Poems, 1948-1992, The Strength of Fields","Includes inscription, dedications, signatures.","Please see the Subject entries for scope of contents.","Exchanges, James Dickey at 70, Drowning with Others, The Early Motion, Tucky the Hunter, Veteran Birth, Buckdancer's Choice, Metaphor as Pure Adventure, Poets of Today VII, The Eye-Beaters, Blood Victory, Madness, Buckhead and Mercy, Helmets, Falling, May Day Sermon, and Other Poems, The Central Motion: Poems 1968-1979, The Eagle's Mile, Varmland, The Zodiac, James Dickey: Poems 1957-1967, Bronwen, the Trawl, and the Shape Shifter, The Owl King, Two Poems of the Air, Looking for the Buckhead Boys (broadside), False Youth, Four Seasons, Apollo Circling, The Strength of Fields","This box contains anthologies in which Dickey's work is published, as well as several biographical sources on Dickey. Includes inscriptions, dedications, signatures.","The Great American Writers' Cookbook, Ah Men!, Translations by American Poets, Of Poetry and Poets, New Aquist of True Experience, Readings for Writing, Tell it to the King, Travels, The Writer as Celebrity, Land of Superior Mirages, Richard Eberhart: a Celebration, On Being a Writer, Through the Wheat, McCullough's Brief Lives, Osiris at the Roller Derby, South, The Call of the Wild, White Fang and Other Stories, From the Green Horseshoe, Interviews with Contemporary Writers, Short Story, no. 2, Spring 2007, The Form 1970-1979, Rotten Rejections, Singular Voices, F. Scott Fitzgerald: Poems 1911-1940, Dictionary of Literary Biography, 1982, 1984, 1986.","This box contains anthologies in which Dickey's work is published. Includes inscriptions, dedications, signatures.","The Call of the Wild, The Craft of Poetry, John Keats's Porridge, Dear Scott, Selected Poems of Edwin Arlington Robinson, 45 Contemporary Poems: the Creative Process, Deliverance, The Reading Commitment, The Wreck of the Deutschland, American Christmas, The Biblical Etchings of Marvin Hayes, Frost: Centennial Essays, Pages: the World of Books, Writers, and Writing, A New Spirit, a New Commitment, a New America (Jimmy Carter inauguration), Close-Ups: the Movie Star Book, The Adventures of Tom Sawyer and the Adventures of Huckleberry Finn, Contemporary American Authors, vol. 10, Preferences: 51 American Poets Choose Poems from their Own Work and from the Past, The Southern Mystique, Conversations with Writers, Fountain of Youth, Garnet and Black: Carolina's Magazine Network, May 1974.","This box contains books in which Dickey has made a contribution, such as an introduction, a translation, etc.","The New Yorker Book of Poems, Soundings, the Writer's Voice, The University and the New Intellectual Environment, New World Writing 21, James Dickey: a Checklist, This is my Best in the Third Quarter of the Century, Stolen Apples (Yevtushenko), James Dickey: the Expansive Imagination, Vandal, Best Poems of 1970: Borestone Mountain Poetry Awards, Poets on Poetry (Nemerov), Selected Poems by Edwin Arlington Robinson, A Symposium on Contemporary Poetry, All is Brillig (or Ought to Be), Stephen Crane in Transition, Meaning: a Common Ground of Linguistics and Literature, The Young American Poets, The Great Ideas Today, 1968, The Distinctive Voice, Best Poems of 1965, Contemporary Poets of the English Language, Super Bowl XXVIII at Georgia Dome, Creative Responses for Composition","Please see Subject entries for scope and content of box.","Hands of the Saddlemaker, Best Poems of 1962(Borestone Mountain Poetry Awards, Lombardi [Vince], The Writer and his Tradition [U. Tennessee], White Plum Thickets, A Southern Renascence Man: Views of Robert Penn Warren, All the Rights and Privileges Appertaining Thereto, James Dickey: a Bibliography, Contemporary Sources: Readings from \"Writer's Workshop\", The New York Times Book of Verse, Writers at Work [Paris Review interviews], Simposio Pablo Neruda: Actas, The Red Badge of Courage, Craft So Hard to Learn\n, Poetry's Catbird Seat, South Carolina Business 1983, vol.3, Toward the Year 2000 [Bell South Corp.], Conversations with South Carolina Poets, Lyrikvannen, no.4, 1980, Master Poems of the English Language, The Seamless Web, The Complete Short Stories of Thomas Wolfe, Oystering: a Way of Life, Ghosts [Jane Tuckerman], Dictionary of Literary Biography, vol. 5, 1980, The Imagination as Glory: the Poetry of James Dickey, Three American Poets [Life Educational Reprint, 1957]","Includes inscriptions, decications, signatures.","Please see Subject entries for scope and content of this box.","Living in the Resurrection, Cities of Memory, Bears Dancing in the Northern Air, Stone Crop, Thinking the World Visible, My Shining Archipelago, James Dickey: Splintered Sunlight, James Dickey: a Descriptive Bibliography, Dictionary of Literary Biography, vol. 7, 1978, Washington University Libraries Guide to Modern Literary Manuscripts, Images of the Southern Writer [Mark Morrow, photographer], Looking for Magical Country, Writers [Nancy Crampton, photographer], The Arts Journal, Nov. 1981","Includes inscriptions, dedications, signatures.","This box contains literary journals in which Dickey's poems have been published. Includes long runs of The Kenyon Review and The Hudson Review.","For all other titles, please consult the paper guide to the collection, located in Special Collections, or the box itself.","This box contains journals in which Dickey's poems have been published. It includes long runs of The Sewanee Review, Partisan Review, and Poetry.","For other journal titles in this box, please consult the paper guide to the collection, located in Special Collections, or the box itself.","This box contains literary journals in Dickey's poems have been published. Includes long runs of The Paris Review, Quarterly Review of Literature, Shenandoah, The Southern Review,The Virginia Quarterly Review, and the Yale Review.","This box contains appearances of Dickey's work in The Atlantic, Harper's, and The New Yorker. Includes book reviews of Dickey's work as well.","Note that Box C6 also contains issues of The New Yorker.","This box contains magazines in which Dickey's works have been published, or book reviews about his work appeared: Esquire, GQ, Time, Southern Living, Mademoiselle, People, Saturday Review.","Entries by and about James Dickey in Playboy Magazine and The New Yorker. Note that box C4 also contains The New Yorker.","This box contains interviews with Dickey published in a variety of magazines, journals, a few newspapers, and books. The book titles are:\nParting the Curtains: Interviews with Southern Writers, The Writer's Mind: Interviews with American Authors, and Speak So I Shall Know Thee: Interviews with Southern Writers.","This box contains criticism and reviews of Dickey's work. Some items are inscribed and signed.","Fatal Flowers: On Sin, Sex, and Suicide in the Deep South, The Way We Read James Dickey, James Dickey and the Politics of Canon, James Dickey and the Gentle Ecstacy of Earth, Struggling for Wings: the Art of James Dickey, Speaking with Strangers, The Kick: a Memoir, Adventures of a Suburban Boy , American Poetry: Wildness and Domesticity, Privileged Moments, Confessions of a Female Chauvenist\n, James Dickey: the Critic as Poet, The Leonard L Milberg Collection of American Poetry, Cathedrals of Kudzu, James Dickey [Calhoun and Hill, eds.], Separate Country, Understanding James Dickey.","This box contains mostly books about Dickey's life and work, including some bibliographies. Several books are signed.","Summer of Deliverance, The Hi-Ways, [Dickey's 1940 High School Yearbook], Harvard Guide to Contemporary American Writing, The American Literary Anthology, James Dickey: the Poet as Pitchman, The Sixties [magazine, Robert Bly, ed.], James Dickey: the Life and Lies of a Poet, James Dickey: a Bibliography, 1947-1974, The Achievement of James Dickey, Do I Owe You Something?, Truman Capote [G. Plimpton], Contemporary Authors, vol. 2, 1986, A Century of Arts and Letters, Buckhead: a Place for All Time, New York Days, Bulletin of Bibliography, 1981.","This box contains unpublished typescripts of screenplays and other works by Dickey, as well as some biographical and critical works about Dickey.","SCREENPLAYS:\nDeliverance; Gene Bullard; The Sentence ; The Claim; The Call of the Wild; Flying Blind; Anilham","POETRY:\nTwo Poems on the Survival of the Male Body","SHORT STORY:\nThe Eye of the Fire","FILM TREATMENT:\nAway from the Sun","BIOGRAPHY and CRITICISM:\nDictionary of Literary Biography Documentary Series: James Dickey, an Illustrated Chronicle; Dueling Banjos: The Deliverance of Drew; Critical Essays on James Dickey [Kirschten]","Includes some signed pieces.","Entrance to the Honeycomb; Death and the Day's Light; Strong Horses Circling; The Casting; Crux; Philosophy Notebooks; Tom Dickey Juvenilia; Celebration [Film by W. Hale]; and various journals.","This box contains books and journals that feature Dickey's work.","Best Poems of 1961 [Borestone Mountain Poetry Awards]; Motion: American Sports Poems; How to Use the Power of the Printed Word; A Game of Passion [NFL]; Splash!; The James Dickey Reader; Best Poems of 1964 [Borestone Mountain Poetry Awards]; The New Consciousness; Men in Sports; Beach Glass; 100 Postwar Poems; Visions of America by the Poets of Our Time; Sounds and Silences: Poetry for Now; The World on Wheels; Southern Christmas: Literary Classics of the Holidays; The Wesleyan Tradition: Four Decades of American Poetry; Men Without Masks; Things Appalachian; A Southern Album [Glusker, ed.]; Southern Writing in the Sixties/Poetry; On Doctoring; The Water of Light; Decade: a Collection of Poems from the First Ten Years of the Wesleyan Poetry Program; American Poetry, 1965\n; Dog Music: Poetry About Dogs\n; The American Literary Anthology/1; Some Haystacks Don't Even Have a Needle; Encounters: an Anthology from the First Ten Years of Encounter Magazine; Gathered Waters; Where Is Vietnam: American Poets Respond.","This box contains books and journals mostly, but not always, featuring work by Dickey.","Christmas at The New Yorker; The Poetry of the Negro, 1746-1970; The Norton Anthology of Modern Poetry, 1973; Randall Jarrell, 1914-1965; Georgia Voices; Modern Poems: an Introduction to Poetry; Divided Light: Father and Son Poems; James Dickey: the Selected Poems; The Appalachian Trail Reader; American Sports Poems; The James Dickey Reader; Brother Songs: a Male Anthology of Poetry; More Than a Game [NFL]; Other Things and the Aardvark; America in Poetry; The Best Parts Are Underlined: Great Rape Scences from Literature; A Controversy of Poets; Contemporary American Poetry [H. Nemerov]; On William Stafford; The Twentieth Century Treasury of Sports; Georgia Voices; Best Poems of 1966 [Borestone Mountain Poetry Awards]; Yellow Silk II: International Erotic Stories and Poems; Pictures That Storm Inside My Head: Poems for the Inner You; The Poetry Anthology, 1912-1977.","This box contains a variety of materials related to the 1972 motion picture Deliverance. It holds lobby cards, action shots of the actors, a VHS of the movie, movie reviews, posters, and other miscellaneous items.","Includes the score of Duelling Banjos, the main song of the movie.","This box contains large runs of both the James Dickey Newsletter and its successor, the James Dickey Review. It also includes VHS, DVD, and CD materials.","James Dickey Newsletter; James Dickey Review; Listening to America with Bill Moyers [VHS]; Call of the Wild [VHS]; Lord Let Me Die But Not Die Out [VHS]; James Dickey and Robert Penn Warren: Two Poets, Two Friends [VHS]; James Dickey Tribute [VHS]; Guilty as Charged [VHS]; Writer's Workshop [VHS]; Whispers on the Wind [VHS]; James Dickey Obituary [VHS]; To the White Sea [audiotape]; Verb Audio Literary Magazine [CD]; Birds, Beasts, and Flowers [CD]; Apollo 11: As It Happened [CD].","This box contains mostly book reviews in many New York Times Book Reviews and Life magazines, but also includes a few oversized books. Some materials are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.","Life Magazine; New York Times Book Review; The Incredible Year '68 [Life Magazine]; A Festschrift for Lloyd J. Reynolds; Intervisions: Poems and Photographs; God's Images: the Bible, a New Version.","This box contains mostly LP vinyl sound recordings, but also books, a film and a few posters. Some items are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.","LP RECORDS: The Poems of James Dickey (1957-1967); God's Images For the First Manned Moon Orbit, on \"Apollo Circling\"; Duelling Banjos; James Dickey Reading His Poetry; The Inaugural Album [Jimmy Carter, 1977. Includes book]; A Talk with James Dickey.","BOOKS: Jericho: the South Beheld; Georgia Atlas and Gazetteer.","FILM: James Dickey: \"Lord Let Me Die\" [Encyclopedia Britannica Film, 1970].","This box contains books and newspapers in which a portrait photograph of Dickey is featured.","10,000 Eyes [magazine photographers]; A Portrait of Southern Writers [Curt Richter]; Rollie McKenna: A Life in Photography; Southern Writers [David Spielman]; The Writer's Image [Jill Krementz]; Artists at Large [Rollie McKenna].","This box contains issues of featured writers in the James Dickey Poetry Series. It also includes some writings by Dickey's children, and some miscellaneous items, such as a t-shirt related to the movie Deliverance and items from Dickey's desk at the University of South Carolina.","James Dickey Contemporary Poetry Series; Caverns of Fire; James Dickey: a Celebration; Dickey Conference at U of South Carolina; Newsweek; Oxford American;  Jimmy Carter; To Write a Poem Like Dickey [Hank Malone]; Cahulawassee t-shirt [Deliverance]; Dickey's desk items at U of South Carolina.","This box contains the first copy of Briggs' Complete Poems of James Dickey, as well as proofs and some promotional materials related to the book.","Complete Poems of James Dickey; The Dailey Gamecock [USC student newspaper]; Free Times [Columbia, S.C. newspaper]; proofs of Briggs' book; promotional materials for Briggs' book.","This category identifies framed fine press editions of  broadsides of some of Dickey's most loved poems, as well as other framed materials. All framed work hangs on racks in the Special Collections' vault.","Bronwen,the Traw and the Shape Shifter, 1986; Movie poster for Deliverance; Buck Dancer's Choice, 1979; The Eagle's Mile, 1981; Knock, 1977; Summons, 1988; For a Time and Place, 1983; Deliverance still with small card signed by major actors; In the Child's Night, 1981; Photograph of James Dickey playing guitar; Hunger, Time and the Moon [from Strength of Fields, 1977]; The Shark at the Window, 1977; Mexican Valley, 1978.","This box contains materials related to the death of James Dickey.\nFolder 0 is the Control Folder.","NOTE: Folders 9-12 are not displaying in public interface.\nFOLDER 9: Carolinian\nFOLDER 10: Current Biography\nFOLDER 11: American Poet\nFOLDER 12: Oxford American","Folder 0-12Obituaries, varied sourcesObituaries, varied sourcesObituaries, varied sourcesMemorial ServicePhotographs of Dickey's office at USCNewsweekTimePeople","This box contains issues of the USC student newspapers, The Gamecock and Garnet and Black, as well as issues of the Columbia, S.C. newspaper, The State, and issues of New York Times Book Review and The Point.","This oversized box contains the life mask of James Dickey. It also includes a photograph of Ward Briggs used for display purposes. NOTE: this oversized box is not shelved with the collection.\n---\nIn the mid-70s, North Carolina sculptor William Dunlap made this aluminum life mask of James Dickey. Dickey appeared, wearing a replica of the mask on his face, on the February 1976 cover of Esquire magazine. The first chapter of his second novel, Alnilam, was excerpted in the same issue. Dickey claimed that chemicals from the cast used to make the mask had seeped into his eyes and rendered him temporarily blind. His \"blindness\" was later heavily disputed, but Dickey said the experience inspired Alnilam, which is about a blind man searching for his son.","This box contains additional materials related to James Dickey, donated by Ward Briggs in March 2017. There is no specific focus. Check the subject headings to learn about the box's content.","Includes: Belgrade Literary Magazine; La Violencia Esta en Nostros; Vergilius; Poems from the Hills, 1970; Washington and Lee Alumnus, June 1970; For Aaron Copland, 14 Nov 1978; Le Montagne, 30 Nov 1971; Firsts: the Book Collector's Magazine; Falling [the Sandlapper Singers]; Barat Review; Deliverance [in clamshell box edition]; miscellaneous materials.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Dickey","Briggs, Ward Wright, Jr., Dr.","Dickey, James (James Lafayette) (19230202-19970119)","Dickey, James","These materials are in English, except for translations of Dickey's novels."],"collection_title_tesim":["The Ward Briggs Collection of James Dickey, 1940/2013"],"collection_ssim":["The Ward Briggs Collection of James Dickey, 1940/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0511","/repositories/5/resources/594"],"unitid_tesim":["WLU.Coll.0511","/repositories/5/resources/594"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Briggs, Ward Wright, Jr., Dr."],"creator_ssim":["Briggs, Ward Wright, Jr., Dr."],"creator_persname_ssim":["Briggs, Ward Wright, Jr., Dr.","Dickey, James (James Lafayette) (19230202-19970119)","Dickey, James"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creator_famname_ssim":["Dickey"],"creators_ssim":["Briggs, Ward Wright, Jr., Dr.","Dickey, James (James Lafayette) (19230202-19970119)","Dickey, James","Washington and Lee University, University Library Special Collections and Archives","Dickey"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Received from Ward Briggs, Washington and Lee University class of 1967, between 2014 and 2017."],"access_subjects_ssim":["American literature","Broadsides","Criticism","Poetry","Interviews","Photographs"],"access_subjects_ssm":["American literature","Broadsides","Criticism","Poetry","Interviews","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["52 Linear Feet"],"extent_tesim":["52 Linear Feet"],"genreform_ssim":["Photographs"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], The Ward Briggs Collection of James Dickey, WLU Coll. 0511, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], The Ward Briggs Collection of James Dickey, WLU Coll. 0511, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 1st editions of a selection of James Dickey's publications (some signed and/or inscribed); Dickey's contributions to books and pamphlets; journal articles by Dickey; interviews; criticism; anthologies; multimedia; photographs; broadsides (some framed, signed); miscellaneous items on his book and the film \u003ci\u003eDeliverance\u003c/i\u003e; and publications related to Ward Briggs' book \u003ci\u003eThe Complete Poems of James Dickey\u003c/i\u003e (U. South Carolina, 2013).\u003c/p\u003e  ","\u003cp\u003eAll books in this box are authored by Dickey. Some (or all?) are first editions.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnilham\u003c/title\u003e; \u003ctitle\u003eTo the White Sea\u003c/title\u003e; \u003ctitle\u003eNight Hurdling\u003c/title\u003e; \u003ctitle\u003eCrux: the Letters of James Dickey.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eIncludes inscriptions, dedications, signatures by James Dickey.\u003c/p\u003e","\u003cp\u003eAll books authored by James Dickey. Some are first editions.\nEzra Pound Lecture (by Dickey), \u003ctitle\u003eThe Water-Bug's Mittens\u003c/title\u003e, \u003ctitle\u003eThe Starry Place Between the Antlers\u003c/title\u003e,\u003ctitle\u003e A Private Brinkmanship\u003c/title\u003e, \u003ctitle\u003eThe Enemy from Eden\u003c/title\u003e, \u003ctitle\u003eSome Sort of Grandeur\u003c/title\u003e, \u003ctitle\u003eHead-Deep in Strange Sounds\u003c/title\u003e, \u003ctitle\u003eSorties\u003c/title\u003e, \u003ctitle\u003eThe Suspect in Poetry\u003c/title\u003e, \u003ctitle\u003eBabel to Byzantium\u003c/title\u003e, \u003ctitle\u003eCrux\u003c/title\u003e, \u003ctitle\u003eSelf-Interviews\u003c/title\u003e, \u003ctitle\u003eStriking In\u003c/title\u003e,\u003ctitle\u003eDeliverance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eIncludes inscriptions, dedications, and signatures by James Dickey.\u003c/p\u003e","\u003cp\u003ePlease see Subject entries for scope of content.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWayfairer\u003c/title\u003e, \u003ctitle\u003eIn Pursuit of the Grey Soul\u003c/title\u003e, \u003ctitle\u003eSelf-Interviews\u003c/title\u003e, \u003ctitle\u003eFiring Line\u003c/title\u003e, \u003ctitle\u003eSpinning the Crystal Ball\u003c/title\u003e, \u003ctitle\u003eNight Hurdling\u003c/title\u003e, \u003ctitle\u003eClasses on Modern Poets and the Art of Poetry\u003c/title\u003e, \u003ctitle\u003eThe Voiced Connections of James Dickey\u003c/title\u003e, \u003ctitle\u003eDeliverance\u003c/title\u003e, \u003ctitle\u003eTo the White Sea\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eIncludes inscriptions, dedications, signatures.\u003c/p\u003e","\u003cp\u003eAll books are collections of poems by Dickey.\n.\n\u003ctitle\u003eThe Whole Motion: Collected Poems, 1945-1992\u003c/title\u003e, \u003ctitle\u003ePoems, 1957-1967\u003c/title\u003e, \u003ctitle\u003eThe Zodiac\u003c/title\u003e, \u003ctitle\u003eThe Whole Motion: Collected Poems, 1948-1992\u003c/title\u003e, \u003ctitle\u003eThe Strength of Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eIncludes inscription, dedications, signatures.\u003c/p\u003e","\u003cp\u003ePlease see the Subject entries for scope of contents.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eExchanges\u003c/title\u003e, \u003ctitle\u003eJames Dickey at 70\u003c/title\u003e, \u003ctitle\u003eDrowning with Others\u003c/title\u003e, \u003ctitle\u003eThe Early Motion\u003c/title\u003e, \u003ctitle\u003eTucky the Hunter\u003c/title\u003e, \u003ctitle\u003eVeteran Birth\u003c/title\u003e, \u003ctitle\u003eBuckdancer's Choice\u003c/title\u003e, \u003ctitle\u003eMetaphor as Pure Adventure\u003c/title\u003e, \u003ctitle\u003ePoets of Today VII\u003c/title\u003e, \u003ctitle\u003eThe Eye-Beaters\u003c/title\u003e, \u003ctitle\u003eBlood Victory\u003c/title\u003e, \u003ctitle\u003eMadness, Buckhead and Mercy\u003c/title\u003e, \u003ctitle\u003eHelmets\u003c/title\u003e, \u003ctitle\u003eFalling, May Day Sermon, and Other Poems\u003c/title\u003e, \u003ctitle\u003eThe Central Motion: Poems 1968-1979\u003c/title\u003e, \u003ctitle\u003eThe Eagle's Mile\u003c/title\u003e, \u003ctitle\u003eVarmland\u003c/title\u003e, \u003ctitle\u003eThe Zodiac\u003c/title\u003e, \u003ctitle\u003eJames Dickey: Poems 1957-1967\u003c/title\u003e, \u003ctitle\u003eBronwen, the Trawl, and the Shape Shifter\u003c/title\u003e, \u003ctitle\u003eThe Owl King\u003c/title\u003e, \u003ctitle\u003eTwo Poems of the Air\u003c/title\u003e, \u003ctitle\u003eLooking for the Buckhead Boys\u003c/title\u003e (broadside), \u003ctitle\u003eFalse Youth\u003c/title\u003e, \u003ctitle\u003eFour Seasons\u003c/title\u003e, \u003ctitle\u003eApollo Circling\u003c/title\u003e, \u003ctitle\u003eThe Strength of Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis box contains anthologies in which Dickey's work is published, as well as several biographical sources on Dickey. Includes inscriptions, dedications, signatures.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Great American Writers' Cookbook\u003c/title\u003e, \u003ctitle\u003eAh Men!\u003c/title\u003e, \u003ctitle\u003eTranslations by American Poets\u003c/title\u003e, \u003ctitle\u003eOf Poetry and Poets\u003c/title\u003e, \u003ctitle\u003eNew Aquist of True Experience\u003c/title\u003e, \u003ctitle\u003eReadings for Writing\u003c/title\u003e, \u003ctitle\u003eTell it to the King\u003c/title\u003e, \u003ctitle\u003eTravels\u003c/title\u003e, \u003ctitle\u003eThe Writer as Celebrity\u003c/title\u003e, \u003ctitle\u003eLand of Superior Mirages\u003c/title\u003e, \u003ctitle\u003eRichard Eberhart: a Celebration\u003c/title\u003e, \u003ctitle\u003eOn Being a Writer\u003c/title\u003e, \u003ctitle\u003eThrough the Wheat\u003c/title\u003e, \u003ctitle\u003eMcCullough's Brief Lives\u003c/title\u003e, \u003ctitle\u003eOsiris at the Roller Derby\u003c/title\u003e, \u003ctitle\u003eSouth\u003c/title\u003e, \u003ctitle\u003eThe Call of the Wild, White Fang and Other Stories\u003c/title\u003e, \u003ctitle\u003eFrom the Green Horseshoe\u003c/title\u003e, \u003ctitle\u003eInterviews with Contemporary Writers\u003c/title\u003e, \u003ctitle\u003eShort Story\u003c/title\u003e, no. 2, Spring 2007, \u003ctitle\u003eThe Form 1970-1979\u003c/title\u003e, \u003ctitle\u003eRotten Rejections\u003c/title\u003e, \u003ctitle\u003eSingular Voices\u003c/title\u003e, \u003ctitle\u003eF. Scott Fitzgerald: Poems 1911-1940\u003c/title\u003e, \u003ctitle\u003eDictionary of Literary Biography\u003c/title\u003e, 1982, 1984, 1986.\u003c/p\u003e","\u003cp\u003eThis box contains anthologies in which Dickey's work is published. Includes inscriptions, dedications, signatures.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Call of the Wild\u003c/title\u003e,\u003ctitle\u003e The Craft of Poetry\u003c/title\u003e, \u003ctitle\u003eJohn Keats's Porridge\u003c/title\u003e, \u003ctitle\u003eDear Scott\u003c/title\u003e, \u003ctitle\u003eSelected Poems of Edwin Arlington Robinson\u003c/title\u003e, \u003ctitle\u003e45 Contemporary Poems: the Creative Process\u003c/title\u003e, \u003ctitle\u003eDeliverance\u003c/title\u003e, \u003ctitle\u003eThe Reading Commitment\u003c/title\u003e, \u003ctitle\u003eThe Wreck of the Deutschland\u003c/title\u003e, \u003ctitle\u003eAmerican Christmas\u003c/title\u003e, \u003ctitle\u003eThe Biblical Etchings of Marvin Hayes\u003c/title\u003e, \u003ctitle\u003eFrost: Centennial Essays\u003c/title\u003e, \u003ctitle\u003ePages: the World of Books, Writers, and Writing\u003c/title\u003e, \u003ctitle\u003eA New Spirit, a New Commitment, a New America\u003c/title\u003e (Jimmy Carter inauguration), \u003ctitle\u003eClose-Ups: the Movie Star Book\u003c/title\u003e, \u003ctitle\u003eThe Adventures of Tom Sawyer and the Adventures of Huckleberry Finn\u003c/title\u003e, \u003ctitle\u003eContemporary American Authors\u003c/title\u003e, vol. 10, \u003ctitle\u003ePreferences: 51 American Poets Choose Poems from their Own Work and from the Past\u003c/title\u003e, \u003ctitle\u003eThe Southern Mystique\u003c/title\u003e, \u003ctitle\u003eConversations with Writers\u003c/title\u003e, \u003ctitle\u003eFountain of Youth\u003c/title\u003e, \u003ctitle\u003eGarnet and Black: Carolina's Magazine Network\u003c/title\u003e, May 1974.\u003c/p\u003e","\u003cp\u003eThis box contains books in which Dickey has made a contribution, such as an introduction, a translation, etc.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe New Yorker Book of Poems\u003c/title\u003e, \u003ctitle\u003eSoundings, the Writer's Voice\u003c/title\u003e, \u003ctitle\u003eThe University and the New Intellectual Environment\u003c/title\u003e, \u003ctitle\u003eNew World Writing 21\u003c/title\u003e, \u003ctitle\u003eJames Dickey: a Checklist\u003c/title\u003e, \u003ctitle\u003eThis is my Best in the Third Quarter of the Century\u003c/title\u003e, \u003ctitle\u003eStolen Apples\u003c/title\u003e (Yevtushenko), \u003ctitle\u003eJames Dickey: the Expansive Imagination\u003c/title\u003e, \u003ctitle\u003eVandal\u003c/title\u003e, \u003ctitle\u003eBest Poems of 1970: Borestone Mountain Poetry Awards\u003c/title\u003e, \u003ctitle\u003ePoets on Poetry\u003c/title\u003e (Nemerov), \u003ctitle\u003eSelected Poems by Edwin Arlington Robinson\u003c/title\u003e, \u003ctitle\u003eA Symposium on Contemporary Poetry\u003c/title\u003e, \u003ctitle\u003eAll is Brillig (or Ought to Be)\u003c/title\u003e, \u003ctitle\u003eStephen Crane in Transition\u003c/title\u003e, \u003ctitle\u003eMeaning: a Common Ground of Linguistics and Literature\u003c/title\u003e, \u003ctitle\u003eThe Young American Poets\u003c/title\u003e, \u003ctitle\u003eThe Great Ideas Today, 1968\u003c/title\u003e, \u003ctitle\u003eThe Distinctive Voice\u003c/title\u003e, \u003ctitle\u003eBest Poems of 1965\u003c/title\u003e, \u003ctitle\u003eContemporary Poets of the English Language\u003c/title\u003e, \u003ctitle\u003eSuper Bowl XXVIII at Georgia Dome\u003c/title\u003e, \u003ctitle\u003eCreative Responses for Composition\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlease see Subject entries for scope and content of box.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHands of the Saddlemaker\u003c/title\u003e, \u003ctitle\u003eBest Poems of 1962\u003c/title\u003e(Borestone Mountain Poetry Awards, \u003ctitle\u003eLombardi\u003c/title\u003e [Vince], \u003ctitle\u003eThe Writer and his Tradition\u003c/title\u003e [U. Tennessee], \u003ctitle\u003eWhite Plum Thickets\u003c/title\u003e, \u003ctitle\u003eA Southern Renascence Man: Views of Robert Penn Warren\u003c/title\u003e,\u003ctitle\u003e All the Rights and Privileges Appertaining Thereto\u003c/title\u003e, \u003ctitle\u003eJames Dickey: a Bibliography\u003c/title\u003e, \u003ctitle\u003eContemporary Sources: Readings from \"Writer's Workshop\"\u003c/title\u003e, \u003ctitle\u003eThe New York Times Book of Verse\u003c/title\u003e, \u003ctitle\u003eWriters at Work\u003c/title\u003e [Paris Review interviews], \u003ctitle\u003eSimposio Pablo Neruda: Actas\u003c/title\u003e, \u003ctitle\u003eThe Red Badge of Courage\u003c/title\u003e, \u003ctitle\u003eCraft So Hard to Learn\n\u003c/title\u003e, \u003ctitle\u003ePoetry's Catbird Seat\u003c/title\u003e, \u003ctitle\u003eSouth Carolina Business \u003c/title\u003e1983, vol.3, \u003ctitle\u003eToward the Year 2000\u003c/title\u003e [Bell South Corp.], \u003ctitle\u003eConversations with South Carolina Poets\u003c/title\u003e, \u003ctitle\u003eLyrikvannen\u003c/title\u003e, no.4, 1980, \u003ctitle\u003eMaster Poems of the English Language\u003c/title\u003e, \u003ctitle\u003eThe Seamless Web\u003c/title\u003e, \u003ctitle\u003eThe Complete Short Stories of Thomas Wolfe\u003c/title\u003e, \u003ctitle\u003eOystering: a Way of Life\u003c/title\u003e, \u003ctitle\u003eGhosts\u003c/title\u003e [Jane Tuckerman], \u003ctitle\u003eDictionary of Literary Biography\u003c/title\u003e, vol. 5, 1980, \u003ctitle\u003eThe Imagination as Glory: the Poetry of James Dickey\u003c/title\u003e, \u003ctitle\u003eThree American Poets\u003c/title\u003e [Life Educational Reprint, 1957]\u003c/p\u003e","\u003cp\u003eIncludes inscriptions, decications, signatures.\u003c/p\u003e","\u003cp\u003ePlease see Subject entries for scope and content of this box.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLiving in the Resurrection\u003c/title\u003e, \u003ctitle\u003eCities of Memory\u003c/title\u003e,\u003ctitle\u003e Bears Dancing in the Northern Air\u003c/title\u003e, \u003ctitle\u003eStone Crop\u003c/title\u003e, \u003ctitle\u003eThinking the World Visible\u003c/title\u003e, \u003ctitle\u003eMy Shining Archipelago\u003c/title\u003e, \u003ctitle\u003eJames Dickey: Splintered Sunlight\u003c/title\u003e, \u003ctitle\u003eJames Dickey: a Descriptive Bibliography\u003c/title\u003e, \u003ctitle\u003eDictionary of Literary Biography\u003c/title\u003e, vol. 7, 1978, \u003ctitle\u003eWashington University Libraries Guide to Modern Literary Manuscripts\u003c/title\u003e, \u003ctitle\u003eImages of the Southern Writer\u003c/title\u003e [Mark Morrow, photographer], \u003ctitle\u003eLooking for Magical Country\u003c/title\u003e, \u003ctitle\u003eWriters\u003c/title\u003e [Nancy Crampton, photographer], \u003ctitle\u003eThe Arts Journal\u003c/title\u003e, Nov. 1981\u003c/p\u003e","\u003cp\u003eIncludes inscriptions, dedications, signatures.\u003c/p\u003e","\u003cp\u003eThis box contains literary journals in which Dickey's poems have been published. Includes long runs of \u003ctitle\u003eThe Kenyon Review\u003c/title\u003e and \u003ctitle\u003eThe Hudson Review\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eFor all other titles, please consult the paper guide to the collection, located in Special Collections, or the box itself.\u003c/p\u003e","\u003cp\u003eThis box contains journals in which Dickey's poems have been published. It includes long runs of \u003ctitle\u003eThe Sewanee Review\u003c/title\u003e, \u003ctitle\u003ePartisan Review\u003c/title\u003e, and \u003ctitle\u003ePoetry\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eFor other journal titles in this box, please consult the paper guide to the collection, located in Special Collections, or the box itself.\u003c/p\u003e","\u003cp\u003eThis box contains literary journals in Dickey's poems have been published. Includes long runs of \u003ctitle\u003eThe Paris Review\u003c/title\u003e, \u003ctitle\u003eQuarterly Review of Literature\u003c/title\u003e, \u003ctitle\u003eShenandoah\u003c/title\u003e, \u003ctitle\u003eThe Southern Review\u003c/title\u003e,\u003ctitle\u003eThe Virginia Quarterly Review\u003c/title\u003e, and the \u003ctitle\u003eYale Review\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains appearances of Dickey's work in \u003ctitle\u003eThe Atlantic\u003c/title\u003e, \u003ctitle\u003eHarper's\u003c/title\u003e, and \u003ctitle\u003eThe New Yorker\u003c/title\u003e. Includes book reviews of Dickey's work as well.\u003c/p\u003e","\u003cp\u003eNote that Box C6 also contains issues of \u003ctitle\u003eThe New Yorker\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains magazines in which Dickey's works have been published, or book reviews about his work appeared: \u003ctitle\u003eEsquire\u003c/title\u003e,\u003ctitle\u003e GQ\u003c/title\u003e, \u003ctitle\u003eTime\u003c/title\u003e, \u003ctitle\u003eSouthern Living\u003c/title\u003e, \u003ctitle\u003eMademoiselle\u003c/title\u003e, \u003ctitle\u003ePeople\u003c/title\u003e, \u003ctitle\u003eSaturday Review.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eEntries by and about James Dickey in \u003ctitle\u003ePlayboy Magazine\u003c/title\u003e and \u003ctitle\u003eThe New Yorker\u003c/title\u003e. Note that box C4 also contains \u003ctitle\u003eThe New Yorker\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains interviews with Dickey published in a variety of magazines, journals, a few newspapers, and books. The book titles are:\n\u003ctitle\u003eParting the Curtains: Interviews with Southern Writers\u003c/title\u003e, \u003ctitle\u003eThe Writer's Mind: Interviews with American Authors\u003c/title\u003e, and \u003ctitle\u003eSpeak So I Shall Know Thee: Interviews with Southern Writers\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains criticism and reviews of Dickey's work. Some items are inscribed and signed.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFatal Flowers: On Sin, Sex, and Suicide in the Deep South\u003c/title\u003e, \u003ctitle\u003eThe Way We Read James Dickey\u003c/title\u003e, \u003ctitle\u003eJames Dickey and the Politics of Canon\u003c/title\u003e, \u003ctitle\u003eJames Dickey and the Gentle Ecstacy of Earth\u003c/title\u003e, \u003ctitle\u003eStruggling for Wings: the Art of James Dickey\u003c/title\u003e, \u003ctitle\u003eSpeaking with Strangers\u003c/title\u003e, \u003ctitle\u003eThe Kick: a Memoir\u003c/title\u003e, \u003ctitle\u003eAdventures of a Suburban Boy \u003c/title\u003e, \u003ctitle\u003eAmerican Poetry: Wildness and Domesticity\u003c/title\u003e, \u003ctitle\u003ePrivileged Moments\u003c/title\u003e, \u003ctitle\u003eConfessions of a Female Chauvenist\n\u003c/title\u003e, \u003ctitle\u003eJames Dickey: the Critic as Poet\u003c/title\u003e, \u003ctitle\u003eThe Leonard L Milberg Collection of American Poetry\u003c/title\u003e, \u003ctitle\u003eCathedrals of Kudzu\u003c/title\u003e, \u003ctitle\u003eJames Dickey\u003c/title\u003e [Calhoun and Hill, eds.], \u003ctitle\u003eSeparate Country\u003c/title\u003e, \u003ctitle\u003eUnderstanding James Dickey\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains mostly books about Dickey's life and work, including some bibliographies. Several books are signed.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSummer of Deliverance\u003c/title\u003e, \u003ctitle\u003eThe Hi-Ways\u003c/title\u003e, [Dickey's 1940 High School Yearbook], \u003ctitle\u003eHarvard Guide to Contemporary American Writing\u003c/title\u003e, \u003ctitle\u003eThe American Literary Anthology\u003c/title\u003e, \u003ctitle\u003eJames Dickey: the Poet as Pitchman\u003c/title\u003e, \u003ctitle\u003eThe Sixties\u003c/title\u003e [magazine, Robert Bly, ed.], J\u003ctitle\u003eames Dickey: the Life and Lies of a Poet\u003c/title\u003e, \u003ctitle\u003eJames Dickey: a Bibliography, 1947-1974\u003c/title\u003e, \u003ctitle\u003eThe Achievement of James Dickey\u003c/title\u003e, \u003ctitle\u003eDo I Owe You Something?\u003c/title\u003e, \u003ctitle\u003eTruman Capote \u003c/title\u003e[G. Plimpton], \u003ctitle\u003eContemporary Authors\u003c/title\u003e, vol. 2, 1986, \u003ctitle\u003eA Century of Arts and Letters\u003c/title\u003e, \u003ctitle\u003eBuckhead: a Place for All Time\u003c/title\u003e, \u003ctitle\u003eNew York Days\u003c/title\u003e, \u003ctitle\u003eBulletin of Bibliography\u003c/title\u003e, 1981.\u003c/p\u003e","\u003cp\u003eThis box contains unpublished typescripts of screenplays and other works by Dickey, as well as some biographical and critical works about Dickey.\u003c/p\u003e","\u003cp\u003eSCREENPLAYS:\n\u003ctitle\u003eDeliverance\u003c/title\u003e; \u003ctitle\u003eGene Bullard\u003c/title\u003e; \u003ctitle\u003eThe Sentence \u003c/title\u003e; \u003ctitle\u003eThe Claim\u003c/title\u003e; \u003ctitle\u003eThe Call of the Wild\u003c/title\u003e; \u003ctitle\u003eFlying Blind\u003c/title\u003e; \u003ctitle\u003eAnilham\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePOETRY:\n\u003ctitle\u003eTwo Poems on the Survival of the Male Body\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSHORT STORY:\n\u003ctitle\u003eThe Eye of the Fire\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFILM TREATMENT:\n\u003ctitle\u003eAway from the Sun\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eBIOGRAPHY and CRITICISM:\n\u003ctitle\u003eDictionary of Literary Biography Documentary Series: James Dickey, an Illustrated Chronicle\u003c/title\u003e; \u003ctitle\u003eDueling Banjos: The Deliverance of Drew\u003c/title\u003e; \u003ctitle\u003eCritical Essays on James Dickey\u003c/title\u003e [Kirschten]\u003c/p\u003e","\u003cp\u003eIncludes some signed pieces.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEntrance to the Honeycomb\u003c/title\u003e;\u003ctitle\u003e Death and the Day's Light\u003c/title\u003e; \u003ctitle\u003eStrong Horses Circling\u003c/title\u003e; \u003ctitle\u003eThe Casting\u003c/title\u003e; \u003ctitle\u003eCrux\u003c/title\u003e; \u003ctitle\u003ePhilosophy Notebooks\u003c/title\u003e; \u003ctitle\u003eTom Dickey Juvenilia\u003c/title\u003e; \u003ctitle\u003eCelebration\u003c/title\u003e [Film by W. Hale]; and various journals.\u003c/p\u003e","\u003cp\u003eThis box contains books and journals that feature Dickey's work.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBest Poems of 1961\u003c/title\u003e [Borestone Mountain Poetry Awards]; \u003ctitle\u003eMotion: American Sports Poems\u003c/title\u003e; \u003ctitle\u003eHow to Use the Power of the Printed Word\u003c/title\u003e; \u003ctitle\u003eA Game of Passion\u003c/title\u003e [NFL]; \u003ctitle\u003eSplash!\u003c/title\u003e; \u003ctitle\u003eThe James Dickey Reader\u003c/title\u003e; \u003ctitle\u003eBest Poems of 1964\u003c/title\u003e [Borestone Mountain Poetry Awards]; \u003ctitle\u003eThe New Consciousness\u003c/title\u003e; \u003ctitle\u003eMen in Sports\u003c/title\u003e; \u003ctitle\u003eBeach Glass\u003c/title\u003e; \u003ctitle\u003e100 Postwar Poems\u003c/title\u003e; \u003ctitle\u003eVisions of America by the Poets of Our Time\u003c/title\u003e; \u003ctitle\u003eSounds and Silences: Poetry for Now\u003c/title\u003e; \u003ctitle\u003eThe World on Wheels\u003c/title\u003e; \u003ctitle\u003eSouthern Christmas: Literary Classics of the Holidays\u003c/title\u003e; \u003ctitle\u003eThe Wesleyan Tradition: Four Decades of American Poetry\u003c/title\u003e; \u003ctitle\u003eMen Without Masks\u003c/title\u003e; \u003ctitle\u003eThings Appalachian\u003c/title\u003e; \u003ctitle\u003eA Southern Album\u003c/title\u003e [Glusker, ed.]; \u003ctitle\u003eSouthern Writing in the Sixties/Poetry\u003c/title\u003e; \u003ctitle\u003eOn Doctoring\u003c/title\u003e; \u003ctitle\u003eThe Water of Light\u003c/title\u003e; \u003ctitle\u003eDecade: a Collection of Poems from the First Ten Years of the Wesleyan Poetry Program\u003c/title\u003e; \u003ctitle\u003eAmerican Poetry, 1965\n\u003c/title\u003e; \u003ctitle\u003eDog Music: Poetry About Dogs\n\u003c/title\u003e; \u003ctitle\u003eThe American Literary Anthology/1\u003c/title\u003e; \u003ctitle\u003eSome Haystacks Don't Even Have a Needle\u003c/title\u003e; \u003ctitle\u003eEncounters: an Anthology from the First Ten Years of Encounter Magazine\u003c/title\u003e; \u003ctitle\u003eGathered Waters\u003c/title\u003e; \u003ctitle\u003eWhere Is Vietnam: American Poets Respond\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains books and journals mostly, but not always, featuring work by Dickey.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas at The New Yorker\u003c/title\u003e; \u003ctitle\u003eThe Poetry of the Negro, 1746-1970\u003c/title\u003e; \u003ctitle\u003eThe Norton Anthology of Modern Poetry, 1973\u003c/title\u003e; \u003ctitle\u003eRandall Jarrell, 1914-1965\u003c/title\u003e; \u003ctitle\u003eGeorgia Voices\u003c/title\u003e; \u003ctitle\u003eModern Poems: an Introduction to Poetry\u003c/title\u003e; \u003ctitle\u003eDivided Light: Father and Son Poems\u003c/title\u003e; \u003ctitle\u003eJames Dickey: the Selected Poems\u003c/title\u003e; \u003ctitle\u003eThe Appalachian Trail Reader\u003c/title\u003e; \u003ctitle\u003eAmerican Sports Poems\u003c/title\u003e; \u003ctitle\u003eThe James Dickey Reader\u003c/title\u003e; \u003ctitle\u003eBrother Songs: a Male Anthology of Poetry\u003c/title\u003e; \u003ctitle\u003eMore Than a Game\u003c/title\u003e [NFL]; \u003ctitle\u003eOther Things and the Aardvark\u003c/title\u003e; \u003ctitle\u003eAmerica in Poetry\u003c/title\u003e; \u003ctitle\u003eThe Best Parts Are Underlined: Great Rape Scences from Literature\u003c/title\u003e; \u003ctitle\u003eA Controversy of Poets\u003c/title\u003e; \u003ctitle\u003eContemporary American Poetry\u003c/title\u003e [H. Nemerov]; \u003ctitle\u003eOn William Stafford\u003c/title\u003e; \u003ctitle\u003eThe Twentieth Century Treasury of Sports\u003c/title\u003e; \u003ctitle\u003eGeorgia Voices\u003c/title\u003e; \u003ctitle\u003eBest Poems of 1966\u003c/title\u003e [Borestone Mountain Poetry Awards]; \u003ctitle\u003eYellow Silk II: International Erotic Stories and Poems\u003c/title\u003e; \u003ctitle\u003ePictures That Storm Inside My Head: Poems for the Inner You\u003c/title\u003e; \u003ctitle\u003eThe Poetry Anthology, 1912-1977.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis box contains a variety of materials related to the 1972 motion picture \u003ctitle\u003eDeliverance\u003c/title\u003e. It holds lobby cards, action shots of the actors, a VHS of the movie, movie reviews, posters, and other miscellaneous items.\u003c/p\u003e","\u003cp\u003eIncludes the score of \u003ctitle\u003eDuelling Banjos\u003c/title\u003e, the main song of the movie.\u003c/p\u003e","\u003cp\u003eThis box contains large runs of both the \u003ctitle\u003eJames Dickey Newsletter\u003c/title\u003e and its successor, the \u003ctitle\u003eJames Dickey Review\u003c/title\u003e. It also includes VHS, DVD, and CD materials.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eJames Dickey Newsletter\u003c/title\u003e; \u003ctitle\u003eJames Dickey Review\u003c/title\u003e; \u003ctitle\u003eListening to America with Bill Moyers \u003c/title\u003e[VHS]; \u003ctitle\u003eCall of the Wild\u003c/title\u003e [VHS]; \u003ctitle\u003eLord Let Me Die But Not Die Out\u003c/title\u003e [VHS]; \u003ctitle\u003eJames Dickey and Robert Penn Warren: Two Poets, Two Friends\u003c/title\u003e [VHS]; \u003ctitle\u003eJames Dickey Tribute\u003c/title\u003e [VHS];\u003ctitle\u003e Guilty as Charged\u003c/title\u003e [VHS]; \u003ctitle\u003eWriter's Workshop\u003c/title\u003e [VHS]; \u003ctitle\u003eWhispers on the Wind\u003c/title\u003e [VHS]; \u003ctitle\u003eJames Dickey Obituary\u003c/title\u003e [VHS]; \u003ctitle\u003eTo the White Sea\u003c/title\u003e [audiotape]; \u003ctitle\u003eVerb Audio Literary Magazine\u003c/title\u003e [CD]; \u003ctitle\u003eBirds, Beasts, and Flowers \u003c/title\u003e[CD]; \u003ctitle\u003eApollo 11: As It Happened\u003c/title\u003e [CD].\u003c/p\u003e","\u003cp\u003eThis box contains mostly book reviews in many \u003ctitle\u003eNew York Times Book Reviews\u003c/title\u003e and \u003ctitle\u003eLife\u003c/title\u003e magazines, but also includes a few oversized books. Some materials are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife Magazine\u003c/title\u003e; \u003ctitle\u003eNew York Times Book Review\u003c/title\u003e; \u003ctitle\u003eThe Incredible Year '68\u003c/title\u003e [Life Magazine]; \u003ctitle\u003eA Festschrift for Lloyd J. Reynolds\u003c/title\u003e; \u003ctitle\u003eIntervisions: Poems and Photographs\u003c/title\u003e; \u003ctitle\u003eGod's Images: the Bible, a New Version\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis box contains mostly LP vinyl sound recordings, but also books, a film and a few posters. Some items are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.\u003c/p\u003e","\u003cp\u003eLP RECORDS: \u003ctitle\u003eThe Poems of James Dickey (1957-1967)\u003c/title\u003e; \u003ctitle\u003eGod's Images For the First Manned Moon Orbit, on \"Apollo Circling\"\u003c/title\u003e; \u003ctitle\u003eDuelling Banjos\u003c/title\u003e; \u003ctitle\u003eJames Dickey Reading His Poetry\u003c/title\u003e; \u003ctitle\u003eThe Inaugural Album\u003c/title\u003e [Jimmy Carter, 1977. Includes book]; \u003ctitle\u003eA Talk with James Dickey\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eBOOKS: \u003ctitle\u003eJericho: the South Beheld\u003c/title\u003e; \u003ctitle\u003eGeorgia Atlas and Gazetteer\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eFILM: \u003ctitle\u003eJames Dickey: \"Lord Let Me Die\"\u003c/title\u003e [Encyclopedia Britannica Film, 1970].\u003c/p\u003e","\u003cp\u003eThis box contains books and newspapers in which a portrait photograph of Dickey is featured.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e10,000 Eyes\u003c/title\u003e [magazine photographers]; \u003ctitle\u003eA Portrait of Southern Writers\u003c/title\u003e [Curt Richter]; \u003ctitle\u003eRollie McKenna: A Life in Photography\u003c/title\u003e; \u003ctitle\u003eSouthern Writers\u003c/title\u003e [David Spielman]; \u003ctitle\u003eThe Writer's Image\u003c/title\u003e [Jill Krementz]; \u003ctitle\u003eArtists at Large\u003c/title\u003e [Rollie McKenna].\u003c/p\u003e","\u003cp\u003eThis box contains issues of featured writers in the James Dickey Poetry Series. It also includes some writings by Dickey's children, and some miscellaneous items, such as a t-shirt related to the movie \u003ctitle\u003eDeliverance\u003c/title\u003e and items from Dickey's desk at the University of South Carolina.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e\u003ctitle\u003eJames Dickey Contemporary Poetry Series\u003c/title\u003e; Caverns of Fire\u003c/title\u003e; \u003ctitle\u003eJames Dickey: a Celebration\u003c/title\u003e; \u003ctitle\u003eDickey Conference\u003c/title\u003e at U of South Carolina; \u003ctitle\u003eNewsweek\u003c/title\u003e; \u003ctitle\u003eOxford American\u003c/title\u003e;  \u003ctitle\u003eJimmy Carter\u003c/title\u003e; \u003ctitle\u003eTo Write a Poem Like Dickey\u003c/title\u003e [Hank Malone]; Cahulawassee t-shirt [Deliverance]; Dickey's desk items at U of South Carolina.\u003c/p\u003e","\u003cp\u003eThis box contains the first copy of Briggs' \u003ctitle\u003eComplete Poems of James Dickey\u003c/title\u003e, as well as proofs and some promotional materials related to the book.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eComplete Poems of James Dickey\u003c/title\u003e; \u003ctitle\u003eThe Dailey Gamecock\u003c/title\u003e [USC student newspaper]; \u003ctitle\u003eFree Times\u003c/title\u003e [Columbia, S.C. newspaper]; proofs of Briggs' book; promotional materials for Briggs' book.\u003c/p\u003e","\u003cp\u003eThis category identifies framed fine press editions of  broadsides of some of Dickey's most loved poems, as well as other framed materials. All framed work hangs on racks in the Special Collections' vault.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBronwen,the Traw and the Shape Shifter\u003c/title\u003e, 1986; Movie poster for \u003ctitle\u003eDeliverance\u003c/title\u003e; \u003ctitle\u003eBuck Dancer's Choice\u003c/title\u003e, 1979; \u003ctitle\u003eThe Eagle's Mile\u003c/title\u003e, 1981; \u003ctitle\u003eKnock,\u003c/title\u003e 1977; \u003ctitle\u003eSummons\u003c/title\u003e, 1988; \u003ctitle\u003eFor a Time and Place\u003c/title\u003e, 1983; \u003ctitle\u003eDeliverance\u003c/title\u003e still with small card signed by major actors; \u003ctitle\u003eIn the Child's Night\u003c/title\u003e, 1981; Photograph of James Dickey playing guitar; \u003ctitle\u003eHunger, Time and the Moon\u003c/title\u003e [from \u003ctitle\u003eStrength of Fields\u003c/title\u003e, 1977]; \u003ctitle\u003eThe Shark at the Window\u003c/title\u003e, 1977; \u003ctitle\u003eMexican Valley\u003c/title\u003e, 1978.\u003c/p\u003e","\u003cp\u003eThis box contains materials related to the death of James Dickey.\nFolder 0 is the Control Folder.\u003c/p\u003e","\u003cp\u003eNOTE: Folders 9-12 are not displaying in public interface.\nFOLDER 9: Carolinian\nFOLDER 10: Current Biography\nFOLDER 11: American Poet\nFOLDER 12: Oxford American\u003c/p\u003e","\u003clist numeration=\"upperroman\" type=\"ordered\"\u003e\u003chead\u003eFolder 0-12\u003c/head\u003e\u003citem\u003eObituaries, varied sources\u003c/item\u003e\u003citem\u003eObituaries, varied sources\u003c/item\u003e\u003citem\u003eObituaries, varied sources\u003c/item\u003e\u003citem\u003eMemorial Service\u003c/item\u003e\u003citem\u003ePhotographs of Dickey's office at USC\u003c/item\u003e\u003citem\u003eNewsweek\u003c/item\u003e\u003citem\u003eTime\u003c/item\u003e\u003citem\u003ePeople\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eThis box contains issues of the USC student newspapers, \u003ctitle\u003eThe Gamecock\u003c/title\u003e and \u003ctitle\u003eGarnet and Black\u003c/title\u003e, as well as issues of the Columbia, S.C. newspaper, \u003ctitle\u003eThe State\u003c/title\u003e, and issues of \u003ctitle\u003eNew York Times Book Review\u003c/title\u003e and \u003ctitle\u003eThe Point\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eThis oversized box contains the life mask of James Dickey. It also includes a photograph of Ward Briggs used for display purposes. NOTE: this oversized box is not shelved with the collection.\n---\nIn the mid-70s, North Carolina sculptor William Dunlap made this aluminum life mask of James Dickey. Dickey appeared, wearing a replica of the mask on his face, on the February 1976 cover of \u003ctitle\u003eEsquire\u003c/title\u003e magazine. The first chapter of his second novel, \u003ctitle\u003eAlnilam\u003c/title\u003e, was excerpted in the same issue. Dickey claimed that chemicals from the cast used to make the mask had seeped into his eyes and rendered him temporarily blind. His \"blindness\" was later heavily disputed, but Dickey said the experience inspired \u003ctitle\u003eAlnilam\u003c/title\u003e, which is about a blind man searching for his son.\u003c/p\u003e","\u003cp\u003eThis box contains additional materials related to James Dickey, donated by Ward Briggs in March 2017. There is no specific focus. Check the subject headings to learn about the box's content.\u003c/p\u003e","\u003cp\u003eIncludes: \u003ctitle\u003eBelgrade Literary Magazine\u003c/title\u003e; \u003ctitle\u003eLa Violencia Esta en Nostros\u003c/title\u003e; \u003ctitle\u003eVergilius\u003c/title\u003e; \u003ctitle\u003ePoems from the Hills, 1970\u003c/title\u003e; \u003ctitle\u003eWashington and Lee Alumnus\u003c/title\u003e, June 1970; \u003ctitle\u003eFor Aaron Copland, 14 Nov 1978\u003c/title\u003e; \u003ctitle\u003eLe Montagne\u003c/title\u003e, 30 Nov 1971; \u003ctitle\u003eFirsts: the Book Collector's Magazine\u003c/title\u003e; \u003ctitle\u003eFalling\u003c/title\u003e [the Sandlapper Singers]; \u003ctitle\u003eBarat Review\u003c/title\u003e; \u003ctitle\u003eDeliverance\u003c/title\u003e [in clamshell box edition]; miscellaneous materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of 1st editions of a selection of James Dickey's publications (some signed and/or inscribed); Dickey's contributions to books and pamphlets; journal articles by Dickey; interviews; criticism; anthologies; multimedia; photographs; broadsides (some framed, signed); miscellaneous items on his book and the film Deliverance; and publications related to Ward Briggs' book The Complete Poems of James Dickey (U. South Carolina, 2013).","All books in this box are authored by Dickey. Some (or all?) are first editions.","Anilham; To the White Sea; Night Hurdling; Crux: the Letters of James Dickey.","Includes inscriptions, dedications, signatures by James Dickey.","All books authored by James Dickey. Some are first editions.\nEzra Pound Lecture (by Dickey), The Water-Bug's Mittens, The Starry Place Between the Antlers, A Private Brinkmanship, The Enemy from Eden, Some Sort of Grandeur, Head-Deep in Strange Sounds, Sorties, The Suspect in Poetry, Babel to Byzantium, Crux, Self-Interviews, Striking In,Deliverance","Includes inscriptions, dedications, and signatures by James Dickey.","Please see Subject entries for scope of content.","Wayfairer, In Pursuit of the Grey Soul, Self-Interviews, Firing Line, Spinning the Crystal Ball, Night Hurdling, Classes on Modern Poets and the Art of Poetry, The Voiced Connections of James Dickey, Deliverance, To the White Sea","Includes inscriptions, dedications, signatures.","All books are collections of poems by Dickey.\n.\nThe Whole Motion: Collected Poems, 1945-1992, Poems, 1957-1967, The Zodiac, The Whole Motion: Collected Poems, 1948-1992, The Strength of Fields","Includes inscription, dedications, signatures.","Please see the Subject entries for scope of contents.","Exchanges, James Dickey at 70, Drowning with Others, The Early Motion, Tucky the Hunter, Veteran Birth, Buckdancer's Choice, Metaphor as Pure Adventure, Poets of Today VII, The Eye-Beaters, Blood Victory, Madness, Buckhead and Mercy, Helmets, Falling, May Day Sermon, and Other Poems, The Central Motion: Poems 1968-1979, The Eagle's Mile, Varmland, The Zodiac, James Dickey: Poems 1957-1967, Bronwen, the Trawl, and the Shape Shifter, The Owl King, Two Poems of the Air, Looking for the Buckhead Boys (broadside), False Youth, Four Seasons, Apollo Circling, The Strength of Fields","This box contains anthologies in which Dickey's work is published, as well as several biographical sources on Dickey. Includes inscriptions, dedications, signatures.","The Great American Writers' Cookbook, Ah Men!, Translations by American Poets, Of Poetry and Poets, New Aquist of True Experience, Readings for Writing, Tell it to the King, Travels, The Writer as Celebrity, Land of Superior Mirages, Richard Eberhart: a Celebration, On Being a Writer, Through the Wheat, McCullough's Brief Lives, Osiris at the Roller Derby, South, The Call of the Wild, White Fang and Other Stories, From the Green Horseshoe, Interviews with Contemporary Writers, Short Story, no. 2, Spring 2007, The Form 1970-1979, Rotten Rejections, Singular Voices, F. Scott Fitzgerald: Poems 1911-1940, Dictionary of Literary Biography, 1982, 1984, 1986.","This box contains anthologies in which Dickey's work is published. Includes inscriptions, dedications, signatures.","The Call of the Wild, The Craft of Poetry, John Keats's Porridge, Dear Scott, Selected Poems of Edwin Arlington Robinson, 45 Contemporary Poems: the Creative Process, Deliverance, The Reading Commitment, The Wreck of the Deutschland, American Christmas, The Biblical Etchings of Marvin Hayes, Frost: Centennial Essays, Pages: the World of Books, Writers, and Writing, A New Spirit, a New Commitment, a New America (Jimmy Carter inauguration), Close-Ups: the Movie Star Book, The Adventures of Tom Sawyer and the Adventures of Huckleberry Finn, Contemporary American Authors, vol. 10, Preferences: 51 American Poets Choose Poems from their Own Work and from the Past, The Southern Mystique, Conversations with Writers, Fountain of Youth, Garnet and Black: Carolina's Magazine Network, May 1974.","This box contains books in which Dickey has made a contribution, such as an introduction, a translation, etc.","The New Yorker Book of Poems, Soundings, the Writer's Voice, The University and the New Intellectual Environment, New World Writing 21, James Dickey: a Checklist, This is my Best in the Third Quarter of the Century, Stolen Apples (Yevtushenko), James Dickey: the Expansive Imagination, Vandal, Best Poems of 1970: Borestone Mountain Poetry Awards, Poets on Poetry (Nemerov), Selected Poems by Edwin Arlington Robinson, A Symposium on Contemporary Poetry, All is Brillig (or Ought to Be), Stephen Crane in Transition, Meaning: a Common Ground of Linguistics and Literature, The Young American Poets, The Great Ideas Today, 1968, The Distinctive Voice, Best Poems of 1965, Contemporary Poets of the English Language, Super Bowl XXVIII at Georgia Dome, Creative Responses for Composition","Please see Subject entries for scope and content of box.","Hands of the Saddlemaker, Best Poems of 1962(Borestone Mountain Poetry Awards, Lombardi [Vince], The Writer and his Tradition [U. Tennessee], White Plum Thickets, A Southern Renascence Man: Views of Robert Penn Warren, All the Rights and Privileges Appertaining Thereto, James Dickey: a Bibliography, Contemporary Sources: Readings from \"Writer's Workshop\", The New York Times Book of Verse, Writers at Work [Paris Review interviews], Simposio Pablo Neruda: Actas, The Red Badge of Courage, Craft So Hard to Learn\n, Poetry's Catbird Seat, South Carolina Business 1983, vol.3, Toward the Year 2000 [Bell South Corp.], Conversations with South Carolina Poets, Lyrikvannen, no.4, 1980, Master Poems of the English Language, The Seamless Web, The Complete Short Stories of Thomas Wolfe, Oystering: a Way of Life, Ghosts [Jane Tuckerman], Dictionary of Literary Biography, vol. 5, 1980, The Imagination as Glory: the Poetry of James Dickey, Three American Poets [Life Educational Reprint, 1957]","Includes inscriptions, decications, signatures.","Please see Subject entries for scope and content of this box.","Living in the Resurrection, Cities of Memory, Bears Dancing in the Northern Air, Stone Crop, Thinking the World Visible, My Shining Archipelago, James Dickey: Splintered Sunlight, James Dickey: a Descriptive Bibliography, Dictionary of Literary Biography, vol. 7, 1978, Washington University Libraries Guide to Modern Literary Manuscripts, Images of the Southern Writer [Mark Morrow, photographer], Looking for Magical Country, Writers [Nancy Crampton, photographer], The Arts Journal, Nov. 1981","Includes inscriptions, dedications, signatures.","This box contains literary journals in which Dickey's poems have been published. Includes long runs of The Kenyon Review and The Hudson Review.","For all other titles, please consult the paper guide to the collection, located in Special Collections, or the box itself.","This box contains journals in which Dickey's poems have been published. It includes long runs of The Sewanee Review, Partisan Review, and Poetry.","For other journal titles in this box, please consult the paper guide to the collection, located in Special Collections, or the box itself.","This box contains literary journals in Dickey's poems have been published. Includes long runs of The Paris Review, Quarterly Review of Literature, Shenandoah, The Southern Review,The Virginia Quarterly Review, and the Yale Review.","This box contains appearances of Dickey's work in The Atlantic, Harper's, and The New Yorker. Includes book reviews of Dickey's work as well.","Note that Box C6 also contains issues of The New Yorker.","This box contains magazines in which Dickey's works have been published, or book reviews about his work appeared: Esquire, GQ, Time, Southern Living, Mademoiselle, People, Saturday Review.","Entries by and about James Dickey in Playboy Magazine and The New Yorker. Note that box C4 also contains The New Yorker.","This box contains interviews with Dickey published in a variety of magazines, journals, a few newspapers, and books. The book titles are:\nParting the Curtains: Interviews with Southern Writers, The Writer's Mind: Interviews with American Authors, and Speak So I Shall Know Thee: Interviews with Southern Writers.","This box contains criticism and reviews of Dickey's work. Some items are inscribed and signed.","Fatal Flowers: On Sin, Sex, and Suicide in the Deep South, The Way We Read James Dickey, James Dickey and the Politics of Canon, James Dickey and the Gentle Ecstacy of Earth, Struggling for Wings: the Art of James Dickey, Speaking with Strangers, The Kick: a Memoir, Adventures of a Suburban Boy , American Poetry: Wildness and Domesticity, Privileged Moments, Confessions of a Female Chauvenist\n, James Dickey: the Critic as Poet, The Leonard L Milberg Collection of American Poetry, Cathedrals of Kudzu, James Dickey [Calhoun and Hill, eds.], Separate Country, Understanding James Dickey.","This box contains mostly books about Dickey's life and work, including some bibliographies. Several books are signed.","Summer of Deliverance, The Hi-Ways, [Dickey's 1940 High School Yearbook], Harvard Guide to Contemporary American Writing, The American Literary Anthology, James Dickey: the Poet as Pitchman, The Sixties [magazine, Robert Bly, ed.], James Dickey: the Life and Lies of a Poet, James Dickey: a Bibliography, 1947-1974, The Achievement of James Dickey, Do I Owe You Something?, Truman Capote [G. Plimpton], Contemporary Authors, vol. 2, 1986, A Century of Arts and Letters, Buckhead: a Place for All Time, New York Days, Bulletin of Bibliography, 1981.","This box contains unpublished typescripts of screenplays and other works by Dickey, as well as some biographical and critical works about Dickey.","SCREENPLAYS:\nDeliverance; Gene Bullard; The Sentence ; The Claim; The Call of the Wild; Flying Blind; Anilham","POETRY:\nTwo Poems on the Survival of the Male Body","SHORT STORY:\nThe Eye of the Fire","FILM TREATMENT:\nAway from the Sun","BIOGRAPHY and CRITICISM:\nDictionary of Literary Biography Documentary Series: James Dickey, an Illustrated Chronicle; Dueling Banjos: The Deliverance of Drew; Critical Essays on James Dickey [Kirschten]","Includes some signed pieces.","Entrance to the Honeycomb; Death and the Day's Light; Strong Horses Circling; The Casting; Crux; Philosophy Notebooks; Tom Dickey Juvenilia; Celebration [Film by W. Hale]; and various journals.","This box contains books and journals that feature Dickey's work.","Best Poems of 1961 [Borestone Mountain Poetry Awards]; Motion: American Sports Poems; How to Use the Power of the Printed Word; A Game of Passion [NFL]; Splash!; The James Dickey Reader; Best Poems of 1964 [Borestone Mountain Poetry Awards]; The New Consciousness; Men in Sports; Beach Glass; 100 Postwar Poems; Visions of America by the Poets of Our Time; Sounds and Silences: Poetry for Now; The World on Wheels; Southern Christmas: Literary Classics of the Holidays; The Wesleyan Tradition: Four Decades of American Poetry; Men Without Masks; Things Appalachian; A Southern Album [Glusker, ed.]; Southern Writing in the Sixties/Poetry; On Doctoring; The Water of Light; Decade: a Collection of Poems from the First Ten Years of the Wesleyan Poetry Program; American Poetry, 1965\n; Dog Music: Poetry About Dogs\n; The American Literary Anthology/1; Some Haystacks Don't Even Have a Needle; Encounters: an Anthology from the First Ten Years of Encounter Magazine; Gathered Waters; Where Is Vietnam: American Poets Respond.","This box contains books and journals mostly, but not always, featuring work by Dickey.","Christmas at The New Yorker; The Poetry of the Negro, 1746-1970; The Norton Anthology of Modern Poetry, 1973; Randall Jarrell, 1914-1965; Georgia Voices; Modern Poems: an Introduction to Poetry; Divided Light: Father and Son Poems; James Dickey: the Selected Poems; The Appalachian Trail Reader; American Sports Poems; The James Dickey Reader; Brother Songs: a Male Anthology of Poetry; More Than a Game [NFL]; Other Things and the Aardvark; America in Poetry; The Best Parts Are Underlined: Great Rape Scences from Literature; A Controversy of Poets; Contemporary American Poetry [H. Nemerov]; On William Stafford; The Twentieth Century Treasury of Sports; Georgia Voices; Best Poems of 1966 [Borestone Mountain Poetry Awards]; Yellow Silk II: International Erotic Stories and Poems; Pictures That Storm Inside My Head: Poems for the Inner You; The Poetry Anthology, 1912-1977.","This box contains a variety of materials related to the 1972 motion picture Deliverance. It holds lobby cards, action shots of the actors, a VHS of the movie, movie reviews, posters, and other miscellaneous items.","Includes the score of Duelling Banjos, the main song of the movie.","This box contains large runs of both the James Dickey Newsletter and its successor, the James Dickey Review. It also includes VHS, DVD, and CD materials.","James Dickey Newsletter; James Dickey Review; Listening to America with Bill Moyers [VHS]; Call of the Wild [VHS]; Lord Let Me Die But Not Die Out [VHS]; James Dickey and Robert Penn Warren: Two Poets, Two Friends [VHS]; James Dickey Tribute [VHS]; Guilty as Charged [VHS]; Writer's Workshop [VHS]; Whispers on the Wind [VHS]; James Dickey Obituary [VHS]; To the White Sea [audiotape]; Verb Audio Literary Magazine [CD]; Birds, Beasts, and Flowers [CD]; Apollo 11: As It Happened [CD].","This box contains mostly book reviews in many New York Times Book Reviews and Life magazines, but also includes a few oversized books. Some materials are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.","Life Magazine; New York Times Book Review; The Incredible Year '68 [Life Magazine]; A Festschrift for Lloyd J. Reynolds; Intervisions: Poems and Photographs; God's Images: the Bible, a New Version.","This box contains mostly LP vinyl sound recordings, but also books, a film and a few posters. Some items are signed. NOTE: This box is oversized and is not shelved with the bulk of the collection.","LP RECORDS: The Poems of James Dickey (1957-1967); God's Images For the First Manned Moon Orbit, on \"Apollo Circling\"; Duelling Banjos; James Dickey Reading His Poetry; The Inaugural Album [Jimmy Carter, 1977. Includes book]; A Talk with James Dickey.","BOOKS: Jericho: the South Beheld; Georgia Atlas and Gazetteer.","FILM: James Dickey: \"Lord Let Me Die\" [Encyclopedia Britannica Film, 1970].","This box contains books and newspapers in which a portrait photograph of Dickey is featured.","10,000 Eyes [magazine photographers]; A Portrait of Southern Writers [Curt Richter]; Rollie McKenna: A Life in Photography; Southern Writers [David Spielman]; The Writer's Image [Jill Krementz]; Artists at Large [Rollie McKenna].","This box contains issues of featured writers in the James Dickey Poetry Series. It also includes some writings by Dickey's children, and some miscellaneous items, such as a t-shirt related to the movie Deliverance and items from Dickey's desk at the University of South Carolina.","James Dickey Contemporary Poetry Series; Caverns of Fire; James Dickey: a Celebration; Dickey Conference at U of South Carolina; Newsweek; Oxford American;  Jimmy Carter; To Write a Poem Like Dickey [Hank Malone]; Cahulawassee t-shirt [Deliverance]; Dickey's desk items at U of South Carolina.","This box contains the first copy of Briggs' Complete Poems of James Dickey, as well as proofs and some promotional materials related to the book.","Complete Poems of James Dickey; The Dailey Gamecock [USC student newspaper]; Free Times [Columbia, S.C. newspaper]; proofs of Briggs' book; promotional materials for Briggs' book.","This category identifies framed fine press editions of  broadsides of some of Dickey's most loved poems, as well as other framed materials. All framed work hangs on racks in the Special Collections' vault.","Bronwen,the Traw and the Shape Shifter, 1986; Movie poster for Deliverance; Buck Dancer's Choice, 1979; The Eagle's Mile, 1981; Knock, 1977; Summons, 1988; For a Time and Place, 1983; Deliverance still with small card signed by major actors; In the Child's Night, 1981; Photograph of James Dickey playing guitar; Hunger, Time and the Moon [from Strength of Fields, 1977]; The Shark at the Window, 1977; Mexican Valley, 1978.","This box contains materials related to the death of James Dickey.\nFolder 0 is the Control Folder.","NOTE: Folders 9-12 are not displaying in public interface.\nFOLDER 9: Carolinian\nFOLDER 10: Current Biography\nFOLDER 11: American Poet\nFOLDER 12: Oxford American","Folder 0-12Obituaries, varied sourcesObituaries, varied sourcesObituaries, varied sourcesMemorial ServicePhotographs of Dickey's office at USCNewsweekTimePeople","This box contains issues of the USC student newspapers, The Gamecock and Garnet and Black, as well as issues of the Columbia, S.C. newspaper, The State, and issues of New York Times Book Review and The Point.","This oversized box contains the life mask of James Dickey. It also includes a photograph of Ward Briggs used for display purposes. NOTE: this oversized box is not shelved with the collection.\n---\nIn the mid-70s, North Carolina sculptor William Dunlap made this aluminum life mask of James Dickey. Dickey appeared, wearing a replica of the mask on his face, on the February 1976 cover of Esquire magazine. The first chapter of his second novel, Alnilam, was excerpted in the same issue. Dickey claimed that chemicals from the cast used to make the mask had seeped into his eyes and rendered him temporarily blind. His \"blindness\" was later heavily disputed, but Dickey said the experience inspired Alnilam, which is about a blind man searching for his son.","This box contains additional materials related to James Dickey, donated by Ward Briggs in March 2017. There is no specific focus. Check the subject headings to learn about the box's content.","Includes: Belgrade Literary Magazine; La Violencia Esta en Nostros; Vergilius; Poems from the Hills, 1970; Washington and Lee Alumnus, June 1970; For Aaron Copland, 14 Nov 1978; Le Montagne, 30 Nov 1971; Firsts: the Book Collector's Magazine; Falling [the Sandlapper Singers]; Barat Review; Deliverance [in clamshell box edition]; miscellaneous materials."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"famname_ssim":["Dickey"],"persname_ssim":["Briggs, Ward Wright, Jr., Dr.","Dickey, James (James Lafayette) (19230202-19970119)","Dickey, James"],"names_coll_ssim":["Dickey, James (James Lafayette) (19230202-19970119)"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Dickey","Briggs, Ward Wright, Jr., Dr.","Dickey, James (James Lafayette) (19230202-19970119)","Dickey, James"],"language_ssim":["These materials are in English, except for translations of Dickey's novels."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:14.389Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_594"}},{"id":"vilxw_repositories_5_resources_175","type":"collection","attributes":{"title":"Thomas Connors Collection, 1805/1923","creator":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_175#creator","type":"document_value","attributes":{"value":"Connors, Thomas","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_175#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eContains 19th and early 20th century British and American theater memorabilia, including autographs of major actors, writers, and managers; and letters, broadsides, and photographs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_175#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_175","ead_ssi":"vilxw_repositories_5_resources_175","_root_":"vilxw_repositories_5_resources_175","_nest_parent_":"vilxw_repositories_5_resources_175","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_175.xml","title_ssm":["Thomas Connors Collection"],"title_tesim":["Thomas Connors Collection"],"unitdate_ssm":["Inclusive 1805-1923"],"unitdate_inclusive_ssm":["Inclusive 1805-1923"],"normalized_date_ssm":["1805/1923"],"normalized_title_ssm":["Thomas Connors Collection, 1805/1923"],"text":["Thomas Connors Collection, 1805/1923","WLU.Coll.0299","/repositories/5/resources/175","Great Britain","United States","Theater","Broadsides","Theater programs","Autographs","Correspondence","Envelopes (Stationery)","Photographs","Postcards","Connors was a member of Washington and Lee University Class of 1984 and a professor of history at the University of Northern Iowa.","This photographic postcard is colorized.","Blue sheet prepared by Betty Kondayan (06/27/07)","Contains 19th and early 20th century British and American theater memorabilia, including autographs of major actors, writers, and managers; and letters, broadsides, and photographs.","Content of the letter includes 'getting a Tragedy on stage'","The content of the letter regards the London Consumption Hospital.","The content of this letter is a comment on a play.","The letter is written on stationary from the Kind Edward Hotel, Toronto, Canada.","Fred writes about being too sick to work.","John writes about upcoming plays in his letter.","This letter is written in third person.","This letter was written on stationary from the King Edward Hotel in Toronto, Canada.","The content of this letter regards the purchase MS of Algernon Swinburne article.","The letter is an angry letter initialed 'W.B.'","The content of this letter contains 'great show last night.'","The subject of this letter is 'Farnum,' most likely William Farnum, American actor.","This letter is a letter of introduction from Herne to Barrett.","Jefferson writes about sending a donation.","The letter was written on stationary from the Hotel Touraine, Boston, Ma.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Lyceum Theatre (London, England)","Parker House (Boston, Mass.)","Connors, Thomas","Covent Garden Theatre","Siddons, Sarah","Kemble, Charles","Booth, Junius Brutus, Jr.","Kean, Charles John","Keeley, Robert","Matthews, Charles","Scott, Walter","Macready, William Charles","Modjeska, Helena","Ames, Winthrop","Byron, Henry J. (Henry James)","Bancroft, Marie Effie Wilton","Tree, Herbert Beerbohm, Sir","Campbell, Patrick, Mrs.","Compton, Virginia Bateman","Du Maurier, Gerald, Sir","Hare, John","Irving, Henry, Sir","Kendal, Madge","Maude, Cyril","Robertson, T. W. (Thomas William)","Terriss, William","Terry, Edward O'Connor","Terry, Ellen, Dame","Terry, Fred","Thomas, Brandon","Toole, John Lawrence","Ward, Genevieve","Wyndham, Charles","Forbes-Robertson, Johnston, Sir","Novello, Ivor","Parker, Louis Napoleon","Thorndike, Sybil, Dame","Frankau, Gilbert","Willard, E. S. (Edward Smith)","Swinburne, Algernon Charles","Barrett, Wilson","Booth, Edwin","Crane, William H.","Cushman, Charlotte","Daly, Augustin","Davenport, Fanny","Drew, John","Faversham, William","Fiske, Minnie Maddern","Fitch, Clyde","Florence, William Jermyn","Forrest, Edwin","Frohman, Daniel","Fyles, Franklin","Herne, James A.","Jefferson, Joseph","Losee, Frank","Mansfield, Richard","Marlowe, Julia","Sothern, E. H. (Edward Hugh)","McCullough, John","Salvini, Tommaso","Templeton, Fay","Thomas, A. E. (Albert Ellsworth)","Cobb, Irvin S. (Irvin Shrewsbury)","Warfield, David","Winter, William","Dunne, Thomas Potter","English"],"collection_title_tesim":["Thomas Connors Collection, 1805/1923"],"collection_ssim":["Thomas Connors Collection, 1805/1923"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0299","/repositories/5/resources/175"],"unitid_tesim":["WLU.Coll.0299","/repositories/5/resources/175"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Great Britain","United States"],"geogname_ssim":["Great Britain","United States"],"places_ssim":["Great Britain","United States"],"creator_ssm":["Connors, Thomas"],"creator_ssim":["Connors, Thomas"],"creator_persname_ssim":["Connors, Thomas","Covent Garden Theatre","Siddons, Sarah","Kemble, Charles","Booth, Junius Brutus, Jr.","Kean, Charles John","Keeley, Robert","Matthews, Charles","Scott, Walter","Macready, William Charles","Modjeska, Helena","Ames, Winthrop","Byron, Henry J. (Henry James)","Bancroft, Marie Effie Wilton","Tree, Herbert Beerbohm, Sir","Campbell, Patrick, Mrs.","Compton, Virginia Bateman","Du Maurier, Gerald, Sir","Hare, John","Irving, Henry, Sir","Kendal, Madge","Maude, Cyril","Robertson, T. W. (Thomas William)","Terriss, William","Terry, Edward O'Connor","Terry, Ellen, Dame","Terry, Fred","Thomas, Brandon","Toole, John Lawrence","Ward, Genevieve","Wyndham, Charles","Forbes-Robertson, Johnston, Sir","Novello, Ivor","Parker, Louis Napoleon","Thorndike, Sybil, Dame","Frankau, Gilbert","Willard, E. S. (Edward Smith)","Swinburne, Algernon Charles","Barrett, Wilson","Booth, Edwin","Crane, William H.","Cushman, Charlotte","Daly, Augustin","Davenport, Fanny","Drew, John","Faversham, William","Fiske, Minnie Maddern","Fitch, Clyde","Florence, William Jermyn","Forrest, Edwin","Frohman, Daniel","Fyles, Franklin","Herne, James A.","Jefferson, Joseph","Losee, Frank","Mansfield, Richard","Marlowe, Julia","Sothern, E. H. (Edward Hugh)","McCullough, John","Salvini, Tommaso","Templeton, Fay","Thomas, A. E. (Albert Ellsworth)","Cobb, Irvin S. (Irvin Shrewsbury)","Warfield, David","Winter, William","Dunne, Thomas Potter"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Lyceum Theatre (London, England)","Parker House (Boston, Mass.)"],"creators_ssim":["Connors, Thomas","Covent Garden Theatre","Siddons, Sarah","Kemble, Charles","Booth, Junius Brutus, Jr.","Kean, Charles John","Keeley, Robert","Matthews, Charles","Scott, Walter","Macready, William Charles","Modjeska, Helena","Ames, Winthrop","Byron, Henry J. (Henry James)","Bancroft, Marie Effie Wilton","Tree, Herbert Beerbohm, Sir","Campbell, Patrick, Mrs.","Compton, Virginia Bateman","Du Maurier, Gerald, Sir","Hare, John","Irving, Henry, Sir","Kendal, Madge","Maude, Cyril","Robertson, T. W. (Thomas William)","Terriss, William","Terry, Edward O'Connor","Terry, Ellen, Dame","Terry, Fred","Thomas, Brandon","Toole, John Lawrence","Ward, Genevieve","Wyndham, Charles","Forbes-Robertson, Johnston, Sir","Novello, Ivor","Parker, Louis Napoleon","Thorndike, Sybil, Dame","Frankau, Gilbert","Willard, E. S. (Edward Smith)","Swinburne, Algernon Charles","Barrett, Wilson","Booth, Edwin","Crane, William H.","Cushman, Charlotte","Daly, Augustin","Davenport, Fanny","Drew, John","Faversham, William","Fiske, Minnie Maddern","Fitch, Clyde","Florence, William Jermyn","Forrest, Edwin","Frohman, Daniel","Fyles, Franklin","Herne, James A.","Jefferson, Joseph","Losee, Frank","Mansfield, Richard","Marlowe, Julia","Sothern, E. H. (Edward Hugh)","McCullough, John","Salvini, Tommaso","Templeton, Fay","Thomas, A. E. (Albert Ellsworth)","Cobb, Irvin S. (Irvin Shrewsbury)","Warfield, David","Winter, William","Dunne, Thomas Potter","Washington and Lee University, University Library Special Collections and Archives","Lyceum Theatre (London, England)","Parker House (Boston, Mass.)"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  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