{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Black-and-white+photographs\u0026f%5Bdate_range%5D%5B%5D=1988","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Black-and-white+photographs\u0026f%5Bdate_range%5D%5B%5D=1988\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":10,"first_page?":true,"last_page?":true}},"data":[{"id":"viu_repositories_3_resources_1772","type":"collection","attributes":{"title":"Gitchell's Studio collection (accession 2017-0077)","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1772#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1772#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1772","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1772.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216792","title_filing_ssi":"Gitchell Studio collection","title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"unitdate_ssm":["1972-2016","1990-2014"],"unitdate_bulk_ssim":["1990-2014"],"unitdate_inclusive_ssm":["1972-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"text":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772","Gitchell's Studio collection (accession 2017-0077)","Black-and-white photographs","Color photographs","slides (photographs)","Poor to good.  Some items have water/mold damage.","This collection is unprocessed but available for use.","No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.","Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter  (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\"  Gitchell's Studio , https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A.  \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\"  Daily Progress . (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.","The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter","English"],"unitid_tesim":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"normalized_title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"collection_title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077)"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e\n","\u003cp\u003eSource\u003c/p\u003e\n","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e\n","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e\n","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter  (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\"  Gitchell's Studio , https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A.  \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\"  Daily Progress . (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. Carpenter"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":196,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:49:50.721Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1772","ead_ssi":"viu_repositories_3_resources_1772","_root_":"viu_repositories_3_resources_1772","_nest_parent_":"viu_repositories_3_resources_1772","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1772.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/216792","title_filing_ssi":"Gitchell Studio collection","title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"unitdate_ssm":["1972-2016","1990-2014"],"unitdate_bulk_ssim":["1990-2014"],"unitdate_inclusive_ssm":["1972-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"text":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772","Gitchell's Studio collection (accession 2017-0077)","Black-and-white photographs","Color photographs","slides (photographs)","Poor to good.  Some items have water/mold damage.","This collection is unprocessed but available for use.","No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.","Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter  (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\"  Gitchell's Studio , https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A.  \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\"  Daily Progress . (Charlotesville, VA), December 3, 2016.","The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093","This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.","The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter","English"],"unitid_tesim":["MSS 11567","Archival Resource Key","/repositories/3/resources/1772"],"normalized_title_ssm":["Gitchell's Studio collection (accession 2017-0077)"],"collection_title_tesim":["Gitchell's Studio collection (accession 2017-0077)"],"collection_ssim":["Gitchell's Studio collection (accession 2017-0077)"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was a gift from James Carpenter to the Small Special Collections Library, University of Virginia on 14 April 2018."],"access_subjects_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"access_subjects_ssm":["Black-and-white photographs","Color photographs","slides (photographs)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Poor to good.  Some items have water/mold damage."],"extent_ssm":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"extent_tesim":["196 Cubic Feet 196 boxes, cubic foot and Banker's boxes"],"genreform_ssim":["Black-and-white photographs","Color photographs","slides (photographs)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is unprocessed but available for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is unprocessed but available for use."],"arrangement_html_tesm":["\u003cp\u003eNo arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["No arrangement has been done and materials are in the order received. According to the original box listing, there is no box 27, 103, or 135."],"bioghist_html_tesm":["\u003cp\u003eGitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.\u003c/p\u003e","\u003cp\u003e\u003cpersname\u003eJames G. Carpenter\u003c/persname\u003e (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.\u003c/p\u003e\n","\u003cp\u003eSource\u003c/p\u003e\n","\u003cp\u003e\"History of Gitchell's Studio.\" \u003ccorpname\u003eGitchell's Studio\u003c/corpname\u003e, https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.\u003c/p\u003e\n","\u003cp\u003e\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.\u003c/p\u003e\n","\u003cp\u003e\u003cname\u003eMaurer, David A.\u003c/name\u003e \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\" \u003ccorpname\u003eDaily Progress\u003c/corpname\u003e. (Charlotesville, VA), December 3, 2016.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note on Gitchell's Studio","Biographical Note on James Carpenter"],"bioghist_tesim":["Gitchell's Studio was first established in 1907, when brothers John and Frank Gitchell purchased \"New Era Photography\", a studio on East Main Street in Charlottesville. The brothers changed the name to \"Gitchell's Studio\" and began to serve the area with their photography expertise. The Gitchell brothers quickly became known for their high-quality products and attention to detail, beginning to rival the much older and larger Holsinger Studio firm by the early 1920s. John Gitchell enrolled at the Effingham College of Photography in Illinois before returning to Charlottesville. John and Frank Gitchell married sisters, Allie and Mary Omohundro, respectively. The four operated the business in Charlottesville until 1934, when John and Allie relocated to Harrisonburg, opening their own Gitchell's Studi\" there. Frank continued operations in Charlottesville, with his son William \"Bill\" Gitchell succeeding his father in managing the photography studio. In 1988, after over forty years of supervision of the studio, Bill Gitchell sold the studio to James Carpenter, the chief photojournalist for the \"The Daily Progress\" of Charlottesville. Both the Charlottesville's Gitchell's Studio and Harrisonburg Gitchell's Photography are still in operation, separate from one another since 1934.","James G. Carpenter  (1950), is a Charlotesville native. Born in 1950 to William and Emily Carpenter, he attended Lane High School Charlottesville where he began his photographic career. Carpenter landed a job as a staff photographer for the Daily Progress right after high school in 1968. By the time he was twenty-one, he was the chief photographer at the newspaper. In July, he joined the Army Reserve and began active duty the following year. He served for twenty years with the U.S. Army Reserve, retiring with the rank of master sergeant. Jim earned his Master's Degree in Photography through the Professional Photographers of America (PPA)in 2000. As a staff photographer, Carpenter was twice honored for his photo journalism work by the Virginia Associated Press by naming it \"Photo of the Year.\" In addition, his work received awards from the Virginia Press Association for twenty consecuetive years. In 2016, he semi-retired and closed down Gitchell's Studio store front but continues Gitchell's Studio from his home.","Source","\"History of Gitchell's Studio.\"  Gitchell's Studio , https://www.gitchellsstudio.com/history-of-gitchells-studio. Accessed 2 May 2025.","\"Jim Carpenter, Photographer.\" Marshaling May Days: A Digital Exhibition UVA School of Law. https://maydays.law.virginia.edu/oral-histories/jim-carpenter-photographer. Accessed 2 May 2025.","Maurer, David A.  \"Photographer Jim Carpenter will see what develops during semi-retirement phase.\"  Daily Progress . (Charlotesville, VA), December 3, 2016."],"prefercite_html_tesm":["\u003cp\u003eMSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 11567, Gitchell Studio collection, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThe description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The description of more materials (the original deposit) of MSS 11567 Gitchell's Studio Collection can be found here https://search.lib.virginia.edu/sources/uva_library/items/u3180093"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit."],"userestrict_html_tesm":["\u003cp\u003eThe University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The University of Virginia holds some of the copyrights in this collection. Please inquire about permissions for reuse. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress","Maurer, David A.","James G. Carpenter"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Gitchell's Studio","Daily Progress"],"name_ssim":["Maurer, David A."],"persname_ssim":["James G. Carpenter"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":196,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:49:50.721Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1772"}},{"id":"vihart_repositories_4_resources_622","type":"collection","attributes":{"title":"James Madison University Historic Photographs","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_622#abstract_or_scope","type":"document_value","attributes":{"value":"The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_622#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_622","ead_ssi":"vihart_repositories_4_resources_622","_root_":"vihart_repositories_4_resources_622","_nest_parent_":"vihart_repositories_4_resources_622","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_622.xml","title_ssm":["James Madison University Historic Photographs"],"title_tesim":["James Madison University Historic Photographs"],"unitdate_ssm":["1909-circa 2000"],"unitdate_inclusive_ssm":["1909-circa 2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0051","/repositories/4/resources/622"],"text":["UA 0051","/repositories/4/resources/622","James Madison University Historic Photographs","Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/","Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.","The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized.","In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.","The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.","James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016","English"],"unitid_tesim":["UA 0051","/repositories/4/resources/622"],"normalized_title_ssm":["James Madison University Historic Photographs"],"collection_title_tesim":["James Madison University Historic Photographs"],"collection_ssim":["James Madison University Historic Photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The photographs housed in this collection were contributed to Special Collections by individual donors, collected from JMU organizations and affiliates, or pulled from alumni collections by former Special Collections staff, from 1994-ca. 2007. Known donors include: Inez Roop, Bernice Catherine Jones, Charlotte Michael, Mrs. D. Patrick Snider, Mary Spitzer, Ethel Stevanus, Dr. Daniel McFarland, Craig Baugher, Fred Hilton, Jim Richardson, Milla Sue Wisecarver, and JMU Photography Services."],"access_subjects_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"access_subjects_ssm":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"has_online_content_ssim":["false"],"extent_ssm":["2.07 cubic feet 5 boxes, 1 flat file"],"extent_tesim":["2.07 cubic feet 5 boxes, 1 flat file"],"genreform_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eDigitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/"],"bioghist_html_tesm":["\u003cp\u003ePhotographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply."],"odd_html_tesm":["\u003cp\u003eThe photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.\u003c/p\u003e","\u003cp\u003eFour photographs have not been digitized.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University."],"processinfo_html_tesm":["\u003cp\u003eIn 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.\u003c/p\u003e","\u003cp\u003eIn 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.\u003c/p\u003e","\u003cp\u003eJMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu."],"scopecontent_html_tesm":["\u003cp\u003eThe James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.\u003c/p\u003e","\u003cp\u003eIncludes panoramic photographs of the student body.\u003c/p\u003e","\u003cp\u003eIncludes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_83e560e98fddf3237a4872324b030a30\"\u003eThe James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.\u003c/abstract\u003e"],"abstract_tesim":["The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000."],"names_coll_ssim":["State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History"],"names_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)"],"persname_ssim":["Jennings, Lillian Pegues, 1926-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:39.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_622","ead_ssi":"vihart_repositories_4_resources_622","_root_":"vihart_repositories_4_resources_622","_nest_parent_":"vihart_repositories_4_resources_622","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_622.xml","title_ssm":["James Madison University Historic Photographs"],"title_tesim":["James Madison University Historic Photographs"],"unitdate_ssm":["1909-circa 2000"],"unitdate_inclusive_ssm":["1909-circa 2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0051","/repositories/4/resources/622"],"text":["UA 0051","/repositories/4/resources/622","James Madison University Historic Photographs","Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/","Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.","The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized.","In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.","The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.","James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016","English"],"unitid_tesim":["UA 0051","/repositories/4/resources/622"],"normalized_title_ssm":["James Madison University Historic Photographs"],"collection_title_tesim":["James Madison University Historic Photographs"],"collection_ssim":["James Madison University Historic Photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The photographs housed in this collection were contributed to Special Collections by individual donors, collected from JMU organizations and affiliates, or pulled from alumni collections by former Special Collections staff, from 1994-ca. 2007. Known donors include: Inez Roop, Bernice Catherine Jones, Charlotte Michael, Mrs. D. Patrick Snider, Mary Spitzer, Ethel Stevanus, Dr. Daniel McFarland, Craig Baugher, Fred Hilton, Jim Richardson, Milla Sue Wisecarver, and JMU Photography Services."],"access_subjects_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"access_subjects_ssm":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"has_online_content_ssim":["false"],"extent_ssm":["2.07 cubic feet 5 boxes, 1 flat file"],"extent_tesim":["2.07 cubic feet 5 boxes, 1 flat file"],"genreform_ssim":["Color photographs","Black-and-white photographs","Photographs","Negatives (photographs)","Photographic postcards"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eDigitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digitized photographs in this collection can be found here: https://www.lib.jmu.edu/special/jmu-historic-photos/"],"bioghist_html_tesm":["\u003cp\u003ePhotographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["Photographs were donated by multiple sources. Due to the artificial nature of this collection, an administrative history does not apply."],"odd_html_tesm":["\u003cp\u003eThe photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.\u003c/p\u003e","\u003cp\u003eFour photographs have not been digitized.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["The photographs in this folder were previously identified as Gifford Hall and Wayland Hall, but the architectural elements confirm that they are Converse Hall. The Wayland Hall folder was combined with the contents of the Gifford Hall folder and the folder was relabeled as Converse Hall.","Four photographs have not been digitized."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], James Madison University Historic Photographs, 1919-circa 2000, UA 0051, Special Collections, Carrier Library, James Madison University."],"processinfo_html_tesm":["\u003cp\u003eIn 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.\u003c/p\u003e","\u003cp\u003eIn 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.\u003c/p\u003e","\u003cp\u003eJMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 1997, photographs in Series 1: JMU Historic Photos, 1909-1985, were scanned by Special Collections staff using Index Color, which resulted in a drop in image quality. Subsequently, the photographs in Series 2: JMU Historic Photos, 1985-ca.2000 were also scanned. In the early 2000s, the images were made available as a digital collection online, as the JMU Historic Photographs. In 2018, Digital Collections staff scanned all of the photographs as high resolution TIFFs, and also created JPEGs.","In 1994, Dr. John Woody, professor in the School of Arts Media and Design, instigated a project to scan photographs described as \"current to the university\" onto CDs, with the intention of making them available for purchase at the Center for Instructive Technology for anyone interested in using JMU photographs for presentations. Many of the photographs originated from the JMU Photography Services' 35mm slide collection, or were taken by Craig Baugher. A second CD included images of east campus buildings and student activities. These cds were noted as being held in Special Collections in an early online version of the digital photograph collection. However, these cds were not found in 2019, at the time of processing.","JMU Libraries staff is actively migrating the historic photos collection to a new platform which will replace the current historic photograph webpages by Summer 2027. To request high resolution reproductions of the historic photographs, contact library-special@jmu.edu."],"scopecontent_html_tesm":["\u003cp\u003eThe James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.\u003c/p\u003e","\u003cp\u003eIncludes panoramic photographs of the student body.\u003c/p\u003e","\u003cp\u003eIncludes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The James Madison University Historic Photographs include photographs taken between 1909-ca. 2000, from the inception of university as the State Normal School for Women at Harrisonburg until the late 1990s. These photos depict notable events, faculty, students, student groups, student activities, building exteriors, building interiors, campus aerials, guest speakers, and everyday life at James Madison University.","Includes panoramic photographs of the student body.","Includes aerial photograph of the Quad, field day with Rockingham Memorial Hospital in the background, group of women students, and picture postcard of the Quad."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_83e560e98fddf3237a4872324b030a30\"\u003eThe James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000.\u003c/abstract\u003e"],"abstract_tesim":["The James Madison University Historic Photographs, 1909-circa 2000, comprises approximately 1700 photographs that depict notable events, activities, faculty, students, students groups, places, and everyday life at James Madison University and the surrounding community between 1909-ca. 2000."],"names_coll_ssim":["State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History"],"names_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)","Jennings, Lillian Pegues, 1926-2016"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- History","James Madison University -- History","James Madison University -- Buildings -- History","James Madison University -- Students -- History","James Madison University -- Faculty -- History","James Madison University -- Administration -- History","University Farm (1929-)"],"persname_ssim":["Jennings, Lillian Pegues, 1926-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":169,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:39.142Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_622"}},{"id":"viu_repositories_3_resources_906","type":"collection","attributes":{"title":"Kathleen Bonnie Crispin Worsham papers","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_906#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance. The collection has been arranged into four series.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_906#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_906","ead_ssi":"viu_repositories_3_resources_906","_root_":"viu_repositories_3_resources_906","_nest_parent_":"viu_repositories_3_resources_906","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_906.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/806","title_filing_ssi":"Worsham, Kathleen Bonnie Crispin, papers","title_ssm":["Kathleen Bonnie Crispin Worsham papers"],"title_tesim":["Kathleen Bonnie Crispin Worsham papers"],"unitdate_ssm":["1860s-2018"],"unitdate_inclusive_ssm":["1860s-2018"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16435","Archival Resource Key","/repositories/3/resources/906"],"text":["MSS 16435","Archival Resource Key","/repositories/3/resources/906","Kathleen Bonnie Crispin Worsham papers","Plats (maps)","Color photographs","Black-and-white photographs","The collection is open for research use.","Materials in each series have been arranged chronologically.","Series 1. Research materials\nSeries 2. National Register of Historic places\nSeries 3. Photographs\nSeries 4. Personal materials","Kathleen Bonnie Crispin Worsham and her husband Raleigh own the house known as The Cedars in Cifax, Bedford County, Virginia. Worsham successfully registered Cifax on the National Register of Historic Places in 1992, and in 1997 she published her book \"The Cedars of Cifax: A Virginia Rural Historical District.\"","The Cedars were built by the Poindexter family in the mid-19th century--likely by Anderson Poindexter in 1855--and is the only pre-20th century brick structure in Cifax. ","Source: Materials within collection, Bedford Historical Society, National Register of Historic Places.","A related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia.","The Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series.","Albert and Shirley Small Special Collections Library","Materials are in English."],"unitid_tesim":["MSS 16435","Archival Resource Key","/repositories/3/resources/906"],"normalized_title_ssm":["Kathleen Bonnie Crispin Worsham papers"],"collection_title_tesim":["Kathleen Bonnie Crispin Worsham papers"],"collection_ssim":["Kathleen Bonnie Crispin Worsham papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Accession number 2018-0090, donated by K. Bonnie Crispin Worsham, 14 August 2018; Accession number 2018-0115, donated by K. Bonnie Crispin Worsham, 26 September 2018; Accession number 2019-0070, donated by K. Bonnie Crispin Worsham."],"access_subjects_ssim":["Plats (maps)","Color photographs","Black-and-white photographs"],"access_subjects_ssm":["Plats (maps)","Color photographs","Black-and-white photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.35 Cubic Feet 1 cubic foot box, 1 legal-size half-width document box, 4 OS folders"],"extent_tesim":["1.35 Cubic Feet 1 cubic foot box, 1 legal-size half-width document box, 4 OS folders"],"genreform_ssim":["Plats (maps)","Color photographs","Black-and-white photographs"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eMaterials in each series have been arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eSeries 1. Research materials\nSeries 2. National Register of Historic places\nSeries 3. Photographs\nSeries 4. Personal materials\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in each series have been arranged chronologically.","Series 1. Research materials\nSeries 2. National Register of Historic places\nSeries 3. Photographs\nSeries 4. Personal materials"],"bioghist_html_tesm":["\u003cp\u003eKathleen Bonnie Crispin Worsham and her husband Raleigh own the house known as The Cedars in Cifax, Bedford County, Virginia. Worsham successfully registered Cifax on the National Register of Historic Places in 1992, and in 1997 she published her book \"The Cedars of Cifax: A Virginia Rural Historical District.\"\u003c/p\u003e\n","\u003cp\u003eThe Cedars were built by the Poindexter family in the mid-19th century--likely by Anderson Poindexter in 1855--and is the only pre-20th century brick structure in Cifax. \u003c/p\u003e\n","\u003cp\u003eSource: Materials within collection, Bedford Historical Society, National Register of Historic Places.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Kathleen Bonnie Crispin Worsham and her husband Raleigh own the house known as The Cedars in Cifax, Bedford County, Virginia. Worsham successfully registered Cifax on the National Register of Historic Places in 1992, and in 1997 she published her book \"The Cedars of Cifax: A Virginia Rural Historical District.\"","The Cedars were built by the Poindexter family in the mid-19th century--likely by Anderson Poindexter in 1855--and is the only pre-20th century brick structure in Cifax. ","Source: Materials within collection, Bedford Historical Society, National Register of Historic Places."],"prefercite_html_tesm":["\u003cp\u003eMSS 16435, Kathleen Bonnie Crispin Worsham papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16435, Kathleen Bonnie Crispin Worsham papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eA related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["The Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["Materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":51,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:43:11.130Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_906","ead_ssi":"viu_repositories_3_resources_906","_root_":"viu_repositories_3_resources_906","_nest_parent_":"viu_repositories_3_resources_906","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_906.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/806","title_filing_ssi":"Worsham, Kathleen Bonnie Crispin, papers","title_ssm":["Kathleen Bonnie Crispin Worsham papers"],"title_tesim":["Kathleen Bonnie Crispin Worsham papers"],"unitdate_ssm":["1860s-2018"],"unitdate_inclusive_ssm":["1860s-2018"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16435","Archival Resource Key","/repositories/3/resources/906"],"text":["MSS 16435","Archival Resource Key","/repositories/3/resources/906","Kathleen Bonnie Crispin Worsham papers","Plats (maps)","Color photographs","Black-and-white photographs","The collection is open for research use.","Materials in each series have been arranged chronologically.","Series 1. 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","Source: Materials within collection, Bedford Historical Society, National Register of Historic Places.","A related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia.","The Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series.","Albert and Shirley Small Special Collections Library","Materials are in English."],"unitid_tesim":["MSS 16435","Archival Resource Key","/repositories/3/resources/906"],"normalized_title_ssm":["Kathleen Bonnie Crispin Worsham papers"],"collection_title_tesim":["Kathleen Bonnie Crispin Worsham papers"],"collection_ssim":["Kathleen Bonnie Crispin Worsham papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Accession number 2018-0090, donated by K. Bonnie Crispin Worsham, 14 August 2018; Accession number 2018-0115, donated by K. Bonnie Crispin Worsham, 26 September 2018; Accession number 2019-0070, donated by K. Bonnie Crispin Worsham."],"access_subjects_ssim":["Plats (maps)","Color photographs","Black-and-white photographs"],"access_subjects_ssm":["Plats (maps)","Color photographs","Black-and-white photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.35 Cubic Feet 1 cubic foot box, 1 legal-size half-width document box, 4 OS folders"],"extent_tesim":["1.35 Cubic Feet 1 cubic foot box, 1 legal-size half-width document box, 4 OS folders"],"genreform_ssim":["Plats (maps)","Color photographs","Black-and-white photographs"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eMaterials in each series have been arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eSeries 1. Research materials\nSeries 2. National Register of Historic places\nSeries 3. Photographs\nSeries 4. Personal materials\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in each series have been arranged chronologically.","Series 1. Research materials\nSeries 2. National Register of Historic places\nSeries 3. Photographs\nSeries 4. Personal materials"],"bioghist_html_tesm":["\u003cp\u003eKathleen Bonnie Crispin Worsham and her husband Raleigh own the house known as The Cedars in Cifax, Bedford County, Virginia. Worsham successfully registered Cifax on the National Register of Historic Places in 1992, and in 1997 she published her book \"The Cedars of Cifax: A Virginia Rural Historical District.\"\u003c/p\u003e\n","\u003cp\u003eThe Cedars were built by the Poindexter family in the mid-19th century--likely by Anderson Poindexter in 1855--and is the only pre-20th century brick structure in Cifax. \u003c/p\u003e\n","\u003cp\u003eSource: Materials within collection, Bedford Historical Society, National Register of Historic Places.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Kathleen Bonnie Crispin Worsham and her husband Raleigh own the house known as The Cedars in Cifax, Bedford County, Virginia. Worsham successfully registered Cifax on the National Register of Historic Places in 1992, and in 1997 she published her book \"The Cedars of Cifax: A Virginia Rural Historical District.\"","The Cedars were built by the Poindexter family in the mid-19th century--likely by Anderson Poindexter in 1855--and is the only pre-20th century brick structure in Cifax. ","Source: Materials within collection, Bedford Historical Society, National Register of Historic Places."],"prefercite_html_tesm":["\u003cp\u003eMSS 16435, Kathleen Bonnie Crispin Worsham papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16435, Kathleen Bonnie Crispin Worsham papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eA related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A related Kathleen Bonnie Crispin Worsham book can be found at F234.C57 W67 1997, \"The Cedars of Cifax,\" Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note"],"scopecontent_tesim":["The Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance.  The collection has been arranged into four series."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["Materials are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":51,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:43:11.130Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_906"}},{"id":"vihart_repositories_4_resources_369","type":"collection","attributes":{"title":"Mary Catherine Lyne Papers","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_369#creator","type":"document_value","attributes":{"value":"Landess, Kitty","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_369#abstract_or_scope","type":"document_value","attributes":{"value":"The Mary Catherine Lyne Papers, 1942-2001, contain photographs, programs, memos, and newspaper clippings related to Mary Catherine Lyne's time spent serving in the SPARS (the Women's Reserve of the Coast Guard) from 1943 to 1947.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_369#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_369","ead_ssi":"vihart_repositories_4_resources_369","_root_":"vihart_repositories_4_resources_369","_nest_parent_":"vihart_repositories_4_resources_369","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_369.xml","title_ssm":["Mary Catherine Lyne Papers"],"title_tesim":["Mary Catherine Lyne Papers"],"unitdate_ssm":["1942-2001"],"unitdate_inclusive_ssm":["1942-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0046","/repositories/4/resources/369"],"text":["SC 0046","/repositories/4/resources/369","Mary Catherine Lyne Papers","Harrisonburg (Va.) -- History","World War, 1939-1945 -- History","Black-and-white photographs","Songbooks","Obituaries","Newspaper clippings","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged topically in four folders.","The Schoolma'am , 1940. Harrisonburg (Va.): Madison College.","\"United States Census, 1930\", database with images,  FamilySearch  (https://familysearch.org/ark:/61903/1:1:XM4R-4ZG : accessed 7 December 2015), Mary K Lyne in entry for John J Lyne, 1930.","Mary Catherine Lyne was born on December 10, 1916 in Charles Town, West Virginia to Sue Legge and John Julian Lyne. Lyne enrolled at the State Teachers College in 1936 and graduated in 1940 with a degree in high school education. She participated in many extracurricular activities as a member of the Cotillion Club, the Lee Literary Society, Y. W. C. A., the Lost Chords musical organization, and  The Breeze  editorial staff as feature editor and editor-in-chief. She served as president of Kappa Delta Pi, an education honor society, and was her freshman class treasurer and sophomore class president.","Rather than enter teaching, Lyne instead worked as an editorial assistant for a monthly trade magazine. Lyne joined the military in 1943 as a member of the first class of SPARS – the Women's Reserve of the Coast Guard created during World War II. SPARS was an acronym of the first letters of the Coast Guard motto and its English translation, Semper Paratus Always Ready. SPARS was deactivated in 1947, at which point Lyne was discharged as a Lieutenant of the United States Coast Guard Reserve. Lyne continued her writing career, working for the U.S. Public Health Service, the United States Information Agency, and the Inter Press Service. Lyne also coauthored  Three Years Behind the Mast , a history of SPARS.","Lyne spent most of her adult life in Silver Spring, Maryland before moving to Charlottesville in 1993. She died on August 20, 2001 in Charlottesville and was interred at Elmwood Cemetery in Shepherdstown, West Virginia.","Lyne, Mary C. and Kay Arthur.  Three Years Behind the Mast: The Story of The United States Coast Guard SPARS . Washington, 1946.","The Mary Catherine Lyne Papers, 1942-2001, contain photographs, newspaper and magazine clippings, memos, programs, and other personal papers relating to Lyne's time spent in SPARS during World War II. The collection also contains papers compiled by Lyne's niece, Kitty Landess, concerning the Lyne's death in 2001.","Materials related to SPARS events include a program from a 1945 event called \"Mlle Muster for Spars,\" which was likely an event co-sponsored by  Mademoiselle  magazine and focused on re-acclimating SPARS women to their post-war lives. Accompanying the \"Mlle Muster for Spars\" program is a two-page essay recounting the event. Additional event materials include a program for the play \"Wet Behind the Ears\" by the Naval Reserve Midshipmen's School, a memo from the District Coast Guard Office of New York City regarding uniform regulations, program from SPAR reunion of 1947, a series of ink drawings by Kay Stuurman, and a copy of the \"Spar Song Book\" containing sheet music.","Rounding out the collection of SPARS-related items are 13 black-and-white photographs of SPARS women, including Mary Catherine Lyne, SPARS Director Captain Dorothy C. Stratton, and Henrietta Baker. Of particular interest is a photograph of Lyne sitting at the desk of L. Spencer (presumably Lyndon Spencer) reading a brochure with cigarette in hand. The inscription on the verso reads: \"Mary Catherine Lyne (This is a doctored photo!) Mary is NOT L. Spencer rear admiral.\"","Items compiled by Lyne's niece, Kitty Landess, include a death notice written by Landess and a copy of Lyne's obituary.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Mary Catherine Lyne Papers, 1942-2001, contain photographs, programs, memos, and newspaper clippings related to Mary Catherine Lyne's time spent serving in the SPARS (the Women's Reserve of the Coast Guard) from 1943 to 1947.","James Madison University Libraries Special Collections","United States. Coast Guard. Women's Reserve","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Alumni and alumnae","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History","Landess, Kitty","English"],"unitid_tesim":["SC 0046","/repositories/4/resources/369"],"normalized_title_ssm":["Mary Catherine Lyne Papers"],"collection_title_tesim":["Mary Catherine Lyne Papers"],"collection_ssim":["Mary Catherine Lyne Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"creator_ssm":["Landess, Kitty"],"creator_ssim":["Landess, Kitty"],"creator_persname_ssim":["Landess, Kitty"],"creators_ssim":["Landess, Kitty"],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["These papers were donated to Lisa Horsch of James Madison University by Kitty Landess at the request of Emily Lewis Lee in preparation for the founding of the World War II Memorial Patio at Leeolou Alumni Center in 2002."],"access_subjects_ssim":["World War, 1939-1945 -- History","Black-and-white photographs","Songbooks","Obituaries","Newspaper clippings"],"access_subjects_ssm":["World War, 1939-1945 -- History","Black-and-white photographs","Songbooks","Obituaries","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["0.16 cubic feet 3 legal folders"],"extent_tesim":["0.16 cubic feet 3 legal folders"],"genreform_ssim":["Black-and-white photographs","Songbooks","Obituaries","Newspaper clippings"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged topically in four folders.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged topically in four folders."],"bibliography_html_tesm":["\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1940. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e","\u003cbibref\u003e\"United States Census, 1930\", database with images, \u003cemph render=\"italic\"\u003eFamilySearch\u003c/emph\u003e (https://familysearch.org/ark:/61903/1:1:XM4R-4ZG : accessed 7 December 2015), Mary K Lyne in entry for John J Lyne, 1930.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Schoolma'am , 1940. Harrisonburg (Va.): Madison College.","\"United States Census, 1930\", database with images,  FamilySearch  (https://familysearch.org/ark:/61903/1:1:XM4R-4ZG : accessed 7 December 2015), Mary K Lyne in entry for John J Lyne, 1930."],"bioghist_html_tesm":["\u003cp\u003eMary Catherine Lyne was born on December 10, 1916 in Charles Town, West Virginia to Sue Legge and John Julian Lyne. Lyne enrolled at the State Teachers College in 1936 and graduated in 1940 with a degree in high school education. She participated in many extracurricular activities as a member of the Cotillion Club, the Lee Literary Society, Y. W. C. A., the Lost Chords musical organization, and \u003cemph render=\"italic\"\u003eThe Breeze\u003c/emph\u003e editorial staff as feature editor and editor-in-chief. She served as president of Kappa Delta Pi, an education honor society, and was her freshman class treasurer and sophomore class president.\u003c/p\u003e\n","\u003cp\u003eRather than enter teaching, Lyne instead worked as an editorial assistant for a monthly trade magazine. Lyne joined the military in 1943 as a member of the first class of SPARS – the Women's Reserve of the Coast Guard created during World War II. SPARS was an acronym of the first letters of the Coast Guard motto and its English translation, Semper Paratus Always Ready. SPARS was deactivated in 1947, at which point Lyne was discharged as a Lieutenant of the United States Coast Guard Reserve. Lyne continued her writing career, working for the U.S. Public Health Service, the United States Information Agency, and the Inter Press Service. Lyne also coauthored \u003cemph render=\"italic\"\u003eThree Years Behind the Mast\u003c/emph\u003e, a history of SPARS.\u003c/p\u003e\n","\u003cp\u003eLyne spent most of her adult life in Silver Spring, Maryland before moving to Charlottesville in 1993. She died on August 20, 2001 in Charlottesville and was interred at Elmwood Cemetery in Shepherdstown, West Virginia.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Mary Catherine Lyne was born on December 10, 1916 in Charles Town, West Virginia to Sue Legge and John Julian Lyne. Lyne enrolled at the State Teachers College in 1936 and graduated in 1940 with a degree in high school education. She participated in many extracurricular activities as a member of the Cotillion Club, the Lee Literary Society, Y. W. C. A., the Lost Chords musical organization, and  The Breeze  editorial staff as feature editor and editor-in-chief. She served as president of Kappa Delta Pi, an education honor society, and was her freshman class treasurer and sophomore class president.","Rather than enter teaching, Lyne instead worked as an editorial assistant for a monthly trade magazine. Lyne joined the military in 1943 as a member of the first class of SPARS – the Women's Reserve of the Coast Guard created during World War II. SPARS was an acronym of the first letters of the Coast Guard motto and its English translation, Semper Paratus Always Ready. SPARS was deactivated in 1947, at which point Lyne was discharged as a Lieutenant of the United States Coast Guard Reserve. Lyne continued her writing career, working for the U.S. Public Health Service, the United States Information Agency, and the Inter Press Service. Lyne also coauthored  Three Years Behind the Mast , a history of SPARS.","Lyne spent most of her adult life in Silver Spring, Maryland before moving to Charlottesville in 1993. She died on August 20, 2001 in Charlottesville and was interred at Elmwood Cemetery in Shepherdstown, West Virginia."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Mary Catherine Lyne Papers, 1942-2001, SC 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Mary Catherine Lyne Papers, 1942-2001, SC 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"relatedmaterial_html_tesm":["\u003cp\u003eLyne, Mary C. and Kay Arthur. \u003cemph render=\"italic\"\u003eThree Years Behind the Mast: The Story of The United States Coast Guard SPARS\u003c/emph\u003e. Washington, 1946.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Lyne, Mary C. and Kay Arthur.  Three Years Behind the Mast: The Story of The United States Coast Guard SPARS . Washington, 1946."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Catherine Lyne Papers, 1942-2001, contain photographs, newspaper and magazine clippings, memos, programs, and other personal papers relating to Lyne's time spent in SPARS during World War II. The collection also contains papers compiled by Lyne's niece, Kitty Landess, concerning the Lyne's death in 2001.\u003c/p\u003e\n","\u003cp\u003eMaterials related to SPARS events include a program from a 1945 event called \"Mlle Muster for Spars,\" which was likely an event co-sponsored by \u003cemph render=\"italic\"\u003eMademoiselle\u003c/emph\u003e magazine and focused on re-acclimating SPARS women to their post-war lives. Accompanying the \"Mlle Muster for Spars\" program is a two-page essay recounting the event. Additional event materials include a program for the play \"Wet Behind the Ears\" by the Naval Reserve Midshipmen's School, a memo from the District Coast Guard Office of New York City regarding uniform regulations, program from SPAR reunion of 1947, a series of ink drawings by Kay Stuurman, and a copy of the \"Spar Song Book\" containing sheet music.\u003c/p\u003e\n","\u003cp\u003eRounding out the collection of SPARS-related items are 13 black-and-white photographs of SPARS women, including Mary Catherine Lyne, SPARS Director Captain Dorothy C. Stratton, and Henrietta Baker. Of particular interest is a photograph of Lyne sitting at the desk of L. Spencer (presumably Lyndon Spencer) reading a brochure with cigarette in hand. The inscription on the verso reads: \"Mary Catherine Lyne (This is a doctored photo!) Mary is NOT L. Spencer rear admiral.\"\u003c/p\u003e\n","\u003cp\u003eItems compiled by Lyne's niece, Kitty Landess, include a death notice written by Landess and a copy of Lyne's obituary.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Mary Catherine Lyne Papers, 1942-2001, contain photographs, newspaper and magazine clippings, memos, programs, and other personal papers relating to Lyne's time spent in SPARS during World War II. The collection also contains papers compiled by Lyne's niece, Kitty Landess, concerning the Lyne's death in 2001.","Materials related to SPARS events include a program from a 1945 event called \"Mlle Muster for Spars,\" which was likely an event co-sponsored by  Mademoiselle  magazine and focused on re-acclimating SPARS women to their post-war lives. Accompanying the \"Mlle Muster for Spars\" program is a two-page essay recounting the event. Additional event materials include a program for the play \"Wet Behind the Ears\" by the Naval Reserve Midshipmen's School, a memo from the District Coast Guard Office of New York City regarding uniform regulations, program from SPAR reunion of 1947, a series of ink drawings by Kay Stuurman, and a copy of the \"Spar Song Book\" containing sheet music.","Rounding out the collection of SPARS-related items are 13 black-and-white photographs of SPARS women, including Mary Catherine Lyne, SPARS Director Captain Dorothy C. Stratton, and Henrietta Baker. Of particular interest is a photograph of Lyne sitting at the desk of L. Spencer (presumably Lyndon Spencer) reading a brochure with cigarette in hand. The inscription on the verso reads: \"Mary Catherine Lyne (This is a doctored photo!) Mary is NOT L. Spencer rear admiral.\"","Items compiled by Lyne's niece, Kitty Landess, include a death notice written by Landess and a copy of Lyne's obituary."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7d561e3c76a81397c9832efe4bb30747\"\u003eThe Mary Catherine Lyne Papers, 1942-2001, contain photographs, programs, memos, and newspaper clippings related to Mary Catherine Lyne's time spent serving in the SPARS (the Women's Reserve of the Coast Guard) from 1943 to 1947.\u003c/abstract\u003e"],"abstract_tesim":["The Mary Catherine Lyne Papers, 1942-2001, contain photographs, programs, memos, and newspaper clippings related to Mary Catherine Lyne's time spent serving in the SPARS (the Women's Reserve of the Coast Guard) from 1943 to 1947."],"names_coll_ssim":["United States. Coast Guard. Women's Reserve","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Alumni and alumnae","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History"],"names_ssim":["James Madison University Libraries Special Collections","United States. Coast Guard. Women's Reserve","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Alumni and alumnae","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History","Landess, Kitty"],"corpname_ssim":["James Madison University Libraries Special Collections","United States. Coast Guard. Women's Reserve","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Alumni and alumnae","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History"],"persname_ssim":["Landess, Kitty"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:51.369Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_369","ead_ssi":"vihart_repositories_4_resources_369","_root_":"vihart_repositories_4_resources_369","_nest_parent_":"vihart_repositories_4_resources_369","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_369.xml","title_ssm":["Mary Catherine Lyne Papers"],"title_tesim":["Mary Catherine Lyne Papers"],"unitdate_ssm":["1942-2001"],"unitdate_inclusive_ssm":["1942-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0046","/repositories/4/resources/369"],"text":["SC 0046","/repositories/4/resources/369","Mary Catherine Lyne Papers","Harrisonburg (Va.) -- History","World War, 1939-1945 -- History","Black-and-white photographs","Songbooks","Obituaries","Newspaper clippings","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged topically in four folders.","The Schoolma'am , 1940. Harrisonburg (Va.): Madison College.","\"United States Census, 1930\", database with images,  FamilySearch  (https://familysearch.org/ark:/61903/1:1:XM4R-4ZG : accessed 7 December 2015), Mary K Lyne in entry for John J Lyne, 1930.","Mary Catherine Lyne was born on December 10, 1916 in Charles Town, West Virginia to Sue Legge and John Julian Lyne. Lyne enrolled at the State Teachers College in 1936 and graduated in 1940 with a degree in high school education. She participated in many extracurricular activities as a member of the Cotillion Club, the Lee Literary Society, Y. W. C. A., the Lost Chords musical organization, and  The Breeze  editorial staff as feature editor and editor-in-chief. She served as president of Kappa Delta Pi, an education honor society, and was her freshman class treasurer and sophomore class president.","Rather than enter teaching, Lyne instead worked as an editorial assistant for a monthly trade magazine. Lyne joined the military in 1943 as a member of the first class of SPARS – the Women's Reserve of the Coast Guard created during World War II. SPARS was an acronym of the first letters of the Coast Guard motto and its English translation, Semper Paratus Always Ready. SPARS was deactivated in 1947, at which point Lyne was discharged as a Lieutenant of the United States Coast Guard Reserve. Lyne continued her writing career, working for the U.S. Public Health Service, the United States Information Agency, and the Inter Press Service. Lyne also coauthored  Three Years Behind the Mast , a history of SPARS.","Lyne spent most of her adult life in Silver Spring, Maryland before moving to Charlottesville in 1993. She died on August 20, 2001 in Charlottesville and was interred at Elmwood Cemetery in Shepherdstown, West Virginia.","Lyne, Mary C. and Kay Arthur.  Three Years Behind the Mast: The Story of The United States Coast Guard SPARS . Washington, 1946.","The Mary Catherine Lyne Papers, 1942-2001, contain photographs, newspaper and magazine clippings, memos, programs, and other personal papers relating to Lyne's time spent in SPARS during World War II. The collection also contains papers compiled by Lyne's niece, Kitty Landess, concerning the Lyne's death in 2001.","Materials related to SPARS events include a program from a 1945 event called \"Mlle Muster for Spars,\" which was likely an event co-sponsored by  Mademoiselle  magazine and focused on re-acclimating SPARS women to their post-war lives. Accompanying the \"Mlle Muster for Spars\" program is a two-page essay recounting the event. Additional event materials include a program for the play \"Wet Behind the Ears\" by the Naval Reserve Midshipmen's School, a memo from the District Coast Guard Office of New York City regarding uniform regulations, program from SPAR reunion of 1947, a series of ink drawings by Kay Stuurman, and a copy of the \"Spar Song Book\" containing sheet music.","Rounding out the collection of SPARS-related items are 13 black-and-white photographs of SPARS women, including Mary Catherine Lyne, SPARS Director Captain Dorothy C. Stratton, and Henrietta Baker. Of particular interest is a photograph of Lyne sitting at the desk of L. Spencer (presumably Lyndon Spencer) reading a brochure with cigarette in hand. The inscription on the verso reads: \"Mary Catherine Lyne (This is a doctored photo!) Mary is NOT L. Spencer rear admiral.\"","Items compiled by Lyne's niece, Kitty Landess, include a death notice written by Landess and a copy of Lyne's obituary.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Mary Catherine Lyne Papers, 1942-2001, contain photographs, programs, memos, and newspaper clippings related to Mary Catherine Lyne's time spent serving in the SPARS (the Women's Reserve of the Coast Guard) from 1943 to 1947.","James Madison University Libraries Special Collections","United States. Coast Guard. Women's Reserve","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Alumni and alumnae","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History","Landess, Kitty","English"],"unitid_tesim":["SC 0046","/repositories/4/resources/369"],"normalized_title_ssm":["Mary Catherine Lyne Papers"],"collection_title_tesim":["Mary Catherine Lyne Papers"],"collection_ssim":["Mary Catherine Lyne Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"creator_ssm":["Landess, Kitty"],"creator_ssim":["Landess, Kitty"],"creator_persname_ssim":["Landess, Kitty"],"creators_ssim":["Landess, Kitty"],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["These papers were donated to Lisa Horsch of James Madison University by Kitty Landess at the request of Emily Lewis Lee in preparation for the founding of the World War II Memorial Patio at Leeolou Alumni Center in 2002."],"access_subjects_ssim":["World War, 1939-1945 -- History","Black-and-white photographs","Songbooks","Obituaries","Newspaper clippings"],"access_subjects_ssm":["World War, 1939-1945 -- History","Black-and-white photographs","Songbooks","Obituaries","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["0.16 cubic feet 3 legal folders"],"extent_tesim":["0.16 cubic feet 3 legal folders"],"genreform_ssim":["Black-and-white photographs","Songbooks","Obituaries","Newspaper clippings"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged topically in four folders.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged topically in four folders."],"bibliography_html_tesm":["\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1940. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e","\u003cbibref\u003e\"United States Census, 1930\", database with images, \u003cemph render=\"italic\"\u003eFamilySearch\u003c/emph\u003e (https://familysearch.org/ark:/61903/1:1:XM4R-4ZG : accessed 7 December 2015), Mary K Lyne in entry for John J Lyne, 1930.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The Schoolma'am , 1940. Harrisonburg (Va.): Madison College.","\"United States Census, 1930\", database with images,  FamilySearch  (https://familysearch.org/ark:/61903/1:1:XM4R-4ZG : accessed 7 December 2015), Mary K Lyne in entry for John J Lyne, 1930."],"bioghist_html_tesm":["\u003cp\u003eMary Catherine Lyne was born on December 10, 1916 in Charles Town, West Virginia to Sue Legge and John Julian Lyne. Lyne enrolled at the State Teachers College in 1936 and graduated in 1940 with a degree in high school education. She participated in many extracurricular activities as a member of the Cotillion Club, the Lee Literary Society, Y. W. C. A., the Lost Chords musical organization, and \u003cemph render=\"italic\"\u003eThe Breeze\u003c/emph\u003e editorial staff as feature editor and editor-in-chief. She served as president of Kappa Delta Pi, an education honor society, and was her freshman class treasurer and sophomore class president.\u003c/p\u003e\n","\u003cp\u003eRather than enter teaching, Lyne instead worked as an editorial assistant for a monthly trade magazine. Lyne joined the military in 1943 as a member of the first class of SPARS – the Women's Reserve of the Coast Guard created during World War II. SPARS was an acronym of the first letters of the Coast Guard motto and its English translation, Semper Paratus Always Ready. SPARS was deactivated in 1947, at which point Lyne was discharged as a Lieutenant of the United States Coast Guard Reserve. Lyne continued her writing career, working for the U.S. Public Health Service, the United States Information Agency, and the Inter Press Service. Lyne also coauthored \u003cemph render=\"italic\"\u003eThree Years Behind the Mast\u003c/emph\u003e, a history of SPARS.\u003c/p\u003e\n","\u003cp\u003eLyne spent most of her adult life in Silver Spring, Maryland before moving to Charlottesville in 1993. She died on August 20, 2001 in Charlottesville and was interred at Elmwood Cemetery in Shepherdstown, West Virginia.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Mary Catherine Lyne was born on December 10, 1916 in Charles Town, West Virginia to Sue Legge and John Julian Lyne. Lyne enrolled at the State Teachers College in 1936 and graduated in 1940 with a degree in high school education. She participated in many extracurricular activities as a member of the Cotillion Club, the Lee Literary Society, Y. W. C. A., the Lost Chords musical organization, and  The Breeze  editorial staff as feature editor and editor-in-chief. She served as president of Kappa Delta Pi, an education honor society, and was her freshman class treasurer and sophomore class president.","Rather than enter teaching, Lyne instead worked as an editorial assistant for a monthly trade magazine. Lyne joined the military in 1943 as a member of the first class of SPARS – the Women's Reserve of the Coast Guard created during World War II. SPARS was an acronym of the first letters of the Coast Guard motto and its English translation, Semper Paratus Always Ready. SPARS was deactivated in 1947, at which point Lyne was discharged as a Lieutenant of the United States Coast Guard Reserve. Lyne continued her writing career, working for the U.S. Public Health Service, the United States Information Agency, and the Inter Press Service. Lyne also coauthored  Three Years Behind the Mast , a history of SPARS.","Lyne spent most of her adult life in Silver Spring, Maryland before moving to Charlottesville in 1993. She died on August 20, 2001 in Charlottesville and was interred at Elmwood Cemetery in Shepherdstown, West Virginia."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Mary Catherine Lyne Papers, 1942-2001, SC 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Mary Catherine Lyne Papers, 1942-2001, SC 0046, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"relatedmaterial_html_tesm":["\u003cp\u003eLyne, Mary C. and Kay Arthur. \u003cemph render=\"italic\"\u003eThree Years Behind the Mast: The Story of The United States Coast Guard SPARS\u003c/emph\u003e. Washington, 1946.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Lyne, Mary C. and Kay Arthur.  Three Years Behind the Mast: The Story of The United States Coast Guard SPARS . Washington, 1946."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Catherine Lyne Papers, 1942-2001, contain photographs, newspaper and magazine clippings, memos, programs, and other personal papers relating to Lyne's time spent in SPARS during World War II. The collection also contains papers compiled by Lyne's niece, Kitty Landess, concerning the Lyne's death in 2001.\u003c/p\u003e\n","\u003cp\u003eMaterials related to SPARS events include a program from a 1945 event called \"Mlle Muster for Spars,\" which was likely an event co-sponsored by \u003cemph render=\"italic\"\u003eMademoiselle\u003c/emph\u003e magazine and focused on re-acclimating SPARS women to their post-war lives. Accompanying the \"Mlle Muster for Spars\" program is a two-page essay recounting the event. Additional event materials include a program for the play \"Wet Behind the Ears\" by the Naval Reserve Midshipmen's School, a memo from the District Coast Guard Office of New York City regarding uniform regulations, program from SPAR reunion of 1947, a series of ink drawings by Kay Stuurman, and a copy of the \"Spar Song Book\" containing sheet music.\u003c/p\u003e\n","\u003cp\u003eRounding out the collection of SPARS-related items are 13 black-and-white photographs of SPARS women, including Mary Catherine Lyne, SPARS Director Captain Dorothy C. Stratton, and Henrietta Baker. Of particular interest is a photograph of Lyne sitting at the desk of L. Spencer (presumably Lyndon Spencer) reading a brochure with cigarette in hand. The inscription on the verso reads: \"Mary Catherine Lyne (This is a doctored photo!) Mary is NOT L. Spencer rear admiral.\"\u003c/p\u003e\n","\u003cp\u003eItems compiled by Lyne's niece, Kitty Landess, include a death notice written by Landess and a copy of Lyne's obituary.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Mary Catherine Lyne Papers, 1942-2001, contain photographs, newspaper and magazine clippings, memos, programs, and other personal papers relating to Lyne's time spent in SPARS during World War II. The collection also contains papers compiled by Lyne's niece, Kitty Landess, concerning the Lyne's death in 2001.","Materials related to SPARS events include a program from a 1945 event called \"Mlle Muster for Spars,\" which was likely an event co-sponsored by  Mademoiselle  magazine and focused on re-acclimating SPARS women to their post-war lives. Accompanying the \"Mlle Muster for Spars\" program is a two-page essay recounting the event. Additional event materials include a program for the play \"Wet Behind the Ears\" by the Naval Reserve Midshipmen's School, a memo from the District Coast Guard Office of New York City regarding uniform regulations, program from SPAR reunion of 1947, a series of ink drawings by Kay Stuurman, and a copy of the \"Spar Song Book\" containing sheet music.","Rounding out the collection of SPARS-related items are 13 black-and-white photographs of SPARS women, including Mary Catherine Lyne, SPARS Director Captain Dorothy C. Stratton, and Henrietta Baker. Of particular interest is a photograph of Lyne sitting at the desk of L. Spencer (presumably Lyndon Spencer) reading a brochure with cigarette in hand. The inscription on the verso reads: \"Mary Catherine Lyne (This is a doctored photo!) Mary is NOT L. Spencer rear admiral.\"","Items compiled by Lyne's niece, Kitty Landess, include a death notice written by Landess and a copy of Lyne's obituary."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7d561e3c76a81397c9832efe4bb30747\"\u003eThe Mary Catherine Lyne Papers, 1942-2001, contain photographs, programs, memos, and newspaper clippings related to Mary Catherine Lyne's time spent serving in the SPARS (the Women's Reserve of the Coast Guard) from 1943 to 1947.\u003c/abstract\u003e"],"abstract_tesim":["The Mary Catherine Lyne Papers, 1942-2001, contain photographs, programs, memos, and newspaper clippings related to Mary Catherine Lyne's time spent serving in the SPARS (the Women's Reserve of the Coast Guard) from 1943 to 1947."],"names_coll_ssim":["United States. Coast Guard. Women's Reserve","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Alumni and alumnae","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History"],"names_ssim":["James Madison University Libraries Special Collections","United States. Coast Guard. Women's Reserve","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Alumni and alumnae","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History","Landess, Kitty"],"corpname_ssim":["James Madison University Libraries Special Collections","United States. Coast Guard. Women's Reserve","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Alumni and alumnae","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students -- Social life and customs","James Madison University -- Students -- History"],"persname_ssim":["Landess, Kitty"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:51.369Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_369"}},{"id":"viu_repositories_3_resources_998","type":"collection","attributes":{"title":"Nydrie and Algoma related papers","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_998#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of papers relating to Nydrie and Algoma, consisting chiefly of photographs and articles pertaining to the family homes of the Logan and Forsyth families. Included is a scrapbook of articles by Lily Logan Morrill.This collection contains material from around 1880, when the homes were built, to about 1960, when the Forsyth family, which owned \"Nydrie\" at the time, started a discussion about what to do with the house due to its dilapidated conditions. This collection focuses on two families, the Logans who owned \"Algoma,\" and the Forsyths who owned \"Nydrie.\" \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_998#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_998","ead_ssi":"viu_repositories_3_resources_998","_root_":"viu_repositories_3_resources_998","_nest_parent_":"viu_repositories_3_resources_998","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_998.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/120861","title_filing_ssi":"Nydrie and Algoma related papers","title_ssm":["Nydrie and Algoma related papers"],"title_tesim":["Nydrie and Algoma related papers"],"unitdate_ssm":["circa 1862-2003"],"unitdate_inclusive_ssm":["circa 1862-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS .14956","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/998"],"text":["MSS .14956","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/998","Nydrie and Algoma related papers","Nydrie--Dwelling","Algoma--Dwelling","Thomas Muldrup Logan, 1808-1876","African Americans","Scrapbooks","Black-and-white photographs","Fair to good.","This collection is open for research use.","This collection focuses on the two families that inhabited \"Nydrie,\" a farm located in Esmont, Virginia, and \"Algoma,\" a farm located in Buckingham County, Virginia. ","\"Nydrie,\" located in Esmont, Virginia, was built in 1891 to resemble a Scottish castle and was owned by the Forsyth family. Members of this family include Harry Forsyth (1846-1902), a wealthy sugar broker who resided in Louisiana, and his wife, Sarah Rice Johnson Forsyth (1849-1920), their son, Douglas Forsyth (1875-1941), the children of Douglas Forsyth, Bucky Forsyth (1912-1980)and Sarah Forsyth Randolph (1912-1937), and various other family members. ","The Forsyths were descended from William Forsyth (1812-1899), a conservative British member of parliament and lawyer who wrote several books about legal subjects. The land where the house was built was originally called the Tom Coles farm and was sold to the family in 1890. Douglas Forsyth eventually sold this mansion to Daniel Van Clief, a successful horse stud breeder, but it fell into disrepair and eventually was torn down in 1970. The Van Cliefs continued to own the land until 2008.","The \"Algoma farm,\" located in Buckingham, Virginia, was the summer home of Thomas Muldrup Logan and his family. Thomas Logan was a famous Confederate Brigadier General who served under Robert E. Lee, as well as a railway and business associate of John D. Rockefeller. About 1880, Thomas M. Logan bought the \"Hartsook Farm,\" and this land became the \"Algoma\" Farm. The \"Algoma Farm\" had several buildings on it including the \"Algoma\" house which was built in the 1880s, \"Axtell Academy,\" an educational school for women which was managed by his daughter Meta Cabell (1875-1904). The \"John Crews Farm\" was owned by Lena Logan (1879-1961), the wife of Douglas Forsyth, and \"Dungannon,\"  built as a summer home for Dr. H.D. Bruns and his wife, Katy Logan Bruns, was next to \"Algoma.\" ","There is a book called the \"Algoma Log Book,\" deciphered by Elizabeth Scott, which gives an excellent record of the everyday activities of this house as well as the African Americans which worked for the family.","The link to the \"Algoma Log Book\" transcribed by Elizabeth Scott is: ","https://drive.google.com/file/d/1zwWZLf51_snYjoOShPP7NcSh-dx6tZ49/view?usp=sharing","This folder contains images of Axtell Academy, which was a school for women, built in Buckingham County in 1892. General Logan wanted this school built for his daughters, so they would have a good education. His daughter, Meta Forsyth Cabell, eventually raning the school. One of the teachers at this school was Professor Irving Sale who was a University of Virginia graduate. The library of this school was incredibly advanced for its time with over 3,000 books.","This collection consists of papers relating to Nydrie and Algoma, consisting chiefly of photographs and articles pertaining to the family homes of the Logan and Forsyth families. Included is a scrapbook of articles by Lily Logan Morrill.This collection contains material from around 1880, when the homes were built, to about 1960, when the Forsyth family, which owned \"Nydrie\" at the time, started a discussion about what to do with the house due to its dilapidated conditions. This collection focuses on two families, the Logans who owned \"Algoma,\" and the Forsyths who owned \"Nydrie.\" ","The papers consists of various photographs of the family, drawings, and newspaper clippings about Thomas Muldrup Logan, a Confederate Brigadier General who served under Robert E. Lee, photographs of Lily Morrill (1877-1944) who owned  \"Enniscorthy,\" and photographs of the \"Enniscorthy plantation\" in the 1800s.","Also present are photographs and news clippings about Lily Morrill's daughter Elizabeth Morrill Holladay (1909-1996), a pilot who helped ferry planes during WWII, news clippings and information about Axtell Academy, Buckingham County, Virginia, a school for women which was run by Meta Logan Cabell, the daughter of Thomas M. Logan, and five scrapbooks labeled A through E which hold photographs of the families, writings by Lily Morrill, as well as some photographs of African Americans. There are also various photographs throughout the collection of both the inside and outside of the \"Nydrie\" and \"Algoma\" houses, photographs of Lily Logan at graduation, and photographs of the Green Mountain Hunt Club . ","Christmas cards to one of the families, containing images of \"Guthrie Hall,\" an historic mansion located in Esmont, Virginia, and a photograph of the Cliveden Astors.","This folder contains newspaper clippings about Thomas Muldrup Logan, including a newspaper clipping about Lena Logan Forsyth accepting honors for her father at the unveiling of the Washington Light Infantry Monument in Charleston, SC in 1891. There is also an article of Elizabeth Drake Morrill Holladay, a female pilot who ferried planes during WWII. This was a part of a female group of pilots called the 'Ninety-Nines.' Her second husband, Richard Fairfield Holladay, helped build the Albemarle Airport.","This folder contains photographs of the inside and outside of the Algoma house, dating from around 1890 until around 1980.  There is information about the farm with a diagram of how the farm was divided up and information about who had different areas of the farm. There is also an image of \"Dungannon,\" the house on the Algoma farm owned by Katy Logan Bruns, one of the daughters of Thomas M. Logan.","This folder contains various images of the inside and outside of Nydrie, including an article about Nydrie having fallen into disrepair and There is also a hand drawn image of Nydrie used on a flier attempting to sell materials from Nydrie.","\"Enniscorthy\" was a large plantation in Albemarle County originally owned by the Coles family who had business connections with Thomas Jefferson. Mr. and Ms. Morrill obtained the house in 1926. Lily Morrill completely restructured the garden, and it became well known in the area for its beauty.","This folder contains various images of the Forsyth and Logan family. There are various images of Sarah Johnson (Forsyth) Randolph getting married in 1937 at Christ Episcopal Church, Glendower, Albemarle County, Virginia. This church is one of the oldest Episcopal churches in St. Anne's Parish, Albemarle Virginia, and is recognized in the National Record of Historic Places. There are also various images of Sarah Rice Johnson Forsyth, Bucky Forsyth, Lily Logan Morrill, Albert Henry Morrill, T.M. Logan's daughters, and various other members of the family.","One thing to note is there is a photograph showing an African American woman holding the twins Sarah Forsyth Randolph and Bucky Forsyth. Her name is Rebecca Ward Jordan.","Page 1 and 2 of this scrapbook contain images of \"Clover Hill,\" and its cemetery, Chesterfield, Virginia, a famous plantation before the Civil War. An enslaved man found coal on the land which led to several mines opening on the plantation. These mines became known as the \"Clover Hill Pits.\" Robert E. Lee also briefly visited this house for dinner. This plantation was the childhood home of Kate Virginia Cox, the wife of Thomas Muldrup Logan. ","Pages 4 and 5 of the scrapbook contain photographs of General Thomas Muldrup Logan in uniform and in civilian clothes after the Civil War. ","Page 9 contains images of African Americans. The African American woman shown is named Ellen Jasper (died 1904). ","Page 17 contains two images of an African American man listed only as \"Uncle David (Algoma).\" He served previously as an enslaved laborer for one of the Rives family in the Confederate Army. ","Page 18 has another image of \"Uncle David.\" It also shows an image of someone plowing, who may also be an African American man.","Page 19 shows Lena Logan dressed up for Mardi Gras. The Logan families' non-summer home was located in Louisiana. ","Page 23 has another photograph of Ellen Jasper and page 25 shows an African American man working as a carriage driver.","Pages 1 and 2 of Scrapbook B contains images of Thomas M. Logan, both as a young man and as an older man.","On page 15, the top left photograph may possibly be of an African American farmhand. This scrapbook is filled with excellent images of the Algoma house, both inside and outside.","Page 10 of Scrapbook C shows an image of an unnamed African American man in the uniform of a carriage driver, standing beside two horses and carriage.","There is a typed list of identifications with this scrapbook provided by the donors.\nPage 3 of Scrapbook D shows people taking a carriage ride. Page 4a and b possibly contain images of African American men.","Page 6a contains images of African American men. 6b and 7a shows women raking hay but possibly a posed photograph since they appear to be wearing nice dresses. One of the women in 6a is Lena Logan, Lily Logan is in 7b. 8b also shows a woman \"at work\" and may be. This woman is probably Lena Logan.","Pages 1-37 of this Scrapbook contain writing by Lily Logan Morrill. She was a writer and editor of the \"Home and Garden Review.\" Some of the magazines in which she published include \"Girlhood Days,\" \"Junior Life,\" and \"Homes and Gardens of Tomorrow.\"","Page 37 of this Scrapbook contains an article by Lily Logan Morrill about Morven Garden. This garden is still used today for students at the University of Virginia to learn more about sustainability and the crops grown from this garden are used to partially supply University of Virginia dining. ","Page 101 has an image of \"Union Hall\" and an African American woman, whose name appears to be Mary Minor Bush. Page 103 has a photograph of Dr. Sam Logan","Page 104 contains an image of Elizabeth Morrill working on her plane.","Page 106 has an image of Axtell Academy and a photograph of African American girls who were the ribbon bearers at the wedding of Elizabeth Morrill and Theodore Phillips, her first husband.","Albert and Shirley Small Special Collections Library","Morrill, Lily Logan, 1877-1944","English"],"unitid_tesim":["MSS .14956","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/998"],"normalized_title_ssm":["Nydrie and Algoma related papers"],"collection_title_tesim":["Nydrie and Algoma related papers"],"collection_ssim":["Nydrie and Algoma related papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Nydrie--Dwelling","Algoma--Dwelling","Thomas Muldrup Logan, 1808-1876"],"geogname_ssim":["Nydrie--Dwelling","Algoma--Dwelling","Thomas Muldrup Logan, 1808-1876"],"places_ssim":["Nydrie--Dwelling","Algoma--Dwelling","Thomas Muldrup Logan, 1808-1876"],"acqinfo_ssim":["This collection was given to the University of Virginia Special Collections Library on February 26, 2010, by Sarah Donnelly."],"access_subjects_ssim":["African Americans","Scrapbooks","Black-and-white photographs"],"access_subjects_ssm":["African Americans","Scrapbooks","Black-and-white photographs"],"has_online_content_ssim":["false"],"physdesc_tesim":["Fair to good."],"extent_ssm":["1 Cubic Feet 1 legal document box and 1 over size small flat box"],"extent_tesim":["1 Cubic Feet 1 legal document box and 1 over size small flat box"],"genreform_ssim":["Scrapbooks","Black-and-white photographs"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThis collection focuses on the two families that inhabited \"Nydrie,\" a farm located in Esmont, Virginia, and \"Algoma,\" a farm located in Buckingham County, Virginia. \u003c/p\u003e\n","\u003cp\u003e\"Nydrie,\" located in Esmont, Virginia, was built in 1891 to resemble a Scottish castle and was owned by the Forsyth family. Members of this family include Harry Forsyth (1846-1902), a wealthy sugar broker who resided in Louisiana, and his wife, Sarah Rice Johnson Forsyth (1849-1920), their son, Douglas Forsyth (1875-1941), the children of Douglas Forsyth, Bucky Forsyth (1912-1980)and Sarah Forsyth Randolph (1912-1937), and various other family members. \u003c/p\u003e\n","\u003cp\u003eThe Forsyths were descended from William Forsyth (1812-1899), a conservative British member of parliament and lawyer who wrote several books about legal subjects. The land where the house was built was originally called the Tom Coles farm and was sold to the family in 1890. Douglas Forsyth eventually sold this mansion to Daniel Van Clief, a successful horse stud breeder, but it fell into disrepair and eventually was torn down in 1970. The Van Cliefs continued to own the land until 2008.\u003c/p\u003e\n","\u003cp\u003eThe \"Algoma farm,\" located in Buckingham, Virginia, was the summer home of Thomas Muldrup Logan and his family. Thomas Logan was a famous Confederate Brigadier General who served under Robert E. Lee, as well as a railway and business associate of John D. Rockefeller. About 1880, Thomas M. Logan bought the \"Hartsook Farm,\" and this land became the \"Algoma\" Farm. The \"Algoma Farm\" had several buildings on it including the \"Algoma\" house which was built in the 1880s, \"Axtell Academy,\" an educational school for women which was managed by his daughter Meta Cabell (1875-1904). The \"John Crews Farm\" was owned by Lena Logan (1879-1961), the wife of Douglas Forsyth, and \"Dungannon,\"  built as a summer home for Dr. H.D. Bruns and his wife, Katy Logan Bruns, was next to \"Algoma.\" \u003c/p\u003e\n","\u003cp\u003eThere is a book called the \"Algoma Log Book,\" deciphered by Elizabeth Scott, which gives an excellent record of the everyday activities of this house as well as the African Americans which worked for the family.\u003c/p\u003e\n","\u003cp\u003eThe link to the \"Algoma Log Book\" transcribed by Elizabeth Scott is: \u003c/p\u003e\n","\u003cp\u003ehttps://drive.google.com/file/d/1zwWZLf51_snYjoOShPP7NcSh-dx6tZ49/view?usp=sharing\u003c/p\u003e","\u003cp\u003eThis folder contains images of Axtell Academy, which was a school for women, built in Buckingham County in 1892. General Logan wanted this school built for his daughters, so they would have a good education. His daughter, Meta Forsyth Cabell, eventually raning the school. One of the teachers at this school was Professor Irving Sale who was a University of Virginia graduate. The library of this school was incredibly advanced for its time with over 3,000 books.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["This collection focuses on the two families that inhabited \"Nydrie,\" a farm located in Esmont, Virginia, and \"Algoma,\" a farm located in Buckingham County, Virginia. ","\"Nydrie,\" located in Esmont, Virginia, was built in 1891 to resemble a Scottish castle and was owned by the Forsyth family. Members of this family include Harry Forsyth (1846-1902), a wealthy sugar broker who resided in Louisiana, and his wife, Sarah Rice Johnson Forsyth (1849-1920), their son, Douglas Forsyth (1875-1941), the children of Douglas Forsyth, Bucky Forsyth (1912-1980)and Sarah Forsyth Randolph (1912-1937), and various other family members. ","The Forsyths were descended from William Forsyth (1812-1899), a conservative British member of parliament and lawyer who wrote several books about legal subjects. The land where the house was built was originally called the Tom Coles farm and was sold to the family in 1890. Douglas Forsyth eventually sold this mansion to Daniel Van Clief, a successful horse stud breeder, but it fell into disrepair and eventually was torn down in 1970. The Van Cliefs continued to own the land until 2008.","The \"Algoma farm,\" located in Buckingham, Virginia, was the summer home of Thomas Muldrup Logan and his family. Thomas Logan was a famous Confederate Brigadier General who served under Robert E. Lee, as well as a railway and business associate of John D. Rockefeller. About 1880, Thomas M. Logan bought the \"Hartsook Farm,\" and this land became the \"Algoma\" Farm. The \"Algoma Farm\" had several buildings on it including the \"Algoma\" house which was built in the 1880s, \"Axtell Academy,\" an educational school for women which was managed by his daughter Meta Cabell (1875-1904). The \"John Crews Farm\" was owned by Lena Logan (1879-1961), the wife of Douglas Forsyth, and \"Dungannon,\"  built as a summer home for Dr. H.D. Bruns and his wife, Katy Logan Bruns, was next to \"Algoma.\" ","There is a book called the \"Algoma Log Book,\" deciphered by Elizabeth Scott, which gives an excellent record of the everyday activities of this house as well as the African Americans which worked for the family.","The link to the \"Algoma Log Book\" transcribed by Elizabeth Scott is: ","https://drive.google.com/file/d/1zwWZLf51_snYjoOShPP7NcSh-dx6tZ49/view?usp=sharing","This folder contains images of Axtell Academy, which was a school for women, built in Buckingham County in 1892. General Logan wanted this school built for his daughters, so they would have a good education. His daughter, Meta Forsyth Cabell, eventually raning the school. One of the teachers at this school was Professor Irving Sale who was a University of Virginia graduate. The library of this school was incredibly advanced for its time with over 3,000 books."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of papers relating to Nydrie and Algoma, consisting chiefly of photographs and articles pertaining to the family homes of the Logan and Forsyth families. Included is a scrapbook of articles by Lily Logan Morrill.This collection contains material from around 1880, when the homes were built, to about 1960, when the Forsyth family, which owned \"Nydrie\" at the time, started a discussion about what to do with the house due to its dilapidated conditions. This collection focuses on two families, the Logans who owned \"Algoma,\" and the Forsyths who owned \"Nydrie.\" \u003c/p\u003e\n","\u003cp\u003eThe papers consists of various photographs of the family, drawings, and newspaper clippings about Thomas Muldrup Logan, a Confederate Brigadier General who served under Robert E. Lee, photographs of Lily Morrill (1877-1944) who owned  \"Enniscorthy,\" and photographs of the \"Enniscorthy plantation\" in the 1800s.\u003c/p\u003e\n","\u003cp\u003eAlso present are photographs and news clippings about Lily Morrill's daughter Elizabeth Morrill Holladay (1909-1996), a pilot who helped ferry planes during WWII, news clippings and information about Axtell Academy, Buckingham County, Virginia, a school for women which was run by Meta Logan Cabell, the daughter of Thomas M. Logan, and five scrapbooks labeled A through E which hold photographs of the families, writings by Lily Morrill, as well as some photographs of African Americans. There are also various photographs throughout the collection of both the inside and outside of the \"Nydrie\" and \"Algoma\" houses, photographs of Lily Logan at graduation, and photographs of the Green Mountain Hunt Club . \u003c/p\u003e","\u003cp\u003eChristmas cards to one of the families, containing images of \"Guthrie Hall,\" an historic mansion located in Esmont, Virginia, and a photograph of the Cliveden Astors.\u003c/p\u003e","\u003cp\u003eThis folder contains newspaper clippings about Thomas Muldrup Logan, including a newspaper clipping about Lena Logan Forsyth accepting honors for her father at the unveiling of the Washington Light Infantry Monument in Charleston, SC in 1891. There is also an article of Elizabeth Drake Morrill Holladay, a female pilot who ferried planes during WWII. This was a part of a female group of pilots called the 'Ninety-Nines.' Her second husband, Richard Fairfield Holladay, helped build the Albemarle Airport.\u003c/p\u003e","\u003cp\u003eThis folder contains photographs of the inside and outside of the Algoma house, dating from around 1890 until around 1980.  There is information about the farm with a diagram of how the farm was divided up and information about who had different areas of the farm. There is also an image of \"Dungannon,\" the house on the Algoma farm owned by Katy Logan Bruns, one of the daughters of Thomas M. Logan.\u003c/p\u003e","\u003cp\u003eThis folder contains various images of the inside and outside of Nydrie, including an article about Nydrie having fallen into disrepair and There is also a hand drawn image of Nydrie used on a flier attempting to sell materials from Nydrie.\u003c/p\u003e","\u003cp\u003e\"Enniscorthy\" was a large plantation in Albemarle County originally owned by the Coles family who had business connections with Thomas Jefferson. Mr. and Ms. Morrill obtained the house in 1926. Lily Morrill completely restructured the garden, and it became well known in the area for its beauty.\u003c/p\u003e","\u003cp\u003eThis folder contains various images of the Forsyth and Logan family. There are various images of Sarah Johnson (Forsyth) Randolph getting married in 1937 at Christ Episcopal Church, Glendower, Albemarle County, Virginia. This church is one of the oldest Episcopal churches in St. Anne's Parish, Albemarle Virginia, and is recognized in the National Record of Historic Places. There are also various images of Sarah Rice Johnson Forsyth, Bucky Forsyth, Lily Logan Morrill, Albert Henry Morrill, T.M. Logan's daughters, and various other members of the family.\u003c/p\u003e\n","\u003cp\u003eOne thing to note is there is a photograph showing an African American woman holding the twins Sarah Forsyth Randolph and Bucky Forsyth. Her name is Rebecca Ward Jordan.\u003c/p\u003e","\u003cp\u003ePage 1 and 2 of this scrapbook contain images of \"Clover Hill,\" and its cemetery, Chesterfield, Virginia, a famous plantation before the Civil War. An enslaved man found coal on the land which led to several mines opening on the plantation. These mines became known as the \"Clover Hill Pits.\" Robert E. Lee also briefly visited this house for dinner. This plantation was the childhood home of Kate Virginia Cox, the wife of Thomas Muldrup Logan. \u003c/p\u003e\n","\u003cp\u003ePages 4 and 5 of the scrapbook contain photographs of General Thomas Muldrup Logan in uniform and in civilian clothes after the Civil War. \u003c/p\u003e\n","\u003cp\u003ePage 9 contains images of African Americans. The African American woman shown is named Ellen Jasper (died 1904). \u003c/p\u003e\n","\u003cp\u003ePage 17 contains two images of an African American man listed only as \"Uncle David (Algoma).\" He served previously as an enslaved laborer for one of the Rives family in the Confederate Army. \u003c/p\u003e\n","\u003cp\u003ePage 18 has another image of \"Uncle David.\" It also shows an image of someone plowing, who may also be an African American man.\u003c/p\u003e\n","\u003cp\u003ePage 19 shows Lena Logan dressed up for Mardi Gras. The Logan families' non-summer home was located in Louisiana. \u003c/p\u003e\n","\u003cp\u003ePage 23 has another photograph of Ellen Jasper and page 25 shows an African American man working as a carriage driver.\u003c/p\u003e","\u003cp\u003ePages 1 and 2 of Scrapbook B contains images of Thomas M. Logan, both as a young man and as an older man.\u003c/p\u003e\n","\u003cp\u003eOn page 15, the top left photograph may possibly be of an African American farmhand. This scrapbook is filled with excellent images of the Algoma house, both inside and outside.\u003c/p\u003e","\u003cp\u003ePage 10 of Scrapbook C shows an image of an unnamed African American man in the uniform of a carriage driver, standing beside two horses and carriage.\u003c/p\u003e","\u003cp\u003eThere is a typed list of identifications with this scrapbook provided by the donors.\nPage 3 of Scrapbook D shows people taking a carriage ride. Page 4a and b possibly contain images of African American men.\u003c/p\u003e\n","\u003cp\u003ePage 6a contains images of African American men. 6b and 7a shows women raking hay but possibly a posed photograph since they appear to be wearing nice dresses. One of the women in 6a is Lena Logan, Lily Logan is in 7b. 8b also shows a woman \"at work\" and may be. This woman is probably Lena Logan.\u003c/p\u003e","\u003cp\u003ePages 1-37 of this Scrapbook contain writing by Lily Logan Morrill. She was a writer and editor of the \"Home and Garden Review.\" Some of the magazines in which she published include \"Girlhood Days,\" \"Junior Life,\" and \"Homes and Gardens of Tomorrow.\"\u003c/p\u003e\n","\u003cp\u003ePage 37 of this Scrapbook contains an article by Lily Logan Morrill about Morven Garden. This garden is still used today for students at the University of Virginia to learn more about sustainability and the crops grown from this garden are used to partially supply University of Virginia dining. \u003c/p\u003e\n","\u003cp\u003ePage 101 has an image of \"Union Hall\" and an African American woman, whose name appears to be Mary Minor Bush. Page 103 has a photograph of Dr. Sam Logan\u003c/p\u003e\n","\u003cp\u003ePage 104 contains an image of Elizabeth Morrill working on her plane.\u003c/p\u003e\n","\u003cp\u003ePage 106 has an image of Axtell Academy and a photograph of African American girls who were the ribbon bearers at the wedding of Elizabeth Morrill and Theodore Phillips, her first husband.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of papers relating to Nydrie and Algoma, consisting chiefly of photographs and articles pertaining to the family homes of the Logan and Forsyth families. Included is a scrapbook of articles by Lily Logan Morrill.This collection contains material from around 1880, when the homes were built, to about 1960, when the Forsyth family, which owned \"Nydrie\" at the time, started a discussion about what to do with the house due to its dilapidated conditions. This collection focuses on two families, the Logans who owned \"Algoma,\" and the Forsyths who owned \"Nydrie.\" ","The papers consists of various photographs of the family, drawings, and newspaper clippings about Thomas Muldrup Logan, a Confederate Brigadier General who served under Robert E. Lee, photographs of Lily Morrill (1877-1944) who owned  \"Enniscorthy,\" and photographs of the \"Enniscorthy plantation\" in the 1800s.","Also present are photographs and news clippings about Lily Morrill's daughter Elizabeth Morrill Holladay (1909-1996), a pilot who helped ferry planes during WWII, news clippings and information about Axtell Academy, Buckingham County, Virginia, a school for women which was run by Meta Logan Cabell, the daughter of Thomas M. Logan, and five scrapbooks labeled A through E which hold photographs of the families, writings by Lily Morrill, as well as some photographs of African Americans. There are also various photographs throughout the collection of both the inside and outside of the \"Nydrie\" and \"Algoma\" houses, photographs of Lily Logan at graduation, and photographs of the Green Mountain Hunt Club . ","Christmas cards to one of the families, containing images of \"Guthrie Hall,\" an historic mansion located in Esmont, Virginia, and a photograph of the Cliveden Astors.","This folder contains newspaper clippings about Thomas Muldrup Logan, including a newspaper clipping about Lena Logan Forsyth accepting honors for her father at the unveiling of the Washington Light Infantry Monument in Charleston, SC in 1891. There is also an article of Elizabeth Drake Morrill Holladay, a female pilot who ferried planes during WWII. This was a part of a female group of pilots called the 'Ninety-Nines.' Her second husband, Richard Fairfield Holladay, helped build the Albemarle Airport.","This folder contains photographs of the inside and outside of the Algoma house, dating from around 1890 until around 1980.  There is information about the farm with a diagram of how the farm was divided up and information about who had different areas of the farm. There is also an image of \"Dungannon,\" the house on the Algoma farm owned by Katy Logan Bruns, one of the daughters of Thomas M. Logan.","This folder contains various images of the inside and outside of Nydrie, including an article about Nydrie having fallen into disrepair and There is also a hand drawn image of Nydrie used on a flier attempting to sell materials from Nydrie.","\"Enniscorthy\" was a large plantation in Albemarle County originally owned by the Coles family who had business connections with Thomas Jefferson. Mr. and Ms. Morrill obtained the house in 1926. Lily Morrill completely restructured the garden, and it became well known in the area for its beauty.","This folder contains various images of the Forsyth and Logan family. There are various images of Sarah Johnson (Forsyth) Randolph getting married in 1937 at Christ Episcopal Church, Glendower, Albemarle County, Virginia. This church is one of the oldest Episcopal churches in St. Anne's Parish, Albemarle Virginia, and is recognized in the National Record of Historic Places. There are also various images of Sarah Rice Johnson Forsyth, Bucky Forsyth, Lily Logan Morrill, Albert Henry Morrill, T.M. Logan's daughters, and various other members of the family.","One thing to note is there is a photograph showing an African American woman holding the twins Sarah Forsyth Randolph and Bucky Forsyth. Her name is Rebecca Ward Jordan.","Page 1 and 2 of this scrapbook contain images of \"Clover Hill,\" and its cemetery, Chesterfield, Virginia, a famous plantation before the Civil War. An enslaved man found coal on the land which led to several mines opening on the plantation. These mines became known as the \"Clover Hill Pits.\" Robert E. Lee also briefly visited this house for dinner. This plantation was the childhood home of Kate Virginia Cox, the wife of Thomas Muldrup Logan. ","Pages 4 and 5 of the scrapbook contain photographs of General Thomas Muldrup Logan in uniform and in civilian clothes after the Civil War. ","Page 9 contains images of African Americans. The African American woman shown is named Ellen Jasper (died 1904). ","Page 17 contains two images of an African American man listed only as \"Uncle David (Algoma).\" He served previously as an enslaved laborer for one of the Rives family in the Confederate Army. ","Page 18 has another image of \"Uncle David.\" It also shows an image of someone plowing, who may also be an African American man.","Page 19 shows Lena Logan dressed up for Mardi Gras. The Logan families' non-summer home was located in Louisiana. ","Page 23 has another photograph of Ellen Jasper and page 25 shows an African American man working as a carriage driver.","Pages 1 and 2 of Scrapbook B contains images of Thomas M. Logan, both as a young man and as an older man.","On page 15, the top left photograph may possibly be of an African American farmhand. This scrapbook is filled with excellent images of the Algoma house, both inside and outside.","Page 10 of Scrapbook C shows an image of an unnamed African American man in the uniform of a carriage driver, standing beside two horses and carriage.","There is a typed list of identifications with this scrapbook provided by the donors.\nPage 3 of Scrapbook D shows people taking a carriage ride. Page 4a and b possibly contain images of African American men.","Page 6a contains images of African American men. 6b and 7a shows women raking hay but possibly a posed photograph since they appear to be wearing nice dresses. One of the women in 6a is Lena Logan, Lily Logan is in 7b. 8b also shows a woman \"at work\" and may be. This woman is probably Lena Logan.","Pages 1-37 of this Scrapbook contain writing by Lily Logan Morrill. She was a writer and editor of the \"Home and Garden Review.\" Some of the magazines in which she published include \"Girlhood Days,\" \"Junior Life,\" and \"Homes and Gardens of Tomorrow.\"","Page 37 of this Scrapbook contains an article by Lily Logan Morrill about Morven Garden. This garden is still used today for students at the University of Virginia to learn more about sustainability and the crops grown from this garden are used to partially supply University of Virginia dining. ","Page 101 has an image of \"Union Hall\" and an African American woman, whose name appears to be Mary Minor Bush. Page 103 has a photograph of Dr. Sam Logan","Page 104 contains an image of Elizabeth Morrill working on her plane.","Page 106 has an image of Axtell Academy and a photograph of African American girls who were the ribbon bearers at the wedding of Elizabeth Morrill and Theodore Phillips, her first husband."],"names_ssim":["Albert and Shirley Small Special Collections Library","Morrill, Lily Logan, 1877-1944"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_coll_ssim":["Morrill, Lily Logan, 1877-1944"],"persname_ssim":["Morrill, Lily Logan, 1877-1944"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:30:31.092Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_998","ead_ssi":"viu_repositories_3_resources_998","_root_":"viu_repositories_3_resources_998","_nest_parent_":"viu_repositories_3_resources_998","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_998.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/120861","title_filing_ssi":"Nydrie and Algoma related papers","title_ssm":["Nydrie and Algoma related papers"],"title_tesim":["Nydrie and Algoma related papers"],"unitdate_ssm":["circa 1862-2003"],"unitdate_inclusive_ssm":["circa 1862-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS .14956","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/998"],"text":["MSS .14956","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/998","Nydrie and Algoma related papers","Nydrie--Dwelling","Algoma--Dwelling","Thomas Muldrup Logan, 1808-1876","African Americans","Scrapbooks","Black-and-white photographs","Fair to good.","This collection is open for research use.","This collection focuses on the two families that inhabited \"Nydrie,\" a farm located in Esmont, Virginia, and \"Algoma,\" a farm located in Buckingham County, Virginia. ","\"Nydrie,\" located in Esmont, Virginia, was built in 1891 to resemble a Scottish castle and was owned by the Forsyth family. Members of this family include Harry Forsyth (1846-1902), a wealthy sugar broker who resided in Louisiana, and his wife, Sarah Rice Johnson Forsyth (1849-1920), their son, Douglas Forsyth (1875-1941), the children of Douglas Forsyth, Bucky Forsyth (1912-1980)and Sarah Forsyth Randolph (1912-1937), and various other family members. ","The Forsyths were descended from William Forsyth (1812-1899), a conservative British member of parliament and lawyer who wrote several books about legal subjects. The land where the house was built was originally called the Tom Coles farm and was sold to the family in 1890. Douglas Forsyth eventually sold this mansion to Daniel Van Clief, a successful horse stud breeder, but it fell into disrepair and eventually was torn down in 1970. The Van Cliefs continued to own the land until 2008.","The \"Algoma farm,\" located in Buckingham, Virginia, was the summer home of Thomas Muldrup Logan and his family. Thomas Logan was a famous Confederate Brigadier General who served under Robert E. Lee, as well as a railway and business associate of John D. Rockefeller. About 1880, Thomas M. Logan bought the \"Hartsook Farm,\" and this land became the \"Algoma\" Farm. The \"Algoma Farm\" had several buildings on it including the \"Algoma\" house which was built in the 1880s, \"Axtell Academy,\" an educational school for women which was managed by his daughter Meta Cabell (1875-1904). The \"John Crews Farm\" was owned by Lena Logan (1879-1961), the wife of Douglas Forsyth, and \"Dungannon,\"  built as a summer home for Dr. H.D. Bruns and his wife, Katy Logan Bruns, was next to \"Algoma.\" ","There is a book called the \"Algoma Log Book,\" deciphered by Elizabeth Scott, which gives an excellent record of the everyday activities of this house as well as the African Americans which worked for the family.","The link to the \"Algoma Log Book\" transcribed by Elizabeth Scott is: ","https://drive.google.com/file/d/1zwWZLf51_snYjoOShPP7NcSh-dx6tZ49/view?usp=sharing","This folder contains images of Axtell Academy, which was a school for women, built in Buckingham County in 1892. General Logan wanted this school built for his daughters, so they would have a good education. His daughter, Meta Forsyth Cabell, eventually raning the school. One of the teachers at this school was Professor Irving Sale who was a University of Virginia graduate. The library of this school was incredibly advanced for its time with over 3,000 books.","This collection consists of papers relating to Nydrie and Algoma, consisting chiefly of photographs and articles pertaining to the family homes of the Logan and Forsyth families. Included is a scrapbook of articles by Lily Logan Morrill.This collection contains material from around 1880, when the homes were built, to about 1960, when the Forsyth family, which owned \"Nydrie\" at the time, started a discussion about what to do with the house due to its dilapidated conditions. This collection focuses on two families, the Logans who owned \"Algoma,\" and the Forsyths who owned \"Nydrie.\" ","The papers consists of various photographs of the family, drawings, and newspaper clippings about Thomas Muldrup Logan, a Confederate Brigadier General who served under Robert E. Lee, photographs of Lily Morrill (1877-1944) who owned  \"Enniscorthy,\" and photographs of the \"Enniscorthy plantation\" in the 1800s.","Also present are photographs and news clippings about Lily Morrill's daughter Elizabeth Morrill Holladay (1909-1996), a pilot who helped ferry planes during WWII, news clippings and information about Axtell Academy, Buckingham County, Virginia, a school for women which was run by Meta Logan Cabell, the daughter of Thomas M. Logan, and five scrapbooks labeled A through E which hold photographs of the families, writings by Lily Morrill, as well as some photographs of African Americans. There are also various photographs throughout the collection of both the inside and outside of the \"Nydrie\" and \"Algoma\" houses, photographs of Lily Logan at graduation, and photographs of the Green Mountain Hunt Club . ","Christmas cards to one of the families, containing images of \"Guthrie Hall,\" an historic mansion located in Esmont, Virginia, and a photograph of the Cliveden Astors.","This folder contains newspaper clippings about Thomas Muldrup Logan, including a newspaper clipping about Lena Logan Forsyth accepting honors for her father at the unveiling of the Washington Light Infantry Monument in Charleston, SC in 1891. There is also an article of Elizabeth Drake Morrill Holladay, a female pilot who ferried planes during WWII. This was a part of a female group of pilots called the 'Ninety-Nines.' Her second husband, Richard Fairfield Holladay, helped build the Albemarle Airport.","This folder contains photographs of the inside and outside of the Algoma house, dating from around 1890 until around 1980.  There is information about the farm with a diagram of how the farm was divided up and information about who had different areas of the farm. There is also an image of \"Dungannon,\" the house on the Algoma farm owned by Katy Logan Bruns, one of the daughters of Thomas M. Logan.","This folder contains various images of the inside and outside of Nydrie, including an article about Nydrie having fallen into disrepair and There is also a hand drawn image of Nydrie used on a flier attempting to sell materials from Nydrie.","\"Enniscorthy\" was a large plantation in Albemarle County originally owned by the Coles family who had business connections with Thomas Jefferson. Mr. and Ms. Morrill obtained the house in 1926. Lily Morrill completely restructured the garden, and it became well known in the area for its beauty.","This folder contains various images of the Forsyth and Logan family. There are various images of Sarah Johnson (Forsyth) Randolph getting married in 1937 at Christ Episcopal Church, Glendower, Albemarle County, Virginia. This church is one of the oldest Episcopal churches in St. Anne's Parish, Albemarle Virginia, and is recognized in the National Record of Historic Places. There are also various images of Sarah Rice Johnson Forsyth, Bucky Forsyth, Lily Logan Morrill, Albert Henry Morrill, T.M. Logan's daughters, and various other members of the family.","One thing to note is there is a photograph showing an African American woman holding the twins Sarah Forsyth Randolph and Bucky Forsyth. Her name is Rebecca Ward Jordan.","Page 1 and 2 of this scrapbook contain images of \"Clover Hill,\" and its cemetery, Chesterfield, Virginia, a famous plantation before the Civil War. An enslaved man found coal on the land which led to several mines opening on the plantation. These mines became known as the \"Clover Hill Pits.\" Robert E. Lee also briefly visited this house for dinner. This plantation was the childhood home of Kate Virginia Cox, the wife of Thomas Muldrup Logan. ","Pages 4 and 5 of the scrapbook contain photographs of General Thomas Muldrup Logan in uniform and in civilian clothes after the Civil War. ","Page 9 contains images of African Americans. The African American woman shown is named Ellen Jasper (died 1904). ","Page 17 contains two images of an African American man listed only as \"Uncle David (Algoma).\" He served previously as an enslaved laborer for one of the Rives family in the Confederate Army. ","Page 18 has another image of \"Uncle David.\" It also shows an image of someone plowing, who may also be an African American man.","Page 19 shows Lena Logan dressed up for Mardi Gras. The Logan families' non-summer home was located in Louisiana. ","Page 23 has another photograph of Ellen Jasper and page 25 shows an African American man working as a carriage driver.","Pages 1 and 2 of Scrapbook B contains images of Thomas M. Logan, both as a young man and as an older man.","On page 15, the top left photograph may possibly be of an African American farmhand. This scrapbook is filled with excellent images of the Algoma house, both inside and outside.","Page 10 of Scrapbook C shows an image of an unnamed African American man in the uniform of a carriage driver, standing beside two horses and carriage.","There is a typed list of identifications with this scrapbook provided by the donors.\nPage 3 of Scrapbook D shows people taking a carriage ride. Page 4a and b possibly contain images of African American men.","Page 6a contains images of African American men. 6b and 7a shows women raking hay but possibly a posed photograph since they appear to be wearing nice dresses. One of the women in 6a is Lena Logan, Lily Logan is in 7b. 8b also shows a woman \"at work\" and may be. This woman is probably Lena Logan.","Pages 1-37 of this Scrapbook contain writing by Lily Logan Morrill. She was a writer and editor of the \"Home and Garden Review.\" Some of the magazines in which she published include \"Girlhood Days,\" \"Junior Life,\" and \"Homes and Gardens of Tomorrow.\"","Page 37 of this Scrapbook contains an article by Lily Logan Morrill about Morven Garden. This garden is still used today for students at the University of Virginia to learn more about sustainability and the crops grown from this garden are used to partially supply University of Virginia dining. ","Page 101 has an image of \"Union Hall\" and an African American woman, whose name appears to be Mary Minor Bush. Page 103 has a photograph of Dr. Sam Logan","Page 104 contains an image of Elizabeth Morrill working on her plane.","Page 106 has an image of Axtell Academy and a photograph of African American girls who were the ribbon bearers at the wedding of Elizabeth Morrill and Theodore Phillips, her first husband.","Albert and Shirley Small Special Collections Library","Morrill, Lily Logan, 1877-1944","English"],"unitid_tesim":["MSS .14956","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/998"],"normalized_title_ssm":["Nydrie and Algoma related papers"],"collection_title_tesim":["Nydrie and Algoma related papers"],"collection_ssim":["Nydrie and Algoma related papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Nydrie--Dwelling","Algoma--Dwelling","Thomas Muldrup Logan, 1808-1876"],"geogname_ssim":["Nydrie--Dwelling","Algoma--Dwelling","Thomas Muldrup Logan, 1808-1876"],"places_ssim":["Nydrie--Dwelling","Algoma--Dwelling","Thomas Muldrup Logan, 1808-1876"],"acqinfo_ssim":["This collection was given to the University of Virginia Special Collections Library on February 26, 2010, by Sarah Donnelly."],"access_subjects_ssim":["African Americans","Scrapbooks","Black-and-white photographs"],"access_subjects_ssm":["African Americans","Scrapbooks","Black-and-white photographs"],"has_online_content_ssim":["false"],"physdesc_tesim":["Fair to good."],"extent_ssm":["1 Cubic Feet 1 legal document box and 1 over size small flat box"],"extent_tesim":["1 Cubic Feet 1 legal document box and 1 over size small flat box"],"genreform_ssim":["Scrapbooks","Black-and-white photographs"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThis collection focuses on the two families that inhabited \"Nydrie,\" a farm located in Esmont, Virginia, and \"Algoma,\" a farm located in Buckingham County, Virginia. \u003c/p\u003e\n","\u003cp\u003e\"Nydrie,\" located in Esmont, Virginia, was built in 1891 to resemble a Scottish castle and was owned by the Forsyth family. Members of this family include Harry Forsyth (1846-1902), a wealthy sugar broker who resided in Louisiana, and his wife, Sarah Rice Johnson Forsyth (1849-1920), their son, Douglas Forsyth (1875-1941), the children of Douglas Forsyth, Bucky Forsyth (1912-1980)and Sarah Forsyth Randolph (1912-1937), and various other family members. \u003c/p\u003e\n","\u003cp\u003eThe Forsyths were descended from William Forsyth (1812-1899), a conservative British member of parliament and lawyer who wrote several books about legal subjects. The land where the house was built was originally called the Tom Coles farm and was sold to the family in 1890. Douglas Forsyth eventually sold this mansion to Daniel Van Clief, a successful horse stud breeder, but it fell into disrepair and eventually was torn down in 1970. The Van Cliefs continued to own the land until 2008.\u003c/p\u003e\n","\u003cp\u003eThe \"Algoma farm,\" located in Buckingham, Virginia, was the summer home of Thomas Muldrup Logan and his family. Thomas Logan was a famous Confederate Brigadier General who served under Robert E. Lee, as well as a railway and business associate of John D. Rockefeller. About 1880, Thomas M. Logan bought the \"Hartsook Farm,\" and this land became the \"Algoma\" Farm. The \"Algoma Farm\" had several buildings on it including the \"Algoma\" house which was built in the 1880s, \"Axtell Academy,\" an educational school for women which was managed by his daughter Meta Cabell (1875-1904). The \"John Crews Farm\" was owned by Lena Logan (1879-1961), the wife of Douglas Forsyth, and \"Dungannon,\"  built as a summer home for Dr. H.D. Bruns and his wife, Katy Logan Bruns, was next to \"Algoma.\" \u003c/p\u003e\n","\u003cp\u003eThere is a book called the \"Algoma Log Book,\" deciphered by Elizabeth Scott, which gives an excellent record of the everyday activities of this house as well as the African Americans which worked for the family.\u003c/p\u003e\n","\u003cp\u003eThe link to the \"Algoma Log Book\" transcribed by Elizabeth Scott is: \u003c/p\u003e\n","\u003cp\u003ehttps://drive.google.com/file/d/1zwWZLf51_snYjoOShPP7NcSh-dx6tZ49/view?usp=sharing\u003c/p\u003e","\u003cp\u003eThis folder contains images of Axtell Academy, which was a school for women, built in Buckingham County in 1892. General Logan wanted this school built for his daughters, so they would have a good education. His daughter, Meta Forsyth Cabell, eventually raning the school. One of the teachers at this school was Professor Irving Sale who was a University of Virginia graduate. The library of this school was incredibly advanced for its time with over 3,000 books.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["This collection focuses on the two families that inhabited \"Nydrie,\" a farm located in Esmont, Virginia, and \"Algoma,\" a farm located in Buckingham County, Virginia. ","\"Nydrie,\" located in Esmont, Virginia, was built in 1891 to resemble a Scottish castle and was owned by the Forsyth family. Members of this family include Harry Forsyth (1846-1902), a wealthy sugar broker who resided in Louisiana, and his wife, Sarah Rice Johnson Forsyth (1849-1920), their son, Douglas Forsyth (1875-1941), the children of Douglas Forsyth, Bucky Forsyth (1912-1980)and Sarah Forsyth Randolph (1912-1937), and various other family members. ","The Forsyths were descended from William Forsyth (1812-1899), a conservative British member of parliament and lawyer who wrote several books about legal subjects. The land where the house was built was originally called the Tom Coles farm and was sold to the family in 1890. Douglas Forsyth eventually sold this mansion to Daniel Van Clief, a successful horse stud breeder, but it fell into disrepair and eventually was torn down in 1970. The Van Cliefs continued to own the land until 2008.","The \"Algoma farm,\" located in Buckingham, Virginia, was the summer home of Thomas Muldrup Logan and his family. Thomas Logan was a famous Confederate Brigadier General who served under Robert E. Lee, as well as a railway and business associate of John D. Rockefeller. About 1880, Thomas M. Logan bought the \"Hartsook Farm,\" and this land became the \"Algoma\" Farm. The \"Algoma Farm\" had several buildings on it including the \"Algoma\" house which was built in the 1880s, \"Axtell Academy,\" an educational school for women which was managed by his daughter Meta Cabell (1875-1904). The \"John Crews Farm\" was owned by Lena Logan (1879-1961), the wife of Douglas Forsyth, and \"Dungannon,\"  built as a summer home for Dr. H.D. Bruns and his wife, Katy Logan Bruns, was next to \"Algoma.\" ","There is a book called the \"Algoma Log Book,\" deciphered by Elizabeth Scott, which gives an excellent record of the everyday activities of this house as well as the African Americans which worked for the family.","The link to the \"Algoma Log Book\" transcribed by Elizabeth Scott is: ","https://drive.google.com/file/d/1zwWZLf51_snYjoOShPP7NcSh-dx6tZ49/view?usp=sharing","This folder contains images of Axtell Academy, which was a school for women, built in Buckingham County in 1892. General Logan wanted this school built for his daughters, so they would have a good education. His daughter, Meta Forsyth Cabell, eventually raning the school. One of the teachers at this school was Professor Irving Sale who was a University of Virginia graduate. The library of this school was incredibly advanced for its time with over 3,000 books."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of papers relating to Nydrie and Algoma, consisting chiefly of photographs and articles pertaining to the family homes of the Logan and Forsyth families. Included is a scrapbook of articles by Lily Logan Morrill.This collection contains material from around 1880, when the homes were built, to about 1960, when the Forsyth family, which owned \"Nydrie\" at the time, started a discussion about what to do with the house due to its dilapidated conditions. This collection focuses on two families, the Logans who owned \"Algoma,\" and the Forsyths who owned \"Nydrie.\" \u003c/p\u003e\n","\u003cp\u003eThe papers consists of various photographs of the family, drawings, and newspaper clippings about Thomas Muldrup Logan, a Confederate Brigadier General who served under Robert E. Lee, photographs of Lily Morrill (1877-1944) who owned  \"Enniscorthy,\" and photographs of the \"Enniscorthy plantation\" in the 1800s.\u003c/p\u003e\n","\u003cp\u003eAlso present are photographs and news clippings about Lily Morrill's daughter Elizabeth Morrill Holladay (1909-1996), a pilot who helped ferry planes during WWII, news clippings and information about Axtell Academy, Buckingham County, Virginia, a school for women which was run by Meta Logan Cabell, the daughter of Thomas M. Logan, and five scrapbooks labeled A through E which hold photographs of the families, writings by Lily Morrill, as well as some photographs of African Americans. There are also various photographs throughout the collection of both the inside and outside of the \"Nydrie\" and \"Algoma\" houses, photographs of Lily Logan at graduation, and photographs of the Green Mountain Hunt Club . \u003c/p\u003e","\u003cp\u003eChristmas cards to one of the families, containing images of \"Guthrie Hall,\" an historic mansion located in Esmont, Virginia, and a photograph of the Cliveden Astors.\u003c/p\u003e","\u003cp\u003eThis folder contains newspaper clippings about Thomas Muldrup Logan, including a newspaper clipping about Lena Logan Forsyth accepting honors for her father at the unveiling of the Washington Light Infantry Monument in Charleston, SC in 1891. There is also an article of Elizabeth Drake Morrill Holladay, a female pilot who ferried planes during WWII. This was a part of a female group of pilots called the 'Ninety-Nines.' Her second husband, Richard Fairfield Holladay, helped build the Albemarle Airport.\u003c/p\u003e","\u003cp\u003eThis folder contains photographs of the inside and outside of the Algoma house, dating from around 1890 until around 1980.  There is information about the farm with a diagram of how the farm was divided up and information about who had different areas of the farm. There is also an image of \"Dungannon,\" the house on the Algoma farm owned by Katy Logan Bruns, one of the daughters of Thomas M. Logan.\u003c/p\u003e","\u003cp\u003eThis folder contains various images of the inside and outside of Nydrie, including an article about Nydrie having fallen into disrepair and There is also a hand drawn image of Nydrie used on a flier attempting to sell materials from Nydrie.\u003c/p\u003e","\u003cp\u003e\"Enniscorthy\" was a large plantation in Albemarle County originally owned by the Coles family who had business connections with Thomas Jefferson. Mr. and Ms. Morrill obtained the house in 1926. Lily Morrill completely restructured the garden, and it became well known in the area for its beauty.\u003c/p\u003e","\u003cp\u003eThis folder contains various images of the Forsyth and Logan family. There are various images of Sarah Johnson (Forsyth) Randolph getting married in 1937 at Christ Episcopal Church, Glendower, Albemarle County, Virginia. This church is one of the oldest Episcopal churches in St. Anne's Parish, Albemarle Virginia, and is recognized in the National Record of Historic Places. There are also various images of Sarah Rice Johnson Forsyth, Bucky Forsyth, Lily Logan Morrill, Albert Henry Morrill, T.M. Logan's daughters, and various other members of the family.\u003c/p\u003e\n","\u003cp\u003eOne thing to note is there is a photograph showing an African American woman holding the twins Sarah Forsyth Randolph and Bucky Forsyth. Her name is Rebecca Ward Jordan.\u003c/p\u003e","\u003cp\u003ePage 1 and 2 of this scrapbook contain images of \"Clover Hill,\" and its cemetery, Chesterfield, Virginia, a famous plantation before the Civil War. An enslaved man found coal on the land which led to several mines opening on the plantation. These mines became known as the \"Clover Hill Pits.\" Robert E. Lee also briefly visited this house for dinner. This plantation was the childhood home of Kate Virginia Cox, the wife of Thomas Muldrup Logan. \u003c/p\u003e\n","\u003cp\u003ePages 4 and 5 of the scrapbook contain photographs of General Thomas Muldrup Logan in uniform and in civilian clothes after the Civil War. \u003c/p\u003e\n","\u003cp\u003ePage 9 contains images of African Americans. The African American woman shown is named Ellen Jasper (died 1904). \u003c/p\u003e\n","\u003cp\u003ePage 17 contains two images of an African American man listed only as \"Uncle David (Algoma).\" He served previously as an enslaved laborer for one of the Rives family in the Confederate Army. \u003c/p\u003e\n","\u003cp\u003ePage 18 has another image of \"Uncle David.\" It also shows an image of someone plowing, who may also be an African American man.\u003c/p\u003e\n","\u003cp\u003ePage 19 shows Lena Logan dressed up for Mardi Gras. The Logan families' non-summer home was located in Louisiana. \u003c/p\u003e\n","\u003cp\u003ePage 23 has another photograph of Ellen Jasper and page 25 shows an African American man working as a carriage driver.\u003c/p\u003e","\u003cp\u003ePages 1 and 2 of Scrapbook B contains images of Thomas M. Logan, both as a young man and as an older man.\u003c/p\u003e\n","\u003cp\u003eOn page 15, the top left photograph may possibly be of an African American farmhand. This scrapbook is filled with excellent images of the Algoma house, both inside and outside.\u003c/p\u003e","\u003cp\u003ePage 10 of Scrapbook C shows an image of an unnamed African American man in the uniform of a carriage driver, standing beside two horses and carriage.\u003c/p\u003e","\u003cp\u003eThere is a typed list of identifications with this scrapbook provided by the donors.\nPage 3 of Scrapbook D shows people taking a carriage ride. Page 4a and b possibly contain images of African American men.\u003c/p\u003e\n","\u003cp\u003ePage 6a contains images of African American men. 6b and 7a shows women raking hay but possibly a posed photograph since they appear to be wearing nice dresses. One of the women in 6a is Lena Logan, Lily Logan is in 7b. 8b also shows a woman \"at work\" and may be. This woman is probably Lena Logan.\u003c/p\u003e","\u003cp\u003ePages 1-37 of this Scrapbook contain writing by Lily Logan Morrill. She was a writer and editor of the \"Home and Garden Review.\" Some of the magazines in which she published include \"Girlhood Days,\" \"Junior Life,\" and \"Homes and Gardens of Tomorrow.\"\u003c/p\u003e\n","\u003cp\u003ePage 37 of this Scrapbook contains an article by Lily Logan Morrill about Morven Garden. This garden is still used today for students at the University of Virginia to learn more about sustainability and the crops grown from this garden are used to partially supply University of Virginia dining. \u003c/p\u003e\n","\u003cp\u003ePage 101 has an image of \"Union Hall\" and an African American woman, whose name appears to be Mary Minor Bush. Page 103 has a photograph of Dr. Sam Logan\u003c/p\u003e\n","\u003cp\u003ePage 104 contains an image of Elizabeth Morrill working on her plane.\u003c/p\u003e\n","\u003cp\u003ePage 106 has an image of Axtell Academy and a photograph of African American girls who were the ribbon bearers at the wedding of Elizabeth Morrill and Theodore Phillips, her first husband.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of papers relating to Nydrie and Algoma, consisting chiefly of photographs and articles pertaining to the family homes of the Logan and Forsyth families. Included is a scrapbook of articles by Lily Logan Morrill.This collection contains material from around 1880, when the homes were built, to about 1960, when the Forsyth family, which owned \"Nydrie\" at the time, started a discussion about what to do with the house due to its dilapidated conditions. This collection focuses on two families, the Logans who owned \"Algoma,\" and the Forsyths who owned \"Nydrie.\" ","The papers consists of various photographs of the family, drawings, and newspaper clippings about Thomas Muldrup Logan, a Confederate Brigadier General who served under Robert E. Lee, photographs of Lily Morrill (1877-1944) who owned  \"Enniscorthy,\" and photographs of the \"Enniscorthy plantation\" in the 1800s.","Also present are photographs and news clippings about Lily Morrill's daughter Elizabeth Morrill Holladay (1909-1996), a pilot who helped ferry planes during WWII, news clippings and information about Axtell Academy, Buckingham County, Virginia, a school for women which was run by Meta Logan Cabell, the daughter of Thomas M. Logan, and five scrapbooks labeled A through E which hold photographs of the families, writings by Lily Morrill, as well as some photographs of African Americans. There are also various photographs throughout the collection of both the inside and outside of the \"Nydrie\" and \"Algoma\" houses, photographs of Lily Logan at graduation, and photographs of the Green Mountain Hunt Club . ","Christmas cards to one of the families, containing images of \"Guthrie Hall,\" an historic mansion located in Esmont, Virginia, and a photograph of the Cliveden Astors.","This folder contains newspaper clippings about Thomas Muldrup Logan, including a newspaper clipping about Lena Logan Forsyth accepting honors for her father at the unveiling of the Washington Light Infantry Monument in Charleston, SC in 1891. There is also an article of Elizabeth Drake Morrill Holladay, a female pilot who ferried planes during WWII. This was a part of a female group of pilots called the 'Ninety-Nines.' Her second husband, Richard Fairfield Holladay, helped build the Albemarle Airport.","This folder contains photographs of the inside and outside of the Algoma house, dating from around 1890 until around 1980.  There is information about the farm with a diagram of how the farm was divided up and information about who had different areas of the farm. There is also an image of \"Dungannon,\" the house on the Algoma farm owned by Katy Logan Bruns, one of the daughters of Thomas M. Logan.","This folder contains various images of the inside and outside of Nydrie, including an article about Nydrie having fallen into disrepair and There is also a hand drawn image of Nydrie used on a flier attempting to sell materials from Nydrie.","\"Enniscorthy\" was a large plantation in Albemarle County originally owned by the Coles family who had business connections with Thomas Jefferson. Mr. and Ms. Morrill obtained the house in 1926. Lily Morrill completely restructured the garden, and it became well known in the area for its beauty.","This folder contains various images of the Forsyth and Logan family. There are various images of Sarah Johnson (Forsyth) Randolph getting married in 1937 at Christ Episcopal Church, Glendower, Albemarle County, Virginia. This church is one of the oldest Episcopal churches in St. Anne's Parish, Albemarle Virginia, and is recognized in the National Record of Historic Places. There are also various images of Sarah Rice Johnson Forsyth, Bucky Forsyth, Lily Logan Morrill, Albert Henry Morrill, T.M. Logan's daughters, and various other members of the family.","One thing to note is there is a photograph showing an African American woman holding the twins Sarah Forsyth Randolph and Bucky Forsyth. Her name is Rebecca Ward Jordan.","Page 1 and 2 of this scrapbook contain images of \"Clover Hill,\" and its cemetery, Chesterfield, Virginia, a famous plantation before the Civil War. An enslaved man found coal on the land which led to several mines opening on the plantation. These mines became known as the \"Clover Hill Pits.\" Robert E. Lee also briefly visited this house for dinner. This plantation was the childhood home of Kate Virginia Cox, the wife of Thomas Muldrup Logan. ","Pages 4 and 5 of the scrapbook contain photographs of General Thomas Muldrup Logan in uniform and in civilian clothes after the Civil War. ","Page 9 contains images of African Americans. The African American woman shown is named Ellen Jasper (died 1904). ","Page 17 contains two images of an African American man listed only as \"Uncle David (Algoma).\" He served previously as an enslaved laborer for one of the Rives family in the Confederate Army. ","Page 18 has another image of \"Uncle David.\" It also shows an image of someone plowing, who may also be an African American man.","Page 19 shows Lena Logan dressed up for Mardi Gras. The Logan families' non-summer home was located in Louisiana. ","Page 23 has another photograph of Ellen Jasper and page 25 shows an African American man working as a carriage driver.","Pages 1 and 2 of Scrapbook B contains images of Thomas M. Logan, both as a young man and as an older man.","On page 15, the top left photograph may possibly be of an African American farmhand. This scrapbook is filled with excellent images of the Algoma house, both inside and outside.","Page 10 of Scrapbook C shows an image of an unnamed African American man in the uniform of a carriage driver, standing beside two horses and carriage.","There is a typed list of identifications with this scrapbook provided by the donors.\nPage 3 of Scrapbook D shows people taking a carriage ride. Page 4a and b possibly contain images of African American men.","Page 6a contains images of African American men. 6b and 7a shows women raking hay but possibly a posed photograph since they appear to be wearing nice dresses. One of the women in 6a is Lena Logan, Lily Logan is in 7b. 8b also shows a woman \"at work\" and may be. This woman is probably Lena Logan.","Pages 1-37 of this Scrapbook contain writing by Lily Logan Morrill. She was a writer and editor of the \"Home and Garden Review.\" Some of the magazines in which she published include \"Girlhood Days,\" \"Junior Life,\" and \"Homes and Gardens of Tomorrow.\"","Page 37 of this Scrapbook contains an article by Lily Logan Morrill about Morven Garden. This garden is still used today for students at the University of Virginia to learn more about sustainability and the crops grown from this garden are used to partially supply University of Virginia dining. ","Page 101 has an image of \"Union Hall\" and an African American woman, whose name appears to be Mary Minor Bush. Page 103 has a photograph of Dr. Sam Logan","Page 104 contains an image of Elizabeth Morrill working on her plane.","Page 106 has an image of Axtell Academy and a photograph of African American girls who were the ribbon bearers at the wedding of Elizabeth Morrill and Theodore Phillips, her first husband."],"names_ssim":["Albert and Shirley Small Special Collections Library","Morrill, Lily Logan, 1877-1944"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_coll_ssim":["Morrill, Lily Logan, 1877-1944"],"persname_ssim":["Morrill, Lily Logan, 1877-1944"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:30:31.092Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_998"}},{"id":"vihart_repositories_4_resources_370","type":"collection","attributes":{"title":"Office of the President: Board of Visitors Records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_370#abstract_or_scope","type":"document_value","attributes":{"value":"The Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. Materials include meeting minutes, correspondence, financial documents, and president's reports.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_370#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_370","ead_ssi":"vihart_repositories_4_resources_370","_root_":"vihart_repositories_4_resources_370","_nest_parent_":"vihart_repositories_4_resources_370","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_370.xml","title_ssm":["Office of the President: Board of Visitors Records"],"title_tesim":["Office of the President: Board of Visitors Records"],"unitdate_ssm":["1908-2025"],"unitdate_inclusive_ssm":["1908-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0010","/repositories/4/resources/370"],"text":["UA 0010","/repositories/4/resources/370","Office of the President: Board of Visitors Records","Minute books","Minutes (administrative records)","Letters (correspondence)","Resolutions (administrative records)","Annual reports","Audits","Official reports","Reports","Leases","Contracts","Fire insurance maps","Insurance policies","Schedules (architectural records)","Black-and-white photographs","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Beginning with the March 26, 1999 meeting, JMU Board of Visitors meeting minutes are available online at:  https://www.jmu.edu/visitors/meetings/minutes/index.shtml.  Selected material from this collection has also been digitized and made available at:  http://www.lib.jmu.edu/special/foundingdocs/.","The collection is arranged into five series. Series 5 is arranged further into subseries. All series are arranged chronologically with the exception of subseries 5.1 which is arranged alphabetically and subseries 5.2 which is arranged topically.","Meeting Minutes, 1908-2025 Correspondence, 1964-1995 Miscellaneous, 1981-1994 President's Reports, 1909-1967 Financial Documents, 1922-1989","Arranged chronologically.","Arranged chronologically.","Arranged chronologically.","Arranged chronologically.","Arranged in two subseries – Subseries 5.1: Leases/Legal Documents, 1922-1981, and Subseries 5.2: Budget Reports, 1961-1989. Subseries 5.1 is arranged alphabetically and Subseries 5.2 is arranged topically.","\"Board of Visitors\" James Madison University Centennial Celebration. Accessed January 26, 2017. http://www.jmu.edu/centennialcelebration/wm_preview/rectors.shtml.","James Madison University - Board of Visitors. Accessed January 26, 2017. https://www.jmu.edu/visitors/about/index.shtml.","James Madison University's Board of Visitors was created in 1964 with the prime directive of overseeing the effective government of the university, then Madison College. When the institution opened in 1908 as the State Normal and Industrial School for Women at Harrisonburg, the governing body was its own Board of Trustees. The school changed its name to the State Normal School for Women at Harrisonburg in 1914 and governance was shifted to the Virginia Normal School Board, a state agency. The institution was renamed once again in 1924 to the State Teachers College at Harrisonburg. The governance also experienced change as control was transferred to the State Board of Education. In 1964, the final change occurred when the Virginia General Assembly established independent boards of visitors for each of the state's former teacher colleges.","The Governor of Virginia holds the power of appointing each member of the Board of Visitors. The first Board of Visitors was comprised of 11 members; its first rector was Burr P. Harrison. The Virginia General Assembly acted to have the board size increased to 15 members in 1989. Of the selected members, no more than two can be non-Virginians and board members include both JMU alumni and non-alumni. In addition to appointed members, a student representative and the speaker of the JMU Faculty Senate serve on the board. Terms of service do apply as board members are not eligible to serve more than two consecutive four-year terms. Officers of the board (rector, vice rector, and secretary) are elected annually by the board for one-year terms.","The collection was reprocessed in 2016 and contains all documents from the original accession (PR 99-1122) except for the Faculty Minutes, 1908-1998, which were removed to form a separate collection (UA 0011). A copy of the original finding aid is located in the collection control file. Old collection folders were reused during reprocessing and folder titles were retained when possible. Inserts found in the Board of Trustees Minute Book were removed and foldered separately. The inserts were subsequently photocopied and those copies are also foldered separately. The Board of Visitors meeting minutes and President's Reports were originally bound, but were disbound in 2016 during reprocessing.","The Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. The collection is comprised primarily of meeting minutes and correspondence. Minutes from the Board of Visitors' first meeting on July 16, 1964 are included. Researchers should note that meeting minutes from the various iterations of university governing bodies between 1914 and 1963 are not included. The correspondence is chiefly official memoranda, letters concerning business and new board members, and contractual agreements granting faculty members temporary leaves of absence. The collection also includes annual reports and reports to the Board of Visitors, financial materials documenting lease agreements involving James Madison University, athletic program expenditure statements, and audit reports. Miscellaneous items include documents explaining the origins of buildings' names, a Board of Visitors manual, and a document of Board of Visitors Resolutions.","This series comprises chiefly Board of Visitors meeting minutes from 1964 to 2025 beginning with the first meeting on July 16, 1964. During that first meeting the members decided on the official design for \"The Visitors of Madison College,\" agreed upon making the meetings of the Visitors closed to the public, approved of the revised faculty salary, and approved the continuation of degrees being offered to students. Also included is the original Board of Trustees minute book dating from 1908 to 1914. A full transcript is also contained within this series.","This series contains correspondence between fellow board members, government officials, and members of the university administration. Contract agreements between board members and faculty of the college are included. Topics of interest include but are not limited to campus construction and related funding, appropriation increases, project requests, requests related to enrollment increases, G. Tyler Miller's retirement, and faculty promotions.","This series contains documents about the naming of buildings on campus as well as information on resolutions, manuals, honorary degrees and the Russell Weaver Society.","The reports contain data regarding enrollment, campus services, faculty salaries, and financial records. Also included are recommendations from the president on approvals of resignations and appointments, budget increases, academic changes, campus expansion, etc. These reports provide an overview of the administrative proceedings of the university from one year to the next and are comprised of reports to the State Board of Education, reports to the Board of Visitors, annual reports, and special reports.","Subseries 5.1: Leases/Legal Documents, 1922-1981, is comprised primarily of lease agreements between James Madison University, both as the lessor and lessee, and persons or companies. Of particular interest are the fire insurance documents which include a Schedule of Buildings at the State Teachers College at Harrisonburg (June 2, 1924) and a Fire Insurance Report on State Teacher's College, Harrisonburg, Virginia (February 1932) prepared by the Philadelphia Fire \u0026 Marine Insurance Company. The Schedule of Buildings lists all campus buildings, their architectural type, date of erection, and total cost. The Fire Insurance Report provides a detailed description of all campus buildings (including University Farm properties in Port Republic) and includes date of erection, occupancy, recommendations, estimated insurable value, and campus map. Photographs are included with each building description.","List of campus buildings detailed (with photographs) in the fire insurance report:","Spotswood Hall Sheldon Hall Johnston Hall Alumnae Hall Walter Reed Hall (Keezell Hall) Wilson Hall Maury Hall (Gabbin Hall) Jackson Hall (Darcus Johnson Hall) Harrison Hall Ashby Hall (Harper Allen-Lee Hall) Hillcrest House Practice House (Varner House) Cleveland Cottage Carter House Cottage No. 2 Stable Practice House (Hooke House) - University Farm, Port Republic Duke Cottage - University Farm, Port Republic Barn - University Farm, Port Republic Caretaker's Dwelling - University Farm, Port Republic","Subseries 5.2: Budget Reports, 1961-1989, contains annual reports, financial reports detailing the university's business and financial operations, reports on audits prepared by the auditor of public accounts for the Commonwealth of Virginia, and a limited amount of material related to athletic program expenses. Researchers should note that the 1966 expenditure statement for athletics is not included in this collection.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. Materials include meeting minutes, correspondence, financial documents, and president's reports.","James Madison University Libraries Special Collections","James Madison University -- History","James Madison University -- Administration","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Administration","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Administration","Madison College -- History","Madison College -- Administration","University Farm (1929-)","English"],"unitid_tesim":["UA 0010","/repositories/4/resources/370"],"normalized_title_ssm":["Office of the President: Board of Visitors Records"],"collection_title_tesim":["Office of the President: Board of Visitors Records"],"collection_ssim":["Office of the President: Board of Visitors Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["This collection was formed from the merger of several groups of materials received from Fred Hilton in JMU Media Relations (accessions 93-0107, 93-0210), Gail May in the President's Office (accessions 99-1122, 00-0215), and Machelle Rader in the President's Office (2005-0519). These accessions were combined under the collection number PR 99-1122. An additional accrual of BoV minutes, 2002-2025, was received in July 2025 and integrated into the collection in August 2025."],"access_subjects_ssim":["Minute books","Minutes (administrative records)","Letters (correspondence)","Resolutions (administrative records)","Annual reports","Audits","Official reports","Reports","Leases","Contracts","Fire insurance maps","Insurance policies","Schedules (architectural records)","Black-and-white photographs"],"access_subjects_ssm":["Minute books","Minutes (administrative records)","Letters (correspondence)","Resolutions (administrative records)","Annual reports","Audits","Official reports","Reports","Leases","Contracts","Fire insurance maps","Insurance policies","Schedules (architectural records)","Black-and-white photographs"],"has_online_content_ssim":["false"],"extent_ssm":["11.89 cubic feet 36 boxes"],"extent_tesim":["11.89 cubic feet 36 boxes"],"genreform_ssim":["Minute books","Minutes (administrative records)","Letters (correspondence)","Resolutions (administrative records)","Annual reports","Audits","Official reports","Reports","Leases","Contracts","Fire insurance maps","Insurance policies","Schedules (architectural records)","Black-and-white photographs"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eBeginning with the March 26, 1999 meeting, JMU Board of Visitors meeting minutes are available online at: \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://www.jmu.edu/visitors/meetings/minutes/index.shtml\"\u003ehttps://www.jmu.edu/visitors/meetings/minutes/index.shtml.\u003c/extref\u003e Selected material from this collection has also been digitized and made available at: \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.jmu.edu/special/foundingdocs/\"\u003ehttp://www.lib.jmu.edu/special/foundingdocs/.\u003c/extref\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Beginning with the March 26, 1999 meeting, JMU Board of Visitors meeting minutes are available online at:  https://www.jmu.edu/visitors/meetings/minutes/index.shtml.  Selected material from this collection has also been digitized and made available at:  http://www.lib.jmu.edu/special/foundingdocs/."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series. Series 5 is arranged further into subseries. All series are arranged chronologically with the exception of subseries 5.1 which is arranged alphabetically and subseries 5.2 which is arranged topically.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eMeeting Minutes, 1908-2025\u003c/item\u003e\n      \u003citem\u003eCorrespondence, 1964-1995\u003c/item\u003e\n      \u003citem\u003eMiscellaneous, 1981-1994\u003c/item\u003e\n      \u003citem\u003ePresident's Reports, 1909-1967\u003c/item\u003e\n      \u003citem\u003eFinancial Documents, 1922-1989\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eArranged chronologically.\u003c/p\u003e","\u003cp\u003eArranged chronologically.\u003c/p\u003e","\u003cp\u003eArranged chronologically.\u003c/p\u003e","\u003cp\u003eArranged chronologically.\u003c/p\u003e","\u003cp\u003eArranged in two subseries – Subseries 5.1: Leases/Legal Documents, 1922-1981, and Subseries 5.2: Budget Reports, 1961-1989. Subseries 5.1 is arranged alphabetically and Subseries 5.2 is arranged topically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into five series. Series 5 is arranged further into subseries. All series are arranged chronologically with the exception of subseries 5.1 which is arranged alphabetically and subseries 5.2 which is arranged topically.","Meeting Minutes, 1908-2025 Correspondence, 1964-1995 Miscellaneous, 1981-1994 President's Reports, 1909-1967 Financial Documents, 1922-1989","Arranged chronologically.","Arranged chronologically.","Arranged chronologically.","Arranged chronologically.","Arranged in two subseries – Subseries 5.1: Leases/Legal Documents, 1922-1981, and Subseries 5.2: Budget Reports, 1961-1989. Subseries 5.1 is arranged alphabetically and Subseries 5.2 is arranged topically."],"bibliography_html_tesm":["\u003cbibref\u003e\"Board of Visitors\" James Madison University Centennial Celebration. Accessed January 26, 2017. http://www.jmu.edu/centennialcelebration/wm_preview/rectors.shtml.\u003c/bibref\u003e","\u003cbibref\u003eJames Madison University - Board of Visitors. Accessed January 26, 2017. https://www.jmu.edu/visitors/about/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Board of Visitors\" James Madison University Centennial Celebration. Accessed January 26, 2017. http://www.jmu.edu/centennialcelebration/wm_preview/rectors.shtml.","James Madison University - Board of Visitors. Accessed January 26, 2017. https://www.jmu.edu/visitors/about/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eJames Madison University's Board of Visitors was created in 1964 with the prime directive of overseeing the effective government of the university, then Madison College. When the institution opened in 1908 as the State Normal and Industrial School for Women at Harrisonburg, the governing body was its own Board of Trustees. The school changed its name to the State Normal School for Women at Harrisonburg in 1914 and governance was shifted to the Virginia Normal School Board, a state agency. The institution was renamed once again in 1924 to the State Teachers College at Harrisonburg. The governance also experienced change as control was transferred to the State Board of Education. In 1964, the final change occurred when the Virginia General Assembly established independent boards of visitors for each of the state's former teacher colleges.\u003c/p\u003e\n","\u003cp\u003eThe Governor of Virginia holds the power of appointing each member of the Board of Visitors. The first Board of Visitors was comprised of 11 members; its first rector was Burr P. Harrison. The Virginia General Assembly acted to have the board size increased to 15 members in 1989. Of the selected members, no more than two can be non-Virginians and board members include both JMU alumni and non-alumni. In addition to appointed members, a student representative and the speaker of the JMU Faculty Senate serve on the board. Terms of service do apply as board members are not eligible to serve more than two consecutive four-year terms. Officers of the board (rector, vice rector, and secretary) are elected annually by the board for one-year terms.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["James Madison University's Board of Visitors was created in 1964 with the prime directive of overseeing the effective government of the university, then Madison College. When the institution opened in 1908 as the State Normal and Industrial School for Women at Harrisonburg, the governing body was its own Board of Trustees. The school changed its name to the State Normal School for Women at Harrisonburg in 1914 and governance was shifted to the Virginia Normal School Board, a state agency. The institution was renamed once again in 1924 to the State Teachers College at Harrisonburg. The governance also experienced change as control was transferred to the State Board of Education. In 1964, the final change occurred when the Virginia General Assembly established independent boards of visitors for each of the state's former teacher colleges.","The Governor of Virginia holds the power of appointing each member of the Board of Visitors. The first Board of Visitors was comprised of 11 members; its first rector was Burr P. Harrison. The Virginia General Assembly acted to have the board size increased to 15 members in 1989. Of the selected members, no more than two can be non-Virginians and board members include both JMU alumni and non-alumni. In addition to appointed members, a student representative and the speaker of the JMU Faculty Senate serve on the board. Terms of service do apply as board members are not eligible to serve more than two consecutive four-year terms. Officers of the board (rector, vice rector, and secretary) are elected annually by the board for one-year terms."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Office of the President: Board of Visitors, 1908-2025, UA 0010, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Office of the President: Board of Visitors, 1908-2025, UA 0010, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection was reprocessed in 2016 and contains all documents from the original accession (PR 99-1122) except for the Faculty Minutes, 1908-1998, which were removed to form a separate collection (UA 0011). A copy of the original finding aid is located in the collection control file. Old collection folders were reused during reprocessing and folder titles were retained when possible. Inserts found in the Board of Trustees Minute Book were removed and foldered separately. The inserts were subsequently photocopied and those copies are also foldered separately. The Board of Visitors meeting minutes and President's Reports were originally bound, but were disbound in 2016 during reprocessing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was reprocessed in 2016 and contains all documents from the original accession (PR 99-1122) except for the Faculty Minutes, 1908-1998, which were removed to form a separate collection (UA 0011). A copy of the original finding aid is located in the collection control file. Old collection folders were reused during reprocessing and folder titles were retained when possible. Inserts found in the Board of Trustees Minute Book were removed and foldered separately. The inserts were subsequently photocopied and those copies are also foldered separately. The Board of Visitors meeting minutes and President's Reports were originally bound, but were disbound in 2016 during reprocessing."],"scopecontent_html_tesm":["\u003cp\u003eThe Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. The collection is comprised primarily of meeting minutes and correspondence. Minutes from the Board of Visitors' first meeting on July 16, 1964 are included. Researchers should note that meeting minutes from the various iterations of university governing bodies between 1914 and 1963 are not included. The correspondence is chiefly official memoranda, letters concerning business and new board members, and contractual agreements granting faculty members temporary leaves of absence. The collection also includes annual reports and reports to the Board of Visitors, financial materials documenting lease agreements involving James Madison University, athletic program expenditure statements, and audit reports. Miscellaneous items include documents explaining the origins of buildings' names, a Board of Visitors manual, and a document of Board of Visitors Resolutions.\u003c/p\u003e","\u003cp\u003eThis series comprises chiefly Board of Visitors meeting minutes from 1964 to 2025 beginning with the first meeting on July 16, 1964. During that first meeting the members decided on the official design for \"The Visitors of Madison College,\" agreed upon making the meetings of the Visitors closed to the public, approved of the revised faculty salary, and approved the continuation of degrees being offered to students. Also included is the original Board of Trustees minute book dating from 1908 to 1914. A full transcript is also contained within this series.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence between fellow board members, government officials, and members of the university administration. Contract agreements between board members and faculty of the college are included. Topics of interest include but are not limited to campus construction and related funding, appropriation increases, project requests, requests related to enrollment increases, G. Tyler Miller's retirement, and faculty promotions.\u003c/p\u003e","\u003cp\u003eThis series contains documents about the naming of buildings on campus as well as information on resolutions, manuals, honorary degrees and the Russell Weaver Society.\u003c/p\u003e","\u003cp\u003eThe reports contain data regarding enrollment, campus services, faculty salaries, and financial records. Also included are recommendations from the president on approvals of resignations and appointments, budget increases, academic changes, campus expansion, etc. These reports provide an overview of the administrative proceedings of the university from one year to the next and are comprised of reports to the State Board of Education, reports to the Board of Visitors, annual reports, and special reports.\u003c/p\u003e","\u003cp\u003eSubseries 5.1: Leases/Legal Documents, 1922-1981, is comprised primarily of lease agreements between James Madison University, both as the lessor and lessee, and persons or companies. Of particular interest are the fire insurance documents which include a Schedule of Buildings at the State Teachers College at Harrisonburg (June 2, 1924) and a Fire Insurance Report on State Teacher's College, Harrisonburg, Virginia (February 1932) prepared by the Philadelphia Fire \u0026amp; Marine Insurance Company. The Schedule of Buildings lists all campus buildings, their architectural type, date of erection, and total cost. The Fire Insurance Report provides a detailed description of all campus buildings (including University Farm properties in Port Republic) and includes date of erection, occupancy, recommendations, estimated insurable value, and campus map. Photographs are included with each building description.\u003c/p\u003e","\u003cp\u003eList of campus buildings detailed (with photographs) in the fire insurance report:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSpotswood Hall\u003c/item\u003e\u003citem\u003eSheldon Hall\u003c/item\u003e\u003citem\u003eJohnston Hall\u003c/item\u003e\u003citem\u003eAlumnae Hall\u003c/item\u003e\u003citem\u003eWalter Reed Hall (Keezell Hall)\u003c/item\u003e\u003citem\u003eWilson Hall\u003c/item\u003e\u003citem\u003eMaury Hall (Gabbin Hall)\u003c/item\u003e\u003citem\u003eJackson Hall (Darcus Johnson Hall)\u003c/item\u003e\u003citem\u003eHarrison Hall\u003c/item\u003e\u003citem\u003eAshby Hall (Harper Allen-Lee Hall)\u003c/item\u003e\u003citem\u003eHillcrest House\u003c/item\u003e\u003citem\u003ePractice House (Varner House)\u003c/item\u003e\u003citem\u003eCleveland Cottage\u003c/item\u003e\u003citem\u003eCarter House\u003c/item\u003e\u003citem\u003eCottage No. 2\u003c/item\u003e\u003citem\u003eStable\u003c/item\u003e\u003citem\u003ePractice House (Hooke House) - University Farm, Port Republic\u003c/item\u003e\u003citem\u003eDuke Cottage - University Farm, Port Republic\u003c/item\u003e\u003citem\u003eBarn - University Farm, Port Republic\u003c/item\u003e\u003citem\u003eCaretaker's Dwelling - University Farm, Port Republic\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eSubseries 5.2: Budget Reports, 1961-1989, contains annual reports, financial reports detailing the university's business and financial operations, reports on audits prepared by the auditor of public accounts for the Commonwealth of Virginia, and a limited amount of material related to athletic program expenses. Researchers should note that the 1966 expenditure statement for athletics is not included in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. The collection is comprised primarily of meeting minutes and correspondence. Minutes from the Board of Visitors' first meeting on July 16, 1964 are included. Researchers should note that meeting minutes from the various iterations of university governing bodies between 1914 and 1963 are not included. The correspondence is chiefly official memoranda, letters concerning business and new board members, and contractual agreements granting faculty members temporary leaves of absence. The collection also includes annual reports and reports to the Board of Visitors, financial materials documenting lease agreements involving James Madison University, athletic program expenditure statements, and audit reports. Miscellaneous items include documents explaining the origins of buildings' names, a Board of Visitors manual, and a document of Board of Visitors Resolutions.","This series comprises chiefly Board of Visitors meeting minutes from 1964 to 2025 beginning with the first meeting on July 16, 1964. During that first meeting the members decided on the official design for \"The Visitors of Madison College,\" agreed upon making the meetings of the Visitors closed to the public, approved of the revised faculty salary, and approved the continuation of degrees being offered to students. Also included is the original Board of Trustees minute book dating from 1908 to 1914. A full transcript is also contained within this series.","This series contains correspondence between fellow board members, government officials, and members of the university administration. Contract agreements between board members and faculty of the college are included. Topics of interest include but are not limited to campus construction and related funding, appropriation increases, project requests, requests related to enrollment increases, G. Tyler Miller's retirement, and faculty promotions.","This series contains documents about the naming of buildings on campus as well as information on resolutions, manuals, honorary degrees and the Russell Weaver Society.","The reports contain data regarding enrollment, campus services, faculty salaries, and financial records. Also included are recommendations from the president on approvals of resignations and appointments, budget increases, academic changes, campus expansion, etc. These reports provide an overview of the administrative proceedings of the university from one year to the next and are comprised of reports to the State Board of Education, reports to the Board of Visitors, annual reports, and special reports.","Subseries 5.1: Leases/Legal Documents, 1922-1981, is comprised primarily of lease agreements between James Madison University, both as the lessor and lessee, and persons or companies. Of particular interest are the fire insurance documents which include a Schedule of Buildings at the State Teachers College at Harrisonburg (June 2, 1924) and a Fire Insurance Report on State Teacher's College, Harrisonburg, Virginia (February 1932) prepared by the Philadelphia Fire \u0026 Marine Insurance Company. The Schedule of Buildings lists all campus buildings, their architectural type, date of erection, and total cost. The Fire Insurance Report provides a detailed description of all campus buildings (including University Farm properties in Port Republic) and includes date of erection, occupancy, recommendations, estimated insurable value, and campus map. Photographs are included with each building description.","List of campus buildings detailed (with photographs) in the fire insurance report:","Spotswood Hall Sheldon Hall Johnston Hall Alumnae Hall Walter Reed Hall (Keezell Hall) Wilson Hall Maury Hall (Gabbin Hall) Jackson Hall (Darcus Johnson Hall) Harrison Hall Ashby Hall (Harper Allen-Lee Hall) Hillcrest House Practice House (Varner House) Cleveland Cottage Carter House Cottage No. 2 Stable Practice House (Hooke House) - University Farm, Port Republic Duke Cottage - University Farm, Port Republic Barn - University Farm, Port Republic Caretaker's Dwelling - University Farm, Port Republic","Subseries 5.2: Budget Reports, 1961-1989, contains annual reports, financial reports detailing the university's business and financial operations, reports on audits prepared by the auditor of public accounts for the Commonwealth of Virginia, and a limited amount of material related to athletic program expenses. Researchers should note that the 1966 expenditure statement for athletics is not included in this collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_03e6afce4dee300f150c55bfb79f55a9\"\u003eThe Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. Materials include meeting minutes, correspondence, financial documents, and president's reports.\u003c/abstract\u003e"],"abstract_tesim":["The Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. Materials include meeting minutes, correspondence, financial documents, and president's reports."],"names_coll_ssim":["James Madison University -- History","James Madison University -- Administration","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Administration","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Administration","Madison College -- History","Madison College -- Administration"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University -- History","James Madison University -- Administration","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Administration","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Administration","Madison College -- History","Madison College -- Administration","University Farm (1929-)"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University -- History","James Madison University -- Administration","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Administration","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Administration","Madison College -- History","Madison College -- Administration","University Farm (1929-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":248,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_370","ead_ssi":"vihart_repositories_4_resources_370","_root_":"vihart_repositories_4_resources_370","_nest_parent_":"vihart_repositories_4_resources_370","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_370.xml","title_ssm":["Office of the President: Board of Visitors Records"],"title_tesim":["Office of the President: Board of Visitors Records"],"unitdate_ssm":["1908-2025"],"unitdate_inclusive_ssm":["1908-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0010","/repositories/4/resources/370"],"text":["UA 0010","/repositories/4/resources/370","Office of the President: Board of Visitors Records","Minute books","Minutes (administrative records)","Letters (correspondence)","Resolutions (administrative records)","Annual reports","Audits","Official reports","Reports","Leases","Contracts","Fire insurance maps","Insurance policies","Schedules (architectural records)","Black-and-white photographs","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Beginning with the March 26, 1999 meeting, JMU Board of Visitors meeting minutes are available online at:  https://www.jmu.edu/visitors/meetings/minutes/index.shtml.  Selected material from this collection has also been digitized and made available at:  http://www.lib.jmu.edu/special/foundingdocs/.","The collection is arranged into five series. Series 5 is arranged further into subseries. All series are arranged chronologically with the exception of subseries 5.1 which is arranged alphabetically and subseries 5.2 which is arranged topically.","Meeting Minutes, 1908-2025 Correspondence, 1964-1995 Miscellaneous, 1981-1994 President's Reports, 1909-1967 Financial Documents, 1922-1989","Arranged chronologically.","Arranged chronologically.","Arranged chronologically.","Arranged chronologically.","Arranged in two subseries – Subseries 5.1: Leases/Legal Documents, 1922-1981, and Subseries 5.2: Budget Reports, 1961-1989. Subseries 5.1 is arranged alphabetically and Subseries 5.2 is arranged topically.","\"Board of Visitors\" James Madison University Centennial Celebration. Accessed January 26, 2017. http://www.jmu.edu/centennialcelebration/wm_preview/rectors.shtml.","James Madison University - Board of Visitors. Accessed January 26, 2017. https://www.jmu.edu/visitors/about/index.shtml.","James Madison University's Board of Visitors was created in 1964 with the prime directive of overseeing the effective government of the university, then Madison College. When the institution opened in 1908 as the State Normal and Industrial School for Women at Harrisonburg, the governing body was its own Board of Trustees. The school changed its name to the State Normal School for Women at Harrisonburg in 1914 and governance was shifted to the Virginia Normal School Board, a state agency. The institution was renamed once again in 1924 to the State Teachers College at Harrisonburg. The governance also experienced change as control was transferred to the State Board of Education. In 1964, the final change occurred when the Virginia General Assembly established independent boards of visitors for each of the state's former teacher colleges.","The Governor of Virginia holds the power of appointing each member of the Board of Visitors. The first Board of Visitors was comprised of 11 members; its first rector was Burr P. Harrison. The Virginia General Assembly acted to have the board size increased to 15 members in 1989. Of the selected members, no more than two can be non-Virginians and board members include both JMU alumni and non-alumni. In addition to appointed members, a student representative and the speaker of the JMU Faculty Senate serve on the board. Terms of service do apply as board members are not eligible to serve more than two consecutive four-year terms. Officers of the board (rector, vice rector, and secretary) are elected annually by the board for one-year terms.","The collection was reprocessed in 2016 and contains all documents from the original accession (PR 99-1122) except for the Faculty Minutes, 1908-1998, which were removed to form a separate collection (UA 0011). A copy of the original finding aid is located in the collection control file. Old collection folders were reused during reprocessing and folder titles were retained when possible. Inserts found in the Board of Trustees Minute Book were removed and foldered separately. The inserts were subsequently photocopied and those copies are also foldered separately. The Board of Visitors meeting minutes and President's Reports were originally bound, but were disbound in 2016 during reprocessing.","The Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. The collection is comprised primarily of meeting minutes and correspondence. Minutes from the Board of Visitors' first meeting on July 16, 1964 are included. Researchers should note that meeting minutes from the various iterations of university governing bodies between 1914 and 1963 are not included. The correspondence is chiefly official memoranda, letters concerning business and new board members, and contractual agreements granting faculty members temporary leaves of absence. The collection also includes annual reports and reports to the Board of Visitors, financial materials documenting lease agreements involving James Madison University, athletic program expenditure statements, and audit reports. Miscellaneous items include documents explaining the origins of buildings' names, a Board of Visitors manual, and a document of Board of Visitors Resolutions.","This series comprises chiefly Board of Visitors meeting minutes from 1964 to 2025 beginning with the first meeting on July 16, 1964. During that first meeting the members decided on the official design for \"The Visitors of Madison College,\" agreed upon making the meetings of the Visitors closed to the public, approved of the revised faculty salary, and approved the continuation of degrees being offered to students. Also included is the original Board of Trustees minute book dating from 1908 to 1914. A full transcript is also contained within this series.","This series contains correspondence between fellow board members, government officials, and members of the university administration. Contract agreements between board members and faculty of the college are included. Topics of interest include but are not limited to campus construction and related funding, appropriation increases, project requests, requests related to enrollment increases, G. Tyler Miller's retirement, and faculty promotions.","This series contains documents about the naming of buildings on campus as well as information on resolutions, manuals, honorary degrees and the Russell Weaver Society.","The reports contain data regarding enrollment, campus services, faculty salaries, and financial records. Also included are recommendations from the president on approvals of resignations and appointments, budget increases, academic changes, campus expansion, etc. These reports provide an overview of the administrative proceedings of the university from one year to the next and are comprised of reports to the State Board of Education, reports to the Board of Visitors, annual reports, and special reports.","Subseries 5.1: Leases/Legal Documents, 1922-1981, is comprised primarily of lease agreements between James Madison University, both as the lessor and lessee, and persons or companies. Of particular interest are the fire insurance documents which include a Schedule of Buildings at the State Teachers College at Harrisonburg (June 2, 1924) and a Fire Insurance Report on State Teacher's College, Harrisonburg, Virginia (February 1932) prepared by the Philadelphia Fire \u0026 Marine Insurance Company. The Schedule of Buildings lists all campus buildings, their architectural type, date of erection, and total cost. The Fire Insurance Report provides a detailed description of all campus buildings (including University Farm properties in Port Republic) and includes date of erection, occupancy, recommendations, estimated insurable value, and campus map. Photographs are included with each building description.","List of campus buildings detailed (with photographs) in the fire insurance report:","Spotswood Hall Sheldon Hall Johnston Hall Alumnae Hall Walter Reed Hall (Keezell Hall) Wilson Hall Maury Hall (Gabbin Hall) Jackson Hall (Darcus Johnson Hall) Harrison Hall Ashby Hall (Harper Allen-Lee Hall) Hillcrest House Practice House (Varner House) Cleveland Cottage Carter House Cottage No. 2 Stable Practice House (Hooke House) - University Farm, Port Republic Duke Cottage - University Farm, Port Republic Barn - University Farm, Port Republic Caretaker's Dwelling - University Farm, Port Republic","Subseries 5.2: Budget Reports, 1961-1989, contains annual reports, financial reports detailing the university's business and financial operations, reports on audits prepared by the auditor of public accounts for the Commonwealth of Virginia, and a limited amount of material related to athletic program expenses. Researchers should note that the 1966 expenditure statement for athletics is not included in this collection.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. Materials include meeting minutes, correspondence, financial documents, and president's reports.","James Madison University Libraries Special Collections","James Madison University -- History","James Madison University -- Administration","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Administration","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Administration","Madison College -- History","Madison College -- Administration","University Farm (1929-)","English"],"unitid_tesim":["UA 0010","/repositories/4/resources/370"],"normalized_title_ssm":["Office of the President: Board of Visitors Records"],"collection_title_tesim":["Office of the President: Board of Visitors Records"],"collection_ssim":["Office of the President: Board of Visitors Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["This collection was formed from the merger of several groups of materials received from Fred Hilton in JMU Media Relations (accessions 93-0107, 93-0210), Gail May in the President's Office (accessions 99-1122, 00-0215), and Machelle Rader in the President's Office (2005-0519). These accessions were combined under the collection number PR 99-1122. An additional accrual of BoV minutes, 2002-2025, was received in July 2025 and integrated into the collection in August 2025."],"access_subjects_ssim":["Minute books","Minutes (administrative records)","Letters (correspondence)","Resolutions (administrative records)","Annual reports","Audits","Official reports","Reports","Leases","Contracts","Fire insurance maps","Insurance policies","Schedules (architectural records)","Black-and-white photographs"],"access_subjects_ssm":["Minute books","Minutes (administrative records)","Letters (correspondence)","Resolutions (administrative records)","Annual reports","Audits","Official reports","Reports","Leases","Contracts","Fire insurance maps","Insurance policies","Schedules (architectural records)","Black-and-white photographs"],"has_online_content_ssim":["false"],"extent_ssm":["11.89 cubic feet 36 boxes"],"extent_tesim":["11.89 cubic feet 36 boxes"],"genreform_ssim":["Minute books","Minutes (administrative records)","Letters (correspondence)","Resolutions (administrative records)","Annual reports","Audits","Official reports","Reports","Leases","Contracts","Fire insurance maps","Insurance policies","Schedules (architectural records)","Black-and-white photographs"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eBeginning with the March 26, 1999 meeting, JMU Board of Visitors meeting minutes are available online at: \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://www.jmu.edu/visitors/meetings/minutes/index.shtml\"\u003ehttps://www.jmu.edu/visitors/meetings/minutes/index.shtml.\u003c/extref\u003e Selected material from this collection has also been digitized and made available at: \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.jmu.edu/special/foundingdocs/\"\u003ehttp://www.lib.jmu.edu/special/foundingdocs/.\u003c/extref\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Beginning with the March 26, 1999 meeting, JMU Board of Visitors meeting minutes are available online at:  https://www.jmu.edu/visitors/meetings/minutes/index.shtml.  Selected material from this collection has also been digitized and made available at:  http://www.lib.jmu.edu/special/foundingdocs/."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series. Series 5 is arranged further into subseries. All series are arranged chronologically with the exception of subseries 5.1 which is arranged alphabetically and subseries 5.2 which is arranged topically.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eMeeting Minutes, 1908-2025\u003c/item\u003e\n      \u003citem\u003eCorrespondence, 1964-1995\u003c/item\u003e\n      \u003citem\u003eMiscellaneous, 1981-1994\u003c/item\u003e\n      \u003citem\u003ePresident's Reports, 1909-1967\u003c/item\u003e\n      \u003citem\u003eFinancial Documents, 1922-1989\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eArranged chronologically.\u003c/p\u003e","\u003cp\u003eArranged chronologically.\u003c/p\u003e","\u003cp\u003eArranged chronologically.\u003c/p\u003e","\u003cp\u003eArranged chronologically.\u003c/p\u003e","\u003cp\u003eArranged in two subseries – Subseries 5.1: Leases/Legal Documents, 1922-1981, and Subseries 5.2: Budget Reports, 1961-1989. Subseries 5.1 is arranged alphabetically and Subseries 5.2 is arranged topically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into five series. Series 5 is arranged further into subseries. All series are arranged chronologically with the exception of subseries 5.1 which is arranged alphabetically and subseries 5.2 which is arranged topically.","Meeting Minutes, 1908-2025 Correspondence, 1964-1995 Miscellaneous, 1981-1994 President's Reports, 1909-1967 Financial Documents, 1922-1989","Arranged chronologically.","Arranged chronologically.","Arranged chronologically.","Arranged chronologically.","Arranged in two subseries – Subseries 5.1: Leases/Legal Documents, 1922-1981, and Subseries 5.2: Budget Reports, 1961-1989. Subseries 5.1 is arranged alphabetically and Subseries 5.2 is arranged topically."],"bibliography_html_tesm":["\u003cbibref\u003e\"Board of Visitors\" James Madison University Centennial Celebration. Accessed January 26, 2017. http://www.jmu.edu/centennialcelebration/wm_preview/rectors.shtml.\u003c/bibref\u003e","\u003cbibref\u003eJames Madison University - Board of Visitors. Accessed January 26, 2017. https://www.jmu.edu/visitors/about/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Board of Visitors\" James Madison University Centennial Celebration. Accessed January 26, 2017. http://www.jmu.edu/centennialcelebration/wm_preview/rectors.shtml.","James Madison University - Board of Visitors. Accessed January 26, 2017. https://www.jmu.edu/visitors/about/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eJames Madison University's Board of Visitors was created in 1964 with the prime directive of overseeing the effective government of the university, then Madison College. When the institution opened in 1908 as the State Normal and Industrial School for Women at Harrisonburg, the governing body was its own Board of Trustees. The school changed its name to the State Normal School for Women at Harrisonburg in 1914 and governance was shifted to the Virginia Normal School Board, a state agency. The institution was renamed once again in 1924 to the State Teachers College at Harrisonburg. The governance also experienced change as control was transferred to the State Board of Education. In 1964, the final change occurred when the Virginia General Assembly established independent boards of visitors for each of the state's former teacher colleges.\u003c/p\u003e\n","\u003cp\u003eThe Governor of Virginia holds the power of appointing each member of the Board of Visitors. The first Board of Visitors was comprised of 11 members; its first rector was Burr P. Harrison. The Virginia General Assembly acted to have the board size increased to 15 members in 1989. Of the selected members, no more than two can be non-Virginians and board members include both JMU alumni and non-alumni. In addition to appointed members, a student representative and the speaker of the JMU Faculty Senate serve on the board. Terms of service do apply as board members are not eligible to serve more than two consecutive four-year terms. Officers of the board (rector, vice rector, and secretary) are elected annually by the board for one-year terms.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["James Madison University's Board of Visitors was created in 1964 with the prime directive of overseeing the effective government of the university, then Madison College. When the institution opened in 1908 as the State Normal and Industrial School for Women at Harrisonburg, the governing body was its own Board of Trustees. The school changed its name to the State Normal School for Women at Harrisonburg in 1914 and governance was shifted to the Virginia Normal School Board, a state agency. The institution was renamed once again in 1924 to the State Teachers College at Harrisonburg. The governance also experienced change as control was transferred to the State Board of Education. In 1964, the final change occurred when the Virginia General Assembly established independent boards of visitors for each of the state's former teacher colleges.","The Governor of Virginia holds the power of appointing each member of the Board of Visitors. The first Board of Visitors was comprised of 11 members; its first rector was Burr P. Harrison. The Virginia General Assembly acted to have the board size increased to 15 members in 1989. Of the selected members, no more than two can be non-Virginians and board members include both JMU alumni and non-alumni. In addition to appointed members, a student representative and the speaker of the JMU Faculty Senate serve on the board. Terms of service do apply as board members are not eligible to serve more than two consecutive four-year terms. Officers of the board (rector, vice rector, and secretary) are elected annually by the board for one-year terms."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Office of the President: Board of Visitors, 1908-2025, UA 0010, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Office of the President: Board of Visitors, 1908-2025, UA 0010, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection was reprocessed in 2016 and contains all documents from the original accession (PR 99-1122) except for the Faculty Minutes, 1908-1998, which were removed to form a separate collection (UA 0011). A copy of the original finding aid is located in the collection control file. Old collection folders were reused during reprocessing and folder titles were retained when possible. Inserts found in the Board of Trustees Minute Book were removed and foldered separately. The inserts were subsequently photocopied and those copies are also foldered separately. The Board of Visitors meeting minutes and President's Reports were originally bound, but were disbound in 2016 during reprocessing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was reprocessed in 2016 and contains all documents from the original accession (PR 99-1122) except for the Faculty Minutes, 1908-1998, which were removed to form a separate collection (UA 0011). A copy of the original finding aid is located in the collection control file. Old collection folders were reused during reprocessing and folder titles were retained when possible. Inserts found in the Board of Trustees Minute Book were removed and foldered separately. The inserts were subsequently photocopied and those copies are also foldered separately. The Board of Visitors meeting minutes and President's Reports were originally bound, but were disbound in 2016 during reprocessing."],"scopecontent_html_tesm":["\u003cp\u003eThe Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. The collection is comprised primarily of meeting minutes and correspondence. Minutes from the Board of Visitors' first meeting on July 16, 1964 are included. Researchers should note that meeting minutes from the various iterations of university governing bodies between 1914 and 1963 are not included. The correspondence is chiefly official memoranda, letters concerning business and new board members, and contractual agreements granting faculty members temporary leaves of absence. The collection also includes annual reports and reports to the Board of Visitors, financial materials documenting lease agreements involving James Madison University, athletic program expenditure statements, and audit reports. Miscellaneous items include documents explaining the origins of buildings' names, a Board of Visitors manual, and a document of Board of Visitors Resolutions.\u003c/p\u003e","\u003cp\u003eThis series comprises chiefly Board of Visitors meeting minutes from 1964 to 2025 beginning with the first meeting on July 16, 1964. During that first meeting the members decided on the official design for \"The Visitors of Madison College,\" agreed upon making the meetings of the Visitors closed to the public, approved of the revised faculty salary, and approved the continuation of degrees being offered to students. Also included is the original Board of Trustees minute book dating from 1908 to 1914. A full transcript is also contained within this series.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence between fellow board members, government officials, and members of the university administration. Contract agreements between board members and faculty of the college are included. Topics of interest include but are not limited to campus construction and related funding, appropriation increases, project requests, requests related to enrollment increases, G. Tyler Miller's retirement, and faculty promotions.\u003c/p\u003e","\u003cp\u003eThis series contains documents about the naming of buildings on campus as well as information on resolutions, manuals, honorary degrees and the Russell Weaver Society.\u003c/p\u003e","\u003cp\u003eThe reports contain data regarding enrollment, campus services, faculty salaries, and financial records. Also included are recommendations from the president on approvals of resignations and appointments, budget increases, academic changes, campus expansion, etc. These reports provide an overview of the administrative proceedings of the university from one year to the next and are comprised of reports to the State Board of Education, reports to the Board of Visitors, annual reports, and special reports.\u003c/p\u003e","\u003cp\u003eSubseries 5.1: Leases/Legal Documents, 1922-1981, is comprised primarily of lease agreements between James Madison University, both as the lessor and lessee, and persons or companies. Of particular interest are the fire insurance documents which include a Schedule of Buildings at the State Teachers College at Harrisonburg (June 2, 1924) and a Fire Insurance Report on State Teacher's College, Harrisonburg, Virginia (February 1932) prepared by the Philadelphia Fire \u0026amp; Marine Insurance Company. The Schedule of Buildings lists all campus buildings, their architectural type, date of erection, and total cost. The Fire Insurance Report provides a detailed description of all campus buildings (including University Farm properties in Port Republic) and includes date of erection, occupancy, recommendations, estimated insurable value, and campus map. Photographs are included with each building description.\u003c/p\u003e","\u003cp\u003eList of campus buildings detailed (with photographs) in the fire insurance report:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSpotswood Hall\u003c/item\u003e\u003citem\u003eSheldon Hall\u003c/item\u003e\u003citem\u003eJohnston Hall\u003c/item\u003e\u003citem\u003eAlumnae Hall\u003c/item\u003e\u003citem\u003eWalter Reed Hall (Keezell Hall)\u003c/item\u003e\u003citem\u003eWilson Hall\u003c/item\u003e\u003citem\u003eMaury Hall (Gabbin Hall)\u003c/item\u003e\u003citem\u003eJackson Hall (Darcus Johnson Hall)\u003c/item\u003e\u003citem\u003eHarrison Hall\u003c/item\u003e\u003citem\u003eAshby Hall (Harper Allen-Lee Hall)\u003c/item\u003e\u003citem\u003eHillcrest House\u003c/item\u003e\u003citem\u003ePractice House (Varner House)\u003c/item\u003e\u003citem\u003eCleveland Cottage\u003c/item\u003e\u003citem\u003eCarter House\u003c/item\u003e\u003citem\u003eCottage No. 2\u003c/item\u003e\u003citem\u003eStable\u003c/item\u003e\u003citem\u003ePractice House (Hooke House) - University Farm, Port Republic\u003c/item\u003e\u003citem\u003eDuke Cottage - University Farm, Port Republic\u003c/item\u003e\u003citem\u003eBarn - University Farm, Port Republic\u003c/item\u003e\u003citem\u003eCaretaker's Dwelling - University Farm, Port Republic\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eSubseries 5.2: Budget Reports, 1961-1989, contains annual reports, financial reports detailing the university's business and financial operations, reports on audits prepared by the auditor of public accounts for the Commonwealth of Virginia, and a limited amount of material related to athletic program expenses. Researchers should note that the 1966 expenditure statement for athletics is not included in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. The collection is comprised primarily of meeting minutes and correspondence. Minutes from the Board of Visitors' first meeting on July 16, 1964 are included. Researchers should note that meeting minutes from the various iterations of university governing bodies between 1914 and 1963 are not included. The correspondence is chiefly official memoranda, letters concerning business and new board members, and contractual agreements granting faculty members temporary leaves of absence. The collection also includes annual reports and reports to the Board of Visitors, financial materials documenting lease agreements involving James Madison University, athletic program expenditure statements, and audit reports. Miscellaneous items include documents explaining the origins of buildings' names, a Board of Visitors manual, and a document of Board of Visitors Resolutions.","This series comprises chiefly Board of Visitors meeting minutes from 1964 to 2025 beginning with the first meeting on July 16, 1964. During that first meeting the members decided on the official design for \"The Visitors of Madison College,\" agreed upon making the meetings of the Visitors closed to the public, approved of the revised faculty salary, and approved the continuation of degrees being offered to students. Also included is the original Board of Trustees minute book dating from 1908 to 1914. A full transcript is also contained within this series.","This series contains correspondence between fellow board members, government officials, and members of the university administration. Contract agreements between board members and faculty of the college are included. Topics of interest include but are not limited to campus construction and related funding, appropriation increases, project requests, requests related to enrollment increases, G. Tyler Miller's retirement, and faculty promotions.","This series contains documents about the naming of buildings on campus as well as information on resolutions, manuals, honorary degrees and the Russell Weaver Society.","The reports contain data regarding enrollment, campus services, faculty salaries, and financial records. Also included are recommendations from the president on approvals of resignations and appointments, budget increases, academic changes, campus expansion, etc. These reports provide an overview of the administrative proceedings of the university from one year to the next and are comprised of reports to the State Board of Education, reports to the Board of Visitors, annual reports, and special reports.","Subseries 5.1: Leases/Legal Documents, 1922-1981, is comprised primarily of lease agreements between James Madison University, both as the lessor and lessee, and persons or companies. Of particular interest are the fire insurance documents which include a Schedule of Buildings at the State Teachers College at Harrisonburg (June 2, 1924) and a Fire Insurance Report on State Teacher's College, Harrisonburg, Virginia (February 1932) prepared by the Philadelphia Fire \u0026 Marine Insurance Company. The Schedule of Buildings lists all campus buildings, their architectural type, date of erection, and total cost. The Fire Insurance Report provides a detailed description of all campus buildings (including University Farm properties in Port Republic) and includes date of erection, occupancy, recommendations, estimated insurable value, and campus map. Photographs are included with each building description.","List of campus buildings detailed (with photographs) in the fire insurance report:","Spotswood Hall Sheldon Hall Johnston Hall Alumnae Hall Walter Reed Hall (Keezell Hall) Wilson Hall Maury Hall (Gabbin Hall) Jackson Hall (Darcus Johnson Hall) Harrison Hall Ashby Hall (Harper Allen-Lee Hall) Hillcrest House Practice House (Varner House) Cleveland Cottage Carter House Cottage No. 2 Stable Practice House (Hooke House) - University Farm, Port Republic Duke Cottage - University Farm, Port Republic Barn - University Farm, Port Republic Caretaker's Dwelling - University Farm, Port Republic","Subseries 5.2: Budget Reports, 1961-1989, contains annual reports, financial reports detailing the university's business and financial operations, reports on audits prepared by the auditor of public accounts for the Commonwealth of Virginia, and a limited amount of material related to athletic program expenses. Researchers should note that the 1966 expenditure statement for athletics is not included in this collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_03e6afce4dee300f150c55bfb79f55a9\"\u003eThe Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. Materials include meeting minutes, correspondence, financial documents, and president's reports.\u003c/abstract\u003e"],"abstract_tesim":["The Office of the President: Board of Visitors Records document the activities of the James Madison University Board of Visitors and its predecessor, the Board of Trustees. Materials include meeting minutes, correspondence, financial documents, and president's reports."],"names_coll_ssim":["James Madison University -- History","James Madison University -- Administration","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Administration","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Administration","Madison College -- History","Madison College -- Administration"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University -- History","James Madison University -- Administration","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Administration","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Administration","Madison College -- History","Madison College -- Administration","University Farm (1929-)"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University -- History","James Madison University -- Administration","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Administration","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Administration","Madison College -- History","Madison College -- Administration","University Farm (1929-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":248,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_370"}},{"id":"vihart_repositories_4_resources_491","type":"collection","attributes":{"title":"School of Art and Art History Photographs","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_491#creator","type":"document_value","attributes":{"value":"James Madison University. School of Art and Art History","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_491#abstract_or_scope","type":"document_value","attributes":{"value":"This collection is comprised of photographs of students and faculty at the School of Art and Art History, now the School of Art, Design and Art History, from circa 1970 to 2000.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_491#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_491","ead_ssi":"vihart_repositories_4_resources_491","_root_":"vihart_repositories_4_resources_491","_nest_parent_":"vihart_repositories_4_resources_491","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_491.xml","title_ssm":["School of Art and Art History Photographs"],"title_tesim":["School of Art and Art History Photographs"],"unitdate_ssm":["circa 1970-2000"],"unitdate_inclusive_ssm":["circa 1970-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0044","/repositories/4/resources/491"],"text":["UA 0044","/repositories/4/resources/491","School of Art and Art History Photographs","Education, Higher -- Virginia -- Harrisonburg","Black-and-white photographs","Photographs","Color photographs","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection.","Items are arranged by subject.","Art And Art History Self Study Report, Box 1, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","The Art Department in 1970 was based in the Duke Fine Arts Center, which was built in 1967 to house the Art, Theater and Music departments. Due to space constraints, art studios were also located in various spaces around campus: printmaking in the basement of Converse Hall, painting and drawing in a former womn's gymnasuium located in Ashby Hall; sculpture and three-dimensional design in the basement garages at the rear of Harrison Hall. When the school of Music moved to a new facility in 1989, the Art Department occupied more of Duke Hall. Duke Hall housed the Sawhill Gallery, which is currently located on the fourth floor of Warren Hall. Zirkle House, which was demolished in 2006, also housed an art gallery.","In the 1970s, the Art Department was under the Division of the Humanities. The department was reorganized in 1996 as the Department of Art and Art History, and was incorporated into the College of Arts and Letters.","Items had been minimally processed, and were previously located in James Madison University Historic Photograph Collection.","The collection is comprised of photographs of faculty, students and events related to the Art and Art History Art department, from 1970-2000. ","The Art Auctions contain images of Kay and Doug Flory (1:1). Duke Hall contains images of the Sawhill Gallery and slide room (1:2). Named faculty in the collection include: Bonnie Paul, Frances Grove, Ken Szmagaj, Mary Snow, Crystal Theodore, Ken Beer, David Diller, Jerry Coulter, Steve Zaptan, James Crable, Rebecca Humphrey, Kay Arthur, Ron Wyancko, Gary Chatelain, Dick Whitman, Phil James, Barbara Lewis, David Ehrenpreis, Angie To, Karen Gerard, Cole Welter, William Wightman, Corinne Diop, Mark Rooker, Stuart Downs, Masko Miyata, Christina Updike, Sang Yoon, Steve Zapton, Katherine Schwartz, Peter Ratner, Anna Dempsey, Susan Zurbrigg, Barbara Lewis, Richard Hilliard, Bret Hunter, David Haldridge, and Masako Miyata (1:3-6). Named students in the \"Student\" file include: Karen Byer, Lance Foster, Greg Owens, Karen Harmon, and Phil Ungar. It contains images of Ashby Hall, the Zirkle House Studio, the print shop in the basement of Converse, the slide room, and images of the Sawhill Collection (1:6). ","The \"Contact Sheets\" folder is largely comprised of images of departmental events from 1990-1992, including metals and ceramics students, visiting professor Carol Barton, the David Diller retirement reception, and graduate assistant, Julia Merkel. There are several contact sheets with images of the Ashby studio, textile studio and the Zirkle house from c. 1980s (1:7). The \"Miscellaneous\" folder contains images of Ron Carrier and Wilson Hall (1:10).","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","This collection is comprised of photographs of students and faculty at the School of Art and Art History, now the School of Art, Design and Art History, from circa 1970 to 2000.","James Madison University Libraries Special Collections","James Madison University. School of Art and Art History","Madison College. Department of Art -- History","James Madison University. School of Art and Art History -- History","Madison College -- Faculty","James Madison University -- Faculty","Madison College -- Students","James Madison University -- Students","Madison College -- Buildings","James Madison University -- Buildings","Madison College -- History","James Madison University -- History","James Madison University. School of Art -- History","Tschudi, Alan","Black, Kathy","Ropp, Kevin","Merkel, Julia, 1966-","Barton, Carol June, 1954-","English"],"unitid_tesim":["UA 0044","/repositories/4/resources/491"],"normalized_title_ssm":["School of Art and Art History Photographs"],"collection_title_tesim":["School of Art and Art History Photographs"],"collection_ssim":["School of Art and Art History Photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University. School of Art and Art History","Tschudi, Alan","Black, Kathy","Ropp, Kevin"],"creator_ssim":["James Madison University. School of Art and Art History","Tschudi, Alan","Black, Kathy","Ropp, Kevin"],"creator_persname_ssim":["Tschudi, Alan","Black, Kathy","Ropp, Kevin"],"creator_corpname_ssim":["James Madison University. School of Art and Art History"],"creators_ssim":["Tschudi, Alan","Black, Kathy","Ropp, Kevin","James Madison University. School of Art and Art History"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Items were transferred by Frances Dovel of the School of Art and Art History in 2005."],"access_subjects_ssim":["Education, Higher -- Virginia -- Harrisonburg","Black-and-white photographs","Photographs","Color photographs"],"access_subjects_ssm":["Education, Higher -- Virginia -- Harrisonburg","Black-and-white photographs","Photographs","Color photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 cubic feet 1 box"],"extent_tesim":["0.2 cubic feet 1 box"],"genreform_ssim":["Black-and-white photographs","Photographs","Color photographs"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection."],"arrangement_html_tesm":["\u003cp\u003eItems are arranged by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Items are arranged by subject."],"bibliography_html_tesm":["\u003cbibref\u003eArt And Art History Self Study Report, Box 1, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. \u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Art And Art History Self Study Report, Box 1, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. "],"bioghist_html_tesm":["\u003cp\u003eThe Art Department in 1970 was based in the Duke Fine Arts Center, which was built in 1967 to house the Art, Theater and Music departments. Due to space constraints, art studios were also located in various spaces around campus: printmaking in the basement of Converse Hall, painting and drawing in a former womn's gymnasuium located in Ashby Hall; sculpture and three-dimensional design in the basement garages at the rear of Harrison Hall. When the school of Music moved to a new facility in 1989, the Art Department occupied more of Duke Hall. Duke Hall housed the Sawhill Gallery, which is currently located on the fourth floor of Warren Hall. Zirkle House, which was demolished in 2006, also housed an art gallery.\u003c/p\u003e\n","\u003cp\u003eIn the 1970s, the Art Department was under the Division of the Humanities. The department was reorganized in 1996 as the Department of Art and Art History, and was incorporated into the College of Arts and Letters.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Art Department in 1970 was based in the Duke Fine Arts Center, which was built in 1967 to house the Art, Theater and Music departments. Due to space constraints, art studios were also located in various spaces around campus: printmaking in the basement of Converse Hall, painting and drawing in a former womn's gymnasuium located in Ashby Hall; sculpture and three-dimensional design in the basement garages at the rear of Harrison Hall. When the school of Music moved to a new facility in 1989, the Art Department occupied more of Duke Hall. Duke Hall housed the Sawhill Gallery, which is currently located on the fourth floor of Warren Hall. Zirkle House, which was demolished in 2006, also housed an art gallery.","In the 1970s, the Art Department was under the Division of the Humanities. The department was reorganized in 1996 as the Department of Art and Art History, and was incorporated into the College of Arts and Letters."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], School of Art and Art History Photographs, circa 1970-2000, UA 0044, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], School of Art and Art History Photographs, circa 1970-2000, UA 0044, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eItems had been minimally processed, and were previously located in James Madison University Historic Photograph Collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Items had been minimally processed, and were previously located in James Madison University Historic Photograph Collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of photographs of faculty, students and events related to the Art and Art History Art department, from 1970-2000. \u003c/p\u003e\n","\u003cp\u003eThe Art Auctions contain images of Kay and Doug Flory (1:1). Duke Hall contains images of the Sawhill Gallery and slide room (1:2). Named faculty in the collection include: Bonnie Paul, Frances Grove, Ken Szmagaj, Mary Snow, Crystal Theodore, Ken Beer, David Diller, Jerry Coulter, Steve Zaptan, James Crable, Rebecca Humphrey, Kay Arthur, Ron Wyancko, Gary Chatelain, Dick Whitman, Phil James, Barbara Lewis, David Ehrenpreis, Angie To, Karen Gerard, Cole Welter, William Wightman, Corinne Diop, Mark Rooker, Stuart Downs, Masko Miyata, Christina Updike, Sang Yoon, Steve Zapton, Katherine Schwartz, Peter Ratner, Anna Dempsey, Susan Zurbrigg, Barbara Lewis, Richard Hilliard, Bret Hunter, David Haldridge, and Masako Miyata (1:3-6). Named students in the \"Student\" file include: Karen Byer, Lance Foster, Greg Owens, Karen Harmon, and Phil Ungar. It contains images of Ashby Hall, the Zirkle House Studio, the print shop in the basement of Converse, the slide room, and images of the Sawhill Collection (1:6). \u003c/p\u003e\n","\u003cp\u003eThe \"Contact Sheets\" folder is largely comprised of images of departmental events from 1990-1992, including metals and ceramics students, visiting professor Carol Barton, the David Diller retirement reception, and graduate assistant, Julia Merkel. There are several contact sheets with images of the Ashby studio, textile studio and the Zirkle house from c. 1980s (1:7). The \"Miscellaneous\" folder contains images of Ron Carrier and Wilson Hall (1:10).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection is comprised of photographs of faculty, students and events related to the Art and Art History Art department, from 1970-2000. ","The Art Auctions contain images of Kay and Doug Flory (1:1). Duke Hall contains images of the Sawhill Gallery and slide room (1:2). Named faculty in the collection include: Bonnie Paul, Frances Grove, Ken Szmagaj, Mary Snow, Crystal Theodore, Ken Beer, David Diller, Jerry Coulter, Steve Zaptan, James Crable, Rebecca Humphrey, Kay Arthur, Ron Wyancko, Gary Chatelain, Dick Whitman, Phil James, Barbara Lewis, David Ehrenpreis, Angie To, Karen Gerard, Cole Welter, William Wightman, Corinne Diop, Mark Rooker, Stuart Downs, Masko Miyata, Christina Updike, Sang Yoon, Steve Zapton, Katherine Schwartz, Peter Ratner, Anna Dempsey, Susan Zurbrigg, Barbara Lewis, Richard Hilliard, Bret Hunter, David Haldridge, and Masako Miyata (1:3-6). Named students in the \"Student\" file include: Karen Byer, Lance Foster, Greg Owens, Karen Harmon, and Phil Ungar. It contains images of Ashby Hall, the Zirkle House Studio, the print shop in the basement of Converse, the slide room, and images of the Sawhill Collection (1:6). ","The \"Contact Sheets\" folder is largely comprised of images of departmental events from 1990-1992, including metals and ceramics students, visiting professor Carol Barton, the David Diller retirement reception, and graduate assistant, Julia Merkel. There are several contact sheets with images of the Ashby studio, textile studio and the Zirkle house from c. 1980s (1:7). The \"Miscellaneous\" folder contains images of Ron Carrier and Wilson Hall (1:10)."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_669028d8cf9f11d9124fa0a4145de198\"\u003eThis collection is comprised of photographs of students and faculty at the School of Art and Art History, now the School of Art, Design and Art History, from circa 1970 to 2000.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of photographs of students and faculty at the School of Art and Art History, now the School of Art, Design and Art History, from circa 1970 to 2000."],"names_coll_ssim":["James Madison University. School of Art and Art History","Madison College. Department of Art -- History","James Madison University. School of Art and Art History -- History","Madison College -- Faculty","James Madison University -- Faculty","Madison College -- Students","James Madison University -- Students","Madison College -- Buildings","James Madison University -- Buildings","Madison College -- History","James Madison University -- History","James Madison University. School of Art -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. School of Art and Art History","Madison College. Department of Art -- History","James Madison University. School of Art and Art History -- History","Madison College -- Faculty","James Madison University -- Faculty","Madison College -- Students","James Madison University -- Students","Madison College -- Buildings","James Madison University -- Buildings","Madison College -- History","James Madison University -- History","James Madison University. School of Art -- History","Tschudi, Alan","Black, Kathy","Ropp, Kevin","Merkel, Julia, 1966-","Barton, Carol June, 1954-"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. School of Art and Art History","Madison College. Department of Art -- History","James Madison University. School of Art and Art History -- History","Madison College -- Faculty","James Madison University -- Faculty","Madison College -- Students","James Madison University -- Students","Madison College -- Buildings","James Madison University -- Buildings","Madison College -- History","James Madison University -- History","James Madison University. School of Art -- History"],"persname_ssim":["Tschudi, Alan","Black, Kathy","Ropp, Kevin","Merkel, Julia, 1966-","Barton, Carol June, 1954-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:14.908Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_491","ead_ssi":"vihart_repositories_4_resources_491","_root_":"vihart_repositories_4_resources_491","_nest_parent_":"vihart_repositories_4_resources_491","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_491.xml","title_ssm":["School of Art and Art History Photographs"],"title_tesim":["School of Art and Art History Photographs"],"unitdate_ssm":["circa 1970-2000"],"unitdate_inclusive_ssm":["circa 1970-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0044","/repositories/4/resources/491"],"text":["UA 0044","/repositories/4/resources/491","School of Art and Art History Photographs","Education, Higher -- Virginia -- Harrisonburg","Black-and-white photographs","Photographs","Color photographs","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection.","Items are arranged by subject.","Art And Art History Self Study Report, Box 1, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","The Art Department in 1970 was based in the Duke Fine Arts Center, which was built in 1967 to house the Art, Theater and Music departments. Due to space constraints, art studios were also located in various spaces around campus: printmaking in the basement of Converse Hall, painting and drawing in a former womn's gymnasuium located in Ashby Hall; sculpture and three-dimensional design in the basement garages at the rear of Harrison Hall. When the school of Music moved to a new facility in 1989, the Art Department occupied more of Duke Hall. Duke Hall housed the Sawhill Gallery, which is currently located on the fourth floor of Warren Hall. Zirkle House, which was demolished in 2006, also housed an art gallery.","In the 1970s, the Art Department was under the Division of the Humanities. The department was reorganized in 1996 as the Department of Art and Art History, and was incorporated into the College of Arts and Letters.","Items had been minimally processed, and were previously located in James Madison University Historic Photograph Collection.","The collection is comprised of photographs of faculty, students and events related to the Art and Art History Art department, from 1970-2000. ","The Art Auctions contain images of Kay and Doug Flory (1:1). Duke Hall contains images of the Sawhill Gallery and slide room (1:2). Named faculty in the collection include: Bonnie Paul, Frances Grove, Ken Szmagaj, Mary Snow, Crystal Theodore, Ken Beer, David Diller, Jerry Coulter, Steve Zaptan, James Crable, Rebecca Humphrey, Kay Arthur, Ron Wyancko, Gary Chatelain, Dick Whitman, Phil James, Barbara Lewis, David Ehrenpreis, Angie To, Karen Gerard, Cole Welter, William Wightman, Corinne Diop, Mark Rooker, Stuart Downs, Masko Miyata, Christina Updike, Sang Yoon, Steve Zapton, Katherine Schwartz, Peter Ratner, Anna Dempsey, Susan Zurbrigg, Barbara Lewis, Richard Hilliard, Bret Hunter, David Haldridge, and Masako Miyata (1:3-6). Named students in the \"Student\" file include: Karen Byer, Lance Foster, Greg Owens, Karen Harmon, and Phil Ungar. It contains images of Ashby Hall, the Zirkle House Studio, the print shop in the basement of Converse, the slide room, and images of the Sawhill Collection (1:6). ","The \"Contact Sheets\" folder is largely comprised of images of departmental events from 1990-1992, including metals and ceramics students, visiting professor Carol Barton, the David Diller retirement reception, and graduate assistant, Julia Merkel. There are several contact sheets with images of the Ashby studio, textile studio and the Zirkle house from c. 1980s (1:7). The \"Miscellaneous\" folder contains images of Ron Carrier and Wilson Hall (1:10).","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","This collection is comprised of photographs of students and faculty at the School of Art and Art History, now the School of Art, Design and Art History, from circa 1970 to 2000.","James Madison University Libraries Special Collections","James Madison University. School of Art and Art History","Madison College. Department of Art -- History","James Madison University. School of Art and Art History -- History","Madison College -- Faculty","James Madison University -- Faculty","Madison College -- Students","James Madison University -- Students","Madison College -- Buildings","James Madison University -- Buildings","Madison College -- History","James Madison University -- History","James Madison University. School of Art -- History","Tschudi, Alan","Black, Kathy","Ropp, Kevin","Merkel, Julia, 1966-","Barton, Carol June, 1954-","English"],"unitid_tesim":["UA 0044","/repositories/4/resources/491"],"normalized_title_ssm":["School of Art and Art History Photographs"],"collection_title_tesim":["School of Art and Art History Photographs"],"collection_ssim":["School of Art and Art History Photographs"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University. School of Art and Art History","Tschudi, Alan","Black, Kathy","Ropp, Kevin"],"creator_ssim":["James Madison University. School of Art and Art History","Tschudi, Alan","Black, Kathy","Ropp, Kevin"],"creator_persname_ssim":["Tschudi, Alan","Black, Kathy","Ropp, Kevin"],"creator_corpname_ssim":["James Madison University. School of Art and Art History"],"creators_ssim":["Tschudi, Alan","Black, Kathy","Ropp, Kevin","James Madison University. School of Art and Art History"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Items were transferred by Frances Dovel of the School of Art and Art History in 2005."],"access_subjects_ssim":["Education, Higher -- Virginia -- Harrisonburg","Black-and-white photographs","Photographs","Color photographs"],"access_subjects_ssm":["Education, Higher -- Virginia -- Harrisonburg","Black-and-white photographs","Photographs","Color photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 cubic feet 1 box"],"extent_tesim":["0.2 cubic feet 1 box"],"genreform_ssim":["Black-and-white photographs","Photographs","Color photographs"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection."],"arrangement_html_tesm":["\u003cp\u003eItems are arranged by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Items are arranged by subject."],"bibliography_html_tesm":["\u003cbibref\u003eArt And Art History Self Study Report, Box 1, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. \u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Art And Art History Self Study Report, Box 1, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. "],"bioghist_html_tesm":["\u003cp\u003eThe Art Department in 1970 was based in the Duke Fine Arts Center, which was built in 1967 to house the Art, Theater and Music departments. Due to space constraints, art studios were also located in various spaces around campus: printmaking in the basement of Converse Hall, painting and drawing in a former womn's gymnasuium located in Ashby Hall; sculpture and three-dimensional design in the basement garages at the rear of Harrison Hall. When the school of Music moved to a new facility in 1989, the Art Department occupied more of Duke Hall. Duke Hall housed the Sawhill Gallery, which is currently located on the fourth floor of Warren Hall. Zirkle House, which was demolished in 2006, also housed an art gallery.\u003c/p\u003e\n","\u003cp\u003eIn the 1970s, the Art Department was under the Division of the Humanities. The department was reorganized in 1996 as the Department of Art and Art History, and was incorporated into the College of Arts and Letters.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Art Department in 1970 was based in the Duke Fine Arts Center, which was built in 1967 to house the Art, Theater and Music departments. Due to space constraints, art studios were also located in various spaces around campus: printmaking in the basement of Converse Hall, painting and drawing in a former womn's gymnasuium located in Ashby Hall; sculpture and three-dimensional design in the basement garages at the rear of Harrison Hall. When the school of Music moved to a new facility in 1989, the Art Department occupied more of Duke Hall. Duke Hall housed the Sawhill Gallery, which is currently located on the fourth floor of Warren Hall. Zirkle House, which was demolished in 2006, also housed an art gallery.","In the 1970s, the Art Department was under the Division of the Humanities. The department was reorganized in 1996 as the Department of Art and Art History, and was incorporated into the College of Arts and Letters."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], School of Art and Art History Photographs, circa 1970-2000, UA 0044, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], School of Art and Art History Photographs, circa 1970-2000, UA 0044, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eItems had been minimally processed, and were previously located in James Madison University Historic Photograph Collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Items had been minimally processed, and were previously located in James Madison University Historic Photograph Collection."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is comprised of photographs of faculty, students and events related to the Art and Art History Art department, from 1970-2000. \u003c/p\u003e\n","\u003cp\u003eThe Art Auctions contain images of Kay and Doug Flory (1:1). Duke Hall contains images of the Sawhill Gallery and slide room (1:2). Named faculty in the collection include: Bonnie Paul, Frances Grove, Ken Szmagaj, Mary Snow, Crystal Theodore, Ken Beer, David Diller, Jerry Coulter, Steve Zaptan, James Crable, Rebecca Humphrey, Kay Arthur, Ron Wyancko, Gary Chatelain, Dick Whitman, Phil James, Barbara Lewis, David Ehrenpreis, Angie To, Karen Gerard, Cole Welter, William Wightman, Corinne Diop, Mark Rooker, Stuart Downs, Masko Miyata, Christina Updike, Sang Yoon, Steve Zapton, Katherine Schwartz, Peter Ratner, Anna Dempsey, Susan Zurbrigg, Barbara Lewis, Richard Hilliard, Bret Hunter, David Haldridge, and Masako Miyata (1:3-6). Named students in the \"Student\" file include: Karen Byer, Lance Foster, Greg Owens, Karen Harmon, and Phil Ungar. It contains images of Ashby Hall, the Zirkle House Studio, the print shop in the basement of Converse, the slide room, and images of the Sawhill Collection (1:6). \u003c/p\u003e\n","\u003cp\u003eThe \"Contact Sheets\" folder is largely comprised of images of departmental events from 1990-1992, including metals and ceramics students, visiting professor Carol Barton, the David Diller retirement reception, and graduate assistant, Julia Merkel. There are several contact sheets with images of the Ashby studio, textile studio and the Zirkle house from c. 1980s (1:7). The \"Miscellaneous\" folder contains images of Ron Carrier and Wilson Hall (1:10).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection is comprised of photographs of faculty, students and events related to the Art and Art History Art department, from 1970-2000. ","The Art Auctions contain images of Kay and Doug Flory (1:1). Duke Hall contains images of the Sawhill Gallery and slide room (1:2). Named faculty in the collection include: Bonnie Paul, Frances Grove, Ken Szmagaj, Mary Snow, Crystal Theodore, Ken Beer, David Diller, Jerry Coulter, Steve Zaptan, James Crable, Rebecca Humphrey, Kay Arthur, Ron Wyancko, Gary Chatelain, Dick Whitman, Phil James, Barbara Lewis, David Ehrenpreis, Angie To, Karen Gerard, Cole Welter, William Wightman, Corinne Diop, Mark Rooker, Stuart Downs, Masko Miyata, Christina Updike, Sang Yoon, Steve Zapton, Katherine Schwartz, Peter Ratner, Anna Dempsey, Susan Zurbrigg, Barbara Lewis, Richard Hilliard, Bret Hunter, David Haldridge, and Masako Miyata (1:3-6). Named students in the \"Student\" file include: Karen Byer, Lance Foster, Greg Owens, Karen Harmon, and Phil Ungar. It contains images of Ashby Hall, the Zirkle House Studio, the print shop in the basement of Converse, the slide room, and images of the Sawhill Collection (1:6). ","The \"Contact Sheets\" folder is largely comprised of images of departmental events from 1990-1992, including metals and ceramics students, visiting professor Carol Barton, the David Diller retirement reception, and graduate assistant, Julia Merkel. There are several contact sheets with images of the Ashby studio, textile studio and the Zirkle house from c. 1980s (1:7). The \"Miscellaneous\" folder contains images of Ron Carrier and Wilson Hall (1:10)."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_669028d8cf9f11d9124fa0a4145de198\"\u003eThis collection is comprised of photographs of students and faculty at the School of Art and Art History, now the School of Art, Design and Art History, from circa 1970 to 2000.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of photographs of students and faculty at the School of Art and Art History, now the School of Art, Design and Art History, from circa 1970 to 2000."],"names_coll_ssim":["James Madison University. School of Art and Art History","Madison College. Department of Art -- History","James Madison University. School of Art and Art History -- History","Madison College -- Faculty","James Madison University -- Faculty","Madison College -- Students","James Madison University -- Students","Madison College -- Buildings","James Madison University -- Buildings","Madison College -- History","James Madison University -- History","James Madison University. School of Art -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. School of Art and Art History","Madison College. Department of Art -- History","James Madison University. School of Art and Art History -- History","Madison College -- Faculty","James Madison University -- Faculty","Madison College -- Students","James Madison University -- Students","Madison College -- Buildings","James Madison University -- Buildings","Madison College -- History","James Madison University -- History","James Madison University. School of Art -- History","Tschudi, Alan","Black, Kathy","Ropp, Kevin","Merkel, Julia, 1966-","Barton, Carol June, 1954-"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. School of Art and Art History","Madison College. Department of Art -- History","James Madison University. School of Art and Art History -- History","Madison College -- Faculty","James Madison University -- Faculty","Madison College -- Students","James Madison University -- Students","Madison College -- Buildings","James Madison University -- Buildings","Madison College -- History","James Madison University -- History","James Madison University. School of Art -- History"],"persname_ssim":["Tschudi, Alan","Black, Kathy","Ropp, Kevin","Merkel, Julia, 1966-","Barton, Carol June, 1954-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:22:14.908Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_491"}},{"id":"viu_repositories_3_resources_838","type":"collection","attributes":{"title":"Sir Fitzroy Maclean papers","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_838#creator","type":"document_value","attributes":{"value":"Maclean, Fitzroy, 1911-1996","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_838#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis Fitzroy Maclean papers consist (1827-1996; 44 cubic feet) of the professional and personal papers of Scottish soldier, diplomat, politician, author, and traveler, Sir Fitzroy Hew Maclean (1911-1996) of Dunconnel. It includes correspondence, memoranda, manuscripts, typescripts, newspaper and magazine articles, book reviews, lectures, speeches, photographs, memorabilia, and research material pertaining to his military, diplomatic, political and literary career as well as family and personal affairs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_838#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_838","ead_ssi":"viu_repositories_3_resources_838","_root_":"viu_repositories_3_resources_838","_nest_parent_":"viu_repositories_3_resources_838","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_838.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/103243","title_filing_ssi":"Maclean, Sir Fitzroy, papers","title_ssm":["Sir Fitzroy Maclean papers"],"title_tesim":["Sir Fitzroy Maclean papers"],"unitdate_ssm":["1827-1996"],"unitdate_inclusive_ssm":["1827-1996"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 11487","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/838"],"text":["MSS 11487","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/838","Sir Fitzroy Maclean papers","letters (correspondence)","diaries","Black-and-white photographs","Collection is open for research use.","The collection is arranged in four main series, with various subseries: ","Series I: Career and Personal Papers (Boxes 1-11) ","Subseries A: Diplomatic Service (Box 1) ","Subseries B: British Military Mission to Yugoslavia (Boxes 1-2) ","Subseries C: Special Refugee Commission (Boxes 2-3) ","Subseries D: Political Correspondence (Box 3) ","Subseries E: VIP Material (Boxes 3-4) ","Subseries F: Yugoslavia \u0026 Tito Related Material (Boxes 4-8) ","Subseries G: Family \u0026 Personal Papers (Boxes 9-10) ","Subseries H: Honors \u0026 Decorations (Boxes 10- 11) ","Series II: Literary Papers - Books, Television \u0026 Radio Scripts, Articles, etc. ","Subseries A: Eastern Approaches Material (Boxes 12-15) ","Subseries B: Yugoslavia Related Material, including Books (Boxes 15-21); and Articles, Book Reviews, Lectures, Radio \u0026 Television, \u0026 Research (Boxes 21-26) ","Subseries C: Russia \u0026 the Former Soviet Union Material, including Books (Boxes 26-40); Articles (Boxes 41-43); Book Reviews \u0026 Lectures (Boxes 43-45); and Radio \u0026 Television (Boxes 45-46) ","Subseries D: Scotland Material, including Books (Boxes 46-57), Highlanders Television Series (Boxes 57-58), and Articles, Book Reviews and Lectures (Boxes 59-60) ","Subseries E: Miscellaneous Literary Material, including Take Nine Spies (Boxes 60-63), Articles (Boxes 64-66); Book Reviews, Introductions, Lectures \u0026 Speeches and Literary Correspondence (Boxes 67-68); and Radio and Television (Boxes 68-69) ","Series III: Photographic Material (Boxes 70-93)","Series IV: Sir Fitzroy Maclean Additional Papers (Boxes 94-102 ","re the Threat of Soviet Expansion in Asia","Parlimentary Delegation to Romania","Fitzroy Hew Royle Maclean was born in 1911 in Cairo, Egypt to Charles Maclean, a major in the British army, and Gladys Royle Maclean. He was raised in Scotland, India, and Italy and attended Eton (1924-28), the University of Marburg in Germany (1929), and Kings' College, Cambridge (1929-32) where he won a senior scholarship and first class honors. He entered the Foreign Office in 1934 and was first posted to Paris, and then to Moscow in 1937 where he served as the Third Secretary in the British Embassy. Stalin's purges were at their height during Maclean's two years in the Soviet Union, and he was present at the state trial of Nikolai Bukharin in 1938. He also made journeys to remote areas of the Soviet Union such as Central Asia and the Caucasus where few if any foreigners had been for many years. In 1939 he returned to London and worked in the Foreign Office on Russian affairs."," When World War II broke out, he wanted to enlist in the military, but as a diplomat was in a \"reserved\" position and was not allowed to do so. He learned that the only way to be released from the Foreign Office was to declare himself a candidate for Parliament, and so he was returned for the constituency of Lancaster at a by-election in 1941. He joined the Cameron Highlanders regiment in the British army as a private, and then the new Special Air Service (SAS) and served in the Western Desert, where he participated in the raid on Benghazi along with SAS founder David Stirling and Randolph Churchill, and foiled a coup in Persia by kidnapping General Zahidi who had collaborated with the Germans."," In July 1943 Prime Minister Winston Churchill asked Maclean to serve as his personal representative and Brigadier commanding a British Military Mission to Josip Broz Tito, leader of the Communist Partisans in German-occupied Yugoslavia. At this stage of the war, there was a debate in the British government over which Yugoslav resistance group it should support - Tito's Partisans or Draza Mihalovich's Cetniks. In September Maclean was dropped by parachute into Bosnia and met Tito, and subsequently reported to Churchill that the Partisans were the more effective fighting force and would benefit from additional British and American aid. In August 1944, as the Germans prepared to withdraw from Yugoslavia Maclean planned \"Operation Ratweek\" for the first week of September, a coordinated Allied and Partisan attack on enemy communications which proved quite successful. In the course of his mission, which lasted until 1945, he became a friend and admirer of Tito. In 1947 Maclean was asked to head the Special Refugee Commission which had the sensitive task of screening of tens of thousands of Yugoslav and Ukrainian Displaced Persons, some of whom were alleged to have committed war crimes, in Italy and Austria."," After completing this assignment, Maclean focused on politics, representing Lancaster until 1959 and Bute and North Ayrshire from 1959-1974, and served as Parliamentary Under Secretary of State for War from 1954-1957. He was chairman of the Committee of the North Atlantic Assembly from 1964-1974. Maclean's friendship with Tito and frequent visits to Yugoslavia allowed him to play a key role in Anglo-Yugoslav relations. In the 1960's he purchased a home on the island of Korcula, becoming one of the few foreigners allowed to own property in Yugoslavia. Maclean also maintained a keen interest in the Soviet Union where he traveled extensively and he served as chairman of the Great Britain-USSR Association. He lectured frequently in the United Kingdom and the United States on Yugoslav and Soviet affairs."," Maclean's literary career was launched in 1949 with the publication of Eastern Approaches, a memoir of his experiences as a diplomat and soldier, which was acclaimed by critics and became a best-seller. This was followed in 1957 by a biography of Tito,  Disputed Barricade, A Person from England (1958), describing the adventures of English travelers in Central Asia, and in 1958,  Back to Bokhara (1959), and a number of books, articles and book reviews on Yugoslavia, the Soviet Union, and other subjects."," A third focal point of his writing was Scotland, and he published  A Concise History of Scotland , (1970),  The Isles of the Sea , a collection of West Highland folk tales (1985),  Bonnie Prince Charlie , (1988) and  Highlanders (1995). Along with establishing a reputation as the author of entertaining and informative works that blended his travel experiences and historical research, he turned his attention to radio and television, working on a number of documentary programs including  The Road to Samarkand and  The Life and Times of Marshal Tito and two major series.  Portrait of the Soviet Union and  Highlanders ."," Maclean was made a baronet in 1957 and a Knight of the Thistle in 1993, and was the recipient of many honors and decorations including the Commander of the British Empire, the Croix de Guerre, the Order of Kutusov, and the Partisan Star, and several honorary degrees."," In 1946 Maclean married a widow with two children, Veronica (Fraser) Phipps, daughter of the 16th Lord Lovat. They had two sons, James and Charles. In 1957 the Macleans purchased Strachur, an estate in Argyllshire in the Scottish Highlands, and later operated a hotel on the estate, the Creggans Inn, which became known for its good food, drink, and hospitality. Maclean continued to be extremely active into his eighties and kept up a busy schedule of writing, lecturing and traveling. He died of a heart attack while swimming at a friend's house in June 1996. In Maclean's later years, there was speculation that he had been the inspiration for Ian Fleming's James Bond.","This Fitzroy Maclean papers consist (1827-1996; 44 cubic feet) of the professional and personal papers of Scottish soldier, diplomat, politician, author, and traveler, Sir Fitzroy Hew Maclean (1911-1996) of Dunconnel. It includes correspondence, memoranda, manuscripts, typescripts, newspaper and magazine articles, book reviews, lectures, speeches, photographs, memorabilia, and research material pertaining to his military, diplomatic, political and literary career as well as family and personal affairs.","Maclean is best known for his role during World War II as head of the British military mission to Yugoslavia in which he served as Winston Churchill's personal representative to leader of the Communist Partisans, Josip Broz Tito, his diplomatic service in the Soviet Union in the late 1930's, and as the author of the classic memoir Eastern Approaches (1949) and many other books and articles. After the war, he pursued a political career as a Conservative member of Parliament, and, based on his close relationship with Tito, played a key role in Anglo-Yugoslav affairs. He was also noted for his expertise on the Soviet Union."," A third focal point of his life and career was Scotland: he was a proud member of Clan Maclean and wrote several works on Scottish history, biography, and folklore. The collection contains some material in Serbo-Croatian, German, Italian and French."," The papers are arranged in four main series with various sub-series. Items of particular interest in the First Series, Career and Personal Papers, are described in the following paragraphs devoted to each subseries. In the Diplomatic Subseries are dispatches and memoranda of his trips through Central Asia (including Afghanistan and the ancient cities Bokhara and Samarkand) and the Caucasus, on the situation in Sinkiang (Chinese Turkestan) and on the political stability of the Soviet Union, 1937-1939."," The subseries British Military Mission to Yugoslavia contains Winston Churchill's Minute concerning his Mission to Tito, Autograph Diary (2 pages) re his arrival in Yugoslavia, \"Ratweek\" Map (oversize), twelve files (labeled Top Secret) including memoranda, correspondence, telegrams, etc concerning military and political affairs such as Allied operations and aid to Tito's Partisans, formation of the Yugoslav government, relief, the visit of Field Marshal Alexander, Supreme Allied Commander to Belgrade, Macedonia, Prospect of South Slav federation, and correspondence with Evelyn Waugh."," The Special Refugee Commission subseries contains correspondence, telegrams, reports, including one submitted to Foreign Secretary Ernest Bevin, articles, and a draft of a speech on the refugee problems to a parliamentary committee."," Political correspondence includes papers concerning the Lancaster by-election of 1941, the general election of 1945, and correspondence with Winston Churchill, Harold Macmillan, Anthony Eden, Alec Douglas- Home, Peter Carrington, Harold Wilson, Margaret Thatcher, John Major, Robert Kennedy, John Lindsay, Henry Jackson, and Averell Harriman ; a memorandum to Field Marshal Alexander of Tunis concerning irregular warfare; and correspondence and memoranda related to a parliamentary delegation to Romania in 1973."," Material in the VIP Subseries includes: letters and notes from members of the Royal Family including Prince Charles, Princess Margaret, Elizabeth the Queen Mother; Clementine Churchill and Mary Churchill Soames; and a thank you note from Lauren Bacall."," The Yugoslavia and Tito Subseries contains significant material including memoranda of meetings with Tito in 1949,1950, 1953, 1968, 1973; informative accounts by Maclean and other British officers about the Military Mission in World War II for an official book published by Muzej AVNOJ (1970-1971); correspondence about Maclean's involvement in proposals for the publication of Tito's memoirs (1966-1977) and about the nomination of Tito for the Nobel Peace Prize (1972-1973); correspondence and papers by Maclean and others from a conference on British Policy and Resistance in the Balkans (1973); Briefing papers, correspondence and memoranda of Margaret Thatcher's visit to Yugoslavia in 1977, and correspondence and memorabilia pertaining to the Prince of Wales' visit in 1978; correspondence about Maclean's visit in 1989 and transcript of an interview with Prime Minister Ante Markovic."," For the 1990's, the time of war and the dissolution of Yugoslavia , there is correspondence with David Owen, Stevan Dedijer and others, and about the Korcula Emergency Appeal, a relief effort for a hospital on the island of Korcula, Croatia, organized by the Macleans; letters from Yugoslav friends describing the turmoil , and/or seeking assistance in finding jobs in the United Kingdom; correspondence about renewed controversy about the British Military Mission in World War II. and the Aldington-Tolstoy Libel Case concerning the repatriation of Yugoslavs in 1945. It should also be noted that in Series II, Subseries B, Literary Material pertaining to Yugoslavia, there is some correspondence filed with the manuscripts, typescripts, articles and radio and television transcripts."," The Subseries Family and Personal Papers has letters from friends and teachers, some in German, French, and Italian. In a significant group of letters to his parents (1939-1945) from London, Cairo, Belgrade, and elsewhere, Maclean discussed the international situation, his desire to leave the Foreign Office in order to join the army, life in London during the Blitz, the beginning of his political career, and his military service (some letters were extensively cut by the censors). There are also a number of letters to his parents from the years 1946-1955 from Maclean and his wife Veronica discussing family matters and living conditions in Italy and Austria while Maclean was directing the Special Refugee Commission, and about their travels in Yugoslavia, Greece and Turkey in the early 1950's."," Also present is correspondence with Frank McLynn, his biographer, 1990-1994, and two scrapbooks. The blue scrapbook (1939-1951) includes one letter of Maclean to his aunt, newspaper clippings relating to his military service in Yugoslavia, his marriage, some articles by him, a few photographs. The red scrapbook, 1943-1946 also has newspaper clippings about his military service and political career and articles by him."," The Second Series consists of literary papers. This series contains drafts, typescripts, setting copies of his books with related correspondence with publishers and others about the publication process, contracts, royalty statements, book reviews, fan mail, articles, book reviews, speeches, lectures, transcripts of radio and television programs, film proposals or treatments. Several of his books were published under different titles in the United States. It is organized into five subseries based on subject matter. These include:  Eastern Approaches (American title-  Escape to Adventure ); Yugoslavia (the country as originally constituted and also the new states that emerged in the 1990's); Russia and the former Soviet Union and the new nations post 1990); Scotland; and Miscellaneous Literary."," The subseries about  Eastern Approaches contains a typed manuscript (Setting copy) with corrections, including an unpublished introduction; some material omitted from the published version including his admiration for a Soviet army unit, comments on the Cetniks, and conversations with King George VI and Winston Churchill and King Peter of Yugoslavia; letters from Michael Adeane, Secretary to King George VI and Winston Churchill requesting that certain passages be omitted; a letter from Peter Fleming to Jonathan Cape offering his opinion of the book, a letter from Ian Fleming to Jonathan Cape and a note to Maclean."," Other material includes correspondence with Jonathan Cape and other publishers about a new edition, correspondence with Douglas Fairbanks, Eric Ambler and others concerning a possible film version, and with Ian Curteis about a proposed television adaptation."," The Yugoslavia Subseries includes books:  Disputed Barricade (1957), published in America as  The Heretic , which includes an interview with Tito;  Yugoslavia (1969), in which Maclean wrote the text for this book of photographs;  Battle of Neretva (1970); and  Tito: A Pictorial Biography (1980). Also present are articles from newspapers and magazines, 1947-1995, on Yugoslav politics and society, including interviews with Tito. Particularly interesting are two unpublished articles \"Whither Yugoslavia?\" written in 1989 based on interviews with Yugoslav politicians, including Slobodan Milosevic. There are also a number of book reviews of works by Julian Amery, William Deakin, Noel Malcolm and Misha Glenny and others."," In addition, the subseries on Yugoslavia contains lectures, 1949-1995; transcripts of radio and television programs, with related correspondence; and some interviews with Tito, notably The \"Life and Times of Marshal Tito\" (December 1963); and one for a CBS news program (1969)."," The Russian Material Subseries contains drafts, correspondence, and research material for his books  A Person from England (1958), including several autograph letters,1827-1861, of Dr. Joseph Wolff, one of the English travelers chronicled in the book;  Back to Bokhara (1959);  Holy Russia (1978); drafts titled \"All the Russias\" and \"The Other Russias,\" which were the basis for  To the Back of Beyond (1974),  To Caucasus: End of All the Earth (1976); and  Holy Russia (1978) which completed the trilogy;  Portrait of the Soviet Union (1988), including material for both the book and the related TBS television series since Maclean was working on these simultaneously; and  All the Russias (1992). Correspondents include Pamela Harriman, Marietta Tree and Fitzgerald Bemiss."," In addition to his books about Russia and the Soviet Union, his papers also contain articles, 1949-1995 on political, social, economic, cultural aspects of the former Soviet Union, a number on Georgia and the Caucasus, and Mikhail Gorbachev; book reviews, 1949-1994; and radio and television material, such as correspondence and transcripts for programs, including \"The End of All the Earth\" and \"Carnival in the Caucasus\"; interviews with Anna Mikhailovna Larina (Bukharin's widow) and others for the BBC \"Timewatch\" program \"Bukharin.\""," The subseries concerning his Scotland material includes books,  A Concise History of Scotland (1970);  Isles of the Sea (1985);  Bonnie Prince Charlie (1988); and  Highlanders (originally titled  Clans ) (1995). Material for the book and television series are combined since Maclean was working on them simultaneously. Among the articles on Scotland is a notable series \"Scottish Approaches\" which appeared in  The Scotsman in 1959."," The last subseries in Maclean's Literary Papers consists of miscellaneous literary material, including material for the book  Take Nine Spies . There is also correspondence with publishers in which he discusses more than one book, and with his literary agents."," Articles are arranged chronologically, and topics range from post World War II Japan, Korea, Italy, the Middle East, and defense policy to China and Mongolia in the 1960's, an extended trip to China in 1988, and his travels in Nepal, Tibet, and Oman in the 1990's. There are also articles about his military, diplomatic, political and literary career, his travels, and personal life, and note that others are contained in two scrapbooks. The radio and television material includes his commentaries on the international scene from 1946 on."," Photographic Material comprises the third series, which contains twenty-four boxes of photographs (some in albums), contact sheets, negatives, and slides, taken by Maclean, primarily of his travels in the former Soviet Union, Europe and Asia, from 1938 through the 1990's. Especially noteworthy are those taken in Moscow, Leningrad, and Central Asia, including Afghanistan, the cities Bokhara and Samarkand, and Persia, Paris and Florence in the late 1930's, Yugoslavia during World War II, postwar Korean and China, and of Yugoslavia, Greece, Turkey and Iran in the early 1950's. Maclean visited the former Soviet Union frequently from the late 1950's through 1987 and took numerous photographs of his favorite regions, Central Asia and the Caucasus, particularly Georgia."," As for Yugoslavia, there is an album dated 1953 labeled Namanevru Jugoslovenska Narodne, Armije (Yugoslav People's Army) with photographs of Tito, Maclean, and soldiers; and photographs from the early 1960's through 1980 including a number of photographs of Tito. Individuals subjects include Winston Churchill and Margaret Thatcher. There are also many family photographs taken at Maclean's homes Beechfield and Strachur, and of friends. The photographs used in  Eastern Approaches ,  Disputed Barricade ,  A Person from England , and  Bonnie Prince Charlie are also in this section.\n \n The fourth series consists of two small additions to the papers and include some correpondence files, such as congratulatory letters about his appointment as Under Secretary for War in 1954 and his Baronetcy in 1957, his letters published in the press, and the Great Britain-USSR Association; files on his participation in various conferences concerning Yugoslavia and War War II; election campaign materials of Maclean; Notebooks, including \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June); news articles; speeches by Maclean, including printed speeches published in \"Parliamentary Debates\"; passports; pocket and desk diaries; first drafts of \"Eastern Approaches\"; a file on guerilla warfare; a copy of a 1938 Report on Central Asia by Maclean; and Veronica Maclean's description about her first meeting with Josip Broz Tito in 1947.","re Appointments to London, Paris, and Moscow and his resignation from the Foreign Office","re Maclean's Mission to Tito and an Extract from  The Second World War","including \"The Partisan Movement in Yugoslavia\" and \"Note on the Present Military and Political Situation in Serbia\"","Drafts of Statement on the Extent of British Aid to the Partisans","re Appointments and Impact on Service to Constituency","re Irregular Warfare and Correspondence with Field Marshall Earl Alexander of Tunis and Others","re Vietnam War","re the Soviet Invasion of Czechoslovakia","re Interview with Vice-President Bodnaras of Romania; Meeting with Tito; and Draft Article on Sino-Soviet Border","re Winston Churchill","re E.C. Grants for Argyll and Bute","re Consideration of Fitzroy Maclean as Governor of Cyprus","re a Resignation to Veronica Maclean","re his serving as godfather to her daughter, Charlotte","re British Press Coverage of Yugoslavia","re Simic Cureija","re Visit with Tito, with note from Jack Coville, Secretary to Winston Churchill","re Tito","re Korcula","re the Soviet Invasion of Czechoslovakia","re Visit to Yugoslavia for 25th Anniversary of National Liberation, includes photographs of Maclean and Willian Deakin","Decoration Awarded to Fitzroy Maclean","Proposed British Decorations of Yugoslavs","re Yugoslav Students in Britain","re Allied Mission to Yugoslavia in World War II for Muzej AVNOJ","re Korcula, Yugoslavia, Town Twinning with Argyll and Bute, Scotland","re Maclean's Efforts in Support of Tito for the Nobel Peace Prize","re British Policy towards the Balkan Resistance Movements","re Meeting with Tito","re Research and Annual Summaries (Copies) of Events in Yugoslavia, 1957-1972","re Margaret Thatcher's Trip, with Official Program","re the Prince of Wales' Visit to Yugoslavia","re Fitzroy Maclean's article for the British-Yugoslav Society on the Prince of Wales' visit","re Arrangements for the British Delegation to Tito's Funeral","re Official Visit of Fitzroy Maclean","re Program of Economic Reform","re his biography of Tito","re Controversy over British Military Mission in World War II","re BBC \"Timewatch: Tito\" Program","re a Yugoslav Detainee in 1945","re Korcula, Croatia Emergency Appeal","re Benefit Concert for Dubrovnik","re Owen's Mission","re Aldington-Tolstoy Libel Case (Repatriations in 1945)","re Tito Memoirs and other projects","re Purchase of \"Beechfield\"","re Ticonderoga story","re Purchase of \"Creggans Inn\"","re  Fitzroy Maclean","re Evelyn Waugh biography","re Fitzroy Maclean","re Fitzroy Maclean and Articles by him","re Awarding of Baronetcy and Arms","re Honorary Degree from the University of Glasgow","re Honorary Degree from Acadia University","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito, signed by Josip Broz Tito and Madame Jovanka Broz","re Honorary Degree from Dundee University","re Special Air Service","re the 23rd Special Air Service Regiment","re Installation of Fitzroy Maclean in the Order of theThistle","re Installation of Fitzroy Maclean in the Order of the Thistle","re Appointment of Fitzroy Maclean in the Order of the Thistle--Congratulations","re Appointment of Fitzroy Maclean in the Order of the Thistle","Order of the Thistle Ceremony","re Freedom of Argyll and Bute","re omitting part of an interview with the King about Yugoslavia from his book","with comments about what Maclean had written about himself in the book","thanking him for the copy of his book sent to the King","re Publicity","Translations","re American Edition","re German Edition","re Paperback Edition","re Proposed Film, with a copy of the script for the film, April 1956","re Proposed TV Series","re Proposed TV Series","re Yugoslav Edition","re Yugoslav Edition","Letter of thanks on behalf of Tito","re American Edition,  The Heretic","re Translations","re German Forces in Yugoslavia","including \"The Fourth Enemy Offensive\" and some in Serbo-Croatian","re Book Promotion Tour in Yugoslavia","re Book Promotion Tour in Yugoslavia","including some correspondence and notes","re Korcula by Charles Maclean","Unpublished","re of BBC Radio Broadcast on Mission to Tito","re Tito obituary for BBC Radio","re BBC Radio \"I Was There\"","re Film \"General from Strachur\"","re BBC Television Tito Obituary","re Tito Interview for CBS News","re Proposed BBC Programs","re Proposed Film on Tito","re BBC Program on the S.O.E. (Special Operations Executive)","re BBC Program on Evelyn Waugh","re Miscellaneous Television and Film Projects","re BBC Program \"Ratlines\"","re VPRO Program","re New Edition","re Proposed Film","re Research","re Translations","Original Letters of Joseph Wolff and Correspondence with Ancient Light Bookshop","Transcripts and Copies of Letters of Charles Stoddart and others from the Public Records Office","re American Edition and Other Projects","re Copyright Renewal","re German edition","re the Sino Russian Border in  Life","re the Caucasus Region","Correspondence re","re the Bukharin Trial in Moscow \u0026 Interview with his widow","re Mikhail Gorbachev","re Georgia in  The Sunday Times","re Azerbaijan","re Georgia, including notes and drafts","re Georgia in  The Scotsman Magazine","re Azerbaijan","re Caucasus","re Mikhail Gorbachov","re Mikhail Gorbachev in honor of Hugh Seton-Watson","given at Foyle's Lunch","re Georgia","re Georgia","re a New Edition","re an American Edition","re a German Edition","August 1, 1996 from Edwin Moore to Veronica Maclean","re German Edition","re reprint as  West Highland Tales","re Publicity \u0026 Book Reviews","re Publicity","re \"Scotland in Parliament\"","re Japan","re Asia","re Korea","re Italy","re the Middle East","re Persia","re Defense of Great Britain","re Greece","re Libya during World War II","re Turkey","re China \"Inside Red China\"","re China Trip","re China \"Peking Revisited,\" \"Don't Let China Stew in Her Own Juice,\" and \"Eyewitnesses in China\"","re Mongolia","re Sir Winston Churchill","Mongolia","re the Black Sea, including one by Veronica Maclean","re Defense of Europe: \"Nuclear Deterrence and Conventional Forces,\" with Correspondence","re China--Trip to Kashgar in Chinese Turkestan, including Correspondence","re Nepal and Bhutan","re Germany","re David Stirling for  Dictionary of National Biography and Correspondence","re Canary Islands","re Oman","re Tibet--Correspondence, Travel Arrangements, and Memorabilia","re Tibet","re the Channel Tunnel","re Fitzroy Maclean, some in German, French, Serbo-Croatian, Swedish, and Dutch","re Tibet","re Publication of Evelyn Waugh's Diaries, which include references to Fitzroy Maclean","re Invitation to Frankfurt","re German Translations of  Isles of the Sea and  Eastern Approaches","re Proposed Book of Interviews including Fitzroy Maclean","some accompanied by correspondence, including: Violet Asquith, Nancy Astor, Charles Bohlen, John Bute, Nicolae Causescu, Earl Cawdor, Thomas Churchill, John Clarke, the Queen Mother, Lord Lovat, Charles Maclean, Andrew Maxwell, Paddy Mayne and Bill Elliot, Iain Moncrieffe, Peter Moore, David Scott, David Stirling, and Lord Ward","People","Environs \u0026 Monasteries","GUM Store, Race Track, \u0026 Fashions","The Kremlin \u0026 Red Square","The file includes a draft of a 1968 letter to Aleksey Aleksandrovich Surkov, President of the USSR - Great Britain Society, also includes letters to and from the Baroness Asquith of Yarnbury (\"Violet\").","Notebooks include \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June), circa 1943-1958","Includes Maclean's undated notes on Soviet history up to \"Glasnost,\" notes on the \"Council of Europe,\" (1973); series of letters between Sir Charles Peake, British Embassy, and Sir Fitzroy Maclean, 1946-1953.","These include a speech before the Boarding House and Catering Association, one mentioning nuclear deterrence, and international events.","This addition contains two letters written by Fitzroy Maclean and John Baldock to Helen F. Moore of Leicester, England. A typewritten letter from Maclean to Baldock addresses Moore's concern regarding rioting by South Koreans in the vicinity of the Troops Rest Center at Inchon and her request to move the Center. He reviews her concern, noting that the demonstrations were against the Neutral Nations Armistice Commission and took place six and a half miles from the Center. He notes that the Center was not affected by the rioting and that, after careful consideration, the Center would remain open and not move to another area. The second item is a cover letter from John Baldock forwarding Maclean's response to Ms. Moore.","Albert and Shirley Small Special Collections Library","Maclean, Fitzroy, 1911-1996","Materials are in English."],"unitid_tesim":["MSS 11487","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/838"],"normalized_title_ssm":["Sir Fitzroy Maclean papers"],"collection_title_tesim":["Sir Fitzroy Maclean papers"],"collection_ssim":["Sir Fitzroy Maclean papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Maclean, Fitzroy, 1911-1996"],"creator_ssim":["Maclean, Fitzroy, 1911-1996"],"creator_persname_ssim":["Maclean, Fitzroy, 1911-1996"],"creators_ssim":["Maclean, Fitzroy, 1911-1996"],"acqinfo_ssim":["This collection was purchased by the University of Virginia Library on November 30, 1998. The first addition, consisting of the desk diaries of Sir Fitzroy Maclean (MSS 11487-a), was received on March 7, 2003, and the second addition (ViU20160030) was received on December 1, 2015."],"access_subjects_ssim":["letters (correspondence)","diaries","Black-and-white photographs"],"access_subjects_ssm":["letters (correspondence)","diaries","Black-and-white photographs"],"has_online_content_ssim":["false"],"extent_ssm":["44 Cubic Feet 102 document boxes, 2 os folders"],"extent_tesim":["44 Cubic Feet 102 document boxes, 2 os folders"],"genreform_ssim":["letters (correspondence)","diaries","Black-and-white photographs"],"date_range_isim":[1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four main series, with various subseries: \u003c/p\u003e\n","\u003cp\u003eSeries I: Career and Personal Papers (Boxes 1-11) \u003c/p\u003e\n","\u003cp\u003eSubseries A: Diplomatic Service (Box 1) \u003c/p\u003e\n","\u003cp\u003eSubseries B: British Military Mission to Yugoslavia (Boxes 1-2) \u003c/p\u003e\n","\u003cp\u003eSubseries C: Special Refugee Commission (Boxes 2-3) \u003c/p\u003e\n","\u003cp\u003eSubseries D: Political Correspondence (Box 3) \u003c/p\u003e\n","\u003cp\u003eSubseries E: VIP Material (Boxes 3-4) \u003c/p\u003e\n","\u003cp\u003eSubseries F: Yugoslavia \u0026amp; Tito Related Material (Boxes 4-8) \u003c/p\u003e\n","\u003cp\u003eSubseries G: Family \u0026amp; Personal Papers (Boxes 9-10) \u003c/p\u003e\n","\u003cp\u003eSubseries H: Honors \u0026amp; Decorations (Boxes 10- 11) \u003c/p\u003e\n","\u003cp\u003eSeries II: Literary Papers - Books, Television \u0026amp; Radio Scripts, Articles, etc. \u003c/p\u003e\n","\u003cp\u003eSubseries A: Eastern Approaches Material (Boxes 12-15) \u003c/p\u003e\n","\u003cp\u003eSubseries B: Yugoslavia Related Material, including Books (Boxes 15-21); and Articles, Book Reviews, Lectures, Radio \u0026amp; Television, \u0026amp; Research (Boxes 21-26) \u003c/p\u003e\n","\u003cp\u003eSubseries C: Russia \u0026amp; the Former Soviet Union Material, including Books (Boxes 26-40); Articles (Boxes 41-43); Book Reviews \u0026amp; Lectures (Boxes 43-45); and Radio \u0026amp; Television (Boxes 45-46) \u003c/p\u003e\n","\u003cp\u003eSubseries D: Scotland Material, including Books (Boxes 46-57), Highlanders Television Series (Boxes 57-58), and Articles, Book Reviews and Lectures (Boxes 59-60) \u003c/p\u003e\n","\u003cp\u003eSubseries E: Miscellaneous Literary Material, including Take Nine Spies (Boxes 60-63), Articles (Boxes 64-66); Book Reviews, Introductions, Lectures \u0026amp; Speeches and Literary Correspondence (Boxes 67-68); and Radio and Television (Boxes 68-69) \u003c/p\u003e\n","\u003cp\u003eSeries III: Photographic Material (Boxes 70-93)\u003c/p\u003e\n","\u003cp\u003eSeries IV: Sir Fitzroy Maclean Additional Papers (Boxes 94-102 \u003c/p\u003e","\u003cp\u003ere the Threat of Soviet Expansion in Asia\u003c/p\u003e","\u003cp\u003eParlimentary Delegation to Romania\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged in four main series, with various subseries: ","Series I: Career and Personal Papers (Boxes 1-11) ","Subseries A: Diplomatic Service (Box 1) ","Subseries B: British Military Mission to Yugoslavia (Boxes 1-2) ","Subseries C: Special Refugee Commission (Boxes 2-3) ","Subseries D: Political Correspondence (Box 3) ","Subseries E: VIP Material (Boxes 3-4) ","Subseries F: Yugoslavia \u0026 Tito Related Material (Boxes 4-8) ","Subseries G: Family \u0026 Personal Papers (Boxes 9-10) ","Subseries H: Honors \u0026 Decorations (Boxes 10- 11) ","Series II: Literary Papers - Books, Television \u0026 Radio Scripts, Articles, etc. ","Subseries A: Eastern Approaches Material (Boxes 12-15) ","Subseries B: Yugoslavia Related Material, including Books (Boxes 15-21); and Articles, Book Reviews, Lectures, Radio \u0026 Television, \u0026 Research (Boxes 21-26) ","Subseries C: Russia \u0026 the Former Soviet Union Material, including Books (Boxes 26-40); Articles (Boxes 41-43); Book Reviews \u0026 Lectures (Boxes 43-45); and Radio \u0026 Television (Boxes 45-46) ","Subseries D: Scotland Material, including Books (Boxes 46-57), Highlanders Television Series (Boxes 57-58), and Articles, Book Reviews and Lectures (Boxes 59-60) ","Subseries E: Miscellaneous Literary Material, including Take Nine Spies (Boxes 60-63), Articles (Boxes 64-66); Book Reviews, Introductions, Lectures \u0026 Speeches and Literary Correspondence (Boxes 67-68); and Radio and Television (Boxes 68-69) ","Series III: Photographic Material (Boxes 70-93)","Series IV: Sir Fitzroy Maclean Additional Papers (Boxes 94-102 ","re the Threat of Soviet Expansion in Asia","Parlimentary Delegation to Romania"],"bioghist_html_tesm":["\u003cp\u003eFitzroy Hew Royle Maclean was born in 1911 in Cairo, Egypt to Charles Maclean, a major in the British army, and Gladys Royle Maclean. He was raised in Scotland, India, and Italy and attended Eton (1924-28), the University of Marburg in Germany (1929), and Kings' College, Cambridge (1929-32) where he won a senior scholarship and first class honors. He entered the Foreign Office in 1934 and was first posted to Paris, and then to Moscow in 1937 where he served as the Third Secretary in the British Embassy. Stalin's purges were at their height during Maclean's two years in the Soviet Union, and he was present at the state trial of Nikolai Bukharin in 1938. He also made journeys to remote areas of the Soviet Union such as Central Asia and the Caucasus where few if any foreigners had been for many years. In 1939 he returned to London and worked in the Foreign Office on Russian affairs.\u003c/p\u003e\n","\u003cp\u003e When World War II broke out, he wanted to enlist in the military, but as a diplomat was in a \"reserved\" position and was not allowed to do so. He learned that the only way to be released from the Foreign Office was to declare himself a candidate for Parliament, and so he was returned for the constituency of Lancaster at a by-election in 1941. He joined the Cameron Highlanders regiment in the British army as a private, and then the new Special Air Service (SAS) and served in the Western Desert, where he participated in the raid on Benghazi along with SAS founder David Stirling and Randolph Churchill, and foiled a coup in Persia by kidnapping General Zahidi who had collaborated with the Germans.\u003c/p\u003e\n","\u003cp\u003e In July 1943 Prime Minister Winston Churchill asked Maclean to serve as his personal representative and Brigadier commanding a British Military Mission to Josip Broz Tito, leader of the Communist Partisans in German-occupied Yugoslavia. At this stage of the war, there was a debate in the British government over which Yugoslav resistance group it should support - Tito's Partisans or Draza Mihalovich's Cetniks. In September Maclean was dropped by parachute into Bosnia and met Tito, and subsequently reported to Churchill that the Partisans were the more effective fighting force and would benefit from additional British and American aid. In August 1944, as the Germans prepared to withdraw from Yugoslavia Maclean planned \"Operation Ratweek\" for the first week of September, a coordinated Allied and Partisan attack on enemy communications which proved quite successful. In the course of his mission, which lasted until 1945, he became a friend and admirer of Tito. In 1947 Maclean was asked to head the Special Refugee Commission which had the sensitive task of screening of tens of thousands of Yugoslav and Ukrainian Displaced Persons, some of whom were alleged to have committed war crimes, in Italy and Austria.\u003c/p\u003e\n","\u003cp\u003e After completing this assignment, Maclean focused on politics, representing Lancaster until 1959 and Bute and North Ayrshire from 1959-1974, and served as Parliamentary Under Secretary of State for War from 1954-1957. He was chairman of the Committee of the North Atlantic Assembly from 1964-1974. Maclean's friendship with Tito and frequent visits to Yugoslavia allowed him to play a key role in Anglo-Yugoslav relations. In the 1960's he purchased a home on the island of Korcula, becoming one of the few foreigners allowed to own property in Yugoslavia. Maclean also maintained a keen interest in the Soviet Union where he traveled extensively and he served as chairman of the Great Britain-USSR Association. He lectured frequently in the United Kingdom and the United States on Yugoslav and Soviet affairs.\u003c/p\u003e\n","\u003cp\u003e Maclean's literary career was launched in 1949 with the publication of Eastern Approaches, a memoir of his experiences as a diplomat and soldier, which was acclaimed by critics and became a best-seller. This was followed in 1957 by a biography of Tito, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDisputed Barricade, A Person from England\u003c/title\u003e(1958), describing the adventures of English travelers in Central Asia, and in 1958, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBack to Bokhara\u003c/title\u003e(1959), and a number of books, articles and book reviews on Yugoslavia, the Soviet Union, and other subjects.\u003c/p\u003e\n","\u003cp\u003e A third focal point of his writing was Scotland, and he published \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Concise History of Scotland\u003c/title\u003e, (1970), \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Isles of the Sea\u003c/title\u003e, a collection of West Highland folk tales (1985), \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBonnie Prince Charlie\u003c/title\u003e, (1988) and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHighlanders\u003c/title\u003e(1995). Along with establishing a reputation as the author of entertaining and informative works that blended his travel experiences and historical research, he turned his attention to radio and television, working on a number of documentary programs including \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Road to Samarkand\u003c/title\u003eand \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Life and Times of Marshal Tito\u003c/title\u003eand two major series. \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePortrait of the Soviet Union\u003c/title\u003eand \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHighlanders\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e Maclean was made a baronet in 1957 and a Knight of the Thistle in 1993, and was the recipient of many honors and decorations including the Commander of the British Empire, the Croix de Guerre, the Order of Kutusov, and the Partisan Star, and several honorary degrees.\u003c/p\u003e\n","\u003cp\u003e In 1946 Maclean married a widow with two children, Veronica (Fraser) Phipps, daughter of the 16th Lord Lovat. They had two sons, James and Charles. In 1957 the Macleans purchased Strachur, an estate in Argyllshire in the Scottish Highlands, and later operated a hotel on the estate, the Creggans Inn, which became known for its good food, drink, and hospitality. Maclean continued to be extremely active into his eighties and kept up a busy schedule of writing, lecturing and traveling. He died of a heart attack while swimming at a friend's house in June 1996. In Maclean's later years, there was speculation that he had been the inspiration for Ian Fleming's James Bond.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Fitzroy Hew Royle Maclean was born in 1911 in Cairo, Egypt to Charles Maclean, a major in the British army, and Gladys Royle Maclean. He was raised in Scotland, India, and Italy and attended Eton (1924-28), the University of Marburg in Germany (1929), and Kings' College, Cambridge (1929-32) where he won a senior scholarship and first class honors. He entered the Foreign Office in 1934 and was first posted to Paris, and then to Moscow in 1937 where he served as the Third Secretary in the British Embassy. Stalin's purges were at their height during Maclean's two years in the Soviet Union, and he was present at the state trial of Nikolai Bukharin in 1938. He also made journeys to remote areas of the Soviet Union such as Central Asia and the Caucasus where few if any foreigners had been for many years. In 1939 he returned to London and worked in the Foreign Office on Russian affairs."," When World War II broke out, he wanted to enlist in the military, but as a diplomat was in a \"reserved\" position and was not allowed to do so. He learned that the only way to be released from the Foreign Office was to declare himself a candidate for Parliament, and so he was returned for the constituency of Lancaster at a by-election in 1941. He joined the Cameron Highlanders regiment in the British army as a private, and then the new Special Air Service (SAS) and served in the Western Desert, where he participated in the raid on Benghazi along with SAS founder David Stirling and Randolph Churchill, and foiled a coup in Persia by kidnapping General Zahidi who had collaborated with the Germans."," In July 1943 Prime Minister Winston Churchill asked Maclean to serve as his personal representative and Brigadier commanding a British Military Mission to Josip Broz Tito, leader of the Communist Partisans in German-occupied Yugoslavia. At this stage of the war, there was a debate in the British government over which Yugoslav resistance group it should support - Tito's Partisans or Draza Mihalovich's Cetniks. In September Maclean was dropped by parachute into Bosnia and met Tito, and subsequently reported to Churchill that the Partisans were the more effective fighting force and would benefit from additional British and American aid. In August 1944, as the Germans prepared to withdraw from Yugoslavia Maclean planned \"Operation Ratweek\" for the first week of September, a coordinated Allied and Partisan attack on enemy communications which proved quite successful. In the course of his mission, which lasted until 1945, he became a friend and admirer of Tito. In 1947 Maclean was asked to head the Special Refugee Commission which had the sensitive task of screening of tens of thousands of Yugoslav and Ukrainian Displaced Persons, some of whom were alleged to have committed war crimes, in Italy and Austria."," After completing this assignment, Maclean focused on politics, representing Lancaster until 1959 and Bute and North Ayrshire from 1959-1974, and served as Parliamentary Under Secretary of State for War from 1954-1957. He was chairman of the Committee of the North Atlantic Assembly from 1964-1974. Maclean's friendship with Tito and frequent visits to Yugoslavia allowed him to play a key role in Anglo-Yugoslav relations. In the 1960's he purchased a home on the island of Korcula, becoming one of the few foreigners allowed to own property in Yugoslavia. Maclean also maintained a keen interest in the Soviet Union where he traveled extensively and he served as chairman of the Great Britain-USSR Association. He lectured frequently in the United Kingdom and the United States on Yugoslav and Soviet affairs."," Maclean's literary career was launched in 1949 with the publication of Eastern Approaches, a memoir of his experiences as a diplomat and soldier, which was acclaimed by critics and became a best-seller. This was followed in 1957 by a biography of Tito,  Disputed Barricade, A Person from England (1958), describing the adventures of English travelers in Central Asia, and in 1958,  Back to Bokhara (1959), and a number of books, articles and book reviews on Yugoslavia, the Soviet Union, and other subjects."," A third focal point of his writing was Scotland, and he published  A Concise History of Scotland , (1970),  The Isles of the Sea , a collection of West Highland folk tales (1985),  Bonnie Prince Charlie , (1988) and  Highlanders (1995). Along with establishing a reputation as the author of entertaining and informative works that blended his travel experiences and historical research, he turned his attention to radio and television, working on a number of documentary programs including  The Road to Samarkand and  The Life and Times of Marshal Tito and two major series.  Portrait of the Soviet Union and  Highlanders ."," Maclean was made a baronet in 1957 and a Knight of the Thistle in 1993, and was the recipient of many honors and decorations including the Commander of the British Empire, the Croix de Guerre, the Order of Kutusov, and the Partisan Star, and several honorary degrees."," In 1946 Maclean married a widow with two children, Veronica (Fraser) Phipps, daughter of the 16th Lord Lovat. They had two sons, James and Charles. In 1957 the Macleans purchased Strachur, an estate in Argyllshire in the Scottish Highlands, and later operated a hotel on the estate, the Creggans Inn, which became known for its good food, drink, and hospitality. Maclean continued to be extremely active into his eighties and kept up a busy schedule of writing, lecturing and traveling. He died of a heart attack while swimming at a friend's house in June 1996. In Maclean's later years, there was speculation that he had been the inspiration for Ian Fleming's James Bond."],"prefercite_html_tesm":["\u003cp\u003eMSS 11487 Sir Fitzroy Maclean papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 11487 Sir Fitzroy Maclean papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis Fitzroy Maclean papers consist (1827-1996; 44 cubic feet) of the professional and personal papers of Scottish soldier, diplomat, politician, author, and traveler, Sir Fitzroy Hew Maclean (1911-1996) of Dunconnel. It includes correspondence, memoranda, manuscripts, typescripts, newspaper and magazine articles, book reviews, lectures, speeches, photographs, memorabilia, and research material pertaining to his military, diplomatic, political and literary career as well as family and personal affairs.\u003c/p\u003e\n","\u003cp\u003eMaclean is best known for his role during World War II as head of the British military mission to Yugoslavia in which he served as Winston Churchill's personal representative to leader of the Communist Partisans, Josip Broz Tito, his diplomatic service in the Soviet Union in the late 1930's, and as the author of the classic memoir Eastern Approaches (1949) and many other books and articles. After the war, he pursued a political career as a Conservative member of Parliament, and, based on his close relationship with Tito, played a key role in Anglo-Yugoslav affairs. He was also noted for his expertise on the Soviet Union.\u003c/p\u003e\n","\u003cp\u003e A third focal point of his life and career was Scotland: he was a proud member of Clan Maclean and wrote several works on Scottish history, biography, and folklore. The collection contains some material in Serbo-Croatian, German, Italian and French.\u003c/p\u003e\n","\u003cp\u003e The papers are arranged in four main series with various sub-series. Items of particular interest in the First Series, Career and Personal Papers, are described in the following paragraphs devoted to each subseries. In the Diplomatic Subseries are dispatches and memoranda of his trips through Central Asia (including Afghanistan and the ancient cities Bokhara and Samarkand) and the Caucasus, on the situation in Sinkiang (Chinese Turkestan) and on the political stability of the Soviet Union, 1937-1939.\u003c/p\u003e\n","\u003cp\u003e The subseries British Military Mission to Yugoslavia contains Winston Churchill's Minute concerning his Mission to Tito, Autograph Diary (2 pages) re his arrival in Yugoslavia, \"Ratweek\" Map (oversize), twelve files (labeled Top Secret) including memoranda, correspondence, telegrams, etc concerning military and political affairs such as Allied operations and aid to Tito's Partisans, formation of the Yugoslav government, relief, the visit of Field Marshal Alexander, Supreme Allied Commander to Belgrade, Macedonia, Prospect of South Slav federation, and correspondence with Evelyn Waugh.\u003c/p\u003e\n","\u003cp\u003e The Special Refugee Commission subseries contains correspondence, telegrams, reports, including one submitted to Foreign Secretary Ernest Bevin, articles, and a draft of a speech on the refugee problems to a parliamentary committee.\u003c/p\u003e\n","\u003cp\u003e Political correspondence includes papers concerning the Lancaster by-election of 1941, the general election of 1945, and correspondence with Winston Churchill, Harold Macmillan, Anthony Eden, Alec Douglas- Home, Peter Carrington, Harold Wilson, Margaret Thatcher, John Major, Robert Kennedy, John Lindsay, Henry Jackson, and Averell Harriman ; a memorandum to Field Marshal Alexander of Tunis concerning irregular warfare; and correspondence and memoranda related to a parliamentary delegation to Romania in 1973.\u003c/p\u003e\n","\u003cp\u003e Material in the VIP Subseries includes: letters and notes from members of the Royal Family including Prince Charles, Princess Margaret, Elizabeth the Queen Mother; Clementine Churchill and Mary Churchill Soames; and a thank you note from Lauren Bacall.\u003c/p\u003e\n","\u003cp\u003e The Yugoslavia and Tito Subseries contains significant material including memoranda of meetings with Tito in 1949,1950, 1953, 1968, 1973; informative accounts by Maclean and other British officers about the Military Mission in World War II for an official book published by Muzej AVNOJ (1970-1971); correspondence about Maclean's involvement in proposals for the publication of Tito's memoirs (1966-1977) and about the nomination of Tito for the Nobel Peace Prize (1972-1973); correspondence and papers by Maclean and others from a conference on British Policy and Resistance in the Balkans (1973); Briefing papers, correspondence and memoranda of Margaret Thatcher's visit to Yugoslavia in 1977, and correspondence and memorabilia pertaining to the Prince of Wales' visit in 1978; correspondence about Maclean's visit in 1989 and transcript of an interview with Prime Minister Ante Markovic.\u003c/p\u003e\n","\u003cp\u003e For the 1990's, the time of war and the dissolution of Yugoslavia , there is correspondence with David Owen, Stevan Dedijer and others, and about the Korcula Emergency Appeal, a relief effort for a hospital on the island of Korcula, Croatia, organized by the Macleans; letters from Yugoslav friends describing the turmoil , and/or seeking assistance in finding jobs in the United Kingdom; correspondence about renewed controversy about the British Military Mission in World War II. and the Aldington-Tolstoy Libel Case concerning the repatriation of Yugoslavs in 1945. It should also be noted that in Series II, Subseries B, Literary Material pertaining to Yugoslavia, there is some correspondence filed with the manuscripts, typescripts, articles and radio and television transcripts.\u003c/p\u003e\n","\u003cp\u003e The Subseries Family and Personal Papers has letters from friends and teachers, some in German, French, and Italian. In a significant group of letters to his parents (1939-1945) from London, Cairo, Belgrade, and elsewhere, Maclean discussed the international situation, his desire to leave the Foreign Office in order to join the army, life in London during the Blitz, the beginning of his political career, and his military service (some letters were extensively cut by the censors). There are also a number of letters to his parents from the years 1946-1955 from Maclean and his wife Veronica discussing family matters and living conditions in Italy and Austria while Maclean was directing the Special Refugee Commission, and about their travels in Yugoslavia, Greece and Turkey in the early 1950's.\u003c/p\u003e\n","\u003cp\u003e Also present is correspondence with Frank McLynn, his biographer, 1990-1994, and two scrapbooks. The blue scrapbook (1939-1951) includes one letter of Maclean to his aunt, newspaper clippings relating to his military service in Yugoslavia, his marriage, some articles by him, a few photographs. The red scrapbook, 1943-1946 also has newspaper clippings about his military service and political career and articles by him.\u003c/p\u003e\n","\u003cp\u003e The Second Series consists of literary papers. This series contains drafts, typescripts, setting copies of his books with related correspondence with publishers and others about the publication process, contracts, royalty statements, book reviews, fan mail, articles, book reviews, speeches, lectures, transcripts of radio and television programs, film proposals or treatments. Several of his books were published under different titles in the United States. It is organized into five subseries based on subject matter. These include: \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003e(American title- \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEscape to Adventure\u003c/title\u003e); Yugoslavia (the country as originally constituted and also the new states that emerged in the 1990's); Russia and the former Soviet Union and the new nations post 1990); Scotland; and Miscellaneous Literary.\u003c/p\u003e\n","\u003cp\u003e The subseries about \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003econtains a typed manuscript (Setting copy) with corrections, including an unpublished introduction; some material omitted from the published version including his admiration for a Soviet army unit, comments on the Cetniks, and conversations with King George VI and Winston Churchill and King Peter of Yugoslavia; letters from Michael Adeane, Secretary to King George VI and Winston Churchill requesting that certain passages be omitted; a letter from Peter Fleming to Jonathan Cape offering his opinion of the book, a letter from Ian Fleming to Jonathan Cape and a note to Maclean.\u003c/p\u003e\n","\u003cp\u003e Other material includes correspondence with Jonathan Cape and other publishers about a new edition, correspondence with Douglas Fairbanks, Eric Ambler and others concerning a possible film version, and with Ian Curteis about a proposed television adaptation.\u003c/p\u003e\n","\u003cp\u003e The Yugoslavia Subseries includes books: \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDisputed Barricade\u003c/title\u003e(1957), published in America as \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Heretic\u003c/title\u003e, which includes an interview with Tito; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eYugoslavia\u003c/title\u003e(1969), in which Maclean wrote the text for this book of photographs; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBattle of Neretva\u003c/title\u003e(1970); and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTito: A Pictorial Biography\u003c/title\u003e(1980). Also present are articles from newspapers and magazines, 1947-1995, on Yugoslav politics and society, including interviews with Tito. Particularly interesting are two unpublished articles \"Whither Yugoslavia?\" written in 1989 based on interviews with Yugoslav politicians, including Slobodan Milosevic. There are also a number of book reviews of works by Julian Amery, William Deakin, Noel Malcolm and Misha Glenny and others.\u003c/p\u003e\n","\u003cp\u003e In addition, the subseries on Yugoslavia contains lectures, 1949-1995; transcripts of radio and television programs, with related correspondence; and some interviews with Tito, notably The \"Life and Times of Marshal Tito\" (December 1963); and one for a CBS news program (1969).\u003c/p\u003e\n","\u003cp\u003e The Russian Material Subseries contains drafts, correspondence, and research material for his books \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Person from England\u003c/title\u003e(1958), including several autograph letters,1827-1861, of Dr. Joseph Wolff, one of the English travelers chronicled in the book; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBack to Bokhara\u003c/title\u003e(1959); \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHoly Russia\u003c/title\u003e(1978); drafts titled \"All the Russias\" and \"The Other Russias,\" which were the basis for \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTo the Back of Beyond\u003c/title\u003e(1974), \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTo Caucasus: End of All the Earth\u003c/title\u003e(1976); and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHoly Russia\u003c/title\u003e(1978) which completed the trilogy; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePortrait of the Soviet Union\u003c/title\u003e(1988), including material for both the book and the related TBS television series since Maclean was working on these simultaneously; and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAll the Russias\u003c/title\u003e(1992). Correspondents include Pamela Harriman, Marietta Tree and Fitzgerald Bemiss.\u003c/p\u003e\n","\u003cp\u003e In addition to his books about Russia and the Soviet Union, his papers also contain articles, 1949-1995 on political, social, economic, cultural aspects of the former Soviet Union, a number on Georgia and the Caucasus, and Mikhail Gorbachev; book reviews, 1949-1994; and radio and television material, such as correspondence and transcripts for programs, including \"The End of All the Earth\" and \"Carnival in the Caucasus\"; interviews with Anna Mikhailovna Larina (Bukharin's widow) and others for the BBC \"Timewatch\" program \"Bukharin.\"\u003c/p\u003e\n","\u003cp\u003e The subseries concerning his Scotland material includes books, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Concise History of Scotland\u003c/title\u003e(1970); \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eIsles of the Sea\u003c/title\u003e(1985); \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBonnie Prince Charlie\u003c/title\u003e(1988); and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHighlanders\u003c/title\u003e(originally titled \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eClans\u003c/title\u003e) (1995). Material for the book and television series are combined since Maclean was working on them simultaneously. Among the articles on Scotland is a notable series \"Scottish Approaches\" which appeared in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Scotsman\u003c/title\u003ein 1959.\u003c/p\u003e\n","\u003cp\u003e The last subseries in Maclean's Literary Papers consists of miscellaneous literary material, including material for the book \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTake Nine Spies\u003c/title\u003e. There is also correspondence with publishers in which he discusses more than one book, and with his literary agents.\u003c/p\u003e\n","\u003cp\u003e Articles are arranged chronologically, and topics range from post World War II Japan, Korea, Italy, the Middle East, and defense policy to China and Mongolia in the 1960's, an extended trip to China in 1988, and his travels in Nepal, Tibet, and Oman in the 1990's. There are also articles about his military, diplomatic, political and literary career, his travels, and personal life, and note that others are contained in two scrapbooks. The radio and television material includes his commentaries on the international scene from 1946 on.\u003c/p\u003e\n","\u003cp\u003e Photographic Material comprises the third series, which contains twenty-four boxes of photographs (some in albums), contact sheets, negatives, and slides, taken by Maclean, primarily of his travels in the former Soviet Union, Europe and Asia, from 1938 through the 1990's. Especially noteworthy are those taken in Moscow, Leningrad, and Central Asia, including Afghanistan, the cities Bokhara and Samarkand, and Persia, Paris and Florence in the late 1930's, Yugoslavia during World War II, postwar Korean and China, and of Yugoslavia, Greece, Turkey and Iran in the early 1950's. Maclean visited the former Soviet Union frequently from the late 1950's through 1987 and took numerous photographs of his favorite regions, Central Asia and the Caucasus, particularly Georgia.\u003c/p\u003e\n","\u003cp\u003e As for Yugoslavia, there is an album dated 1953 labeled Namanevru Jugoslovenska Narodne, Armije (Yugoslav People's Army) with photographs of Tito, Maclean, and soldiers; and photographs from the early 1960's through 1980 including a number of photographs of Tito. Individuals subjects include Winston Churchill and Margaret Thatcher. There are also many family photographs taken at Maclean's homes Beechfield and Strachur, and of friends. The photographs used in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003e, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDisputed Barricade\u003c/title\u003e, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Person from England\u003c/title\u003e, and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBonnie Prince Charlie\u003c/title\u003eare also in this section.\n \n The fourth series consists of two small additions to the papers and include some correpondence files, such as congratulatory letters about his appointment as Under Secretary for War in 1954 and his Baronetcy in 1957, his letters published in the press, and the Great Britain-USSR Association; files on his participation in various conferences concerning Yugoslavia and War War II; election campaign materials of Maclean; Notebooks, including \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June); news articles; speeches by Maclean, including printed speeches published in \"Parliamentary Debates\"; passports; pocket and desk diaries; first drafts of \"Eastern Approaches\"; a file on guerilla warfare; a copy of a 1938 Report on Central Asia by Maclean; and Veronica Maclean's description about her first meeting with Josip Broz Tito in 1947.\u003c/p\u003e","\u003cp\u003ere Appointments to London, Paris, and Moscow and his resignation from the Foreign Office\u003c/p\u003e","\u003cp\u003ere Maclean's Mission to Tito and an Extract from \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Second World War\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eincluding \"The Partisan Movement in Yugoslavia\" and \"Note on the Present Military and Political Situation in Serbia\"\u003c/p\u003e","\u003cp\u003eDrafts of Statement on the Extent of British Aid to the Partisans\u003c/p\u003e","\u003cp\u003ere Appointments and Impact on Service to Constituency\u003c/p\u003e","\u003cp\u003ere Irregular Warfare and Correspondence with Field Marshall Earl Alexander of Tunis and Others\u003c/p\u003e","\u003cp\u003ere Vietnam War\u003c/p\u003e","\u003cp\u003ere the Soviet Invasion of Czechoslovakia\u003c/p\u003e","\u003cp\u003ere Interview with Vice-President Bodnaras of Romania; Meeting with Tito; and Draft Article on Sino-Soviet Border\u003c/p\u003e","\u003cp\u003ere Winston Churchill\u003c/p\u003e","\u003cp\u003ere E.C. Grants for Argyll and Bute\u003c/p\u003e","\u003cp\u003ere Consideration of Fitzroy Maclean as Governor of Cyprus\u003c/p\u003e","\u003cp\u003ere a Resignation to Veronica Maclean\u003c/p\u003e","\u003cp\u003ere his serving as godfather to her daughter, Charlotte\u003c/p\u003e","\u003cp\u003ere British Press Coverage of Yugoslavia\u003c/p\u003e","\u003cp\u003ere Simic Cureija\u003c/p\u003e","\u003cp\u003ere Visit with Tito, with note from Jack Coville, Secretary to Winston Churchill\u003c/p\u003e","\u003cp\u003ere Tito\u003c/p\u003e","\u003cp\u003ere Korcula\u003c/p\u003e","\u003cp\u003ere the Soviet Invasion of Czechoslovakia\u003c/p\u003e","\u003cp\u003ere Visit to Yugoslavia for 25th Anniversary of National Liberation, includes photographs of Maclean and Willian Deakin\u003c/p\u003e","\u003cp\u003eDecoration Awarded to Fitzroy Maclean\u003c/p\u003e","\u003cp\u003eProposed British Decorations of Yugoslavs\u003c/p\u003e","\u003cp\u003ere Yugoslav Students in Britain\u003c/p\u003e","\u003cp\u003ere Allied Mission to Yugoslavia in World War II for Muzej AVNOJ\u003c/p\u003e","\u003cp\u003ere Korcula, Yugoslavia, Town Twinning with Argyll and Bute, Scotland\u003c/p\u003e","\u003cp\u003ere Maclean's Efforts in Support of Tito for the Nobel Peace Prize\u003c/p\u003e","\u003cp\u003ere British Policy towards the Balkan Resistance Movements\u003c/p\u003e","\u003cp\u003ere Meeting with Tito\u003c/p\u003e","\u003cp\u003ere Research and Annual Summaries (Copies) of Events in Yugoslavia, 1957-1972\u003c/p\u003e","\u003cp\u003ere Margaret Thatcher's Trip, with Official Program\u003c/p\u003e","\u003cp\u003ere the Prince of Wales' Visit to Yugoslavia\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean's article for the British-Yugoslav Society on the Prince of Wales' visit\u003c/p\u003e","\u003cp\u003ere Arrangements for the British Delegation to Tito's Funeral\u003c/p\u003e","\u003cp\u003ere Official Visit of Fitzroy Maclean\u003c/p\u003e","\u003cp\u003ere Program of Economic Reform\u003c/p\u003e","\u003cp\u003ere his biography of Tito\u003c/p\u003e","\u003cp\u003ere Controversy over British Military Mission in World War II\u003c/p\u003e","\u003cp\u003ere BBC \"Timewatch: Tito\" Program\u003c/p\u003e","\u003cp\u003ere a Yugoslav Detainee in 1945\u003c/p\u003e","\u003cp\u003ere Korcula, Croatia Emergency Appeal\u003c/p\u003e","\u003cp\u003ere Benefit Concert for Dubrovnik\u003c/p\u003e","\u003cp\u003ere Owen's Mission\u003c/p\u003e","\u003cp\u003ere Aldington-Tolstoy Libel Case (Repatriations in 1945)\u003c/p\u003e","\u003cp\u003ere Tito Memoirs and other projects\u003c/p\u003e","\u003cp\u003ere Purchase of \"Beechfield\"\u003c/p\u003e","\u003cp\u003ere Ticonderoga story\u003c/p\u003e","\u003cp\u003ere Purchase of \"Creggans Inn\"\u003c/p\u003e","\u003cp\u003ere \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFitzroy Maclean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Evelyn Waugh biography\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean and Articles by him\u003c/p\u003e","\u003cp\u003ere Awarding of Baronetcy and Arms\u003c/p\u003e","\u003cp\u003ere Honorary Degree from the University of Glasgow\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Acadia University\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito, signed by Josip Broz Tito and Madame Jovanka Broz\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Dundee University\u003c/p\u003e","\u003cp\u003ere Special Air Service\u003c/p\u003e","\u003cp\u003ere the 23rd Special Air Service Regiment\u003c/p\u003e","\u003cp\u003ere Installation of Fitzroy Maclean in the Order of theThistle\u003c/p\u003e","\u003cp\u003ere Installation of Fitzroy Maclean in the Order of the Thistle\u003c/p\u003e","\u003cp\u003ere Appointment of Fitzroy Maclean in the Order of the Thistle--Congratulations\u003c/p\u003e","\u003cp\u003ere Appointment of Fitzroy Maclean in the Order of the Thistle\u003c/p\u003e","\u003cp\u003eOrder of the Thistle Ceremony\u003c/p\u003e","\u003cp\u003ere Freedom of Argyll and Bute\u003c/p\u003e","\u003cp\u003ere omitting part of an interview with the King about Yugoslavia from his book\u003c/p\u003e","\u003cp\u003ewith comments about what Maclean had written about himself in the book\u003c/p\u003e","\u003cp\u003ethanking him for the copy of his book sent to the King\u003c/p\u003e","\u003cp\u003ere Publicity\u003c/p\u003e","\u003cp\u003eTranslations\u003c/p\u003e","\u003cp\u003ere American Edition\u003c/p\u003e","\u003cp\u003ere German Edition\u003c/p\u003e","\u003cp\u003ere Paperback Edition\u003c/p\u003e","\u003cp\u003ere Proposed Film, with a copy of the script for the film, April 1956\u003c/p\u003e","\u003cp\u003ere Proposed TV Series\u003c/p\u003e","\u003cp\u003ere Proposed TV Series\u003c/p\u003e","\u003cp\u003ere Yugoslav Edition\u003c/p\u003e","\u003cp\u003ere Yugoslav Edition\u003c/p\u003e","\u003cp\u003eLetter of thanks on behalf of Tito\u003c/p\u003e","\u003cp\u003ere American Edition, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Heretic\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Translations\u003c/p\u003e","\u003cp\u003ere German Forces in Yugoslavia\u003c/p\u003e","\u003cp\u003eincluding \"The Fourth Enemy Offensive\" and some in Serbo-Croatian\u003c/p\u003e","\u003cp\u003ere Book Promotion Tour in Yugoslavia\u003c/p\u003e","\u003cp\u003ere Book Promotion Tour in Yugoslavia\u003c/p\u003e","\u003cp\u003eincluding some correspondence and notes\u003c/p\u003e","\u003cp\u003ere Korcula by Charles Maclean\u003c/p\u003e","\u003cp\u003eUnpublished\u003c/p\u003e","\u003cp\u003ere of BBC Radio Broadcast on Mission to Tito\u003c/p\u003e","\u003cp\u003ere Tito obituary for BBC Radio\u003c/p\u003e","\u003cp\u003ere BBC Radio \"I Was There\"\u003c/p\u003e","\u003cp\u003ere Film \"General from Strachur\"\u003c/p\u003e","\u003cp\u003ere BBC Television Tito Obituary\u003c/p\u003e","\u003cp\u003ere Tito Interview for CBS News\u003c/p\u003e","\u003cp\u003ere Proposed BBC Programs\u003c/p\u003e","\u003cp\u003ere Proposed Film on Tito\u003c/p\u003e","\u003cp\u003ere BBC Program on the S.O.E. (Special Operations Executive)\u003c/p\u003e","\u003cp\u003ere BBC Program on Evelyn Waugh\u003c/p\u003e","\u003cp\u003ere Miscellaneous Television and Film Projects\u003c/p\u003e","\u003cp\u003ere BBC Program \"Ratlines\"\u003c/p\u003e","\u003cp\u003ere VPRO Program\u003c/p\u003e","\u003cp\u003ere New Edition\u003c/p\u003e","\u003cp\u003ere Proposed Film\u003c/p\u003e","\u003cp\u003ere Research\u003c/p\u003e","\u003cp\u003ere Translations\u003c/p\u003e","\u003cp\u003eOriginal Letters of Joseph Wolff and Correspondence with Ancient Light Bookshop\u003c/p\u003e","\u003cp\u003eTranscripts and Copies of Letters of Charles Stoddart and others from the Public Records Office\u003c/p\u003e","\u003cp\u003ere American Edition and Other Projects\u003c/p\u003e","\u003cp\u003ere Copyright Renewal\u003c/p\u003e","\u003cp\u003ere German edition\u003c/p\u003e","\u003cp\u003ere the Sino Russian Border in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLife\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere the Caucasus Region\u003c/p\u003e","\u003cp\u003eCorrespondence re\u003c/p\u003e","\u003cp\u003ere the Bukharin Trial in Moscow \u0026amp; Interview with his widow\u003c/p\u003e","\u003cp\u003ere Mikhail Gorbachev\u003c/p\u003e","\u003cp\u003ere Georgia in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Sunday Times\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Azerbaijan\u003c/p\u003e","\u003cp\u003ere Georgia, including notes and drafts\u003c/p\u003e","\u003cp\u003ere Georgia in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Scotsman Magazine\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Azerbaijan\u003c/p\u003e","\u003cp\u003ere Caucasus\u003c/p\u003e","\u003cp\u003ere Mikhail Gorbachov\u003c/p\u003e","\u003cp\u003ere Mikhail Gorbachev in honor of Hugh Seton-Watson\u003c/p\u003e","\u003cp\u003egiven at Foyle's Lunch\u003c/p\u003e","\u003cp\u003ere Georgia\u003c/p\u003e","\u003cp\u003ere Georgia\u003c/p\u003e","\u003cp\u003ere a New Edition\u003c/p\u003e","\u003cp\u003ere an American Edition\u003c/p\u003e","\u003cp\u003ere a German Edition\u003c/p\u003e","\u003cp\u003eAugust 1, 1996 from Edwin Moore to Veronica Maclean\u003c/p\u003e","\u003cp\u003ere German Edition\u003c/p\u003e","\u003cp\u003ere reprint as \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eWest Highland Tales\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Publicity \u0026amp; Book Reviews\u003c/p\u003e","\u003cp\u003ere Publicity\u003c/p\u003e","\u003cp\u003ere \"Scotland in Parliament\"\u003c/p\u003e","\u003cp\u003ere Japan\u003c/p\u003e","\u003cp\u003ere Asia\u003c/p\u003e","\u003cp\u003ere Korea\u003c/p\u003e","\u003cp\u003ere Italy\u003c/p\u003e","\u003cp\u003ere the Middle East\u003c/p\u003e","\u003cp\u003ere Persia\u003c/p\u003e","\u003cp\u003ere Defense of Great Britain\u003c/p\u003e","\u003cp\u003ere Greece\u003c/p\u003e","\u003cp\u003ere Libya during World War II\u003c/p\u003e","\u003cp\u003ere Turkey\u003c/p\u003e","\u003cp\u003ere China \"Inside Red China\"\u003c/p\u003e","\u003cp\u003ere China Trip\u003c/p\u003e","\u003cp\u003ere China \"Peking Revisited,\" \"Don't Let China Stew in Her Own Juice,\" and \"Eyewitnesses in China\"\u003c/p\u003e","\u003cp\u003ere Mongolia\u003c/p\u003e","\u003cp\u003ere Sir Winston Churchill\u003c/p\u003e","\u003cp\u003eMongolia\u003c/p\u003e","\u003cp\u003ere the Black Sea, including one by Veronica Maclean\u003c/p\u003e","\u003cp\u003ere Defense of Europe: \"Nuclear Deterrence and Conventional Forces,\" with Correspondence\u003c/p\u003e","\u003cp\u003ere China--Trip to Kashgar in Chinese Turkestan, including Correspondence\u003c/p\u003e","\u003cp\u003ere Nepal and Bhutan\u003c/p\u003e","\u003cp\u003ere Germany\u003c/p\u003e","\u003cp\u003ere David Stirling for \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDictionary of National Biography\u003c/title\u003eand Correspondence\u003c/p\u003e","\u003cp\u003ere Canary Islands\u003c/p\u003e","\u003cp\u003ere Oman\u003c/p\u003e","\u003cp\u003ere Tibet--Correspondence, Travel Arrangements, and Memorabilia\u003c/p\u003e","\u003cp\u003ere Tibet\u003c/p\u003e","\u003cp\u003ere the Channel Tunnel\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean, some in German, French, Serbo-Croatian, Swedish, and Dutch\u003c/p\u003e","\u003cp\u003ere Tibet\u003c/p\u003e","\u003cp\u003ere Publication of Evelyn Waugh's Diaries, which include references to Fitzroy Maclean\u003c/p\u003e","\u003cp\u003ere Invitation to Frankfurt\u003c/p\u003e","\u003cp\u003ere German Translations of \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eIsles of the Sea\u003c/title\u003eand \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Proposed Book of Interviews including Fitzroy Maclean\u003c/p\u003e","\u003cp\u003esome accompanied by correspondence, including: Violet Asquith, Nancy Astor, Charles Bohlen, John Bute, Nicolae Causescu, Earl Cawdor, Thomas Churchill, John Clarke, the Queen Mother, Lord Lovat, Charles Maclean, Andrew Maxwell, Paddy Mayne and Bill Elliot, Iain Moncrieffe, Peter Moore, David Scott, David Stirling, and Lord Ward\u003c/p\u003e","\u003cp\u003ePeople\u003c/p\u003e","\u003cp\u003eEnvirons \u0026amp; Monasteries\u003c/p\u003e","\u003cp\u003eGUM Store, Race Track, \u0026amp; Fashions\u003c/p\u003e","\u003cp\u003eThe Kremlin \u0026amp; Red Square\u003c/p\u003e","\u003cp\u003eThe file includes a draft of a 1968 letter to Aleksey Aleksandrovich Surkov, President of the USSR - Great Britain Society, also includes letters to and from the Baroness Asquith of Yarnbury (\"Violet\").\u003c/p\u003e","\u003cp\u003eNotebooks include \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June), circa 1943-1958\u003c/p\u003e","\u003cp\u003eIncludes Maclean's undated notes on Soviet history up to \"Glasnost,\" notes on the \"Council of Europe,\" (1973); series of letters between Sir Charles Peake, British Embassy, and Sir Fitzroy Maclean, 1946-1953.\u003c/p\u003e","\u003cp\u003eThese include a speech before the Boarding House and Catering Association, one mentioning nuclear deterrence, and international events.\u003c/p\u003e","\u003cp\u003eThis addition contains two letters written by Fitzroy Maclean and John Baldock to Helen F. Moore of Leicester, England. A typewritten letter from Maclean to Baldock addresses Moore's concern regarding rioting by South Koreans in the vicinity of the Troops Rest Center at Inchon and her request to move the Center. He reviews her concern, noting that the demonstrations were against the Neutral Nations Armistice Commission and took place six and a half miles from the Center. He notes that the Center was not affected by the rioting and that, after careful consideration, the Center would remain open and not move to another area. The second item is a cover letter from John Baldock forwarding Maclean's response to Ms. Moore.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This Fitzroy Maclean papers consist (1827-1996; 44 cubic feet) of the professional and personal papers of Scottish soldier, diplomat, politician, author, and traveler, Sir Fitzroy Hew Maclean (1911-1996) of Dunconnel. It includes correspondence, memoranda, manuscripts, typescripts, newspaper and magazine articles, book reviews, lectures, speeches, photographs, memorabilia, and research material pertaining to his military, diplomatic, political and literary career as well as family and personal affairs.","Maclean is best known for his role during World War II as head of the British military mission to Yugoslavia in which he served as Winston Churchill's personal representative to leader of the Communist Partisans, Josip Broz Tito, his diplomatic service in the Soviet Union in the late 1930's, and as the author of the classic memoir Eastern Approaches (1949) and many other books and articles. After the war, he pursued a political career as a Conservative member of Parliament, and, based on his close relationship with Tito, played a key role in Anglo-Yugoslav affairs. He was also noted for his expertise on the Soviet Union."," A third focal point of his life and career was Scotland: he was a proud member of Clan Maclean and wrote several works on Scottish history, biography, and folklore. The collection contains some material in Serbo-Croatian, German, Italian and French."," The papers are arranged in four main series with various sub-series. Items of particular interest in the First Series, Career and Personal Papers, are described in the following paragraphs devoted to each subseries. In the Diplomatic Subseries are dispatches and memoranda of his trips through Central Asia (including Afghanistan and the ancient cities Bokhara and Samarkand) and the Caucasus, on the situation in Sinkiang (Chinese Turkestan) and on the political stability of the Soviet Union, 1937-1939."," The subseries British Military Mission to Yugoslavia contains Winston Churchill's Minute concerning his Mission to Tito, Autograph Diary (2 pages) re his arrival in Yugoslavia, \"Ratweek\" Map (oversize), twelve files (labeled Top Secret) including memoranda, correspondence, telegrams, etc concerning military and political affairs such as Allied operations and aid to Tito's Partisans, formation of the Yugoslav government, relief, the visit of Field Marshal Alexander, Supreme Allied Commander to Belgrade, Macedonia, Prospect of South Slav federation, and correspondence with Evelyn Waugh."," The Special Refugee Commission subseries contains correspondence, telegrams, reports, including one submitted to Foreign Secretary Ernest Bevin, articles, and a draft of a speech on the refugee problems to a parliamentary committee."," Political correspondence includes papers concerning the Lancaster by-election of 1941, the general election of 1945, and correspondence with Winston Churchill, Harold Macmillan, Anthony Eden, Alec Douglas- Home, Peter Carrington, Harold Wilson, Margaret Thatcher, John Major, Robert Kennedy, John Lindsay, Henry Jackson, and Averell Harriman ; a memorandum to Field Marshal Alexander of Tunis concerning irregular warfare; and correspondence and memoranda related to a parliamentary delegation to Romania in 1973."," Material in the VIP Subseries includes: letters and notes from members of the Royal Family including Prince Charles, Princess Margaret, Elizabeth the Queen Mother; Clementine Churchill and Mary Churchill Soames; and a thank you note from Lauren Bacall."," The Yugoslavia and Tito Subseries contains significant material including memoranda of meetings with Tito in 1949,1950, 1953, 1968, 1973; informative accounts by Maclean and other British officers about the Military Mission in World War II for an official book published by Muzej AVNOJ (1970-1971); correspondence about Maclean's involvement in proposals for the publication of Tito's memoirs (1966-1977) and about the nomination of Tito for the Nobel Peace Prize (1972-1973); correspondence and papers by Maclean and others from a conference on British Policy and Resistance in the Balkans (1973); Briefing papers, correspondence and memoranda of Margaret Thatcher's visit to Yugoslavia in 1977, and correspondence and memorabilia pertaining to the Prince of Wales' visit in 1978; correspondence about Maclean's visit in 1989 and transcript of an interview with Prime Minister Ante Markovic."," For the 1990's, the time of war and the dissolution of Yugoslavia , there is correspondence with David Owen, Stevan Dedijer and others, and about the Korcula Emergency Appeal, a relief effort for a hospital on the island of Korcula, Croatia, organized by the Macleans; letters from Yugoslav friends describing the turmoil , and/or seeking assistance in finding jobs in the United Kingdom; correspondence about renewed controversy about the British Military Mission in World War II. and the Aldington-Tolstoy Libel Case concerning the repatriation of Yugoslavs in 1945. It should also be noted that in Series II, Subseries B, Literary Material pertaining to Yugoslavia, there is some correspondence filed with the manuscripts, typescripts, articles and radio and television transcripts."," The Subseries Family and Personal Papers has letters from friends and teachers, some in German, French, and Italian. In a significant group of letters to his parents (1939-1945) from London, Cairo, Belgrade, and elsewhere, Maclean discussed the international situation, his desire to leave the Foreign Office in order to join the army, life in London during the Blitz, the beginning of his political career, and his military service (some letters were extensively cut by the censors). There are also a number of letters to his parents from the years 1946-1955 from Maclean and his wife Veronica discussing family matters and living conditions in Italy and Austria while Maclean was directing the Special Refugee Commission, and about their travels in Yugoslavia, Greece and Turkey in the early 1950's."," Also present is correspondence with Frank McLynn, his biographer, 1990-1994, and two scrapbooks. The blue scrapbook (1939-1951) includes one letter of Maclean to his aunt, newspaper clippings relating to his military service in Yugoslavia, his marriage, some articles by him, a few photographs. The red scrapbook, 1943-1946 also has newspaper clippings about his military service and political career and articles by him."," The Second Series consists of literary papers. This series contains drafts, typescripts, setting copies of his books with related correspondence with publishers and others about the publication process, contracts, royalty statements, book reviews, fan mail, articles, book reviews, speeches, lectures, transcripts of radio and television programs, film proposals or treatments. Several of his books were published under different titles in the United States. It is organized into five subseries based on subject matter. These include:  Eastern Approaches (American title-  Escape to Adventure ); Yugoslavia (the country as originally constituted and also the new states that emerged in the 1990's); Russia and the former Soviet Union and the new nations post 1990); Scotland; and Miscellaneous Literary."," The subseries about  Eastern Approaches contains a typed manuscript (Setting copy) with corrections, including an unpublished introduction; some material omitted from the published version including his admiration for a Soviet army unit, comments on the Cetniks, and conversations with King George VI and Winston Churchill and King Peter of Yugoslavia; letters from Michael Adeane, Secretary to King George VI and Winston Churchill requesting that certain passages be omitted; a letter from Peter Fleming to Jonathan Cape offering his opinion of the book, a letter from Ian Fleming to Jonathan Cape and a note to Maclean."," Other material includes correspondence with Jonathan Cape and other publishers about a new edition, correspondence with Douglas Fairbanks, Eric Ambler and others concerning a possible film version, and with Ian Curteis about a proposed television adaptation."," The Yugoslavia Subseries includes books:  Disputed Barricade (1957), published in America as  The Heretic , which includes an interview with Tito;  Yugoslavia (1969), in which Maclean wrote the text for this book of photographs;  Battle of Neretva (1970); and  Tito: A Pictorial Biography (1980). Also present are articles from newspapers and magazines, 1947-1995, on Yugoslav politics and society, including interviews with Tito. Particularly interesting are two unpublished articles \"Whither Yugoslavia?\" written in 1989 based on interviews with Yugoslav politicians, including Slobodan Milosevic. There are also a number of book reviews of works by Julian Amery, William Deakin, Noel Malcolm and Misha Glenny and others."," In addition, the subseries on Yugoslavia contains lectures, 1949-1995; transcripts of radio and television programs, with related correspondence; and some interviews with Tito, notably The \"Life and Times of Marshal Tito\" (December 1963); and one for a CBS news program (1969)."," The Russian Material Subseries contains drafts, correspondence, and research material for his books  A Person from England (1958), including several autograph letters,1827-1861, of Dr. Joseph Wolff, one of the English travelers chronicled in the book;  Back to Bokhara (1959);  Holy Russia (1978); drafts titled \"All the Russias\" and \"The Other Russias,\" which were the basis for  To the Back of Beyond (1974),  To Caucasus: End of All the Earth (1976); and  Holy Russia (1978) which completed the trilogy;  Portrait of the Soviet Union (1988), including material for both the book and the related TBS television series since Maclean was working on these simultaneously; and  All the Russias (1992). Correspondents include Pamela Harriman, Marietta Tree and Fitzgerald Bemiss."," In addition to his books about Russia and the Soviet Union, his papers also contain articles, 1949-1995 on political, social, economic, cultural aspects of the former Soviet Union, a number on Georgia and the Caucasus, and Mikhail Gorbachev; book reviews, 1949-1994; and radio and television material, such as correspondence and transcripts for programs, including \"The End of All the Earth\" and \"Carnival in the Caucasus\"; interviews with Anna Mikhailovna Larina (Bukharin's widow) and others for the BBC \"Timewatch\" program \"Bukharin.\""," The subseries concerning his Scotland material includes books,  A Concise History of Scotland (1970);  Isles of the Sea (1985);  Bonnie Prince Charlie (1988); and  Highlanders (originally titled  Clans ) (1995). Material for the book and television series are combined since Maclean was working on them simultaneously. Among the articles on Scotland is a notable series \"Scottish Approaches\" which appeared in  The Scotsman in 1959."," The last subseries in Maclean's Literary Papers consists of miscellaneous literary material, including material for the book  Take Nine Spies . There is also correspondence with publishers in which he discusses more than one book, and with his literary agents."," Articles are arranged chronologically, and topics range from post World War II Japan, Korea, Italy, the Middle East, and defense policy to China and Mongolia in the 1960's, an extended trip to China in 1988, and his travels in Nepal, Tibet, and Oman in the 1990's. There are also articles about his military, diplomatic, political and literary career, his travels, and personal life, and note that others are contained in two scrapbooks. The radio and television material includes his commentaries on the international scene from 1946 on."," Photographic Material comprises the third series, which contains twenty-four boxes of photographs (some in albums), contact sheets, negatives, and slides, taken by Maclean, primarily of his travels in the former Soviet Union, Europe and Asia, from 1938 through the 1990's. Especially noteworthy are those taken in Moscow, Leningrad, and Central Asia, including Afghanistan, the cities Bokhara and Samarkand, and Persia, Paris and Florence in the late 1930's, Yugoslavia during World War II, postwar Korean and China, and of Yugoslavia, Greece, Turkey and Iran in the early 1950's. Maclean visited the former Soviet Union frequently from the late 1950's through 1987 and took numerous photographs of his favorite regions, Central Asia and the Caucasus, particularly Georgia."," As for Yugoslavia, there is an album dated 1953 labeled Namanevru Jugoslovenska Narodne, Armije (Yugoslav People's Army) with photographs of Tito, Maclean, and soldiers; and photographs from the early 1960's through 1980 including a number of photographs of Tito. Individuals subjects include Winston Churchill and Margaret Thatcher. There are also many family photographs taken at Maclean's homes Beechfield and Strachur, and of friends. The photographs used in  Eastern Approaches ,  Disputed Barricade ,  A Person from England , and  Bonnie Prince Charlie are also in this section.\n \n The fourth series consists of two small additions to the papers and include some correpondence files, such as congratulatory letters about his appointment as Under Secretary for War in 1954 and his Baronetcy in 1957, his letters published in the press, and the Great Britain-USSR Association; files on his participation in various conferences concerning Yugoslavia and War War II; election campaign materials of Maclean; Notebooks, including \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June); news articles; speeches by Maclean, including printed speeches published in \"Parliamentary Debates\"; passports; pocket and desk diaries; first drafts of \"Eastern Approaches\"; a file on guerilla warfare; a copy of a 1938 Report on Central Asia by Maclean; and Veronica Maclean's description about her first meeting with Josip Broz Tito in 1947.","re Appointments to London, Paris, and Moscow and his resignation from the Foreign Office","re Maclean's Mission to Tito and an Extract from  The Second World War","including \"The Partisan Movement in Yugoslavia\" and \"Note on the Present Military and Political Situation in Serbia\"","Drafts of Statement on the Extent of British Aid to the Partisans","re Appointments and Impact on Service to Constituency","re Irregular Warfare and Correspondence with Field Marshall Earl Alexander of Tunis and Others","re Vietnam War","re the Soviet Invasion of Czechoslovakia","re Interview with Vice-President Bodnaras of Romania; Meeting with Tito; and Draft Article on Sino-Soviet Border","re Winston Churchill","re E.C. Grants for Argyll and Bute","re Consideration of Fitzroy Maclean as Governor of Cyprus","re a Resignation to Veronica Maclean","re his serving as godfather to her daughter, Charlotte","re British Press Coverage of Yugoslavia","re Simic Cureija","re Visit with Tito, with note from Jack Coville, Secretary to Winston Churchill","re Tito","re Korcula","re the Soviet Invasion of Czechoslovakia","re Visit to Yugoslavia for 25th Anniversary of National Liberation, includes photographs of Maclean and Willian Deakin","Decoration Awarded to Fitzroy Maclean","Proposed British Decorations of Yugoslavs","re Yugoslav Students in Britain","re Allied Mission to Yugoslavia in World War II for Muzej AVNOJ","re Korcula, Yugoslavia, Town Twinning with Argyll and Bute, Scotland","re Maclean's Efforts in Support of Tito for the Nobel Peace Prize","re British Policy towards the Balkan Resistance Movements","re Meeting with Tito","re Research and Annual Summaries (Copies) of Events in Yugoslavia, 1957-1972","re Margaret Thatcher's Trip, with Official Program","re the Prince of Wales' Visit to Yugoslavia","re Fitzroy Maclean's article for the British-Yugoslav Society on the Prince of Wales' visit","re Arrangements for the British Delegation to Tito's Funeral","re Official Visit of Fitzroy Maclean","re Program of Economic Reform","re his biography of Tito","re Controversy over British Military Mission in World War II","re BBC \"Timewatch: Tito\" Program","re a Yugoslav Detainee in 1945","re Korcula, Croatia Emergency Appeal","re Benefit Concert for Dubrovnik","re Owen's Mission","re Aldington-Tolstoy Libel Case (Repatriations in 1945)","re Tito Memoirs and other projects","re Purchase of \"Beechfield\"","re Ticonderoga story","re Purchase of \"Creggans Inn\"","re  Fitzroy Maclean","re Evelyn Waugh biography","re Fitzroy Maclean","re Fitzroy Maclean and Articles by him","re Awarding of Baronetcy and Arms","re Honorary Degree from the University of Glasgow","re Honorary Degree from Acadia University","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito, signed by Josip Broz Tito and Madame Jovanka Broz","re Honorary Degree from Dundee University","re Special Air Service","re the 23rd Special Air Service Regiment","re Installation of Fitzroy Maclean in the Order of theThistle","re Installation of Fitzroy Maclean in the Order of the Thistle","re Appointment of Fitzroy Maclean in the Order of the Thistle--Congratulations","re Appointment of Fitzroy Maclean in the Order of the Thistle","Order of the Thistle Ceremony","re Freedom of Argyll and Bute","re omitting part of an interview with the King about Yugoslavia from his book","with comments about what Maclean had written about himself in the book","thanking him for the copy of his book sent to the King","re Publicity","Translations","re American Edition","re German Edition","re Paperback Edition","re Proposed Film, with a copy of the script for the film, April 1956","re Proposed TV Series","re Proposed TV Series","re Yugoslav Edition","re Yugoslav Edition","Letter of thanks on behalf of Tito","re American Edition,  The Heretic","re Translations","re German Forces in Yugoslavia","including \"The Fourth Enemy Offensive\" and some in Serbo-Croatian","re Book Promotion Tour in Yugoslavia","re Book Promotion Tour in Yugoslavia","including some correspondence and notes","re Korcula by Charles Maclean","Unpublished","re of BBC Radio Broadcast on Mission to Tito","re Tito obituary for BBC Radio","re BBC Radio \"I Was There\"","re Film \"General from Strachur\"","re BBC Television Tito Obituary","re Tito Interview for CBS News","re Proposed BBC Programs","re Proposed Film on Tito","re BBC Program on the S.O.E. (Special Operations Executive)","re BBC Program on Evelyn Waugh","re Miscellaneous Television and Film Projects","re BBC Program \"Ratlines\"","re VPRO Program","re New Edition","re Proposed Film","re Research","re Translations","Original Letters of Joseph Wolff and Correspondence with Ancient Light Bookshop","Transcripts and Copies of Letters of Charles Stoddart and others from the Public Records Office","re American Edition and Other Projects","re Copyright Renewal","re German edition","re the Sino Russian Border in  Life","re the Caucasus Region","Correspondence re","re the Bukharin Trial in Moscow \u0026 Interview with his widow","re Mikhail Gorbachev","re Georgia in  The Sunday Times","re Azerbaijan","re Georgia, including notes and drafts","re Georgia in  The Scotsman Magazine","re Azerbaijan","re Caucasus","re Mikhail Gorbachov","re Mikhail Gorbachev in honor of Hugh Seton-Watson","given at Foyle's Lunch","re Georgia","re Georgia","re a New Edition","re an American Edition","re a German Edition","August 1, 1996 from Edwin Moore to Veronica Maclean","re German Edition","re reprint as  West Highland Tales","re Publicity \u0026 Book Reviews","re Publicity","re \"Scotland in Parliament\"","re Japan","re Asia","re Korea","re Italy","re the Middle East","re Persia","re Defense of Great Britain","re Greece","re Libya during World War II","re Turkey","re China \"Inside Red China\"","re China Trip","re China \"Peking Revisited,\" \"Don't Let China Stew in Her Own Juice,\" and \"Eyewitnesses in China\"","re Mongolia","re Sir Winston Churchill","Mongolia","re the Black Sea, including one by Veronica Maclean","re Defense of Europe: \"Nuclear Deterrence and Conventional Forces,\" with Correspondence","re China--Trip to Kashgar in Chinese Turkestan, including Correspondence","re Nepal and Bhutan","re Germany","re David Stirling for  Dictionary of National Biography and Correspondence","re Canary Islands","re Oman","re Tibet--Correspondence, Travel Arrangements, and Memorabilia","re Tibet","re the Channel Tunnel","re Fitzroy Maclean, some in German, French, Serbo-Croatian, Swedish, and Dutch","re Tibet","re Publication of Evelyn Waugh's Diaries, which include references to Fitzroy Maclean","re Invitation to Frankfurt","re German Translations of  Isles of the Sea and  Eastern Approaches","re Proposed Book of Interviews including Fitzroy Maclean","some accompanied by correspondence, including: Violet Asquith, Nancy Astor, Charles Bohlen, John Bute, Nicolae Causescu, Earl Cawdor, Thomas Churchill, John Clarke, the Queen Mother, Lord Lovat, Charles Maclean, Andrew Maxwell, Paddy Mayne and Bill Elliot, Iain Moncrieffe, Peter Moore, David Scott, David Stirling, and Lord Ward","People","Environs \u0026 Monasteries","GUM Store, Race Track, \u0026 Fashions","The Kremlin \u0026 Red Square","The file includes a draft of a 1968 letter to Aleksey Aleksandrovich Surkov, President of the USSR - Great Britain Society, also includes letters to and from the Baroness Asquith of Yarnbury (\"Violet\").","Notebooks include \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June), circa 1943-1958","Includes Maclean's undated notes on Soviet history up to \"Glasnost,\" notes on the \"Council of Europe,\" (1973); series of letters between Sir Charles Peake, British Embassy, and Sir Fitzroy Maclean, 1946-1953.","These include a speech before the Boarding House and Catering Association, one mentioning nuclear deterrence, and international events.","This addition contains two letters written by Fitzroy Maclean and John Baldock to Helen F. Moore of Leicester, England. A typewritten letter from Maclean to Baldock addresses Moore's concern regarding rioting by South Koreans in the vicinity of the Troops Rest Center at Inchon and her request to move the Center. He reviews her concern, noting that the demonstrations were against the Neutral Nations Armistice Commission and took place six and a half miles from the Center. He notes that the Center was not affected by the rioting and that, after careful consideration, the Center would remain open and not move to another area. The second item is a cover letter from John Baldock forwarding Maclean's response to Ms. Moore."],"names_ssim":["Albert and Shirley Small Special Collections Library","Maclean, Fitzroy, 1911-1996"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Maclean, Fitzroy, 1911-1996"],"language_ssim":["Materials are in English."],"descrules_ssm":["Anglo-American Cataloguing Rules"],"total_component_count_is":763,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:47:27.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_838","ead_ssi":"viu_repositories_3_resources_838","_root_":"viu_repositories_3_resources_838","_nest_parent_":"viu_repositories_3_resources_838","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_838.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/103243","title_filing_ssi":"Maclean, Sir Fitzroy, papers","title_ssm":["Sir Fitzroy Maclean papers"],"title_tesim":["Sir Fitzroy Maclean papers"],"unitdate_ssm":["1827-1996"],"unitdate_inclusive_ssm":["1827-1996"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 11487","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/838"],"text":["MSS 11487","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/838","Sir Fitzroy Maclean papers","letters (correspondence)","diaries","Black-and-white photographs","Collection is open for research use.","The collection is arranged in four main series, with various subseries: ","Series I: Career and Personal Papers (Boxes 1-11) ","Subseries A: Diplomatic Service (Box 1) ","Subseries B: British Military Mission to Yugoslavia (Boxes 1-2) ","Subseries C: Special Refugee Commission (Boxes 2-3) ","Subseries D: Political Correspondence (Box 3) ","Subseries E: VIP Material (Boxes 3-4) ","Subseries F: Yugoslavia \u0026 Tito Related Material (Boxes 4-8) ","Subseries G: Family \u0026 Personal Papers (Boxes 9-10) ","Subseries H: Honors \u0026 Decorations (Boxes 10- 11) ","Series II: Literary Papers - Books, Television \u0026 Radio Scripts, Articles, etc. ","Subseries A: Eastern Approaches Material (Boxes 12-15) ","Subseries B: Yugoslavia Related Material, including Books (Boxes 15-21); and Articles, Book Reviews, Lectures, Radio \u0026 Television, \u0026 Research (Boxes 21-26) ","Subseries C: Russia \u0026 the Former Soviet Union Material, including Books (Boxes 26-40); Articles (Boxes 41-43); Book Reviews \u0026 Lectures (Boxes 43-45); and Radio \u0026 Television (Boxes 45-46) ","Subseries D: Scotland Material, including Books (Boxes 46-57), Highlanders Television Series (Boxes 57-58), and Articles, Book Reviews and Lectures (Boxes 59-60) ","Subseries E: Miscellaneous Literary Material, including Take Nine Spies (Boxes 60-63), Articles (Boxes 64-66); Book Reviews, Introductions, Lectures \u0026 Speeches and Literary Correspondence (Boxes 67-68); and Radio and Television (Boxes 68-69) ","Series III: Photographic Material (Boxes 70-93)","Series IV: Sir Fitzroy Maclean Additional Papers (Boxes 94-102 ","re the Threat of Soviet Expansion in Asia","Parlimentary Delegation to Romania","Fitzroy Hew Royle Maclean was born in 1911 in Cairo, Egypt to Charles Maclean, a major in the British army, and Gladys Royle Maclean. He was raised in Scotland, India, and Italy and attended Eton (1924-28), the University of Marburg in Germany (1929), and Kings' College, Cambridge (1929-32) where he won a senior scholarship and first class honors. He entered the Foreign Office in 1934 and was first posted to Paris, and then to Moscow in 1937 where he served as the Third Secretary in the British Embassy. Stalin's purges were at their height during Maclean's two years in the Soviet Union, and he was present at the state trial of Nikolai Bukharin in 1938. He also made journeys to remote areas of the Soviet Union such as Central Asia and the Caucasus where few if any foreigners had been for many years. In 1939 he returned to London and worked in the Foreign Office on Russian affairs."," When World War II broke out, he wanted to enlist in the military, but as a diplomat was in a \"reserved\" position and was not allowed to do so. He learned that the only way to be released from the Foreign Office was to declare himself a candidate for Parliament, and so he was returned for the constituency of Lancaster at a by-election in 1941. He joined the Cameron Highlanders regiment in the British army as a private, and then the new Special Air Service (SAS) and served in the Western Desert, where he participated in the raid on Benghazi along with SAS founder David Stirling and Randolph Churchill, and foiled a coup in Persia by kidnapping General Zahidi who had collaborated with the Germans."," In July 1943 Prime Minister Winston Churchill asked Maclean to serve as his personal representative and Brigadier commanding a British Military Mission to Josip Broz Tito, leader of the Communist Partisans in German-occupied Yugoslavia. At this stage of the war, there was a debate in the British government over which Yugoslav resistance group it should support - Tito's Partisans or Draza Mihalovich's Cetniks. In September Maclean was dropped by parachute into Bosnia and met Tito, and subsequently reported to Churchill that the Partisans were the more effective fighting force and would benefit from additional British and American aid. In August 1944, as the Germans prepared to withdraw from Yugoslavia Maclean planned \"Operation Ratweek\" for the first week of September, a coordinated Allied and Partisan attack on enemy communications which proved quite successful. In the course of his mission, which lasted until 1945, he became a friend and admirer of Tito. In 1947 Maclean was asked to head the Special Refugee Commission which had the sensitive task of screening of tens of thousands of Yugoslav and Ukrainian Displaced Persons, some of whom were alleged to have committed war crimes, in Italy and Austria."," After completing this assignment, Maclean focused on politics, representing Lancaster until 1959 and Bute and North Ayrshire from 1959-1974, and served as Parliamentary Under Secretary of State for War from 1954-1957. He was chairman of the Committee of the North Atlantic Assembly from 1964-1974. Maclean's friendship with Tito and frequent visits to Yugoslavia allowed him to play a key role in Anglo-Yugoslav relations. In the 1960's he purchased a home on the island of Korcula, becoming one of the few foreigners allowed to own property in Yugoslavia. Maclean also maintained a keen interest in the Soviet Union where he traveled extensively and he served as chairman of the Great Britain-USSR Association. He lectured frequently in the United Kingdom and the United States on Yugoslav and Soviet affairs."," Maclean's literary career was launched in 1949 with the publication of Eastern Approaches, a memoir of his experiences as a diplomat and soldier, which was acclaimed by critics and became a best-seller. This was followed in 1957 by a biography of Tito,  Disputed Barricade, A Person from England (1958), describing the adventures of English travelers in Central Asia, and in 1958,  Back to Bokhara (1959), and a number of books, articles and book reviews on Yugoslavia, the Soviet Union, and other subjects."," A third focal point of his writing was Scotland, and he published  A Concise History of Scotland , (1970),  The Isles of the Sea , a collection of West Highland folk tales (1985),  Bonnie Prince Charlie , (1988) and  Highlanders (1995). Along with establishing a reputation as the author of entertaining and informative works that blended his travel experiences and historical research, he turned his attention to radio and television, working on a number of documentary programs including  The Road to Samarkand and  The Life and Times of Marshal Tito and two major series.  Portrait of the Soviet Union and  Highlanders ."," Maclean was made a baronet in 1957 and a Knight of the Thistle in 1993, and was the recipient of many honors and decorations including the Commander of the British Empire, the Croix de Guerre, the Order of Kutusov, and the Partisan Star, and several honorary degrees."," In 1946 Maclean married a widow with two children, Veronica (Fraser) Phipps, daughter of the 16th Lord Lovat. They had two sons, James and Charles. In 1957 the Macleans purchased Strachur, an estate in Argyllshire in the Scottish Highlands, and later operated a hotel on the estate, the Creggans Inn, which became known for its good food, drink, and hospitality. Maclean continued to be extremely active into his eighties and kept up a busy schedule of writing, lecturing and traveling. He died of a heart attack while swimming at a friend's house in June 1996. In Maclean's later years, there was speculation that he had been the inspiration for Ian Fleming's James Bond.","This Fitzroy Maclean papers consist (1827-1996; 44 cubic feet) of the professional and personal papers of Scottish soldier, diplomat, politician, author, and traveler, Sir Fitzroy Hew Maclean (1911-1996) of Dunconnel. It includes correspondence, memoranda, manuscripts, typescripts, newspaper and magazine articles, book reviews, lectures, speeches, photographs, memorabilia, and research material pertaining to his military, diplomatic, political and literary career as well as family and personal affairs.","Maclean is best known for his role during World War II as head of the British military mission to Yugoslavia in which he served as Winston Churchill's personal representative to leader of the Communist Partisans, Josip Broz Tito, his diplomatic service in the Soviet Union in the late 1930's, and as the author of the classic memoir Eastern Approaches (1949) and many other books and articles. After the war, he pursued a political career as a Conservative member of Parliament, and, based on his close relationship with Tito, played a key role in Anglo-Yugoslav affairs. He was also noted for his expertise on the Soviet Union."," A third focal point of his life and career was Scotland: he was a proud member of Clan Maclean and wrote several works on Scottish history, biography, and folklore. The collection contains some material in Serbo-Croatian, German, Italian and French."," The papers are arranged in four main series with various sub-series. Items of particular interest in the First Series, Career and Personal Papers, are described in the following paragraphs devoted to each subseries. In the Diplomatic Subseries are dispatches and memoranda of his trips through Central Asia (including Afghanistan and the ancient cities Bokhara and Samarkand) and the Caucasus, on the situation in Sinkiang (Chinese Turkestan) and on the political stability of the Soviet Union, 1937-1939."," The subseries British Military Mission to Yugoslavia contains Winston Churchill's Minute concerning his Mission to Tito, Autograph Diary (2 pages) re his arrival in Yugoslavia, \"Ratweek\" Map (oversize), twelve files (labeled Top Secret) including memoranda, correspondence, telegrams, etc concerning military and political affairs such as Allied operations and aid to Tito's Partisans, formation of the Yugoslav government, relief, the visit of Field Marshal Alexander, Supreme Allied Commander to Belgrade, Macedonia, Prospect of South Slav federation, and correspondence with Evelyn Waugh."," The Special Refugee Commission subseries contains correspondence, telegrams, reports, including one submitted to Foreign Secretary Ernest Bevin, articles, and a draft of a speech on the refugee problems to a parliamentary committee."," Political correspondence includes papers concerning the Lancaster by-election of 1941, the general election of 1945, and correspondence with Winston Churchill, Harold Macmillan, Anthony Eden, Alec Douglas- Home, Peter Carrington, Harold Wilson, Margaret Thatcher, John Major, Robert Kennedy, John Lindsay, Henry Jackson, and Averell Harriman ; a memorandum to Field Marshal Alexander of Tunis concerning irregular warfare; and correspondence and memoranda related to a parliamentary delegation to Romania in 1973."," Material in the VIP Subseries includes: letters and notes from members of the Royal Family including Prince Charles, Princess Margaret, Elizabeth the Queen Mother; Clementine Churchill and Mary Churchill Soames; and a thank you note from Lauren Bacall."," The Yugoslavia and Tito Subseries contains significant material including memoranda of meetings with Tito in 1949,1950, 1953, 1968, 1973; informative accounts by Maclean and other British officers about the Military Mission in World War II for an official book published by Muzej AVNOJ (1970-1971); correspondence about Maclean's involvement in proposals for the publication of Tito's memoirs (1966-1977) and about the nomination of Tito for the Nobel Peace Prize (1972-1973); correspondence and papers by Maclean and others from a conference on British Policy and Resistance in the Balkans (1973); Briefing papers, correspondence and memoranda of Margaret Thatcher's visit to Yugoslavia in 1977, and correspondence and memorabilia pertaining to the Prince of Wales' visit in 1978; correspondence about Maclean's visit in 1989 and transcript of an interview with Prime Minister Ante Markovic."," For the 1990's, the time of war and the dissolution of Yugoslavia , there is correspondence with David Owen, Stevan Dedijer and others, and about the Korcula Emergency Appeal, a relief effort for a hospital on the island of Korcula, Croatia, organized by the Macleans; letters from Yugoslav friends describing the turmoil , and/or seeking assistance in finding jobs in the United Kingdom; correspondence about renewed controversy about the British Military Mission in World War II. and the Aldington-Tolstoy Libel Case concerning the repatriation of Yugoslavs in 1945. It should also be noted that in Series II, Subseries B, Literary Material pertaining to Yugoslavia, there is some correspondence filed with the manuscripts, typescripts, articles and radio and television transcripts."," The Subseries Family and Personal Papers has letters from friends and teachers, some in German, French, and Italian. In a significant group of letters to his parents (1939-1945) from London, Cairo, Belgrade, and elsewhere, Maclean discussed the international situation, his desire to leave the Foreign Office in order to join the army, life in London during the Blitz, the beginning of his political career, and his military service (some letters were extensively cut by the censors). There are also a number of letters to his parents from the years 1946-1955 from Maclean and his wife Veronica discussing family matters and living conditions in Italy and Austria while Maclean was directing the Special Refugee Commission, and about their travels in Yugoslavia, Greece and Turkey in the early 1950's."," Also present is correspondence with Frank McLynn, his biographer, 1990-1994, and two scrapbooks. The blue scrapbook (1939-1951) includes one letter of Maclean to his aunt, newspaper clippings relating to his military service in Yugoslavia, his marriage, some articles by him, a few photographs. The red scrapbook, 1943-1946 also has newspaper clippings about his military service and political career and articles by him."," The Second Series consists of literary papers. This series contains drafts, typescripts, setting copies of his books with related correspondence with publishers and others about the publication process, contracts, royalty statements, book reviews, fan mail, articles, book reviews, speeches, lectures, transcripts of radio and television programs, film proposals or treatments. Several of his books were published under different titles in the United States. It is organized into five subseries based on subject matter. These include:  Eastern Approaches (American title-  Escape to Adventure ); Yugoslavia (the country as originally constituted and also the new states that emerged in the 1990's); Russia and the former Soviet Union and the new nations post 1990); Scotland; and Miscellaneous Literary."," The subseries about  Eastern Approaches contains a typed manuscript (Setting copy) with corrections, including an unpublished introduction; some material omitted from the published version including his admiration for a Soviet army unit, comments on the Cetniks, and conversations with King George VI and Winston Churchill and King Peter of Yugoslavia; letters from Michael Adeane, Secretary to King George VI and Winston Churchill requesting that certain passages be omitted; a letter from Peter Fleming to Jonathan Cape offering his opinion of the book, a letter from Ian Fleming to Jonathan Cape and a note to Maclean."," Other material includes correspondence with Jonathan Cape and other publishers about a new edition, correspondence with Douglas Fairbanks, Eric Ambler and others concerning a possible film version, and with Ian Curteis about a proposed television adaptation."," The Yugoslavia Subseries includes books:  Disputed Barricade (1957), published in America as  The Heretic , which includes an interview with Tito;  Yugoslavia (1969), in which Maclean wrote the text for this book of photographs;  Battle of Neretva (1970); and  Tito: A Pictorial Biography (1980). Also present are articles from newspapers and magazines, 1947-1995, on Yugoslav politics and society, including interviews with Tito. Particularly interesting are two unpublished articles \"Whither Yugoslavia?\" written in 1989 based on interviews with Yugoslav politicians, including Slobodan Milosevic. There are also a number of book reviews of works by Julian Amery, William Deakin, Noel Malcolm and Misha Glenny and others."," In addition, the subseries on Yugoslavia contains lectures, 1949-1995; transcripts of radio and television programs, with related correspondence; and some interviews with Tito, notably The \"Life and Times of Marshal Tito\" (December 1963); and one for a CBS news program (1969)."," The Russian Material Subseries contains drafts, correspondence, and research material for his books  A Person from England (1958), including several autograph letters,1827-1861, of Dr. Joseph Wolff, one of the English travelers chronicled in the book;  Back to Bokhara (1959);  Holy Russia (1978); drafts titled \"All the Russias\" and \"The Other Russias,\" which were the basis for  To the Back of Beyond (1974),  To Caucasus: End of All the Earth (1976); and  Holy Russia (1978) which completed the trilogy;  Portrait of the Soviet Union (1988), including material for both the book and the related TBS television series since Maclean was working on these simultaneously; and  All the Russias (1992). Correspondents include Pamela Harriman, Marietta Tree and Fitzgerald Bemiss."," In addition to his books about Russia and the Soviet Union, his papers also contain articles, 1949-1995 on political, social, economic, cultural aspects of the former Soviet Union, a number on Georgia and the Caucasus, and Mikhail Gorbachev; book reviews, 1949-1994; and radio and television material, such as correspondence and transcripts for programs, including \"The End of All the Earth\" and \"Carnival in the Caucasus\"; interviews with Anna Mikhailovna Larina (Bukharin's widow) and others for the BBC \"Timewatch\" program \"Bukharin.\""," The subseries concerning his Scotland material includes books,  A Concise History of Scotland (1970);  Isles of the Sea (1985);  Bonnie Prince Charlie (1988); and  Highlanders (originally titled  Clans ) (1995). Material for the book and television series are combined since Maclean was working on them simultaneously. Among the articles on Scotland is a notable series \"Scottish Approaches\" which appeared in  The Scotsman in 1959."," The last subseries in Maclean's Literary Papers consists of miscellaneous literary material, including material for the book  Take Nine Spies . There is also correspondence with publishers in which he discusses more than one book, and with his literary agents."," Articles are arranged chronologically, and topics range from post World War II Japan, Korea, Italy, the Middle East, and defense policy to China and Mongolia in the 1960's, an extended trip to China in 1988, and his travels in Nepal, Tibet, and Oman in the 1990's. There are also articles about his military, diplomatic, political and literary career, his travels, and personal life, and note that others are contained in two scrapbooks. The radio and television material includes his commentaries on the international scene from 1946 on."," Photographic Material comprises the third series, which contains twenty-four boxes of photographs (some in albums), contact sheets, negatives, and slides, taken by Maclean, primarily of his travels in the former Soviet Union, Europe and Asia, from 1938 through the 1990's. Especially noteworthy are those taken in Moscow, Leningrad, and Central Asia, including Afghanistan, the cities Bokhara and Samarkand, and Persia, Paris and Florence in the late 1930's, Yugoslavia during World War II, postwar Korean and China, and of Yugoslavia, Greece, Turkey and Iran in the early 1950's. Maclean visited the former Soviet Union frequently from the late 1950's through 1987 and took numerous photographs of his favorite regions, Central Asia and the Caucasus, particularly Georgia."," As for Yugoslavia, there is an album dated 1953 labeled Namanevru Jugoslovenska Narodne, Armije (Yugoslav People's Army) with photographs of Tito, Maclean, and soldiers; and photographs from the early 1960's through 1980 including a number of photographs of Tito. Individuals subjects include Winston Churchill and Margaret Thatcher. There are also many family photographs taken at Maclean's homes Beechfield and Strachur, and of friends. The photographs used in  Eastern Approaches ,  Disputed Barricade ,  A Person from England , and  Bonnie Prince Charlie are also in this section.\n \n The fourth series consists of two small additions to the papers and include some correpondence files, such as congratulatory letters about his appointment as Under Secretary for War in 1954 and his Baronetcy in 1957, his letters published in the press, and the Great Britain-USSR Association; files on his participation in various conferences concerning Yugoslavia and War War II; election campaign materials of Maclean; Notebooks, including \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June); news articles; speeches by Maclean, including printed speeches published in \"Parliamentary Debates\"; passports; pocket and desk diaries; first drafts of \"Eastern Approaches\"; a file on guerilla warfare; a copy of a 1938 Report on Central Asia by Maclean; and Veronica Maclean's description about her first meeting with Josip Broz Tito in 1947.","re Appointments to London, Paris, and Moscow and his resignation from the Foreign Office","re Maclean's Mission to Tito and an Extract from  The Second World War","including \"The Partisan Movement in Yugoslavia\" and \"Note on the Present Military and Political Situation in Serbia\"","Drafts of Statement on the Extent of British Aid to the Partisans","re Appointments and Impact on Service to Constituency","re Irregular Warfare and Correspondence with Field Marshall Earl Alexander of Tunis and Others","re Vietnam War","re the Soviet Invasion of Czechoslovakia","re Interview with Vice-President Bodnaras of Romania; Meeting with Tito; and Draft Article on Sino-Soviet Border","re Winston Churchill","re E.C. Grants for Argyll and Bute","re Consideration of Fitzroy Maclean as Governor of Cyprus","re a Resignation to Veronica Maclean","re his serving as godfather to her daughter, Charlotte","re British Press Coverage of Yugoslavia","re Simic Cureija","re Visit with Tito, with note from Jack Coville, Secretary to Winston Churchill","re Tito","re Korcula","re the Soviet Invasion of Czechoslovakia","re Visit to Yugoslavia for 25th Anniversary of National Liberation, includes photographs of Maclean and Willian Deakin","Decoration Awarded to Fitzroy Maclean","Proposed British Decorations of Yugoslavs","re Yugoslav Students in Britain","re Allied Mission to Yugoslavia in World War II for Muzej AVNOJ","re Korcula, Yugoslavia, Town Twinning with Argyll and Bute, Scotland","re Maclean's Efforts in Support of Tito for the Nobel Peace Prize","re British Policy towards the Balkan Resistance Movements","re Meeting with Tito","re Research and Annual Summaries (Copies) of Events in Yugoslavia, 1957-1972","re Margaret Thatcher's Trip, with Official Program","re the Prince of Wales' Visit to Yugoslavia","re Fitzroy Maclean's article for the British-Yugoslav Society on the Prince of Wales' visit","re Arrangements for the British Delegation to Tito's Funeral","re Official Visit of Fitzroy Maclean","re Program of Economic Reform","re his biography of Tito","re Controversy over British Military Mission in World War II","re BBC \"Timewatch: Tito\" Program","re a Yugoslav Detainee in 1945","re Korcula, Croatia Emergency Appeal","re Benefit Concert for Dubrovnik","re Owen's Mission","re Aldington-Tolstoy Libel Case (Repatriations in 1945)","re Tito Memoirs and other projects","re Purchase of \"Beechfield\"","re Ticonderoga story","re Purchase of \"Creggans Inn\"","re  Fitzroy Maclean","re Evelyn Waugh biography","re Fitzroy Maclean","re Fitzroy Maclean and Articles by him","re Awarding of Baronetcy and Arms","re Honorary Degree from the University of Glasgow","re Honorary Degree from Acadia University","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito, signed by Josip Broz Tito and Madame Jovanka Broz","re Honorary Degree from Dundee University","re Special Air Service","re the 23rd Special Air Service Regiment","re Installation of Fitzroy Maclean in the Order of theThistle","re Installation of Fitzroy Maclean in the Order of the Thistle","re Appointment of Fitzroy Maclean in the Order of the Thistle--Congratulations","re Appointment of Fitzroy Maclean in the Order of the Thistle","Order of the Thistle Ceremony","re Freedom of Argyll and Bute","re omitting part of an interview with the King about Yugoslavia from his book","with comments about what Maclean had written about himself in the book","thanking him for the copy of his book sent to the King","re Publicity","Translations","re American Edition","re German Edition","re Paperback Edition","re Proposed Film, with a copy of the script for the film, April 1956","re Proposed TV Series","re Proposed TV Series","re Yugoslav Edition","re Yugoslav Edition","Letter of thanks on behalf of Tito","re American Edition,  The Heretic","re Translations","re German Forces in Yugoslavia","including \"The Fourth Enemy Offensive\" and some in Serbo-Croatian","re Book Promotion Tour in Yugoslavia","re Book Promotion Tour in Yugoslavia","including some correspondence and notes","re Korcula by Charles Maclean","Unpublished","re of BBC Radio Broadcast on Mission to Tito","re Tito obituary for BBC Radio","re BBC Radio \"I Was There\"","re Film \"General from Strachur\"","re BBC Television Tito Obituary","re Tito Interview for CBS News","re Proposed BBC Programs","re Proposed Film on Tito","re BBC Program on the S.O.E. (Special Operations Executive)","re BBC Program on Evelyn Waugh","re Miscellaneous Television and Film Projects","re BBC Program \"Ratlines\"","re VPRO Program","re New Edition","re Proposed Film","re Research","re Translations","Original Letters of Joseph Wolff and Correspondence with Ancient Light Bookshop","Transcripts and Copies of Letters of Charles Stoddart and others from the Public Records Office","re American Edition and Other Projects","re Copyright Renewal","re German edition","re the Sino Russian Border in  Life","re the Caucasus Region","Correspondence re","re the Bukharin Trial in Moscow \u0026 Interview with his widow","re Mikhail Gorbachev","re Georgia in  The Sunday Times","re Azerbaijan","re Georgia, including notes and drafts","re Georgia in  The Scotsman Magazine","re Azerbaijan","re Caucasus","re Mikhail Gorbachov","re Mikhail Gorbachev in honor of Hugh Seton-Watson","given at Foyle's Lunch","re Georgia","re Georgia","re a New Edition","re an American Edition","re a German Edition","August 1, 1996 from Edwin Moore to Veronica Maclean","re German Edition","re reprint as  West Highland Tales","re Publicity \u0026 Book Reviews","re Publicity","re \"Scotland in Parliament\"","re Japan","re Asia","re Korea","re Italy","re the Middle East","re Persia","re Defense of Great Britain","re Greece","re Libya during World War II","re Turkey","re China \"Inside Red China\"","re China Trip","re China \"Peking Revisited,\" \"Don't Let China Stew in Her Own Juice,\" and \"Eyewitnesses in China\"","re Mongolia","re Sir Winston Churchill","Mongolia","re the Black Sea, including one by Veronica Maclean","re Defense of Europe: \"Nuclear Deterrence and Conventional Forces,\" with Correspondence","re China--Trip to Kashgar in Chinese Turkestan, including Correspondence","re Nepal and Bhutan","re Germany","re David Stirling for  Dictionary of National Biography and Correspondence","re Canary Islands","re Oman","re Tibet--Correspondence, Travel Arrangements, and Memorabilia","re Tibet","re the Channel Tunnel","re Fitzroy Maclean, some in German, French, Serbo-Croatian, Swedish, and Dutch","re Tibet","re Publication of Evelyn Waugh's Diaries, which include references to Fitzroy Maclean","re Invitation to Frankfurt","re German Translations of  Isles of the Sea and  Eastern Approaches","re Proposed Book of Interviews including Fitzroy Maclean","some accompanied by correspondence, including: Violet Asquith, Nancy Astor, Charles Bohlen, John Bute, Nicolae Causescu, Earl Cawdor, Thomas Churchill, John Clarke, the Queen Mother, Lord Lovat, Charles Maclean, Andrew Maxwell, Paddy Mayne and Bill Elliot, Iain Moncrieffe, Peter Moore, David Scott, David Stirling, and Lord Ward","People","Environs \u0026 Monasteries","GUM Store, Race Track, \u0026 Fashions","The Kremlin \u0026 Red Square","The file includes a draft of a 1968 letter to Aleksey Aleksandrovich Surkov, President of the USSR - Great Britain Society, also includes letters to and from the Baroness Asquith of Yarnbury (\"Violet\").","Notebooks include \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June), circa 1943-1958","Includes Maclean's undated notes on Soviet history up to \"Glasnost,\" notes on the \"Council of Europe,\" (1973); series of letters between Sir Charles Peake, British Embassy, and Sir Fitzroy Maclean, 1946-1953.","These include a speech before the Boarding House and Catering Association, one mentioning nuclear deterrence, and international events.","This addition contains two letters written by Fitzroy Maclean and John Baldock to Helen F. Moore of Leicester, England. A typewritten letter from Maclean to Baldock addresses Moore's concern regarding rioting by South Koreans in the vicinity of the Troops Rest Center at Inchon and her request to move the Center. He reviews her concern, noting that the demonstrations were against the Neutral Nations Armistice Commission and took place six and a half miles from the Center. He notes that the Center was not affected by the rioting and that, after careful consideration, the Center would remain open and not move to another area. The second item is a cover letter from John Baldock forwarding Maclean's response to Ms. Moore.","Albert and Shirley Small Special Collections Library","Maclean, Fitzroy, 1911-1996","Materials are in English."],"unitid_tesim":["MSS 11487","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/838"],"normalized_title_ssm":["Sir Fitzroy Maclean papers"],"collection_title_tesim":["Sir Fitzroy Maclean papers"],"collection_ssim":["Sir Fitzroy Maclean papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Maclean, Fitzroy, 1911-1996"],"creator_ssim":["Maclean, Fitzroy, 1911-1996"],"creator_persname_ssim":["Maclean, Fitzroy, 1911-1996"],"creators_ssim":["Maclean, Fitzroy, 1911-1996"],"acqinfo_ssim":["This collection was purchased by the University of Virginia Library on November 30, 1998. The first addition, consisting of the desk diaries of Sir Fitzroy Maclean (MSS 11487-a), was received on March 7, 2003, and the second addition (ViU20160030) was received on December 1, 2015."],"access_subjects_ssim":["letters (correspondence)","diaries","Black-and-white photographs"],"access_subjects_ssm":["letters (correspondence)","diaries","Black-and-white photographs"],"has_online_content_ssim":["false"],"extent_ssm":["44 Cubic Feet 102 document boxes, 2 os folders"],"extent_tesim":["44 Cubic Feet 102 document boxes, 2 os folders"],"genreform_ssim":["letters (correspondence)","diaries","Black-and-white photographs"],"date_range_isim":[1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four main series, with various subseries: \u003c/p\u003e\n","\u003cp\u003eSeries I: Career and Personal Papers (Boxes 1-11) \u003c/p\u003e\n","\u003cp\u003eSubseries A: Diplomatic Service (Box 1) \u003c/p\u003e\n","\u003cp\u003eSubseries B: British Military Mission to Yugoslavia (Boxes 1-2) \u003c/p\u003e\n","\u003cp\u003eSubseries C: Special Refugee Commission (Boxes 2-3) \u003c/p\u003e\n","\u003cp\u003eSubseries D: Political Correspondence (Box 3) \u003c/p\u003e\n","\u003cp\u003eSubseries E: VIP Material (Boxes 3-4) \u003c/p\u003e\n","\u003cp\u003eSubseries F: Yugoslavia \u0026amp; Tito Related Material (Boxes 4-8) \u003c/p\u003e\n","\u003cp\u003eSubseries G: Family \u0026amp; Personal Papers (Boxes 9-10) \u003c/p\u003e\n","\u003cp\u003eSubseries H: Honors \u0026amp; Decorations (Boxes 10- 11) \u003c/p\u003e\n","\u003cp\u003eSeries II: Literary Papers - Books, Television \u0026amp; Radio Scripts, Articles, etc. \u003c/p\u003e\n","\u003cp\u003eSubseries A: Eastern Approaches Material (Boxes 12-15) \u003c/p\u003e\n","\u003cp\u003eSubseries B: Yugoslavia Related Material, including Books (Boxes 15-21); and Articles, Book Reviews, Lectures, Radio \u0026amp; Television, \u0026amp; Research (Boxes 21-26) \u003c/p\u003e\n","\u003cp\u003eSubseries C: Russia \u0026amp; the Former Soviet Union Material, including Books (Boxes 26-40); Articles (Boxes 41-43); Book Reviews \u0026amp; Lectures (Boxes 43-45); and Radio \u0026amp; Television (Boxes 45-46) \u003c/p\u003e\n","\u003cp\u003eSubseries D: Scotland Material, including Books (Boxes 46-57), Highlanders Television Series (Boxes 57-58), and Articles, Book Reviews and Lectures (Boxes 59-60) \u003c/p\u003e\n","\u003cp\u003eSubseries E: Miscellaneous Literary Material, including Take Nine Spies (Boxes 60-63), Articles (Boxes 64-66); Book Reviews, Introductions, Lectures \u0026amp; Speeches and Literary Correspondence (Boxes 67-68); and Radio and Television (Boxes 68-69) \u003c/p\u003e\n","\u003cp\u003eSeries III: Photographic Material (Boxes 70-93)\u003c/p\u003e\n","\u003cp\u003eSeries IV: Sir Fitzroy Maclean Additional Papers (Boxes 94-102 \u003c/p\u003e","\u003cp\u003ere the Threat of Soviet Expansion in Asia\u003c/p\u003e","\u003cp\u003eParlimentary Delegation to Romania\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged in four main series, with various subseries: ","Series I: Career and Personal Papers (Boxes 1-11) ","Subseries A: Diplomatic Service (Box 1) ","Subseries B: British Military Mission to Yugoslavia (Boxes 1-2) ","Subseries C: Special Refugee Commission (Boxes 2-3) ","Subseries D: Political Correspondence (Box 3) ","Subseries E: VIP Material (Boxes 3-4) ","Subseries F: Yugoslavia \u0026 Tito Related Material (Boxes 4-8) ","Subseries G: Family \u0026 Personal Papers (Boxes 9-10) ","Subseries H: Honors \u0026 Decorations (Boxes 10- 11) ","Series II: Literary Papers - Books, Television \u0026 Radio Scripts, Articles, etc. ","Subseries A: Eastern Approaches Material (Boxes 12-15) ","Subseries B: Yugoslavia Related Material, including Books (Boxes 15-21); and Articles, Book Reviews, Lectures, Radio \u0026 Television, \u0026 Research (Boxes 21-26) ","Subseries C: Russia \u0026 the Former Soviet Union Material, including Books (Boxes 26-40); Articles (Boxes 41-43); Book Reviews \u0026 Lectures (Boxes 43-45); and Radio \u0026 Television (Boxes 45-46) ","Subseries D: Scotland Material, including Books (Boxes 46-57), Highlanders Television Series (Boxes 57-58), and Articles, Book Reviews and Lectures (Boxes 59-60) ","Subseries E: Miscellaneous Literary Material, including Take Nine Spies (Boxes 60-63), Articles (Boxes 64-66); Book Reviews, Introductions, Lectures \u0026 Speeches and Literary Correspondence (Boxes 67-68); and Radio and Television (Boxes 68-69) ","Series III: Photographic Material (Boxes 70-93)","Series IV: Sir Fitzroy Maclean Additional Papers (Boxes 94-102 ","re the Threat of Soviet Expansion in Asia","Parlimentary Delegation to Romania"],"bioghist_html_tesm":["\u003cp\u003eFitzroy Hew Royle Maclean was born in 1911 in Cairo, Egypt to Charles Maclean, a major in the British army, and Gladys Royle Maclean. He was raised in Scotland, India, and Italy and attended Eton (1924-28), the University of Marburg in Germany (1929), and Kings' College, Cambridge (1929-32) where he won a senior scholarship and first class honors. He entered the Foreign Office in 1934 and was first posted to Paris, and then to Moscow in 1937 where he served as the Third Secretary in the British Embassy. Stalin's purges were at their height during Maclean's two years in the Soviet Union, and he was present at the state trial of Nikolai Bukharin in 1938. He also made journeys to remote areas of the Soviet Union such as Central Asia and the Caucasus where few if any foreigners had been for many years. In 1939 he returned to London and worked in the Foreign Office on Russian affairs.\u003c/p\u003e\n","\u003cp\u003e When World War II broke out, he wanted to enlist in the military, but as a diplomat was in a \"reserved\" position and was not allowed to do so. He learned that the only way to be released from the Foreign Office was to declare himself a candidate for Parliament, and so he was returned for the constituency of Lancaster at a by-election in 1941. He joined the Cameron Highlanders regiment in the British army as a private, and then the new Special Air Service (SAS) and served in the Western Desert, where he participated in the raid on Benghazi along with SAS founder David Stirling and Randolph Churchill, and foiled a coup in Persia by kidnapping General Zahidi who had collaborated with the Germans.\u003c/p\u003e\n","\u003cp\u003e In July 1943 Prime Minister Winston Churchill asked Maclean to serve as his personal representative and Brigadier commanding a British Military Mission to Josip Broz Tito, leader of the Communist Partisans in German-occupied Yugoslavia. At this stage of the war, there was a debate in the British government over which Yugoslav resistance group it should support - Tito's Partisans or Draza Mihalovich's Cetniks. In September Maclean was dropped by parachute into Bosnia and met Tito, and subsequently reported to Churchill that the Partisans were the more effective fighting force and would benefit from additional British and American aid. In August 1944, as the Germans prepared to withdraw from Yugoslavia Maclean planned \"Operation Ratweek\" for the first week of September, a coordinated Allied and Partisan attack on enemy communications which proved quite successful. In the course of his mission, which lasted until 1945, he became a friend and admirer of Tito. In 1947 Maclean was asked to head the Special Refugee Commission which had the sensitive task of screening of tens of thousands of Yugoslav and Ukrainian Displaced Persons, some of whom were alleged to have committed war crimes, in Italy and Austria.\u003c/p\u003e\n","\u003cp\u003e After completing this assignment, Maclean focused on politics, representing Lancaster until 1959 and Bute and North Ayrshire from 1959-1974, and served as Parliamentary Under Secretary of State for War from 1954-1957. He was chairman of the Committee of the North Atlantic Assembly from 1964-1974. Maclean's friendship with Tito and frequent visits to Yugoslavia allowed him to play a key role in Anglo-Yugoslav relations. In the 1960's he purchased a home on the island of Korcula, becoming one of the few foreigners allowed to own property in Yugoslavia. Maclean also maintained a keen interest in the Soviet Union where he traveled extensively and he served as chairman of the Great Britain-USSR Association. He lectured frequently in the United Kingdom and the United States on Yugoslav and Soviet affairs.\u003c/p\u003e\n","\u003cp\u003e Maclean's literary career was launched in 1949 with the publication of Eastern Approaches, a memoir of his experiences as a diplomat and soldier, which was acclaimed by critics and became a best-seller. This was followed in 1957 by a biography of Tito, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDisputed Barricade, A Person from England\u003c/title\u003e(1958), describing the adventures of English travelers in Central Asia, and in 1958, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBack to Bokhara\u003c/title\u003e(1959), and a number of books, articles and book reviews on Yugoslavia, the Soviet Union, and other subjects.\u003c/p\u003e\n","\u003cp\u003e A third focal point of his writing was Scotland, and he published \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Concise History of Scotland\u003c/title\u003e, (1970), \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Isles of the Sea\u003c/title\u003e, a collection of West Highland folk tales (1985), \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBonnie Prince Charlie\u003c/title\u003e, (1988) and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHighlanders\u003c/title\u003e(1995). Along with establishing a reputation as the author of entertaining and informative works that blended his travel experiences and historical research, he turned his attention to radio and television, working on a number of documentary programs including \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Road to Samarkand\u003c/title\u003eand \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Life and Times of Marshal Tito\u003c/title\u003eand two major series. \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePortrait of the Soviet Union\u003c/title\u003eand \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHighlanders\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e Maclean was made a baronet in 1957 and a Knight of the Thistle in 1993, and was the recipient of many honors and decorations including the Commander of the British Empire, the Croix de Guerre, the Order of Kutusov, and the Partisan Star, and several honorary degrees.\u003c/p\u003e\n","\u003cp\u003e In 1946 Maclean married a widow with two children, Veronica (Fraser) Phipps, daughter of the 16th Lord Lovat. They had two sons, James and Charles. In 1957 the Macleans purchased Strachur, an estate in Argyllshire in the Scottish Highlands, and later operated a hotel on the estate, the Creggans Inn, which became known for its good food, drink, and hospitality. Maclean continued to be extremely active into his eighties and kept up a busy schedule of writing, lecturing and traveling. He died of a heart attack while swimming at a friend's house in June 1996. In Maclean's later years, there was speculation that he had been the inspiration for Ian Fleming's James Bond.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Fitzroy Hew Royle Maclean was born in 1911 in Cairo, Egypt to Charles Maclean, a major in the British army, and Gladys Royle Maclean. He was raised in Scotland, India, and Italy and attended Eton (1924-28), the University of Marburg in Germany (1929), and Kings' College, Cambridge (1929-32) where he won a senior scholarship and first class honors. He entered the Foreign Office in 1934 and was first posted to Paris, and then to Moscow in 1937 where he served as the Third Secretary in the British Embassy. Stalin's purges were at their height during Maclean's two years in the Soviet Union, and he was present at the state trial of Nikolai Bukharin in 1938. He also made journeys to remote areas of the Soviet Union such as Central Asia and the Caucasus where few if any foreigners had been for many years. In 1939 he returned to London and worked in the Foreign Office on Russian affairs."," When World War II broke out, he wanted to enlist in the military, but as a diplomat was in a \"reserved\" position and was not allowed to do so. He learned that the only way to be released from the Foreign Office was to declare himself a candidate for Parliament, and so he was returned for the constituency of Lancaster at a by-election in 1941. He joined the Cameron Highlanders regiment in the British army as a private, and then the new Special Air Service (SAS) and served in the Western Desert, where he participated in the raid on Benghazi along with SAS founder David Stirling and Randolph Churchill, and foiled a coup in Persia by kidnapping General Zahidi who had collaborated with the Germans."," In July 1943 Prime Minister Winston Churchill asked Maclean to serve as his personal representative and Brigadier commanding a British Military Mission to Josip Broz Tito, leader of the Communist Partisans in German-occupied Yugoslavia. At this stage of the war, there was a debate in the British government over which Yugoslav resistance group it should support - Tito's Partisans or Draza Mihalovich's Cetniks. In September Maclean was dropped by parachute into Bosnia and met Tito, and subsequently reported to Churchill that the Partisans were the more effective fighting force and would benefit from additional British and American aid. In August 1944, as the Germans prepared to withdraw from Yugoslavia Maclean planned \"Operation Ratweek\" for the first week of September, a coordinated Allied and Partisan attack on enemy communications which proved quite successful. In the course of his mission, which lasted until 1945, he became a friend and admirer of Tito. In 1947 Maclean was asked to head the Special Refugee Commission which had the sensitive task of screening of tens of thousands of Yugoslav and Ukrainian Displaced Persons, some of whom were alleged to have committed war crimes, in Italy and Austria."," After completing this assignment, Maclean focused on politics, representing Lancaster until 1959 and Bute and North Ayrshire from 1959-1974, and served as Parliamentary Under Secretary of State for War from 1954-1957. He was chairman of the Committee of the North Atlantic Assembly from 1964-1974. Maclean's friendship with Tito and frequent visits to Yugoslavia allowed him to play a key role in Anglo-Yugoslav relations. In the 1960's he purchased a home on the island of Korcula, becoming one of the few foreigners allowed to own property in Yugoslavia. Maclean also maintained a keen interest in the Soviet Union where he traveled extensively and he served as chairman of the Great Britain-USSR Association. He lectured frequently in the United Kingdom and the United States on Yugoslav and Soviet affairs."," Maclean's literary career was launched in 1949 with the publication of Eastern Approaches, a memoir of his experiences as a diplomat and soldier, which was acclaimed by critics and became a best-seller. This was followed in 1957 by a biography of Tito,  Disputed Barricade, A Person from England (1958), describing the adventures of English travelers in Central Asia, and in 1958,  Back to Bokhara (1959), and a number of books, articles and book reviews on Yugoslavia, the Soviet Union, and other subjects."," A third focal point of his writing was Scotland, and he published  A Concise History of Scotland , (1970),  The Isles of the Sea , a collection of West Highland folk tales (1985),  Bonnie Prince Charlie , (1988) and  Highlanders (1995). Along with establishing a reputation as the author of entertaining and informative works that blended his travel experiences and historical research, he turned his attention to radio and television, working on a number of documentary programs including  The Road to Samarkand and  The Life and Times of Marshal Tito and two major series.  Portrait of the Soviet Union and  Highlanders ."," Maclean was made a baronet in 1957 and a Knight of the Thistle in 1993, and was the recipient of many honors and decorations including the Commander of the British Empire, the Croix de Guerre, the Order of Kutusov, and the Partisan Star, and several honorary degrees."," In 1946 Maclean married a widow with two children, Veronica (Fraser) Phipps, daughter of the 16th Lord Lovat. They had two sons, James and Charles. In 1957 the Macleans purchased Strachur, an estate in Argyllshire in the Scottish Highlands, and later operated a hotel on the estate, the Creggans Inn, which became known for its good food, drink, and hospitality. Maclean continued to be extremely active into his eighties and kept up a busy schedule of writing, lecturing and traveling. He died of a heart attack while swimming at a friend's house in June 1996. In Maclean's later years, there was speculation that he had been the inspiration for Ian Fleming's James Bond."],"prefercite_html_tesm":["\u003cp\u003eMSS 11487 Sir Fitzroy Maclean papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 11487 Sir Fitzroy Maclean papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis Fitzroy Maclean papers consist (1827-1996; 44 cubic feet) of the professional and personal papers of Scottish soldier, diplomat, politician, author, and traveler, Sir Fitzroy Hew Maclean (1911-1996) of Dunconnel. It includes correspondence, memoranda, manuscripts, typescripts, newspaper and magazine articles, book reviews, lectures, speeches, photographs, memorabilia, and research material pertaining to his military, diplomatic, political and literary career as well as family and personal affairs.\u003c/p\u003e\n","\u003cp\u003eMaclean is best known for his role during World War II as head of the British military mission to Yugoslavia in which he served as Winston Churchill's personal representative to leader of the Communist Partisans, Josip Broz Tito, his diplomatic service in the Soviet Union in the late 1930's, and as the author of the classic memoir Eastern Approaches (1949) and many other books and articles. After the war, he pursued a political career as a Conservative member of Parliament, and, based on his close relationship with Tito, played a key role in Anglo-Yugoslav affairs. He was also noted for his expertise on the Soviet Union.\u003c/p\u003e\n","\u003cp\u003e A third focal point of his life and career was Scotland: he was a proud member of Clan Maclean and wrote several works on Scottish history, biography, and folklore. The collection contains some material in Serbo-Croatian, German, Italian and French.\u003c/p\u003e\n","\u003cp\u003e The papers are arranged in four main series with various sub-series. Items of particular interest in the First Series, Career and Personal Papers, are described in the following paragraphs devoted to each subseries. In the Diplomatic Subseries are dispatches and memoranda of his trips through Central Asia (including Afghanistan and the ancient cities Bokhara and Samarkand) and the Caucasus, on the situation in Sinkiang (Chinese Turkestan) and on the political stability of the Soviet Union, 1937-1939.\u003c/p\u003e\n","\u003cp\u003e The subseries British Military Mission to Yugoslavia contains Winston Churchill's Minute concerning his Mission to Tito, Autograph Diary (2 pages) re his arrival in Yugoslavia, \"Ratweek\" Map (oversize), twelve files (labeled Top Secret) including memoranda, correspondence, telegrams, etc concerning military and political affairs such as Allied operations and aid to Tito's Partisans, formation of the Yugoslav government, relief, the visit of Field Marshal Alexander, Supreme Allied Commander to Belgrade, Macedonia, Prospect of South Slav federation, and correspondence with Evelyn Waugh.\u003c/p\u003e\n","\u003cp\u003e The Special Refugee Commission subseries contains correspondence, telegrams, reports, including one submitted to Foreign Secretary Ernest Bevin, articles, and a draft of a speech on the refugee problems to a parliamentary committee.\u003c/p\u003e\n","\u003cp\u003e Political correspondence includes papers concerning the Lancaster by-election of 1941, the general election of 1945, and correspondence with Winston Churchill, Harold Macmillan, Anthony Eden, Alec Douglas- Home, Peter Carrington, Harold Wilson, Margaret Thatcher, John Major, Robert Kennedy, John Lindsay, Henry Jackson, and Averell Harriman ; a memorandum to Field Marshal Alexander of Tunis concerning irregular warfare; and correspondence and memoranda related to a parliamentary delegation to Romania in 1973.\u003c/p\u003e\n","\u003cp\u003e Material in the VIP Subseries includes: letters and notes from members of the Royal Family including Prince Charles, Princess Margaret, Elizabeth the Queen Mother; Clementine Churchill and Mary Churchill Soames; and a thank you note from Lauren Bacall.\u003c/p\u003e\n","\u003cp\u003e The Yugoslavia and Tito Subseries contains significant material including memoranda of meetings with Tito in 1949,1950, 1953, 1968, 1973; informative accounts by Maclean and other British officers about the Military Mission in World War II for an official book published by Muzej AVNOJ (1970-1971); correspondence about Maclean's involvement in proposals for the publication of Tito's memoirs (1966-1977) and about the nomination of Tito for the Nobel Peace Prize (1972-1973); correspondence and papers by Maclean and others from a conference on British Policy and Resistance in the Balkans (1973); Briefing papers, correspondence and memoranda of Margaret Thatcher's visit to Yugoslavia in 1977, and correspondence and memorabilia pertaining to the Prince of Wales' visit in 1978; correspondence about Maclean's visit in 1989 and transcript of an interview with Prime Minister Ante Markovic.\u003c/p\u003e\n","\u003cp\u003e For the 1990's, the time of war and the dissolution of Yugoslavia , there is correspondence with David Owen, Stevan Dedijer and others, and about the Korcula Emergency Appeal, a relief effort for a hospital on the island of Korcula, Croatia, organized by the Macleans; letters from Yugoslav friends describing the turmoil , and/or seeking assistance in finding jobs in the United Kingdom; correspondence about renewed controversy about the British Military Mission in World War II. and the Aldington-Tolstoy Libel Case concerning the repatriation of Yugoslavs in 1945. It should also be noted that in Series II, Subseries B, Literary Material pertaining to Yugoslavia, there is some correspondence filed with the manuscripts, typescripts, articles and radio and television transcripts.\u003c/p\u003e\n","\u003cp\u003e The Subseries Family and Personal Papers has letters from friends and teachers, some in German, French, and Italian. In a significant group of letters to his parents (1939-1945) from London, Cairo, Belgrade, and elsewhere, Maclean discussed the international situation, his desire to leave the Foreign Office in order to join the army, life in London during the Blitz, the beginning of his political career, and his military service (some letters were extensively cut by the censors). There are also a number of letters to his parents from the years 1946-1955 from Maclean and his wife Veronica discussing family matters and living conditions in Italy and Austria while Maclean was directing the Special Refugee Commission, and about their travels in Yugoslavia, Greece and Turkey in the early 1950's.\u003c/p\u003e\n","\u003cp\u003e Also present is correspondence with Frank McLynn, his biographer, 1990-1994, and two scrapbooks. The blue scrapbook (1939-1951) includes one letter of Maclean to his aunt, newspaper clippings relating to his military service in Yugoslavia, his marriage, some articles by him, a few photographs. The red scrapbook, 1943-1946 also has newspaper clippings about his military service and political career and articles by him.\u003c/p\u003e\n","\u003cp\u003e The Second Series consists of literary papers. This series contains drafts, typescripts, setting copies of his books with related correspondence with publishers and others about the publication process, contracts, royalty statements, book reviews, fan mail, articles, book reviews, speeches, lectures, transcripts of radio and television programs, film proposals or treatments. Several of his books were published under different titles in the United States. It is organized into five subseries based on subject matter. These include: \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003e(American title- \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEscape to Adventure\u003c/title\u003e); Yugoslavia (the country as originally constituted and also the new states that emerged in the 1990's); Russia and the former Soviet Union and the new nations post 1990); Scotland; and Miscellaneous Literary.\u003c/p\u003e\n","\u003cp\u003e The subseries about \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003econtains a typed manuscript (Setting copy) with corrections, including an unpublished introduction; some material omitted from the published version including his admiration for a Soviet army unit, comments on the Cetniks, and conversations with King George VI and Winston Churchill and King Peter of Yugoslavia; letters from Michael Adeane, Secretary to King George VI and Winston Churchill requesting that certain passages be omitted; a letter from Peter Fleming to Jonathan Cape offering his opinion of the book, a letter from Ian Fleming to Jonathan Cape and a note to Maclean.\u003c/p\u003e\n","\u003cp\u003e Other material includes correspondence with Jonathan Cape and other publishers about a new edition, correspondence with Douglas Fairbanks, Eric Ambler and others concerning a possible film version, and with Ian Curteis about a proposed television adaptation.\u003c/p\u003e\n","\u003cp\u003e The Yugoslavia Subseries includes books: \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDisputed Barricade\u003c/title\u003e(1957), published in America as \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Heretic\u003c/title\u003e, which includes an interview with Tito; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eYugoslavia\u003c/title\u003e(1969), in which Maclean wrote the text for this book of photographs; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBattle of Neretva\u003c/title\u003e(1970); and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTito: A Pictorial Biography\u003c/title\u003e(1980). Also present are articles from newspapers and magazines, 1947-1995, on Yugoslav politics and society, including interviews with Tito. Particularly interesting are two unpublished articles \"Whither Yugoslavia?\" written in 1989 based on interviews with Yugoslav politicians, including Slobodan Milosevic. There are also a number of book reviews of works by Julian Amery, William Deakin, Noel Malcolm and Misha Glenny and others.\u003c/p\u003e\n","\u003cp\u003e In addition, the subseries on Yugoslavia contains lectures, 1949-1995; transcripts of radio and television programs, with related correspondence; and some interviews with Tito, notably The \"Life and Times of Marshal Tito\" (December 1963); and one for a CBS news program (1969).\u003c/p\u003e\n","\u003cp\u003e The Russian Material Subseries contains drafts, correspondence, and research material for his books \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Person from England\u003c/title\u003e(1958), including several autograph letters,1827-1861, of Dr. Joseph Wolff, one of the English travelers chronicled in the book; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBack to Bokhara\u003c/title\u003e(1959); \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHoly Russia\u003c/title\u003e(1978); drafts titled \"All the Russias\" and \"The Other Russias,\" which were the basis for \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTo the Back of Beyond\u003c/title\u003e(1974), \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTo Caucasus: End of All the Earth\u003c/title\u003e(1976); and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHoly Russia\u003c/title\u003e(1978) which completed the trilogy; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePortrait of the Soviet Union\u003c/title\u003e(1988), including material for both the book and the related TBS television series since Maclean was working on these simultaneously; and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAll the Russias\u003c/title\u003e(1992). Correspondents include Pamela Harriman, Marietta Tree and Fitzgerald Bemiss.\u003c/p\u003e\n","\u003cp\u003e In addition to his books about Russia and the Soviet Union, his papers also contain articles, 1949-1995 on political, social, economic, cultural aspects of the former Soviet Union, a number on Georgia and the Caucasus, and Mikhail Gorbachev; book reviews, 1949-1994; and radio and television material, such as correspondence and transcripts for programs, including \"The End of All the Earth\" and \"Carnival in the Caucasus\"; interviews with Anna Mikhailovna Larina (Bukharin's widow) and others for the BBC \"Timewatch\" program \"Bukharin.\"\u003c/p\u003e\n","\u003cp\u003e The subseries concerning his Scotland material includes books, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Concise History of Scotland\u003c/title\u003e(1970); \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eIsles of the Sea\u003c/title\u003e(1985); \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBonnie Prince Charlie\u003c/title\u003e(1988); and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHighlanders\u003c/title\u003e(originally titled \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eClans\u003c/title\u003e) (1995). Material for the book and television series are combined since Maclean was working on them simultaneously. Among the articles on Scotland is a notable series \"Scottish Approaches\" which appeared in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Scotsman\u003c/title\u003ein 1959.\u003c/p\u003e\n","\u003cp\u003e The last subseries in Maclean's Literary Papers consists of miscellaneous literary material, including material for the book \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTake Nine Spies\u003c/title\u003e. There is also correspondence with publishers in which he discusses more than one book, and with his literary agents.\u003c/p\u003e\n","\u003cp\u003e Articles are arranged chronologically, and topics range from post World War II Japan, Korea, Italy, the Middle East, and defense policy to China and Mongolia in the 1960's, an extended trip to China in 1988, and his travels in Nepal, Tibet, and Oman in the 1990's. There are also articles about his military, diplomatic, political and literary career, his travels, and personal life, and note that others are contained in two scrapbooks. The radio and television material includes his commentaries on the international scene from 1946 on.\u003c/p\u003e\n","\u003cp\u003e Photographic Material comprises the third series, which contains twenty-four boxes of photographs (some in albums), contact sheets, negatives, and slides, taken by Maclean, primarily of his travels in the former Soviet Union, Europe and Asia, from 1938 through the 1990's. Especially noteworthy are those taken in Moscow, Leningrad, and Central Asia, including Afghanistan, the cities Bokhara and Samarkand, and Persia, Paris and Florence in the late 1930's, Yugoslavia during World War II, postwar Korean and China, and of Yugoslavia, Greece, Turkey and Iran in the early 1950's. Maclean visited the former Soviet Union frequently from the late 1950's through 1987 and took numerous photographs of his favorite regions, Central Asia and the Caucasus, particularly Georgia.\u003c/p\u003e\n","\u003cp\u003e As for Yugoslavia, there is an album dated 1953 labeled Namanevru Jugoslovenska Narodne, Armije (Yugoslav People's Army) with photographs of Tito, Maclean, and soldiers; and photographs from the early 1960's through 1980 including a number of photographs of Tito. Individuals subjects include Winston Churchill and Margaret Thatcher. There are also many family photographs taken at Maclean's homes Beechfield and Strachur, and of friends. The photographs used in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003e, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDisputed Barricade\u003c/title\u003e, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Person from England\u003c/title\u003e, and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBonnie Prince Charlie\u003c/title\u003eare also in this section.\n \n The fourth series consists of two small additions to the papers and include some correpondence files, such as congratulatory letters about his appointment as Under Secretary for War in 1954 and his Baronetcy in 1957, his letters published in the press, and the Great Britain-USSR Association; files on his participation in various conferences concerning Yugoslavia and War War II; election campaign materials of Maclean; Notebooks, including \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June); news articles; speeches by Maclean, including printed speeches published in \"Parliamentary Debates\"; passports; pocket and desk diaries; first drafts of \"Eastern Approaches\"; a file on guerilla warfare; a copy of a 1938 Report on Central Asia by Maclean; and Veronica Maclean's description about her first meeting with Josip Broz Tito in 1947.\u003c/p\u003e","\u003cp\u003ere Appointments to London, Paris, and Moscow and his resignation from the Foreign Office\u003c/p\u003e","\u003cp\u003ere Maclean's Mission to Tito and an Extract from \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Second World War\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eincluding \"The Partisan Movement in Yugoslavia\" and \"Note on the Present Military and Political Situation in Serbia\"\u003c/p\u003e","\u003cp\u003eDrafts of Statement on the Extent of British Aid to the Partisans\u003c/p\u003e","\u003cp\u003ere Appointments and Impact on Service to Constituency\u003c/p\u003e","\u003cp\u003ere Irregular Warfare and Correspondence with Field Marshall Earl Alexander of Tunis and Others\u003c/p\u003e","\u003cp\u003ere Vietnam War\u003c/p\u003e","\u003cp\u003ere the Soviet Invasion of Czechoslovakia\u003c/p\u003e","\u003cp\u003ere Interview with Vice-President Bodnaras of Romania; Meeting with Tito; and Draft Article on Sino-Soviet Border\u003c/p\u003e","\u003cp\u003ere Winston Churchill\u003c/p\u003e","\u003cp\u003ere E.C. Grants for Argyll and Bute\u003c/p\u003e","\u003cp\u003ere Consideration of Fitzroy Maclean as Governor of Cyprus\u003c/p\u003e","\u003cp\u003ere a Resignation to Veronica Maclean\u003c/p\u003e","\u003cp\u003ere his serving as godfather to her daughter, Charlotte\u003c/p\u003e","\u003cp\u003ere British Press Coverage of Yugoslavia\u003c/p\u003e","\u003cp\u003ere Simic Cureija\u003c/p\u003e","\u003cp\u003ere Visit with Tito, with note from Jack Coville, Secretary to Winston Churchill\u003c/p\u003e","\u003cp\u003ere Tito\u003c/p\u003e","\u003cp\u003ere Korcula\u003c/p\u003e","\u003cp\u003ere the Soviet Invasion of Czechoslovakia\u003c/p\u003e","\u003cp\u003ere Visit to Yugoslavia for 25th Anniversary of National Liberation, includes photographs of Maclean and Willian Deakin\u003c/p\u003e","\u003cp\u003eDecoration Awarded to Fitzroy Maclean\u003c/p\u003e","\u003cp\u003eProposed British Decorations of Yugoslavs\u003c/p\u003e","\u003cp\u003ere Yugoslav Students in Britain\u003c/p\u003e","\u003cp\u003ere Allied Mission to Yugoslavia in World War II for Muzej AVNOJ\u003c/p\u003e","\u003cp\u003ere Korcula, Yugoslavia, Town Twinning with Argyll and Bute, Scotland\u003c/p\u003e","\u003cp\u003ere Maclean's Efforts in Support of Tito for the Nobel Peace Prize\u003c/p\u003e","\u003cp\u003ere British Policy towards the Balkan Resistance Movements\u003c/p\u003e","\u003cp\u003ere Meeting with Tito\u003c/p\u003e","\u003cp\u003ere Research and Annual Summaries (Copies) of Events in Yugoslavia, 1957-1972\u003c/p\u003e","\u003cp\u003ere Margaret Thatcher's Trip, with Official Program\u003c/p\u003e","\u003cp\u003ere the Prince of Wales' Visit to Yugoslavia\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean's article for the British-Yugoslav Society on the Prince of Wales' visit\u003c/p\u003e","\u003cp\u003ere Arrangements for the British Delegation to Tito's Funeral\u003c/p\u003e","\u003cp\u003ere Official Visit of Fitzroy Maclean\u003c/p\u003e","\u003cp\u003ere Program of Economic Reform\u003c/p\u003e","\u003cp\u003ere his biography of Tito\u003c/p\u003e","\u003cp\u003ere Controversy over British Military Mission in World War II\u003c/p\u003e","\u003cp\u003ere BBC \"Timewatch: Tito\" Program\u003c/p\u003e","\u003cp\u003ere a Yugoslav Detainee in 1945\u003c/p\u003e","\u003cp\u003ere Korcula, Croatia Emergency Appeal\u003c/p\u003e","\u003cp\u003ere Benefit Concert for Dubrovnik\u003c/p\u003e","\u003cp\u003ere Owen's Mission\u003c/p\u003e","\u003cp\u003ere Aldington-Tolstoy Libel Case (Repatriations in 1945)\u003c/p\u003e","\u003cp\u003ere Tito Memoirs and other projects\u003c/p\u003e","\u003cp\u003ere Purchase of \"Beechfield\"\u003c/p\u003e","\u003cp\u003ere Ticonderoga story\u003c/p\u003e","\u003cp\u003ere Purchase of \"Creggans Inn\"\u003c/p\u003e","\u003cp\u003ere \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFitzroy Maclean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Evelyn Waugh biography\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean and Articles by him\u003c/p\u003e","\u003cp\u003ere Awarding of Baronetcy and Arms\u003c/p\u003e","\u003cp\u003ere Honorary Degree from the University of Glasgow\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Acadia University\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito, signed by Josip Broz Tito and Madame Jovanka Broz\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Dundee University\u003c/p\u003e","\u003cp\u003ere Special Air Service\u003c/p\u003e","\u003cp\u003ere the 23rd Special Air Service Regiment\u003c/p\u003e","\u003cp\u003ere Installation of Fitzroy Maclean in the Order of theThistle\u003c/p\u003e","\u003cp\u003ere Installation of Fitzroy Maclean in the Order of the Thistle\u003c/p\u003e","\u003cp\u003ere Appointment of Fitzroy Maclean in the Order of the Thistle--Congratulations\u003c/p\u003e","\u003cp\u003ere Appointment of Fitzroy Maclean in the Order of the Thistle\u003c/p\u003e","\u003cp\u003eOrder of the Thistle Ceremony\u003c/p\u003e","\u003cp\u003ere Freedom of Argyll and Bute\u003c/p\u003e","\u003cp\u003ere omitting part of an interview with the King about Yugoslavia from his book\u003c/p\u003e","\u003cp\u003ewith comments about what Maclean had written about himself in the book\u003c/p\u003e","\u003cp\u003ethanking him for the copy of his book sent to the King\u003c/p\u003e","\u003cp\u003ere Publicity\u003c/p\u003e","\u003cp\u003eTranslations\u003c/p\u003e","\u003cp\u003ere American Edition\u003c/p\u003e","\u003cp\u003ere German Edition\u003c/p\u003e","\u003cp\u003ere Paperback Edition\u003c/p\u003e","\u003cp\u003ere Proposed Film, with a copy of the script for the film, April 1956\u003c/p\u003e","\u003cp\u003ere Proposed TV Series\u003c/p\u003e","\u003cp\u003ere Proposed TV Series\u003c/p\u003e","\u003cp\u003ere Yugoslav Edition\u003c/p\u003e","\u003cp\u003ere Yugoslav Edition\u003c/p\u003e","\u003cp\u003eLetter of thanks on behalf of Tito\u003c/p\u003e","\u003cp\u003ere American Edition, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Heretic\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Translations\u003c/p\u003e","\u003cp\u003ere German Forces in Yugoslavia\u003c/p\u003e","\u003cp\u003eincluding \"The Fourth Enemy Offensive\" and some in Serbo-Croatian\u003c/p\u003e","\u003cp\u003ere Book Promotion Tour in Yugoslavia\u003c/p\u003e","\u003cp\u003ere Book Promotion Tour in Yugoslavia\u003c/p\u003e","\u003cp\u003eincluding some correspondence and notes\u003c/p\u003e","\u003cp\u003ere Korcula by Charles Maclean\u003c/p\u003e","\u003cp\u003eUnpublished\u003c/p\u003e","\u003cp\u003ere of BBC Radio Broadcast on Mission to Tito\u003c/p\u003e","\u003cp\u003ere Tito obituary for BBC Radio\u003c/p\u003e","\u003cp\u003ere BBC Radio \"I Was There\"\u003c/p\u003e","\u003cp\u003ere Film \"General from Strachur\"\u003c/p\u003e","\u003cp\u003ere BBC Television Tito Obituary\u003c/p\u003e","\u003cp\u003ere Tito Interview for CBS News\u003c/p\u003e","\u003cp\u003ere Proposed BBC Programs\u003c/p\u003e","\u003cp\u003ere Proposed Film on Tito\u003c/p\u003e","\u003cp\u003ere BBC Program on the S.O.E. (Special Operations Executive)\u003c/p\u003e","\u003cp\u003ere BBC Program on Evelyn Waugh\u003c/p\u003e","\u003cp\u003ere Miscellaneous Television and Film Projects\u003c/p\u003e","\u003cp\u003ere BBC Program \"Ratlines\"\u003c/p\u003e","\u003cp\u003ere VPRO Program\u003c/p\u003e","\u003cp\u003ere New Edition\u003c/p\u003e","\u003cp\u003ere Proposed Film\u003c/p\u003e","\u003cp\u003ere Research\u003c/p\u003e","\u003cp\u003ere Translations\u003c/p\u003e","\u003cp\u003eOriginal Letters of Joseph Wolff and Correspondence with Ancient Light Bookshop\u003c/p\u003e","\u003cp\u003eTranscripts and Copies of Letters of Charles Stoddart and others from the Public Records Office\u003c/p\u003e","\u003cp\u003ere American Edition and Other Projects\u003c/p\u003e","\u003cp\u003ere Copyright Renewal\u003c/p\u003e","\u003cp\u003ere German edition\u003c/p\u003e","\u003cp\u003ere the Sino Russian Border in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLife\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere the Caucasus Region\u003c/p\u003e","\u003cp\u003eCorrespondence re\u003c/p\u003e","\u003cp\u003ere the Bukharin Trial in Moscow \u0026amp; Interview with his widow\u003c/p\u003e","\u003cp\u003ere Mikhail Gorbachev\u003c/p\u003e","\u003cp\u003ere Georgia in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Sunday Times\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Azerbaijan\u003c/p\u003e","\u003cp\u003ere Georgia, including notes and drafts\u003c/p\u003e","\u003cp\u003ere Georgia in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Scotsman Magazine\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Azerbaijan\u003c/p\u003e","\u003cp\u003ere Caucasus\u003c/p\u003e","\u003cp\u003ere Mikhail Gorbachov\u003c/p\u003e","\u003cp\u003ere Mikhail Gorbachev in honor of Hugh Seton-Watson\u003c/p\u003e","\u003cp\u003egiven at Foyle's Lunch\u003c/p\u003e","\u003cp\u003ere Georgia\u003c/p\u003e","\u003cp\u003ere Georgia\u003c/p\u003e","\u003cp\u003ere a New Edition\u003c/p\u003e","\u003cp\u003ere an American Edition\u003c/p\u003e","\u003cp\u003ere a German Edition\u003c/p\u003e","\u003cp\u003eAugust 1, 1996 from Edwin Moore to Veronica Maclean\u003c/p\u003e","\u003cp\u003ere German Edition\u003c/p\u003e","\u003cp\u003ere reprint as \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eWest Highland Tales\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Publicity \u0026amp; Book Reviews\u003c/p\u003e","\u003cp\u003ere Publicity\u003c/p\u003e","\u003cp\u003ere \"Scotland in Parliament\"\u003c/p\u003e","\u003cp\u003ere Japan\u003c/p\u003e","\u003cp\u003ere Asia\u003c/p\u003e","\u003cp\u003ere Korea\u003c/p\u003e","\u003cp\u003ere Italy\u003c/p\u003e","\u003cp\u003ere the Middle East\u003c/p\u003e","\u003cp\u003ere Persia\u003c/p\u003e","\u003cp\u003ere Defense of Great Britain\u003c/p\u003e","\u003cp\u003ere Greece\u003c/p\u003e","\u003cp\u003ere Libya during World War II\u003c/p\u003e","\u003cp\u003ere Turkey\u003c/p\u003e","\u003cp\u003ere China \"Inside Red China\"\u003c/p\u003e","\u003cp\u003ere China Trip\u003c/p\u003e","\u003cp\u003ere China \"Peking Revisited,\" \"Don't Let China Stew in Her Own Juice,\" and \"Eyewitnesses in China\"\u003c/p\u003e","\u003cp\u003ere Mongolia\u003c/p\u003e","\u003cp\u003ere Sir Winston Churchill\u003c/p\u003e","\u003cp\u003eMongolia\u003c/p\u003e","\u003cp\u003ere the Black Sea, including one by Veronica Maclean\u003c/p\u003e","\u003cp\u003ere Defense of Europe: \"Nuclear Deterrence and Conventional Forces,\" with Correspondence\u003c/p\u003e","\u003cp\u003ere China--Trip to Kashgar in Chinese Turkestan, including Correspondence\u003c/p\u003e","\u003cp\u003ere Nepal and Bhutan\u003c/p\u003e","\u003cp\u003ere Germany\u003c/p\u003e","\u003cp\u003ere David Stirling for \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDictionary of National Biography\u003c/title\u003eand Correspondence\u003c/p\u003e","\u003cp\u003ere Canary Islands\u003c/p\u003e","\u003cp\u003ere Oman\u003c/p\u003e","\u003cp\u003ere Tibet--Correspondence, Travel Arrangements, and Memorabilia\u003c/p\u003e","\u003cp\u003ere Tibet\u003c/p\u003e","\u003cp\u003ere the Channel Tunnel\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean, some in German, French, Serbo-Croatian, Swedish, and Dutch\u003c/p\u003e","\u003cp\u003ere Tibet\u003c/p\u003e","\u003cp\u003ere Publication of Evelyn Waugh's Diaries, which include references to Fitzroy Maclean\u003c/p\u003e","\u003cp\u003ere Invitation to Frankfurt\u003c/p\u003e","\u003cp\u003ere German Translations of \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eIsles of the Sea\u003c/title\u003eand \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Proposed Book of Interviews including Fitzroy Maclean\u003c/p\u003e","\u003cp\u003esome accompanied by correspondence, including: Violet Asquith, Nancy Astor, Charles Bohlen, John Bute, Nicolae Causescu, Earl Cawdor, Thomas Churchill, John Clarke, the Queen Mother, Lord Lovat, Charles Maclean, Andrew Maxwell, Paddy Mayne and Bill Elliot, Iain Moncrieffe, Peter Moore, David Scott, David Stirling, and Lord Ward\u003c/p\u003e","\u003cp\u003ePeople\u003c/p\u003e","\u003cp\u003eEnvirons \u0026amp; Monasteries\u003c/p\u003e","\u003cp\u003eGUM Store, Race Track, \u0026amp; Fashions\u003c/p\u003e","\u003cp\u003eThe Kremlin \u0026amp; Red Square\u003c/p\u003e","\u003cp\u003eThe file includes a draft of a 1968 letter to Aleksey Aleksandrovich Surkov, President of the USSR - Great Britain Society, also includes letters to and from the Baroness Asquith of Yarnbury (\"Violet\").\u003c/p\u003e","\u003cp\u003eNotebooks include \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June), circa 1943-1958\u003c/p\u003e","\u003cp\u003eIncludes Maclean's undated notes on Soviet history up to \"Glasnost,\" notes on the \"Council of Europe,\" (1973); series of letters between Sir Charles Peake, British Embassy, and Sir Fitzroy Maclean, 1946-1953.\u003c/p\u003e","\u003cp\u003eThese include a speech before the Boarding House and Catering Association, one mentioning nuclear deterrence, and international events.\u003c/p\u003e","\u003cp\u003eThis addition contains two letters written by Fitzroy Maclean and John Baldock to Helen F. Moore of Leicester, England. A typewritten letter from Maclean to Baldock addresses Moore's concern regarding rioting by South Koreans in the vicinity of the Troops Rest Center at Inchon and her request to move the Center. He reviews her concern, noting that the demonstrations were against the Neutral Nations Armistice Commission and took place six and a half miles from the Center. He notes that the Center was not affected by the rioting and that, after careful consideration, the Center would remain open and not move to another area. The second item is a cover letter from John Baldock forwarding Maclean's response to Ms. Moore.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This Fitzroy Maclean papers consist (1827-1996; 44 cubic feet) of the professional and personal papers of Scottish soldier, diplomat, politician, author, and traveler, Sir Fitzroy Hew Maclean (1911-1996) of Dunconnel. It includes correspondence, memoranda, manuscripts, typescripts, newspaper and magazine articles, book reviews, lectures, speeches, photographs, memorabilia, and research material pertaining to his military, diplomatic, political and literary career as well as family and personal affairs.","Maclean is best known for his role during World War II as head of the British military mission to Yugoslavia in which he served as Winston Churchill's personal representative to leader of the Communist Partisans, Josip Broz Tito, his diplomatic service in the Soviet Union in the late 1930's, and as the author of the classic memoir Eastern Approaches (1949) and many other books and articles. After the war, he pursued a political career as a Conservative member of Parliament, and, based on his close relationship with Tito, played a key role in Anglo-Yugoslav affairs. He was also noted for his expertise on the Soviet Union."," A third focal point of his life and career was Scotland: he was a proud member of Clan Maclean and wrote several works on Scottish history, biography, and folklore. The collection contains some material in Serbo-Croatian, German, Italian and French."," The papers are arranged in four main series with various sub-series. Items of particular interest in the First Series, Career and Personal Papers, are described in the following paragraphs devoted to each subseries. In the Diplomatic Subseries are dispatches and memoranda of his trips through Central Asia (including Afghanistan and the ancient cities Bokhara and Samarkand) and the Caucasus, on the situation in Sinkiang (Chinese Turkestan) and on the political stability of the Soviet Union, 1937-1939."," The subseries British Military Mission to Yugoslavia contains Winston Churchill's Minute concerning his Mission to Tito, Autograph Diary (2 pages) re his arrival in Yugoslavia, \"Ratweek\" Map (oversize), twelve files (labeled Top Secret) including memoranda, correspondence, telegrams, etc concerning military and political affairs such as Allied operations and aid to Tito's Partisans, formation of the Yugoslav government, relief, the visit of Field Marshal Alexander, Supreme Allied Commander to Belgrade, Macedonia, Prospect of South Slav federation, and correspondence with Evelyn Waugh."," The Special Refugee Commission subseries contains correspondence, telegrams, reports, including one submitted to Foreign Secretary Ernest Bevin, articles, and a draft of a speech on the refugee problems to a parliamentary committee."," Political correspondence includes papers concerning the Lancaster by-election of 1941, the general election of 1945, and correspondence with Winston Churchill, Harold Macmillan, Anthony Eden, Alec Douglas- Home, Peter Carrington, Harold Wilson, Margaret Thatcher, John Major, Robert Kennedy, John Lindsay, Henry Jackson, and Averell Harriman ; a memorandum to Field Marshal Alexander of Tunis concerning irregular warfare; and correspondence and memoranda related to a parliamentary delegation to Romania in 1973."," Material in the VIP Subseries includes: letters and notes from members of the Royal Family including Prince Charles, Princess Margaret, Elizabeth the Queen Mother; Clementine Churchill and Mary Churchill Soames; and a thank you note from Lauren Bacall."," The Yugoslavia and Tito Subseries contains significant material including memoranda of meetings with Tito in 1949,1950, 1953, 1968, 1973; informative accounts by Maclean and other British officers about the Military Mission in World War II for an official book published by Muzej AVNOJ (1970-1971); correspondence about Maclean's involvement in proposals for the publication of Tito's memoirs (1966-1977) and about the nomination of Tito for the Nobel Peace Prize (1972-1973); correspondence and papers by Maclean and others from a conference on British Policy and Resistance in the Balkans (1973); Briefing papers, correspondence and memoranda of Margaret Thatcher's visit to Yugoslavia in 1977, and correspondence and memorabilia pertaining to the Prince of Wales' visit in 1978; correspondence about Maclean's visit in 1989 and transcript of an interview with Prime Minister Ante Markovic."," For the 1990's, the time of war and the dissolution of Yugoslavia , there is correspondence with David Owen, Stevan Dedijer and others, and about the Korcula Emergency Appeal, a relief effort for a hospital on the island of Korcula, Croatia, organized by the Macleans; letters from Yugoslav friends describing the turmoil , and/or seeking assistance in finding jobs in the United Kingdom; correspondence about renewed controversy about the British Military Mission in World War II. and the Aldington-Tolstoy Libel Case concerning the repatriation of Yugoslavs in 1945. It should also be noted that in Series II, Subseries B, Literary Material pertaining to Yugoslavia, there is some correspondence filed with the manuscripts, typescripts, articles and radio and television transcripts."," The Subseries Family and Personal Papers has letters from friends and teachers, some in German, French, and Italian. In a significant group of letters to his parents (1939-1945) from London, Cairo, Belgrade, and elsewhere, Maclean discussed the international situation, his desire to leave the Foreign Office in order to join the army, life in London during the Blitz, the beginning of his political career, and his military service (some letters were extensively cut by the censors). There are also a number of letters to his parents from the years 1946-1955 from Maclean and his wife Veronica discussing family matters and living conditions in Italy and Austria while Maclean was directing the Special Refugee Commission, and about their travels in Yugoslavia, Greece and Turkey in the early 1950's."," Also present is correspondence with Frank McLynn, his biographer, 1990-1994, and two scrapbooks. The blue scrapbook (1939-1951) includes one letter of Maclean to his aunt, newspaper clippings relating to his military service in Yugoslavia, his marriage, some articles by him, a few photographs. The red scrapbook, 1943-1946 also has newspaper clippings about his military service and political career and articles by him."," The Second Series consists of literary papers. This series contains drafts, typescripts, setting copies of his books with related correspondence with publishers and others about the publication process, contracts, royalty statements, book reviews, fan mail, articles, book reviews, speeches, lectures, transcripts of radio and television programs, film proposals or treatments. Several of his books were published under different titles in the United States. It is organized into five subseries based on subject matter. These include:  Eastern Approaches (American title-  Escape to Adventure ); Yugoslavia (the country as originally constituted and also the new states that emerged in the 1990's); Russia and the former Soviet Union and the new nations post 1990); Scotland; and Miscellaneous Literary."," The subseries about  Eastern Approaches contains a typed manuscript (Setting copy) with corrections, including an unpublished introduction; some material omitted from the published version including his admiration for a Soviet army unit, comments on the Cetniks, and conversations with King George VI and Winston Churchill and King Peter of Yugoslavia; letters from Michael Adeane, Secretary to King George VI and Winston Churchill requesting that certain passages be omitted; a letter from Peter Fleming to Jonathan Cape offering his opinion of the book, a letter from Ian Fleming to Jonathan Cape and a note to Maclean."," Other material includes correspondence with Jonathan Cape and other publishers about a new edition, correspondence with Douglas Fairbanks, Eric Ambler and others concerning a possible film version, and with Ian Curteis about a proposed television adaptation."," The Yugoslavia Subseries includes books:  Disputed Barricade (1957), published in America as  The Heretic , which includes an interview with Tito;  Yugoslavia (1969), in which Maclean wrote the text for this book of photographs;  Battle of Neretva (1970); and  Tito: A Pictorial Biography (1980). Also present are articles from newspapers and magazines, 1947-1995, on Yugoslav politics and society, including interviews with Tito. Particularly interesting are two unpublished articles \"Whither Yugoslavia?\" written in 1989 based on interviews with Yugoslav politicians, including Slobodan Milosevic. There are also a number of book reviews of works by Julian Amery, William Deakin, Noel Malcolm and Misha Glenny and others."," In addition, the subseries on Yugoslavia contains lectures, 1949-1995; transcripts of radio and television programs, with related correspondence; and some interviews with Tito, notably The \"Life and Times of Marshal Tito\" (December 1963); and one for a CBS news program (1969)."," The Russian Material Subseries contains drafts, correspondence, and research material for his books  A Person from England (1958), including several autograph letters,1827-1861, of Dr. Joseph Wolff, one of the English travelers chronicled in the book;  Back to Bokhara (1959);  Holy Russia (1978); drafts titled \"All the Russias\" and \"The Other Russias,\" which were the basis for  To the Back of Beyond (1974),  To Caucasus: End of All the Earth (1976); and  Holy Russia (1978) which completed the trilogy;  Portrait of the Soviet Union (1988), including material for both the book and the related TBS television series since Maclean was working on these simultaneously; and  All the Russias (1992). Correspondents include Pamela Harriman, Marietta Tree and Fitzgerald Bemiss."," In addition to his books about Russia and the Soviet Union, his papers also contain articles, 1949-1995 on political, social, economic, cultural aspects of the former Soviet Union, a number on Georgia and the Caucasus, and Mikhail Gorbachev; book reviews, 1949-1994; and radio and television material, such as correspondence and transcripts for programs, including \"The End of All the Earth\" and \"Carnival in the Caucasus\"; interviews with Anna Mikhailovna Larina (Bukharin's widow) and others for the BBC \"Timewatch\" program \"Bukharin.\""," The subseries concerning his Scotland material includes books,  A Concise History of Scotland (1970);  Isles of the Sea (1985);  Bonnie Prince Charlie (1988); and  Highlanders (originally titled  Clans ) (1995). Material for the book and television series are combined since Maclean was working on them simultaneously. Among the articles on Scotland is a notable series \"Scottish Approaches\" which appeared in  The Scotsman in 1959."," The last subseries in Maclean's Literary Papers consists of miscellaneous literary material, including material for the book  Take Nine Spies . There is also correspondence with publishers in which he discusses more than one book, and with his literary agents."," Articles are arranged chronologically, and topics range from post World War II Japan, Korea, Italy, the Middle East, and defense policy to China and Mongolia in the 1960's, an extended trip to China in 1988, and his travels in Nepal, Tibet, and Oman in the 1990's. There are also articles about his military, diplomatic, political and literary career, his travels, and personal life, and note that others are contained in two scrapbooks. The radio and television material includes his commentaries on the international scene from 1946 on."," Photographic Material comprises the third series, which contains twenty-four boxes of photographs (some in albums), contact sheets, negatives, and slides, taken by Maclean, primarily of his travels in the former Soviet Union, Europe and Asia, from 1938 through the 1990's. Especially noteworthy are those taken in Moscow, Leningrad, and Central Asia, including Afghanistan, the cities Bokhara and Samarkand, and Persia, Paris and Florence in the late 1930's, Yugoslavia during World War II, postwar Korean and China, and of Yugoslavia, Greece, Turkey and Iran in the early 1950's. Maclean visited the former Soviet Union frequently from the late 1950's through 1987 and took numerous photographs of his favorite regions, Central Asia and the Caucasus, particularly Georgia."," As for Yugoslavia, there is an album dated 1953 labeled Namanevru Jugoslovenska Narodne, Armije (Yugoslav People's Army) with photographs of Tito, Maclean, and soldiers; and photographs from the early 1960's through 1980 including a number of photographs of Tito. Individuals subjects include Winston Churchill and Margaret Thatcher. There are also many family photographs taken at Maclean's homes Beechfield and Strachur, and of friends. The photographs used in  Eastern Approaches ,  Disputed Barricade ,  A Person from England , and  Bonnie Prince Charlie are also in this section.\n \n The fourth series consists of two small additions to the papers and include some correpondence files, such as congratulatory letters about his appointment as Under Secretary for War in 1954 and his Baronetcy in 1957, his letters published in the press, and the Great Britain-USSR Association; files on his participation in various conferences concerning Yugoslavia and War War II; election campaign materials of Maclean; Notebooks, including \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June); news articles; speeches by Maclean, including printed speeches published in \"Parliamentary Debates\"; passports; pocket and desk diaries; first drafts of \"Eastern Approaches\"; a file on guerilla warfare; a copy of a 1938 Report on Central Asia by Maclean; and Veronica Maclean's description about her first meeting with Josip Broz Tito in 1947.","re Appointments to London, Paris, and Moscow and his resignation from the Foreign Office","re Maclean's Mission to Tito and an Extract from  The Second World War","including \"The Partisan Movement in Yugoslavia\" and \"Note on the Present Military and Political Situation in Serbia\"","Drafts of Statement on the Extent of British Aid to the Partisans","re Appointments and Impact on Service to Constituency","re Irregular Warfare and Correspondence with Field Marshall Earl Alexander of Tunis and Others","re Vietnam War","re the Soviet Invasion of Czechoslovakia","re Interview with Vice-President Bodnaras of Romania; Meeting with Tito; and Draft Article on Sino-Soviet Border","re Winston Churchill","re E.C. Grants for Argyll and Bute","re Consideration of Fitzroy Maclean as Governor of Cyprus","re a Resignation to Veronica Maclean","re his serving as godfather to her daughter, Charlotte","re British Press Coverage of Yugoslavia","re Simic Cureija","re Visit with Tito, with note from Jack Coville, Secretary to Winston Churchill","re Tito","re Korcula","re the Soviet Invasion of Czechoslovakia","re Visit to Yugoslavia for 25th Anniversary of National Liberation, includes photographs of Maclean and Willian Deakin","Decoration Awarded to Fitzroy Maclean","Proposed British Decorations of Yugoslavs","re Yugoslav Students in Britain","re Allied Mission to Yugoslavia in World War II for Muzej AVNOJ","re Korcula, Yugoslavia, Town Twinning with Argyll and Bute, Scotland","re Maclean's Efforts in Support of Tito for the Nobel Peace Prize","re British Policy towards the Balkan Resistance Movements","re Meeting with Tito","re Research and Annual Summaries (Copies) of Events in Yugoslavia, 1957-1972","re Margaret Thatcher's Trip, with Official Program","re the Prince of Wales' Visit to Yugoslavia","re Fitzroy Maclean's article for the British-Yugoslav Society on the Prince of Wales' visit","re Arrangements for the British Delegation to Tito's Funeral","re Official Visit of Fitzroy Maclean","re Program of Economic Reform","re his biography of Tito","re Controversy over British Military Mission in World War II","re BBC \"Timewatch: Tito\" Program","re a Yugoslav Detainee in 1945","re Korcula, Croatia Emergency Appeal","re Benefit Concert for Dubrovnik","re Owen's Mission","re Aldington-Tolstoy Libel Case (Repatriations in 1945)","re Tito Memoirs and other projects","re Purchase of \"Beechfield\"","re Ticonderoga story","re Purchase of \"Creggans Inn\"","re  Fitzroy Maclean","re Evelyn Waugh biography","re Fitzroy Maclean","re Fitzroy Maclean and Articles by him","re Awarding of Baronetcy and Arms","re Honorary Degree from the University of Glasgow","re Honorary Degree from Acadia University","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito, signed by Josip Broz Tito and Madame Jovanka Broz","re Honorary Degree from Dundee University","re Special Air Service","re the 23rd Special Air Service Regiment","re Installation of Fitzroy Maclean in the Order of theThistle","re Installation of Fitzroy Maclean in the Order of the Thistle","re Appointment of Fitzroy Maclean in the Order of the Thistle--Congratulations","re Appointment of Fitzroy Maclean in the Order of the Thistle","Order of the Thistle Ceremony","re Freedom of Argyll and Bute","re omitting part of an interview with the King about Yugoslavia from his book","with comments about what Maclean had written about himself in the book","thanking him for the copy of his book sent to the King","re Publicity","Translations","re American Edition","re German Edition","re Paperback Edition","re Proposed Film, with a copy of the script for the film, April 1956","re Proposed TV Series","re Proposed TV Series","re Yugoslav Edition","re Yugoslav Edition","Letter of thanks on behalf of Tito","re American Edition,  The Heretic","re Translations","re German Forces in Yugoslavia","including \"The Fourth Enemy Offensive\" and some in Serbo-Croatian","re Book Promotion Tour in Yugoslavia","re Book Promotion Tour in Yugoslavia","including some correspondence and notes","re Korcula by Charles Maclean","Unpublished","re of BBC Radio Broadcast on Mission to Tito","re Tito obituary for BBC Radio","re BBC Radio \"I Was There\"","re Film \"General from Strachur\"","re BBC Television Tito Obituary","re Tito Interview for CBS News","re Proposed BBC Programs","re Proposed Film on Tito","re BBC Program on the S.O.E. (Special Operations Executive)","re BBC Program on Evelyn Waugh","re Miscellaneous Television and Film Projects","re BBC Program \"Ratlines\"","re VPRO Program","re New Edition","re Proposed Film","re Research","re Translations","Original Letters of Joseph Wolff and Correspondence with Ancient Light Bookshop","Transcripts and Copies of Letters of Charles Stoddart and others from the Public Records Office","re American Edition and Other Projects","re Copyright Renewal","re German edition","re the Sino Russian Border in  Life","re the Caucasus Region","Correspondence re","re the Bukharin Trial in Moscow \u0026 Interview with his widow","re Mikhail Gorbachev","re Georgia in  The Sunday Times","re Azerbaijan","re Georgia, including notes and drafts","re Georgia in  The Scotsman Magazine","re Azerbaijan","re Caucasus","re Mikhail Gorbachov","re Mikhail Gorbachev in honor of Hugh Seton-Watson","given at Foyle's Lunch","re Georgia","re Georgia","re a New Edition","re an American Edition","re a German Edition","August 1, 1996 from Edwin Moore to Veronica Maclean","re German Edition","re reprint as  West Highland Tales","re Publicity \u0026 Book Reviews","re Publicity","re \"Scotland in Parliament\"","re Japan","re Asia","re Korea","re Italy","re the Middle East","re Persia","re Defense of Great Britain","re Greece","re Libya during World War II","re Turkey","re China \"Inside Red China\"","re China Trip","re China \"Peking Revisited,\" \"Don't Let China Stew in Her Own Juice,\" and \"Eyewitnesses in China\"","re Mongolia","re Sir Winston Churchill","Mongolia","re the Black Sea, including one by Veronica Maclean","re Defense of Europe: \"Nuclear Deterrence and Conventional Forces,\" with Correspondence","re China--Trip to Kashgar in Chinese Turkestan, including Correspondence","re Nepal and Bhutan","re Germany","re David Stirling for  Dictionary of National Biography and Correspondence","re Canary Islands","re Oman","re Tibet--Correspondence, Travel Arrangements, and Memorabilia","re Tibet","re the Channel Tunnel","re Fitzroy Maclean, some in German, French, Serbo-Croatian, Swedish, and Dutch","re Tibet","re Publication of Evelyn Waugh's Diaries, which include references to Fitzroy Maclean","re Invitation to Frankfurt","re German Translations of  Isles of the Sea and  Eastern Approaches","re Proposed Book of Interviews including Fitzroy Maclean","some accompanied by correspondence, including: Violet Asquith, Nancy Astor, Charles Bohlen, John Bute, Nicolae Causescu, Earl Cawdor, Thomas Churchill, John Clarke, the Queen Mother, Lord Lovat, Charles Maclean, Andrew Maxwell, Paddy Mayne and Bill Elliot, Iain Moncrieffe, Peter Moore, David Scott, David Stirling, and Lord Ward","People","Environs \u0026 Monasteries","GUM Store, Race Track, \u0026 Fashions","The Kremlin \u0026 Red Square","The file includes a draft of a 1968 letter to Aleksey Aleksandrovich Surkov, President of the USSR - Great Britain Society, also includes letters to and from the Baroness Asquith of Yarnbury (\"Violet\").","Notebooks include \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June), circa 1943-1958","Includes Maclean's undated notes on Soviet history up to \"Glasnost,\" notes on the \"Council of Europe,\" (1973); series of letters between Sir Charles Peake, British Embassy, and Sir Fitzroy Maclean, 1946-1953.","These include a speech before the Boarding House and Catering Association, one mentioning nuclear deterrence, and international events.","This addition contains two letters written by Fitzroy Maclean and John Baldock to Helen F. Moore of Leicester, England. A typewritten letter from Maclean to Baldock addresses Moore's concern regarding rioting by South Koreans in the vicinity of the Troops Rest Center at Inchon and her request to move the Center. He reviews her concern, noting that the demonstrations were against the Neutral Nations Armistice Commission and took place six and a half miles from the Center. He notes that the Center was not affected by the rioting and that, after careful consideration, the Center would remain open and not move to another area. The second item is a cover letter from John Baldock forwarding Maclean's response to Ms. Moore."],"names_ssim":["Albert and Shirley Small Special Collections Library","Maclean, Fitzroy, 1911-1996"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Maclean, Fitzroy, 1911-1996"],"language_ssim":["Materials are in English."],"descrules_ssm":["Anglo-American Cataloguing Rules"],"total_component_count_is":763,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:47:27.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_838"}},{"id":"viu_repositories_3_resources_875","type":"collection","attributes":{"title":"Somerville family papers","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_875#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Somerville family papers (1821-2013) consists of correspondence, photographs, printed materials, and extensive genealogical files. The papers and research detailing the history of the Somerville family, mainly in America, range from its colonial background to contemporary times. The extensive genealogical research is comprised of notes and charts, along with correspondence, photographs, military records, personal notes, clippings, and printed materials. The collection also includes records detailing financial history of family assets, including wills, estates, and records of the sale of enslaved laborers and land. Scattered throughout the collection are photographs, negatives, and daguerreotypes of many Somerville family members, as well as some sheet music, and artifacts. Part of the collection also details the backgrounds of other families genealogically related to the Somervilles, such as the Stringfellow and Nottingham families. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_875#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_875","ead_ssi":"viu_repositories_3_resources_875","_root_":"viu_repositories_3_resources_875","_nest_parent_":"viu_repositories_3_resources_875","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_875.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/149696","title_filing_ssi":"Somerville family papers","title_ssm":["Somerville family papers"],"title_tesim":["Somerville family papers"],"unitdate_ssm":["1821-2013"],"unitdate_inclusive_ssm":["1821-2013"],"level_ssm":["collection"],"level_ssim":["Box","Collection"],"unitid_ssm":["MSS 16201","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/875"],"text":["MSS 16201","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/875","Somerville family papers","Black-and-white photographs","letters (correspondence)","Collection is stored offsite.  Please allow three business days for delivery to the Small Reading Room.","The Somerville family, according to documents in this collection, maintains theories on their family origins, attempting to trace family records back to the duchy of Normandy, France and Scottish nobility whose ancestors, Sir Walter de Somerville among them, arrived in Britain in 1066 with William the Conqueror. The Somerville family traces its origins in America to James Somerville (1742-?) who settled in Culpepper County, Virginia after emigrating from Glasgow, Scotland. James Somerville was an influential merchant and became the mayor of Fredericksburg, Virginia in 1787. Members of the Somerville family, as the collection reveals, were also linked to historical figures prominent in the confederate army, including Fletcher Harris Archer. Atwell Somerville (1921-2014), whose life is detailed by a significant portion of the collection, was a member of the 90th Bombardment Group, the \"Jolly Rogers\", of the United States Air Force in World War II from 1942 to 1945. After obtaining a law degree from the University of Virginia after the war, he worked in the law firm of Nottingham and Somerville and participated in various civic and historical organizations in Orange County, Virginia. Atwell Somerville played a significant role in corresponding with family members, particularly Mary Lee Somerville of Culpeper, and genealogists, obtaining many family papers featured in this collection.","The Somerville family papers (1821-2013) consists of correspondence, photographs, printed materials, and extensive genealogical files. The papers and research detailing the history of the Somerville family, mainly in America, range from its colonial background to contemporary times. The extensive genealogical research is comprised of notes and charts, along with correspondence, photographs, military records, personal notes, clippings, and printed materials. The collection also includes records detailing financial history of family assets, including wills, estates, and records of the sale of enslaved laborers and land. Scattered throughout the collection are photographs, negatives, and daguerreotypes of many Somerville family members, as well as some sheet music, and artifacts. Part of the collection also details the backgrounds of other families genealogically related to the Somervilles, such as the Stringfellow and Nottingham families. ","The collection contains a Civil War memoir of Fletcher Harris Archer, Lieutenant Colonel in the Confederate Army and Mayor of Petersburg, Va. Also present are notes and documents about Archer's service during the Mexican-American War, possibly for a memoir that was never completed.  The collection also includes letters of Atwell W. Somerville while a student and cadet at Clemson Agricultural College of South Carolina. Other topics include, Atwell Somerville's studies, athletic events, and church services and work. Of note is a letter of 1940 November 12 in which Somerville mentions he has had a recurrence of malaria.  Of interest are letters of Atwell W. Somerville during his service in World War II as a member of the 90th bomber squadron (a.k.a. \"The Jolly Rogers\") in the South Pacific.  There is also a ledger (1830s) from a store at Racoon Ford, near the Culpeper and Orange counties border.","References:","Somerville, James. The Baronial House of Somerville: An Abridged and Condensed Narrative of the Principal Branches of the Ancient Family. Glasgow: Maclehose, Jackson and Co., 1920.","McGhan, Judith, comp. Genealogies of Virginia Families: from Tyler's Quarterly Historical and Genealogical Magazine. Baltimore: Clearfield Company, 2007.","\"Somerville, Atwell.\" The Daily Progress, 27 Feb. 2014, https://www.dailyprogress.com/orangenews/obituaries/somerville-atwell/article_da96d574-9202-5dac-b5f5-422dc47206dc.html.","Collection is open for research use.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 16201","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/875"],"normalized_title_ssm":["Somerville family papers"],"collection_title_tesim":["Somerville family papers"],"collection_ssim":["Somerville family papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Collection is open for research use."],"acqinfo_ssim":["Donated by Wilson Somerville, 12 August 2016."],"access_subjects_ssim":["Black-and-white photographs","letters (correspondence)"],"access_subjects_ssm":["Black-and-white photographs","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["24 Cubic Feet 24 cubic foot boxes"],"extent_tesim":["24 Cubic Feet 24 cubic foot boxes"],"genreform_ssim":["Black-and-white photographs","letters (correspondence)"],"date_range_isim":[1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is stored offsite.  Please allow three business days for delivery to the Small Reading Room.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is stored offsite.  Please allow three business days for delivery to the Small Reading Room."],"bioghist_html_tesm":["\u003cp\u003eThe Somerville family, according to documents in this collection, maintains theories on their family origins, attempting to trace family records back to the duchy of Normandy, France and Scottish nobility whose ancestors, Sir Walter de Somerville among them, arrived in Britain in 1066 with William the Conqueror. The Somerville family traces its origins in America to James Somerville (1742-?) who settled in Culpepper County, Virginia after emigrating from Glasgow, Scotland. James Somerville was an influential merchant and became the mayor of Fredericksburg, Virginia in 1787. Members of the Somerville family, as the collection reveals, were also linked to historical figures prominent in the confederate army, including Fletcher Harris Archer. Atwell Somerville (1921-2014), whose life is detailed by a significant portion of the collection, was a member of the 90th Bombardment Group, the \"Jolly Rogers\", of the United States Air Force in World War II from 1942 to 1945. After obtaining a law degree from the University of Virginia after the war, he worked in the law firm of Nottingham and Somerville and participated in various civic and historical organizations in Orange County, Virginia. Atwell Somerville played a significant role in corresponding with family members, particularly Mary Lee Somerville of Culpeper, and genealogists, obtaining many family papers featured in this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["The Somerville family, according to documents in this collection, maintains theories on their family origins, attempting to trace family records back to the duchy of Normandy, France and Scottish nobility whose ancestors, Sir Walter de Somerville among them, arrived in Britain in 1066 with William the Conqueror. The Somerville family traces its origins in America to James Somerville (1742-?) who settled in Culpepper County, Virginia after emigrating from Glasgow, Scotland. James Somerville was an influential merchant and became the mayor of Fredericksburg, Virginia in 1787. Members of the Somerville family, as the collection reveals, were also linked to historical figures prominent in the confederate army, including Fletcher Harris Archer. Atwell Somerville (1921-2014), whose life is detailed by a significant portion of the collection, was a member of the 90th Bombardment Group, the \"Jolly Rogers\", of the United States Air Force in World War II from 1942 to 1945. After obtaining a law degree from the University of Virginia after the war, he worked in the law firm of Nottingham and Somerville and participated in various civic and historical organizations in Orange County, Virginia. Atwell Somerville played a significant role in corresponding with family members, particularly Mary Lee Somerville of Culpeper, and genealogists, obtaining many family papers featured in this collection."],"prefercite_html_tesm":["\u003cp\u003eMSS 16201 Somerville family papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16201 Somerville family papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Somerville family papers (1821-2013) consists of correspondence, photographs, printed materials, and extensive genealogical files. The papers and research detailing the history of the Somerville family, mainly in America, range from its colonial background to contemporary times. The extensive genealogical research is comprised of notes and charts, along with correspondence, photographs, military records, personal notes, clippings, and printed materials. The collection also includes records detailing financial history of family assets, including wills, estates, and records of the sale of enslaved laborers and land. Scattered throughout the collection are photographs, negatives, and daguerreotypes of many Somerville family members, as well as some sheet music, and artifacts. Part of the collection also details the backgrounds of other families genealogically related to the Somervilles, such as the Stringfellow and Nottingham families. \u003c/p\u003e\n","\u003cp\u003eThe collection contains a Civil War memoir of Fletcher Harris Archer, Lieutenant Colonel in the Confederate Army and Mayor of Petersburg, Va. Also present are notes and documents about Archer's service during the Mexican-American War, possibly for a memoir that was never completed.  The collection also includes letters of Atwell W. Somerville while a student and cadet at Clemson Agricultural College of South Carolina. Other topics include, Atwell Somerville's studies, athletic events, and church services and work. Of note is a letter of 1940 November 12 in which Somerville mentions he has had a recurrence of malaria.  Of interest are letters of Atwell W. Somerville during his service in World War II as a member of the 90th bomber squadron (a.k.a. \"The Jolly Rogers\") in the South Pacific.  There is also a ledger (1830s) from a store at Racoon Ford, near the Culpeper and Orange counties border.\u003c/p\u003e\n","\u003cp\u003eReferences:\u003c/p\u003e\n","\u003cp\u003eSomerville, James. The Baronial House of Somerville: An Abridged and Condensed Narrative of the Principal Branches of the Ancient Family. Glasgow: Maclehose, Jackson and Co., 1920.\u003c/p\u003e\n","\u003cp\u003eMcGhan, Judith, comp. Genealogies of Virginia Families: from Tyler's Quarterly Historical and Genealogical Magazine. Baltimore: Clearfield Company, 2007.\u003c/p\u003e\n","\u003cp\u003e\"Somerville, Atwell.\" The Daily Progress, 27 Feb. 2014, https://www.dailyprogress.com/orangenews/obituaries/somerville-atwell/article_da96d574-9202-5dac-b5f5-422dc47206dc.html.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Somerville family papers (1821-2013) consists of correspondence, photographs, printed materials, and extensive genealogical files. The papers and research detailing the history of the Somerville family, mainly in America, range from its colonial background to contemporary times. The extensive genealogical research is comprised of notes and charts, along with correspondence, photographs, military records, personal notes, clippings, and printed materials. The collection also includes records detailing financial history of family assets, including wills, estates, and records of the sale of enslaved laborers and land. Scattered throughout the collection are photographs, negatives, and daguerreotypes of many Somerville family members, as well as some sheet music, and artifacts. Part of the collection also details the backgrounds of other families genealogically related to the Somervilles, such as the Stringfellow and Nottingham families. ","The collection contains a Civil War memoir of Fletcher Harris Archer, Lieutenant Colonel in the Confederate Army and Mayor of Petersburg, Va. Also present are notes and documents about Archer's service during the Mexican-American War, possibly for a memoir that was never completed.  The collection also includes letters of Atwell W. Somerville while a student and cadet at Clemson Agricultural College of South Carolina. Other topics include, Atwell Somerville's studies, athletic events, and church services and work. Of note is a letter of 1940 November 12 in which Somerville mentions he has had a recurrence of malaria.  Of interest are letters of Atwell W. Somerville during his service in World War II as a member of the 90th bomber squadron (a.k.a. \"The Jolly Rogers\") in the South Pacific.  There is also a ledger (1830s) from a store at Racoon Ford, near the Culpeper and Orange counties border.","References:","Somerville, James. The Baronial House of Somerville: An Abridged and Condensed Narrative of the Principal Branches of the Ancient Family. Glasgow: Maclehose, Jackson and Co., 1920.","McGhan, Judith, comp. Genealogies of Virginia Families: from Tyler's Quarterly Historical and Genealogical Magazine. Baltimore: Clearfield Company, 2007.","\"Somerville, Atwell.\" The Daily Progress, 27 Feb. 2014, https://www.dailyprogress.com/orangenews/obituaries/somerville-atwell/article_da96d574-9202-5dac-b5f5-422dc47206dc.html."],"userestrict_html_tesm":["\u003cp\u003eCollection is open for research use.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Collection is open for research use."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:40:28.448Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_875","ead_ssi":"viu_repositories_3_resources_875","_root_":"viu_repositories_3_resources_875","_nest_parent_":"viu_repositories_3_resources_875","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_875.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/149696","title_filing_ssi":"Somerville family papers","title_ssm":["Somerville family papers"],"title_tesim":["Somerville family papers"],"unitdate_ssm":["1821-2013"],"unitdate_inclusive_ssm":["1821-2013"],"level_ssm":["collection"],"level_ssim":["Box","Collection"],"unitid_ssm":["MSS 16201","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/875"],"text":["MSS 16201","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/875","Somerville family papers","Black-and-white photographs","letters (correspondence)","Collection is stored offsite.  Please allow three business days for delivery to the Small Reading Room.","The Somerville family, according to documents in this collection, maintains theories on their family origins, attempting to trace family records back to the duchy of Normandy, France and Scottish nobility whose ancestors, Sir Walter de Somerville among them, arrived in Britain in 1066 with William the Conqueror. The Somerville family traces its origins in America to James Somerville (1742-?) who settled in Culpepper County, Virginia after emigrating from Glasgow, Scotland. James Somerville was an influential merchant and became the mayor of Fredericksburg, Virginia in 1787. Members of the Somerville family, as the collection reveals, were also linked to historical figures prominent in the confederate army, including Fletcher Harris Archer. Atwell Somerville (1921-2014), whose life is detailed by a significant portion of the collection, was a member of the 90th Bombardment Group, the \"Jolly Rogers\", of the United States Air Force in World War II from 1942 to 1945. After obtaining a law degree from the University of Virginia after the war, he worked in the law firm of Nottingham and Somerville and participated in various civic and historical organizations in Orange County, Virginia. Atwell Somerville played a significant role in corresponding with family members, particularly Mary Lee Somerville of Culpeper, and genealogists, obtaining many family papers featured in this collection.","The Somerville family papers (1821-2013) consists of correspondence, photographs, printed materials, and extensive genealogical files. The papers and research detailing the history of the Somerville family, mainly in America, range from its colonial background to contemporary times. The extensive genealogical research is comprised of notes and charts, along with correspondence, photographs, military records, personal notes, clippings, and printed materials. The collection also includes records detailing financial history of family assets, including wills, estates, and records of the sale of enslaved laborers and land. Scattered throughout the collection are photographs, negatives, and daguerreotypes of many Somerville family members, as well as some sheet music, and artifacts. Part of the collection also details the backgrounds of other families genealogically related to the Somervilles, such as the Stringfellow and Nottingham families. ","The collection contains a Civil War memoir of Fletcher Harris Archer, Lieutenant Colonel in the Confederate Army and Mayor of Petersburg, Va. Also present are notes and documents about Archer's service during the Mexican-American War, possibly for a memoir that was never completed.  The collection also includes letters of Atwell W. Somerville while a student and cadet at Clemson Agricultural College of South Carolina. Other topics include, Atwell Somerville's studies, athletic events, and church services and work. Of note is a letter of 1940 November 12 in which Somerville mentions he has had a recurrence of malaria.  Of interest are letters of Atwell W. Somerville during his service in World War II as a member of the 90th bomber squadron (a.k.a. \"The Jolly Rogers\") in the South Pacific.  There is also a ledger (1830s) from a store at Racoon Ford, near the Culpeper and Orange counties border.","References:","Somerville, James. The Baronial House of Somerville: An Abridged and Condensed Narrative of the Principal Branches of the Ancient Family. Glasgow: Maclehose, Jackson and Co., 1920.","McGhan, Judith, comp. Genealogies of Virginia Families: from Tyler's Quarterly Historical and Genealogical Magazine. Baltimore: Clearfield Company, 2007.","\"Somerville, Atwell.\" The Daily Progress, 27 Feb. 2014, https://www.dailyprogress.com/orangenews/obituaries/somerville-atwell/article_da96d574-9202-5dac-b5f5-422dc47206dc.html.","Collection is open for research use.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 16201","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/875"],"normalized_title_ssm":["Somerville family papers"],"collection_title_tesim":["Somerville family papers"],"collection_ssim":["Somerville family papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Collection is open for research use."],"acqinfo_ssim":["Donated by Wilson Somerville, 12 August 2016."],"access_subjects_ssim":["Black-and-white photographs","letters (correspondence)"],"access_subjects_ssm":["Black-and-white photographs","letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["24 Cubic Feet 24 cubic foot boxes"],"extent_tesim":["24 Cubic Feet 24 cubic foot boxes"],"genreform_ssim":["Black-and-white photographs","letters (correspondence)"],"date_range_isim":[1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is stored offsite.  Please allow three business days for delivery to the Small Reading Room.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is stored offsite.  Please allow three business days for delivery to the Small Reading Room."],"bioghist_html_tesm":["\u003cp\u003eThe Somerville family, according to documents in this collection, maintains theories on their family origins, attempting to trace family records back to the duchy of Normandy, France and Scottish nobility whose ancestors, Sir Walter de Somerville among them, arrived in Britain in 1066 with William the Conqueror. The Somerville family traces its origins in America to James Somerville (1742-?) who settled in Culpepper County, Virginia after emigrating from Glasgow, Scotland. James Somerville was an influential merchant and became the mayor of Fredericksburg, Virginia in 1787. Members of the Somerville family, as the collection reveals, were also linked to historical figures prominent in the confederate army, including Fletcher Harris Archer. Atwell Somerville (1921-2014), whose life is detailed by a significant portion of the collection, was a member of the 90th Bombardment Group, the \"Jolly Rogers\", of the United States Air Force in World War II from 1942 to 1945. After obtaining a law degree from the University of Virginia after the war, he worked in the law firm of Nottingham and Somerville and participated in various civic and historical organizations in Orange County, Virginia. Atwell Somerville played a significant role in corresponding with family members, particularly Mary Lee Somerville of Culpeper, and genealogists, obtaining many family papers featured in this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["The Somerville family, according to documents in this collection, maintains theories on their family origins, attempting to trace family records back to the duchy of Normandy, France and Scottish nobility whose ancestors, Sir Walter de Somerville among them, arrived in Britain in 1066 with William the Conqueror. The Somerville family traces its origins in America to James Somerville (1742-?) who settled in Culpepper County, Virginia after emigrating from Glasgow, Scotland. James Somerville was an influential merchant and became the mayor of Fredericksburg, Virginia in 1787. Members of the Somerville family, as the collection reveals, were also linked to historical figures prominent in the confederate army, including Fletcher Harris Archer. Atwell Somerville (1921-2014), whose life is detailed by a significant portion of the collection, was a member of the 90th Bombardment Group, the \"Jolly Rogers\", of the United States Air Force in World War II from 1942 to 1945. After obtaining a law degree from the University of Virginia after the war, he worked in the law firm of Nottingham and Somerville and participated in various civic and historical organizations in Orange County, Virginia. Atwell Somerville played a significant role in corresponding with family members, particularly Mary Lee Somerville of Culpeper, and genealogists, obtaining many family papers featured in this collection."],"prefercite_html_tesm":["\u003cp\u003eMSS 16201 Somerville family papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16201 Somerville family papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Somerville family papers (1821-2013) consists of correspondence, photographs, printed materials, and extensive genealogical files. The papers and research detailing the history of the Somerville family, mainly in America, range from its colonial background to contemporary times. The extensive genealogical research is comprised of notes and charts, along with correspondence, photographs, military records, personal notes, clippings, and printed materials. The collection also includes records detailing financial history of family assets, including wills, estates, and records of the sale of enslaved laborers and land. Scattered throughout the collection are photographs, negatives, and daguerreotypes of many Somerville family members, as well as some sheet music, and artifacts. Part of the collection also details the backgrounds of other families genealogically related to the Somervilles, such as the Stringfellow and Nottingham families. \u003c/p\u003e\n","\u003cp\u003eThe collection contains a Civil War memoir of Fletcher Harris Archer, Lieutenant Colonel in the Confederate Army and Mayor of Petersburg, Va. Also present are notes and documents about Archer's service during the Mexican-American War, possibly for a memoir that was never completed.  The collection also includes letters of Atwell W. Somerville while a student and cadet at Clemson Agricultural College of South Carolina. Other topics include, Atwell Somerville's studies, athletic events, and church services and work. Of note is a letter of 1940 November 12 in which Somerville mentions he has had a recurrence of malaria.  Of interest are letters of Atwell W. Somerville during his service in World War II as a member of the 90th bomber squadron (a.k.a. \"The Jolly Rogers\") in the South Pacific.  There is also a ledger (1830s) from a store at Racoon Ford, near the Culpeper and Orange counties border.\u003c/p\u003e\n","\u003cp\u003eReferences:\u003c/p\u003e\n","\u003cp\u003eSomerville, James. The Baronial House of Somerville: An Abridged and Condensed Narrative of the Principal Branches of the Ancient Family. Glasgow: Maclehose, Jackson and Co., 1920.\u003c/p\u003e\n","\u003cp\u003eMcGhan, Judith, comp. Genealogies of Virginia Families: from Tyler's Quarterly Historical and Genealogical Magazine. Baltimore: Clearfield Company, 2007.\u003c/p\u003e\n","\u003cp\u003e\"Somerville, Atwell.\" The Daily Progress, 27 Feb. 2014, https://www.dailyprogress.com/orangenews/obituaries/somerville-atwell/article_da96d574-9202-5dac-b5f5-422dc47206dc.html.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Somerville family papers (1821-2013) consists of correspondence, photographs, printed materials, and extensive genealogical files. The papers and research detailing the history of the Somerville family, mainly in America, range from its colonial background to contemporary times. The extensive genealogical research is comprised of notes and charts, along with correspondence, photographs, military records, personal notes, clippings, and printed materials. The collection also includes records detailing financial history of family assets, including wills, estates, and records of the sale of enslaved laborers and land. Scattered throughout the collection are photographs, negatives, and daguerreotypes of many Somerville family members, as well as some sheet music, and artifacts. Part of the collection also details the backgrounds of other families genealogically related to the Somervilles, such as the Stringfellow and Nottingham families. ","The collection contains a Civil War memoir of Fletcher Harris Archer, Lieutenant Colonel in the Confederate Army and Mayor of Petersburg, Va. Also present are notes and documents about Archer's service during the Mexican-American War, possibly for a memoir that was never completed.  The collection also includes letters of Atwell W. Somerville while a student and cadet at Clemson Agricultural College of South Carolina. Other topics include, Atwell Somerville's studies, athletic events, and church services and work. Of note is a letter of 1940 November 12 in which Somerville mentions he has had a recurrence of malaria.  Of interest are letters of Atwell W. Somerville during his service in World War II as a member of the 90th bomber squadron (a.k.a. \"The Jolly Rogers\") in the South Pacific.  There is also a ledger (1830s) from a store at Racoon Ford, near the Culpeper and Orange counties border.","References:","Somerville, James. The Baronial House of Somerville: An Abridged and Condensed Narrative of the Principal Branches of the Ancient Family. Glasgow: Maclehose, Jackson and Co., 1920.","McGhan, Judith, comp. Genealogies of Virginia Families: from Tyler's Quarterly Historical and Genealogical Magazine. Baltimore: Clearfield Company, 2007.","\"Somerville, Atwell.\" The Daily Progress, 27 Feb. 2014, https://www.dailyprogress.com/orangenews/obituaries/somerville-atwell/article_da96d574-9202-5dac-b5f5-422dc47206dc.html."],"userestrict_html_tesm":["\u003cp\u003eCollection is open for research use.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Collection is open for research use."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:40:28.448Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_875"}},{"id":"viu_repositories_3_resources_779","type":"collection","attributes":{"title":"Virginia Folklore Society records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_779#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis. Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_779#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"text":["MSS 9936","Archival Resource Key","/repositories/3/resources/779","Virginia Folklore Society records","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. ","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"normalized_title_ssm":["Virginia Folklore Society records"],"collection_title_tesim":["Virginia Folklore Society records"],"collection_ssim":["Virginia Folklore Society records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e\n","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e\n","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e\n","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e\n","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e\n","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e\n","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e\n","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e\n","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e\n","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e\n","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e\n","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e\n","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e\n","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e\n","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e\n","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e\n","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e\n","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e\n","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e\n","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. "],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e\n","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e\n","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e\n","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"names_ssim":["Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":210,"online_item_count_is":173,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:46:00.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"text":["MSS 9936","Archival Resource Key","/repositories/3/resources/779","Virginia Folklore Society records","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. ","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"normalized_title_ssm":["Virginia Folklore Society records"],"collection_title_tesim":["Virginia Folklore Society records"],"collection_ssim":["Virginia Folklore Society records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e\n","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e\n","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e\n","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e\n","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e\n","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e\n","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e\n","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e\n","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e\n","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e\n","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e\n","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e\n","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e\n","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e\n","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e\n","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e\n","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e\n","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e\n","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e\n","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. "],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e\n","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e\n","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e\n","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. 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