{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Artists--United+States\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Artists--United+States\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Artists--United+States\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":15,"first_page?":true,"last_page?":false}},"data":[{"id":"vino_repositories_3_resources_173","type":"collection","attributes":{"title":"Alexander Brooks \"A.B.\" Jackson Papers, 1965/1981","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_173#creator","type":"document_value","attributes":{"value":"Jackson, A.B. (Alexander Brooks) (1925-1981)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_173#abstract_or_scope","type":"document_value","attributes":{"value":"Alexander Brooks \"A.B.\" Jackson began teaching in the Art department in 1967 as the school's first black faculty member. The contents of this collection include photographs taken and collected by Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_3_resources_173#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_3_resources_173","ead_ssi":"vino_repositories_3_resources_173","_root_":"vino_repositories_3_resources_173","_nest_parent_":"vino_repositories_3_resources_173","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_173.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/173","title_filing_ssi":"Jackson, Alexander Brooks","title_ssm":["Alexander Brooks \"A.B.\" Jackson Papers"],"title_tesim":["Alexander Brooks \"A.B.\" Jackson Papers"],"unitdate_ssm":["circa 1965-1981","Date acquired: 01/28/2011"],"unitdate_inclusive_ssm":["circa 1965-1981"],"unitdate_other_ssim":["Date acquired: 01/28/2011"],"normalized_date_ssm":["1965/1981"],"normalized_title_ssm":["Alexander Brooks \"A.B.\" Jackson Papers, 1965/1981"],"text":["Alexander Brooks \"A.B.\" Jackson Papers, 1965/1981","RG 17-2B5","/repositories/3/resources/173","Artists--United States","Old Dominion University--Faculty","Photographers--United States","Open to researchers without restrictions.","The collection is organized into three series: Series I: Artwork; Series II: Photographs; and Series III: Miscellaneous.","Alexander Brooks \"A.B.\" Jackson was born in New Haven, Connecticut on April 18, 1925 to an Irish mother and an African American father. Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.","Jackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.","As an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.","In 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled \"Wow, Look at That,\" one of his trademark catch phrases, to commemorate him.","Note written by Mel Frizzell","The collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2012.","As I See Ghent : A Visual Essay, Call #: N 6537.J28 A43","The contents of this collection include photographs taken and collected by Alexander Brooks \"A.B.\" Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry. Most of the photographs are copies of the original prints.","This series contains photographs of artwork done by Jackson. It contains photographs of individual pieces, as well as photos of Jackson's work in a gallery setting.","This series contains photographs that were taken by or collected by Jackson of subjects such as places, people, and animals.","This series contains receipts, notes, and writings by or given to Jackson.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Alexander Brooks \"A.B.\" Jackson began teaching in the Art department in 1967 as the school's first black faculty member. The contents of this collection include photographs taken and collected by Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry.","ODU University Archives","Old Dominion University. Department of Art","Jackson, A.B. (Alexander Brooks) (1925-1981)","English"],"collection_title_tesim":["Alexander Brooks \"A.B.\" Jackson Papers, 1965/1981"],"collection_ssim":["Alexander Brooks \"A.B.\" Jackson Papers, 1965/1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 17-2B5","/repositories/3/resources/173"],"unitid_tesim":["RG 17-2B5","/repositories/3/resources/173"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Jackson, A.B. (Alexander Brooks) (1925-1981)"],"creator_ssim":["Jackson, A.B. (Alexander Brooks) (1925-1981)"],"creator_persname_ssim":["Jackson, A.B. (Alexander Brooks) (1925-1981)"],"creator_corpname_ssim":["ODU University Archives","Old Dominion University. Department of Art"],"creators_ssim":["Jackson, A.B. (Alexander Brooks) (1925-1981)","ODU University Archives","Old Dominion University. Department of Art"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Ms. Ann Dearsley-Vernon","Gift. Accession # A2011-01"],"access_subjects_ssim":["Artists--United States","Old Dominion University--Faculty","Photographers--United States"],"access_subjects_ssm":["Artists--United States","Old Dominion University--Faculty","Photographers--United States"],"has_online_content_ssim":["false"],"extent_ssm":["4.20 Linear Feet","1 Hollinger document case, 2 half size Hollinger document cases, 2 oversized boxes boxes"],"extent_tesim":["4.20 Linear Feet","1 Hollinger document case, 2 half size Hollinger document cases, 2 oversized boxes boxes"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,2011],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series: Series I: Artwork; Series II: Photographs; and Series III: Miscellaneous.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into three series: Series I: Artwork; Series II: Photographs; and Series III: Miscellaneous."],"bioghist_html_tesm":["\u003cp\u003eAlexander Brooks \"A.B.\" Jackson was born in New Haven, Connecticut on April 18, 1925 to an Irish mother and an African American father. Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.\u003c/p\u003e","\u003cp\u003eJackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.\u003c/p\u003e","\u003cp\u003eAs an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.\u003c/p\u003e","\u003cp\u003eIn 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled \"Wow, Look at That,\" one of his trademark catch phrases, to commemorate him.\u003c/p\u003e","\u003cp\u003eNote written by Mel Frizzell\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Alexander Brooks \"A.B.\" Jackson was born in New Haven, Connecticut on April 18, 1925 to an Irish mother and an African American father. Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.","Jackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.","As an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.","In 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled \"Wow, Look at That,\" one of his trademark catch phrases, to commemorate him.","Note written by Mel Frizzell"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  ","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Art, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Art: Untitled, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 3, Negatives: Artwork, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e\"Veronica's Veil\", circa 1965-1981, Box 2, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eArt Students Outside of a House, circa 1965-1981, Box 2, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eChildren Painting Outside, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of a Man's Face, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of a Man's Hand, Playing Pool, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of Jackson's Face, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of a Woman's Profile, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of Two Men's Faces, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of Two Men's Faces, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDetail of Balconies on a Building, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDetail of a Shadow on the Side of House, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHeadshot of a Woman, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMan at Desk With Rubber Cement, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMan Lying on Bench, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMan on Porch, Martin Rogers, Raleigh, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eStudent Posing for Figure Drawing, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThree Men Smoking, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWoman at Desk, Doing Crafts, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWoman Looking Off-Camera, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWoman Looking Out of a Window, Church Street, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWoman Smoking, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 1, Negatives: Animals and Farm Life, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 2, Negatives: People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 3, Animals, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 4, Animals, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 5, Farm Life and People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 6, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 7, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 8, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 9, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 10, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 11, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 12, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 13, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 14, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 15, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 1, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 2, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 3, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 4, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 5, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 6, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 7, Notes and Receipts, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 8, Poetry, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 1, Art, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 2, Art: Untitled, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 3, Negatives: Artwork, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","\"Veronica's Veil\", circa 1965-1981, Box 2, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Art Students Outside of a House, circa 1965-1981, Box 2, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Children Painting Outside, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of a Man's Face, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of a Man's Hand, Playing Pool, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of Jackson's Face, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of a Woman's Profile, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of Two Men's Faces, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of Two Men's Faces, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Detail of Balconies on a Building, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Detail of a Shadow on the Side of House, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Headshot of a Woman, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Man at Desk With Rubber Cement, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Man Lying on Bench, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Man on Porch, Martin Rogers, Raleigh, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Student Posing for Figure Drawing, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Three Men Smoking, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Woman at Desk, Doing Crafts, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Woman Looking Off-Camera, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Woman Looking Out of a Window, Church Street, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Woman Smoking, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 1, Negatives: Animals and Farm Life, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 2, Negatives: People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 3, Animals, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 4, Animals, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 5, Farm Life and People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 6, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 7, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 8, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 9, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 10, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 11, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 12, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 13, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 14, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 15, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 1, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 2, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 3, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 4, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 5, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 6, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 7, Notes and Receipts, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 8, Poetry, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eAs I See Ghent : A Visual Essay, Call #: N 6537.J28 A43\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["As I See Ghent : A Visual Essay, Call #: N 6537.J28 A43"],"scopecontent_html_tesm":["\u003cp\u003eThe contents of this collection include photographs taken and collected by Alexander Brooks \"A.B.\" Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry. Most of the photographs are copies of the original prints.\u003c/p\u003e  ","\u003cp\u003eThis series contains photographs of artwork done by Jackson. It contains photographs of individual pieces, as well as photos of Jackson's work in a gallery setting.\u003c/p\u003e","\u003cp\u003eThis series contains photographs that were taken by or collected by Jackson of subjects such as places, people, and animals.\u003c/p\u003e","\u003cp\u003eThis series contains receipts, notes, and writings by or given to Jackson.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The contents of this collection include photographs taken and collected by Alexander Brooks \"A.B.\" Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry. Most of the photographs are copies of the original prints.","This series contains photographs of artwork done by Jackson. It contains photographs of individual pieces, as well as photos of Jackson's work in a gallery setting.","This series contains photographs that were taken by or collected by Jackson of subjects such as places, people, and animals.","This series contains receipts, notes, and writings by or given to Jackson."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f6277a16d971a7c7e801cd6250699783\" label=\"Abstract\"\u003eAlexander Brooks \"A.B.\" Jackson began teaching in the Art department in 1967 as the school's first black faculty member. The contents of this collection include photographs taken and collected by Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry.\u003c/abstract\u003e\n    "],"abstract_tesim":["Alexander Brooks \"A.B.\" Jackson began teaching in the Art department in 1967 as the school's first black faculty member. The contents of this collection include photographs taken and collected by Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry."],"corpname_ssim":["ODU University Archives","Old Dominion University. Department of Art"],"names_coll_ssim":["Old Dominion University. Department of Art","Jackson, A.B. (Alexander Brooks) (1925-1981)"],"persname_ssim":["Jackson, A.B. (Alexander Brooks) (1925-1981)"],"names_ssim":["ODU University Archives","Old Dominion University. Department of Art","Jackson, A.B. (Alexander Brooks) (1925-1981)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":57,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:04:07.235Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_3_resources_173","ead_ssi":"vino_repositories_3_resources_173","_root_":"vino_repositories_3_resources_173","_nest_parent_":"vino_repositories_3_resources_173","ead_source_url_ssi":"data/oai/ODU/repositories_3_resources_173.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/3/resources/173","title_filing_ssi":"Jackson, Alexander Brooks","title_ssm":["Alexander Brooks \"A.B.\" Jackson Papers"],"title_tesim":["Alexander Brooks \"A.B.\" Jackson Papers"],"unitdate_ssm":["circa 1965-1981","Date acquired: 01/28/2011"],"unitdate_inclusive_ssm":["circa 1965-1981"],"unitdate_other_ssim":["Date acquired: 01/28/2011"],"normalized_date_ssm":["1965/1981"],"normalized_title_ssm":["Alexander Brooks \"A.B.\" Jackson Papers, 1965/1981"],"text":["Alexander Brooks \"A.B.\" Jackson Papers, 1965/1981","RG 17-2B5","/repositories/3/resources/173","Artists--United States","Old Dominion University--Faculty","Photographers--United States","Open to researchers without restrictions.","The collection is organized into three series: Series I: Artwork; Series II: Photographs; and Series III: Miscellaneous.","Alexander Brooks \"A.B.\" Jackson was born in New Haven, Connecticut on April 18, 1925 to an Irish mother and an African American father. Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.","Jackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.","As an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.","In 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled \"Wow, Look at That,\" one of his trademark catch phrases, to commemorate him.","Note written by Mel Frizzell","The collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2012.","As I See Ghent : A Visual Essay, Call #: N 6537.J28 A43","The contents of this collection include photographs taken and collected by Alexander Brooks \"A.B.\" Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry. Most of the photographs are copies of the original prints.","This series contains photographs of artwork done by Jackson. It contains photographs of individual pieces, as well as photos of Jackson's work in a gallery setting.","This series contains photographs that were taken by or collected by Jackson of subjects such as places, people, and animals.","This series contains receipts, notes, and writings by or given to Jackson.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Alexander Brooks \"A.B.\" Jackson began teaching in the Art department in 1967 as the school's first black faculty member. The contents of this collection include photographs taken and collected by Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry.","ODU University Archives","Old Dominion University. Department of Art","Jackson, A.B. (Alexander Brooks) (1925-1981)","English"],"collection_title_tesim":["Alexander Brooks \"A.B.\" Jackson Papers, 1965/1981"],"collection_ssim":["Alexander Brooks \"A.B.\" Jackson Papers, 1965/1981"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 17-2B5","/repositories/3/resources/173"],"unitid_tesim":["RG 17-2B5","/repositories/3/resources/173"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Jackson, A.B. (Alexander Brooks) (1925-1981)"],"creator_ssim":["Jackson, A.B. (Alexander Brooks) (1925-1981)"],"creator_persname_ssim":["Jackson, A.B. (Alexander Brooks) (1925-1981)"],"creator_corpname_ssim":["ODU University Archives","Old Dominion University. Department of Art"],"creators_ssim":["Jackson, A.B. (Alexander Brooks) (1925-1981)","ODU University Archives","Old Dominion University. Department of Art"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Ms. Ann Dearsley-Vernon","Gift. Accession # A2011-01"],"access_subjects_ssim":["Artists--United States","Old Dominion University--Faculty","Photographers--United States"],"access_subjects_ssm":["Artists--United States","Old Dominion University--Faculty","Photographers--United States"],"has_online_content_ssim":["false"],"extent_ssm":["4.20 Linear Feet","1 Hollinger document case, 2 half size Hollinger document cases, 2 oversized boxes boxes"],"extent_tesim":["4.20 Linear Feet","1 Hollinger document case, 2 half size Hollinger document cases, 2 oversized boxes boxes"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,2011],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series: Series I: Artwork; Series II: Photographs; and Series III: Miscellaneous.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into three series: Series I: Artwork; Series II: Photographs; and Series III: Miscellaneous."],"bioghist_html_tesm":["\u003cp\u003eAlexander Brooks \"A.B.\" Jackson was born in New Haven, Connecticut on April 18, 1925 to an Irish mother and an African American father. Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.\u003c/p\u003e","\u003cp\u003eJackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.\u003c/p\u003e","\u003cp\u003eAs an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.\u003c/p\u003e","\u003cp\u003eIn 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled \"Wow, Look at That,\" one of his trademark catch phrases, to commemorate him.\u003c/p\u003e","\u003cp\u003eNote written by Mel Frizzell\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Alexander Brooks \"A.B.\" Jackson was born in New Haven, Connecticut on April 18, 1925 to an Irish mother and an African American father. Jackson spent most of his childhood inside due to asthma, but showed an interest in art at an early age. During his senior year of high-school, Jackson made a pen and ink drawing of William Lyons Phelps, a revered professor at Yale University, and an acquaintance of Jackson's father. After seeing the drawing, Phelps scheduled a meeting between Jackson and the dean of Yale's art school. Soon after his interview and portfolio review, Jackson was admitted in September, 1946. He received a Bachelor of Fine Arts in painting in 1953, and a Master of Fine Arts in graphic design in 1955.","Jackson worked for three years at the Watson-Manning Advertising Agency in Stratford, Connecticut as a designer before he began to focus on teaching. He worked briefly as an instructor at Southern University in Baton Rouge, Louisiana in 1955, before moving to Norfolk, Virginia in 1956 to teach art at Norfolk State University. Jackson taught there for 10 years, and was chairman for one. In 1967, he joined Old Dominion College (later Old Dominion University) as a full-time professor in the art department and the school's first black faculty member. While at Old Dominion, Jackson participated as a judge in numerous art shows while having several showcases of his own. He was also active in programs for underprivileged youth, including a three year federal Pell grant program to instruct and inspire high-school students of all backgrounds and ethnicities to pursue higher education in 1969.","As an artist, Jackson's work focused primarily on painting and photography, though he also worked with both screen printing processes and sculpture. His work earned him various awards and showcases, in spite of the obstacles that racism presented for him. While Jackson was not a civil rights activist, he believed that art transcended race and was affiliated with the National Association for the Advancement of Colored People.  Jackson was also active in the Norfolk art community and was a member of the Norfolk Fine Arts Committee. He did art criticism feature writing for the Ledger-Star, the Virginian Pilot's sister afternoon edition, as well as Sight and Sound magazine in Norfolk. His work is represented in the permanent collections of Yale University, Dartmouth College, Mint Museum of Fine Arts, and various other corporate and private collections.","In 1978, Jackson published his book, \"As I See Ghent: A Visual Essay\", depicting the Ghent district of Norfolk, Virginia, where Jackson resided. The book is composed primarily of photographs and drawings done by Jackson and focuses on the details of Ghent that Jackson found inspiring. The book is reminiscent of Jackson's series of paintings, entitled \"The Porch People\", in which the subjects are anonymous sitters on their porches in Ghent. Jackson died March 23, 1981, at the age of 55. Following Jackson's death, the Chrysler Museum held a three-site retrospective exhibition of his work. A local television station created a tribute, entitled \"Wow, Look at That,\" one of his trademark catch phrases, to commemorate him.","Note written by Mel Frizzell"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  ","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Art, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Art: Untitled, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 3, Negatives: Artwork, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e\"Veronica's Veil\", circa 1965-1981, Box 2, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eArt Students Outside of a House, circa 1965-1981, Box 2, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eChildren Painting Outside, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of a Man's Face, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of a Man's Hand, Playing Pool, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of Jackson's Face, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of a Woman's Profile, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of Two Men's Faces, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eClose-Up of Two Men's Faces, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDetail of Balconies on a Building, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDetail of a Shadow on the Side of House, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHeadshot of a Woman, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMan at Desk With Rubber Cement, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMan Lying on Bench, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMan on Porch, Martin Rogers, Raleigh, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eStudent Posing for Figure Drawing, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThree Men Smoking, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWoman at Desk, Doing Crafts, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWoman Looking Off-Camera, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWoman Looking Out of a Window, Church Street, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWoman Smoking, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 1, Negatives: Animals and Farm Life, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 2, Negatives: People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 3, Animals, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 4, Animals, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 5, Farm Life and People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 6, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 7, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 8, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 9, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 10, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 11, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 12, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 13, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 14, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 15, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 1, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 2, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 3, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 4, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 5, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 6, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 7, Notes and Receipts, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 8, Poetry, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 1, Art, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 2, Art: Untitled, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 3, Negatives: Artwork, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","\"Veronica's Veil\", circa 1965-1981, Box 2, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Art Students Outside of a House, circa 1965-1981, Box 2, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Children Painting Outside, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of a Man's Face, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of a Man's Hand, Playing Pool, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of Jackson's Face, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of a Woman's Profile, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of Two Men's Faces, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Close-Up of Two Men's Faces, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Detail of Balconies on a Building, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Detail of a Shadow on the Side of House, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Headshot of a Woman, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Man at Desk With Rubber Cement, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Man Lying on Bench, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Man on Porch, Martin Rogers, Raleigh, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Student Posing for Figure Drawing, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Three Men Smoking, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Woman at Desk, Doing Crafts, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Woman Looking Off-Camera, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Woman Looking Out of a Window, Church Street, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Woman Smoking, circa 1965-1981, Box 3, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 1, Negatives: Animals and Farm Life, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 2, Negatives: People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 3, Animals, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 4, Animals, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 5, Farm Life and People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 6, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 7, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 8, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 9, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 10, People, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 11, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 12, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 13, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 14, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 15, People and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 1, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 2, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 3, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 4, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 5, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 6, Peoples and Places, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 7, Notes and Receipts, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 8, Poetry, circa 1965-1981, Alexander Brooks \"A.B.\" Jackson Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed and finding aid created by Mel Frizzell, Special Collections Assistant, in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eAs I See Ghent : A Visual Essay, Call #: N 6537.J28 A43\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["As I See Ghent : A Visual Essay, Call #: N 6537.J28 A43"],"scopecontent_html_tesm":["\u003cp\u003eThe contents of this collection include photographs taken and collected by Alexander Brooks \"A.B.\" Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry. Most of the photographs are copies of the original prints.\u003c/p\u003e  ","\u003cp\u003eThis series contains photographs of artwork done by Jackson. It contains photographs of individual pieces, as well as photos of Jackson's work in a gallery setting.\u003c/p\u003e","\u003cp\u003eThis series contains photographs that were taken by or collected by Jackson of subjects such as places, people, and animals.\u003c/p\u003e","\u003cp\u003eThis series contains receipts, notes, and writings by or given to Jackson.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The contents of this collection include photographs taken and collected by Alexander Brooks \"A.B.\" Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry. Most of the photographs are copies of the original prints.","This series contains photographs of artwork done by Jackson. It contains photographs of individual pieces, as well as photos of Jackson's work in a gallery setting.","This series contains photographs that were taken by or collected by Jackson of subjects such as places, people, and animals.","This series contains receipts, notes, and writings by or given to Jackson."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f6277a16d971a7c7e801cd6250699783\" label=\"Abstract\"\u003eAlexander Brooks \"A.B.\" Jackson began teaching in the Art department in 1967 as the school's first black faculty member. The contents of this collection include photographs taken and collected by Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry.\u003c/abstract\u003e\n    "],"abstract_tesim":["Alexander Brooks \"A.B.\" Jackson began teaching in the Art department in 1967 as the school's first black faculty member. The contents of this collection include photographs taken and collected by Jackson of miscellaneous subjects, as well as photographs of his artwork and excerpts from his poetry."],"corpname_ssim":["ODU University Archives","Old Dominion University. Department of Art"],"names_coll_ssim":["Old Dominion University. Department of Art","Jackson, A.B. (Alexander Brooks) (1925-1981)"],"persname_ssim":["Jackson, A.B. (Alexander Brooks) (1925-1981)"],"names_ssim":["ODU University Archives","Old Dominion University. Department of Art","Jackson, A.B. (Alexander Brooks) (1925-1981)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":57,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:04:07.235Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_3_resources_173"}},{"id":"vino_repositories_5_resources_141","type":"collection","attributes":{"title":"Bertha Fanning Taylor Papers, 1905/1977","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_141#creator","type":"document_value","attributes":{"value":"Taylor, Bertha Fanning (1883-1980)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_141#abstract_or_scope","type":"document_value","attributes":{"value":"Came to Norfolk in 1945 as Curator of the Sloane Collection at the Heritage Foundation Museum. Taught art courses at the Norfolk Division of the College of William and Mary until 1951. Includes literary productions, printed materials, correspondence, photographs, memorabilia, scrapbooks, and charts. In addition to the artistic significance of the papers, the collection documents the history of Norfolk, especially in the arts.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_141#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_5_resources_141","ead_ssi":"vino_repositories_5_resources_141","_root_":"vino_repositories_5_resources_141","_nest_parent_":"vino_repositories_5_resources_141","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_141.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/141","title_filing_ssi":"Taylor, Bertha Fanning","title_ssm":["Bertha Fanning Taylor Papers"],"title_tesim":["Bertha Fanning Taylor Papers"],"unitdate_ssm":["circa 1905-1977, undated","Date acquired: 03/04/1981"],"unitdate_inclusive_ssm":["circa 1905-1977, undated"],"unitdate_other_ssim":["Date acquired: 03/04/1981"],"normalized_date_ssm":["1905/1977"],"normalized_title_ssm":["Bertha Fanning Taylor Papers, 1905/1977"],"text":["Bertha Fanning Taylor Papers, 1905/1977","MG 44","/repositories/5/resources/141","Artists--United States","Women artists--United States","Collection is open to researchers without restrictions.","The collections is organized into seven series: Series I: Literary Productions; Series II: Printed Materials; Series III: Correspondence; Series IV: Scrapbooks; Series V: Charts; Series VI: Photographic Material; and Series VII: Memorabilia.","Bertha Fanning Taylor was born on July 30, 1883 in New York City. She was the daughter of Spencer A. Fanning and Mary A. Switt. In 1889, she moved to Spotswood, New Jersey after her mother's death. In 1896, she attended Hunter College in New York. Upon graduation, Mrs. Taylor studied under Bryson Burroughs at the Women's Art School of Cooper Union in New York City where she received a certificate in 1903.","In 1908, Bertha Fanning married Norman Taylor who was Assistant Curator at the New York Botanical Gardens. The next year, Bertha Fanning Taylor and her husband went on a trip to the West Indies for botanical studies. In 1924, she went to Montpellier, France with her two daughters. From 1929-1933, Mrs. Taylor studied at L'Ecole du English-speaking groups at the Louvre and became assistant to the Art Editor in Paris for The American Herald. In this period, Mrs. Taylor exhibited many of her own works in major salons in Paris.","In 1933, Mrs. Taylor visited her daughter frequently in Rome and visited major art centers of Italy. At the outbreak of World War II, she lived for two months in Rome, but returned to the United States and lived in Greenwich Village.","Upon leaving New York in 1945, Mrs. Taylor came to Norfolk as Curator of the Sloane collection at the Heritage Foundation Museum. In 1948, she taught extension courses in art appreciation, art history, painting and drawing for the Norfolk Division of the College of William and Mary (presently Old Dominion University) until 1951. During this period Mrs. Taylor in 1950 began teaching classes in painting and drawing at the, Norfolk Museum of Arts and Sciences, as well as classes at the YWCA until 1960. She then opened her own studio.","In 1963, Mrs. Taylor was awarded the medal of the Order of the Palmes Academique by the French government for efforts in the founding of Salon Francais of the Women's Club in Norfolk, In 1966, Mrs. Taylor had a one person show at the Norfolk Museum of Arts of Sciences of graphic work, including drawings, etchings and wood block prints.","Mrs. Taylor published two works. The first was in 1959 entitled Form and Feeling in-Painting and the second in 1968 entitled My Fifteen Years in France. From 1968 to 1977 Mrs. Taylor was very active in the Norfolk Women's Club and taught students on a personal basis.","In 1977 Mrs. Taylor sustained a fall and stayed in the hospital for many weeks and then lived at the Medi-Center nursing home until her death on July 3, 1980.","A long time friend of Mrs. Taylor, Mr. Benjamin F. Clymer of the Reference Department at Old Dominion University summarized Mrs. Taylor as, \"Blue Blood, Blue Stocking, and True Blue with the brilliance of gold and the warmth of red.\"","Note written by Norman Taylor, Jr.","Publications by Bertha Fanning Taylor in the Libraries include: My fifteen years in France (Call #: ND237.T39 A3 1968) and Form and Feeling in Painting (Call #: ND1471 .T39 1959).","The collection contains literary productions, printed materials, correspondence, scrapbooks, charts, photographic materials, and memorabilia. Information in art and art forms is available in the collection. In addition to the artistic significance of the papers, the collection has a significance in the history of Norfolk, especially in the arts.","Series I is made up of the literary productions produced by Bertha Fanning Taylor, including notes, manuscripts, newspaper clippings, periodical clippings and reminiscences. Because of the nature of the collection, the series is arranged by subject.","This series contains certificates, newspaper clippings, periodical clippings, programs, publications, circulars and brochures. The series is arranged by subject.","This series contains letters, postcards and Christmas cards.","This series contains many news clippings. Of special interest is a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.","Clippings and a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.","This series consists of charts that contain hand-drawn furniture styles.","The series consists of photographic prints and negatives, the bulk of which are of Mrs. Taylor's works in painting and drawing. The series is arranged chronologically.","This series contains invitations, tickets, book marks, postcards and sketches, some of which may be by Mrs. Taylor.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Came to Norfolk in 1945 as Curator of the Sloane Collection at the Heritage Foundation Museum. Taught art courses at the Norfolk Division of the College of William and Mary until 1951. Includes literary productions, printed materials, correspondence, photographs, memorabilia, scrapbooks, and charts. In addition to the artistic significance of the papers, the collection documents the history of Norfolk, especially in the arts.","ODU Community Collections","Taylor, Bertha Fanning (1883-1980)","English"],"collection_title_tesim":["Bertha Fanning Taylor Papers, 1905/1977"],"collection_ssim":["Bertha Fanning Taylor Papers, 1905/1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 44","/repositories/5/resources/141"],"unitid_tesim":["MG 44","/repositories/5/resources/141"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Taylor, Bertha Fanning (1883-1980)"],"creator_ssim":["Taylor, Bertha Fanning (1883-1980)"],"creator_persname_ssim":["Taylor, Bertha Fanning (1883-1980)"],"creator_corpname_ssim":["ODU Community Collections"],"creators_ssim":["Taylor, Bertha Fanning (1883-1980)","ODU Community Collections"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Norman Taylor, Jr","Gift. Accession #A81-4"],"access_subjects_ssim":["Artists--United States","Women artists--United States"],"access_subjects_ssm":["Artists--United States","Women artists--United States"],"has_online_content_ssim":["false"],"extent_ssm":["1.60 Linear Feet","3 Hollinger document cases; 1 half Hollinger case boxes"],"extent_tesim":["1.60 Linear Feet","3 Hollinger document cases; 1 half Hollinger case boxes"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1981],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collections is organized into seven series: Series I: Literary Productions; Series II: Printed Materials; Series III: Correspondence; Series IV: Scrapbooks; Series V: Charts; Series VI: Photographic Material; and Series VII: Memorabilia.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collections is organized into seven series: Series I: Literary Productions; Series II: Printed Materials; Series III: Correspondence; Series IV: Scrapbooks; Series V: Charts; Series VI: Photographic Material; and Series VII: Memorabilia."],"bioghist_html_tesm":["\u003cp\u003eBertha Fanning Taylor was born on July 30, 1883 in New York City. She was the daughter of Spencer A. Fanning and Mary A. Switt. In 1889, she moved to Spotswood, New Jersey after her mother's death. In 1896, she attended Hunter College in New York. Upon graduation, Mrs. Taylor studied under Bryson Burroughs at the Women's Art School of Cooper Union in New York City where she received a certificate in 1903.\u003c/p\u003e","\u003cp\u003eIn 1908, Bertha Fanning married Norman Taylor who was Assistant Curator at the New York Botanical Gardens. The next year, Bertha Fanning Taylor and her husband went on a trip to the West Indies for botanical studies. In 1924, she went to Montpellier, France with her two daughters. From 1929-1933, Mrs. Taylor studied at L'Ecole du English-speaking groups at the Louvre and became assistant to the Art Editor in Paris for The American Herald. In this period, Mrs. Taylor exhibited many of her own works in major salons in Paris.\u003c/p\u003e","\u003cp\u003eIn 1933, Mrs. Taylor visited her daughter frequently in Rome and visited major art centers of Italy. At the outbreak of World War II, she lived for two months in Rome, but returned to the United States and lived in Greenwich Village.\u003c/p\u003e","\u003cp\u003eUpon leaving New York in 1945, Mrs. Taylor came to Norfolk as Curator of the Sloane collection at the Heritage Foundation Museum. In 1948, she taught extension courses in art appreciation, art history, painting and drawing for the Norfolk Division of the College of William and Mary (presently Old Dominion University) until 1951. During this period Mrs. Taylor in 1950 began teaching classes in painting and drawing at the, Norfolk Museum of Arts and Sciences, as well as classes at the YWCA until 1960. She then opened her own studio.\u003c/p\u003e","\u003cp\u003eIn 1963, Mrs. Taylor was awarded the medal of the Order of the Palmes Academique by the French government for efforts in the founding of Salon Francais of the Women's Club in Norfolk, In 1966, Mrs. Taylor had a one person show at the Norfolk Museum of Arts of Sciences of graphic work, including drawings, etchings and wood block prints.\u003c/p\u003e","\u003cp\u003eMrs. Taylor published two works. The first was in 1959 entitled Form and Feeling in-Painting and the second in 1968 entitled My Fifteen Years in France. From 1968 to 1977 Mrs. Taylor was very active in the Norfolk Women's Club and taught students on a personal basis.\u003c/p\u003e","\u003cp\u003eIn 1977 Mrs. Taylor sustained a fall and stayed in the hospital for many weeks and then lived at the Medi-Center nursing home until her death on July 3, 1980.\u003c/p\u003e","\u003cp\u003eA long time friend of Mrs. Taylor, Mr. Benjamin F. Clymer of the Reference Department at Old Dominion University summarized Mrs. Taylor as, \"Blue Blood, Blue Stocking, and True Blue with the brilliance of gold and the warmth of red.\"\u003c/p\u003e","\u003cp\u003eNote written by Norman Taylor, Jr.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Bertha Fanning Taylor was born on July 30, 1883 in New York City. She was the daughter of Spencer A. Fanning and Mary A. Switt. In 1889, she moved to Spotswood, New Jersey after her mother's death. In 1896, she attended Hunter College in New York. Upon graduation, Mrs. Taylor studied under Bryson Burroughs at the Women's Art School of Cooper Union in New York City where she received a certificate in 1903.","In 1908, Bertha Fanning married Norman Taylor who was Assistant Curator at the New York Botanical Gardens. The next year, Bertha Fanning Taylor and her husband went on a trip to the West Indies for botanical studies. In 1924, she went to Montpellier, France with her two daughters. From 1929-1933, Mrs. Taylor studied at L'Ecole du English-speaking groups at the Louvre and became assistant to the Art Editor in Paris for The American Herald. In this period, Mrs. Taylor exhibited many of her own works in major salons in Paris.","In 1933, Mrs. Taylor visited her daughter frequently in Rome and visited major art centers of Italy. At the outbreak of World War II, she lived for two months in Rome, but returned to the United States and lived in Greenwich Village.","Upon leaving New York in 1945, Mrs. Taylor came to Norfolk as Curator of the Sloane collection at the Heritage Foundation Museum. In 1948, she taught extension courses in art appreciation, art history, painting and drawing for the Norfolk Division of the College of William and Mary (presently Old Dominion University) until 1951. During this period Mrs. Taylor in 1950 began teaching classes in painting and drawing at the, Norfolk Museum of Arts and Sciences, as well as classes at the YWCA until 1960. She then opened her own studio.","In 1963, Mrs. Taylor was awarded the medal of the Order of the Palmes Academique by the French government for efforts in the founding of Salon Francais of the Women's Club in Norfolk, In 1966, Mrs. Taylor had a one person show at the Norfolk Museum of Arts of Sciences of graphic work, including drawings, etchings and wood block prints.","Mrs. Taylor published two works. The first was in 1959 entitled Form and Feeling in-Painting and the second in 1968 entitled My Fifteen Years in France. From 1968 to 1977 Mrs. Taylor was very active in the Norfolk Women's Club and taught students on a personal basis.","In 1977 Mrs. Taylor sustained a fall and stayed in the hospital for many weeks and then lived at the Medi-Center nursing home until her death on July 3, 1980.","A long time friend of Mrs. Taylor, Mr. Benjamin F. Clymer of the Reference Department at Old Dominion University summarized Mrs. Taylor as, \"Blue Blood, Blue Stocking, and True Blue with the brilliance of gold and the warmth of red.\"","Note written by Norman Taylor, Jr."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  ","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Artists, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Art Styles, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 3, Book Notes, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 4, Greek Notes, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 5, History-Chronologies, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 6, Murals, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 7, Religion and Art, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 8, Sciences, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 9, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 1 and 2, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 10, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 3, 4, and 5, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 11, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 6 and 7, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 12, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 8, 9, and 10, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 13, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 11 and 12, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 14, French Primitive Painting, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 15, Letter to Editor, \"Etchings by John Taylor Arms\", undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 16, \"Around the Art Galleries\", Series of Articles by Bertha Fanning Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 17, \"Thoughts on Painting,\" Short Autobiography, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 18, Women's School of Art, New York, 1905 June 3, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 19, Clippings-Italian, 1939 July-1951 March, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 20, Clippings-French, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 21, Artists, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 22, Glass, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 23, Japanese Crown Prince Akihito, Elizabeth Gray Vining, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 1, Rembrandt, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 2, Van Dyck, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 3, Reviews, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 4, Sculpture, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 5, Mrs. Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 6, Obituaries, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 7, Miscellaneous, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 8, Miscellaneous, 1942-1966, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 9, Lectures Offered by Bertha Fanning Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 10, Exhibit Programs for Bertha Fanning Taylor, 1966-1977, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 11, Museum Schedules for France, 1934-1936, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 12, U.S. Museums, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 13, General, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 14, Color by Clara Dudley, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 15, Himself and I by Mary Sinton Leitch, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 16, La Divina Commedia by Dante Alighieri, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 1, The Life of Forms in Art by Henri Focillion, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 2, The Life of Michelangelo by Morgan, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 3, Rinue by Michaelangelo Buonarotti, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 4, Song in Their Hearts by Grace Shepherd Ferebee, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 5, Twenty-Five Poems by Adam Mickiewicz, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 6, Circulars-Pantheon Art Publication Prices, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 7, Brochures-\"A Guide to Authors\" C \u0026amp; P Telephone, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 8, Letters, Postcards, Christmas Cards, 1938-1950, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 9, Green Bound Scrapbook, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 10, Furniture Styles, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 1, Paintings by Bertha Fanning Taylor, circa 1930-1939, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 2, Paintings by Bertha Fanning Taylor, 1946-1966, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 3, Mrs. Taylor and Friends, circa 1960-1969, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 4, Mrs. Taylor and Friends undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 5, Mexican Cities by Early Settlers, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 6, Art Premieres and Previews, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 7, Italy, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 8, Hand-Painted, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 9, Paintings, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 10, Two Untitled Sketches, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 1, Artists, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 2, Art Styles, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 3, Book Notes, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 4, Greek Notes, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 5, History-Chronologies, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 6, Murals, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 7, Religion and Art, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 8, Sciences, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 9, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 1 and 2, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 10, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 3, 4, and 5, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 11, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 6 and 7, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 12, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 8, 9, and 10, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 13, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 11 and 12, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 14, French Primitive Painting, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 15, Letter to Editor, \"Etchings by John Taylor Arms\", undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 16, \"Around the Art Galleries\", Series of Articles by Bertha Fanning Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 17, \"Thoughts on Painting,\" Short Autobiography, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 18, Women's School of Art, New York, 1905 June 3, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 19, Clippings-Italian, 1939 July-1951 March, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 20, Clippings-French, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 21, Artists, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 22, Glass, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 23, Japanese Crown Prince Akihito, Elizabeth Gray Vining, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 1, Rembrandt, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 2, Van Dyck, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 3, Reviews, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 4, Sculpture, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 5, Mrs. Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 6, Obituaries, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 7, Miscellaneous, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 8, Miscellaneous, 1942-1966, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 9, Lectures Offered by Bertha Fanning Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 10, Exhibit Programs for Bertha Fanning Taylor, 1966-1977, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 11, Museum Schedules for France, 1934-1936, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 12, U.S. Museums, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 13, General, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 14, Color by Clara Dudley, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 15, Himself and I by Mary Sinton Leitch, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 16, La Divina Commedia by Dante Alighieri, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 1, The Life of Forms in Art by Henri Focillion, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 2, The Life of Michelangelo by Morgan, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 3, Rinue by Michaelangelo Buonarotti, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 4, Song in Their Hearts by Grace Shepherd Ferebee, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 5, Twenty-Five Poems by Adam Mickiewicz, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 6, Circulars-Pantheon Art Publication Prices, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 7, Brochures-\"A Guide to Authors\" C \u0026 P Telephone, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 8, Letters, Postcards, Christmas Cards, 1938-1950, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 9, Green Bound Scrapbook, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 10, Furniture Styles, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 1, Paintings by Bertha Fanning Taylor, circa 1930-1939, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 2, Paintings by Bertha Fanning Taylor, 1946-1966, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 3, Mrs. Taylor and Friends, circa 1960-1969, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 4, Mrs. Taylor and Friends undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 5, Mexican Cities by Early Settlers, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 6, Art Premieres and Previews, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 7, Italy, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 8, Hand-Painted, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 9, Paintings, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 10, Two Untitled Sketches, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003ePublications by Bertha Fanning Taylor in the Libraries include: My fifteen years in France (Call #: ND237.T39 A3 1968) and Form and Feeling in Painting (Call #: ND1471 .T39 1959).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Publications by Bertha Fanning Taylor in the Libraries include: My fifteen years in France (Call #: ND237.T39 A3 1968) and Form and Feeling in Painting (Call #: ND1471 .T39 1959)."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains literary productions, printed materials, correspondence, scrapbooks, charts, photographic materials, and memorabilia. Information in art and art forms is available in the collection. In addition to the artistic significance of the papers, the collection has a significance in the history of Norfolk, especially in the arts.\u003c/p\u003e  ","\u003cp\u003eSeries I is made up of the literary productions produced by Bertha Fanning Taylor, including notes, manuscripts, newspaper clippings, periodical clippings and reminiscences. Because of the nature of the collection, the series is arranged by subject.\u003c/p\u003e","\u003cp\u003eThis series contains certificates, newspaper clippings, periodical clippings, programs, publications, circulars and brochures. The series is arranged by subject.\u003c/p\u003e","\u003cp\u003eThis series contains letters, postcards and Christmas cards.\u003c/p\u003e","\u003cp\u003eThis series contains many news clippings. Of special interest is a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.\u003c/p\u003e","\u003cp\u003eClippings and a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.\u003c/p\u003e","\u003cp\u003eThis series consists of charts that contain hand-drawn furniture styles.\u003c/p\u003e","\u003cp\u003eThe series consists of photographic prints and negatives, the bulk of which are of Mrs. Taylor's works in painting and drawing. The series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis series contains invitations, tickets, book marks, postcards and sketches, some of which may be by Mrs. Taylor.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains literary productions, printed materials, correspondence, scrapbooks, charts, photographic materials, and memorabilia. Information in art and art forms is available in the collection. In addition to the artistic significance of the papers, the collection has a significance in the history of Norfolk, especially in the arts.","Series I is made up of the literary productions produced by Bertha Fanning Taylor, including notes, manuscripts, newspaper clippings, periodical clippings and reminiscences. Because of the nature of the collection, the series is arranged by subject.","This series contains certificates, newspaper clippings, periodical clippings, programs, publications, circulars and brochures. The series is arranged by subject.","This series contains letters, postcards and Christmas cards.","This series contains many news clippings. Of special interest is a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.","Clippings and a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.","This series consists of charts that contain hand-drawn furniture styles.","The series consists of photographic prints and negatives, the bulk of which are of Mrs. Taylor's works in painting and drawing. The series is arranged chronologically.","This series contains invitations, tickets, book marks, postcards and sketches, some of which may be by Mrs. Taylor."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6c1eaff4f8dabafb16b44e523f1d6d76\" label=\"Abstract\"\u003eCame to Norfolk in 1945 as Curator of the Sloane Collection at the Heritage Foundation Museum. Taught art courses at the Norfolk Division of the College of William and Mary until 1951. Includes literary productions, printed materials, correspondence, photographs, memorabilia, scrapbooks, and charts. In addition to the artistic significance of the papers, the collection documents the history of Norfolk, especially in the arts.\u003c/abstract\u003e\n    "],"abstract_tesim":["Came to Norfolk in 1945 as Curator of the Sloane Collection at the Heritage Foundation Museum. Taught art courses at the Norfolk Division of the College of William and Mary until 1951. Includes literary productions, printed materials, correspondence, photographs, memorabilia, scrapbooks, and charts. In addition to the artistic significance of the papers, the collection documents the history of Norfolk, especially in the arts."],"corpname_ssim":["ODU Community Collections"],"persname_ssim":["Taylor, Bertha Fanning (1883-1980)"],"names_coll_ssim":["Taylor, Bertha Fanning (1883-1980)"],"names_ssim":["ODU Community Collections","Taylor, Bertha Fanning (1883-1980)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":109,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:04:55.808Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_141","ead_ssi":"vino_repositories_5_resources_141","_root_":"vino_repositories_5_resources_141","_nest_parent_":"vino_repositories_5_resources_141","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_141.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/141","title_filing_ssi":"Taylor, Bertha Fanning","title_ssm":["Bertha Fanning Taylor Papers"],"title_tesim":["Bertha Fanning Taylor Papers"],"unitdate_ssm":["circa 1905-1977, undated","Date acquired: 03/04/1981"],"unitdate_inclusive_ssm":["circa 1905-1977, undated"],"unitdate_other_ssim":["Date acquired: 03/04/1981"],"normalized_date_ssm":["1905/1977"],"normalized_title_ssm":["Bertha Fanning Taylor Papers, 1905/1977"],"text":["Bertha Fanning Taylor Papers, 1905/1977","MG 44","/repositories/5/resources/141","Artists--United States","Women artists--United States","Collection is open to researchers without restrictions.","The collections is organized into seven series: Series I: Literary Productions; Series II: Printed Materials; Series III: Correspondence; Series IV: Scrapbooks; Series V: Charts; Series VI: Photographic Material; and Series VII: Memorabilia.","Bertha Fanning Taylor was born on July 30, 1883 in New York City. She was the daughter of Spencer A. Fanning and Mary A. Switt. In 1889, she moved to Spotswood, New Jersey after her mother's death. In 1896, she attended Hunter College in New York. Upon graduation, Mrs. Taylor studied under Bryson Burroughs at the Women's Art School of Cooper Union in New York City where she received a certificate in 1903.","In 1908, Bertha Fanning married Norman Taylor who was Assistant Curator at the New York Botanical Gardens. The next year, Bertha Fanning Taylor and her husband went on a trip to the West Indies for botanical studies. In 1924, she went to Montpellier, France with her two daughters. From 1929-1933, Mrs. Taylor studied at L'Ecole du English-speaking groups at the Louvre and became assistant to the Art Editor in Paris for The American Herald. In this period, Mrs. Taylor exhibited many of her own works in major salons in Paris.","In 1933, Mrs. Taylor visited her daughter frequently in Rome and visited major art centers of Italy. At the outbreak of World War II, she lived for two months in Rome, but returned to the United States and lived in Greenwich Village.","Upon leaving New York in 1945, Mrs. Taylor came to Norfolk as Curator of the Sloane collection at the Heritage Foundation Museum. In 1948, she taught extension courses in art appreciation, art history, painting and drawing for the Norfolk Division of the College of William and Mary (presently Old Dominion University) until 1951. During this period Mrs. Taylor in 1950 began teaching classes in painting and drawing at the, Norfolk Museum of Arts and Sciences, as well as classes at the YWCA until 1960. She then opened her own studio.","In 1963, Mrs. Taylor was awarded the medal of the Order of the Palmes Academique by the French government for efforts in the founding of Salon Francais of the Women's Club in Norfolk, In 1966, Mrs. Taylor had a one person show at the Norfolk Museum of Arts of Sciences of graphic work, including drawings, etchings and wood block prints.","Mrs. Taylor published two works. The first was in 1959 entitled Form and Feeling in-Painting and the second in 1968 entitled My Fifteen Years in France. From 1968 to 1977 Mrs. Taylor was very active in the Norfolk Women's Club and taught students on a personal basis.","In 1977 Mrs. Taylor sustained a fall and stayed in the hospital for many weeks and then lived at the Medi-Center nursing home until her death on July 3, 1980.","A long time friend of Mrs. Taylor, Mr. Benjamin F. Clymer of the Reference Department at Old Dominion University summarized Mrs. Taylor as, \"Blue Blood, Blue Stocking, and True Blue with the brilliance of gold and the warmth of red.\"","Note written by Norman Taylor, Jr.","Publications by Bertha Fanning Taylor in the Libraries include: My fifteen years in France (Call #: ND237.T39 A3 1968) and Form and Feeling in Painting (Call #: ND1471 .T39 1959).","The collection contains literary productions, printed materials, correspondence, scrapbooks, charts, photographic materials, and memorabilia. Information in art and art forms is available in the collection. In addition to the artistic significance of the papers, the collection has a significance in the history of Norfolk, especially in the arts.","Series I is made up of the literary productions produced by Bertha Fanning Taylor, including notes, manuscripts, newspaper clippings, periodical clippings and reminiscences. Because of the nature of the collection, the series is arranged by subject.","This series contains certificates, newspaper clippings, periodical clippings, programs, publications, circulars and brochures. The series is arranged by subject.","This series contains letters, postcards and Christmas cards.","This series contains many news clippings. Of special interest is a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.","Clippings and a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.","This series consists of charts that contain hand-drawn furniture styles.","The series consists of photographic prints and negatives, the bulk of which are of Mrs. Taylor's works in painting and drawing. The series is arranged chronologically.","This series contains invitations, tickets, book marks, postcards and sketches, some of which may be by Mrs. Taylor.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Came to Norfolk in 1945 as Curator of the Sloane Collection at the Heritage Foundation Museum. Taught art courses at the Norfolk Division of the College of William and Mary until 1951. Includes literary productions, printed materials, correspondence, photographs, memorabilia, scrapbooks, and charts. In addition to the artistic significance of the papers, the collection documents the history of Norfolk, especially in the arts.","ODU Community Collections","Taylor, Bertha Fanning (1883-1980)","English"],"collection_title_tesim":["Bertha Fanning Taylor Papers, 1905/1977"],"collection_ssim":["Bertha Fanning Taylor Papers, 1905/1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 44","/repositories/5/resources/141"],"unitid_tesim":["MG 44","/repositories/5/resources/141"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Taylor, Bertha Fanning (1883-1980)"],"creator_ssim":["Taylor, Bertha Fanning (1883-1980)"],"creator_persname_ssim":["Taylor, Bertha Fanning (1883-1980)"],"creator_corpname_ssim":["ODU Community Collections"],"creators_ssim":["Taylor, Bertha Fanning (1883-1980)","ODU Community Collections"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Norman Taylor, Jr","Gift. Accession #A81-4"],"access_subjects_ssim":["Artists--United States","Women artists--United States"],"access_subjects_ssm":["Artists--United States","Women artists--United States"],"has_online_content_ssim":["false"],"extent_ssm":["1.60 Linear Feet","3 Hollinger document cases; 1 half Hollinger case boxes"],"extent_tesim":["1.60 Linear Feet","3 Hollinger document cases; 1 half Hollinger case boxes"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1981],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collections is organized into seven series: Series I: Literary Productions; Series II: Printed Materials; Series III: Correspondence; Series IV: Scrapbooks; Series V: Charts; Series VI: Photographic Material; and Series VII: Memorabilia.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collections is organized into seven series: Series I: Literary Productions; Series II: Printed Materials; Series III: Correspondence; Series IV: Scrapbooks; Series V: Charts; Series VI: Photographic Material; and Series VII: Memorabilia."],"bioghist_html_tesm":["\u003cp\u003eBertha Fanning Taylor was born on July 30, 1883 in New York City. She was the daughter of Spencer A. Fanning and Mary A. Switt. In 1889, she moved to Spotswood, New Jersey after her mother's death. In 1896, she attended Hunter College in New York. Upon graduation, Mrs. Taylor studied under Bryson Burroughs at the Women's Art School of Cooper Union in New York City where she received a certificate in 1903.\u003c/p\u003e","\u003cp\u003eIn 1908, Bertha Fanning married Norman Taylor who was Assistant Curator at the New York Botanical Gardens. The next year, Bertha Fanning Taylor and her husband went on a trip to the West Indies for botanical studies. In 1924, she went to Montpellier, France with her two daughters. From 1929-1933, Mrs. Taylor studied at L'Ecole du English-speaking groups at the Louvre and became assistant to the Art Editor in Paris for The American Herald. In this period, Mrs. Taylor exhibited many of her own works in major salons in Paris.\u003c/p\u003e","\u003cp\u003eIn 1933, Mrs. Taylor visited her daughter frequently in Rome and visited major art centers of Italy. At the outbreak of World War II, she lived for two months in Rome, but returned to the United States and lived in Greenwich Village.\u003c/p\u003e","\u003cp\u003eUpon leaving New York in 1945, Mrs. Taylor came to Norfolk as Curator of the Sloane collection at the Heritage Foundation Museum. In 1948, she taught extension courses in art appreciation, art history, painting and drawing for the Norfolk Division of the College of William and Mary (presently Old Dominion University) until 1951. During this period Mrs. Taylor in 1950 began teaching classes in painting and drawing at the, Norfolk Museum of Arts and Sciences, as well as classes at the YWCA until 1960. She then opened her own studio.\u003c/p\u003e","\u003cp\u003eIn 1963, Mrs. Taylor was awarded the medal of the Order of the Palmes Academique by the French government for efforts in the founding of Salon Francais of the Women's Club in Norfolk, In 1966, Mrs. Taylor had a one person show at the Norfolk Museum of Arts of Sciences of graphic work, including drawings, etchings and wood block prints.\u003c/p\u003e","\u003cp\u003eMrs. Taylor published two works. The first was in 1959 entitled Form and Feeling in-Painting and the second in 1968 entitled My Fifteen Years in France. From 1968 to 1977 Mrs. Taylor was very active in the Norfolk Women's Club and taught students on a personal basis.\u003c/p\u003e","\u003cp\u003eIn 1977 Mrs. Taylor sustained a fall and stayed in the hospital for many weeks and then lived at the Medi-Center nursing home until her death on July 3, 1980.\u003c/p\u003e","\u003cp\u003eA long time friend of Mrs. Taylor, Mr. Benjamin F. Clymer of the Reference Department at Old Dominion University summarized Mrs. Taylor as, \"Blue Blood, Blue Stocking, and True Blue with the brilliance of gold and the warmth of red.\"\u003c/p\u003e","\u003cp\u003eNote written by Norman Taylor, Jr.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Bertha Fanning Taylor was born on July 30, 1883 in New York City. She was the daughter of Spencer A. Fanning and Mary A. Switt. In 1889, she moved to Spotswood, New Jersey after her mother's death. In 1896, she attended Hunter College in New York. Upon graduation, Mrs. Taylor studied under Bryson Burroughs at the Women's Art School of Cooper Union in New York City where she received a certificate in 1903.","In 1908, Bertha Fanning married Norman Taylor who was Assistant Curator at the New York Botanical Gardens. The next year, Bertha Fanning Taylor and her husband went on a trip to the West Indies for botanical studies. In 1924, she went to Montpellier, France with her two daughters. From 1929-1933, Mrs. Taylor studied at L'Ecole du English-speaking groups at the Louvre and became assistant to the Art Editor in Paris for The American Herald. In this period, Mrs. Taylor exhibited many of her own works in major salons in Paris.","In 1933, Mrs. Taylor visited her daughter frequently in Rome and visited major art centers of Italy. At the outbreak of World War II, she lived for two months in Rome, but returned to the United States and lived in Greenwich Village.","Upon leaving New York in 1945, Mrs. Taylor came to Norfolk as Curator of the Sloane collection at the Heritage Foundation Museum. In 1948, she taught extension courses in art appreciation, art history, painting and drawing for the Norfolk Division of the College of William and Mary (presently Old Dominion University) until 1951. During this period Mrs. Taylor in 1950 began teaching classes in painting and drawing at the, Norfolk Museum of Arts and Sciences, as well as classes at the YWCA until 1960. She then opened her own studio.","In 1963, Mrs. Taylor was awarded the medal of the Order of the Palmes Academique by the French government for efforts in the founding of Salon Francais of the Women's Club in Norfolk, In 1966, Mrs. Taylor had a one person show at the Norfolk Museum of Arts of Sciences of graphic work, including drawings, etchings and wood block prints.","Mrs. Taylor published two works. The first was in 1959 entitled Form and Feeling in-Painting and the second in 1968 entitled My Fifteen Years in France. From 1968 to 1977 Mrs. Taylor was very active in the Norfolk Women's Club and taught students on a personal basis.","In 1977 Mrs. Taylor sustained a fall and stayed in the hospital for many weeks and then lived at the Medi-Center nursing home until her death on July 3, 1980.","A long time friend of Mrs. Taylor, Mr. Benjamin F. Clymer of the Reference Department at Old Dominion University summarized Mrs. Taylor as, \"Blue Blood, Blue Stocking, and True Blue with the brilliance of gold and the warmth of red.\"","Note written by Norman Taylor, Jr."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  ","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Artists, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Art Styles, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 3, Book Notes, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 4, Greek Notes, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 5, History-Chronologies, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 6, Murals, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 7, Religion and Art, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 8, Sciences, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 9, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 1 and 2, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 10, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 3, 4, and 5, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 11, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 6 and 7, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 12, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 8, 9, and 10, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 13, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 11 and 12, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 14, French Primitive Painting, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 15, Letter to Editor, \"Etchings by John Taylor Arms\", undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 16, \"Around the Art Galleries\", Series of Articles by Bertha Fanning Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 17, \"Thoughts on Painting,\" Short Autobiography, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 18, Women's School of Art, New York, 1905 June 3, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 19, Clippings-Italian, 1939 July-1951 March, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 20, Clippings-French, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 21, Artists, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 22, Glass, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 23, Japanese Crown Prince Akihito, Elizabeth Gray Vining, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 1, Rembrandt, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 2, Van Dyck, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 3, Reviews, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 4, Sculpture, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 5, Mrs. Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 6, Obituaries, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 7, Miscellaneous, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 8, Miscellaneous, 1942-1966, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 9, Lectures Offered by Bertha Fanning Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 10, Exhibit Programs for Bertha Fanning Taylor, 1966-1977, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 11, Museum Schedules for France, 1934-1936, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 12, U.S. Museums, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 13, General, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 14, Color by Clara Dudley, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 15, Himself and I by Mary Sinton Leitch, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 16, La Divina Commedia by Dante Alighieri, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 1, The Life of Forms in Art by Henri Focillion, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 2, The Life of Michelangelo by Morgan, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 3, Rinue by Michaelangelo Buonarotti, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 4, Song in Their Hearts by Grace Shepherd Ferebee, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 5, Twenty-Five Poems by Adam Mickiewicz, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 6, Circulars-Pantheon Art Publication Prices, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 7, Brochures-\"A Guide to Authors\" C \u0026amp; P Telephone, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 8, Letters, Postcards, Christmas Cards, 1938-1950, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 9, Green Bound Scrapbook, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 10, Furniture Styles, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 1, Paintings by Bertha Fanning Taylor, circa 1930-1939, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 2, Paintings by Bertha Fanning Taylor, 1946-1966, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 3, Mrs. Taylor and Friends, circa 1960-1969, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 4, Mrs. Taylor and Friends undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 5, Mexican Cities by Early Settlers, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 6, Art Premieres and Previews, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 7, Italy, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 8, Hand-Painted, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 9, Paintings, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 10, Two Untitled Sketches, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 1, Artists, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 2, Art Styles, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 3, Book Notes, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 4, Greek Notes, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 5, History-Chronologies, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 6, Murals, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 7, Religion and Art, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 8, Sciences, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 9, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 1 and 2, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 10, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 3, 4, and 5, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 11, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 6 and 7, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 12, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 8, 9, and 10, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 13, Building Anew at Sixty Years in a Southern City; A Book of Memories by Bertha Fanning Taylor from 1939 to 1972: 12 Chapters-Chapters 11 and 12, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 14, French Primitive Painting, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 15, Letter to Editor, \"Etchings by John Taylor Arms\", undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 16, \"Around the Art Galleries\", Series of Articles by Bertha Fanning Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 17, \"Thoughts on Painting,\" Short Autobiography, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 18, Women's School of Art, New York, 1905 June 3, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 19, Clippings-Italian, 1939 July-1951 March, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 20, Clippings-French, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 21, Artists, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 22, Glass, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 23, Japanese Crown Prince Akihito, Elizabeth Gray Vining, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 1, Rembrandt, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 2, Van Dyck, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 3, Reviews, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 4, Sculpture, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 5, Mrs. Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 6, Obituaries, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 7, Miscellaneous, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 8, Miscellaneous, 1942-1966, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 9, Lectures Offered by Bertha Fanning Taylor, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 10, Exhibit Programs for Bertha Fanning Taylor, 1966-1977, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 11, Museum Schedules for France, 1934-1936, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 12, U.S. Museums, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 13, General, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 14, Color by Clara Dudley, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 15, Himself and I by Mary Sinton Leitch, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 16, La Divina Commedia by Dante Alighieri, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 1, The Life of Forms in Art by Henri Focillion, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 2, The Life of Michelangelo by Morgan, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 3, Rinue by Michaelangelo Buonarotti, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 4, Song in Their Hearts by Grace Shepherd Ferebee, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 5, Twenty-Five Poems by Adam Mickiewicz, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 6, Circulars-Pantheon Art Publication Prices, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 7, Brochures-\"A Guide to Authors\" C \u0026 P Telephone, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 8, Letters, Postcards, Christmas Cards, 1938-1950, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 9, Green Bound Scrapbook, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 10, Furniture Styles, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 1, Paintings by Bertha Fanning Taylor, circa 1930-1939, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 2, Paintings by Bertha Fanning Taylor, 1946-1966, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 3, Mrs. Taylor and Friends, circa 1960-1969, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 4, Mrs. Taylor and Friends undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 5, Mexican Cities by Early Settlers, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 6, Art Premieres and Previews, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 7, Italy, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 8, Hand-Painted, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 9, Paintings, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 10, Two Untitled Sketches, undated, Bertha Fanning Taylor Papers, Special Collections and University Archives, Old Dominion University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003ePublications by Bertha Fanning Taylor in the Libraries include: My fifteen years in France (Call #: ND237.T39 A3 1968) and Form and Feeling in Painting (Call #: ND1471 .T39 1959).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Publications by Bertha Fanning Taylor in the Libraries include: My fifteen years in France (Call #: ND237.T39 A3 1968) and Form and Feeling in Painting (Call #: ND1471 .T39 1959)."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains literary productions, printed materials, correspondence, scrapbooks, charts, photographic materials, and memorabilia. Information in art and art forms is available in the collection. In addition to the artistic significance of the papers, the collection has a significance in the history of Norfolk, especially in the arts.\u003c/p\u003e  ","\u003cp\u003eSeries I is made up of the literary productions produced by Bertha Fanning Taylor, including notes, manuscripts, newspaper clippings, periodical clippings and reminiscences. Because of the nature of the collection, the series is arranged by subject.\u003c/p\u003e","\u003cp\u003eThis series contains certificates, newspaper clippings, periodical clippings, programs, publications, circulars and brochures. The series is arranged by subject.\u003c/p\u003e","\u003cp\u003eThis series contains letters, postcards and Christmas cards.\u003c/p\u003e","\u003cp\u003eThis series contains many news clippings. Of special interest is a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.\u003c/p\u003e","\u003cp\u003eClippings and a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.\u003c/p\u003e","\u003cp\u003eThis series consists of charts that contain hand-drawn furniture styles.\u003c/p\u003e","\u003cp\u003eThe series consists of photographic prints and negatives, the bulk of which are of Mrs. Taylor's works in painting and drawing. The series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis series contains invitations, tickets, book marks, postcards and sketches, some of which may be by Mrs. Taylor.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains literary productions, printed materials, correspondence, scrapbooks, charts, photographic materials, and memorabilia. Information in art and art forms is available in the collection. In addition to the artistic significance of the papers, the collection has a significance in the history of Norfolk, especially in the arts.","Series I is made up of the literary productions produced by Bertha Fanning Taylor, including notes, manuscripts, newspaper clippings, periodical clippings and reminiscences. Because of the nature of the collection, the series is arranged by subject.","This series contains certificates, newspaper clippings, periodical clippings, programs, publications, circulars and brochures. The series is arranged by subject.","This series contains letters, postcards and Christmas cards.","This series contains many news clippings. Of special interest is a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.","Clippings and a letter to Mrs. Taylor from Claudia Alta Taylor \"Lady Bird\" Johnson.","This series consists of charts that contain hand-drawn furniture styles.","The series consists of photographic prints and negatives, the bulk of which are of Mrs. Taylor's works in painting and drawing. The series is arranged chronologically.","This series contains invitations, tickets, book marks, postcards and sketches, some of which may be by Mrs. Taylor."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6c1eaff4f8dabafb16b44e523f1d6d76\" label=\"Abstract\"\u003eCame to Norfolk in 1945 as Curator of the Sloane Collection at the Heritage Foundation Museum. Taught art courses at the Norfolk Division of the College of William and Mary until 1951. Includes literary productions, printed materials, correspondence, photographs, memorabilia, scrapbooks, and charts. In addition to the artistic significance of the papers, the collection documents the history of Norfolk, especially in the arts.\u003c/abstract\u003e\n    "],"abstract_tesim":["Came to Norfolk in 1945 as Curator of the Sloane Collection at the Heritage Foundation Museum. Taught art courses at the Norfolk Division of the College of William and Mary until 1951. Includes literary productions, printed materials, correspondence, photographs, memorabilia, scrapbooks, and charts. In addition to the artistic significance of the papers, the collection documents the history of Norfolk, especially in the arts."],"corpname_ssim":["ODU Community Collections"],"persname_ssim":["Taylor, Bertha Fanning (1883-1980)"],"names_coll_ssim":["Taylor, Bertha Fanning (1883-1980)"],"names_ssim":["ODU Community Collections","Taylor, Bertha Fanning (1883-1980)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":109,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:04:55.808Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_141"}},{"id":"viw_repositories_2_resources_9517","type":"collection","attributes":{"title":"Charles Homer McCutchen World War II Cartoons, 1942/1944","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9517#creator","type":"document_value","attributes":{"value":"McCutchen, Charles Homer","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9517#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFourteen satirical cartoons created by Charles Homer McCutchen, a United States Army private serving in World War II. McCutchen was a resident of Chicago, and worked after the war as a painter and a freelance artist. The cartoons in this group feature commentary on military life, as well as politics.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9517#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9517","ead_ssi":"viw_repositories_2_resources_9517","_root_":"viw_repositories_2_resources_9517","_nest_parent_":"viw_repositories_2_resources_9517","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9517.xml","title_filing_ssi":"Charles H. McCutchen Cartoons","title_ssm":["Charles Homer McCutchen World War II Cartoons"],"title_tesim":["Charles Homer McCutchen World War II Cartoons"],"unitdate_ssm":["1942-1944"],"unitdate_inclusive_ssm":["1942-1944"],"normalized_date_ssm":["1942/1944"],"normalized_title_ssm":["Charles Homer McCutchen World War II Cartoons, 1942/1944"],"text":["Charles Homer McCutchen World War II Cartoons, 1942/1944","SC 01764","/repositories/2/resources/9517","World War, 1939-1945--Pictoral works","World War, 1939-1945--United States","Political cartoons","Artists--United States","Art (sketches)","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Fourteen satirical cartoons created by Charles Homer McCutchen, a United States Army private serving in World War II.  McCutchen was a resident of Chicago, and worked after the war as a painter and a freelance artist. The cartoons in this group feature commentary on military life, as well as politics.","Content warnings for racial caricatures.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","McCutchen, Charles Homer","English"],"collection_title_tesim":["Charles Homer McCutchen World War II Cartoons, 1942/1944"],"collection_ssim":["Charles Homer McCutchen World War II Cartoons, 1942/1944"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01764","/repositories/2/resources/9517"],"unitid_tesim":["SC 01764","/repositories/2/resources/9517"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["McCutchen, Charles Homer"],"creator_ssim":["McCutchen, Charles Homer"],"creator_persname_ssim":["McCutchen, Charles Homer"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["McCutchen, Charles Homer","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["World War, 1939-1945--Pictoral works","World War, 1939-1945--United States","Political cartoons","Artists--United States","Art (sketches)"],"access_subjects_ssm":["World War, 1939-1945--Pictoral works","World War, 1939-1945--United States","Political cartoons","Artists--United States","Art (sketches)"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Linear Feet One legal sized folder."],"extent_tesim":["0.1 Linear Feet One legal sized folder."],"genreform_ssim":["Art (sketches)"],"date_range_isim":[1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eCharles Homer McCutchen World War II Cartoons, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Charles Homer McCutchen World War II Cartoons, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eFourteen satirical cartoons created by Charles Homer McCutchen, a United States Army private serving in World War II.  McCutchen was a resident of Chicago, and worked after the war as a painter and a freelance artist. 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Carson Papers, 1924/2004, bulk 1970/2000","creator":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_19#creator","type":"document_value","attributes":{"value":"Carson, Edward G. (1920–2004)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_19#abstract_or_scope","type":"document_value","attributes":{"value":"Norfolk landscape architect and artist. Designed landscapes for buildings ranging from Webb Center to the bowling alley at a US Air Force base in Italy. The collection includes approximately three hundred oversized landscape plans, as well as a small number of photographs and written descriptions of landscape designs.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vino_repositories_5_resources_19#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vino_repositories_5_resources_19","ead_ssi":"vino_repositories_5_resources_19","_root_":"vino_repositories_5_resources_19","_nest_parent_":"vino_repositories_5_resources_19","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_19.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/19","title_filing_ssi":"Carson, Edward G.","title_ssm":["Edward G. Carson Papers"],"title_tesim":["Edward G. 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Mr. Carson was a student of engineering at Asbury College, California Polytechnic, University of West Virginia, and George Washington University.  He graduated from American Landscape School, Des Moines, Iowa.  He pursued the study of visual arts, including sculpture, at Norfolk State University, University of Hawaii, and National Art School.","During World War II, Mr. Carson joined the U.S. Navy, working as a surveyor and cartographer with radar siting and calibration unit.  He also served as a U.S. Navy aviation cadet. About 1945 Carson was employed with the State Road Commission of West Virginia and the Coastal and Geodetic Survey technical and research division.  He worked in developing route location studies, field surveys, and designs for roads and airports.  He was also involved in the development and computation of projections for topographical maps and aeronautical charts.  He was employed by Standard Homes Company to design and develop site plans for residential projects.  About 1951, Carson became associated with Mills, Petticord and Mills, an architectural firm located in Washington D.C.  In 1957, he set up the Norfolk branch of this firm, where he was responsible for residential development and military reservation master planning.  He was also responsible for site and landscape planning.  In January of 1964, Carson began his own firm, Carson and Associates, in Norfolk, Virginia.  His firm designed various regional projects over the many years of its existence.","During the 1960s and 1970s, Carson became involved in the local Hampton Roads art community.  He regularly exhibited his artwork at the Virginia Beach Boardwalk Art Show beginning in 1963 until 2000.  He rented a studio at the D'Art Center in Norfolk from 1986 until about 1995. Carson was the winner of 150 awards related to his artwork, including an award in 1963 from the Virginia Beach Boardwalk Art Show.  His work was exhibited in the Smithsonian's Traveling Art Show, and some of his pieces were purchased by McGraw Hill.","Mr. Carson was a member of numerous organizations including American Society of Landscape Architects, the American Congress of Surveying and Mapping, the Society of American Military Engineers, the American Horticultural Society, the Civitan Club of Norfolk, the Torch Club of Norfolk, and the Norfolk Chamber of Commerce. He served as director in 1963 and president in 1971 of the Engineers Club of Hampton Roads.  Carson was appointed to the City of Norfolk's Design Review Committee in 1983, where he became a Vice Chairman.  He became Chairman of the Design Review Committee from 2000 until 2003.  During his service in the Design Review Committee, Carson participated in the review of designs for numerous projects for the City, including the Harrison Opera House, Nauticus, MacArthur Center, and the Norfolk Chamber of Commerce.  On May 13, 2003, Norfolk City Council presented a resolution recognizing Carson's many years of service on the Design Review Committee.","Mr. Carson was married to Lily Vlasis Carson at his passing on March 3, 2004.  He was buried at St. Mary's Catholic Cemetery on March 6, 2004.","Note written by Special Collections Staff","The bulk of the collection contains large, hand-drawn plans, renderings, photographs, or reproductions of landscape projects developed by Edward C. Carson and his company in Hampton Roads, Richmond, Washington, DC, Italy and Puerto Rico. Some drawings, such as infrastructure or subdivision plans, are not the direct work of Carson, however were essential to his work as a landscape architect and have been retained in the collection. The collection also contains photographs and written descriptions of landscape designs.","This series contains plans, renderings, photographs, and reproductions of non–residential projects for which Carson was either a contributor or a principal architect.","This sub-series contains plans, renderings, photographs and reproductions of non-residential projects for government agencies. The sub-series is arranged in alphabetical order by project location.","People and lawn maintenance in field","Surveyors in field","Length 2.89 miles. Abbot \u0026 Associates. and Carson. Print PROJ I-195-6(1)82,  I-195-6(1)84 - submittal set – Sheets 1, 2, 5, 6, 7, 8, 15, of 21, Sheet 2 Plant List and Notes [bound]","[8 X 10 color photo] located near bldgs. 711 Police Headquarters, 701 Jail - possibly City Hall Square","8 X 10 color photo, possibly City Hall Square","[8 1/2 X 11 B\u0026W print] possibly preliminary layout/rendering","[8 X 10 color photo]","[8 X 10 color photo]","This sub-series contains plans, renderings, photographs and reproductions of non-residential projects for private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.","This series contains plans, renderings, photographs, and reproductions of residential projects for which Carson was either a contributor or a principal architect.","This sub-series contains plans, renderings and reproductions of residential projects for government agencies. The sub-series is arranged alphabetically by project location.","Commonwealth of VA Dept. of Mental Health and Mental Retardation, Richmond, VA [text only]","This sub-series contains plans, renderings and reproductions of multi-family residential projects for were private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.","Recreation Complex design and rendering by Carson \u0026 Assoc. [rendering original]","Abbot \u0026 Assoc. and Carson, Commonwealth of VA Dept. of Highways","First floor of four bedroom unit plan","Second floor of four bedroom unit plan","This sub-series contains plans, renderings, and reproductions of residential projects for private individuals. The sub-series is arranged in alphabetical order by project location.","This series contains a drawing by Edward G. Carson entitled the \"Torso Tree.\"","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Norfolk landscape architect and artist. Designed landscapes for buildings ranging from Webb Center to the bowling alley at a US Air Force base in Italy. The collection includes approximately three hundred oversized landscape plans, as well as a small number of photographs and written descriptions of landscape designs.","ODU Community Collections","Carson, Edward G. (1920–2004)","English"],"collection_title_tesim":["Edward G. Carson Papers, 1924/2004, bulk 1970/2000"],"collection_ssim":["Edward G. Carson Papers, 1924/2004, bulk 1970/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 87","/repositories/5/resources/19"],"unitid_tesim":["MG 87","/repositories/5/resources/19"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Carson, Edward G. (1920–2004)"],"creator_ssim":["Carson, Edward G. (1920–2004)"],"creator_persname_ssim":["Carson, Edward G. (1920–2004)"],"creator_corpname_ssim":["ODU Community Collections"],"creators_ssim":["Carson, Edward G. (1920–2004)","ODU Community Collections"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Lily Vlasis Carson","Gift. Accession # A2007-1."],"access_subjects_ssim":["Landscape architecture","Landscape architects--United States","Artists--United States"],"access_subjects_ssm":["Landscape architecture","Landscape architects--United States","Artists--United States"],"has_online_content_ssim":["false"],"extent_ssm":["17.20 Linear Feet","One Hollinger document case, four archival tubes. boxes"],"extent_tesim":["17.20 Linear Feet","One Hollinger document case, four archival tubes. boxes"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2007],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: Series I: Non-Residentiall, and Series II: Residential.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into two series: Series I: Non-Residentiall, and Series II: Residential."],"bioghist_html_tesm":["\u003cp\u003eEdward G. Carson was born in Fayetteville, West Virginia on May 21, 1920.  His parents were Rev. John Harry Carson, a Methodist minister, and Rebekah Nevitt Carson. Mr. Carson was a student of engineering at Asbury College, California Polytechnic, University of West Virginia, and George Washington University.  He graduated from American Landscape School, Des Moines, Iowa.  He pursued the study of visual arts, including sculpture, at Norfolk State University, University of Hawaii, and National Art School.\u003c/p\u003e","\u003cp\u003eDuring World War II, Mr. Carson joined the U.S. Navy, working as a surveyor and cartographer with radar siting and calibration unit.  He also served as a U.S. Navy aviation cadet. About 1945 Carson was employed with the State Road Commission of West Virginia and the Coastal and Geodetic Survey technical and research division.  He worked in developing route location studies, field surveys, and designs for roads and airports.  He was also involved in the development and computation of projections for topographical maps and aeronautical charts.  He was employed by Standard Homes Company to design and develop site plans for residential projects.  About 1951, Carson became associated with Mills, Petticord and Mills, an architectural firm located in Washington D.C.  In 1957, he set up the Norfolk branch of this firm, where he was responsible for residential development and military reservation master planning.  He was also responsible for site and landscape planning.  In January of 1964, Carson began his own firm, Carson and Associates, in Norfolk, Virginia.  His firm designed various regional projects over the many years of its existence.   \u003c/p\u003e","\u003cp\u003eDuring the 1960s and 1970s, Carson became involved in the local Hampton Roads art community.  He regularly exhibited his artwork at the Virginia Beach Boardwalk Art Show beginning in 1963 until 2000.  He rented a studio at the D'Art Center in Norfolk from 1986 until about 1995. Carson was the winner of 150 awards related to his artwork, including an award in 1963 from the Virginia Beach Boardwalk Art Show.  His work was exhibited in the Smithsonian's Traveling Art Show, and some of his pieces were purchased by McGraw Hill.\u003c/p\u003e","\u003cp\u003eMr. Carson was a member of numerous organizations including American Society of Landscape Architects, the American Congress of Surveying and Mapping, the Society of American Military Engineers, the American Horticultural Society, the Civitan Club of Norfolk, the Torch Club of Norfolk, and the Norfolk Chamber of Commerce. He served as director in 1963 and president in 1971 of the Engineers Club of Hampton Roads.  Carson was appointed to the City of Norfolk's Design Review Committee in 1983, where he became a Vice Chairman.  He became Chairman of the Design Review Committee from 2000 until 2003.  During his service in the Design Review Committee, Carson participated in the review of designs for numerous projects for the City, including the Harrison Opera House, Nauticus, MacArthur Center, and the Norfolk Chamber of Commerce.  On May 13, 2003, Norfolk City Council presented a resolution recognizing Carson's many years of service on the Design Review Committee.\u003c/p\u003e","\u003cp\u003eMr. Carson was married to Lily Vlasis Carson at his passing on March 3, 2004.  He was buried at St. Mary's Catholic Cemetery on March 6, 2004.\u003c/p\u003e","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Edward G. Carson was born in Fayetteville, West Virginia on May 21, 1920.  His parents were Rev. John Harry Carson, a Methodist minister, and Rebekah Nevitt Carson. Mr. Carson was a student of engineering at Asbury College, California Polytechnic, University of West Virginia, and George Washington University.  He graduated from American Landscape School, Des Moines, Iowa.  He pursued the study of visual arts, including sculpture, at Norfolk State University, University of Hawaii, and National Art School.","During World War II, Mr. Carson joined the U.S. Navy, working as a surveyor and cartographer with radar siting and calibration unit.  He also served as a U.S. Navy aviation cadet. About 1945 Carson was employed with the State Road Commission of West Virginia and the Coastal and Geodetic Survey technical and research division.  He worked in developing route location studies, field surveys, and designs for roads and airports.  He was also involved in the development and computation of projections for topographical maps and aeronautical charts.  He was employed by Standard Homes Company to design and develop site plans for residential projects.  About 1951, Carson became associated with Mills, Petticord and Mills, an architectural firm located in Washington D.C.  In 1957, he set up the Norfolk branch of this firm, where he was responsible for residential development and military reservation master planning.  He was also responsible for site and landscape planning.  In January of 1964, Carson began his own firm, Carson and Associates, in Norfolk, Virginia.  His firm designed various regional projects over the many years of its existence.","During the 1960s and 1970s, Carson became involved in the local Hampton Roads art community.  He regularly exhibited his artwork at the Virginia Beach Boardwalk Art Show beginning in 1963 until 2000.  He rented a studio at the D'Art Center in Norfolk from 1986 until about 1995. Carson was the winner of 150 awards related to his artwork, including an award in 1963 from the Virginia Beach Boardwalk Art Show.  His work was exhibited in the Smithsonian's Traveling Art Show, and some of his pieces were purchased by McGraw Hill.","Mr. Carson was a member of numerous organizations including American Society of Landscape Architects, the American Congress of Surveying and Mapping, the Society of American Military Engineers, the American Horticultural Society, the Civitan Club of Norfolk, the Torch Club of Norfolk, and the Norfolk Chamber of Commerce. He served as director in 1963 and president in 1971 of the Engineers Club of Hampton Roads.  Carson was appointed to the City of Norfolk's Design Review Committee in 1983, where he became a Vice Chairman.  He became Chairman of the Design Review Committee from 2000 until 2003.  During his service in the Design Review Committee, Carson participated in the review of designs for numerous projects for the City, including the Harrison Opera House, Nauticus, MacArthur Center, and the Norfolk Chamber of Commerce.  On May 13, 2003, Norfolk City Council presented a resolution recognizing Carson's many years of service on the Design Review Committee.","Mr. Carson was married to Lily Vlasis Carson at his passing on March 3, 2004.  He was buried at St. Mary's Catholic Cemetery on March 6, 2004.","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  ","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDulles Airport Access Road, Herndon, VA Site Plan, undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDulles Airport Toll Road, Fairfax County, VA - Detail of Site Plan  [Soundwall], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDulles Airport Toll Road, Fairfax County, VA - Detail of Site Plan [Vista], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRendering - Interstate Route 195 - Landscaped Interchange View Northwest Toward Cary St. Bridge, undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDulles Airport Toll Road, Fairfax County, VA – Region 2 Including Plant List [Part of Cloverleaf], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eConceptual Master Plan the Old Cape Henry Light House-The Association for the Preservation of Virginia Antiquities, 1991 August, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOld Cape Henry Light House: Black and White Overview Site Plan, 1991 August, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e8 1/2 X 11 Landscape Master Plan - Sheet 1 of 7 for Washington Blvd. Drawn by: KEW Checked by: EGC, 1974 January 1, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWashington Blvd.: PROJ 73-716 Dept. of Army, Norfolk District Army Corps of Engineers Norfolk District File FE 630-1.1, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e8 1/2 X 11 Landscape Plan for Washington Blvd.-Hines Circle Area United States Army Transportation Center, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e8 1/2 X 11 Landscape Plan for Washington Blvd.-Transportation Museum Area, United States Army Transportation Center [Rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWashington Blvd.: 8 1/2 X 11 Master Plan Future Development Plans - General Site Plan (Main Post Area) Sheet 1 of 3 DWG 18-04-12 Drawn by: EGC, Norfolk District Army Corps of Engineers, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLandscape Plan for Washington Blvd., Taylor Ave. Intersection [rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLandscape Plan for Washington Blvd. Transportation Museum Area US Army Transportation Center, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLandscape Plan for Washington Blvd., Hines Circle [Rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan – Sheet 2 of 2 [Print], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan – Sheet 2 of 2 [Original Transparency], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan [Including Museum Building] [Original], undated, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan Deer Park Lake and Entry Road [Original], undated, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan – Sheet 1 of 2 [Print], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan – Sheet 1 of 2 [Original Transparency], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOcean View Amusement Park and Chesapeake Bay House: Investments Inc. and the City of Norfolk at Ocean View 70A, 70B Map Book 6, undated, Poster Tube 3, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOcean View Amusement Park [1 Marked Print, 1 Unmarked Print], 1960 December, Poster Tube 3, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDesign Concept - Central Park, Petersburg, VA [Color Overview], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMain Plaza, Central Park [Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAmphitheatre, Central Park [Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCentral Park [Color Photo of Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoplar Lawn Park: Site Plans [Color Print], undated, Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMaster Plan for Poplar Lawn Park, undated, Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGolf Course Feasibility Study, Site Plan - Naval Station, Norfolk, VA, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, VA: Raised White Circular Planters in Front of Building [8 x 10 Color Photo] Possibly City Hall Square, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, VA: Square White Concrete Planters, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, VA: Possibly View From Under Overhang of Police HQ Looking Across Water to Norfolk, Virginia, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: Side of Building, Raised White Circular Concrete Planters, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: Civic Center, City of Portsmouth, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: Courtyard of Building From Ground-Level with Students, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: Photo by Jeff Goldberg / Esto Photographics-Courtyard of Building From Second Floor, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: HBA Architects Transmittal for 3 JHS Photographs Color CAD/Computer Rendering of Building, 1998 April 7, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: 8 1/2 X 11 Elevation Exterior of Building [Rear?], undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: 8 1/2 X 11 Elevation Front Exterior of Building, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: 8 1/2 X 11 Elevation Exterior of Building Bird's Eye View, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: 8 1/2 X 11 Elevation Exterior Sides of Building, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 6, Washington, D.C., 2003-2004, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePentagon Station Plaza, Washington Metropolitan Area Transit Authority, Huntington Route [Elevation Rendering], Washington, D.C., Box 1, Folder 6, Washington, D.C., 2003-2004, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOld Dominion University: Conceptual Master Plan Landscape Improvements - Webb Center, 1992 June, Poster Tube 2, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBroad Bay Country Club: Site Plan [Original Transparency], 1986 October, Poster Tube 2, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eColombia Plaza Preliminary Layout/Site Plan [Print], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eColombia Plaza, Washington DC [8 X 10 Black and White Photo of Rendering], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eColombia Plaza, Washington DC [8 1/2 X 11 Black and White Copy of Rendering], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSite Development Plan - Southeastern Virginia Training Center for the Mentally Retarded, undated, Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCentral Development Play Area - Southeastern Virginia Training Center for the Mentally Retarded, undated, Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Text Description of Project - Featured Article - Home Building Ideas, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Award of Excellence in Residential Design Issued by ASLA, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Site Plan courtyard [8 1/2 X 11], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Landscape Design Scheme [8 X 10 Color Photo of Rendering], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Stepping Stones [8 X 10 Color Photo], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Site and Landscape Details, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Descriptive Text - Basis of Design, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e\"Plans to Mrs. Lawrence Cox\"-Several German Maps, undated, Poster Tube 4, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: View of Pool, Gazebo and River From Trees [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Gazebo From the Far Side of the Pool [8 X 12 Close-Up Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: View of Deck and River [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Corner of the Pool [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Tidewater Chapter of the Virginia Society of the American Institutes of Architects Presents Excellence in Design Award to Edward G. Carson and Associates for the Pool Complex for Dr. and Mrs. Harry C. Plunkett, 1982, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Color Article re. Plunkett Pool, Pages 114, 115, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Gazebo [8 X 10 Close-Up Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Gazebo, Pool, River [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Deck Vantage From Gazebo Looking at the House [7 1/2 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Vantage From River of Gazebo [8 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite Corner of the Pool [8 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite Corner of the Pool [8 X 12 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Gazebo Looking From Behind Trees [8 X 12 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Submission Form for Gardenscapes, Pages 1 and 2, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Copies of Photos Submitted, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Photographic Release to Submission - Signed, 1996 August 19, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Plunkett Residence Attachment Kurume Type [Plant List], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Residence Owner's Release - Signed by Plunketts, 1996 August 9, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Series III, Oversize Folder 1, Oversize Folder 1, 1969, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTorso Tree Sketch, 1969, Oversize Folder 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Dulles Airport Access Road, Herndon, VA Site Plan, undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Dulles Airport Toll Road, Fairfax County, VA - Detail of Site Plan  [Soundwall], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Dulles Airport Toll Road, Fairfax County, VA - Detail of Site Plan [Vista], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Rendering - Interstate Route 195 - Landscaped Interchange View Northwest Toward Cary St. Bridge, undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Dulles Airport Toll Road, Fairfax County, VA – Region 2 Including Plant List [Part of Cloverleaf], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Conceptual Master Plan the Old Cape Henry Light House-The Association for the Preservation of Virginia Antiquities, 1991 August, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Old Cape Henry Light House: Black and White Overview Site Plan, 1991 August, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","8 1/2 X 11 Landscape Master Plan - Sheet 1 of 7 for Washington Blvd. Drawn by: KEW Checked by: EGC, 1974 January 1, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Washington Blvd.: PROJ 73-716 Dept. of Army, Norfolk District Army Corps of Engineers Norfolk District File FE 630-1.1, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","8 1/2 X 11 Landscape Plan for Washington Blvd.-Hines Circle Area United States Army Transportation Center, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","8 1/2 X 11 Landscape Plan for Washington Blvd.-Transportation Museum Area, United States Army Transportation Center [Rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Washington Blvd.: 8 1/2 X 11 Master Plan Future Development Plans - General Site Plan (Main Post Area) Sheet 1 of 3 DWG 18-04-12 Drawn by: EGC, Norfolk District Army Corps of Engineers, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Landscape Plan for Washington Blvd., Taylor Ave. Intersection [rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Landscape Plan for Washington Blvd. Transportation Museum Area US Army Transportation Center, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Landscape Plan for Washington Blvd., Hines Circle [Rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan – Sheet 2 of 2 [Print], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan – Sheet 2 of 2 [Original Transparency], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan [Including Museum Building] [Original], undated, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan Deer Park Lake and Entry Road [Original], undated, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan – Sheet 1 of 2 [Print], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan – Sheet 1 of 2 [Original Transparency], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Ocean View Amusement Park and Chesapeake Bay House: Investments Inc. and the City of Norfolk at Ocean View 70A, 70B Map Book 6, undated, Poster Tube 3, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Ocean View Amusement Park [1 Marked Print, 1 Unmarked Print], 1960 December, Poster Tube 3, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Design Concept - Central Park, Petersburg, VA [Color Overview], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Main Plaza, Central Park [Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Amphitheatre, Central Park [Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Central Park [Color Photo of Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Poplar Lawn Park: Site Plans [Color Print], undated, Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Master Plan for Poplar Lawn Park, undated, Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Golf Course Feasibility Study, Site Plan - Naval Station, Norfolk, VA, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, VA: Raised White Circular Planters in Front of Building [8 x 10 Color Photo] Possibly City Hall Square, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, VA: Square White Concrete Planters, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, VA: Possibly View From Under Overhang of Police HQ Looking Across Water to Norfolk, Virginia, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: Side of Building, Raised White Circular Concrete Planters, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: Civic Center, City of Portsmouth, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: Courtyard of Building From Ground-Level with Students, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: Photo by Jeff Goldberg / Esto Photographics-Courtyard of Building From Second Floor, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: HBA Architects Transmittal for 3 JHS Photographs Color CAD/Computer Rendering of Building, 1998 April 7, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: 8 1/2 X 11 Elevation Exterior of Building [Rear?], undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: 8 1/2 X 11 Elevation Front Exterior of Building, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: 8 1/2 X 11 Elevation Exterior of Building Bird's Eye View, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: 8 1/2 X 11 Elevation Exterior Sides of Building, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 6, Washington, D.C., 2003-2004, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Pentagon Station Plaza, Washington Metropolitan Area Transit Authority, Huntington Route [Elevation Rendering], Washington, D.C., Box 1, Folder 6, Washington, D.C., 2003-2004, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Old Dominion University: Conceptual Master Plan Landscape Improvements - Webb Center, 1992 June, Poster Tube 2, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Broad Bay Country Club: Site Plan [Original Transparency], 1986 October, Poster Tube 2, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Colombia Plaza Preliminary Layout/Site Plan [Print], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Colombia Plaza, Washington DC [8 X 10 Black and White Photo of Rendering], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Colombia Plaza, Washington DC [8 1/2 X 11 Black and White Copy of Rendering], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Site Development Plan - Southeastern Virginia Training Center for the Mentally Retarded, undated, Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Central Development Play Area - Southeastern Virginia Training Center for the Mentally Retarded, undated, Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Text Description of Project - Featured Article - Home Building Ideas, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Award of Excellence in Residential Design Issued by ASLA, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Site Plan courtyard [8 1/2 X 11], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Landscape Design Scheme [8 X 10 Color Photo of Rendering], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Stepping Stones [8 X 10 Color Photo], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Site and Landscape Details, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Descriptive Text - Basis of Design, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","\"Plans to Mrs. Lawrence Cox\"-Several German Maps, undated, Poster Tube 4, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: View of Pool, Gazebo and River From Trees [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Gazebo From the Far Side of the Pool [8 X 12 Close-Up Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: View of Deck and River [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Corner of the Pool [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Tidewater Chapter of the Virginia Society of the American Institutes of Architects Presents Excellence in Design Award to Edward G. Carson and Associates for the Pool Complex for Dr. and Mrs. Harry C. Plunkett, 1982, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Color Article re. Plunkett Pool, Pages 114, 115, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Gazebo [8 X 10 Close-Up Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Gazebo, Pool, River [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Deck Vantage From Gazebo Looking at the House [7 1/2 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Vantage From River of Gazebo [8 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite Corner of the Pool [8 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite Corner of the Pool [8 X 12 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Gazebo Looking From Behind Trees [8 X 12 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Submission Form for Gardenscapes, Pages 1 and 2, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Copies of Photos Submitted, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Photographic Release to Submission - Signed, 1996 August 19, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Plunkett Residence Attachment Kurume Type [Plant List], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Residence Owner's Release - Signed by Plunketts, 1996 August 9, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Series III, Oversize Folder 1, Oversize Folder 1, 1969, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Torso Tree Sketch, 1969, Oversize Folder 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of the collection contains large, hand-drawn plans, renderings, photographs, or reproductions of landscape projects developed by Edward C. Carson and his company in Hampton Roads, Richmond, Washington, DC, Italy and Puerto Rico. Some drawings, such as infrastructure or subdivision plans, are not the direct work of Carson, however were essential to his work as a landscape architect and have been retained in the collection. The collection also contains photographs and written descriptions of landscape designs.\u003c/p\u003e  ","\u003cp\u003eThis series contains plans, renderings, photographs, and reproductions of non–residential projects for which Carson was either a contributor or a principal architect.\u003c/p\u003e","\u003cp\u003eThis sub-series contains plans, renderings, photographs and reproductions of non-residential projects for government agencies. The sub-series is arranged in alphabetical order by project location.\u003c/p\u003e","\u003cp\u003ePeople and lawn maintenance in field\u003c/p\u003e","\u003cp\u003eSurveyors in field\u003c/p\u003e","\u003cp\u003eLength 2.89 miles. Abbot \u0026amp; Associates. and Carson. Print PROJ I-195-6(1)82,  I-195-6(1)84 - submittal set – Sheets 1, 2, 5, 6, 7, 8, 15, of 21, Sheet 2 Plant List and Notes [bound]\u003c/p\u003e","\u003cp\u003e[8 X 10 color photo] located near bldgs. 711 Police Headquarters, 701 Jail - possibly City Hall Square\u003c/p\u003e","\u003cp\u003e8 X 10 color photo, possibly City Hall Square\u003c/p\u003e","\u003cp\u003e[8 1/2 X 11 B\u0026amp;W print] possibly preliminary layout/rendering\u003c/p\u003e","\u003cp\u003e[8 X 10 color photo]\u003c/p\u003e","\u003cp\u003e[8 X 10 color photo]\u003c/p\u003e","\u003cp\u003eThis sub-series contains plans, renderings, photographs and reproductions of non-residential projects for private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.\u003c/p\u003e","\u003cp\u003eThis series contains plans, renderings, photographs, and reproductions of residential projects for which Carson was either a contributor or a principal architect.\u003c/p\u003e","\u003cp\u003eThis sub-series contains plans, renderings and reproductions of residential projects for government agencies. The sub-series is arranged alphabetically by project location.\u003c/p\u003e","\u003cp\u003eCommonwealth of VA Dept. of Mental Health and Mental Retardation, Richmond, VA [text only]\u003c/p\u003e","\u003cp\u003eThis sub-series contains plans, renderings and reproductions of multi-family residential projects for were private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.\u003c/p\u003e","\u003cp\u003eRecreation Complex design and rendering by Carson \u0026amp; Assoc. [rendering original]\u003c/p\u003e","\u003cp\u003eAbbot \u0026amp; Assoc. and Carson, Commonwealth of VA Dept. of Highways\u003c/p\u003e","\u003cp\u003eFirst floor of four bedroom unit plan\u003c/p\u003e","\u003cp\u003eSecond floor of four bedroom unit plan\u003c/p\u003e","\u003cp\u003eThis sub-series contains plans, renderings, and reproductions of residential projects for private individuals. The sub-series is arranged in alphabetical order by project location.\u003c/p\u003e","\u003cp\u003eThis series contains a drawing by Edward G. Carson entitled the \"Torso Tree.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The bulk of the collection contains large, hand-drawn plans, renderings, photographs, or reproductions of landscape projects developed by Edward C. Carson and his company in Hampton Roads, Richmond, Washington, DC, Italy and Puerto Rico. Some drawings, such as infrastructure or subdivision plans, are not the direct work of Carson, however were essential to his work as a landscape architect and have been retained in the collection. The collection also contains photographs and written descriptions of landscape designs.","This series contains plans, renderings, photographs, and reproductions of non–residential projects for which Carson was either a contributor or a principal architect.","This sub-series contains plans, renderings, photographs and reproductions of non-residential projects for government agencies. The sub-series is arranged in alphabetical order by project location.","People and lawn maintenance in field","Surveyors in field","Length 2.89 miles. Abbot \u0026 Associates. and Carson. Print PROJ I-195-6(1)82,  I-195-6(1)84 - submittal set – Sheets 1, 2, 5, 6, 7, 8, 15, of 21, Sheet 2 Plant List and Notes [bound]","[8 X 10 color photo] located near bldgs. 711 Police Headquarters, 701 Jail - possibly City Hall Square","8 X 10 color photo, possibly City Hall Square","[8 1/2 X 11 B\u0026W print] possibly preliminary layout/rendering","[8 X 10 color photo]","[8 X 10 color photo]","This sub-series contains plans, renderings, photographs and reproductions of non-residential projects for private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.","This series contains plans, renderings, photographs, and reproductions of residential projects for which Carson was either a contributor or a principal architect.","This sub-series contains plans, renderings and reproductions of residential projects for government agencies. The sub-series is arranged alphabetically by project location.","Commonwealth of VA Dept. of Mental Health and Mental Retardation, Richmond, VA [text only]","This sub-series contains plans, renderings and reproductions of multi-family residential projects for were private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.","Recreation Complex design and rendering by Carson \u0026 Assoc. [rendering original]","Abbot \u0026 Assoc. and Carson, Commonwealth of VA Dept. of Highways","First floor of four bedroom unit plan","Second floor of four bedroom unit plan","This sub-series contains plans, renderings, and reproductions of residential projects for private individuals. The sub-series is arranged in alphabetical order by project location.","This series contains a drawing by Edward G. Carson entitled the \"Torso Tree.\""],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bc3effd7e1eff1ec748a542b727a2b63\" label=\"Abstract\"\u003eNorfolk landscape architect and artist. Designed landscapes for buildings ranging from Webb Center to the bowling alley at a US Air Force base in Italy. The collection includes approximately three hundred oversized landscape plans, as well as a small number of photographs and written descriptions of landscape designs.\u003c/abstract\u003e\n    "],"abstract_tesim":["Norfolk landscape architect and artist. Designed landscapes for buildings ranging from Webb Center to the bowling alley at a US Air Force base in Italy. The collection includes approximately three hundred oversized landscape plans, as well as a small number of photographs and written descriptions of landscape designs."],"corpname_ssim":["ODU Community Collections"],"persname_ssim":["Carson, Edward G. (1920–2004)"],"names_ssim":["ODU Community Collections","Carson, Edward G. (1920–2004)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":476,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:05:13.129Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_19","ead_ssi":"vino_repositories_5_resources_19","_root_":"vino_repositories_5_resources_19","_nest_parent_":"vino_repositories_5_resources_19","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_19.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/19","title_filing_ssi":"Carson, Edward G.","title_ssm":["Edward G. Carson Papers"],"title_tesim":["Edward G. Carson Papers"],"unitdate_ssm":["1924-2004, undated","1970-2000","Date acquired: 10/12/2007"],"unitdate_inclusive_ssm":["1924-2004, undated"],"unitdate_bulk_ssim":["1970-2000"],"unitdate_other_ssim":["Date acquired: 10/12/2007"],"normalized_date_ssm":["1924/2004, bulk 1970/2000"],"normalized_title_ssm":["Edward G. Carson Papers, 1924/2004, bulk 1970/2000"],"text":["Edward G. Carson Papers, 1924/2004, bulk 1970/2000","MG 87","/repositories/5/resources/19","Landscape architecture","Landscape architects--United States","Artists--United States","Open to researchers without restrictions.","The collection is arranged into two series: Series I: Non-Residentiall, and Series II: Residential.","Edward G. Carson was born in Fayetteville, West Virginia on May 21, 1920.  His parents were Rev. John Harry Carson, a Methodist minister, and Rebekah Nevitt Carson. Mr. Carson was a student of engineering at Asbury College, California Polytechnic, University of West Virginia, and George Washington University.  He graduated from American Landscape School, Des Moines, Iowa.  He pursued the study of visual arts, including sculpture, at Norfolk State University, University of Hawaii, and National Art School.","During World War II, Mr. Carson joined the U.S. Navy, working as a surveyor and cartographer with radar siting and calibration unit.  He also served as a U.S. Navy aviation cadet. About 1945 Carson was employed with the State Road Commission of West Virginia and the Coastal and Geodetic Survey technical and research division.  He worked in developing route location studies, field surveys, and designs for roads and airports.  He was also involved in the development and computation of projections for topographical maps and aeronautical charts.  He was employed by Standard Homes Company to design and develop site plans for residential projects.  About 1951, Carson became associated with Mills, Petticord and Mills, an architectural firm located in Washington D.C.  In 1957, he set up the Norfolk branch of this firm, where he was responsible for residential development and military reservation master planning.  He was also responsible for site and landscape planning.  In January of 1964, Carson began his own firm, Carson and Associates, in Norfolk, Virginia.  His firm designed various regional projects over the many years of its existence.","During the 1960s and 1970s, Carson became involved in the local Hampton Roads art community.  He regularly exhibited his artwork at the Virginia Beach Boardwalk Art Show beginning in 1963 until 2000.  He rented a studio at the D'Art Center in Norfolk from 1986 until about 1995. Carson was the winner of 150 awards related to his artwork, including an award in 1963 from the Virginia Beach Boardwalk Art Show.  His work was exhibited in the Smithsonian's Traveling Art Show, and some of his pieces were purchased by McGraw Hill.","Mr. Carson was a member of numerous organizations including American Society of Landscape Architects, the American Congress of Surveying and Mapping, the Society of American Military Engineers, the American Horticultural Society, the Civitan Club of Norfolk, the Torch Club of Norfolk, and the Norfolk Chamber of Commerce. He served as director in 1963 and president in 1971 of the Engineers Club of Hampton Roads.  Carson was appointed to the City of Norfolk's Design Review Committee in 1983, where he became a Vice Chairman.  He became Chairman of the Design Review Committee from 2000 until 2003.  During his service in the Design Review Committee, Carson participated in the review of designs for numerous projects for the City, including the Harrison Opera House, Nauticus, MacArthur Center, and the Norfolk Chamber of Commerce.  On May 13, 2003, Norfolk City Council presented a resolution recognizing Carson's many years of service on the Design Review Committee.","Mr. Carson was married to Lily Vlasis Carson at his passing on March 3, 2004.  He was buried at St. Mary's Catholic Cemetery on March 6, 2004.","Note written by Special Collections Staff","The bulk of the collection contains large, hand-drawn plans, renderings, photographs, or reproductions of landscape projects developed by Edward C. Carson and his company in Hampton Roads, Richmond, Washington, DC, Italy and Puerto Rico. Some drawings, such as infrastructure or subdivision plans, are not the direct work of Carson, however were essential to his work as a landscape architect and have been retained in the collection. The collection also contains photographs and written descriptions of landscape designs.","This series contains plans, renderings, photographs, and reproductions of non–residential projects for which Carson was either a contributor or a principal architect.","This sub-series contains plans, renderings, photographs and reproductions of non-residential projects for government agencies. The sub-series is arranged in alphabetical order by project location.","People and lawn maintenance in field","Surveyors in field","Length 2.89 miles. Abbot \u0026 Associates. and Carson. Print PROJ I-195-6(1)82,  I-195-6(1)84 - submittal set – Sheets 1, 2, 5, 6, 7, 8, 15, of 21, Sheet 2 Plant List and Notes [bound]","[8 X 10 color photo] located near bldgs. 711 Police Headquarters, 701 Jail - possibly City Hall Square","8 X 10 color photo, possibly City Hall Square","[8 1/2 X 11 B\u0026W print] possibly preliminary layout/rendering","[8 X 10 color photo]","[8 X 10 color photo]","This sub-series contains plans, renderings, photographs and reproductions of non-residential projects for private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.","This series contains plans, renderings, photographs, and reproductions of residential projects for which Carson was either a contributor or a principal architect.","This sub-series contains plans, renderings and reproductions of residential projects for government agencies. The sub-series is arranged alphabetically by project location.","Commonwealth of VA Dept. of Mental Health and Mental Retardation, Richmond, VA [text only]","This sub-series contains plans, renderings and reproductions of multi-family residential projects for were private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.","Recreation Complex design and rendering by Carson \u0026 Assoc. [rendering original]","Abbot \u0026 Assoc. and Carson, Commonwealth of VA Dept. of Highways","First floor of four bedroom unit plan","Second floor of four bedroom unit plan","This sub-series contains plans, renderings, and reproductions of residential projects for private individuals. The sub-series is arranged in alphabetical order by project location.","This series contains a drawing by Edward G. Carson entitled the \"Torso Tree.\"","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Norfolk landscape architect and artist. Designed landscapes for buildings ranging from Webb Center to the bowling alley at a US Air Force base in Italy. The collection includes approximately three hundred oversized landscape plans, as well as a small number of photographs and written descriptions of landscape designs.","ODU Community Collections","Carson, Edward G. (1920–2004)","English"],"collection_title_tesim":["Edward G. Carson Papers, 1924/2004, bulk 1970/2000"],"collection_ssim":["Edward G. Carson Papers, 1924/2004, bulk 1970/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 87","/repositories/5/resources/19"],"unitid_tesim":["MG 87","/repositories/5/resources/19"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Carson, Edward G. (1920–2004)"],"creator_ssim":["Carson, Edward G. (1920–2004)"],"creator_persname_ssim":["Carson, Edward G. (1920–2004)"],"creator_corpname_ssim":["ODU Community Collections"],"creators_ssim":["Carson, Edward G. (1920–2004)","ODU Community Collections"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Lily Vlasis Carson","Gift. Accession # A2007-1."],"access_subjects_ssim":["Landscape architecture","Landscape architects--United States","Artists--United States"],"access_subjects_ssm":["Landscape architecture","Landscape architects--United States","Artists--United States"],"has_online_content_ssim":["false"],"extent_ssm":["17.20 Linear Feet","One Hollinger document case, four archival tubes. boxes"],"extent_tesim":["17.20 Linear Feet","One Hollinger document case, four archival tubes. boxes"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2007],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: Series I: Non-Residentiall, and Series II: Residential.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into two series: Series I: Non-Residentiall, and Series II: Residential."],"bioghist_html_tesm":["\u003cp\u003eEdward G. Carson was born in Fayetteville, West Virginia on May 21, 1920.  His parents were Rev. John Harry Carson, a Methodist minister, and Rebekah Nevitt Carson. Mr. Carson was a student of engineering at Asbury College, California Polytechnic, University of West Virginia, and George Washington University.  He graduated from American Landscape School, Des Moines, Iowa.  He pursued the study of visual arts, including sculpture, at Norfolk State University, University of Hawaii, and National Art School.\u003c/p\u003e","\u003cp\u003eDuring World War II, Mr. Carson joined the U.S. Navy, working as a surveyor and cartographer with radar siting and calibration unit.  He also served as a U.S. Navy aviation cadet. About 1945 Carson was employed with the State Road Commission of West Virginia and the Coastal and Geodetic Survey technical and research division.  He worked in developing route location studies, field surveys, and designs for roads and airports.  He was also involved in the development and computation of projections for topographical maps and aeronautical charts.  He was employed by Standard Homes Company to design and develop site plans for residential projects.  About 1951, Carson became associated with Mills, Petticord and Mills, an architectural firm located in Washington D.C.  In 1957, he set up the Norfolk branch of this firm, where he was responsible for residential development and military reservation master planning.  He was also responsible for site and landscape planning.  In January of 1964, Carson began his own firm, Carson and Associates, in Norfolk, Virginia.  His firm designed various regional projects over the many years of its existence.   \u003c/p\u003e","\u003cp\u003eDuring the 1960s and 1970s, Carson became involved in the local Hampton Roads art community.  He regularly exhibited his artwork at the Virginia Beach Boardwalk Art Show beginning in 1963 until 2000.  He rented a studio at the D'Art Center in Norfolk from 1986 until about 1995. Carson was the winner of 150 awards related to his artwork, including an award in 1963 from the Virginia Beach Boardwalk Art Show.  His work was exhibited in the Smithsonian's Traveling Art Show, and some of his pieces were purchased by McGraw Hill.\u003c/p\u003e","\u003cp\u003eMr. Carson was a member of numerous organizations including American Society of Landscape Architects, the American Congress of Surveying and Mapping, the Society of American Military Engineers, the American Horticultural Society, the Civitan Club of Norfolk, the Torch Club of Norfolk, and the Norfolk Chamber of Commerce. He served as director in 1963 and president in 1971 of the Engineers Club of Hampton Roads.  Carson was appointed to the City of Norfolk's Design Review Committee in 1983, where he became a Vice Chairman.  He became Chairman of the Design Review Committee from 2000 until 2003.  During his service in the Design Review Committee, Carson participated in the review of designs for numerous projects for the City, including the Harrison Opera House, Nauticus, MacArthur Center, and the Norfolk Chamber of Commerce.  On May 13, 2003, Norfolk City Council presented a resolution recognizing Carson's many years of service on the Design Review Committee.\u003c/p\u003e","\u003cp\u003eMr. Carson was married to Lily Vlasis Carson at his passing on March 3, 2004.  He was buried at St. Mary's Catholic Cemetery on March 6, 2004.\u003c/p\u003e","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Edward G. Carson was born in Fayetteville, West Virginia on May 21, 1920.  His parents were Rev. John Harry Carson, a Methodist minister, and Rebekah Nevitt Carson. Mr. Carson was a student of engineering at Asbury College, California Polytechnic, University of West Virginia, and George Washington University.  He graduated from American Landscape School, Des Moines, Iowa.  He pursued the study of visual arts, including sculpture, at Norfolk State University, University of Hawaii, and National Art School.","During World War II, Mr. Carson joined the U.S. Navy, working as a surveyor and cartographer with radar siting and calibration unit.  He also served as a U.S. Navy aviation cadet. About 1945 Carson was employed with the State Road Commission of West Virginia and the Coastal and Geodetic Survey technical and research division.  He worked in developing route location studies, field surveys, and designs for roads and airports.  He was also involved in the development and computation of projections for topographical maps and aeronautical charts.  He was employed by Standard Homes Company to design and develop site plans for residential projects.  About 1951, Carson became associated with Mills, Petticord and Mills, an architectural firm located in Washington D.C.  In 1957, he set up the Norfolk branch of this firm, where he was responsible for residential development and military reservation master planning.  He was also responsible for site and landscape planning.  In January of 1964, Carson began his own firm, Carson and Associates, in Norfolk, Virginia.  His firm designed various regional projects over the many years of its existence.","During the 1960s and 1970s, Carson became involved in the local Hampton Roads art community.  He regularly exhibited his artwork at the Virginia Beach Boardwalk Art Show beginning in 1963 until 2000.  He rented a studio at the D'Art Center in Norfolk from 1986 until about 1995. Carson was the winner of 150 awards related to his artwork, including an award in 1963 from the Virginia Beach Boardwalk Art Show.  His work was exhibited in the Smithsonian's Traveling Art Show, and some of his pieces were purchased by McGraw Hill.","Mr. Carson was a member of numerous organizations including American Society of Landscape Architects, the American Congress of Surveying and Mapping, the Society of American Military Engineers, the American Horticultural Society, the Civitan Club of Norfolk, the Torch Club of Norfolk, and the Norfolk Chamber of Commerce. He served as director in 1963 and president in 1971 of the Engineers Club of Hampton Roads.  Carson was appointed to the City of Norfolk's Design Review Committee in 1983, where he became a Vice Chairman.  He became Chairman of the Design Review Committee from 2000 until 2003.  During his service in the Design Review Committee, Carson participated in the review of designs for numerous projects for the City, including the Harrison Opera House, Nauticus, MacArthur Center, and the Norfolk Chamber of Commerce.  On May 13, 2003, Norfolk City Council presented a resolution recognizing Carson's many years of service on the Design Review Committee.","Mr. Carson was married to Lily Vlasis Carson at his passing on March 3, 2004.  He was buried at St. Mary's Catholic Cemetery on March 6, 2004.","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  ","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDulles Airport Access Road, Herndon, VA Site Plan, undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDulles Airport Toll Road, Fairfax County, VA - Detail of Site Plan  [Soundwall], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDulles Airport Toll Road, Fairfax County, VA - Detail of Site Plan [Vista], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRendering - Interstate Route 195 - Landscaped Interchange View Northwest Toward Cary St. Bridge, undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDulles Airport Toll Road, Fairfax County, VA – Region 2 Including Plant List [Part of Cloverleaf], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eConceptual Master Plan the Old Cape Henry Light House-The Association for the Preservation of Virginia Antiquities, 1991 August, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOld Cape Henry Light House: Black and White Overview Site Plan, 1991 August, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e8 1/2 X 11 Landscape Master Plan - Sheet 1 of 7 for Washington Blvd. Drawn by: KEW Checked by: EGC, 1974 January 1, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWashington Blvd.: PROJ 73-716 Dept. of Army, Norfolk District Army Corps of Engineers Norfolk District File FE 630-1.1, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e8 1/2 X 11 Landscape Plan for Washington Blvd.-Hines Circle Area United States Army Transportation Center, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e8 1/2 X 11 Landscape Plan for Washington Blvd.-Transportation Museum Area, United States Army Transportation Center [Rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWashington Blvd.: 8 1/2 X 11 Master Plan Future Development Plans - General Site Plan (Main Post Area) Sheet 1 of 3 DWG 18-04-12 Drawn by: EGC, Norfolk District Army Corps of Engineers, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLandscape Plan for Washington Blvd., Taylor Ave. Intersection [rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLandscape Plan for Washington Blvd. Transportation Museum Area US Army Transportation Center, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLandscape Plan for Washington Blvd., Hines Circle [Rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan – Sheet 2 of 2 [Print], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan – Sheet 2 of 2 [Original Transparency], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan [Including Museum Building] [Original], undated, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan Deer Park Lake and Entry Road [Original], undated, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan – Sheet 1 of 2 [Print], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Living Museum: Master Plan – Sheet 1 of 2 [Original Transparency], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOcean View Amusement Park and Chesapeake Bay House: Investments Inc. and the City of Norfolk at Ocean View 70A, 70B Map Book 6, undated, Poster Tube 3, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOcean View Amusement Park [1 Marked Print, 1 Unmarked Print], 1960 December, Poster Tube 3, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDesign Concept - Central Park, Petersburg, VA [Color Overview], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMain Plaza, Central Park [Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAmphitheatre, Central Park [Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCentral Park [Color Photo of Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoplar Lawn Park: Site Plans [Color Print], undated, Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMaster Plan for Poplar Lawn Park, undated, Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGolf Course Feasibility Study, Site Plan - Naval Station, Norfolk, VA, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, VA: Raised White Circular Planters in Front of Building [8 x 10 Color Photo] Possibly City Hall Square, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, VA: Square White Concrete Planters, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, VA: Possibly View From Under Overhang of Police HQ Looking Across Water to Norfolk, Virginia, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: Side of Building, Raised White Circular Concrete Planters, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: Civic Center, City of Portsmouth, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: Courtyard of Building From Ground-Level with Students, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: Photo by Jeff Goldberg / Esto Photographics-Courtyard of Building From Second Floor, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: HBA Architects Transmittal for 3 JHS Photographs Color CAD/Computer Rendering of Building, 1998 April 7, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: 8 1/2 X 11 Elevation Exterior of Building [Rear?], undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: 8 1/2 X 11 Elevation Front Exterior of Building, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: 8 1/2 X 11 Elevation Exterior of Building Bird's Eye View, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePortsmouth, Virginia: 8 1/2 X 11 Elevation Exterior Sides of Building, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 6, Washington, D.C., 2003-2004, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePentagon Station Plaza, Washington Metropolitan Area Transit Authority, Huntington Route [Elevation Rendering], Washington, D.C., Box 1, Folder 6, Washington, D.C., 2003-2004, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOld Dominion University: Conceptual Master Plan Landscape Improvements - Webb Center, 1992 June, Poster Tube 2, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBroad Bay Country Club: Site Plan [Original Transparency], 1986 October, Poster Tube 2, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eColombia Plaza Preliminary Layout/Site Plan [Print], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eColombia Plaza, Washington DC [8 X 10 Black and White Photo of Rendering], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eColombia Plaza, Washington DC [8 1/2 X 11 Black and White Copy of Rendering], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSite Development Plan - Southeastern Virginia Training Center for the Mentally Retarded, undated, Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCentral Development Play Area - Southeastern Virginia Training Center for the Mentally Retarded, undated, Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Text Description of Project - Featured Article - Home Building Ideas, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Award of Excellence in Residential Design Issued by ASLA, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Site Plan courtyard [8 1/2 X 11], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Landscape Design Scheme [8 X 10 Color Photo of Rendering], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Stepping Stones [8 X 10 Color Photo], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Site and Landscape Details, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCharles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Descriptive Text - Basis of Design, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e\"Plans to Mrs. Lawrence Cox\"-Several German Maps, undated, Poster Tube 4, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: View of Pool, Gazebo and River From Trees [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Gazebo From the Far Side of the Pool [8 X 12 Close-Up Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: View of Deck and River [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Corner of the Pool [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Tidewater Chapter of the Virginia Society of the American Institutes of Architects Presents Excellence in Design Award to Edward G. Carson and Associates for the Pool Complex for Dr. and Mrs. Harry C. Plunkett, 1982, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Color Article re. Plunkett Pool, Pages 114, 115, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Gazebo [8 X 10 Close-Up Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Gazebo, Pool, River [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Deck Vantage From Gazebo Looking at the House [7 1/2 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Vantage From River of Gazebo [8 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite Corner of the Pool [8 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite Corner of the Pool [8 X 12 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Gazebo Looking From Behind Trees [8 X 12 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Submission Form for Gardenscapes, Pages 1 and 2, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Copies of Photos Submitted, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Photographic Release to Submission - Signed, 1996 August 19, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Plunkett Residence Attachment Kurume Type [Plant List], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarry C. Plunkett Residence: Residence Owner's Release - Signed by Plunketts, 1996 August 9, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Series III, Oversize Folder 1, Oversize Folder 1, 1969, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTorso Tree Sketch, 1969, Oversize Folder 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Dulles Airport Access Road, Herndon, VA Site Plan, undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Dulles Airport Toll Road, Fairfax County, VA - Detail of Site Plan  [Soundwall], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Dulles Airport Toll Road, Fairfax County, VA - Detail of Site Plan [Vista], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Rendering - Interstate Route 195 - Landscaped Interchange View Northwest Toward Cary St. Bridge, undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Dulles Airport Toll Road, Fairfax County, VA – Region 2 Including Plant List [Part of Cloverleaf], undated, Box 1, Folder 1, Fairfax, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Conceptual Master Plan the Old Cape Henry Light House-The Association for the Preservation of Virginia Antiquities, 1991 August, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Old Cape Henry Light House: Black and White Overview Site Plan, 1991 August, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","8 1/2 X 11 Landscape Master Plan - Sheet 1 of 7 for Washington Blvd. Drawn by: KEW Checked by: EGC, 1974 January 1, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Washington Blvd.: PROJ 73-716 Dept. of Army, Norfolk District Army Corps of Engineers Norfolk District File FE 630-1.1, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","8 1/2 X 11 Landscape Plan for Washington Blvd.-Hines Circle Area United States Army Transportation Center, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","8 1/2 X 11 Landscape Plan for Washington Blvd.-Transportation Museum Area, United States Army Transportation Center [Rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Washington Blvd.: 8 1/2 X 11 Master Plan Future Development Plans - General Site Plan (Main Post Area) Sheet 1 of 3 DWG 18-04-12 Drawn by: EGC, Norfolk District Army Corps of Engineers, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Landscape Plan for Washington Blvd., Taylor Ave. Intersection [rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Landscape Plan for Washington Blvd. Transportation Museum Area US Army Transportation Center, 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Landscape Plan for Washington Blvd., Hines Circle [Rendering], 1974 January 21, Box 1, Folder 2, Fort Eustis, 1974, 1991, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan – Sheet 2 of 2 [Print], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan – Sheet 2 of 2 [Original Transparency], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan [Including Museum Building] [Original], undated, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan Deer Park Lake and Entry Road [Original], undated, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan – Sheet 1 of 2 [Print], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Living Museum: Master Plan – Sheet 1 of 2 [Original Transparency], 1985 June 13, Poster Tube 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Ocean View Amusement Park and Chesapeake Bay House: Investments Inc. and the City of Norfolk at Ocean View 70A, 70B Map Book 6, undated, Poster Tube 3, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Ocean View Amusement Park [1 Marked Print, 1 Unmarked Print], 1960 December, Poster Tube 3, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Design Concept - Central Park, Petersburg, VA [Color Overview], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Main Plaza, Central Park [Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Amphitheatre, Central Park [Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Central Park [Color Photo of Rendering], undated, Box 1, Folder 3, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Poplar Lawn Park: Site Plans [Color Print], undated, Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Master Plan for Poplar Lawn Park, undated, Box 1, Folder 4, Petersburg, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Golf Course Feasibility Study, Site Plan - Naval Station, Norfolk, VA, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, VA: Raised White Circular Planters in Front of Building [8 x 10 Color Photo] Possibly City Hall Square, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, VA: Square White Concrete Planters, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, VA: Possibly View From Under Overhang of Police HQ Looking Across Water to Norfolk, Virginia, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: Side of Building, Raised White Circular Concrete Planters, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: Civic Center, City of Portsmouth, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: Courtyard of Building From Ground-Level with Students, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: Photo by Jeff Goldberg / Esto Photographics-Courtyard of Building From Second Floor, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: HBA Architects Transmittal for 3 JHS Photographs Color CAD/Computer Rendering of Building, 1998 April 7, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: 8 1/2 X 11 Elevation Exterior of Building [Rear?], undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: 8 1/2 X 11 Elevation Front Exterior of Building, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: 8 1/2 X 11 Elevation Exterior of Building Bird's Eye View, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Portsmouth, Virginia: 8 1/2 X 11 Elevation Exterior Sides of Building, undated, Box 1, Folder 5, Unknown Project Location/Multiple Project Location/Miscellaneous, 1998, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 6, Washington, D.C., 2003-2004, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Pentagon Station Plaza, Washington Metropolitan Area Transit Authority, Huntington Route [Elevation Rendering], Washington, D.C., Box 1, Folder 6, Washington, D.C., 2003-2004, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Old Dominion University: Conceptual Master Plan Landscape Improvements - Webb Center, 1992 June, Poster Tube 2, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Broad Bay Country Club: Site Plan [Original Transparency], 1986 October, Poster Tube 2, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Colombia Plaza Preliminary Layout/Site Plan [Print], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Colombia Plaza, Washington DC [8 X 10 Black and White Photo of Rendering], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Colombia Plaza, Washington DC [8 1/2 X 11 Black and White Copy of Rendering], undated, Box 1, Folder 7, Washington, D.C., undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Site Development Plan - Southeastern Virginia Training Center for the Mentally Retarded, undated, Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Central Development Play Area - Southeastern Virginia Training Center for the Mentally Retarded, undated, Box 1, Folder 8, Chesapeake, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Text Description of Project - Featured Article - Home Building Ideas, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Award of Excellence in Residential Design Issued by ASLA, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Site Plan courtyard [8 1/2 X 11], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Landscape Design Scheme [8 X 10 Color Photo of Rendering], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Stepping Stones [8 X 10 Color Photo], undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Site and Landscape Details, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Charles and Phyllis Winslow Residence - 4901 Woodbury at 49th St.: Descriptive Text - Basis of Design, undated, Box 1, Folder 9, Norfolk, Virginia, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","\"Plans to Mrs. Lawrence Cox\"-Several German Maps, undated, Poster Tube 4, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: View of Pool, Gazebo and River From Trees [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Gazebo From the Far Side of the Pool [8 X 12 Close-Up Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: View of Deck and River [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Corner of the Pool [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Tidewater Chapter of the Virginia Society of the American Institutes of Architects Presents Excellence in Design Award to Edward G. Carson and Associates for the Pool Complex for Dr. and Mrs. Harry C. Plunkett, 1982, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Color Article re. Plunkett Pool, Pages 114, 115, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Gazebo [8 X 10 Close-Up Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Gazebo, Pool, River [8 X 10 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Deck Vantage From Gazebo Looking at the House [7 1/2 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Vantage From River of Gazebo [8 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite Corner of the Pool [8 X 10 Black and White Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Swimming Pool, Gazebo, River From Opposite Corner of the Pool [8 X 12 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Gazebo Looking From Behind Trees [8 X 12 Color Photo], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Submission Form for Gardenscapes, Pages 1 and 2, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Copies of Photos Submitted, undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Photographic Release to Submission - Signed, 1996 August 19, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Plunkett Residence Attachment Kurume Type [Plant List], undated, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Harry C. Plunkett Residence: Residence Owner's Release - Signed by Plunketts, 1996 August 9, Box 1, Folder 10, Virginia Beach, Virginia, 1986, undated, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Series III, Oversize Folder 1, Oversize Folder 1, 1969, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries.","Torso Tree Sketch, 1969, Oversize Folder 1, Edward G. Carson Papers, Special Collections and University Archives, Old Dominion University Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of the collection contains large, hand-drawn plans, renderings, photographs, or reproductions of landscape projects developed by Edward C. Carson and his company in Hampton Roads, Richmond, Washington, DC, Italy and Puerto Rico. Some drawings, such as infrastructure or subdivision plans, are not the direct work of Carson, however were essential to his work as a landscape architect and have been retained in the collection. The collection also contains photographs and written descriptions of landscape designs.\u003c/p\u003e  ","\u003cp\u003eThis series contains plans, renderings, photographs, and reproductions of non–residential projects for which Carson was either a contributor or a principal architect.\u003c/p\u003e","\u003cp\u003eThis sub-series contains plans, renderings, photographs and reproductions of non-residential projects for government agencies. The sub-series is arranged in alphabetical order by project location.\u003c/p\u003e","\u003cp\u003ePeople and lawn maintenance in field\u003c/p\u003e","\u003cp\u003eSurveyors in field\u003c/p\u003e","\u003cp\u003eLength 2.89 miles. Abbot \u0026amp; Associates. and Carson. Print PROJ I-195-6(1)82,  I-195-6(1)84 - submittal set – Sheets 1, 2, 5, 6, 7, 8, 15, of 21, Sheet 2 Plant List and Notes [bound]\u003c/p\u003e","\u003cp\u003e[8 X 10 color photo] located near bldgs. 711 Police Headquarters, 701 Jail - possibly City Hall Square\u003c/p\u003e","\u003cp\u003e8 X 10 color photo, possibly City Hall Square\u003c/p\u003e","\u003cp\u003e[8 1/2 X 11 B\u0026amp;W print] possibly preliminary layout/rendering\u003c/p\u003e","\u003cp\u003e[8 X 10 color photo]\u003c/p\u003e","\u003cp\u003e[8 X 10 color photo]\u003c/p\u003e","\u003cp\u003eThis sub-series contains plans, renderings, photographs and reproductions of non-residential projects for private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.\u003c/p\u003e","\u003cp\u003eThis series contains plans, renderings, photographs, and reproductions of residential projects for which Carson was either a contributor or a principal architect.\u003c/p\u003e","\u003cp\u003eThis sub-series contains plans, renderings and reproductions of residential projects for government agencies. The sub-series is arranged alphabetically by project location.\u003c/p\u003e","\u003cp\u003eCommonwealth of VA Dept. of Mental Health and Mental Retardation, Richmond, VA [text only]\u003c/p\u003e","\u003cp\u003eThis sub-series contains plans, renderings and reproductions of multi-family residential projects for were private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.\u003c/p\u003e","\u003cp\u003eRecreation Complex design and rendering by Carson \u0026amp; Assoc. [rendering original]\u003c/p\u003e","\u003cp\u003eAbbot \u0026amp; Assoc. and Carson, Commonwealth of VA Dept. of Highways\u003c/p\u003e","\u003cp\u003eFirst floor of four bedroom unit plan\u003c/p\u003e","\u003cp\u003eSecond floor of four bedroom unit plan\u003c/p\u003e","\u003cp\u003eThis sub-series contains plans, renderings, and reproductions of residential projects for private individuals. The sub-series is arranged in alphabetical order by project location.\u003c/p\u003e","\u003cp\u003eThis series contains a drawing by Edward G. Carson entitled the \"Torso Tree.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The bulk of the collection contains large, hand-drawn plans, renderings, photographs, or reproductions of landscape projects developed by Edward C. Carson and his company in Hampton Roads, Richmond, Washington, DC, Italy and Puerto Rico. Some drawings, such as infrastructure or subdivision plans, are not the direct work of Carson, however were essential to his work as a landscape architect and have been retained in the collection. The collection also contains photographs and written descriptions of landscape designs.","This series contains plans, renderings, photographs, and reproductions of non–residential projects for which Carson was either a contributor or a principal architect.","This sub-series contains plans, renderings, photographs and reproductions of non-residential projects for government agencies. The sub-series is arranged in alphabetical order by project location.","People and lawn maintenance in field","Surveyors in field","Length 2.89 miles. Abbot \u0026 Associates. and Carson. Print PROJ I-195-6(1)82,  I-195-6(1)84 - submittal set – Sheets 1, 2, 5, 6, 7, 8, 15, of 21, Sheet 2 Plant List and Notes [bound]","[8 X 10 color photo] located near bldgs. 711 Police Headquarters, 701 Jail - possibly City Hall Square","8 X 10 color photo, possibly City Hall Square","[8 1/2 X 11 B\u0026W print] possibly preliminary layout/rendering","[8 X 10 color photo]","[8 X 10 color photo]","This sub-series contains plans, renderings, photographs and reproductions of non-residential projects for private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.","This series contains plans, renderings, photographs, and reproductions of residential projects for which Carson was either a contributor or a principal architect.","This sub-series contains plans, renderings and reproductions of residential projects for government agencies. The sub-series is arranged alphabetically by project location.","Commonwealth of VA Dept. of Mental Health and Mental Retardation, Richmond, VA [text only]","This sub-series contains plans, renderings and reproductions of multi-family residential projects for were private companies, individuals or other private agencies. The sub-series is arranged in alphabetical order by project location.","Recreation Complex design and rendering by Carson \u0026 Assoc. [rendering original]","Abbot \u0026 Assoc. and Carson, Commonwealth of VA Dept. of Highways","First floor of four bedroom unit plan","Second floor of four bedroom unit plan","This sub-series contains plans, renderings, and reproductions of residential projects for private individuals. The sub-series is arranged in alphabetical order by project location.","This series contains a drawing by Edward G. Carson entitled the \"Torso Tree.\""],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bc3effd7e1eff1ec748a542b727a2b63\" label=\"Abstract\"\u003eNorfolk landscape architect and artist. Designed landscapes for buildings ranging from Webb Center to the bowling alley at a US Air Force base in Italy. The collection includes approximately three hundred oversized landscape plans, as well as a small number of photographs and written descriptions of landscape designs.\u003c/abstract\u003e\n    "],"abstract_tesim":["Norfolk landscape architect and artist. Designed landscapes for buildings ranging from Webb Center to the bowling alley at a US Air Force base in Italy. The collection includes approximately three hundred oversized landscape plans, as well as a small number of photographs and written descriptions of landscape designs."],"corpname_ssim":["ODU Community Collections"],"persname_ssim":["Carson, Edward G. (1920–2004)"],"names_ssim":["ODU Community Collections","Carson, Edward G. (1920–2004)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":476,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:05:13.129Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_19"}},{"id":"viw_repositories_2_resources_3936","type":"collection","attributes":{"title":"George P. A. Healy Letter, 1868","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_3936#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetter from George P.A. Healy, Chicago, to an unknown female where he mentions her Mother's loss of eyesight, says he met her half-brother \"when painting the portrait of the present Archbishop of New York\" and asks her to tell her Mother \"is now paid three hundred dollars in gold for a 25\"x35.\" He'll be intact when he is able to paint a previously discussed portrait. January 12, 1868.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_3936#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_3936","ead_ssi":"viw_repositories_2_resources_3936","_root_":"viw_repositories_2_resources_3936","_nest_parent_":"viw_repositories_2_resources_3936","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_3936.xml","title_filing_ssi":"Healy, George P. A. Letter","title_ssm":["George P. A. Healy Letter"],"title_tesim":["George P. A. Healy Letter"],"unitdate_ssm":["1868 January 12"],"unitdate_other_ssim":["1868 January 12"],"normalized_date_ssm":["1868"],"normalized_title_ssm":["George P. A. Healy Letter, 1868"],"text":["George P. A. Healy Letter, 1868","SC 00526","/repositories/2/resources/3936","Portraits, American","Artists--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Letter from George P.A. Healy, Chicago, to an unknown female where he mentions her Mother's loss of eyesight, says he met her half-brother \"when painting the portrait of the present Archbishop of New York\" and asks her to tell her Mother \"is now paid three hundred dollars in gold for a 25\"x35.\"  He'll be intact when he is able to paint a previously discussed portrait.  January 12, 1868.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["George P. A. Healy Letter, 1868"],"collection_ssim":["George P. A. Healy Letter, 1868"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00526","/repositories/2/resources/3936"],"unitid_tesim":["SC 00526","/repositories/2/resources/3936"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Portraits, American","Artists--United States"],"access_subjects_ssm":["Portraits, American","Artists--United States"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"date_range_isim":[1868],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eFurther information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/G._P._A._Healy_(George_Peter_Alexander)\" title=\"G. P. A. Healy (George Peter Alexander)\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eGeorge P. A. Healy Letter, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["George P. A. Healy Letter, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eLetter from George P.A. Healy, Chicago, to an unknown female where he mentions her Mother's loss of eyesight, says he met her half-brother \"when painting the portrait of the present Archbishop of New York\" and asks her to tell her Mother \"is now paid three hundred dollars in gold for a 25\"x35.\"  He'll be intact when he is able to paint a previously discussed portrait.  January 12, 1868.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Letter from George P.A. 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Eisenhower and Lucius Clay as well as an article about an exhibit of Withers' work at the Walt Whitman Birthplace Museum on Long Island are enclosed.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","ODU Community Collections","Withers, George (1911-1959)","English"],"collection_title_tesim":["George Withers Papers, 1943/1946"],"collection_ssim":["George Withers Papers, 1943/1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 113","/repositories/5/resources/97"],"unitid_tesim":["MG 113","/repositories/5/resources/97"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Withers, George (1911-1959)"],"creator_ssim":["Withers, George (1911-1959)"],"creator_persname_ssim":["Withers, George (1911-1959)"],"creator_corpname_ssim":["ODU Community Collections"],"creators_ssim":["Withers, George (1911-1959)","ODU Community Collections"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Brian Withers","Gift. Accession #A2013-07"],"access_subjects_ssim":["Artists--United States","World War, 1939-1945","World War, 1939-1945--Veterans","War artists--United States"],"access_subjects_ssm":["Artists--United States","World War, 1939-1945","World War, 1939-1945--Veterans","War artists--United States"],"has_online_content_ssim":["false"],"extent_ssm":["1.20 Linear Feet","1 oversized box boxes"],"extent_tesim":["1.20 Linear Feet","1 oversized box boxes"],"date_range_isim":[1943,1944,1945,1946,2012],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"bioghist_html_tesm":["\u003cp\u003eGeorge Withers was an artist who was born in Wichita, Kansas on December 20, 1911. He was educated K-12 in Kansas City, Missouri and attended Kansas University where he graduated with a B.A. in Art. Withers attended the Art Students League in New York on an art scholarship and studied under the great anatomist George Bridgeman. His commercial career began in Philadelphia working with the advertising agency, N.W. Ayer \u0026amp;Company. He moved on to the work with several agencies in New York – McCann-Erickson, Young and Rubicam, Rahl \u0026amp; Co., Sutton and O'Brien. Withers illustrated stories for many artists including J.D. Salinger in The Saturday Evening Post, Robert Ruark in Colliers Magazine, and many others in Redbook Magazine, Field and Stream, Bluebook, Good Housekeeping, the New York Herald Tribune, Holiday Magazine, and Look. He did work for commercial and government accounts such as Arrow Shirts, Birdseye, Presto cake mix, Kolynos, Swan Soap, Smith Corona, Chase \u0026amp; Sanborn, Campbell's Soups, Calverts, Bakers Chocolate, Ny Bell, Conoco, Citgo, Ford Motor Company, Schenleys, Hartford Insurance Company, US War Bonds, FTD Florists, Syracuse China, Pan Am, Weber and Heilbroner, and the War Advertising Council. As a war artist he served in the United Kingdom and at European Theater of Operations in Paris under General Eisenhower. George Withers died in 1959.\u003c/p\u003e","\u003cp\u003eNote written by Special Collections Staff\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Withers was an artist who was born in Wichita, Kansas on December 20, 1911. He was educated K-12 in Kansas City, Missouri and attended Kansas University where he graduated with a B.A. in Art. Withers attended the Art Students League in New York on an art scholarship and studied under the great anatomist George Bridgeman. His commercial career began in Philadelphia working with the advertising agency, N.W. Ayer \u0026Company. He moved on to the work with several agencies in New York – McCann-Erickson, Young and Rubicam, Rahl \u0026 Co., Sutton and O'Brien. Withers illustrated stories for many artists including J.D. Salinger in The Saturday Evening Post, Robert Ruark in Colliers Magazine, and many others in Redbook Magazine, Field and Stream, Bluebook, Good Housekeeping, the New York Herald Tribune, Holiday Magazine, and Look. He did work for commercial and government accounts such as Arrow Shirts, Birdseye, Presto cake mix, Kolynos, Swan Soap, Smith Corona, Chase \u0026 Sanborn, Campbell's Soups, Calverts, Bakers Chocolate, Ny Bell, Conoco, Citgo, Ford Motor Company, Schenleys, Hartford Insurance Company, US War Bonds, FTD Florists, Syracuse China, Pan Am, Weber and Heilbroner, and the War Advertising Council. As a war artist he served in the United Kingdom and at European Theater of Operations in Paris under General Eisenhower. George Withers died in 1959.","Note written by Special Collections Staff"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], George Withers Papers, Specials Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e  ","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Illustrations From Military Publications, Letters, Army Personnel Appointment Notice, 1943 June 30-1946 January 29, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoster: A Letter Across the Atlantic, 1944 August 30, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoster: GI's Letter Home, 1944 September 3, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoster: Chantier Interdit au Public, (Public Not Allowed) France, 1944, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoster: World War II, England, Scotland, and France, 1944-1945, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoster: Liberated Paris in the Summer of 1945, 1945, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoster: GIs and Friends, Parisian Nightclub, Summer, 1945, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoster: Parisian Watercolor Studies, Summer, 1945, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoster: VE DAY, 1945 May 8, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePoster: International Red Cross, Paris, GI's Drinking Coffee, Summer, 1945, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], George Withers Papers, Specials Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 1, Illustrations From Military Publications, Letters, Army Personnel Appointment Notice, 1943 June 30-1946 January 29, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.","Poster: A Letter Across the Atlantic, 1944 August 30, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.","Poster: GI's Letter Home, 1944 September 3, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.","Poster: Chantier Interdit au Public, (Public Not Allowed) France, 1944, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.","Poster: World War II, England, Scotland, and France, 1944-1945, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.","Poster: Liberated Paris in the Summer of 1945, 1945, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.","Poster: GIs and Friends, Parisian Nightclub, Summer, 1945, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.","Poster: Parisian Watercolor Studies, Summer, 1945, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.","Poster: VE DAY, 1945 May 8, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries.","Poster: International Red Cross, Paris, GI's Drinking Coffee, Summer, 1945, Box 1, George Withers Papers, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe finding aid was created by Anna Wagner in 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The finding aid was created by Anna Wagner in 2012."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains artwork by George Withers primarily related to World War II. It includes posters, copies of illustrations for military publications, letters, and an Army personnel appointment notice. An illustration of the battle on Guadalcanal for \"Army Talks\" magazine is included, along with an illustration from Combat Orientation. Letters of thanks from General Dwight D. Eisenhower and Lucius Clay as well as an article about an exhibit of Withers' work at the Walt Whitman Birthplace Museum on Long Island are enclosed.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains artwork by George Withers primarily related to World War II. It includes posters, copies of illustrations for military publications, letters, and an Army personnel appointment notice. An illustration of the battle on Guadalcanal for \"Army Talks\" magazine is included, along with an illustration from Combat Orientation. Letters of thanks from General Dwight D. Eisenhower and Lucius Clay as well as an article about an exhibit of Withers' work at the Walt Whitman Birthplace Museum on Long Island are enclosed."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"corpname_ssim":["ODU Community Collections"],"persname_ssim":["Withers, George (1911-1959)"],"names_ssim":["ODU Community Collections","Withers, George (1911-1959)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:05:55.361Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_97"}},{"id":"viw_repositories_2_resources_7491","type":"collection","attributes":{"title":"Henry James Brown Papers, 1830/1921","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7491#creator","type":"document_value","attributes":{"value":"Brown, Henry James, 1811-1855","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7491#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers, 1830-1921, of the Henry James Brown family. There is a biographical sketch of Henry James Brown an artist and Methodist clergyman, as well as sketches drawn by him and sermons written by him. The papers also are of other members of his family. Includes a cut-out valentine and a fold-out book of poems illustrated in water color both made by Mary A. Brown, sister of Henry James Brown; cut-out valentines and a bookmark made by Salina Brown Worsham; and correspondence between Salina Brown Worsham and J. S. Worsham, her husband.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7491#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_7491","ead_ssi":"viw_repositories_2_resources_7491","_root_":"viw_repositories_2_resources_7491","_nest_parent_":"viw_repositories_2_resources_7491","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7491.xml","title_filing_ssi":"Brown, Henry James, Papers","title_ssm":["Henry James Brown Papers"],"title_tesim":["Henry James Brown Papers"],"unitdate_ssm":["1830-1921"],"unitdate_inclusive_ssm":["1830-1921"],"normalized_date_ssm":["1830/1921"],"normalized_title_ssm":["Henry James Brown Papers, 1830/1921"],"text":["Henry James Brown Papers, 1830/1921","Mss. 65 B845","/repositories/2/resources/7491","Artists--Virginia","Methodist Church--Virginia--Clergy--History--19th century.","United States--Religious History--Christianity","Artists--United States","Painters--America","Watercolor painting","Art (sketches)","Correspondence","Speeches, addresses, etc.","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arrangement: Each series in the collection is arranged in chronological order. Organization: This collection is organized into 5 series: 1. Letters, 2. Sermons, 3. Items of or Dealing With Art, 4. Newspaper Clippings, and 5. Genealogical Material - Addition.","Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box.","Original Accession:  1965.10 Henry James Brown papers 1850-1880 appr. 50 pieces 1994.20 Manuscript \"The Brownes/Browns of London, Virginia, and Missouriquot; by the donor, ca. 1989. Includes sketch of Henry James Brown, artist of Virginia Gift of Charles W. Whitman Gift: 46 items of Mrs. Janet Roller on 3/3/1994. Gift: 1 item of Charles W. Whitman on 4/1/1994.","Other Information:","A PDF document of this inventory is available online.","Additional information may be found at http://scrc.swem.wm.edu/findingaids/65%20B845,%20Bucher.pdf","Some paintings by Henry James Brown, which were presented with the collection, are now part of the Muscarelle Museum, College of William  Mary.","Papers, 1830-1921, of the Henry James Brown family. There is a biographical sketch of Henry James Brown an artist and Methodist clergyman, as well as sketches drawn by him and sermons written by him. The papers also are of other members of his family. Includes a cut-out valentine and a fold-out book of poems illustrated in water color both made by Mary A. Brown, sister of Henry James Brown; cut-out valentines and a bookmark made by Salina Brown Worsham; and correspondence between Salina Brown Worsham and J. S. Worsham, her husband.","Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box.","Re: papers received.","Note on Henry James Brown and family.","Fold-out group of poems illustrated in water color; a children's book made by Mary A. Brown, sister of Henry James Brown.","Family affairs. ALS.","S.B. was the daughter of Henry James Brown.","Two cut-out valentines and a bookmark, \"With my Love.\"","Re: Christimas: fireworks nearly every night--young men dressed as Rag muffins--several Christmas trees---one Christmas present only.","Re: portion of inheritance from the estate of Henry J. Brown.  Enclosure: an account sheet.","Compares the Mississippi River with the James River; comments unfavorably on the Mardi Gras celebration in Memphis.","Re: snow and a sleigh ride.","8 pp. trip back from Virginia; married a couple on his way; unpleasant visit to a poorhouse; visits with Salina's sister, Mrs. Winfree, and other members of the family; the proposal that he has made to her.","6 pp.  Re: his activities in raising cattle.","Sent with a box he has made on occasion of her commencement; news of Jennie; the temperance movement \"is all the rage.\"","Brief letter.","Re: his planned visit to Virginia.","Re: Yellow Fever which is causing some towns to be deserted and some of the railroads to stop running--many refugees from Memphis.","Re: the engagement of S.B.; enclosure a photo","On his way home.","Re: inherited property, family news; \"Love to Joe and a kiss to your little baby.\"","Ill in bed, she writes of family affairs--of her longing for her husband but her hate of Mississippi.","Re: his failing health, family affairs.","First line: \"How transient the things of this life.\"","Endorsed, Rev. Henry J. Brown and Mrs. Susan A. Brown, Powhatan County, Virginia. 16 pp.","19 pp.","Incomplete 22 pp. AMs.","Endorsed: \"This paper was written by my father, Henry J. Brown in 1839...June 16, 1923...Salina J. Worsham.\"","Bound ledger with notations on end pages. All pages are missing from ledger.  All painting and sketches transferred to Manuscripts Artifact Collection (Color miniature of a couple 4\" x 4 1/2\"; Color sketch of children playing, indoor scene. 6\" x 7\"; Pencil sketches of sculptured heads of Franklin and Washington [?]\" x 9\"; Comic pencil sketch of a man's head (perhaps a self portrait) 7 1/2\"; x 9\"; Pencil sketch of a child's head. 8\" x 10 1/2\"; Pencil sketch of a woman's head 8 1/2\"; x 12 1/2\"; Pencil sketch of a girl's head 8 1/2\"; x 12 1/2\"; Oil painting on canvas of a man's bust 8\"quot; x 10\".)","4 photographs.","Described on pdf inventory.Genealogical material on Brown family.  Five Folders.","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","Transfered to the Manuscripts Artifact Collection (Mss 1.03): Ink washed sketch titled \"Somersetquot; (65B845.01), Miniature painting in oil on cardboard (65B845.02), Book mark, \"With my lovequot; (65B845.03), Cut-out Valentine basket ( 65B845.04), Children's book illustrated in watercolor (65B845.05), Cut-out Valentinewith painted red flower(65B845.06), Cut-out Valentine, \" Ever-of-theequot; ( 65B845.07), Cut-out Valentine, \" Love/Hopequot; (65B845.08), Miniature Portrait of Thomas and Martha Brown (65B845.09), Sketch of Children Playing Indoors (65B845.10), Profile Sketches of Benjamin Franklin and George Washington (65B845.11), Pencil Sketch of Grimacing Man (65B845.12), Pencil Sketch of Sleeping Child (65B845.13), Pencil Sketch of Woman (65B845.14), Pencil Sketch of Girl's Profile (65B845.15), Oil Portrait on Canvas of Man Shading His Eyes (65B845.16)","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Brown, Henry James, 1811-1855","English"],"collection_title_tesim":["Henry James Brown Papers, 1830/1921"],"collection_ssim":["Henry James Brown Papers, 1830/1921"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 B845","/repositories/2/resources/7491"],"unitid_tesim":["Mss. 65 B845","/repositories/2/resources/7491"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Brown, Henry James, 1811-1855"],"creator_ssim":["Brown, Henry James, 1811-1855"],"creator_persname_ssim":["Brown, Henry James, 1811-1855"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Brown, Henry James, 1811-1855","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Artists--Virginia","Methodist Church--Virginia--Clergy--History--19th century.","United States--Religious History--Christianity","Artists--United States","Painters--America","Watercolor painting","Art (sketches)","Correspondence","Speeches, addresses, etc."],"access_subjects_ssm":["Artists--Virginia","Methodist Church--Virginia--Clergy--History--19th century.","United States--Religious History--Christianity","Artists--United States","Painters--America","Watercolor painting","Art (sketches)","Correspondence","Speeches, addresses, etc."],"has_online_content_ssim":["false"],"extent_ssm":["0.50 Linear Feet 1 Century Box."],"extent_tesim":["0.50 Linear Feet 1 Century Box."],"dimensions_tesim":["Depth17.5\" x Height 3\" x Width 11.5\""],"genreform_ssim":["Art (sketches)","Correspondence","Speeches, addresses, etc."],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArrangement: Each series in the collection is arranged in chronological order. Organization: This collection is organized into 5 series: 1. Letters, 2. Sermons, 3. Items of or Dealing With Art, 4. Newspaper Clippings, and 5. Genealogical Material - Addition.\u003c/p\u003e","\u003cp\u003e Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arrangement: Each series in the collection is arranged in chronological order. Organization: This collection is organized into 5 series: 1. Letters, 2. Sermons, 3. Items of or Dealing With Art, 4. Newspaper Clippings, and 5. Genealogical Material - Addition.","Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box."],"bioghist_html_tesm":["\u003ca href=\"http://scrc.swem.wm.edu/wiki/index.php/Henry%20James%20Brown\u0026amp;quot;\u0026gt;http://scrc.swem.wm.edu/wiki/index.php/Henry%20James%20Brown\u0026amp;lt;/a\u0026amp;gt;.%20%20\u0026lt;/bioghist\u0026gt;%20%20%20\u0026lt;acqinfo%20id=\"\u003e\u003c/a\u003easpace_bfeac5d40e6051b76eb3a6b3a1501dea\"\u0026gt;\n    ","\u003cp\u003eOriginal Accession:  1965.10 Henry James Brown papers 1850-1880 appr. 50 pieces 1994.20 Manuscript \"The Brownes/Browns of London, Virginia, and Missouriquot; by the donor, ca. 1989. Includes sketch of Henry James Brown, artist of Virginia Gift of Charles W. Whitman Gift: 46 items of Mrs. Janet Roller on 3/3/1994. Gift: 1 item of Charles W. Whitman on 4/1/1994.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:","Acquisition Information:"],"bioghist_tesim":["Original Accession:  1965.10 Henry James Brown papers 1850-1880 appr. 50 pieces 1994.20 Manuscript \"The Brownes/Browns of London, Virginia, and Missouriquot; by the donor, ca. 1989. Includes sketch of Henry James Brown, artist of Virginia Gift of Charles W. Whitman Gift: 46 items of Mrs. Janet Roller on 3/3/1994. Gift: 1 item of Charles W. Whitman on 4/1/1994."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e","\u003cp\u003e A PDF document of this inventory is available online.\u003c/p\u003e","\u003cp\u003e Additional information may be found at http://scrc.swem.wm.edu/findingaids/65%20B845,%20Bucher.pdf\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:","A PDF document of this inventory is available online.","Additional information may be found at http://scrc.swem.wm.edu/findingaids/65%20B845,%20Bucher.pdf"],"prefercite_html_tesm":["\u003cp\u003eHenry James Brown Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Henry James Brown Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eSome paintings by Henry James Brown, which were presented with the collection, are now part of the Muscarelle Museum, College of William  Mary.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Some paintings by Henry James Brown, which were presented with the collection, are now part of the Muscarelle Museum, College of William  Mary."],"scopecontent_html_tesm":["\u003cp\u003ePapers, 1830-1921, of the Henry James Brown family. There is a biographical sketch of Henry James Brown an artist and Methodist clergyman, as well as sketches drawn by him and sermons written by him. The papers also are of other members of his family. Includes a cut-out valentine and a fold-out book of poems illustrated in water color both made by Mary A. Brown, sister of Henry James Brown; cut-out valentines and a bookmark made by Salina Brown Worsham; and correspondence between Salina Brown Worsham and J. S. Worsham, her husband.\u003c/p\u003e","\u003cp\u003e Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box.\u003c/p\u003e  ","\u003cp\u003eRe: papers received.\u003c/p\u003e","\u003cp\u003eNote on Henry James Brown and family.\u003c/p\u003e","\u003cp\u003eFold-out group of poems illustrated in water color; a children's book made by Mary A. Brown, sister of Henry James Brown.\u003c/p\u003e","\u003cp\u003eFamily affairs. ALS.\u003c/p\u003e","\u003cp\u003eS.B. was the daughter of Henry James Brown.\u003c/p\u003e","\u003cp\u003eTwo cut-out valentines and a bookmark, \"With my Love.\"\u003c/p\u003e","\u003cp\u003eRe: Christimas: fireworks nearly every night--young men dressed as Rag muffins--several Christmas trees---one Christmas present only.\u003c/p\u003e","\u003cp\u003eRe: portion of inheritance from the estate of Henry J. Brown.  Enclosure: an account sheet.\u003c/p\u003e","\u003cp\u003eCompares the Mississippi River with the James River; comments unfavorably on the Mardi Gras celebration in Memphis.\u003c/p\u003e","\u003cp\u003eRe: snow and a sleigh ride.\u003c/p\u003e","\u003cp\u003e8 pp. trip back from Virginia; married a couple on his way; unpleasant visit to a poorhouse; visits with Salina's sister, Mrs. Winfree, and other members of the family; the proposal that he has made to her.\u003c/p\u003e","\u003cp\u003e6 pp.  Re: his activities in raising cattle.\u003c/p\u003e","\u003cp\u003eSent with a box he has made on occasion of her commencement; news of Jennie; the temperance movement \"is all the rage.\"\u003c/p\u003e","\u003cp\u003eBrief letter.\u003c/p\u003e","\u003cp\u003eRe: his planned visit to Virginia.\u003c/p\u003e","\u003cp\u003eRe: Yellow Fever which is causing some towns to be deserted and some of the railroads to stop running--many refugees from Memphis.\u003c/p\u003e","\u003cp\u003eRe: the engagement of S.B.; enclosure a photo\u003c/p\u003e","\u003cp\u003eOn his way home.\u003c/p\u003e","\u003cp\u003eRe: inherited property, family news; \"Love to Joe and a kiss to your little baby.\"\u003c/p\u003e","\u003cp\u003eIll in bed, she writes of family affairs--of her longing for her husband but her hate of Mississippi.\u003c/p\u003e","\u003cp\u003eRe: his failing health, family affairs.\u003c/p\u003e","\u003cp\u003eFirst line: \"How transient the things of this life.\"\u003c/p\u003e","\u003cp\u003eEndorsed, Rev. Henry J. Brown and Mrs. Susan A. Brown, Powhatan County, Virginia. 16 pp.\u003c/p\u003e","\u003cp\u003e19 pp.\u003c/p\u003e","\u003cp\u003eIncomplete 22 pp. AMs.\u003c/p\u003e","\u003cp\u003eEndorsed: \"This paper was written by my father, Henry J. Brown in 1839...June 16, 1923...Salina J. Worsham.\"\u003c/p\u003e","\u003cp\u003eBound ledger with notations on end pages. All pages are missing from ledger.  All painting and sketches transferred to Manuscripts Artifact Collection (Color miniature of a couple 4\" x 4 1/2\"; Color sketch of children playing, indoor scene. 6\" x 7\"; Pencil sketches of sculptured heads of Franklin and Washington [?]\" x 9\"; Comic pencil sketch of a man's head (perhaps a self portrait) 7 1/2\"; x 9\"; Pencil sketch of a child's head. 8\" x 10 1/2\"; Pencil sketch of a woman's head 8 1/2\"; x 12 1/2\"; Pencil sketch of a girl's head 8 1/2\"; x 12 1/2\"; Oil painting on canvas of a man's bust 8\"quot; x 10\".)\u003c/p\u003e","\u003cp\u003e4 photographs.\u003c/p\u003e","\u003cp\u003eDescribed on pdf inventory.Genealogical material on Brown family.  Five Folders.\u003c/p\u003e","\u003cp\u003e\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).\u003c/p\u003e","\u003cp\u003e\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).\u003c/p\u003e","\u003cp\u003e\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).\u003c/p\u003e","\u003cp\u003e\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).\u003c/p\u003e","\u003cp\u003e\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers, 1830-1921, of the Henry James Brown family. There is a biographical sketch of Henry James Brown an artist and Methodist clergyman, as well as sketches drawn by him and sermons written by him. The papers also are of other members of his family. Includes a cut-out valentine and a fold-out book of poems illustrated in water color both made by Mary A. Brown, sister of Henry James Brown; cut-out valentines and a bookmark made by Salina Brown Worsham; and correspondence between Salina Brown Worsham and J. S. Worsham, her husband.","Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box.","Re: papers received.","Note on Henry James Brown and family.","Fold-out group of poems illustrated in water color; a children's book made by Mary A. Brown, sister of Henry James Brown.","Family affairs. ALS.","S.B. was the daughter of Henry James Brown.","Two cut-out valentines and a bookmark, \"With my Love.\"","Re: Christimas: fireworks nearly every night--young men dressed as Rag muffins--several Christmas trees---one Christmas present only.","Re: portion of inheritance from the estate of Henry J. Brown.  Enclosure: an account sheet.","Compares the Mississippi River with the James River; comments unfavorably on the Mardi Gras celebration in Memphis.","Re: snow and a sleigh ride.","8 pp. trip back from Virginia; married a couple on his way; unpleasant visit to a poorhouse; visits with Salina's sister, Mrs. Winfree, and other members of the family; the proposal that he has made to her.","6 pp.  Re: his activities in raising cattle.","Sent with a box he has made on occasion of her commencement; news of Jennie; the temperance movement \"is all the rage.\"","Brief letter.","Re: his planned visit to Virginia.","Re: Yellow Fever which is causing some towns to be deserted and some of the railroads to stop running--many refugees from Memphis.","Re: the engagement of S.B.; enclosure a photo","On his way home.","Re: inherited property, family news; \"Love to Joe and a kiss to your little baby.\"","Ill in bed, she writes of family affairs--of her longing for her husband but her hate of Mississippi.","Re: his failing health, family affairs.","First line: \"How transient the things of this life.\"","Endorsed, Rev. Henry J. Brown and Mrs. Susan A. Brown, Powhatan County, Virginia. 16 pp.","19 pp.","Incomplete 22 pp. AMs.","Endorsed: \"This paper was written by my father, Henry J. Brown in 1839...June 16, 1923...Salina J. Worsham.\"","Bound ledger with notations on end pages. All pages are missing from ledger.  All painting and sketches transferred to Manuscripts Artifact Collection (Color miniature of a couple 4\" x 4 1/2\"; Color sketch of children playing, indoor scene. 6\" x 7\"; Pencil sketches of sculptured heads of Franklin and Washington [?]\" x 9\"; Comic pencil sketch of a man's head (perhaps a self portrait) 7 1/2\"; x 9\"; Pencil sketch of a child's head. 8\" x 10 1/2\"; Pencil sketch of a woman's head 8 1/2\"; x 12 1/2\"; Pencil sketch of a girl's head 8 1/2\"; x 12 1/2\"; Oil painting on canvas of a man's bust 8\"quot; x 10\".)","4 photographs.","Described on pdf inventory.Genealogical material on Brown family.  Five Folders.","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989)."],"separatedmaterial_html_tesm":["\u003cp\u003eTransfered to the Manuscripts Artifact Collection (Mss 1.03): Ink washed sketch titled \"Somersetquot; (65B845.01), Miniature painting in oil on cardboard (65B845.02), Book mark, \"With my lovequot; (65B845.03), Cut-out Valentine basket ( 65B845.04), Children's book illustrated in watercolor (65B845.05), Cut-out Valentinewith painted red flower(65B845.06), Cut-out Valentine, \" Ever-of-theequot; ( 65B845.07), Cut-out Valentine, \" Love/Hopequot; (65B845.08), Miniature Portrait of Thomas and Martha Brown (65B845.09), Sketch of Children Playing Indoors (65B845.10), Profile Sketches of Benjamin Franklin and George Washington (65B845.11), Pencil Sketch of Grimacing Man (65B845.12), Pencil Sketch of Sleeping Child (65B845.13), Pencil Sketch of Woman (65B845.14), Pencil Sketch of Girl's Profile (65B845.15), Oil Portrait on Canvas of Man Shading His Eyes (65B845.16)\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Transfered to the Manuscripts Artifact Collection (Mss 1.03): Ink washed sketch titled \"Somersetquot; (65B845.01), Miniature painting in oil on cardboard (65B845.02), Book mark, \"With my lovequot; (65B845.03), Cut-out Valentine basket ( 65B845.04), Children's book illustrated in watercolor (65B845.05), Cut-out Valentinewith painted red flower(65B845.06), Cut-out Valentine, \" Ever-of-theequot; ( 65B845.07), Cut-out Valentine, \" Love/Hopequot; (65B845.08), Miniature Portrait of Thomas and Martha Brown (65B845.09), Sketch of Children Playing Indoors (65B845.10), Profile Sketches of Benjamin Franklin and George Washington (65B845.11), Pencil Sketch of Grimacing Man (65B845.12), Pencil Sketch of Sleeping Child (65B845.13), Pencil Sketch of Woman (65B845.14), Pencil Sketch of Girl's Profile (65B845.15), Oil Portrait on Canvas of Man Shading His Eyes (65B845.16)"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Brown, Henry James, 1811-1855"],"names_ssim":["Special Collections Research Center","Brown, Henry James, 1811-1855"],"language_ssim":["English"],"total_component_count_is":42,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:45:26.564Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_7491","ead_ssi":"viw_repositories_2_resources_7491","_root_":"viw_repositories_2_resources_7491","_nest_parent_":"viw_repositories_2_resources_7491","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7491.xml","title_filing_ssi":"Brown, Henry James, Papers","title_ssm":["Henry James Brown Papers"],"title_tesim":["Henry James Brown Papers"],"unitdate_ssm":["1830-1921"],"unitdate_inclusive_ssm":["1830-1921"],"normalized_date_ssm":["1830/1921"],"normalized_title_ssm":["Henry James Brown Papers, 1830/1921"],"text":["Henry James Brown Papers, 1830/1921","Mss. 65 B845","/repositories/2/resources/7491","Artists--Virginia","Methodist Church--Virginia--Clergy--History--19th century.","United States--Religious History--Christianity","Artists--United States","Painters--America","Watercolor painting","Art (sketches)","Correspondence","Speeches, addresses, etc.","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arrangement: Each series in the collection is arranged in chronological order. Organization: This collection is organized into 5 series: 1. Letters, 2. Sermons, 3. Items of or Dealing With Art, 4. Newspaper Clippings, and 5. Genealogical Material - Addition.","Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box.","Original Accession:  1965.10 Henry James Brown papers 1850-1880 appr. 50 pieces 1994.20 Manuscript \"The Brownes/Browns of London, Virginia, and Missouriquot; by the donor, ca. 1989. Includes sketch of Henry James Brown, artist of Virginia Gift of Charles W. Whitman Gift: 46 items of Mrs. Janet Roller on 3/3/1994. Gift: 1 item of Charles W. Whitman on 4/1/1994.","Other Information:","A PDF document of this inventory is available online.","Additional information may be found at http://scrc.swem.wm.edu/findingaids/65%20B845,%20Bucher.pdf","Some paintings by Henry James Brown, which were presented with the collection, are now part of the Muscarelle Museum, College of William  Mary.","Papers, 1830-1921, of the Henry James Brown family. There is a biographical sketch of Henry James Brown an artist and Methodist clergyman, as well as sketches drawn by him and sermons written by him. The papers also are of other members of his family. Includes a cut-out valentine and a fold-out book of poems illustrated in water color both made by Mary A. Brown, sister of Henry James Brown; cut-out valentines and a bookmark made by Salina Brown Worsham; and correspondence between Salina Brown Worsham and J. S. Worsham, her husband.","Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box.","Re: papers received.","Note on Henry James Brown and family.","Fold-out group of poems illustrated in water color; a children's book made by Mary A. Brown, sister of Henry James Brown.","Family affairs. ALS.","S.B. was the daughter of Henry James Brown.","Two cut-out valentines and a bookmark, \"With my Love.\"","Re: Christimas: fireworks nearly every night--young men dressed as Rag muffins--several Christmas trees---one Christmas present only.","Re: portion of inheritance from the estate of Henry J. Brown.  Enclosure: an account sheet.","Compares the Mississippi River with the James River; comments unfavorably on the Mardi Gras celebration in Memphis.","Re: snow and a sleigh ride.","8 pp. trip back from Virginia; married a couple on his way; unpleasant visit to a poorhouse; visits with Salina's sister, Mrs. Winfree, and other members of the family; the proposal that he has made to her.","6 pp.  Re: his activities in raising cattle.","Sent with a box he has made on occasion of her commencement; news of Jennie; the temperance movement \"is all the rage.\"","Brief letter.","Re: his planned visit to Virginia.","Re: Yellow Fever which is causing some towns to be deserted and some of the railroads to stop running--many refugees from Memphis.","Re: the engagement of S.B.; enclosure a photo","On his way home.","Re: inherited property, family news; \"Love to Joe and a kiss to your little baby.\"","Ill in bed, she writes of family affairs--of her longing for her husband but her hate of Mississippi.","Re: his failing health, family affairs.","First line: \"How transient the things of this life.\"","Endorsed, Rev. Henry J. Brown and Mrs. Susan A. Brown, Powhatan County, Virginia. 16 pp.","19 pp.","Incomplete 22 pp. AMs.","Endorsed: \"This paper was written by my father, Henry J. Brown in 1839...June 16, 1923...Salina J. Worsham.\"","Bound ledger with notations on end pages. All pages are missing from ledger.  All painting and sketches transferred to Manuscripts Artifact Collection (Color miniature of a couple 4\" x 4 1/2\"; Color sketch of children playing, indoor scene. 6\" x 7\"; Pencil sketches of sculptured heads of Franklin and Washington [?]\" x 9\"; Comic pencil sketch of a man's head (perhaps a self portrait) 7 1/2\"; x 9\"; Pencil sketch of a child's head. 8\" x 10 1/2\"; Pencil sketch of a woman's head 8 1/2\"; x 12 1/2\"; Pencil sketch of a girl's head 8 1/2\"; x 12 1/2\"; Oil painting on canvas of a man's bust 8\"quot; x 10\".)","4 photographs.","Described on pdf inventory.Genealogical material on Brown family.  Five Folders.","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","Transfered to the Manuscripts Artifact Collection (Mss 1.03): Ink washed sketch titled \"Somersetquot; (65B845.01), Miniature painting in oil on cardboard (65B845.02), Book mark, \"With my lovequot; (65B845.03), Cut-out Valentine basket ( 65B845.04), Children's book illustrated in watercolor (65B845.05), Cut-out Valentinewith painted red flower(65B845.06), Cut-out Valentine, \" Ever-of-theequot; ( 65B845.07), Cut-out Valentine, \" Love/Hopequot; (65B845.08), Miniature Portrait of Thomas and Martha Brown (65B845.09), Sketch of Children Playing Indoors (65B845.10), Profile Sketches of Benjamin Franklin and George Washington (65B845.11), Pencil Sketch of Grimacing Man (65B845.12), Pencil Sketch of Sleeping Child (65B845.13), Pencil Sketch of Woman (65B845.14), Pencil Sketch of Girl's Profile (65B845.15), Oil Portrait on Canvas of Man Shading His Eyes (65B845.16)","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Brown, Henry James, 1811-1855","English"],"collection_title_tesim":["Henry James Brown Papers, 1830/1921"],"collection_ssim":["Henry James Brown Papers, 1830/1921"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 B845","/repositories/2/resources/7491"],"unitid_tesim":["Mss. 65 B845","/repositories/2/resources/7491"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Brown, Henry James, 1811-1855"],"creator_ssim":["Brown, Henry James, 1811-1855"],"creator_persname_ssim":["Brown, Henry James, 1811-1855"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Brown, Henry James, 1811-1855","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Artists--Virginia","Methodist Church--Virginia--Clergy--History--19th century.","United States--Religious History--Christianity","Artists--United States","Painters--America","Watercolor painting","Art (sketches)","Correspondence","Speeches, addresses, etc."],"access_subjects_ssm":["Artists--Virginia","Methodist Church--Virginia--Clergy--History--19th century.","United States--Religious History--Christianity","Artists--United States","Painters--America","Watercolor painting","Art (sketches)","Correspondence","Speeches, addresses, etc."],"has_online_content_ssim":["false"],"extent_ssm":["0.50 Linear Feet 1 Century Box."],"extent_tesim":["0.50 Linear Feet 1 Century Box."],"dimensions_tesim":["Depth17.5\" x Height 3\" x Width 11.5\""],"genreform_ssim":["Art (sketches)","Correspondence","Speeches, addresses, etc."],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArrangement: Each series in the collection is arranged in chronological order. Organization: This collection is organized into 5 series: 1. Letters, 2. Sermons, 3. Items of or Dealing With Art, 4. Newspaper Clippings, and 5. Genealogical Material - Addition.\u003c/p\u003e","\u003cp\u003e Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arrangement: Each series in the collection is arranged in chronological order. Organization: This collection is organized into 5 series: 1. Letters, 2. Sermons, 3. Items of or Dealing With Art, 4. Newspaper Clippings, and 5. Genealogical Material - Addition.","Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box."],"bioghist_html_tesm":["\u003ca href=\"http://scrc.swem.wm.edu/wiki/index.php/Henry%20James%20Brown\u0026amp;quot;\u0026gt;http://scrc.swem.wm.edu/wiki/index.php/Henry%20James%20Brown\u0026amp;lt;/a\u0026amp;gt;.%20%20\u0026lt;/bioghist\u0026gt;%20%20%20\u0026lt;acqinfo%20id=\"\u003e\u003c/a\u003easpace_bfeac5d40e6051b76eb3a6b3a1501dea\"\u0026gt;\n    ","\u003cp\u003eOriginal Accession:  1965.10 Henry James Brown papers 1850-1880 appr. 50 pieces 1994.20 Manuscript \"The Brownes/Browns of London, Virginia, and Missouriquot; by the donor, ca. 1989. Includes sketch of Henry James Brown, artist of Virginia Gift of Charles W. Whitman Gift: 46 items of Mrs. Janet Roller on 3/3/1994. Gift: 1 item of Charles W. Whitman on 4/1/1994.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:","Acquisition Information:"],"bioghist_tesim":["Original Accession:  1965.10 Henry James Brown papers 1850-1880 appr. 50 pieces 1994.20 Manuscript \"The Brownes/Browns of London, Virginia, and Missouriquot; by the donor, ca. 1989. Includes sketch of Henry James Brown, artist of Virginia Gift of Charles W. Whitman Gift: 46 items of Mrs. Janet Roller on 3/3/1994. Gift: 1 item of Charles W. Whitman on 4/1/1994."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e","\u003cp\u003e A PDF document of this inventory is available online.\u003c/p\u003e","\u003cp\u003e Additional information may be found at http://scrc.swem.wm.edu/findingaids/65%20B845,%20Bucher.pdf\u003c/p\u003e  "],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:","A PDF document of this inventory is available online.","Additional information may be found at http://scrc.swem.wm.edu/findingaids/65%20B845,%20Bucher.pdf"],"prefercite_html_tesm":["\u003cp\u003eHenry James Brown Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Henry James Brown Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eSome paintings by Henry James Brown, which were presented with the collection, are now part of the Muscarelle Museum, College of William  Mary.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Some paintings by Henry James Brown, which were presented with the collection, are now part of the Muscarelle Museum, College of William  Mary."],"scopecontent_html_tesm":["\u003cp\u003ePapers, 1830-1921, of the Henry James Brown family. There is a biographical sketch of Henry James Brown an artist and Methodist clergyman, as well as sketches drawn by him and sermons written by him. The papers also are of other members of his family. Includes a cut-out valentine and a fold-out book of poems illustrated in water color both made by Mary A. Brown, sister of Henry James Brown; cut-out valentines and a bookmark made by Salina Brown Worsham; and correspondence between Salina Brown Worsham and J. S. Worsham, her husband.\u003c/p\u003e","\u003cp\u003e Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box.\u003c/p\u003e  ","\u003cp\u003eRe: papers received.\u003c/p\u003e","\u003cp\u003eNote on Henry James Brown and family.\u003c/p\u003e","\u003cp\u003eFold-out group of poems illustrated in water color; a children's book made by Mary A. Brown, sister of Henry James Brown.\u003c/p\u003e","\u003cp\u003eFamily affairs. ALS.\u003c/p\u003e","\u003cp\u003eS.B. was the daughter of Henry James Brown.\u003c/p\u003e","\u003cp\u003eTwo cut-out valentines and a bookmark, \"With my Love.\"\u003c/p\u003e","\u003cp\u003eRe: Christimas: fireworks nearly every night--young men dressed as Rag muffins--several Christmas trees---one Christmas present only.\u003c/p\u003e","\u003cp\u003eRe: portion of inheritance from the estate of Henry J. Brown.  Enclosure: an account sheet.\u003c/p\u003e","\u003cp\u003eCompares the Mississippi River with the James River; comments unfavorably on the Mardi Gras celebration in Memphis.\u003c/p\u003e","\u003cp\u003eRe: snow and a sleigh ride.\u003c/p\u003e","\u003cp\u003e8 pp. trip back from Virginia; married a couple on his way; unpleasant visit to a poorhouse; visits with Salina's sister, Mrs. Winfree, and other members of the family; the proposal that he has made to her.\u003c/p\u003e","\u003cp\u003e6 pp.  Re: his activities in raising cattle.\u003c/p\u003e","\u003cp\u003eSent with a box he has made on occasion of her commencement; news of Jennie; the temperance movement \"is all the rage.\"\u003c/p\u003e","\u003cp\u003eBrief letter.\u003c/p\u003e","\u003cp\u003eRe: his planned visit to Virginia.\u003c/p\u003e","\u003cp\u003eRe: Yellow Fever which is causing some towns to be deserted and some of the railroads to stop running--many refugees from Memphis.\u003c/p\u003e","\u003cp\u003eRe: the engagement of S.B.; enclosure a photo\u003c/p\u003e","\u003cp\u003eOn his way home.\u003c/p\u003e","\u003cp\u003eRe: inherited property, family news; \"Love to Joe and a kiss to your little baby.\"\u003c/p\u003e","\u003cp\u003eIll in bed, she writes of family affairs--of her longing for her husband but her hate of Mississippi.\u003c/p\u003e","\u003cp\u003eRe: his failing health, family affairs.\u003c/p\u003e","\u003cp\u003eFirst line: \"How transient the things of this life.\"\u003c/p\u003e","\u003cp\u003eEndorsed, Rev. Henry J. Brown and Mrs. Susan A. Brown, Powhatan County, Virginia. 16 pp.\u003c/p\u003e","\u003cp\u003e19 pp.\u003c/p\u003e","\u003cp\u003eIncomplete 22 pp. AMs.\u003c/p\u003e","\u003cp\u003eEndorsed: \"This paper was written by my father, Henry J. Brown in 1839...June 16, 1923...Salina J. Worsham.\"\u003c/p\u003e","\u003cp\u003eBound ledger with notations on end pages. All pages are missing from ledger.  All painting and sketches transferred to Manuscripts Artifact Collection (Color miniature of a couple 4\" x 4 1/2\"; Color sketch of children playing, indoor scene. 6\" x 7\"; Pencil sketches of sculptured heads of Franklin and Washington [?]\" x 9\"; Comic pencil sketch of a man's head (perhaps a self portrait) 7 1/2\"; x 9\"; Pencil sketch of a child's head. 8\" x 10 1/2\"; Pencil sketch of a woman's head 8 1/2\"; x 12 1/2\"; Pencil sketch of a girl's head 8 1/2\"; x 12 1/2\"; Oil painting on canvas of a man's bust 8\"quot; x 10\".)\u003c/p\u003e","\u003cp\u003e4 photographs.\u003c/p\u003e","\u003cp\u003eDescribed on pdf inventory.Genealogical material on Brown family.  Five Folders.\u003c/p\u003e","\u003cp\u003e\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).\u003c/p\u003e","\u003cp\u003e\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).\u003c/p\u003e","\u003cp\u003e\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).\u003c/p\u003e","\u003cp\u003e\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).\u003c/p\u003e","\u003cp\u003e\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers, 1830-1921, of the Henry James Brown family. There is a biographical sketch of Henry James Brown an artist and Methodist clergyman, as well as sketches drawn by him and sermons written by him. The papers also are of other members of his family. Includes a cut-out valentine and a fold-out book of poems illustrated in water color both made by Mary A. Brown, sister of Henry James Brown; cut-out valentines and a bookmark made by Salina Brown Worsham; and correspondence between Salina Brown Worsham and J. S. Worsham, her husband.","Original accession (Mss. 65 B845) and Addition 1994.20 filed in the same box.","Re: papers received.","Note on Henry James Brown and family.","Fold-out group of poems illustrated in water color; a children's book made by Mary A. Brown, sister of Henry James Brown.","Family affairs. ALS.","S.B. was the daughter of Henry James Brown.","Two cut-out valentines and a bookmark, \"With my Love.\"","Re: Christimas: fireworks nearly every night--young men dressed as Rag muffins--several Christmas trees---one Christmas present only.","Re: portion of inheritance from the estate of Henry J. Brown.  Enclosure: an account sheet.","Compares the Mississippi River with the James River; comments unfavorably on the Mardi Gras celebration in Memphis.","Re: snow and a sleigh ride.","8 pp. trip back from Virginia; married a couple on his way; unpleasant visit to a poorhouse; visits with Salina's sister, Mrs. Winfree, and other members of the family; the proposal that he has made to her.","6 pp.  Re: his activities in raising cattle.","Sent with a box he has made on occasion of her commencement; news of Jennie; the temperance movement \"is all the rage.\"","Brief letter.","Re: his planned visit to Virginia.","Re: Yellow Fever which is causing some towns to be deserted and some of the railroads to stop running--many refugees from Memphis.","Re: the engagement of S.B.; enclosure a photo","On his way home.","Re: inherited property, family news; \"Love to Joe and a kiss to your little baby.\"","Ill in bed, she writes of family affairs--of her longing for her husband but her hate of Mississippi.","Re: his failing health, family affairs.","First line: \"How transient the things of this life.\"","Endorsed, Rev. Henry J. Brown and Mrs. Susan A. Brown, Powhatan County, Virginia. 16 pp.","19 pp.","Incomplete 22 pp. AMs.","Endorsed: \"This paper was written by my father, Henry J. Brown in 1839...June 16, 1923...Salina J. Worsham.\"","Bound ledger with notations on end pages. All pages are missing from ledger.  All painting and sketches transferred to Manuscripts Artifact Collection (Color miniature of a couple 4\" x 4 1/2\"; Color sketch of children playing, indoor scene. 6\" x 7\"; Pencil sketches of sculptured heads of Franklin and Washington [?]\" x 9\"; Comic pencil sketch of a man's head (perhaps a self portrait) 7 1/2\"; x 9\"; Pencil sketch of a child's head. 8\" x 10 1/2\"; Pencil sketch of a woman's head 8 1/2\"; x 12 1/2\"; Pencil sketch of a girl's head 8 1/2\"; x 12 1/2\"; Oil painting on canvas of a man's bust 8\"quot; x 10\".)","4 photographs.","Described on pdf inventory.Genealogical material on Brown family.  Five Folders.","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989).","\"The Brownes/Browns of London, Virginia, and Missouriquot; (which includes a sketch of Henry James Brown, artist of Virginia} by Charles Walker Whitman, 1985 (revised 1989)."],"separatedmaterial_html_tesm":["\u003cp\u003eTransfered to the Manuscripts Artifact Collection (Mss 1.03): Ink washed sketch titled \"Somersetquot; (65B845.01), Miniature painting in oil on cardboard (65B845.02), Book mark, \"With my lovequot; (65B845.03), Cut-out Valentine basket ( 65B845.04), Children's book illustrated in watercolor (65B845.05), Cut-out Valentinewith painted red flower(65B845.06), Cut-out Valentine, \" Ever-of-theequot; ( 65B845.07), Cut-out Valentine, \" Love/Hopequot; (65B845.08), Miniature Portrait of Thomas and Martha Brown (65B845.09), Sketch of Children Playing Indoors (65B845.10), Profile Sketches of Benjamin Franklin and George Washington (65B845.11), Pencil Sketch of Grimacing Man (65B845.12), Pencil Sketch of Sleeping Child (65B845.13), Pencil Sketch of Woman (65B845.14), Pencil Sketch of Girl's Profile (65B845.15), Oil Portrait on Canvas of Man Shading His Eyes (65B845.16)\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Transfered to the Manuscripts Artifact Collection (Mss 1.03): Ink washed sketch titled \"Somersetquot; (65B845.01), Miniature painting in oil on cardboard (65B845.02), Book mark, \"With my lovequot; (65B845.03), Cut-out Valentine basket ( 65B845.04), Children's book illustrated in watercolor (65B845.05), Cut-out Valentinewith painted red flower(65B845.06), Cut-out Valentine, \" Ever-of-theequot; ( 65B845.07), Cut-out Valentine, \" Love/Hopequot; (65B845.08), Miniature Portrait of Thomas and Martha Brown (65B845.09), Sketch of Children Playing Indoors (65B845.10), Profile Sketches of Benjamin Franklin and George Washington (65B845.11), Pencil Sketch of Grimacing Man (65B845.12), Pencil Sketch of Sleeping Child (65B845.13), Pencil Sketch of Woman (65B845.14), Pencil Sketch of Girl's Profile (65B845.15), Oil Portrait on Canvas of Man Shading His Eyes (65B845.16)"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Brown, Henry James, 1811-1855"],"names_ssim":["Special Collections Research Center","Brown, Henry James, 1811-1855"],"language_ssim":["English"],"total_component_count_is":42,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:45:26.564Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_7491"}},{"id":"viw_repositories_2_resources_4158","type":"collection","attributes":{"title":"Jerome Myers Letter to Alexander Kruse, 1939","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4158#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetter from Jerome Myers, Studio 912, Carnegie Hall, New York, New York to Alexander Kruse, Brooklyn, New York where he states that he \"regrets going into that \"den of carrols\" which was a revalation [sic] of the lowest kind of art traffic.\" September 7, [1939].\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4158#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_4158","ead_ssi":"viw_repositories_2_resources_4158","_root_":"viw_repositories_2_resources_4158","_nest_parent_":"viw_repositories_2_resources_4158","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4158.xml","title_filing_ssi":"Jerome Myers Letter to Alexander Kruse","title_ssm":["Jerome Myers Letter to Alexander Kruse"],"title_tesim":["Jerome Myers Letter to Alexander Kruse"],"unitdate_ssm":["1939 September 7"],"unitdate_other_ssim":["1939 September 7"],"normalized_date_ssm":["1939"],"normalized_title_ssm":["Jerome Myers Letter to Alexander Kruse, 1939"],"text":["Jerome Myers Letter to Alexander Kruse, 1939","SC 00554","/repositories/2/resources/4158","Artists--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Letter from Jerome Myers, Studio 912, Carnegie Hall, New York, New York to Alexander Kruse, Brooklyn, New York where he states that he \"regrets going into that \"den of carrols\" which was a revalation [sic] of the lowest kind of art traffic.\"  September 7, [1939].","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Jerome Myers Letter to Alexander Kruse, 1939"],"collection_ssim":["Jerome Myers Letter to Alexander Kruse, 1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00554","/repositories/2/resources/4158"],"unitid_tesim":["SC 00554","/repositories/2/resources/4158"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Artists--United States"],"access_subjects_ssm":["Artists--United States"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"date_range_isim":[1939],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eFurther information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Jerome_Myers\" title=\"Jerome Myers\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eJerome Myers Letter to Alexander Kruse, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Jerome Myers Letter to Alexander Kruse, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eLetter from Jerome Myers, Studio 912, Carnegie Hall, New York, New York to Alexander Kruse, Brooklyn, New York where he states that he \"regrets going into that \"den of carrols\" which was a revalation [sic] of the lowest kind of art traffic.\"  September 7, [1939].\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Letter from Jerome Myers, Studio 912, Carnegie Hall, New York, New York to Alexander Kruse, Brooklyn, New York where he states that he \"regrets going into that \"den of carrols\" which was a revalation [sic] of the lowest kind of art traffic.\"  September 7, [1939]."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:43:51.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_4158","ead_ssi":"viw_repositories_2_resources_4158","_root_":"viw_repositories_2_resources_4158","_nest_parent_":"viw_repositories_2_resources_4158","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4158.xml","title_filing_ssi":"Jerome Myers Letter to Alexander Kruse","title_ssm":["Jerome Myers Letter to Alexander Kruse"],"title_tesim":["Jerome Myers Letter to Alexander Kruse"],"unitdate_ssm":["1939 September 7"],"unitdate_other_ssim":["1939 September 7"],"normalized_date_ssm":["1939"],"normalized_title_ssm":["Jerome Myers Letter to Alexander Kruse, 1939"],"text":["Jerome Myers Letter to Alexander Kruse, 1939","SC 00554","/repositories/2/resources/4158","Artists--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Letter from Jerome Myers, Studio 912, Carnegie Hall, New York, New York to Alexander Kruse, Brooklyn, New York where he states that he \"regrets going into that \"den of carrols\" which was a revalation [sic] of the lowest kind of art traffic.\"  September 7, [1939].","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Jerome Myers Letter to Alexander Kruse, 1939"],"collection_ssim":["Jerome Myers Letter to Alexander Kruse, 1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00554","/repositories/2/resources/4158"],"unitid_tesim":["SC 00554","/repositories/2/resources/4158"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Artists--United States"],"access_subjects_ssm":["Artists--United States"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"date_range_isim":[1939],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eFurther information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/Jerome_Myers\" title=\"Jerome Myers\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eJerome Myers Letter to Alexander Kruse, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Jerome Myers Letter to Alexander Kruse, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eLetter from Jerome Myers, Studio 912, Carnegie Hall, New York, New York to Alexander Kruse, Brooklyn, New York where he states that he \"regrets going into that \"den of carrols\" which was a revalation [sic] of the lowest kind of art traffic.\"  September 7, [1939].\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Letter from Jerome Myers, Studio 912, Carnegie Hall, New York, New York to Alexander Kruse, Brooklyn, New York where he states that he \"regrets going into that \"den of carrols\" which was a revalation [sic] of the lowest kind of art traffic.\"  September 7, [1939]."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:43:51.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_4158"}},{"id":"viw_repositories_2_resources_1039","type":"collection","attributes":{"title":"Louis Michel Eilshemius Papers, 1937/1939","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1039#creator","type":"document_value","attributes":{"value":"Eilshemius, Louis M. (Louis Michel), 1864-1941","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1039#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThree letters, 1937-1939, of Louis M. Eilshemius, American painter, to Michael Engle and to [?] Boyer, discussing personal affairs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1039#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1039","ead_ssi":"viw_repositories_2_resources_1039","_root_":"viw_repositories_2_resources_1039","_nest_parent_":"viw_repositories_2_resources_1039","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1039.xml","title_filing_ssi":"Eilshemius, Louis Michel Papers","title_ssm":["Louis Michel Eilshemius Papers"],"title_tesim":["Louis Michel Eilshemius Papers"],"unitdate_ssm":["1937-1939"],"unitdate_inclusive_ssm":["1937-1939"],"normalized_date_ssm":["1937/1939"],"normalized_title_ssm":["Louis Michel Eilshemius Papers, 1937/1939"],"text":["Louis Michel Eilshemius Papers, 1937/1939","SC 01070","/repositories/2/resources/1039","Artists","Artists--United States","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Louis Michel Eilshemius (February 4, 1864 - December 29, 1941) was an American painter, primarily of landscapes and nudes. Although he was academically trained, much of his work has the unself-aware character of naive art.","Born near Newark, New Jersey into a wealthy family, his earliest education was in Europe, after which he spent two years at Cornell University before his art studies began at the Art Students League in New York. He subsequently studied under Bouguereau at the Académie Julian in Paris, and traveled widely in Europe, Africa and the South Seas, returning to the family brownstone in New York City where he was to live for the rest of his life.","His early landscapes show the influence of the Barbizon school and of Corot, and also of George Inness and Albert Pinkham Ryder. It is Ryder whose work is especially recalled by the powerful rhythms of Eilshemius's paintings, rhythms the artist often reinforced by painting sinuous \"frames\" onto his pictures. His paintings of New York rooftops are as lyrical as his pastoral scenes.","He achieved little public recognition. His later, visionary works depicting moonlit landscapes populated with voluptuous nymphs caused his contemporaries particular consternation, due to their crudely rendered and often extravagantly smiling nudes. These are shown frolicking in forests or waterfalls, either alone or in groups, sometimes defying gravity by floating through the air.","Eilshemius also wrote verse and prose, composed music, painted, philosophized and became notorious for his many eccentric, often vitriolic, letters-to-the-editor of various New York City publications. His lack of public acclaim led him to desperate measures; thinking that perhaps the length of his name was an obstacle to success, he tried signing his paintings \"Elshemus\". On letterheads and in hyperbolic, self-published flyers he would proclaim his accomplishments: \"Educator, Ex-actor, Amateur All-around Doctor, Mesmerist-Prophet and Mystic, Reader of Hands and Faces, Linguist of 5 languages\", as well as world-class athlete and marksman, \"Spirit-Painter Supreme\", and musician whose improvisations rivalled the compositions of Chopin. All of this only reinforced the impression, already suggested by the peculiar imagery in many of his paintings, that he was either mad or a charlatan.","He was not without supporters, however. He was championed by Marcel Duchamp, who \"discovered\" Eilshemius in 1917 and invited him to exhibit with him in Paris that year. His work was generally well received by French viewers and critics; his admirers included Matisse. Duchamp subsequently helped to arrange Eilshemius's first solo exhibition in 1920, at the Societe Anonyme in New York City. The hostile critical reception to this exhibition, however, finally drove him to give up painting entirely in 1921, although there is a single known painting dated 1937.","Injured in an automobile accident in 1932, he became increasingly reclusive. His health in decline and his family fortune spent, he died in 1941.","Since his death, Eilshemius's work has found a wider audience. One of the artist's few consistent patrons, Roy Neuberger, donated a large body of Eilshemius' work to the Neuberger Museum of Art located at SUNY Purchase College in New York State. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Three letters, 1937-1939, of Louis M. Eilshemius, American painter, to Michael Engle and to [?] Boyer, discussing personal affairs.","3 items.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Eilshemius, Louis M. (Louis Michel), 1864-1941","English"],"collection_title_tesim":["Louis Michel Eilshemius Papers, 1937/1939"],"collection_ssim":["Louis Michel Eilshemius Papers, 1937/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01070","/repositories/2/resources/1039"],"unitid_tesim":["SC 01070","/repositories/2/resources/1039"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Eilshemius, Louis M. (Louis Michel), 1864-1941"],"creator_ssim":["Eilshemius, Louis M. (Louis Michel), 1864-1941"],"creator_corpname_ssim":["Special Collections Research Center"],"creator_famname_ssim":["Eilshemius, Louis M. (Louis Michel), 1864-1941"],"creators_ssim":["Special Collections Research Center","Eilshemius, Louis M. (Louis Michel), 1864-1941"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Artists","Artists--United States","Correspondence"],"access_subjects_ssm":["Artists","Artists--United States","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"date_range_isim":[1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eLouis Michel Eilshemius (February 4, 1864 - December 29, 1941) was an American painter, primarily of landscapes and nudes. Although he was academically trained, much of his work has the unself-aware character of naive art.\u003c/p\u003e","\u003cp\u003e Born near Newark, New Jersey into a wealthy family, his earliest education was in Europe, after which he spent two years at Cornell University before his art studies began at the Art Students League in New York. He subsequently studied under Bouguereau at the Académie Julian in Paris, and traveled widely in Europe, Africa and the South Seas, returning to the family brownstone in New York City where he was to live for the rest of his life.\u003c/p\u003e","\u003cp\u003e His early landscapes show the influence of the Barbizon school and of Corot, and also of George Inness and Albert Pinkham Ryder. It is Ryder whose work is especially recalled by the powerful rhythms of Eilshemius's paintings, rhythms the artist often reinforced by painting sinuous \"frames\" onto his pictures. His paintings of New York rooftops are as lyrical as his pastoral scenes.\u003c/p\u003e","\u003cp\u003e He achieved little public recognition. His later, visionary works depicting moonlit landscapes populated with voluptuous nymphs caused his contemporaries particular consternation, due to their crudely rendered and often extravagantly smiling nudes. These are shown frolicking in forests or waterfalls, either alone or in groups, sometimes defying gravity by floating through the air.\u003c/p\u003e","\u003cp\u003e Eilshemius also wrote verse and prose, composed music, painted, philosophized and became notorious for his many eccentric, often vitriolic, letters-to-the-editor of various New York City publications. His lack of public acclaim led him to desperate measures; thinking that perhaps the length of his name was an obstacle to success, he tried signing his paintings \"Elshemus\". On letterheads and in hyperbolic, self-published flyers he would proclaim his accomplishments: \"Educator, Ex-actor, Amateur All-around Doctor, Mesmerist-Prophet and Mystic, Reader of Hands and Faces, Linguist of 5 languages\", as well as world-class athlete and marksman, \"Spirit-Painter Supreme\", and musician whose improvisations rivalled the compositions of Chopin. All of this only reinforced the impression, already suggested by the peculiar imagery in many of his paintings, that he was either mad or a charlatan.\u003c/p\u003e","\u003cp\u003e He was not without supporters, however. He was championed by Marcel Duchamp, who \"discovered\" Eilshemius in 1917 and invited him to exhibit with him in Paris that year. His work was generally well received by French viewers and critics; his admirers included Matisse. Duchamp subsequently helped to arrange Eilshemius's first solo exhibition in 1920, at the Societe Anonyme in New York City. The hostile critical reception to this exhibition, however, finally drove him to give up painting entirely in 1921, although there is a single known painting dated 1937.\u003c/p\u003e","\u003cp\u003e Injured in an automobile accident in 1932, he became increasingly reclusive. His health in decline and his family fortune spent, he died in 1941.\u003c/p\u003e","\u003cp\u003e Since his death, Eilshemius's work has found a wider audience. One of the artist's few consistent patrons, Roy Neuberger, donated a large body of Eilshemius' work to the Neuberger Museum of Art located at SUNY Purchase College in New York State. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Eilshemius,_Louis_M._(Louis_Michel)\" title=\"Eilshemius, Louis M. (Louis Michel)\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Louis Michel Eilshemius (February 4, 1864 - December 29, 1941) was an American painter, primarily of landscapes and nudes. Although he was academically trained, much of his work has the unself-aware character of naive art.","Born near Newark, New Jersey into a wealthy family, his earliest education was in Europe, after which he spent two years at Cornell University before his art studies began at the Art Students League in New York. He subsequently studied under Bouguereau at the Académie Julian in Paris, and traveled widely in Europe, Africa and the South Seas, returning to the family brownstone in New York City where he was to live for the rest of his life.","His early landscapes show the influence of the Barbizon school and of Corot, and also of George Inness and Albert Pinkham Ryder. It is Ryder whose work is especially recalled by the powerful rhythms of Eilshemius's paintings, rhythms the artist often reinforced by painting sinuous \"frames\" onto his pictures. His paintings of New York rooftops are as lyrical as his pastoral scenes.","He achieved little public recognition. His later, visionary works depicting moonlit landscapes populated with voluptuous nymphs caused his contemporaries particular consternation, due to their crudely rendered and often extravagantly smiling nudes. These are shown frolicking in forests or waterfalls, either alone or in groups, sometimes defying gravity by floating through the air.","Eilshemius also wrote verse and prose, composed music, painted, philosophized and became notorious for his many eccentric, often vitriolic, letters-to-the-editor of various New York City publications. His lack of public acclaim led him to desperate measures; thinking that perhaps the length of his name was an obstacle to success, he tried signing his paintings \"Elshemus\". On letterheads and in hyperbolic, self-published flyers he would proclaim his accomplishments: \"Educator, Ex-actor, Amateur All-around Doctor, Mesmerist-Prophet and Mystic, Reader of Hands and Faces, Linguist of 5 languages\", as well as world-class athlete and marksman, \"Spirit-Painter Supreme\", and musician whose improvisations rivalled the compositions of Chopin. All of this only reinforced the impression, already suggested by the peculiar imagery in many of his paintings, that he was either mad or a charlatan.","He was not without supporters, however. He was championed by Marcel Duchamp, who \"discovered\" Eilshemius in 1917 and invited him to exhibit with him in Paris that year. His work was generally well received by French viewers and critics; his admirers included Matisse. Duchamp subsequently helped to arrange Eilshemius's first solo exhibition in 1920, at the Societe Anonyme in New York City. The hostile critical reception to this exhibition, however, finally drove him to give up painting entirely in 1921, although there is a single known painting dated 1937.","Injured in an automobile accident in 1932, he became increasingly reclusive. His health in decline and his family fortune spent, he died in 1941.","Since his death, Eilshemius's work has found a wider audience. One of the artist's few consistent patrons, Roy Neuberger, donated a large body of Eilshemius' work to the Neuberger Museum of Art located at SUNY Purchase College in New York State. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eLouis Michel Eilshemius Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Louis Michel Eilshemius Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThree letters, 1937-1939, of Louis M. Eilshemius, American painter, to Michael Engle and to [?] Boyer, discussing personal affairs.\u003c/p\u003e","\u003cp\u003e 3 items.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Three letters, 1937-1939, of Louis M. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Louis Michel Eilshemius (February 4, 1864 - December 29, 1941) was an American painter, primarily of landscapes and nudes. Although he was academically trained, much of his work has the unself-aware character of naive art.","Born near Newark, New Jersey into a wealthy family, his earliest education was in Europe, after which he spent two years at Cornell University before his art studies began at the Art Students League in New York. He subsequently studied under Bouguereau at the Académie Julian in Paris, and traveled widely in Europe, Africa and the South Seas, returning to the family brownstone in New York City where he was to live for the rest of his life.","His early landscapes show the influence of the Barbizon school and of Corot, and also of George Inness and Albert Pinkham Ryder. It is Ryder whose work is especially recalled by the powerful rhythms of Eilshemius's paintings, rhythms the artist often reinforced by painting sinuous \"frames\" onto his pictures. His paintings of New York rooftops are as lyrical as his pastoral scenes.","He achieved little public recognition. His later, visionary works depicting moonlit landscapes populated with voluptuous nymphs caused his contemporaries particular consternation, due to their crudely rendered and often extravagantly smiling nudes. These are shown frolicking in forests or waterfalls, either alone or in groups, sometimes defying gravity by floating through the air.","Eilshemius also wrote verse and prose, composed music, painted, philosophized and became notorious for his many eccentric, often vitriolic, letters-to-the-editor of various New York City publications. His lack of public acclaim led him to desperate measures; thinking that perhaps the length of his name was an obstacle to success, he tried signing his paintings \"Elshemus\". On letterheads and in hyperbolic, self-published flyers he would proclaim his accomplishments: \"Educator, Ex-actor, Amateur All-around Doctor, Mesmerist-Prophet and Mystic, Reader of Hands and Faces, Linguist of 5 languages\", as well as world-class athlete and marksman, \"Spirit-Painter Supreme\", and musician whose improvisations rivalled the compositions of Chopin. All of this only reinforced the impression, already suggested by the peculiar imagery in many of his paintings, that he was either mad or a charlatan.","He was not without supporters, however. He was championed by Marcel Duchamp, who \"discovered\" Eilshemius in 1917 and invited him to exhibit with him in Paris that year. His work was generally well received by French viewers and critics; his admirers included Matisse. Duchamp subsequently helped to arrange Eilshemius's first solo exhibition in 1920, at the Societe Anonyme in New York City. 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Although he was academically trained, much of his work has the unself-aware character of naive art.\u003c/p\u003e","\u003cp\u003e Born near Newark, New Jersey into a wealthy family, his earliest education was in Europe, after which he spent two years at Cornell University before his art studies began at the Art Students League in New York. He subsequently studied under Bouguereau at the Académie Julian in Paris, and traveled widely in Europe, Africa and the South Seas, returning to the family brownstone in New York City where he was to live for the rest of his life.\u003c/p\u003e","\u003cp\u003e His early landscapes show the influence of the Barbizon school and of Corot, and also of George Inness and Albert Pinkham Ryder. It is Ryder whose work is especially recalled by the powerful rhythms of Eilshemius's paintings, rhythms the artist often reinforced by painting sinuous \"frames\" onto his pictures. His paintings of New York rooftops are as lyrical as his pastoral scenes.\u003c/p\u003e","\u003cp\u003e He achieved little public recognition. His later, visionary works depicting moonlit landscapes populated with voluptuous nymphs caused his contemporaries particular consternation, due to their crudely rendered and often extravagantly smiling nudes. These are shown frolicking in forests or waterfalls, either alone or in groups, sometimes defying gravity by floating through the air.\u003c/p\u003e","\u003cp\u003e Eilshemius also wrote verse and prose, composed music, painted, philosophized and became notorious for his many eccentric, often vitriolic, letters-to-the-editor of various New York City publications. His lack of public acclaim led him to desperate measures; thinking that perhaps the length of his name was an obstacle to success, he tried signing his paintings \"Elshemus\". On letterheads and in hyperbolic, self-published flyers he would proclaim his accomplishments: \"Educator, Ex-actor, Amateur All-around Doctor, Mesmerist-Prophet and Mystic, Reader of Hands and Faces, Linguist of 5 languages\", as well as world-class athlete and marksman, \"Spirit-Painter Supreme\", and musician whose improvisations rivalled the compositions of Chopin. All of this only reinforced the impression, already suggested by the peculiar imagery in many of his paintings, that he was either mad or a charlatan.\u003c/p\u003e","\u003cp\u003e He was not without supporters, however. He was championed by Marcel Duchamp, who \"discovered\" Eilshemius in 1917 and invited him to exhibit with him in Paris that year. His work was generally well received by French viewers and critics; his admirers included Matisse. Duchamp subsequently helped to arrange Eilshemius's first solo exhibition in 1920, at the Societe Anonyme in New York City. The hostile critical reception to this exhibition, however, finally drove him to give up painting entirely in 1921, although there is a single known painting dated 1937.\u003c/p\u003e","\u003cp\u003e Injured in an automobile accident in 1932, he became increasingly reclusive. His health in decline and his family fortune spent, he died in 1941.\u003c/p\u003e","\u003cp\u003e Since his death, Eilshemius's work has found a wider audience. One of the artist's few consistent patrons, Roy Neuberger, donated a large body of Eilshemius' work to the Neuberger Museum of Art located at SUNY Purchase College in New York State. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Eilshemius,_Louis_M._(Louis_Michel)\" title=\"Eilshemius, Louis M. (Louis Michel)\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Louis Michel Eilshemius (February 4, 1864 - December 29, 1941) was an American painter, primarily of landscapes and nudes. Although he was academically trained, much of his work has the unself-aware character of naive art.","Born near Newark, New Jersey into a wealthy family, his earliest education was in Europe, after which he spent two years at Cornell University before his art studies began at the Art Students League in New York. He subsequently studied under Bouguereau at the Académie Julian in Paris, and traveled widely in Europe, Africa and the South Seas, returning to the family brownstone in New York City where he was to live for the rest of his life.","His early landscapes show the influence of the Barbizon school and of Corot, and also of George Inness and Albert Pinkham Ryder. It is Ryder whose work is especially recalled by the powerful rhythms of Eilshemius's paintings, rhythms the artist often reinforced by painting sinuous \"frames\" onto his pictures. His paintings of New York rooftops are as lyrical as his pastoral scenes.","He achieved little public recognition. His later, visionary works depicting moonlit landscapes populated with voluptuous nymphs caused his contemporaries particular consternation, due to their crudely rendered and often extravagantly smiling nudes. These are shown frolicking in forests or waterfalls, either alone or in groups, sometimes defying gravity by floating through the air.","Eilshemius also wrote verse and prose, composed music, painted, philosophized and became notorious for his many eccentric, often vitriolic, letters-to-the-editor of various New York City publications. His lack of public acclaim led him to desperate measures; thinking that perhaps the length of his name was an obstacle to success, he tried signing his paintings \"Elshemus\". On letterheads and in hyperbolic, self-published flyers he would proclaim his accomplishments: \"Educator, Ex-actor, Amateur All-around Doctor, Mesmerist-Prophet and Mystic, Reader of Hands and Faces, Linguist of 5 languages\", as well as world-class athlete and marksman, \"Spirit-Painter Supreme\", and musician whose improvisations rivalled the compositions of Chopin. All of this only reinforced the impression, already suggested by the peculiar imagery in many of his paintings, that he was either mad or a charlatan.","He was not without supporters, however. He was championed by Marcel Duchamp, who \"discovered\" Eilshemius in 1917 and invited him to exhibit with him in Paris that year. His work was generally well received by French viewers and critics; his admirers included Matisse. Duchamp subsequently helped to arrange Eilshemius's first solo exhibition in 1920, at the Societe Anonyme in New York City. The hostile critical reception to this exhibition, however, finally drove him to give up painting entirely in 1921, although there is a single known painting dated 1937.","Injured in an automobile accident in 1932, he became increasingly reclusive. His health in decline and his family fortune spent, he died in 1941.","Since his death, Eilshemius's work has found a wider audience. One of the artist's few consistent patrons, Roy Neuberger, donated a large body of Eilshemius' work to the Neuberger Museum of Art located at SUNY Purchase College in New York State. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eLouis Michel Eilshemius Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Louis Michel Eilshemius Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThree letters, 1937-1939, of Louis M. Eilshemius, American painter, to Michael Engle and to [?] Boyer, discussing personal affairs.\u003c/p\u003e","\u003cp\u003e 3 items.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Three letters, 1937-1939, of Louis M. Eilshemius, American painter, to Michael Engle and to [?] Boyer, discussing personal affairs.","3 items."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"famname_ssim":["Eilshemius, Louis M. (Louis Michel), 1864-1941"],"names_ssim":["Special Collections Research Center","Eilshemius, Louis M. 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