{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Authors%2C+American+--+Virginia\u0026page=1\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Authors%2C+American+--+Virginia\u0026page=2\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Authors%2C+American+--+Virginia\u0026page=2\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":13,"first_page?":true,"last_page?":false}},"data":[{"id":"vircu_repositories_5_resources_138","type":"collection","attributes":{"title":"Cathryn Hankla papers","creator":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_138#creator","type":"document_value","attributes":{"value":"Hankla, Cathryn, 1958-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_138#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCathryn Hankla's collection contains her poetry, short stories, plays, and novels from 1971 to 1992. The material documents the development and maturation of Hankla from the age of 13. The bulk of Hankla's collection is in her poetry drafts (1971-1989) and her published work (1980-1992). There are no significant gaps in her collection since its contents are spread out evenly throughout its 21 year period.Another strength of Hankla's papers is in her poetry. Containing the poems that she has written over a 18 year range, many of her initial poems have been revised repeatedly. These drafts provide an insight to her development as a poet and writer by demonstrating the obvious changes in her style, form, and content. The weakness of this collection is the lack of any biographical information about Cathryn Hankla. Except for some passing information in some of her book reviews, there is no significant information about Hankla herself. In this collection of novels, poetry, short stories, plays, theses, and notes, a large area of interest is in her published work. This is especially true in examples like Phenomena, Learning the Mother Tongue, A Blue Moon in Poorwater, and Afterimages that contain a complete set of correspondence, drafts, and reviews. Specifically, the correspondence shows her initial contact with numerous publishing companies and her continuous discussion with the eventual publisher about the evolution of her work. As a result, the collection documents the complete development of her work from draft to review. Presently, Hankla is not represented in any other repository.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_138#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_138","ead_ssi":"vircu_repositories_5_resources_138","_root_":"vircu_repositories_5_resources_138","_nest_parent_":"vircu_repositories_5_resources_138","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_138.xml","title_filing_ssi":"Hankla, Cathryn, papers","title_ssm":["Cathryn Hankla papers"],"title_tesim":["Cathryn Hankla papers"],"unitdate_ssm":["1971-1992"],"unitdate_inclusive_ssm":["1971-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 299","/repositories/5/resources/138"],"text":["M 299","/repositories/5/resources/138","Cathryn Hankla papers","Authors, American -- Virginia","Poets, American -- Virginia","Poets, American -- 20th century","Authors, American -- 20th century","Collection is open to research.","Collection is arranged chronologically. The collection is a result of a single accession. Artificial series were imposed on the collection to highlight the development of Hankla's work. Series 1 was divided into two subseries and chronologically arranged therein from oldest to newest, while Series 2,3, 5-7 were arranged chronologically as well. In Series 4 there were eight subseries with correspondence arranged chronologically and placed at the beginning. Drafts are arranged chronologically, and reviews follow the drafts. Researchers must note that within the collection there are places where documents from one series could be placed in another if it were not for the fact that two different works shared a piece of paper. Also, it must be noted that \"First Person Love\" was unpublished.","Cathryn Hankla was born on March 20, 1958 in the Appalachian Mountains in Richlands, Virginia to Joyce and Alden Hankla. From the age of thirteen her interest in writing was evident as she created a large body of poetry. She continued her interest in writing by working on the school magazine, \"Inklings,\" at Pulaski County High School. After graduating from high school in 1976, she attended Hollins College in Roanoke, Virginia and received a B.A. in English and Film in 1980, and in 1982 she earned a M.A. in English and Creative Writing. Throughout this period she continued to write poetry, short stories, plays, and married writer and critic Richard H.W. Dillard in 1979. They were divorced in 1992. Her first book, Phenomena (1983), was reviewed as one of the five best books of poetry published in 1983. Since then she has published a short story anthology, Learning the Mother Tongue (1987), the highly acclaimed novel, A Blue Moon in Poorwater (1988), and another book of poetry Afterimages (1991). Additionally, her reviews, poems, and short stories have appeared in such journals as Yarrow, the Chicago Tribune Sunday Magazine, and College English. Hankla was visiting lecturer in fiction writing at the University of Virginia (spring of 1985), Randolph- Macon's Woman's College Writer in Residence (spring of 1987), and visiting Assistant Professor at Washington and Lee University (1989-1991). Currently, she lives in Troutville, VA and is an associate professor of English at Hollins College (1986-present).","Cathryn Hankla's collection contains her poetry, short stories, plays, and novels from 1971 to 1992. The material documents the development and maturation of Hankla from the age of 13. The bulk of Hankla's collection is in her poetry drafts (1971-1989) and her published work (1980-1992). There are no significant gaps in her collection since its contents are spread out evenly throughout its 21 year period.Another strength of Hankla's papers is in her poetry. Containing the poems that she has written over a 18 year range, many of her initial poems have been revised repeatedly. These drafts provide an insight to her development as a poet and writer by demonstrating the obvious changes in her style, form, and content. The weakness of this collection is the lack of any biographical information about Cathryn Hankla. Except for some passing information in some of her book reviews, there is no significant information about Hankla herself. In this collection of novels, poetry, short stories, plays, theses, and notes, a large area of interest is in her published work. This is especially true in examples like Phenomena, Learning the Mother Tongue, A Blue Moon in Poorwater, and Afterimages that contain a complete set of correspondence, drafts, and reviews. Specifically, the correspondence shows her initial contact with numerous publishing companies and her continuous discussion with the eventual publisher about the evolution of her work. As a result, the collection documents the complete development of her work from draft to review. 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She continued her interest in writing by working on the school magazine, \"Inklings,\" at Pulaski County High School. After graduating from high school in 1976, she attended Hollins College in Roanoke, Virginia and received a B.A. in English and Film in 1980, and in 1982 she earned a M.A. in English and Creative Writing. Throughout this period she continued to write poetry, short stories, plays, and married writer and critic Richard H.W. Dillard in 1979. They were divorced in 1992. Her first book, Phenomena (1983), was reviewed as one of the five best books of poetry published in 1983. Since then she has published a short story anthology, Learning the Mother Tongue (1987), the highly acclaimed novel, A Blue Moon in Poorwater (1988), and another book of poetry Afterimages (1991). Additionally, her reviews, poems, and short stories have appeared in such journals as Yarrow, the Chicago Tribune Sunday Magazine, and College English. Hankla was visiting lecturer in fiction writing at the University of Virginia (spring of 1985), Randolph- Macon's Woman's College Writer in Residence (spring of 1987), and visiting Assistant Professor at Washington and Lee University (1989-1991). Currently, she lives in Troutville, VA and is an associate professor of English at Hollins College (1986-present).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Cathryn Hankla was born on March 20, 1958 in the Appalachian Mountains in Richlands, Virginia to Joyce and Alden Hankla. From the age of thirteen her interest in writing was evident as she created a large body of poetry. She continued her interest in writing by working on the school magazine, \"Inklings,\" at Pulaski County High School. After graduating from high school in 1976, she attended Hollins College in Roanoke, Virginia and received a B.A. in English and Film in 1980, and in 1982 she earned a M.A. in English and Creative Writing. Throughout this period she continued to write poetry, short stories, plays, and married writer and critic Richard H.W. Dillard in 1979. They were divorced in 1992. Her first book, Phenomena (1983), was reviewed as one of the five best books of poetry published in 1983. Since then she has published a short story anthology, Learning the Mother Tongue (1987), the highly acclaimed novel, A Blue Moon in Poorwater (1988), and another book of poetry Afterimages (1991). Additionally, her reviews, poems, and short stories have appeared in such journals as Yarrow, the Chicago Tribune Sunday Magazine, and College English. Hankla was visiting lecturer in fiction writing at the University of Virginia (spring of 1985), Randolph- Macon's Woman's College Writer in Residence (spring of 1987), and visiting Assistant Professor at Washington and Lee University (1989-1991). 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There are no significant gaps in her collection since its contents are spread out evenly throughout its 21 year period.Another strength of Hankla's papers is in her poetry. Containing the poems that she has written over a 18 year range, many of her initial poems have been revised repeatedly. These drafts provide an insight to her development as a poet and writer by demonstrating the obvious changes in her style, form, and content. The weakness of this collection is the lack of any biographical information about Cathryn Hankla. Except for some passing information in some of her book reviews, there is no significant information about Hankla herself. In this collection of novels, poetry, short stories, plays, theses, and notes, a large area of interest is in her published work. This is especially true in examples like Phenomena, Learning the Mother Tongue, A Blue Moon in Poorwater, and Afterimages that contain a complete set of correspondence, drafts, and reviews. Specifically, the correspondence shows her initial contact with numerous publishing companies and her continuous discussion with the eventual publisher about the evolution of her work. As a result, the collection documents the complete development of her work from draft to review. Presently, Hankla is not represented in any other repository.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Cathryn Hankla's collection contains her poetry, short stories, plays, and novels from 1971 to 1992. The material documents the development and maturation of Hankla from the age of 13. The bulk of Hankla's collection is in her poetry drafts (1971-1989) and her published work (1980-1992). There are no significant gaps in her collection since its contents are spread out evenly throughout its 21 year period.Another strength of Hankla's papers is in her poetry. Containing the poems that she has written over a 18 year range, many of her initial poems have been revised repeatedly. These drafts provide an insight to her development as a poet and writer by demonstrating the obvious changes in her style, form, and content. The weakness of this collection is the lack of any biographical information about Cathryn Hankla. Except for some passing information in some of her book reviews, there is no significant information about Hankla herself. In this collection of novels, poetry, short stories, plays, theses, and notes, a large area of interest is in her published work. This is especially true in examples like Phenomena, Learning the Mother Tongue, A Blue Moon in Poorwater, and Afterimages that contain a complete set of correspondence, drafts, and reviews. Specifically, the correspondence shows her initial contact with numerous publishing companies and her continuous discussion with the eventual publisher about the evolution of her work. As a result, the collection documents the complete development of her work from draft to review. Presently, Hankla is not represented in any other repository."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Hankla, Cathryn, 1958-"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Hankla, Cathryn, 1958-"],"persname_ssim":["Hankla, Cathryn, 1958-"],"language_ssim":["English \n.    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Hankla was visiting lecturer in fiction writing at the University of Virginia (spring of 1985), Randolph- Macon's Woman's College Writer in Residence (spring of 1987), and visiting Assistant Professor at Washington and Lee University (1989-1991). Currently, she lives in Troutville, VA and is an associate professor of English at Hollins College (1986-present).","Cathryn Hankla's collection contains her poetry, short stories, plays, and novels from 1971 to 1992. The material documents the development and maturation of Hankla from the age of 13. The bulk of Hankla's collection is in her poetry drafts (1971-1989) and her published work (1980-1992). There are no significant gaps in her collection since its contents are spread out evenly throughout its 21 year period.Another strength of Hankla's papers is in her poetry. Containing the poems that she has written over a 18 year range, many of her initial poems have been revised repeatedly. These drafts provide an insight to her development as a poet and writer by demonstrating the obvious changes in her style, form, and content. The weakness of this collection is the lack of any biographical information about Cathryn Hankla. Except for some passing information in some of her book reviews, there is no significant information about Hankla herself. In this collection of novels, poetry, short stories, plays, theses, and notes, a large area of interest is in her published work. This is especially true in examples like Phenomena, Learning the Mother Tongue, A Blue Moon in Poorwater, and Afterimages that contain a complete set of correspondence, drafts, and reviews. Specifically, the correspondence shows her initial contact with numerous publishing companies and her continuous discussion with the eventual publisher about the evolution of her work. As a result, the collection documents the complete development of her work from draft to review. 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Containing the poems that she has written over a 18 year range, many of her initial poems have been revised repeatedly. These drafts provide an insight to her development as a poet and writer by demonstrating the obvious changes in her style, form, and content. The weakness of this collection is the lack of any biographical information about Cathryn Hankla. Except for some passing information in some of her book reviews, there is no significant information about Hankla herself. In this collection of novels, poetry, short stories, plays, theses, and notes, a large area of interest is in her published work. This is especially true in examples like Phenomena, Learning the Mother Tongue, A Blue Moon in Poorwater, and Afterimages that contain a complete set of correspondence, drafts, and reviews. Specifically, the correspondence shows her initial contact with numerous publishing companies and her continuous discussion with the eventual publisher about the evolution of her work. As a result, the collection documents the complete development of her work from draft to review. Presently, Hankla is not represented in any other repository."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Hankla, Cathryn, 1958-"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Hankla, Cathryn, 1958-"],"persname_ssim":["Hankla, Cathryn, 1958-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":211,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:32:56.781Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_138"}},{"id":"vihart_repositories_4_resources_271","type":"collection","attributes":{"title":"Dorothy Lee Baugher papers","creator":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_271#creator","type":"document_value","attributes":{"value":"Baugher, Dorothy Lee, 1917-2009","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_271#abstract_or_scope","type":"document_value","attributes":{"value":"The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_271#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_271","ead_ssi":"vihart_repositories_4_resources_271","_root_":"vihart_repositories_4_resources_271","_nest_parent_":"vihart_repositories_4_resources_271","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_271.xml","title_ssm":["Dorothy Lee Baugher papers"],"title_tesim":["Dorothy Lee Baugher papers"],"unitdate_ssm":["1936-2003","1975-1981"],"unitdate_bulk_ssim":["1975-1981"],"unitdate_inclusive_ssm":["1936-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0124"],"text":["SC 0124","Dorothy Lee Baugher papers","Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in five series:","Daily News-Record  Materials, 1975-1981 Non-Fiction, undated Fiction, 2002-2003 Poetry, 1986-1998 Miscellany, 1936-2003","Obituary for Dorothy L. Baugher,  Daily News-Record , August 15, 2009.","The Schoolma'am , 1939. Harrisonburg (Va.): Madison College.","Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the  Daily News-Record . Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.","Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.","All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3017.","The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the  Daily News-Record . An index of these writings is available  here .","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. ","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","James Madison University Libraries Special Collections","Baugher, Dorothy Lee, 1917-2009","English \n.    "],"unitid_tesim":["SC 0124"],"normalized_title_ssm":["Dorothy Lee Baugher papers"],"collection_title_tesim":["Dorothy Lee Baugher papers"],"collection_ssim":["Dorothy Lee Baugher papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Baugher, Dorothy Lee, 1917-2009"],"creator_ssim":["Baugher, Dorothy Lee, 1917-2009"],"creator_persname_ssim":["Baugher, Dorothy Lee, 1917-2009"],"creators_ssim":["Baugher, Dorothy Lee, 1917-2009"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Donated to Special Collections in July 2009."],"access_subjects_ssim":["Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"access_subjects_ssm":["Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 cubic feet 2 boxes"],"extent_tesim":["0.50 cubic feet 2 boxes"],"genreform_ssim":["Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003e\u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e Materials, 1975-1981\u003c/item\u003e\n      \u003citem\u003eNon-Fiction, undated\u003c/item\u003e\n      \u003citem\u003eFiction, 2002-2003\u003c/item\u003e\n      \u003citem\u003ePoetry, 1986-1998\u003c/item\u003e\n      \u003citem\u003eMiscellany, 1936-2003\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five series:","Daily News-Record  Materials, 1975-1981 Non-Fiction, undated Fiction, 2002-2003 Poetry, 1986-1998 Miscellany, 1936-2003"],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Dorothy L. Baugher, \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, August 15, 2009.\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1939. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Dorothy L. Baugher,  Daily News-Record , August 15, 2009.","The Schoolma'am , 1939. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eDorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the  Daily News-Record . Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry."],"custodhist_html_tesm":["\u003cp\u003ePurchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAll newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 3017.\u003c/emph\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3017."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/p\u003e\n","\u003cp\u003eSeries 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. An index of these writings is available \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.jmu.edu/special/manuscripts/3017Baugher_Detail.pdf\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eSeries 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.\u003c/p\u003e\n","\u003cp\u003eSeries 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.\u003c/p\u003e\n","\u003cp\u003eSeries 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.\u003c/p\u003e\n","\u003cp\u003eSeries 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the  Daily News-Record . An index of these writings is available  here .","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9a930ec716172acbe7db4319c9d440ca\"\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes."],"names_ssim":["James Madison University Libraries Special Collections","Baugher, Dorothy Lee, 1917-2009"],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Baugher, Dorothy Lee, 1917-2009"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_271","ead_ssi":"vihart_repositories_4_resources_271","_root_":"vihart_repositories_4_resources_271","_nest_parent_":"vihart_repositories_4_resources_271","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_271.xml","title_ssm":["Dorothy Lee Baugher papers"],"title_tesim":["Dorothy Lee Baugher papers"],"unitdate_ssm":["1936-2003","1975-1981"],"unitdate_bulk_ssim":["1975-1981"],"unitdate_inclusive_ssm":["1936-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0124"],"text":["SC 0124","Dorothy Lee Baugher papers","Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in five series:","Daily News-Record  Materials, 1975-1981 Non-Fiction, undated Fiction, 2002-2003 Poetry, 1986-1998 Miscellany, 1936-2003","Obituary for Dorothy L. Baugher,  Daily News-Record , August 15, 2009.","The Schoolma'am , 1939. Harrisonburg (Va.): Madison College.","Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the  Daily News-Record . Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.","Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.","All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3017.","The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the  Daily News-Record . An index of these writings is available  here .","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. ","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","James Madison University Libraries Special Collections","Baugher, Dorothy Lee, 1917-2009","English \n.    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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Donated to Special Collections in July 2009."],"access_subjects_ssim":["Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"access_subjects_ssm":["Authors, American -- Virginia","Poets, American -- Virginia","Journalists -- Virginia","Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["0.50 cubic feet 2 boxes"],"extent_tesim":["0.50 cubic feet 2 boxes"],"genreform_ssim":["Poetry","Works of art","Drawings (visual works)","Fiction (general genre)","Nonfiction (general genre)","Newspaper clippings"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003e\u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e Materials, 1975-1981\u003c/item\u003e\n      \u003citem\u003eNon-Fiction, undated\u003c/item\u003e\n      \u003citem\u003eFiction, 2002-2003\u003c/item\u003e\n      \u003citem\u003ePoetry, 1986-1998\u003c/item\u003e\n      \u003citem\u003eMiscellany, 1936-2003\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five series:","Daily News-Record  Materials, 1975-1981 Non-Fiction, undated Fiction, 2002-2003 Poetry, 1986-1998 Miscellany, 1936-2003"],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Dorothy L. Baugher, \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, August 15, 2009.\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1939. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Dorothy L. Baugher,  Daily News-Record , August 15, 2009.","The Schoolma'am , 1939. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eDorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the  Daily News-Record . Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry."],"custodhist_html_tesm":["\u003cp\u003ePurchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAll newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 3017.\u003c/emph\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3017."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/p\u003e\n","\u003cp\u003eSeries 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. An index of these writings is available \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.jmu.edu/special/manuscripts/3017Baugher_Detail.pdf\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eSeries 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.\u003c/p\u003e\n","\u003cp\u003eSeries 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.\u003c/p\u003e\n","\u003cp\u003eSeries 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.\u003c/p\u003e\n","\u003cp\u003eSeries 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the  Daily News-Record . An index of these writings is available  here .","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9a930ec716172acbe7db4319c9d440ca\"\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes."],"names_ssim":["James Madison University Libraries Special Collections","Baugher, Dorothy Lee, 1917-2009"],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Baugher, Dorothy Lee, 1917-2009"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_271"}},{"id":"vircu_repositories_5_resources_206","type":"collection","attributes":{"title":"Emma Gray Trigg papers","creator":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_206#creator","type":"document_value","attributes":{"value":"Trigg, Emma Gray","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_206#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Emma Gray (White) Trigg Papers (1920-1971) consist chiefly of drafts of her plays, \"Julep Time,\" \"The Lone Vixen,\" \"To Have and To Hold\" and \"Greenbriar,\" and her book of poetry, \"The Spanish Pirates\", together with some unpublished poetry and material about various subjects. Correspondence includes letters from fellow literary artists Max Eastman, James Branch Cabell, Ellen Glasgow, Harry M. Meacham, Marjorie K. Rawlings, Louis Untermeyer and Carl Van Vechten. Photographs include one of Max Eastman and two of Carl Van Vechten. The VCU Libraries also possess books from Trigg's personal library, including \"Peter Whiffle: His Life and Works\" by Van Vechten, which is inscribed to her.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_206#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_206","ead_ssi":"vircu_repositories_5_resources_206","_root_":"vircu_repositories_5_resources_206","_nest_parent_":"vircu_repositories_5_resources_206","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_206.xml","title_filing_ssi":"Trigg, Emma Gray, papers","title_ssm":["Emma Gray Trigg papers"],"title_tesim":["Emma Gray Trigg papers"],"unitdate_ssm":["1920-1971"],"unitdate_inclusive_ssm":["1920-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 40","/repositories/5/resources/206"],"text":["M 40","/repositories/5/resources/206","Emma Gray Trigg papers","Authors, American -- Virginia","Authors, American -- Correspondence.","Collection is open to research.","Collection remains in the original order as received.","Emma Gray Trigg (1890-1976) was one of the prime movers behind the arts in Virginia. She was a leader, a promoter, and a major influence in the state's Fine Arts programs. She was also an artist in her own right. Born in Norfolk, she attended Columbia and the University of Virginia. During the 1930s, she was director of a public relief program in Virginia that employed more than one hundred forty out-of-work musicians. During this time, Ms. Trigg was also a performer, giving several vocal recitals along the East Coast. In 1937, her first collection of verse, \"After Eden\", was published and received some critical attention. For the duration of World War II she had the job of public information officer for the Office of Price Administration in Virginia. It was in this period that Ms. Trigg began to write a series of short children's plays and several operettas in collaboration with Elizabeth B. Maury. This eventually led to the adaptation of Mary Johnston's \"To Have and To Hold\", which played successfully in Richmond during the 1950s.In the late 1950s, Ms. Trigg was one of the first to call for the formation of a symphony orchestra in Richmond; and after its institution, she served on its executive committee until the time of her death. She was also a past president of the Poetry Society of Virginia and a board member of the Poe Museum. Her second collection of poetry, \"The Paulonia Tree\", was published in 1968.","The Emma Gray (White) Trigg Papers (1920-1971) consist chiefly of drafts of her plays, \"Julep Time,\" \"The Lone Vixen,\" \"To Have and To Hold\" and \"Greenbriar,\" and her book of poetry, \"The Spanish Pirates\", together with some unpublished poetry and material about various subjects. Correspondence includes letters from fellow literary artists Max Eastman, James Branch Cabell, Ellen Glasgow, Harry M. Meacham, Marjorie K. Rawlings, Louis Untermeyer and Carl Van Vechten. Photographs include one of Max Eastman and two of Carl Van Vechten. The VCU Libraries also possess books from Trigg's personal library, including \"Peter Whiffle: His Life and Works\" by Van Vechten, which is inscribed to her.","including letter from Mrs. Woodrow Wilson","including letters to Arthur Norris","including letter from Hal Pierce","Including a letter dated 6/29/71 from Trigg to Gerald McCabe, of the VCU Libraries regarding her relationship to Eastman","copies of letters from Van Vechten to Trigg made by Edgar MacDonald covering the years 1923-24 and a letter about the letters from Trigg dated 1959","including: Doris Holmes - 1955, John Holmes - 1956, John L. Holmes - 1955, Margaret Freeman Cabell, Emma Gray Trigg \u0026 Martha Richford Roberts - 1973, Emma Gray White - 1914, Carl Van Vechten and Farina Marinoff - 1924, Carl Van Vecthten - 1927, Joseph Herghesmer - 1923, Max Eastman - taken by Carl Van Vechten, and 1939","There are no restrictions.","VCU James Branch Cabell Library","Trigg, Emma Gray","English \n.    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She was a leader, a promoter, and a major influence in the state's Fine Arts programs. She was also an artist in her own right. Born in Norfolk, she attended Columbia and the University of Virginia. During the 1930s, she was director of a public relief program in Virginia that employed more than one hundred forty out-of-work musicians. During this time, Ms. Trigg was also a performer, giving several vocal recitals along the East Coast. In 1937, her first collection of verse, \"After Eden\", was published and received some critical attention. For the duration of World War II she had the job of public information officer for the Office of Price Administration in Virginia. It was in this period that Ms. Trigg began to write a series of short children's plays and several operettas in collaboration with Elizabeth B. Maury. This eventually led to the adaptation of Mary Johnston's \"To Have and To Hold\", which played successfully in Richmond during the 1950s.In the late 1950s, Ms. Trigg was one of the first to call for the formation of a symphony orchestra in Richmond; and after its institution, she served on its executive committee until the time of her death. She was also a past president of the Poetry Society of Virginia and a board member of the Poe Museum. Her second collection of poetry, \"The Paulonia Tree\", was published in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emma Gray Trigg (1890-1976) was one of the prime movers behind the arts in Virginia. She was a leader, a promoter, and a major influence in the state's Fine Arts programs. She was also an artist in her own right. Born in Norfolk, she attended Columbia and the University of Virginia. During the 1930s, she was director of a public relief program in Virginia that employed more than one hundred forty out-of-work musicians. During this time, Ms. Trigg was also a performer, giving several vocal recitals along the East Coast. In 1937, her first collection of verse, \"After Eden\", was published and received some critical attention. For the duration of World War II she had the job of public information officer for the Office of Price Administration in Virginia. It was in this period that Ms. Trigg began to write a series of short children's plays and several operettas in collaboration with Elizabeth B. Maury. This eventually led to the adaptation of Mary Johnston's \"To Have and To Hold\", which played successfully in Richmond during the 1950s.In the late 1950s, Ms. Trigg was one of the first to call for the formation of a symphony orchestra in Richmond; and after its institution, she served on its executive committee until the time of her death. She was also a past president of the Poetry Society of Virginia and a board member of the Poe Museum. Her second collection of poetry, \"The Paulonia Tree\", was published in 1968."],"prefercite_html_tesm":["\u003cp\u003eEmma Gray Trigg papers, Collection # M 40, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Emma Gray Trigg papers, Collection # M 40, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Emma Gray (White) Trigg Papers (1920-1971) consist chiefly of drafts of her plays, \"Julep Time,\" \"The Lone Vixen,\" \"To Have and To Hold\" and \"Greenbriar,\" and her book of poetry, \"The Spanish Pirates\", together with some unpublished poetry and material about various subjects. Correspondence includes letters from fellow literary artists Max Eastman, James Branch Cabell, Ellen Glasgow, Harry M. Meacham, Marjorie K. Rawlings, Louis Untermeyer and Carl Van Vechten. Photographs include one of Max Eastman and two of Carl Van Vechten. The VCU Libraries also possess books from Trigg's personal library, including \"Peter Whiffle: His Life and Works\" by Van Vechten, which is inscribed to her.\u003c/p\u003e","\u003cp\u003eincluding letter from Mrs. Woodrow Wilson\u003c/p\u003e","\u003cp\u003eincluding letters to Arthur Norris\u003c/p\u003e","\u003cp\u003eincluding letter from Hal Pierce\u003c/p\u003e","\u003cp\u003eIncluding a letter dated 6/29/71 from Trigg to Gerald McCabe, of the VCU Libraries regarding her relationship to Eastman\u003c/p\u003e","\u003cp\u003ecopies of letters from Van Vechten to Trigg made by Edgar MacDonald covering the years 1923-24 and a letter about the letters from Trigg dated 1959\u003c/p\u003e","\u003cp\u003eincluding: Doris Holmes - 1955, John Holmes - 1956, John L. Holmes - 1955, Margaret Freeman Cabell, Emma Gray Trigg \u0026amp; Martha Richford Roberts - 1973, Emma Gray White - 1914, Carl Van Vechten and Farina Marinoff - 1924, Carl Van Vecthten - 1927, Joseph Herghesmer - 1923, Max Eastman - taken by Carl Van Vechten, and 1939\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Emma Gray (White) Trigg Papers (1920-1971) consist chiefly of drafts of her plays, \"Julep Time,\" \"The Lone Vixen,\" \"To Have and To Hold\" and \"Greenbriar,\" and her book of poetry, \"The Spanish Pirates\", together with some unpublished poetry and material about various subjects. Correspondence includes letters from fellow literary artists Max Eastman, James Branch Cabell, Ellen Glasgow, Harry M. Meacham, Marjorie K. Rawlings, Louis Untermeyer and Carl Van Vechten. Photographs include one of Max Eastman and two of Carl Van Vechten. The VCU Libraries also possess books from Trigg's personal library, including \"Peter Whiffle: His Life and Works\" by Van Vechten, which is inscribed to her.","including letter from Mrs. Woodrow Wilson","including letters to Arthur Norris","including letter from Hal Pierce","Including a letter dated 6/29/71 from Trigg to Gerald McCabe, of the VCU Libraries regarding her relationship to Eastman","copies of letters from Van Vechten to Trigg made by Edgar MacDonald covering the years 1923-24 and a letter about the letters from Trigg dated 1959","including: Doris Holmes - 1955, John Holmes - 1956, John L. Holmes - 1955, Margaret Freeman Cabell, Emma Gray Trigg \u0026 Martha Richford Roberts - 1973, Emma Gray White - 1914, Carl Van Vechten and Farina Marinoff - 1924, Carl Van Vecthten - 1927, Joseph Herghesmer - 1923, Max Eastman - taken by Carl Van Vechten, and 1939"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Trigg, Emma Gray"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Trigg, Emma Gray"],"persname_ssim":["Trigg, Emma Gray"],"language_ssim":["English \n.    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She was a leader, a promoter, and a major influence in the state's Fine Arts programs. She was also an artist in her own right. Born in Norfolk, she attended Columbia and the University of Virginia. During the 1930s, she was director of a public relief program in Virginia that employed more than one hundred forty out-of-work musicians. During this time, Ms. Trigg was also a performer, giving several vocal recitals along the East Coast. In 1937, her first collection of verse, \"After Eden\", was published and received some critical attention. For the duration of World War II she had the job of public information officer for the Office of Price Administration in Virginia. It was in this period that Ms. Trigg began to write a series of short children's plays and several operettas in collaboration with Elizabeth B. Maury. This eventually led to the adaptation of Mary Johnston's \"To Have and To Hold\", which played successfully in Richmond during the 1950s.In the late 1950s, Ms. Trigg was one of the first to call for the formation of a symphony orchestra in Richmond; and after its institution, she served on its executive committee until the time of her death. She was also a past president of the Poetry Society of Virginia and a board member of the Poe Museum. Her second collection of poetry, \"The Paulonia Tree\", was published in 1968.","The Emma Gray (White) Trigg Papers (1920-1971) consist chiefly of drafts of her plays, \"Julep Time,\" \"The Lone Vixen,\" \"To Have and To Hold\" and \"Greenbriar,\" and her book of poetry, \"The Spanish Pirates\", together with some unpublished poetry and material about various subjects. Correspondence includes letters from fellow literary artists Max Eastman, James Branch Cabell, Ellen Glasgow, Harry M. Meacham, Marjorie K. Rawlings, Louis Untermeyer and Carl Van Vechten. Photographs include one of Max Eastman and two of Carl Van Vechten. The VCU Libraries also possess books from Trigg's personal library, including \"Peter Whiffle: His Life and Works\" by Van Vechten, which is inscribed to her.","including letter from Mrs. Woodrow Wilson","including letters to Arthur Norris","including letter from Hal Pierce","Including a letter dated 6/29/71 from Trigg to Gerald McCabe, of the VCU Libraries regarding her relationship to Eastman","copies of letters from Van Vechten to Trigg made by Edgar MacDonald covering the years 1923-24 and a letter about the letters from Trigg dated 1959","including: Doris Holmes - 1955, John Holmes - 1956, John L. Holmes - 1955, Margaret Freeman Cabell, Emma Gray Trigg \u0026 Martha Richford Roberts - 1973, Emma Gray White - 1914, Carl Van Vechten and Farina Marinoff - 1924, Carl Van Vecthten - 1927, Joseph Herghesmer - 1923, Max Eastman - taken by Carl Van Vechten, and 1939","There are no restrictions.","VCU James Branch Cabell Library","Trigg, Emma Gray","English \n.    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She was a leader, a promoter, and a major influence in the state's Fine Arts programs. She was also an artist in her own right. Born in Norfolk, she attended Columbia and the University of Virginia. During the 1930s, she was director of a public relief program in Virginia that employed more than one hundred forty out-of-work musicians. During this time, Ms. Trigg was also a performer, giving several vocal recitals along the East Coast. In 1937, her first collection of verse, \"After Eden\", was published and received some critical attention. For the duration of World War II she had the job of public information officer for the Office of Price Administration in Virginia. It was in this period that Ms. Trigg began to write a series of short children's plays and several operettas in collaboration with Elizabeth B. Maury. This eventually led to the adaptation of Mary Johnston's \"To Have and To Hold\", which played successfully in Richmond during the 1950s.In the late 1950s, Ms. Trigg was one of the first to call for the formation of a symphony orchestra in Richmond; and after its institution, she served on its executive committee until the time of her death. She was also a past president of the Poetry Society of Virginia and a board member of the Poe Museum. Her second collection of poetry, \"The Paulonia Tree\", was published in 1968.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emma Gray Trigg (1890-1976) was one of the prime movers behind the arts in Virginia. She was a leader, a promoter, and a major influence in the state's Fine Arts programs. She was also an artist in her own right. Born in Norfolk, she attended Columbia and the University of Virginia. 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She was also a past president of the Poetry Society of Virginia and a board member of the Poe Museum. Her second collection of poetry, \"The Paulonia Tree\", was published in 1968."],"prefercite_html_tesm":["\u003cp\u003eEmma Gray Trigg papers, Collection # M 40, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Emma Gray Trigg papers, Collection # M 40, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Emma Gray (White) Trigg Papers (1920-1971) consist chiefly of drafts of her plays, \"Julep Time,\" \"The Lone Vixen,\" \"To Have and To Hold\" and \"Greenbriar,\" and her book of poetry, \"The Spanish Pirates\", together with some unpublished poetry and material about various subjects. Correspondence includes letters from fellow literary artists Max Eastman, James Branch Cabell, Ellen Glasgow, Harry M. Meacham, Marjorie K. Rawlings, Louis Untermeyer and Carl Van Vechten. Photographs include one of Max Eastman and two of Carl Van Vechten. The VCU Libraries also possess books from Trigg's personal library, including \"Peter Whiffle: His Life and Works\" by Van Vechten, which is inscribed to her.\u003c/p\u003e","\u003cp\u003eincluding letter from Mrs. Woodrow Wilson\u003c/p\u003e","\u003cp\u003eincluding letters to Arthur Norris\u003c/p\u003e","\u003cp\u003eincluding letter from Hal Pierce\u003c/p\u003e","\u003cp\u003eIncluding a letter dated 6/29/71 from Trigg to Gerald McCabe, of the VCU Libraries regarding her relationship to Eastman\u003c/p\u003e","\u003cp\u003ecopies of letters from Van Vechten to Trigg made by Edgar MacDonald covering the years 1923-24 and a letter about the letters from Trigg dated 1959\u003c/p\u003e","\u003cp\u003eincluding: Doris Holmes - 1955, John Holmes - 1956, John L. Holmes - 1955, Margaret Freeman Cabell, Emma Gray Trigg \u0026amp; Martha Richford Roberts - 1973, Emma Gray White - 1914, Carl Van Vechten and Farina Marinoff - 1924, Carl Van Vecthten - 1927, Joseph Herghesmer - 1923, Max Eastman - taken by Carl Van Vechten, and 1939\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Emma Gray (White) Trigg Papers (1920-1971) consist chiefly of drafts of her plays, \"Julep Time,\" \"The Lone Vixen,\" \"To Have and To Hold\" and \"Greenbriar,\" and her book of poetry, \"The Spanish Pirates\", together with some unpublished poetry and material about various subjects. Correspondence includes letters from fellow literary artists Max Eastman, James Branch Cabell, Ellen Glasgow, Harry M. Meacham, Marjorie K. Rawlings, Louis Untermeyer and Carl Van Vechten. Photographs include one of Max Eastman and two of Carl Van Vechten. The VCU Libraries also possess books from Trigg's personal library, including \"Peter Whiffle: His Life and Works\" by Van Vechten, which is inscribed to her.","including letter from Mrs. Woodrow Wilson","including letters to Arthur Norris","including letter from Hal Pierce","Including a letter dated 6/29/71 from Trigg to Gerald McCabe, of the VCU Libraries regarding her relationship to Eastman","copies of letters from Van Vechten to Trigg made by Edgar MacDonald covering the years 1923-24 and a letter about the letters from Trigg dated 1959","including: Doris Holmes - 1955, John Holmes - 1956, John L. Holmes - 1955, Margaret Freeman Cabell, Emma Gray Trigg \u0026 Martha Richford Roberts - 1973, Emma Gray White - 1914, Carl Van Vechten and Farina Marinoff - 1924, Carl Van Vecthten - 1927, Joseph Herghesmer - 1923, Max Eastman - taken by Carl Van Vechten, and 1939"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Trigg, Emma Gray"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Trigg, Emma Gray"],"persname_ssim":["Trigg, Emma Gray"],"language_ssim":["English \n.    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Oversize material can be found in Drawer 27.","Frances Leigh Williams (1909-1978) was born in Richmond on March 20, 1909, the daughter of Francis Deane and Mary Mason Williams. She was a cousin of the Virginia novelist Ellen Glasgow. After graduation from St. Timothy's in 1926, she attended Smith College for a year. On leaving college, she accepted a position with the Richmond News Leader as a reporter and columnist. In 1935, she left the News Leader to become a research assistant for Douglas Southall Freeman. She worked with him on the biographies of Robert E. Lee and George Washington. During this period, she wrote and published Historic Richmond: Her Story and Her Spirit. In 1951, she wrote They Faced the Future, a brief history of the State-Planters Bank of Richmond. In 1949, Williams had become, with her partner Winifred Hanigan, co-owner and executive manager of the Sea Horse Hotel in Virginia Beach, Virginia. This career led directly to her first book for young people entitled Welcome to Dunecrest, published in 1955. This was followed by The Shawnee Trail in 1958, a book based on an historic tale of Indian capture in late 18th century Virginia. Williams noted that this was the story Ellen Glasgow wanted her to tell. In 1863, Rutgers University Press published her celebrated Matthew Fontaine Maury: Scientist of the Sea. Her biography of the noted Naval Scientist was well-received and won acitation from the United Daughters of the Confederacy. Four more historical works followed the biography of Maury: A Century of Service(1965); Ocean Pathfinder(1966); Plantation Patriot(1967); and A Founding Family: The Pinckneys of South Carolina(1978). Williams was well-known for an abiding interest in history, particularly Virginia history, and she was a popular after-dinner speaker for a number of organizations. 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In 1949, Williams had become, with her partner Winifred Hanigan, co-owner and executive manager of the Sea Horse Hotel in Virginia Beach, Virginia. This career led directly to her first book for young people entitled Welcome to Dunecrest, published in 1955. This was followed by The Shawnee Trail in 1958, a book based on an historic tale of Indian capture in late 18th century Virginia. Williams noted that this was the story Ellen Glasgow wanted her to tell. In 1863, Rutgers University Press published her celebrated Matthew Fontaine Maury: Scientist of the Sea. Her biography of the noted Naval Scientist was well-received and won acitation from the United Daughters of the Confederacy. Four more historical works followed the biography of Maury: A Century of Service(1965); Ocean Pathfinder(1966); Plantation Patriot(1967); and A Founding Family: The Pinckneys of South Carolina(1978). 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In 1951, she wrote They Faced the Future, a brief history of the State-Planters Bank of Richmond. In 1949, Williams had become, with her partner Winifred Hanigan, co-owner and executive manager of the Sea Horse Hotel in Virginia Beach, Virginia. This career led directly to her first book for young people entitled Welcome to Dunecrest, published in 1955. This was followed by The Shawnee Trail in 1958, a book based on an historic tale of Indian capture in late 18th century Virginia. Williams noted that this was the story Ellen Glasgow wanted her to tell. In 1863, Rutgers University Press published her celebrated Matthew Fontaine Maury: Scientist of the Sea. Her biography of the noted Naval Scientist was well-received and won acitation from the United Daughters of the Confederacy. Four more historical works followed the biography of Maury: A Century of Service(1965); Ocean Pathfinder(1966); Plantation Patriot(1967); and A Founding Family: The Pinckneys of South Carolina(1978). Williams was well-known for an abiding interest in history, particularly Virginia history, and she was a popular after-dinner speaker for a number of organizations. She died in 1978."],"prefercite_html_tesm":["\u003cp\u003eFrances Leigh Williams papers, Collection # M 20, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Frances Leigh Williams papers, Collection # M 20, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Papers of Frances Leigh Williams includes Miss Williams' major published works, in manuscript and proof form, as well as letters from Ellen Glasgow and Carl Van Vechten.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Papers of Frances Leigh Williams includes Miss Williams' major published works, in manuscript and proof form, as well as letters from Ellen Glasgow and Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Williams, Frances Leigh","Glasgow, Ellen Anderson Gholson, 1873-1945 -- Correspondence","Van Vechten, Carl -- Correspondence"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Glasgow, Ellen Anderson Gholson, 1873-1945 -- Correspondence","Van Vechten, Carl -- Correspondence"],"persname_ssim":["Williams, Frances Leigh","Glasgow, Ellen Anderson Gholson, 1873-1945 -- Correspondence","Van Vechten, Carl -- Correspondence"],"language_ssim":["English \n.    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In 1951, she wrote They Faced the Future, a brief history of the State-Planters Bank of Richmond. In 1949, Williams had become, with her partner Winifred Hanigan, co-owner and executive manager of the Sea Horse Hotel in Virginia Beach, Virginia. This career led directly to her first book for young people entitled Welcome to Dunecrest, published in 1955. This was followed by The Shawnee Trail in 1958, a book based on an historic tale of Indian capture in late 18th century Virginia. Williams noted that this was the story Ellen Glasgow wanted her to tell. In 1863, Rutgers University Press published her celebrated Matthew Fontaine Maury: Scientist of the Sea. Her biography of the noted Naval Scientist was well-received and won acitation from the United Daughters of the Confederacy. Four more historical works followed the biography of Maury: A Century of Service(1965); Ocean Pathfinder(1966); Plantation Patriot(1967); and A Founding Family: The Pinckneys of South Carolina(1978). Williams was well-known for an abiding interest in history, particularly Virginia history, and she was a popular after-dinner speaker for a number of organizations. She died in 1978."],"prefercite_html_tesm":["\u003cp\u003eFrances Leigh Williams papers, Collection # M 20, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Frances Leigh Williams papers, Collection # M 20, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Papers of Frances Leigh Williams includes Miss Williams' major published works, in manuscript and proof form, as well as letters from Ellen Glasgow and Carl Van Vechten.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Papers of Frances Leigh Williams includes Miss Williams' major published works, in manuscript and proof form, as well as letters from Ellen Glasgow and Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Williams, Frances Leigh","Glasgow, Ellen Anderson Gholson, 1873-1945 -- Correspondence","Van Vechten, Carl -- Correspondence"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Glasgow, Ellen Anderson Gholson, 1873-1945 -- Correspondence","Van Vechten, Carl -- Correspondence"],"persname_ssim":["Williams, Frances Leigh","Glasgow, Ellen Anderson Gholson, 1873-1945 -- Correspondence","Van Vechten, Carl -- Correspondence"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:38:21.129Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_91"}},{"id":"vircu_repositories_5_resources_97","type":"collection","attributes":{"title":"Garland D. Haddock papers","creator":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_97#creator","type":"document_value","attributes":{"value":"Haddock, Garland D. (Garland Douglas), 1919-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_97#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Haddock papers were generated in the late 1940's and early 1950's as teaching aids and in preparation for a master's thesis and publication of a textbook. The collection contains information on Virginia authors, musicians and history. The extensive bibliography and comprehensive notes listing research material in these areas allow researchers to work from an established guide to reference materials examined by Haddock. The collection represents a necessary starting point for those interested in documenting Virginia's past.The collection contains newspaper clippings, notes and index cards relating to Virginia history, authors and music.The collection also contained two books, James J. McDonald's Life In Old Virginia and Beverley B. Munford's Virginia's Attitude toward Slavery and Secession. The books have been separated from the manuscript collection and subject to review, will be placed in the Special Collections Book Collection.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_97#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_97","ead_ssi":"vircu_repositories_5_resources_97","_root_":"vircu_repositories_5_resources_97","_nest_parent_":"vircu_repositories_5_resources_97","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_97.xml","title_filing_ssi":"Haddock, Garland D., papers","title_ssm":["Garland D. Haddock papers"],"title_tesim":["Garland D. Haddock papers"],"unitdate_ssm":["1940-1959"],"unitdate_inclusive_ssm":["1940-1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 221","/repositories/5/resources/97"],"text":["M 221","/repositories/5/resources/97","Garland D. Haddock papers","Educators -- Virginia","Musicians -- Virginia","Authors, American -- Virginia","No restrictions on access","Materials are arranged by subject and chronologically therein.","Garland Haddock was born 14 June 1919 in Richmond, Virginia. He attended the University of Richmond and received his B.A. and M.A., both in history, in 1940 and 1941. Haddock continued his education at the University of Cincinnati and completed his M. Ed. degree in 195. Employed in both public and private schools, Haddock taught and later became headmaster at Staunton Military Academy. He also worked as a vocational specialist for the Virginia Department of Rehabilitation Services. Garland Haddock retired 31 December 1982 and resides in Richmond.","The Haddock papers were generated in the late 1940's and early 1950's as teaching aids and in preparation for a master's thesis and publication of a textbook. The collection contains information on Virginia authors, musicians and history. 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(Garland Douglas), 1919-"],"access_terms_ssm":["No restrictions on use."],"acqinfo_ssim":["The collection was donated to the Department by Mr. Haddock in August 1986."],"access_subjects_ssim":["Educators -- Virginia","Musicians -- Virginia","Authors, American -- Virginia"],"access_subjects_ssm":["Educators -- Virginia","Musicians -- Virginia","Authors, American -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eNo restrictions on access\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["No restrictions on access"],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by subject and chronologically therein.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged by subject and chronologically therein."],"bioghist_html_tesm":["\u003cp\u003eGarland Haddock was born 14 June 1919 in Richmond, Virginia. He attended the University of Richmond and received his B.A. and M.A., both in history, in 1940 and 1941. Haddock continued his education at the University of Cincinnati and completed his M. Ed. degree in 195. Employed in both public and private schools, Haddock taught and later became headmaster at Staunton Military Academy. He also worked as a vocational specialist for the Virginia Department of Rehabilitation Services. Garland Haddock retired 31 December 1982 and resides in Richmond.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Garland Haddock was born 14 June 1919 in Richmond, Virginia. He attended the University of Richmond and received his B.A. and M.A., both in history, in 1940 and 1941. Haddock continued his education at the University of Cincinnati and completed his M. Ed. degree in 195. Employed in both public and private schools, Haddock taught and later became headmaster at Staunton Military Academy. He also worked as a vocational specialist for the Virginia Department of Rehabilitation Services. Garland Haddock retired 31 December 1982 and resides in Richmond."],"prefercite_html_tesm":["\u003cp\u003eBox/folder, Garland D. Haddock Papers, M 221, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e"],"prefercite_tesim":["Box/folder, Garland D. Haddock Papers, M 221, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe Haddock papers were generated in the late 1940's and early 1950's as teaching aids and in preparation for a master's thesis and publication of a textbook. The collection contains information on Virginia authors, musicians and history. The extensive bibliography and comprehensive notes listing research material in these areas allow researchers to work from an established guide to reference materials examined by Haddock. The collection represents a necessary starting point for those interested in documenting Virginia's past.The collection contains newspaper clippings, notes and index cards relating to Virginia history, authors and music.The collection also contained two books, James J. McDonald's Life In Old Virginia and Beverley B. Munford's Virginia's Attitude toward Slavery and Secession. The books have been separated from the manuscript collection and subject to review, will be placed in the Special Collections Book Collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Haddock papers were generated in the late 1940's and early 1950's as teaching aids and in preparation for a master's thesis and publication of a textbook. The collection contains information on Virginia authors, musicians and history. 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(Garland Douglas), 1919-","Haddock, Garland D. (Garland Douglas), 1919- -- Archives"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Haddock, Garland D. (Garland Douglas), 1919- -- Archives"],"persname_ssim":["Haddock, Garland D. (Garland Douglas), 1919-","Haddock, Garland D. (Garland Douglas), 1919- -- Archives"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:33:44.920Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_97","ead_ssi":"vircu_repositories_5_resources_97","_root_":"vircu_repositories_5_resources_97","_nest_parent_":"vircu_repositories_5_resources_97","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_97.xml","title_filing_ssi":"Haddock, Garland D., papers","title_ssm":["Garland D. 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He attended the University of Richmond and received his B.A. and M.A., both in history, in 1940 and 1941. Haddock continued his education at the University of Cincinnati and completed his M. Ed. degree in 195. Employed in both public and private schools, Haddock taught and later became headmaster at Staunton Military Academy. He also worked as a vocational specialist for the Virginia Department of Rehabilitation Services. Garland Haddock retired 31 December 1982 and resides in Richmond.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Garland Haddock was born 14 June 1919 in Richmond, Virginia. He attended the University of Richmond and received his B.A. and M.A., both in history, in 1940 and 1941. Haddock continued his education at the University of Cincinnati and completed his M. Ed. degree in 195. Employed in both public and private schools, Haddock taught and later became headmaster at Staunton Military Academy. 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The bulk of the collection contains correspondence between Margaret Freeman Cabell, James Branch Cabell, and their friends, colleagues, and business associates.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_100#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_100","ead_ssi":"vircu_repositories_5_resources_100","_root_":"vircu_repositories_5_resources_100","_nest_parent_":"vircu_repositories_5_resources_100","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_100.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00069.xml","title_filing_ssi":"Cabell, Margaret Freeman, papers","title_ssm":["Margaret Freeman Cabell papers"],"title_tesim":["Margaret Freeman Cabell papers"],"unitdate_ssm":["1910-1982"],"unitdate_inclusive_ssm":["1910-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 228","/repositories/5/resources/100"],"text":["M 228","/repositories/5/resources/100","Margaret Freeman Cabell papers","Authors, American -- Virginia","Women civic leaders -- Virginia -- Richmond","Interior decorators -- Virginia -- Richmond","Collection is open for use without restrictions.","All series are arranged topically, alphabetically and chronologically therein, excluding oversize and photographic items which are housed separately from the collection. Series I-- Personal Correspondence [includes letters to James Branch Cabell and both Mrs. Cabells] (1866-1978) Series II--Miscellaneous (1950-1975) Series III--Personal Material (1948- 1953) Series IV--Organizational Correspondence (1923-1977) Series V--World War I Correspondence [MWF] (1917-1927) Series VI--Plays and Creative Writings (1920-33) Series VII-- Margaret Waller Freeman Correpondence (with sub-series Client Correspondence and Confederate Chapel Correspondence) (1931-1973) Series VIII--John Brightwell Freeman Papers (1930-1968) Series IX--John Middleton Freeman Papers (undated) Series XII--Oversize Materials.","Margaret Waller Freeman Cabell (1893-1983) was an interior decorator, founding editor of  The Reviewer , and supporter of the arts. ","Born in Richmond, Virginia on August 29, 1893, Cabell graduated from Miss Jennie Ellett's School (now St. Catherine's School) and in the 1920s became one of the founding editors and the business manager of the Richmond-based literary magazine  The Reviewer . During the 20s, Cabell also briefly studied interior design in Paris which would later lead to her operating a New York City-based interior decorating studio under the name Waller Freeman. Following her time at  The Reviewer , Cabell went on to receive training as a nurse. During World War II, she helped run the servicemen entertainment venue The Stage Door Canteen in Washington, D.C.","In 1950 Margaret Waller Freeman married Richmond author James Branch Cabell in Richmond and gained Ballard Hartwell Cabell as a step-son. She supported the arts and was an active member of many Richmond civic organizations including the Woman's Club of Richmond, the Colonial Dames of America, and the United Daughters of the Confederacy. Cabell fundraised to restore the late-19th century Confederate Chapel located behind what is now the Virginia Museum of Fine Arts. Margaret Freeman Cabell continued to actively advance the literary legacy of James Branch Cabell following his death in 1958. Through the 1960s and 1970s, she co-edited  Between Friends: Letters of James Branch Cabell and Others , founded the James Branch Cabell Society, and encouraged scholars to write about and research James Branch Cabell. ","In the late 1960s, Margaret Freeman Cabell arranged for the donation of James Branch Cabell's personal library to Virginia Commonwealth University. Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors. Margaret Cabell additionally advocated for the donation of books and materials to Cabell Library's Special Collections and Archives department. Cabell died in Richmond, Virginia on March 28, 1983.","The Margaret Waller Freeman Cabell papers date from 1910 to 1982 and consist of papers and memorabilia from the activities of Cabell, James Branch Cabell, Ballard Hartwell Cabell, and other family members. 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Series I-- Personal Correspondence [includes letters to James Branch Cabell and both Mrs. Cabells] (1866-1978) Series II--Miscellaneous (1950-1975) Series III--Personal Material (1948- 1953) Series IV--Organizational Correspondence (1923-1977) Series V--World War I Correspondence [MWF] (1917-1927) Series VI--Plays and Creative Writings (1920-33) Series VII-- Margaret Waller Freeman Correpondence (with sub-series Client Correspondence and Confederate Chapel Correspondence) (1931-1973) Series VIII--John Brightwell Freeman Papers (1930-1968) Series IX--John Middleton Freeman Papers (undated) Series XII--Oversize Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["All series are arranged topically, alphabetically and chronologically therein, excluding oversize and photographic items which are housed separately from the collection. Series I-- Personal Correspondence [includes letters to James Branch Cabell and both Mrs. Cabells] (1866-1978) Series II--Miscellaneous (1950-1975) Series III--Personal Material (1948- 1953) Series IV--Organizational Correspondence (1923-1977) Series V--World War I Correspondence [MWF] (1917-1927) Series VI--Plays and Creative Writings (1920-33) Series VII-- Margaret Waller Freeman Correpondence (with sub-series Client Correspondence and Confederate Chapel Correspondence) (1931-1973) Series VIII--John Brightwell Freeman Papers (1930-1968) Series IX--John Middleton Freeman Papers (undated) Series XII--Oversize Materials."],"bioghist_html_tesm":["\u003cp\u003eMargaret Waller Freeman Cabell (1893-1983) was an interior decorator, founding editor of \u003ctitle\u003eThe Reviewer\u003c/title\u003e, and supporter of the arts. \u003c/p\u003e\n","\u003cp\u003eBorn in Richmond, Virginia on August 29, 1893, Cabell graduated from Miss Jennie Ellett's School (now St. Catherine's School) and in the 1920s became one of the founding editors and the business manager of the Richmond-based literary magazine \u003ctitle\u003eThe Reviewer\u003c/title\u003e. 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Margaret Freeman Cabell continued to actively advance the literary legacy of James Branch Cabell following his death in 1958. Through the 1960s and 1970s, she co-edited \u003ctitle\u003eBetween Friends: Letters of James Branch Cabell and Others\u003c/title\u003e, founded the James Branch Cabell Society, and encouraged scholars to write about and research James Branch Cabell. \u003c/p\u003e\n","\u003cp\u003eIn the late 1960s, Margaret Freeman Cabell arranged for the donation of James Branch Cabell's personal library to Virginia Commonwealth University. Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors. Margaret Cabell additionally advocated for the donation of books and materials to Cabell Library's Special Collections and Archives department. Cabell died in Richmond, Virginia on March 28, 1983.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Margaret Waller Freeman Cabell (1893-1983) was an interior decorator, founding editor of  The Reviewer , and supporter of the arts. ","Born in Richmond, Virginia on August 29, 1893, Cabell graduated from Miss Jennie Ellett's School (now St. Catherine's School) and in the 1920s became one of the founding editors and the business manager of the Richmond-based literary magazine  The Reviewer . During the 20s, Cabell also briefly studied interior design in Paris which would later lead to her operating a New York City-based interior decorating studio under the name Waller Freeman. Following her time at  The Reviewer , Cabell went on to receive training as a nurse. During World War II, she helped run the servicemen entertainment venue The Stage Door Canteen in Washington, D.C.","In 1950 Margaret Waller Freeman married Richmond author James Branch Cabell in Richmond and gained Ballard Hartwell Cabell as a step-son. She supported the arts and was an active member of many Richmond civic organizations including the Woman's Club of Richmond, the Colonial Dames of America, and the United Daughters of the Confederacy. Cabell fundraised to restore the late-19th century Confederate Chapel located behind what is now the Virginia Museum of Fine Arts. Margaret Freeman Cabell continued to actively advance the literary legacy of James Branch Cabell following his death in 1958. Through the 1960s and 1970s, she co-edited  Between Friends: Letters of James Branch Cabell and Others , founded the James Branch Cabell Society, and encouraged scholars to write about and research James Branch Cabell. ","In the late 1960s, Margaret Freeman Cabell arranged for the donation of James Branch Cabell's personal library to Virginia Commonwealth University. Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors. Margaret Cabell additionally advocated for the donation of books and materials to Cabell Library's Special Collections and Archives department. Cabell died in Richmond, Virginia on March 28, 1983."],"prefercite_html_tesm":["\u003cp\u003eBox/folder, Margaret Freeman Cabell Papers, M 228, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e"],"prefercite_tesim":["Box/folder, Margaret Freeman Cabell Papers, M 228, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe Margaret Waller Freeman Cabell papers date from 1910 to 1982 and consist of papers and memorabilia from the activities of Cabell, James Branch Cabell, Ballard Hartwell Cabell, and other family members. The bulk of the collection contains correspondence between Margaret Freeman Cabell, James Branch Cabell, and their friends, colleagues, and business associates.\u003c/p\u003e","\u003cp\u003eincluding clippings\u003c/p\u003e","\u003cp\u003ewith newspaper clippings\u003c/p\u003e","\u003cp\u003e(copies of two letters from JBC, 1919, 1924, from Bond Collection\u003c/p\u003e","\u003cp\u003eLetter to Stagg from JBC on Rockbridge Alum Springs\u003c/p\u003e","\u003cp\u003eThese items have their own numbering system\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Margaret Waller Freeman Cabell papers date from 1910 to 1982 and consist of papers and memorabilia from the activities of Cabell, James Branch Cabell, Ballard Hartwell Cabell, and other family members. The bulk of the collection contains correspondence between Margaret Freeman Cabell, James Branch Cabell, and their friends, colleagues, and business associates.","including clippings","with newspaper clippings","(copies of two letters from JBC, 1919, 1924, from Bond Collection","Letter to Stagg from JBC on Rockbridge Alum Springs","These items have their own numbering system"],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Terms Governing Use and Reproduction"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["VCU James Branch Cabell Library","Cabell, Margaret Freeman, 1893-1983","Cabell, James Branch, 1879-1958"],"corpname_ssim":["VCU James Branch Cabell Library"],"names_coll_ssim":["Cabell, Margaret Freeman, 1893-1983","Cabell, James Branch, 1879-1958"],"persname_ssim":["Cabell, Margaret Freeman, 1893-1983","Cabell, James Branch, 1879-1958"],"language_ssim":["English \n.    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Series I-- Personal Correspondence [includes letters to James Branch Cabell and both Mrs. Cabells] (1866-1978) Series II--Miscellaneous (1950-1975) Series III--Personal Material (1948- 1953) Series IV--Organizational Correspondence (1923-1977) Series V--World War I Correspondence [MWF] (1917-1927) Series VI--Plays and Creative Writings (1920-33) Series VII-- Margaret Waller Freeman Correpondence (with sub-series Client Correspondence and Confederate Chapel Correspondence) (1931-1973) Series VIII--John Brightwell Freeman Papers (1930-1968) Series IX--John Middleton Freeman Papers (undated) Series XII--Oversize Materials.","Margaret Waller Freeman Cabell (1893-1983) was an interior decorator, founding editor of  The Reviewer , and supporter of the arts. ","Born in Richmond, Virginia on August 29, 1893, Cabell graduated from Miss Jennie Ellett's School (now St. Catherine's School) and in the 1920s became one of the founding editors and the business manager of the Richmond-based literary magazine  The Reviewer . During the 20s, Cabell also briefly studied interior design in Paris which would later lead to her operating a New York City-based interior decorating studio under the name Waller Freeman. Following her time at  The Reviewer , Cabell went on to receive training as a nurse. During World War II, she helped run the servicemen entertainment venue The Stage Door Canteen in Washington, D.C.","In 1950 Margaret Waller Freeman married Richmond author James Branch Cabell in Richmond and gained Ballard Hartwell Cabell as a step-son. She supported the arts and was an active member of many Richmond civic organizations including the Woman's Club of Richmond, the Colonial Dames of America, and the United Daughters of the Confederacy. Cabell fundraised to restore the late-19th century Confederate Chapel located behind what is now the Virginia Museum of Fine Arts. Margaret Freeman Cabell continued to actively advance the literary legacy of James Branch Cabell following his death in 1958. Through the 1960s and 1970s, she co-edited  Between Friends: Letters of James Branch Cabell and Others , founded the James Branch Cabell Society, and encouraged scholars to write about and research James Branch Cabell. ","In the late 1960s, Margaret Freeman Cabell arranged for the donation of James Branch Cabell's personal library to Virginia Commonwealth University. Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors. Margaret Cabell additionally advocated for the donation of books and materials to Cabell Library's Special Collections and Archives department. Cabell died in Richmond, Virginia on March 28, 1983.","The Margaret Waller Freeman Cabell papers date from 1910 to 1982 and consist of papers and memorabilia from the activities of Cabell, James Branch Cabell, Ballard Hartwell Cabell, and other family members. The bulk of the collection contains correspondence between Margaret Freeman Cabell, James Branch Cabell, and their friends, colleagues, and business associates.","including clippings","with newspaper clippings","(copies of two letters from JBC, 1919, 1924, from Bond Collection","Letter to Stagg from JBC on Rockbridge Alum Springs","These items have their own numbering system","There are no restrictions.","VCU James Branch Cabell Library","Cabell, Margaret Freeman, 1893-1983","Cabell, James Branch, 1879-1958","English \n.    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Series I-- Personal Correspondence [includes letters to James Branch Cabell and both Mrs. Cabells] (1866-1978) Series II--Miscellaneous (1950-1975) Series III--Personal Material (1948- 1953) Series IV--Organizational Correspondence (1923-1977) Series V--World War I Correspondence [MWF] (1917-1927) Series VI--Plays and Creative Writings (1920-33) Series VII-- Margaret Waller Freeman Correpondence (with sub-series Client Correspondence and Confederate Chapel Correspondence) (1931-1973) Series VIII--John Brightwell Freeman Papers (1930-1968) Series IX--John Middleton Freeman Papers (undated) Series XII--Oversize Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["All series are arranged topically, alphabetically and chronologically therein, excluding oversize and photographic items which are housed separately from the collection. 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Margaret Freeman Cabell continued to actively advance the literary legacy of James Branch Cabell following his death in 1958. Through the 1960s and 1970s, she co-edited \u003ctitle\u003eBetween Friends: Letters of James Branch Cabell and Others\u003c/title\u003e, founded the James Branch Cabell Society, and encouraged scholars to write about and research James Branch Cabell. \u003c/p\u003e\n","\u003cp\u003eIn the late 1960s, Margaret Freeman Cabell arranged for the donation of James Branch Cabell's personal library to Virginia Commonwealth University. Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors. Margaret Cabell additionally advocated for the donation of books and materials to Cabell Library's Special Collections and Archives department. Cabell died in Richmond, Virginia on March 28, 1983.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Margaret Waller Freeman Cabell (1893-1983) was an interior decorator, founding editor of  The Reviewer , and supporter of the arts. ","Born in Richmond, Virginia on August 29, 1893, Cabell graduated from Miss Jennie Ellett's School (now St. Catherine's School) and in the 1920s became one of the founding editors and the business manager of the Richmond-based literary magazine  The Reviewer . During the 20s, Cabell also briefly studied interior design in Paris which would later lead to her operating a New York City-based interior decorating studio under the name Waller Freeman. Following her time at  The Reviewer , Cabell went on to receive training as a nurse. During World War II, she helped run the servicemen entertainment venue The Stage Door Canteen in Washington, D.C.","In 1950 Margaret Waller Freeman married Richmond author James Branch Cabell in Richmond and gained Ballard Hartwell Cabell as a step-son. She supported the arts and was an active member of many Richmond civic organizations including the Woman's Club of Richmond, the Colonial Dames of America, and the United Daughters of the Confederacy. Cabell fundraised to restore the late-19th century Confederate Chapel located behind what is now the Virginia Museum of Fine Arts. Margaret Freeman Cabell continued to actively advance the literary legacy of James Branch Cabell following his death in 1958. Through the 1960s and 1970s, she co-edited  Between Friends: Letters of James Branch Cabell and Others , founded the James Branch Cabell Society, and encouraged scholars to write about and research James Branch Cabell. ","In the late 1960s, Margaret Freeman Cabell arranged for the donation of James Branch Cabell's personal library to Virginia Commonwealth University. Soon after the establishment of Virginia Commonwealth University (VCU) in 1968, created by the merger of the Medical College of Virginia (MCV) and Richmond Professional Institute (RPI), the University began construction for a new library on the Monroe Park Campus. RPI had already planned for a new library and approached Margaret Cabell about naming it for her husband. VCU approved the name, and in 1970, the James Branch Cabell Library opened its doors. Margaret Cabell additionally advocated for the donation of books and materials to Cabell Library's Special Collections and Archives department. Cabell died in Richmond, Virginia on March 28, 1983."],"prefercite_html_tesm":["\u003cp\u003eBox/folder, Margaret Freeman Cabell Papers, M 228, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e"],"prefercite_tesim":["Box/folder, Margaret Freeman Cabell Papers, M 228, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe Margaret Waller Freeman Cabell papers date from 1910 to 1982 and consist of papers and memorabilia from the activities of Cabell, James Branch Cabell, Ballard Hartwell Cabell, and other family members. 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Some of her notes and research materials are included, as well as seven of her short stories. There are two pages that have been identified as belonging to George Washington's Country.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_85#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_85","ead_ssi":"vircu_repositories_5_resources_85","_root_":"vircu_repositories_5_resources_85","_nest_parent_":"vircu_repositories_5_resources_85","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_85.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-cab/vircu00116.xml","title_filing_ssi":"Andrews, Marietta Minnigerode, papers","title_ssm":["Marietta Minnegerode Andrews papers"],"title_tesim":["Marietta Minnegerode Andrews papers"],"unitdate_ssm":["1914-1931"],"unitdate_inclusive_ssm":["1914-1931"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 189","/repositories/5/resources/85"],"text":["M 189","/repositories/5/resources/85","Marietta Minnegerode Andrews papers","Authors, American -- Virginia","Authors, American -- Manuscripts -- Virginia","Collection is open to research.","The manuscript for Black Brother has been reconstructed from internal evidence and Mrs. Andrews' notes. Associated materials, probably intended for inclusion in the final book, have been arranged following the manuscript. Photographs have been removed to the University photograph collection.","Marietta Minnigerode Andrews was born 11 December 1869 to Charles and Virginia Cuthbert Minnigerode. She studied art in Washington, D.C., New York, Paris and Munich. In 1895, she married her former instructor, Eliphalet Fraser Andrews, director of the Corcoran School of Art in Washington, D.C. She began to write and publish poetry and prose after the death of her husband in 1915. Her works include Songs of a Mother (1917), Out of the Dust (1920), George Washington's Country (1930), and Many Waters (1931).","The collection consists of approximately 100 items. The bulk of the material concerns Black Brother, a long, unfinished manuscript that Mrs. Andrews was working on when she died. Some of her notes and research materials are included, as well as seven of her short stories. There are two pages that have been identified as belonging to George Washington's Country.","There are no restrictions.","VCU James Branch Cabell Library","Andrews, Marietta Minnigerode, 1869-1931","Andrews, Marietta Minnigerode, 1869-1931 -- Autographs","Andrews, Marietta Minnigerode, 1869-1931 -- Archives","Andrews, Marietta Minnigerode, 1869-1931 -- Manuscripts","English \n.    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Associated materials, probably intended for inclusion in the final book, have been arranged following the manuscript. Photographs have been removed to the University photograph collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The manuscript for Black Brother has been reconstructed from internal evidence and Mrs. Andrews' notes. Associated materials, probably intended for inclusion in the final book, have been arranged following the manuscript. Photographs have been removed to the University photograph collection."],"bioghist_html_tesm":["\u003cp\u003eMarietta Minnigerode Andrews was born 11 December 1869 to Charles and Virginia Cuthbert Minnigerode. She studied art in Washington, D.C., New York, Paris and Munich. In 1895, she married her former instructor, Eliphalet Fraser Andrews, director of the Corcoran School of Art in Washington, D.C. She began to write and publish poetry and prose after the death of her husband in 1915. Her works include Songs of a Mother (1917), Out of the Dust (1920), George Washington's Country (1930), and Many Waters (1931).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Marietta Minnigerode Andrews was born 11 December 1869 to Charles and Virginia Cuthbert Minnigerode. She studied art in Washington, D.C., New York, Paris and Munich. In 1895, she married her former instructor, Eliphalet Fraser Andrews, director of the Corcoran School of Art in Washington, D.C. She began to write and publish poetry and prose after the death of her husband in 1915. 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During her career, she published seven poetry collections and sold original plays to regional performing arts theaters.  Her published works include  The Waggon and the Star  (1922),  The Unrisen Morrow  (1926),  The Black Moon  (1929),  Spider Architect  (1937),  From Invisible Mountains  (1943),  Himself and I  (1950), and  Nightingales on the Moon  (1952).","Leitch was born 8 September 1876 in New York City, the daughter of Carlton Thomas and Nancy Dunlap McKeen Lewis. She received her early education in private preparatory schools, later attending Smith College and Columbia University and schools in France and Germany. ","After completing her academic education, Leitch returned to New York City, where she served as an inspector of women's prisons. While working as an inspector, Leitch became a contributing editor to  Harper's Monthly , the  New York Herald , and the  New York Evening Post . In 1907, Leitch left her professional positions to travel for an extended period, after which she married John David Leitch in 1907 and relocated to Lynnhaven, Virginia. Upon moving to Virginia, Leitch began her writing career. Leitch wrote the majority of her works in her Lynnhaven home, which she referred to in her works and correspondence as \"Wycherley.\"","In 1923, Leitch became a founding member of the Poetry Society of Virginia, serving as its president in 1933 and co-president from 1944 to1945. She served as the editor for the poetry anthology  Lyric Virginia Today  in 1932, leaving the same year to focus on writing poetry and short stories. Leitch published seven collective works of her poetry between 1922 and 1952. Additionally, Leitch submitted her writings throughout her career to various publishing houses, journals, and performing arts theaters to varying degrees of success. During this process, Leitch became professionally acquainted with prominent writers, journalists, and illustrators such as J.J. Lankes and Robert Frost, and Louis Jaffe. ","Leitch died on 20 August 1954 in Virginia Beach, Virginia.","Barbara Murphy, granddaughter of Mary Sinton Leitch, gave the papers to Roberta Cornelius, a faculty member at Randolph-Macon Women's College. When Cornelius retired in 1968, she gave the collection to Emma Gray Trigg.","The collection was initially processed in 1984 and revised in 1990. The collection was reprocessed in 2022 and the finding aid written to current standards. Files were rehoused, relabled, and condensed where applicable.","The Mary Sinton Leitch papers, 1929-1954, 1968 is a collection of her personal works and papers. The papers consist primarily of early drafts of Leitch's writing, draft publications, and correspondence with poets and publishers. This collection provides a unique look into Leitch's creative process and her career as a woman writer in central Virginia during the early and mid 20th century. ","Series 1: Stage Plays and Short Stories contains multiple working drafts of Leitch's works of fiction. The printed drafts include annotations and working notes. Some plays, such as The Black Moon and The Unwilling Conspirator, include multiple drafts at various stages of Leitch's creative process. ","Series 2: Poetry and Songs make up the bulk of the collection, including typed copies of Leitch's poetry, workbooks of poetry drafts and concepts, and poetry publication proofs. This series contains both published and unpublished poems, organized in alphabetical order by title. Some drafts include notes, corrections, and general annotations. Also included are workbooks and scratch books used by Leitch to workshop poems. These workbooks contain a partially-complete paste-up and a proof book of Leitch's poetry compilation From Invisible Mountains, both of which have some editorial annotations. ","The series includes a small number of songs that Leitch wrote and published herself or in collaboration with other songwriters. These songs are all finalized publications free of annotation. ","Series 3: Correspondence encompasses Leitch's professional and personal correspondence regarding her works of poetry and fiction with publishers and professional peers. The majority of the correspondence pertains to Leitch submittingher works for publication. Leitch corresponded with other contemporary poets, and she expressed her admiration, requested advice, or planned social engagements. Individuals Leitch corresponded with include poets Robert Frost,  T. S. Eliot, Archibald Rutledge, and illustrator J. J. Lankes. ","Series 4:  Project Files and Subject Files is composed of Leitch's personal files related to publishing, professional and amateur reviews of her works, and research pertaining to her career as a writer. Some examples of the files included in this series are a workbook of submissions made to publishers, paste-up books of reviews of her poetry, and contact sheets for Virginia Poetry Society members.","There are no restrictions.","VCU James Branch Cabell Library","Poetry Society of Virginia","Leitch, Mary Sinton, 1876-1954","Leitch, Mary Sinton, 1876-1954 -- Archives","English \n,        German \n.    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During her career, she published seven poetry collections and sold original plays to regional performing arts theaters.  Her published works include \u003ctitle\u003eThe Waggon and the Star\u003c/title\u003e (1922), \u003ctitle\u003eThe Unrisen Morrow\u003c/title\u003e (1926), \u003ctitle\u003eThe Black Moon\u003c/title\u003e (1929), \u003ctitle\u003eSpider Architect\u003c/title\u003e (1937), \u003ctitle\u003eFrom Invisible Mountains\u003c/title\u003e (1943), \u003ctitle\u003eHimself and I\u003c/title\u003e (1950), and \u003ctitle\u003eNightingales on the Moon\u003c/title\u003e (1952).\u003c/p\u003e\n","\u003cp\u003eLeitch was born 8 September 1876 in New York City, the daughter of Carlton Thomas and Nancy Dunlap McKeen Lewis. 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She served as the editor for the poetry anthology  Lyric Virginia Today  in 1932, leaving the same year to focus on writing poetry and short stories. Leitch published seven collective works of her poetry between 1922 and 1952. Additionally, Leitch submitted her writings throughout her career to various publishing houses, journals, and performing arts theaters to varying degrees of success. During this process, Leitch became professionally acquainted with prominent writers, journalists, and illustrators such as J.J. Lankes and Robert Frost, and Louis Jaffe. ","Leitch died on 20 August 1954 in Virginia Beach, Virginia."],"custodhist_html_tesm":["\u003cp\u003eBarbara Murphy, granddaughter of Mary Sinton Leitch, gave the papers to Roberta Cornelius, a faculty member at Randolph-Macon Women's College. When Cornelius retired in 1968, she gave the collection to Emma Gray Trigg.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Barbara Murphy, granddaughter of Mary Sinton Leitch, gave the papers to Roberta Cornelius, a faculty member at Randolph-Macon Women's College. When Cornelius retired in 1968, she gave the collection to Emma Gray Trigg."],"prefercite_html_tesm":["\u003cp\u003eMary Sinton Leitch papers, Collection # M 52, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Mary Sinton Leitch papers, Collection # M 52, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection was initially processed in 1984 and revised in 1990. The collection was reprocessed in 2022 and the finding aid written to current standards. Files were rehoused, relabled, and condensed where applicable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was initially processed in 1984 and revised in 1990. The collection was reprocessed in 2022 and the finding aid written to current standards. Files were rehoused, relabled, and condensed where applicable."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Sinton Leitch papers, 1929-1954, 1968 is a collection of her personal works and papers. The papers consist primarily of early drafts of Leitch's writing, draft publications, and correspondence with poets and publishers. This collection provides a unique look into Leitch's creative process and her career as a woman writer in central Virginia during the early and mid 20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Stage Plays and Short Stories contains multiple working drafts of Leitch's works of fiction. The printed drafts include annotations and working notes. Some plays, such as The Black Moon and The Unwilling Conspirator, include multiple drafts at various stages of Leitch's creative process. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Poetry and Songs make up the bulk of the collection, including typed copies of Leitch's poetry, workbooks of poetry drafts and concepts, and poetry publication proofs. This series contains both published and unpublished poems, organized in alphabetical order by title. Some drafts include notes, corrections, and general annotations. Also included are workbooks and scratch books used by Leitch to workshop poems. These workbooks contain a partially-complete paste-up and a proof book of Leitch's poetry compilation From Invisible Mountains, both of which have some editorial annotations. \u003c/p\u003e\n","\u003cp\u003eThe series includes a small number of songs that Leitch wrote and published herself or in collaboration with other songwriters. These songs are all finalized publications free of annotation. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Correspondence encompasses Leitch's professional and personal correspondence regarding her works of poetry and fiction with publishers and professional peers. The majority of the correspondence pertains to Leitch submittingher works for publication. Leitch corresponded with other contemporary poets, and she expressed her admiration, requested advice, or planned social engagements. Individuals Leitch corresponded with include poets Robert Frost,  T. S. Eliot, Archibald Rutledge, and illustrator J. J. Lankes. \u003c/p\u003e\n","\u003cp\u003eSeries 4:  Project Files and Subject Files is composed of Leitch's personal files related to publishing, professional and amateur reviews of her works, and research pertaining to her career as a writer. Some examples of the files included in this series are a workbook of submissions made to publishers, paste-up books of reviews of her poetry, and contact sheets for Virginia Poetry Society members.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mary Sinton Leitch papers, 1929-1954, 1968 is a collection of her personal works and papers. The papers consist primarily of early drafts of Leitch's writing, draft publications, and correspondence with poets and publishers. This collection provides a unique look into Leitch's creative process and her career as a woman writer in central Virginia during the early and mid 20th century. ","Series 1: Stage Plays and Short Stories contains multiple working drafts of Leitch's works of fiction. The printed drafts include annotations and working notes. Some plays, such as The Black Moon and The Unwilling Conspirator, include multiple drafts at various stages of Leitch's creative process. ","Series 2: Poetry and Songs make up the bulk of the collection, including typed copies of Leitch's poetry, workbooks of poetry drafts and concepts, and poetry publication proofs. This series contains both published and unpublished poems, organized in alphabetical order by title. Some drafts include notes, corrections, and general annotations. Also included are workbooks and scratch books used by Leitch to workshop poems. These workbooks contain a partially-complete paste-up and a proof book of Leitch's poetry compilation From Invisible Mountains, both of which have some editorial annotations. ","The series includes a small number of songs that Leitch wrote and published herself or in collaboration with other songwriters. These songs are all finalized publications free of annotation. ","Series 3: Correspondence encompasses Leitch's professional and personal correspondence regarding her works of poetry and fiction with publishers and professional peers. The majority of the correspondence pertains to Leitch submittingher works for publication. Leitch corresponded with other contemporary poets, and she expressed her admiration, requested advice, or planned social engagements. Individuals Leitch corresponded with include poets Robert Frost,  T. S. Eliot, Archibald Rutledge, and illustrator J. J. Lankes. ","Series 4:  Project Files and Subject Files is composed of Leitch's personal files related to publishing, professional and amateur reviews of her works, and research pertaining to her career as a writer. Some examples of the files included in this series are a workbook of submissions made to publishers, paste-up books of reviews of her poetry, and contact sheets for Virginia Poetry Society members."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Poetry Society of Virginia","Leitch, Mary Sinton, 1876-1954 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","Poetry Society of Virginia","Leitch, Mary Sinton, 1876-1954","Leitch, Mary Sinton, 1876-1954 -- Archives"],"corpname_ssim":["VCU James Branch Cabell Library","Poetry Society of Virginia"],"persname_ssim":["Leitch, Mary Sinton, 1876-1954","Leitch, Mary Sinton, 1876-1954 -- Archives"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:41:36.823Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_267","ead_ssi":"vircu_repositories_5_resources_267","_root_":"vircu_repositories_5_resources_267","_nest_parent_":"vircu_repositories_5_resources_267","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_267.xml","title_filing_ssi":"Leitch, Mary Sinton, papers","title_ssm":["Mary Sinton Leitch papers"],"title_tesim":["Mary Sinton Leitch papers"],"unitdate_ssm":["1929-1954, 1968"],"unitdate_inclusive_ssm":["1929-1954, 1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 52","/repositories/5/resources/267"],"text":["M 52","/repositories/5/resources/267","Mary Sinton Leitch papers","Authors, American -- Virginia","Poets, American -- Virginia","Collection is open to research.","The collection is arranged into four series: Series 1: Short Stories, 1929, 1947, undated, Series 2: Poetry, 1936, 1943, undated, Series 3: Correspondence, 1939-1954, 1968, and Series 4: Project Files and Subject Files, 1931-1954.","Mary Sinton Lewis Leitch (1876-1954) was a prominent regional poet and fiction writer from Lynnhaven, Virginia, and a founding member of the Poetry Society of Virginia. During her career, she published seven poetry collections and sold original plays to regional performing arts theaters.  Her published works include  The Waggon and the Star  (1922),  The Unrisen Morrow  (1926),  The Black Moon  (1929),  Spider Architect  (1937),  From Invisible Mountains  (1943),  Himself and I  (1950), and  Nightingales on the Moon  (1952).","Leitch was born 8 September 1876 in New York City, the daughter of Carlton Thomas and Nancy Dunlap McKeen Lewis. She received her early education in private preparatory schools, later attending Smith College and Columbia University and schools in France and Germany. ","After completing her academic education, Leitch returned to New York City, where she served as an inspector of women's prisons. While working as an inspector, Leitch became a contributing editor to  Harper's Monthly , the  New York Herald , and the  New York Evening Post . In 1907, Leitch left her professional positions to travel for an extended period, after which she married John David Leitch in 1907 and relocated to Lynnhaven, Virginia. Upon moving to Virginia, Leitch began her writing career. Leitch wrote the majority of her works in her Lynnhaven home, which she referred to in her works and correspondence as \"Wycherley.\"","In 1923, Leitch became a founding member of the Poetry Society of Virginia, serving as its president in 1933 and co-president from 1944 to1945. She served as the editor for the poetry anthology  Lyric Virginia Today  in 1932, leaving the same year to focus on writing poetry and short stories. Leitch published seven collective works of her poetry between 1922 and 1952. Additionally, Leitch submitted her writings throughout her career to various publishing houses, journals, and performing arts theaters to varying degrees of success. During this process, Leitch became professionally acquainted with prominent writers, journalists, and illustrators such as J.J. Lankes and Robert Frost, and Louis Jaffe. ","Leitch died on 20 August 1954 in Virginia Beach, Virginia.","Barbara Murphy, granddaughter of Mary Sinton Leitch, gave the papers to Roberta Cornelius, a faculty member at Randolph-Macon Women's College. When Cornelius retired in 1968, she gave the collection to Emma Gray Trigg.","The collection was initially processed in 1984 and revised in 1990. The collection was reprocessed in 2022 and the finding aid written to current standards. Files were rehoused, relabled, and condensed where applicable.","The Mary Sinton Leitch papers, 1929-1954, 1968 is a collection of her personal works and papers. The papers consist primarily of early drafts of Leitch's writing, draft publications, and correspondence with poets and publishers. This collection provides a unique look into Leitch's creative process and her career as a woman writer in central Virginia during the early and mid 20th century. ","Series 1: Stage Plays and Short Stories contains multiple working drafts of Leitch's works of fiction. The printed drafts include annotations and working notes. Some plays, such as The Black Moon and The Unwilling Conspirator, include multiple drafts at various stages of Leitch's creative process. ","Series 2: Poetry and Songs make up the bulk of the collection, including typed copies of Leitch's poetry, workbooks of poetry drafts and concepts, and poetry publication proofs. This series contains both published and unpublished poems, organized in alphabetical order by title. Some drafts include notes, corrections, and general annotations. Also included are workbooks and scratch books used by Leitch to workshop poems. These workbooks contain a partially-complete paste-up and a proof book of Leitch's poetry compilation From Invisible Mountains, both of which have some editorial annotations. ","The series includes a small number of songs that Leitch wrote and published herself or in collaboration with other songwriters. These songs are all finalized publications free of annotation. ","Series 3: Correspondence encompasses Leitch's professional and personal correspondence regarding her works of poetry and fiction with publishers and professional peers. The majority of the correspondence pertains to Leitch submittingher works for publication. Leitch corresponded with other contemporary poets, and she expressed her admiration, requested advice, or planned social engagements. Individuals Leitch corresponded with include poets Robert Frost,  T. S. Eliot, Archibald Rutledge, and illustrator J. J. Lankes. ","Series 4:  Project Files and Subject Files is composed of Leitch's personal files related to publishing, professional and amateur reviews of her works, and research pertaining to her career as a writer. Some examples of the files included in this series are a workbook of submissions made to publishers, paste-up books of reviews of her poetry, and contact sheets for Virginia Poetry Society members.","There are no restrictions.","VCU James Branch Cabell Library","Poetry Society of Virginia","Leitch, Mary Sinton, 1876-1954","Leitch, Mary Sinton, 1876-1954 -- Archives","English \n,        German \n.    "],"unitid_tesim":["M 52","/repositories/5/resources/267"],"normalized_title_ssm":["Mary Sinton Leitch papers"],"collection_title_tesim":["Mary Sinton Leitch papers"],"collection_ssim":["Mary Sinton Leitch papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Leitch, Mary Sinton, 1876-1954"],"creator_ssim":["Leitch, Mary Sinton, 1876-1954"],"creator_persname_ssim":["Leitch, Mary Sinton, 1876-1954"],"creators_ssim":["Leitch, Mary Sinton, 1876-1954"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated to VCU by Emma Gray Trigg November, 1968."],"access_subjects_ssim":["Authors, American -- Virginia","Poets, American -- Virginia"],"access_subjects_ssm":["Authors, American -- Virginia","Poets, American -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["1.88 Linear Feet"],"extent_tesim":["1.88 Linear Feet"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restriction"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series: Series 1: Short Stories, 1929, 1947, undated, Series 2: Poetry, 1936, 1943, undated, Series 3: Correspondence, 1939-1954, 1968, and Series 4: Project Files and Subject Files, 1931-1954.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series: Series 1: Short Stories, 1929, 1947, undated, Series 2: Poetry, 1936, 1943, undated, Series 3: Correspondence, 1939-1954, 1968, and Series 4: Project Files and Subject Files, 1931-1954."],"bioghist_html_tesm":["\u003cp\u003eMary Sinton Lewis Leitch (1876-1954) was a prominent regional poet and fiction writer from Lynnhaven, Virginia, and a founding member of the Poetry Society of Virginia. During her career, she published seven poetry collections and sold original plays to regional performing arts theaters.  Her published works include \u003ctitle\u003eThe Waggon and the Star\u003c/title\u003e (1922), \u003ctitle\u003eThe Unrisen Morrow\u003c/title\u003e (1926), \u003ctitle\u003eThe Black Moon\u003c/title\u003e (1929), \u003ctitle\u003eSpider Architect\u003c/title\u003e (1937), \u003ctitle\u003eFrom Invisible Mountains\u003c/title\u003e (1943), \u003ctitle\u003eHimself and I\u003c/title\u003e (1950), and \u003ctitle\u003eNightingales on the Moon\u003c/title\u003e (1952).\u003c/p\u003e\n","\u003cp\u003eLeitch was born 8 September 1876 in New York City, the daughter of Carlton Thomas and Nancy Dunlap McKeen Lewis. She received her early education in private preparatory schools, later attending Smith College and Columbia University and schools in France and Germany. \u003c/p\u003e\n","\u003cp\u003eAfter completing her academic education, Leitch returned to New York City, where she served as an inspector of women's prisons. While working as an inspector, Leitch became a contributing editor to \u003ctitle\u003eHarper's Monthly\u003c/title\u003e, the \u003ctitle\u003eNew York Herald\u003c/title\u003e, and the\u003ctitle\u003e New York Evening Post\u003c/title\u003e. In 1907, Leitch left her professional positions to travel for an extended period, after which she married John David Leitch in 1907 and relocated to Lynnhaven, Virginia. Upon moving to Virginia, Leitch began her writing career. Leitch wrote the majority of her works in her Lynnhaven home, which she referred to in her works and correspondence as \"Wycherley.\"\u003c/p\u003e\n","\u003cp\u003eIn 1923, Leitch became a founding member of the Poetry Society of Virginia, serving as its president in 1933 and co-president from 1944 to1945. She served as the editor for the poetry anthology \u003ctitle\u003eLyric Virginia Today\u003c/title\u003e in 1932, leaving the same year to focus on writing poetry and short stories. Leitch published seven collective works of her poetry between 1922 and 1952. Additionally, Leitch submitted her writings throughout her career to various publishing houses, journals, and performing arts theaters to varying degrees of success. During this process, Leitch became professionally acquainted with prominent writers, journalists, and illustrators such as J.J. Lankes and Robert Frost, and Louis Jaffe. \u003c/p\u003e\n","\u003cp\u003eLeitch died on 20 August 1954 in Virginia Beach, Virginia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mary Sinton Lewis Leitch (1876-1954) was a prominent regional poet and fiction writer from Lynnhaven, Virginia, and a founding member of the Poetry Society of Virginia. During her career, she published seven poetry collections and sold original plays to regional performing arts theaters.  Her published works include  The Waggon and the Star  (1922),  The Unrisen Morrow  (1926),  The Black Moon  (1929),  Spider Architect  (1937),  From Invisible Mountains  (1943),  Himself and I  (1950), and  Nightingales on the Moon  (1952).","Leitch was born 8 September 1876 in New York City, the daughter of Carlton Thomas and Nancy Dunlap McKeen Lewis. She received her early education in private preparatory schools, later attending Smith College and Columbia University and schools in France and Germany. ","After completing her academic education, Leitch returned to New York City, where she served as an inspector of women's prisons. While working as an inspector, Leitch became a contributing editor to  Harper's Monthly , the  New York Herald , and the  New York Evening Post . In 1907, Leitch left her professional positions to travel for an extended period, after which she married John David Leitch in 1907 and relocated to Lynnhaven, Virginia. Upon moving to Virginia, Leitch began her writing career. Leitch wrote the majority of her works in her Lynnhaven home, which she referred to in her works and correspondence as \"Wycherley.\"","In 1923, Leitch became a founding member of the Poetry Society of Virginia, serving as its president in 1933 and co-president from 1944 to1945. She served as the editor for the poetry anthology  Lyric Virginia Today  in 1932, leaving the same year to focus on writing poetry and short stories. Leitch published seven collective works of her poetry between 1922 and 1952. Additionally, Leitch submitted her writings throughout her career to various publishing houses, journals, and performing arts theaters to varying degrees of success. During this process, Leitch became professionally acquainted with prominent writers, journalists, and illustrators such as J.J. Lankes and Robert Frost, and Louis Jaffe. ","Leitch died on 20 August 1954 in Virginia Beach, Virginia."],"custodhist_html_tesm":["\u003cp\u003eBarbara Murphy, granddaughter of Mary Sinton Leitch, gave the papers to Roberta Cornelius, a faculty member at Randolph-Macon Women's College. When Cornelius retired in 1968, she gave the collection to Emma Gray Trigg.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Barbara Murphy, granddaughter of Mary Sinton Leitch, gave the papers to Roberta Cornelius, a faculty member at Randolph-Macon Women's College. When Cornelius retired in 1968, she gave the collection to Emma Gray Trigg."],"prefercite_html_tesm":["\u003cp\u003eMary Sinton Leitch papers, Collection # M 52, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Mary Sinton Leitch papers, Collection # M 52, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection was initially processed in 1984 and revised in 1990. The collection was reprocessed in 2022 and the finding aid written to current standards. Files were rehoused, relabled, and condensed where applicable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was initially processed in 1984 and revised in 1990. The collection was reprocessed in 2022 and the finding aid written to current standards. Files were rehoused, relabled, and condensed where applicable."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Sinton Leitch papers, 1929-1954, 1968 is a collection of her personal works and papers. The papers consist primarily of early drafts of Leitch's writing, draft publications, and correspondence with poets and publishers. This collection provides a unique look into Leitch's creative process and her career as a woman writer in central Virginia during the early and mid 20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Stage Plays and Short Stories contains multiple working drafts of Leitch's works of fiction. The printed drafts include annotations and working notes. Some plays, such as The Black Moon and The Unwilling Conspirator, include multiple drafts at various stages of Leitch's creative process. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Poetry and Songs make up the bulk of the collection, including typed copies of Leitch's poetry, workbooks of poetry drafts and concepts, and poetry publication proofs. This series contains both published and unpublished poems, organized in alphabetical order by title. Some drafts include notes, corrections, and general annotations. Also included are workbooks and scratch books used by Leitch to workshop poems. These workbooks contain a partially-complete paste-up and a proof book of Leitch's poetry compilation From Invisible Mountains, both of which have some editorial annotations. \u003c/p\u003e\n","\u003cp\u003eThe series includes a small number of songs that Leitch wrote and published herself or in collaboration with other songwriters. These songs are all finalized publications free of annotation. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Correspondence encompasses Leitch's professional and personal correspondence regarding her works of poetry and fiction with publishers and professional peers. The majority of the correspondence pertains to Leitch submittingher works for publication. Leitch corresponded with other contemporary poets, and she expressed her admiration, requested advice, or planned social engagements. Individuals Leitch corresponded with include poets Robert Frost,  T. S. Eliot, Archibald Rutledge, and illustrator J. J. Lankes. \u003c/p\u003e\n","\u003cp\u003eSeries 4:  Project Files and Subject Files is composed of Leitch's personal files related to publishing, professional and amateur reviews of her works, and research pertaining to her career as a writer. Some examples of the files included in this series are a workbook of submissions made to publishers, paste-up books of reviews of her poetry, and contact sheets for Virginia Poetry Society members.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mary Sinton Leitch papers, 1929-1954, 1968 is a collection of her personal works and papers. The papers consist primarily of early drafts of Leitch's writing, draft publications, and correspondence with poets and publishers. This collection provides a unique look into Leitch's creative process and her career as a woman writer in central Virginia during the early and mid 20th century. ","Series 1: Stage Plays and Short Stories contains multiple working drafts of Leitch's works of fiction. The printed drafts include annotations and working notes. Some plays, such as The Black Moon and The Unwilling Conspirator, include multiple drafts at various stages of Leitch's creative process. ","Series 2: Poetry and Songs make up the bulk of the collection, including typed copies of Leitch's poetry, workbooks of poetry drafts and concepts, and poetry publication proofs. This series contains both published and unpublished poems, organized in alphabetical order by title. Some drafts include notes, corrections, and general annotations. Also included are workbooks and scratch books used by Leitch to workshop poems. These workbooks contain a partially-complete paste-up and a proof book of Leitch's poetry compilation From Invisible Mountains, both of which have some editorial annotations. ","The series includes a small number of songs that Leitch wrote and published herself or in collaboration with other songwriters. These songs are all finalized publications free of annotation. ","Series 3: Correspondence encompasses Leitch's professional and personal correspondence regarding her works of poetry and fiction with publishers and professional peers. The majority of the correspondence pertains to Leitch submittingher works for publication. Leitch corresponded with other contemporary poets, and she expressed her admiration, requested advice, or planned social engagements. Individuals Leitch corresponded with include poets Robert Frost,  T. S. Eliot, Archibald Rutledge, and illustrator J. J. Lankes. ","Series 4:  Project Files and Subject Files is composed of Leitch's personal files related to publishing, professional and amateur reviews of her works, and research pertaining to her career as a writer. Some examples of the files included in this series are a workbook of submissions made to publishers, paste-up books of reviews of her poetry, and contact sheets for Virginia Poetry Society members."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Poetry Society of Virginia","Leitch, Mary Sinton, 1876-1954 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","Poetry Society of Virginia","Leitch, Mary Sinton, 1876-1954","Leitch, Mary Sinton, 1876-1954 -- Archives"],"corpname_ssim":["VCU James Branch Cabell Library","Poetry Society of Virginia"],"persname_ssim":["Leitch, Mary Sinton, 1876-1954","Leitch, Mary Sinton, 1876-1954 -- Archives"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:41:36.823Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_267"}},{"id":"vircu_repositories_5_resources_275","type":"collection","attributes":{"title":"Powhatan (Polly) Stone papers","creator":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_275#creator","type":"document_value","attributes":{"value":"Stone, Powhatan","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_275#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection covers the span of Miss Stone's working life from 1920 onward. The material divides itself into three groups. The first group includes dialogues by Miss Stone about her job and the people, places and things which she encountered. The second group includes correspondence dating from 1920 to 1976. The third group consists of the majority of her literary works including essays, poetry, short stories and class notes.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_275#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_275","ead_ssi":"vircu_repositories_5_resources_275","_root_":"vircu_repositories_5_resources_275","_nest_parent_":"vircu_repositories_5_resources_275","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_275.xml","title_filing_ssi":"Stone, Powhatan (Polly), papers","title_ssm":["Powhatan (Polly) Stone papers"],"title_tesim":["Powhatan (Polly) Stone papers"],"unitdate_ssm":["1920-1976"],"unitdate_inclusive_ssm":["1920-1976"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 79","/repositories/5/resources/275"],"text":["M 79","/repositories/5/resources/275","Powhatan (Polly) Stone papers","Public health nurses -- United States","Authors, American -- Virginia","Collection is open to research.","The materials are arranged into two series, personal and literary papers. The personal collection is arranged topically and then chronologically. The literary papers are sorted alphabetically.","Powhatan Stone was born in Knoxville, Tennessee on February 26, 1891. Her family soon moved back to their original home in Virginia where Miss Stone attended school. After her mother's death, Polly left school to care for her younger brothers and sisters. In 1913, Stone moved to Washington, D.C. for training in nursing, returning to Richmond for private duty nursing until 1917. At the entry of the U.S. into World War I, Miss Stone joined the McGuire Unit and was sent to France to work in a field hospital for the last four months of the war. Upon returning home, Stone received training from the Red Cross and became a public health nurse. For the next eight years, she was a public health nurse, first in Kansas and then in Virginia. Her next position took her to the University of Chicago's Billings Hospital. Here, Stone was able to study while working at the hospital until poor health forced her to resign and move back to Virginia. After working for the Department of Health in a variety of positions, Stone attained a job with the State Board of Education. She remained there until her retirement 23 years later. Possessed of a desire to express herself more creatively in writing, she enrolled in a writing courses at RPI after her retirement.","This collection covers the span of Miss Stone's working life from 1920 onward. The material divides itself into three groups. The first group includes dialogues by Miss Stone about her job and the people, places and things which she encountered. The second group includes correspondence dating from 1920 to 1976. 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