{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+museums","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+museums\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"vilxw_repositories_5_resources_261_c16_c01_c09_c14","type":"Item","attributes":{"title":"Catalogue of the Metropolitan Museum of Art Loan Exhibit","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_261_c16_c01_c09_c14#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis folder catalogues an art exhibit on loan from the Metropolitan Museum of Art\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_261_c16_c01_c09_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_261_c16_c01_c09_c14","ref_ssm":["vilxw_repositories_5_resources_261_c16_c01_c09_c14"],"id":"vilxw_repositories_5_resources_261_c16_c01_c09_c14","ead_ssi":"vilxw_repositories_5_resources_261","_root_":"vilxw_repositories_5_resources_261","_nest_parent_":"vilxw_repositories_5_resources_261_c16_c01_c09","parent_ssi":"vilxw_repositories_5_resources_261_c16_c01_c09","parent_ssim":["vilxw_repositories_5_resources_261","vilxw_repositories_5_resources_261_c16","vilxw_repositories_5_resources_261_c16_c01","vilxw_repositories_5_resources_261_c16_c01_c09"],"parent_ids_ssim":["vilxw_repositories_5_resources_261","vilxw_repositories_5_resources_261_c16","vilxw_repositories_5_resources_261_c16_c01","vilxw_repositories_5_resources_261_c16_c01_c09"],"parent_unittitles_ssm":["Academic Departments  - Record Group 9","Journalism Department","Journalism Laboratory Press Publications","Publications"],"parent_unittitles_tesim":["Academic Departments  - Record Group 9","Journalism Department","Journalism Laboratory Press Publications","Publications"],"text":["Academic Departments  - Record Group 9","Journalism Department","Journalism Laboratory Press Publications","Publications","Catalogue of the Metropolitan Museum of Art Loan Exhibit","Washington and Lee University. Journalism Laboratory Press","Art -- Exhibitions","Art museums","English .","This folder catalogues an art exhibit on loan from the Metropolitan Museum of Art"],"title_filing_ssi":"Catalogue of the Metropolitan Museum of Art Loan Exhibit","title_ssm":["Catalogue of the Metropolitan Museum of Art Loan Exhibit"],"title_tesim":["Catalogue of the Metropolitan Museum of Art Loan Exhibit"],"unitdate_other_ssim":["1950"],"normalized_date_ssm":["1950"],"normalized_title_ssm":["Catalogue of the Metropolitan Museum of Art Loan Exhibit"],"component_level_isim":[4],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Academic Departments  - Record Group 9"],"extent_ssm":["2 Item"],"extent_tesim":["2 Item"],"creator_ssim":["Washington and Lee University. Journalism Laboratory Press"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":152,"parent_access_restrict_tesm":["This collection is open for research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1950],"names_ssim":["Washington and Lee University. Journalism Laboratory Press"],"corpname_ssim":["Washington and Lee University. Journalism Laboratory Press"],"access_subjects_ssim":["Art -- Exhibitions","Art museums"],"access_subjects_ssm":["Art -- Exhibitions","Art museums"],"language_ssim":["English ."],"scopecontent_html_tesm":["\u003cp\u003eThis folder catalogues an art exhibit on loan from the Metropolitan Museum of Art\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder catalogues an art exhibit on loan from the Metropolitan Museum of Art"],"_nest_path_":"/components#15/components#0/components#8/components#13","timestamp":"2026-05-20T22:57:27.103Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_261","ead_ssi":"vilxw_repositories_5_resources_261","_root_":"vilxw_repositories_5_resources_261","_nest_parent_":"vilxw_repositories_5_resources_261","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_261.xml","title_ssm":["Academic Departments  - Record Group 9"],"title_tesim":["Academic Departments  - Record Group 9"],"unitdate_ssm":["Date Not Yet Determined"],"unitdate_inclusive_ssm":["Date Not Yet Determined"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.0009","/repositories/5/resources/261"],"text":["WLU.RG.0009","/repositories/5/resources/261","Academic Departments  - Record Group 9","This collection is open for research use.","View materials from this collection online via W\u0026L's Digital Archive","These are arranged in chronological order.","One copy was a personal copy of W\u0026L Professor Allen Moger.","Does not include 2020 because of the COVID pandemic.","Held in the Wilson Concert Hall.  Student ensemble with director, Terry Vosbein.","Held in Wislon Concert Hall.  Student groups.  Shane Lynch, conductor of Men's Glee Club.  Terry Vosbein, conductor of University Jazz Ensemble.  Mark Taylor, conductor of University String Ensemble.  Chad Reep, conductor of University Wind Ensemble.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall. Widney on baritone, Gaylard on piano, Goudimova on cell, and Jiang on flute.","Held in Wilson Concert Hall. Shafer, sporano; Yonan, viola; Kuipers, cello; McDonald, piano.","Held in Concert Hall.  Hurley and Wayne-Wright, countertenors; Gregory, tenor; Bruerton and Gabbitas, baritones; Howard, bass.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall","Held in Wilson Concert Hall.","Held in Wlson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held at First Baptist Church, Lexington, VA.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.  Petty on flute and piano, Parrish on oboe, Kevin Matheson on violin, Bryan Matheson on viola, Goudimova on cello, Easter II and III on French horn, Watanabe and Cook on piano.","Held in Wilson Concert Hall.  Cook and Harvey on piano.","Held in Wilson Hall Concert.","Tour Program.","See Also RG 48 Lenfest","Directed by Jemma Alix Levy and music composed by Dana Gary WLU 2018.","Directed by Stephanie Sandberg and written by Branden Jacobs-Jenkins.","Directed by Stephanie Sandberg, written by Moliere, and adapted by Ranjit Bolt.","Celester Lanuza, Artistic Director.","Shaleigh Comerford, Artistic Director.","Written by Devorah Gearing and directed by Jemma Alix Levy.","By Natsu Onoda Power.  A kamishibai adaptation from Hans Christian Anderson.  Directed by Jemma Alix Levy.","Written by Adrienne Kennedy. Directed by Nafeesa Monroe, Guest Artist.","A Staged Reading. By Will Arbery.  Directed by Rob Mish.","Robert O. and Elizabeth M. Bentley Musical Event.  Book, Music, Lyrics by Jonathan Larson.  David Auburn, Script Consultant. Vocal arrangements and Orchestration by Stephen Oremus.  Guest Directed and Choreographed by Darnell Pierre Benjamin.  Musical Direction by Patrick Summers.","This folder gives a brief historical sketch of the Washington Literary Society.","This record group contains materials created by individual academic departments.","Booklet for the exhibit The strangest Fruit by Vincent Valdez, which was on display in Staniar Gallery from April 27-May 29, 2015.  It includes essays by various scholars about the widespread, institutionalized racism experienced by many of color in America.","These essays, written by freshmen and sophmores, were compiled and edited by members of the Department of English to serve as examples of both good and bad writing to other students.","Anonymized transcripts of recorded exit interviews with forty graduating Black students from Washington and Lee University in 1997. The interviews were organized and arranged by WLU's Institutional Effectiveness Committee to gain a range of perspectives on campus climate and the WLU student experience. The interview questions were created by WLU professors Ted Delaney (History) and David Novack (Sociology), Associate Dean of Students for Minority Affairs Anece McCloud, and students Mogana Richards and Robert Taylor. The interviews were conducted by Jennifer Ashworth, the administrative assistant in the History Deapartment. The content of the interviews was assimilated into a final report titled \"The Black Student Experience\" by Professor of History Robert W. McAhren in 1999. A copy of the report is included with the interviews.","This folder describes the history of The Zeta Deuteron Chapter of Phi Gamma Delta fraternity.","A card listing all sports at W \u0026 L for winter 1933-34.","This booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during for the 1932-33 school year.","This booklet is an address delivered before the Eleventh Annual Conference on Printing Education. It describes the Vollbehr Collection in the Library of Congress.","This booklet contains a description of the then new rare book room of the Library of Congress.","An address by President Gaines to the officers and directors of The Robert E. Lee Memorial Foundation.","A collection of poems by Joe H.Ford, Jr., a student who died prematurely at age 18 while attending W \u0026 L. Illustrated.","This booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during the 1933-34 school year.","This booklet describes the activities of The Zeta Deuteron Chapter of Phi Gamma Delta fraternity during the 1933-34 school year.","This folder lists the constitution and by-laws of Delta Upsilon.","There are three one-page advertisemnts announcing the publication of the above title.","This folder is a brief paper read before the Fourteenth Annual Conference on Printing Education.","This booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during the 1934-35 school year.","The organization,its constitution and its bylaws.","In this booklet, President Gaines recognizes notable contributors to the university.","This German journal has The First Printing in Virginia by Douglas C. McMurtie tipped into the center of the volume. The back of the insert says 'Designed, composed in Linotype Baskerville, and printed by C. Harold Lauck at the Journalism Laboratory Press of Washington and Lee University, Lexington, Virginia, U. S. A., for Philobiblon, a Book-Collector's Magazine published by Herbert Reicher, Vienna, Austria. December 1935'","This book is a tribute to the many benefactors of Washington and Lee. Drawings by Marion Junkin.","This book is a tribute to the many benfactors of Washington and Lee. Its is a special issue of the Washington and Lee University Bulletin . Drawings by Marion Junkin.","This book coantains a brief history of The Gamma of Virginia Chapter ,the constitution and by-laws, and a list of Phi Beta Kappa members from 1911-1936.","An address, delivered on the occasion of the presentation of a portrait of Dr. Powell to Dinwiddie County, Va., by his grandson, Dr.Richard Powell Carter, class of 1959.","This booklet contains the group's bylaws, list of member clubs by city and county, list of committee members,and list of previous awardees.","Folder. An announcement of lectures by ProfessorAmericao Castro, Don Quixote and Litertaure and Human Values.","\"An informal Evaluation of the Several Educational Activities in Terms of Their Contributions to the Graphic Industries.\"","An informal report to the alumni by the president.","This booklet contains information about the group's officers. It was distributed at the group's 34th annual convention in Asheville,NC, May 18,19 and 20, 1936.","This book contains a Who's Who of members and a brief summary of the guild's yearly activities.","This booklet describes independent type designs.","This book contains a Who's Who of officers and members as well a brief summation of the guild's yearly activities.","This booklet contains the group's bylaws, list of member clubs by county and city, list of committee members, and list of previous awardees.","This book contains a Who's Who of members in addition to a summary of the guild's yearly activities.","This booklet presents a critical look at the the state of graphics arts education by on of its early leading proponents, Harry L. Gage.","A paper read before the Bibliographical Society of America describing the first and oldest paper mill in colonial Virginia. R","A map showing Lexington and the surrounding countryside sent to alumni at Christmas 1939.sent out","This book is a physical history of the Lee Memorial Journalism Foundation written by C. Tom Garten '42 ass part of a research project. It describes the origins and growth of the foundation up to the early 1940's.","This booklet describes the activities of The Zeta Chapter of Sigma Chi fraternity for the 1941-42 school year.","This booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during the 1940-41 school year.","This booklet describes the activities of the Alpha Ro Chapter of Beta Theta Pi fraternity during the 1941-42 school year.","This booklet describes the activities of the Alpha Ro Chapter of Beta Theta Pi during the 1940-412 school yesr.","The commencement program for June 7, 1940.","'A folio of personalities,impressions and observations...'.A kekepsake issue of a newsletter edited by Lloyd Emerson Siberell.","This booklet describes the activities of The Mu Chapter of Kappa Sigma fraternity during the 1940-41 school year.","A program for a violin concert by Mrs. George Junkin (Ruby Johnson) Irwin.","This folder describes the U.S. Army's School for Special Service, the Eighth Class of which was held at Washington and Lee.","This copy of the W\u0026L Bulletin is a message to alumni discussing the univrsity's commitment to preparing students for military service. Includes a list of casualties, POW's and MIA's.","This edition of the Washington and Lee University Bulletin is a Christmas issue prepared for students who had joined the armed forces.","This booklet contains the entire annual report of the National Graphic Arts Education Association. It was written by Fred. J. Hartman.","This booklet is a report outlining the progress of the early years of the National Graphic Arts Education Guild.","This four page pamphlet describes an exhibition of American bookmaking and graarphic arts in McCormick Library","The commencement program for  June 4, 1948.","This is the program for the Gibert and Sullivan play 'Trial by Jury'. Theis play was actually performed in the Rockbridge County Court House.","This one page folder seeks contributions from alumni.alumni for contributions.","This small folder seeks contributions froorm alumni.","This issue of the University Bulletin addresses 1940's choices for students - education or military service.","This issue of the University Bulletin provides general information about classes and university services available to returning veterans.","This brochure provides ticket information and the schedule for the 1947 football season. and the schedule.","This brochure includes ticket information and the 1948 schedule. Two brochures togeteher, never cut apart.","This copy of the Washington and Lee University Bulletin includes a list of alumni known to be dead orand missing in action as of October 1944.","This issue of the Washington and Lee University Bulletin includes a list of alumni that were known to be dead, missing, or prisoners of war as of April 1945.","The official program of the 1948 Mock Convention.","This is a program whose theme is 'Graphic Arts in the First Year of Peace'.","The Baccalaureate Service program for June 4, 1950.","The program and agenda of the Southern Humanities Conference held at UVAa April 14-15, 1950.","This folder provides information for prospective students.","A single sheet with a photo of a crowd observing the university print shop building on fire and a printed announcement stating that university publications would be delayed.","This folder provides general information for the upcoming freshman camp at Natural Bridge, the first time this annual event was ever held there.","A book edited and published by the Lambda Chapter of Sigma Nu for the benefit of alumni and friends. Describes the members' activities for the year.","A one page sheet detailing the Menkemeller Scholarships and Grants.","This brochure includes ticket information and the schedule for the 1950 football season.","A single wallet-size card with the 1950 football printed on it.","A map of Lexington. There is one original and a photocopy with a detailed map of the the university and its buildings. Drawn by Henry L. Ravenhorst.","A description of a course in long theme writing in the W \u0026 L English Department.","A folder announcing an addition to the Engineering Department cirriculum for 1950-51.","This folder catalogues an art exhibit on loan from the Metropolitan Museum of Art","This booklet contains information about intramural athletics constitution and by-laws, rules, award recipients from the previous year, and directory information for coaches.","The commencement program for June 8, 1951.","The program and agenda of the Southern Humanities Cconference held in McCormick Library April 13-14, 1951.","This folder provides general information for the upcoming freshman camp at Natural Bridge.","This folder presents facts and adviceve about the beginning of the 1951-52 school year.","This one page folder seeks contributions from alumni.","This one page announcement details the scholarship awards of the Alfred I.duPont Awards Foundation.","This folder seeks contributions from alumni.","This issue of the University Bulletin contains the agenda of the 22nd annual convention of the Southern Interscholastic Press Association","This brochure lists information for those attending the bowl game on January 1,1951.","This brochure lists ticket information and the schedule for the 1952 season.","This brochure list ticket information and the schedule for the 1951 season.","A map showing Lexington landmarks to aid attendees at the conference. Drawn by Henry Ravenhorst.","This is the program for a concert by the Washington and Lee R.O.T.C. band.","This is a program for a vocal performance by contralto Irene Beamer. Professor James G. Leyburn was the accompanist.","This is the program for a joint concert by the glee clubs of Sweet Briar College and Washington and Lee University.","This is the agenda of a banker's forum on current banking problems.","The Fancy Dress program for 1951, with the opera 'Carmen' as the theme.","A folder briefly describing Kappa Alpha's activities for the 1951-52 school year. Cover letter written by Edgar Spencer.","The official program of the Mock Convention for 1952.","This is the program of the 31st Annual convention, which met at W \u0026 L.","This folder is the program for the John Randolph Tucker Lecture for 1951 by the Honorable John J. Parker:. 'The Significance of the Nurnberg Trials in Establishing a World Order Based on Law.'","An eight page newspaper printed as a ' Journalism Laboratory exercise by students of Journalism 202 at Washington and Lee University.' 38 x 59cm.","Annual publication of the Journalism Department.","The annual Editorial Writers Seminar was sponsored by the Virginia Press Association.  Programs include the schedule of meeting events and","This file contains two announcements about the 1940 Lee Editorial Award Ceremony and one about the 1939 ceremony.","Program from the Newspaper Management Seminar held on November 24 and 25, 1952.","This file contains a draft of a report to be presented to the President of Washington and Lee.","Harrell on cello and Blackham on piano.  Held in Wilson Hall.","A bound computer printout showing course results from the Fall 1975 term.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Washington and Lee University. Art Department","Washington and Lee University. Journalism Laboratory Press","Washington and Lee University. Department of Athletics","Lee Memorial Association","Washington and Lee University. Department of Athletics. Football","Philobiblon. A Magazine for Book Collectors","Herbert Reichner Verlag","Washington and Lee University. Phi Beta Kappa","Washington and Lee University. Phi Kappa Psi","Confederate States of America. Army.  Virginia Cavalry Regiment, 3rd","Garden Club of Virginia","Southern Newspaper Publishers' Association","Graphic Arts Education Guild","Washington and Lee University.  Journalism Department","Washington and Lee University. Alumni Office","University of Virginia","Washington and Lee University. School of Law","Washington and Lee University. Cyrus Hall McCormick Library","Washington and Lee University. Department of Music","Washington and Lee University. Williams School of Commerce, Economics and Politics","Washington and Lee University. Trustees","Virginia Press Association","Men's Glee Club . Washington and Lee University  (Washington and Lee University )","SONOKLECT","University Jazz Ensemble. Washington and Lee University (Washington and Lee University)","University String Ensemble. Washington and Lee University (Washington and Lee University )","University Wind Ensemble. Washington and Lee University  (Washington and Lee University )","University Singers. Washington and Lee University (Washington and Lee University)","Concert Guild","Cantatrici. Washington and Lee University. Women's Choir (Washington and Lee University )","University-Shenandoah. Symphony Orchestra","University Bluegrass Ensemble. Washington and Lee University (Washington and Lee University)","Washington and Lee University. Lenfest Center for the Arts","University Orchestra . Washington and Lee University (Washington and Lee University )","Southeastern Composers' League","Chamber Winds. Washington and Lee University (Washington and Lee University )","Washington and Lee University.  Department of Theater, Dance, and Film Studies","Kahn, Lee","Ruffner, William Henry","Ashworth, Jennifer","McAhren, Robert W. (Robert Willard)","Delaney, Theodore C., Jr., Dr.","Novack, David Robert","McCloud, Anece F.","African Americans.  Civil Rights","Church, Cory","Riley, Megan","Honig, Batsheva","Merchant, Miller","Longrod, Liz","Vinneau-Hathaway, Janelle","Swatski, Samantha","Bravi, Trichia","Jones, Jamaal","Gray, Maggie","Ries, Riley","Dunn, Marquita","Lauck, Charles Harold","Gaines, Francis Pendleton","Lee, Robert E. (Robert Edward), 1807-1870","McMurtrie, Douglas C. (Douglas Crawford)","Junkin, Marion Montague","Powell, Eugene Cole","Latture, Rupert Nelson","Gilliam, Frank Johnson","Parker, John","Bauson, Grace, Dr.","Harrell, Alan","Blackham, Brad","Vosbein, Terry","Cook, Jonathan Chapman","Hardy, Emily","Powell, Elizabeth","Gabrielson, Tyler","Lee, Stellings","Sullivan, Madeleine","Shaves, Olivia","Schmitz, Elizabeth","Hardin, Caroline","Hurst, Conley","Sullivan, Brogan","Harvey, Joshua","Lynch, Shane","Taylor, Mark","Reep, Chad","Farley, Kaitlyn","Gaylard, Timothy","Widney, Jason","Jiang, Shan","Shafer, Sarah","Yonan, Rachel Kuipers","Kuipers, Joseph","McDonald, Alexander","Hurley, David","Wain-Wright, Timothy","Bruerton, Christopher","Gabbitas, Christopher","Howard, Jonathan","Day, Roger T. (Thomas), Jr.","Pomeroy, Loren","Tarrega, Francisco","Dvorak, Antonin","Marlbrook, Chamber Players","Bach, Johann Sebastian","Watanabe, Shuko","Petty, Byron","Futral, Elizabeth","Leath, Nate","Powers, Jack","Min, Sarah","Parker, Gregory","Parrish, Bill","Matheson, Kevin","Matheson, Bryan","Easter III, Wallace","Streeper, Emily","Parrish, William","Overfield-Zook, Kathleen","Cowden, Tracy","Yen, Ting-Ting","McArdle, Jaime","Escher Quartet","Vieaux, Jason","Barnett-Hart, Adam","Boyd, Aaron","Lapointe, Pierre","Speltz, Brook","Dobbins, Christopher","Jones, Martin","Vosbein Magee Big Band","Billias, Anna","Melamed, Issac","Whedon, Ben","Burnett, Jake","Huntley, Kathryn","Jue, Allison","Roth, Lisa","Yin, Xiaoxia","Gorman, Eliie","McDonnell, Ryan","Chu, Coralie","Tangri, Mohini","Fykes, Erin","Thompson, Elizabeth","Wells, Caleigh","Higgins, Camilla","Lewis, Bennett F. O.","Eckhardt, Louie","Thomas, Omar","Washington and Lee University.  Marlbrook Chamber Players","Sanders, Irwin T. (Irwin Taylor)","Williams, Tom","Shakespeare, William","Gary, Dana","Levy, Jemma Alix","Sandberg, Stephanie","Lanuza, Celeste","Comerford, Shaleigh","Monroe, Nafeesa","Mish, Robert W. H., III","Benjamin, Darnell Pierre","Summers, Patrick","The materials in this collection are mostly in English."],"unitid_tesim":["WLU.RG.0009","/repositories/5/resources/261"],"normalized_title_ssm":["Academic Departments  - Record Group 9"],"collection_title_tesim":["Academic Departments  - Record Group 9"],"collection_ssim":["Academic Departments  - Record Group 9"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Washington and Lee University"],"creator_ssim":["Washington and Lee University"],"creator_corpname_ssim":["Washington and Lee University"],"creators_ssim":["Washington and Lee University"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["x Linear Feet"],"extent_tesim":["x Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.wlu.edu/handle/11021/33032\"\u003eView materials from this collection online via W\u0026amp;L's Digital Archive\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["View materials from this collection online via W\u0026L's Digital Archive"],"arrangement_html_tesm":["\u003cp\u003eThese are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["These are arranged in chronological order."],"odd_html_tesm":["\u003cp\u003eOne copy was a personal copy of W\u0026amp;L Professor Allen Moger.\u003c/p\u003e","\u003cp\u003eDoes not include 2020 because of the COVID pandemic.\u003c/p\u003e","\u003cp\u003eHeld in the Wilson Concert Hall.  Student ensemble with director, Terry Vosbein.\u003c/p\u003e","\u003cp\u003eHeld in Wislon Concert Hall.  Student groups.  Shane Lynch, conductor of Men's Glee Club.  Terry Vosbein, conductor of University Jazz Ensemble.  Mark Taylor, conductor of University String Ensemble.  Chad Reep, conductor of University Wind Ensemble.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall. Widney on baritone, Gaylard on piano, Goudimova on cell, and Jiang on flute.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall. Shafer, sporano; Yonan, viola; Kuipers, cello; McDonald, piano.\u003c/p\u003e","\u003cp\u003eHeld in Concert Hall.  Hurley and Wayne-Wright, countertenors; Gregory, tenor; Bruerton and Gabbitas, baritones; Howard, bass.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wlson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld at First Baptist Church, Lexington, VA.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.  Petty on flute and piano, Parrish on oboe, Kevin Matheson on violin, Bryan Matheson on viola, Goudimova on cello, Easter II and III on French horn, Watanabe and Cook on piano.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Concert Hall.  Cook and Harvey on piano.\u003c/p\u003e","\u003cp\u003eHeld in Wilson Hall Concert.\u003c/p\u003e","\u003cp\u003eTour Program.\u003c/p\u003e","\u003cp\u003eSee Also RG 48 Lenfest\u003c/p\u003e","\u003cp\u003eDirected by Jemma Alix Levy and music composed by Dana Gary WLU 2018.\u003c/p\u003e","\u003cp\u003eDirected by Stephanie Sandberg and written by Branden Jacobs-Jenkins.\u003c/p\u003e","\u003cp\u003eDirected by Stephanie Sandberg, written by Moliere, and adapted by Ranjit Bolt.\u003c/p\u003e","\u003cp\u003eCelester Lanuza, Artistic Director.\u003c/p\u003e","\u003cp\u003eShaleigh Comerford, Artistic Director.\u003c/p\u003e","\u003cp\u003eWritten by Devorah Gearing and directed by Jemma Alix Levy.\u003c/p\u003e","\u003cp\u003eBy Natsu Onoda Power.  A kamishibai adaptation from Hans Christian Anderson.  Directed by Jemma Alix Levy.\u003c/p\u003e","\u003cp\u003eWritten by Adrienne Kennedy. Directed by Nafeesa Monroe, Guest Artist.\u003c/p\u003e","\u003cp\u003eA Staged Reading. By Will Arbery.  Directed by Rob Mish.\u003c/p\u003e","\u003cp\u003eRobert O. and Elizabeth M. Bentley Musical Event.  Book, Music, Lyrics by Jonathan Larson.  David Auburn, Script Consultant. Vocal arrangements and Orchestration by Stephen Oremus.  Guest Directed and Choreographed by Darnell Pierre Benjamin.  Musical Direction by Patrick Summers.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["One copy was a personal copy of W\u0026L Professor Allen Moger.","Does not include 2020 because of the COVID pandemic.","Held in the Wilson Concert Hall.  Student ensemble with director, Terry Vosbein.","Held in Wislon Concert Hall.  Student groups.  Shane Lynch, conductor of Men's Glee Club.  Terry Vosbein, conductor of University Jazz Ensemble.  Mark Taylor, conductor of University String Ensemble.  Chad Reep, conductor of University Wind Ensemble.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall. Widney on baritone, Gaylard on piano, Goudimova on cell, and Jiang on flute.","Held in Wilson Concert Hall. Shafer, sporano; Yonan, viola; Kuipers, cello; McDonald, piano.","Held in Concert Hall.  Hurley and Wayne-Wright, countertenors; Gregory, tenor; Bruerton and Gabbitas, baritones; Howard, bass.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall","Held in Wilson Concert Hall.","Held in Wlson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.","Held at First Baptist Church, Lexington, VA.","Held in Wilson Concert Hall.","Held in Wilson Concert Hall.  Petty on flute and piano, Parrish on oboe, Kevin Matheson on violin, Bryan Matheson on viola, Goudimova on cello, Easter II and III on French horn, Watanabe and Cook on piano.","Held in Wilson Concert Hall.  Cook and Harvey on piano.","Held in Wilson Hall Concert.","Tour Program.","See Also RG 48 Lenfest","Directed by Jemma Alix Levy and music composed by Dana Gary WLU 2018.","Directed by Stephanie Sandberg and written by Branden Jacobs-Jenkins.","Directed by Stephanie Sandberg, written by Moliere, and adapted by Ranjit Bolt.","Celester Lanuza, Artistic Director.","Shaleigh Comerford, Artistic Director.","Written by Devorah Gearing and directed by Jemma Alix Levy.","By Natsu Onoda Power.  A kamishibai adaptation from Hans Christian Anderson.  Directed by Jemma Alix Levy.","Written by Adrienne Kennedy. Directed by Nafeesa Monroe, Guest Artist.","A Staged Reading. By Will Arbery.  Directed by Rob Mish.","Robert O. and Elizabeth M. Bentley Musical Event.  Book, Music, Lyrics by Jonathan Larson.  David Auburn, Script Consultant. Vocal arrangements and Orchestration by Stephen Oremus.  Guest Directed and Choreographed by Darnell Pierre Benjamin.  Musical Direction by Patrick Summers."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Record Group 9: Academic Departments, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.\u003c/p\u003e","\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Record Group 9: Academic Departments, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.","In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"relatedmaterial_html_tesm":["\u003cp\u003eThis folder gives a brief historical sketch of the Washington Literary Society.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This folder gives a brief historical sketch of the Washington Literary Society."],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains materials created by individual academic departments.\u003c/p\u003e","\u003cp\u003eBooklet for the exhibit The strangest Fruit by Vincent Valdez, which was on display in Staniar Gallery from April 27-May 29, 2015.  It includes essays by various scholars about the widespread, institutionalized racism experienced by many of color in America.\u003c/p\u003e","\u003cp\u003eThese essays, written by freshmen and sophmores, were compiled and edited by members of the Department of English to serve as examples of both good and bad writing to other students.\u003c/p\u003e","\u003cp\u003eAnonymized transcripts of recorded exit interviews with forty graduating Black students from Washington and Lee University in 1997. The interviews were organized and arranged by WLU's Institutional Effectiveness Committee to gain a range of perspectives on campus climate and the WLU student experience. The interview questions were created by WLU professors Ted Delaney (History) and David Novack (Sociology), Associate Dean of Students for Minority Affairs Anece McCloud, and students Mogana Richards and Robert Taylor. The interviews were conducted by Jennifer Ashworth, the administrative assistant in the History Deapartment. The content of the interviews was assimilated into a final report titled \"The Black Student Experience\" by Professor of History Robert W. McAhren in 1999. A copy of the report is included with the interviews.\u003c/p\u003e","\u003cp\u003eThis folder describes the history of The Zeta Deuteron Chapter of Phi Gamma Delta fraternity.\u003c/p\u003e","\u003cp\u003eA card listing all sports at W \u0026amp; L for winter 1933-34.\u003c/p\u003e","\u003cp\u003eThis booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during for the 1932-33 school year.\u003c/p\u003e","\u003cp\u003eThis booklet is an address delivered before the Eleventh Annual Conference on Printing Education. It describes the Vollbehr Collection in the Library of Congress.\u003c/p\u003e","\u003cp\u003eThis booklet contains a description of the then new rare book room of the Library of Congress.\u003c/p\u003e","\u003cp\u003eAn address by President Gaines to the officers and directors of The Robert E. Lee Memorial Foundation.\u003c/p\u003e","\u003cp\u003eA collection of poems by Joe H.Ford, Jr., a student who died prematurely at age 18 while attending W \u0026amp; L. Illustrated.\u003c/p\u003e","\u003cp\u003eThis booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during the 1933-34 school year.\u003c/p\u003e","\u003cp\u003eThis booklet describes the activities of The Zeta Deuteron Chapter of Phi Gamma Delta fraternity during the 1933-34 school year.\u003c/p\u003e","\u003cp\u003eThis folder lists the constitution and by-laws of Delta Upsilon.\u003c/p\u003e","\u003cp\u003eThere are three one-page advertisemnts announcing the publication of the above title.\u003c/p\u003e","\u003cp\u003eThis folder is a brief paper read before the Fourteenth Annual Conference on Printing Education.\u003c/p\u003e","\u003cp\u003eThis booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during the 1934-35 school year.\u003c/p\u003e","\u003cp\u003eThe organization,its constitution and its bylaws.\u003c/p\u003e","\u003cp\u003eIn this booklet, President Gaines recognizes notable contributors to the university.\u003c/p\u003e","\u003cp\u003eThis German journal has The First Printing in Virginia by Douglas C. McMurtie tipped into the center of the volume. The back of the insert says 'Designed, composed in Linotype Baskerville, and printed by C. Harold Lauck at the Journalism Laboratory Press of Washington and Lee University, Lexington, Virginia, U. S. A., for Philobiblon, a Book-Collector's Magazine published by Herbert Reicher, Vienna, Austria. December 1935'\u003c/p\u003e","\u003cp\u003eThis book is a tribute to the many benefactors of Washington and Lee. Drawings by Marion Junkin.\u003c/p\u003e","\u003cp\u003eThis book is a tribute to the many benfactors of Washington and Lee. Its is a special issue of the Washington and Lee University Bulletin . Drawings by Marion Junkin.\u003c/p\u003e","\u003cp\u003eThis book coantains a brief history of The Gamma of Virginia Chapter ,the constitution and by-laws, and a list of Phi Beta Kappa members from 1911-1936.\u003c/p\u003e","\u003cp\u003eAn address, delivered on the occasion of the presentation of a portrait of Dr. Powell to Dinwiddie County, Va., by his grandson, Dr.Richard Powell Carter, class of 1959.\u003c/p\u003e","\u003cp\u003eThis booklet contains the group's bylaws, list of member clubs by city and county, list of committee members,and list of previous awardees.\u003c/p\u003e","\u003cp\u003eFolder. An announcement of lectures by ProfessorAmericao Castro, Don Quixote and Litertaure and Human Values.\u003c/p\u003e","\u003cp\u003e\"An informal Evaluation of the Several Educational Activities in Terms of Their Contributions to the Graphic Industries.\"\u003c/p\u003e","\u003cp\u003eAn informal report to the alumni by the president.\u003c/p\u003e","\u003cp\u003eThis booklet contains information about the group's officers. It was distributed at the group's 34th annual convention in Asheville,NC, May 18,19 and 20, 1936.\u003c/p\u003e","\u003cp\u003eThis book contains a Who's Who of members and a brief summary of the guild's yearly activities.\u003c/p\u003e","\u003cp\u003eThis booklet describes independent type designs.\u003c/p\u003e","\u003cp\u003eThis book contains a Who's Who of officers and members as well a brief summation of the guild's yearly activities.\u003c/p\u003e","\u003cp\u003eThis booklet contains the group's bylaws, list of member clubs by county and city, list of committee members, and list of previous awardees.\u003c/p\u003e","\u003cp\u003eThis book contains a Who's Who of members in addition to a summary of the guild's yearly activities.\u003c/p\u003e","\u003cp\u003eThis booklet presents a critical look at the the state of graphics arts education by on of its early leading proponents, Harry L. Gage.\u003c/p\u003e","\u003cp\u003eA paper read before the Bibliographical Society of America describing the first and oldest paper mill in colonial Virginia. R\u003c/p\u003e","\u003cp\u003eA map showing Lexington and the surrounding countryside sent to alumni at Christmas 1939.sent out\u003c/p\u003e","\u003cp\u003eThis book is a physical history of the Lee Memorial Journalism Foundation written by C. Tom Garten '42 ass part of a research project. It describes the origins and growth of the foundation up to the early 1940's.\u003c/p\u003e","\u003cp\u003eThis booklet describes the activities of The Zeta Chapter of Sigma Chi fraternity for the 1941-42 school year.\u003c/p\u003e","\u003cp\u003eThis booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during the 1940-41 school year.\u003c/p\u003e","\u003cp\u003eThis booklet describes the activities of the Alpha Ro Chapter of Beta Theta Pi fraternity during the 1941-42 school year.\u003c/p\u003e","\u003cp\u003eThis booklet describes the activities of the Alpha Ro Chapter of Beta Theta Pi during the 1940-412 school yesr.\u003c/p\u003e","\u003cp\u003eThe commencement program for June 7, 1940.\u003c/p\u003e","\u003cp\u003e'A folio of personalities,impressions and observations...'.A kekepsake issue of a newsletter edited by Lloyd Emerson Siberell.\u003c/p\u003e","\u003cp\u003eThis booklet describes the activities of The Mu Chapter of Kappa Sigma fraternity during the 1940-41 school year.\u003c/p\u003e","\u003cp\u003eA program for a violin concert by Mrs. George Junkin (Ruby Johnson) Irwin.\u003c/p\u003e","\u003cp\u003eThis folder describes the U.S. Army's School for Special Service, the Eighth Class of which was held at Washington and Lee.\u003c/p\u003e","\u003cp\u003eThis copy of the W\u0026amp;L Bulletin is a message to alumni discussing the univrsity's commitment to preparing students for military service. Includes a list of casualties, POW's and MIA's.\u003c/p\u003e","\u003cp\u003eThis edition of the Washington and Lee University Bulletin is a Christmas issue prepared for students who had joined the armed forces.\u003c/p\u003e","\u003cp\u003eThis booklet contains the entire annual report of the National Graphic Arts Education Association. It was written by Fred. J. Hartman.\u003c/p\u003e","\u003cp\u003eThis booklet is a report outlining the progress of the early years of the National Graphic Arts Education Guild.\u003c/p\u003e","\u003cp\u003eThis four page pamphlet describes an exhibition of American bookmaking and graarphic arts in McCormick Library\u003c/p\u003e","\u003cp\u003eThe commencement program for  June 4, 1948.\u003c/p\u003e","\u003cp\u003eThis is the program for the Gibert and Sullivan play 'Trial by Jury'. Theis play was actually performed in the Rockbridge County Court House.\u003c/p\u003e","\u003cp\u003eThis one page folder seeks contributions from alumni.alumni for contributions.\u003c/p\u003e","\u003cp\u003eThis small folder seeks contributions froorm alumni.\u003c/p\u003e","\u003cp\u003eThis issue of the University Bulletin addresses 1940's choices for students - education or military service.\u003c/p\u003e","\u003cp\u003eThis issue of the University Bulletin provides general information about classes and university services available to returning veterans.\u003c/p\u003e","\u003cp\u003eThis brochure provides ticket information and the schedule for the 1947 football season. and the schedule.\u003c/p\u003e","\u003cp\u003eThis brochure includes ticket information and the 1948 schedule. Two brochures togeteher, never cut apart.\u003c/p\u003e","\u003cp\u003eThis copy of the Washington and Lee University Bulletin includes a list of alumni known to be dead orand missing in action as of October 1944.\u003c/p\u003e","\u003cp\u003eThis issue of the Washington and Lee University Bulletin includes a list of alumni that were known to be dead, missing, or prisoners of war as of April 1945.\u003c/p\u003e","\u003cp\u003eThe official program of the 1948 Mock Convention.\u003c/p\u003e","\u003cp\u003eThis is a program whose theme is 'Graphic Arts in the First Year of Peace'.\u003c/p\u003e","\u003cp\u003eThe Baccalaureate Service program for June 4, 1950.\u003c/p\u003e","\u003cp\u003eThe program and agenda of the Southern Humanities Conference held at UVAa April 14-15, 1950.\u003c/p\u003e","\u003cp\u003eThis folder provides information for prospective students.\u003c/p\u003e","\u003cp\u003eA single sheet with a photo of a crowd observing the university print shop building on fire and a printed announcement stating that university publications would be delayed.\u003c/p\u003e","\u003cp\u003eThis folder provides general information for the upcoming freshman camp at Natural Bridge, the first time this annual event was ever held there.\u003c/p\u003e","\u003cp\u003eA book edited and published by the Lambda Chapter of Sigma Nu for the benefit of alumni and friends. Describes the members' activities for the year.\u003c/p\u003e","\u003cp\u003eA one page sheet detailing the Menkemeller Scholarships and Grants.\u003c/p\u003e","\u003cp\u003eThis brochure includes ticket information and the schedule for the 1950 football season.\u003c/p\u003e","\u003cp\u003eA single wallet-size card with the 1950 football printed on it.\u003c/p\u003e","\u003cp\u003eA map of Lexington. There is one original and a photocopy with a detailed map of the the university and its buildings. Drawn by Henry L. Ravenhorst.\u003c/p\u003e","\u003cp\u003eA description of a course in long theme writing in the W \u0026amp; L English Department.\u003c/p\u003e","\u003cp\u003eA folder announcing an addition to the Engineering Department cirriculum for 1950-51.\u003c/p\u003e","\u003cp\u003eThis folder catalogues an art exhibit on loan from the Metropolitan Museum of Art\u003c/p\u003e","\u003cp\u003eThis booklet contains information about intramural athletics constitution and by-laws, rules, award recipients from the previous year, and directory information for coaches.\u003c/p\u003e","\u003cp\u003eThe commencement program for June 8, 1951.\u003c/p\u003e","\u003cp\u003eThe program and agenda of the Southern Humanities Cconference held in McCormick Library April 13-14, 1951.\u003c/p\u003e","\u003cp\u003eThis folder provides general information for the upcoming freshman camp at Natural Bridge.\u003c/p\u003e","\u003cp\u003eThis folder presents facts and adviceve about the beginning of the 1951-52 school year.\u003c/p\u003e","\u003cp\u003eThis one page folder seeks contributions from alumni.\u003c/p\u003e","\u003cp\u003eThis one page announcement details the scholarship awards of the Alfred I.duPont Awards Foundation.\u003c/p\u003e","\u003cp\u003eThis folder seeks contributions from alumni.\u003c/p\u003e","\u003cp\u003eThis issue of the University Bulletin contains the agenda of the 22nd annual convention of the Southern Interscholastic Press Association\u003c/p\u003e","\u003cp\u003eThis brochure lists information for those attending the bowl game on January 1,1951.\u003c/p\u003e","\u003cp\u003eThis brochure lists ticket information and the schedule for the 1952 season.\u003c/p\u003e","\u003cp\u003eThis brochure list ticket information and the schedule for the 1951 season.\u003c/p\u003e","\u003cp\u003eA map showing Lexington landmarks to aid attendees at the conference. Drawn by Henry Ravenhorst.\u003c/p\u003e","\u003cp\u003eThis is the program for a concert by the Washington and Lee R.O.T.C. band.\u003c/p\u003e","\u003cp\u003eThis is a program for a vocal performance by contralto Irene Beamer. Professor James G. Leyburn was the accompanist.\u003c/p\u003e","\u003cp\u003eThis is the program for a joint concert by the glee clubs of Sweet Briar College and Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThis is the agenda of a banker's forum on current banking problems.\u003c/p\u003e","\u003cp\u003eThe Fancy Dress program for 1951, with the opera 'Carmen' as the theme.\u003c/p\u003e","\u003cp\u003eA folder briefly describing Kappa Alpha's activities for the 1951-52 school year. Cover letter written by Edgar Spencer.\u003c/p\u003e","\u003cp\u003eThe official program of the Mock Convention for 1952.\u003c/p\u003e","\u003cp\u003eThis is the program of the 31st Annual convention, which met at W \u0026amp; L.\u003c/p\u003e","\u003cp\u003eThis folder is the program for the John Randolph Tucker Lecture for 1951 by the Honorable John J. Parker:. 'The Significance of the Nurnberg Trials in Establishing a World Order Based on Law.'\u003c/p\u003e","\u003cp\u003eAn eight page newspaper printed as a ' Journalism Laboratory exercise by students of Journalism 202 at Washington and Lee University.' 38 x 59cm.\u003c/p\u003e","\u003cp\u003eAnnual publication of the Journalism Department.\u003c/p\u003e","\u003cp\u003eThe annual Editorial Writers Seminar was sponsored by the Virginia Press Association.  Programs include the schedule of meeting events and\u003c/p\u003e","\u003cp\u003eThis file contains two announcements about the 1940 Lee Editorial Award Ceremony and one about the 1939 ceremony.\u003c/p\u003e","\u003cp\u003eProgram from the Newspaper Management Seminar held on November 24 and 25, 1952.\u003c/p\u003e","\u003cp\u003eThis file contains a draft of a report to be presented to the President of Washington and Lee.\u003c/p\u003e","\u003cp\u003eHarrell on cello and Blackham on piano.  Held in Wilson Hall.\u003c/p\u003e","\u003cp\u003eA bound computer printout showing course results from the Fall 1975 term.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This record group contains materials created by individual academic departments.","Booklet for the exhibit The strangest Fruit by Vincent Valdez, which was on display in Staniar Gallery from April 27-May 29, 2015.  It includes essays by various scholars about the widespread, institutionalized racism experienced by many of color in America.","These essays, written by freshmen and sophmores, were compiled and edited by members of the Department of English to serve as examples of both good and bad writing to other students.","Anonymized transcripts of recorded exit interviews with forty graduating Black students from Washington and Lee University in 1997. The interviews were organized and arranged by WLU's Institutional Effectiveness Committee to gain a range of perspectives on campus climate and the WLU student experience. The interview questions were created by WLU professors Ted Delaney (History) and David Novack (Sociology), Associate Dean of Students for Minority Affairs Anece McCloud, and students Mogana Richards and Robert Taylor. The interviews were conducted by Jennifer Ashworth, the administrative assistant in the History Deapartment. The content of the interviews was assimilated into a final report titled \"The Black Student Experience\" by Professor of History Robert W. McAhren in 1999. A copy of the report is included with the interviews.","This folder describes the history of The Zeta Deuteron Chapter of Phi Gamma Delta fraternity.","A card listing all sports at W \u0026 L for winter 1933-34.","This booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during for the 1932-33 school year.","This booklet is an address delivered before the Eleventh Annual Conference on Printing Education. It describes the Vollbehr Collection in the Library of Congress.","This booklet contains a description of the then new rare book room of the Library of Congress.","An address by President Gaines to the officers and directors of The Robert E. Lee Memorial Foundation.","A collection of poems by Joe H.Ford, Jr., a student who died prematurely at age 18 while attending W \u0026 L. Illustrated.","This booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during the 1933-34 school year.","This booklet describes the activities of The Zeta Deuteron Chapter of Phi Gamma Delta fraternity during the 1933-34 school year.","This folder lists the constitution and by-laws of Delta Upsilon.","There are three one-page advertisemnts announcing the publication of the above title.","This folder is a brief paper read before the Fourteenth Annual Conference on Printing Education.","This booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during the 1934-35 school year.","The organization,its constitution and its bylaws.","In this booklet, President Gaines recognizes notable contributors to the university.","This German journal has The First Printing in Virginia by Douglas C. McMurtie tipped into the center of the volume. The back of the insert says 'Designed, composed in Linotype Baskerville, and printed by C. Harold Lauck at the Journalism Laboratory Press of Washington and Lee University, Lexington, Virginia, U. S. A., for Philobiblon, a Book-Collector's Magazine published by Herbert Reicher, Vienna, Austria. December 1935'","This book is a tribute to the many benefactors of Washington and Lee. Drawings by Marion Junkin.","This book is a tribute to the many benfactors of Washington and Lee. Its is a special issue of the Washington and Lee University Bulletin . Drawings by Marion Junkin.","This book coantains a brief history of The Gamma of Virginia Chapter ,the constitution and by-laws, and a list of Phi Beta Kappa members from 1911-1936.","An address, delivered on the occasion of the presentation of a portrait of Dr. Powell to Dinwiddie County, Va., by his grandson, Dr.Richard Powell Carter, class of 1959.","This booklet contains the group's bylaws, list of member clubs by city and county, list of committee members,and list of previous awardees.","Folder. An announcement of lectures by ProfessorAmericao Castro, Don Quixote and Litertaure and Human Values.","\"An informal Evaluation of the Several Educational Activities in Terms of Their Contributions to the Graphic Industries.\"","An informal report to the alumni by the president.","This booklet contains information about the group's officers. It was distributed at the group's 34th annual convention in Asheville,NC, May 18,19 and 20, 1936.","This book contains a Who's Who of members and a brief summary of the guild's yearly activities.","This booklet describes independent type designs.","This book contains a Who's Who of officers and members as well a brief summation of the guild's yearly activities.","This booklet contains the group's bylaws, list of member clubs by county and city, list of committee members, and list of previous awardees.","This book contains a Who's Who of members in addition to a summary of the guild's yearly activities.","This booklet presents a critical look at the the state of graphics arts education by on of its early leading proponents, Harry L. Gage.","A paper read before the Bibliographical Society of America describing the first and oldest paper mill in colonial Virginia. R","A map showing Lexington and the surrounding countryside sent to alumni at Christmas 1939.sent out","This book is a physical history of the Lee Memorial Journalism Foundation written by C. Tom Garten '42 ass part of a research project. It describes the origins and growth of the foundation up to the early 1940's.","This booklet describes the activities of The Zeta Chapter of Sigma Chi fraternity for the 1941-42 school year.","This booklet describes the activities of the Pi Chapter of Pi Kappa Alpha fraternity during the 1940-41 school year.","This booklet describes the activities of the Alpha Ro Chapter of Beta Theta Pi fraternity during the 1941-42 school year.","This booklet describes the activities of the Alpha Ro Chapter of Beta Theta Pi during the 1940-412 school yesr.","The commencement program for June 7, 1940.","'A folio of personalities,impressions and observations...'.A kekepsake issue of a newsletter edited by Lloyd Emerson Siberell.","This booklet describes the activities of The Mu Chapter of Kappa Sigma fraternity during the 1940-41 school year.","A program for a violin concert by Mrs. George Junkin (Ruby Johnson) Irwin.","This folder describes the U.S. Army's School for Special Service, the Eighth Class of which was held at Washington and Lee.","This copy of the W\u0026L Bulletin is a message to alumni discussing the univrsity's commitment to preparing students for military service. Includes a list of casualties, POW's and MIA's.","This edition of the Washington and Lee University Bulletin is a Christmas issue prepared for students who had joined the armed forces.","This booklet contains the entire annual report of the National Graphic Arts Education Association. It was written by Fred. J. Hartman.","This booklet is a report outlining the progress of the early years of the National Graphic Arts Education Guild.","This four page pamphlet describes an exhibition of American bookmaking and graarphic arts in McCormick Library","The commencement program for  June 4, 1948.","This is the program for the Gibert and Sullivan play 'Trial by Jury'. Theis play was actually performed in the Rockbridge County Court House.","This one page folder seeks contributions from alumni.alumni for contributions.","This small folder seeks contributions froorm alumni.","This issue of the University Bulletin addresses 1940's choices for students - education or military service.","This issue of the University Bulletin provides general information about classes and university services available to returning veterans.","This brochure provides ticket information and the schedule for the 1947 football season. and the schedule.","This brochure includes ticket information and the 1948 schedule. Two brochures togeteher, never cut apart.","This copy of the Washington and Lee University Bulletin includes a list of alumni known to be dead orand missing in action as of October 1944.","This issue of the Washington and Lee University Bulletin includes a list of alumni that were known to be dead, missing, or prisoners of war as of April 1945.","The official program of the 1948 Mock Convention.","This is a program whose theme is 'Graphic Arts in the First Year of Peace'.","The Baccalaureate Service program for June 4, 1950.","The program and agenda of the Southern Humanities Conference held at UVAa April 14-15, 1950.","This folder provides information for prospective students.","A single sheet with a photo of a crowd observing the university print shop building on fire and a printed announcement stating that university publications would be delayed.","This folder provides general information for the upcoming freshman camp at Natural Bridge, the first time this annual event was ever held there.","A book edited and published by the Lambda Chapter of Sigma Nu for the benefit of alumni and friends. Describes the members' activities for the year.","A one page sheet detailing the Menkemeller Scholarships and Grants.","This brochure includes ticket information and the schedule for the 1950 football season.","A single wallet-size card with the 1950 football printed on it.","A map of Lexington. There is one original and a photocopy with a detailed map of the the university and its buildings. Drawn by Henry L. Ravenhorst.","A description of a course in long theme writing in the W \u0026 L English Department.","A folder announcing an addition to the Engineering Department cirriculum for 1950-51.","This folder catalogues an art exhibit on loan from the Metropolitan Museum of Art","This booklet contains information about intramural athletics constitution and by-laws, rules, award recipients from the previous year, and directory information for coaches.","The commencement program for June 8, 1951.","The program and agenda of the Southern Humanities Cconference held in McCormick Library April 13-14, 1951.","This folder provides general information for the upcoming freshman camp at Natural Bridge.","This folder presents facts and adviceve about the beginning of the 1951-52 school year.","This one page folder seeks contributions from alumni.","This one page announcement details the scholarship awards of the Alfred I.duPont Awards Foundation.","This folder seeks contributions from alumni.","This issue of the University Bulletin contains the agenda of the 22nd annual convention of the Southern Interscholastic Press Association","This brochure lists information for those attending the bowl game on January 1,1951.","This brochure lists ticket information and the schedule for the 1952 season.","This brochure list ticket information and the schedule for the 1951 season.","A map showing Lexington landmarks to aid attendees at the conference. Drawn by Henry Ravenhorst.","This is the program for a concert by the Washington and Lee R.O.T.C. band.","This is a program for a vocal performance by contralto Irene Beamer. Professor James G. Leyburn was the accompanist.","This is the program for a joint concert by the glee clubs of Sweet Briar College and Washington and Lee University.","This is the agenda of a banker's forum on current banking problems.","The Fancy Dress program for 1951, with the opera 'Carmen' as the theme.","A folder briefly describing Kappa Alpha's activities for the 1951-52 school year. Cover letter written by Edgar Spencer.","The official program of the Mock Convention for 1952.","This is the program of the 31st Annual convention, which met at W \u0026 L.","This folder is the program for the John Randolph Tucker Lecture for 1951 by the Honorable John J. Parker:. 'The Significance of the Nurnberg Trials in Establishing a World Order Based on Law.'","An eight page newspaper printed as a ' Journalism Laboratory exercise by students of Journalism 202 at Washington and Lee University.' 38 x 59cm.","Annual publication of the Journalism Department.","The annual Editorial Writers Seminar was sponsored by the Virginia Press Association.  Programs include the schedule of meeting events and","This file contains two announcements about the 1940 Lee Editorial Award Ceremony and one about the 1939 ceremony.","Program from the Newspaper Management Seminar held on November 24 and 25, 1952.","This file contains a draft of a report to be presented to the President of Washington and Lee.","Harrell on cello and Blackham on piano.  Held in Wilson Hall.","A bound computer printout showing course results from the Fall 1975 term."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Washington and Lee University. Art Department","Washington and Lee University. Journalism Laboratory Press","Washington and Lee University. Department of Athletics","Lee Memorial Association","Washington and Lee University. Department of Athletics. Football","Philobiblon. A Magazine for Book Collectors","Herbert Reichner Verlag","Washington and Lee University. Phi Beta Kappa","Washington and Lee University. Phi Kappa Psi","Confederate States of America. Army.  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Washington and Lee University (Washington and Lee University)","Concert Guild","Cantatrici. Washington and Lee University. Women's Choir (Washington and Lee University )","University-Shenandoah. Symphony Orchestra","University Bluegrass Ensemble. Washington and Lee University (Washington and Lee University)","Washington and Lee University. Lenfest Center for the Arts","University Orchestra . Washington and Lee University (Washington and Lee University )","Southeastern Composers' League","Chamber Winds. Washington and Lee University (Washington and Lee University )","Washington and Lee University.  Department of Theater, Dance, and Film Studies","Kahn, Lee","Ruffner, William Henry","Ashworth, Jennifer","McAhren, Robert W. (Robert Willard)","Delaney, Theodore C., Jr., Dr.","Novack, David Robert","McCloud, Anece F.","African Americans.  Civil Rights","Church, Cory","Riley, Megan","Honig, Batsheva","Merchant, Miller","Longrod, Liz","Vinneau-Hathaway, Janelle","Swatski, Samantha","Bravi, Trichia","Jones, Jamaal","Gray, Maggie","Ries, Riley","Dunn, Marquita","Lauck, Charles Harold","Gaines, Francis Pendleton","Lee, Robert E. (Robert Edward), 1807-1870","McMurtrie, Douglas C. (Douglas Crawford)","Junkin, Marion Montague","Powell, Eugene Cole","Latture, Rupert Nelson","Gilliam, Frank Johnson","Parker, John","Bauson, Grace, Dr.","Harrell, Alan","Blackham, Brad","Vosbein, Terry","Cook, Jonathan Chapman","Hardy, Emily","Powell, Elizabeth","Gabrielson, Tyler","Lee, Stellings","Sullivan, Madeleine","Shaves, Olivia","Schmitz, Elizabeth","Hardin, Caroline","Hurst, Conley","Sullivan, Brogan","Harvey, Joshua","Lynch, Shane","Taylor, Mark","Reep, Chad","Farley, Kaitlyn","Gaylard, Timothy","Widney, Jason","Jiang, Shan","Shafer, Sarah","Yonan, Rachel Kuipers","Kuipers, Joseph","McDonald, Alexander","Hurley, David","Wain-Wright, Timothy","Bruerton, Christopher","Gabbitas, Christopher","Howard, Jonathan","Day, Roger T. (Thomas), Jr.","Pomeroy, Loren","Tarrega, Francisco","Dvorak, Antonin","Marlbrook, Chamber Players","Bach, Johann Sebastian","Watanabe, Shuko","Petty, Byron","Futral, Elizabeth","Leath, Nate","Powers, Jack","Min, Sarah","Parker, Gregory","Parrish, Bill","Matheson, Kevin","Matheson, Bryan","Easter III, Wallace","Streeper, Emily","Parrish, William","Overfield-Zook, Kathleen","Cowden, Tracy","Yen, Ting-Ting","McArdle, Jaime","Escher Quartet","Vieaux, Jason","Barnett-Hart, Adam","Boyd, Aaron","Lapointe, Pierre","Speltz, Brook","Dobbins, Christopher","Jones, Martin","Vosbein Magee Big Band","Billias, Anna","Melamed, Issac","Whedon, Ben","Burnett, Jake","Huntley, Kathryn","Jue, Allison","Roth, Lisa","Yin, Xiaoxia","Gorman, Eliie","McDonnell, Ryan","Chu, Coralie","Tangri, Mohini","Fykes, Erin","Thompson, Elizabeth","Wells, Caleigh","Higgins, Camilla","Lewis, Bennett F. O.","Eckhardt, Louie","Thomas, Omar","Washington and Lee University.  Marlbrook Chamber Players","Sanders, Irwin T. (Irwin Taylor)","Williams, Tom","Shakespeare, William","Gary, Dana","Levy, Jemma Alix","Sandberg, Stephanie","Lanuza, Celeste","Comerford, Shaleigh","Monroe, Nafeesa","Mish, Robert W. H., III","Benjamin, Darnell Pierre","Summers, Patrick"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University","Washington and Lee University. Art Department","Washington and Lee University. Journalism Laboratory Press","Washington and Lee University. Department of Athletics","Lee Memorial Association","Washington and Lee University. Department of Athletics. Football","Philobiblon. A Magazine for Book Collectors","Herbert Reichner Verlag","Washington and Lee University. Phi Beta Kappa","Washington and Lee University. Phi Kappa Psi","Confederate States of America. Army.  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Washington and Lee University (Washington and Lee University)","Concert Guild","Cantatrici. Washington and Lee University. Women's Choir (Washington and Lee University )","University-Shenandoah. Symphony Orchestra","University Bluegrass Ensemble. Washington and Lee University (Washington and Lee University)","Washington and Lee University. Lenfest Center for the Arts","University Orchestra . Washington and Lee University (Washington and Lee University )","Southeastern Composers' League","Chamber Winds. Washington and Lee University (Washington and Lee University )","Washington and Lee University.  Department of Theater, Dance, and Film Studies"],"persname_ssim":["Kahn, Lee","Ruffner, William Henry","Ashworth, Jennifer","McAhren, Robert W. (Robert Willard)","Delaney, Theodore C., Jr., Dr.","Novack, David Robert","McCloud, Anece F.","African Americans.  Civil Rights","Church, Cory","Riley, Megan","Honig, Batsheva","Merchant, Miller","Longrod, Liz","Vinneau-Hathaway, Janelle","Swatski, Samantha","Bravi, Trichia","Jones, Jamaal","Gray, Maggie","Ries, Riley","Dunn, Marquita","Lauck, Charles Harold","Gaines, Francis Pendleton","Lee, Robert E. (Robert Edward), 1807-1870","McMurtrie, Douglas C. (Douglas Crawford)","Junkin, Marion Montague","Powell, Eugene Cole","Latture, Rupert Nelson","Gilliam, Frank Johnson","Parker, John","Bauson, Grace, Dr.","Harrell, Alan","Blackham, Brad","Vosbein, Terry","Cook, Jonathan Chapman","Hardy, Emily","Powell, Elizabeth","Gabrielson, Tyler","Lee, Stellings","Sullivan, Madeleine","Shaves, Olivia","Schmitz, Elizabeth","Hardin, Caroline","Hurst, Conley","Sullivan, Brogan","Harvey, Joshua","Lynch, Shane","Taylor, Mark","Reep, Chad","Farley, Kaitlyn","Gaylard, Timothy","Widney, Jason","Jiang, Shan","Shafer, Sarah","Yonan, Rachel Kuipers","Kuipers, Joseph","McDonald, Alexander","Hurley, David","Wain-Wright, Timothy","Bruerton, Christopher","Gabbitas, Christopher","Howard, Jonathan","Day, Roger T. (Thomas), Jr.","Pomeroy, Loren","Tarrega, Francisco","Dvorak, Antonin","Marlbrook, Chamber Players","Bach, Johann Sebastian","Watanabe, Shuko","Petty, Byron","Futral, Elizabeth","Leath, Nate","Powers, Jack","Min, Sarah","Parker, Gregory","Parrish, Bill","Matheson, Kevin","Matheson, Bryan","Easter III, Wallace","Streeper, Emily","Parrish, William","Overfield-Zook, Kathleen","Cowden, Tracy","Yen, Ting-Ting","McArdle, Jaime","Escher Quartet","Vieaux, Jason","Barnett-Hart, Adam","Boyd, Aaron","Lapointe, Pierre","Speltz, Brook","Dobbins, Christopher","Jones, Martin","Vosbein Magee Big Band","Billias, Anna","Melamed, Issac","Whedon, Ben","Burnett, Jake","Huntley, Kathryn","Jue, Allison","Roth, Lisa","Yin, Xiaoxia","Gorman, Eliie","McDonnell, Ryan","Chu, Coralie","Tangri, Mohini","Fykes, Erin","Thompson, Elizabeth","Wells, Caleigh","Higgins, Camilla","Lewis, Bennett F. O.","Eckhardt, Louie","Thomas, Omar","Washington and Lee University.  Marlbrook Chamber Players","Sanders, Irwin T. (Irwin Taylor)","Williams, Tom","Shakespeare, William","Gary, Dana","Levy, Jemma Alix","Sandberg, Stephanie","Lanuza, Celeste","Comerford, Shaleigh","Monroe, Nafeesa","Mish, Robert W. H., III","Benjamin, Darnell Pierre","Summers, Patrick"],"language_ssim":["The materials in this collection are mostly in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":303,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:57:27.103Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_261_c16_c01_c09_c14"}},{"id":"virmu_repositories_2_resources_468","type":"collection","attributes":{"title":"Education and Outreach Photo Archives","creator":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_468#creator","type":"document_value","attributes":{"value":"Virginia Museum of Fine Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_468#abstract_or_scope","type":"document_value","attributes":{"value":"This collection documents the history of the various Education and Outreach initiatives, comprising everything from the VMFA's Artmobile program to art classes, lectures and symposia to family open houses, and includes photographic prints, slides, programs, and related ephemera.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_468#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_468","ead_ssi":"virmu_repositories_2_resources_468","_root_":"virmu_repositories_2_resources_468","_nest_parent_":"virmu_repositories_2_resources_468","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_468.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/468","title_filing_ssi":"Education and Outreach (PH-01)","title_ssm":["Education and Outreach Photo Archives"],"title_tesim":["Education and Outreach Photo Archives"],"unitdate_ssm":["1950-2010"],"unitdate_inclusive_ssm":["1950-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PH-01","/repositories/2/resources/468"],"text":["PH-01","/repositories/2/resources/468","Education and Outreach Photo Archives","Art, American -- 20th century -- Virginia","Art -- Virginia -- Richmond -- Exhibition techniques -- History","Art museum visitors","Art -- Exhibitions.","Artists","Art.","Teenagers.","Art museums","Lectures","art education","Children","The collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","History and Miscellaneous Photographs","Construction and End Donation to the Science Museum","Exhibitions","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","This collection documents the history, exhibitions, and programming of the VMFA's Education and Outreach Department, and includes graphic materials, publicity, and exhibition object lists.","This series documents the history, construction, and various exhibitions of the VMFA's Artmobile program, and includes graphic materials along with exhibition information. ","In 1953, VMFA became one of the first museums in the world to have an Artmobile. Over the course of four decades, four different Artmobiles brought 59 different exhibitions to Virginia towns, ranging from Little Dutch Masters to African Textile Arts. While most of the objects came from VMFA's collection, some exhibitions featured works on loan from the Metropolitan Museum of Art, the Museum of Natural History, the Guggenheim Museum, and other institutions. Speakers offering lectures on a variety of art-related topics were also from some of the nation's leading universities and museums. Budgetary constraints and concerns about conserving and protecting works of art on the road eventually led to the program's end in 1994.","Exhibitions are listed as follows:","-Exhibition 1 - Little Dutch Masters (1953-1955)\n-Exhibition 2 - Art from Ancient Egypt (1955-1958)\n-Exhibition 3 - Painters of the Renaissance (1958-1961)\n-Exhibition 4 - Art Before Columbus (1961-1964)\n-Exhibition 5 - Twelve Portraits: Delacroix to Gauguin (Sept-Oct 1962)\n-Exhibition 6 - Art from the Ancient World (Nov 1962-Feb 1963)\n-Exhibition 7 - Landscape Painting 1650-1960 (Mar-May 1963)\n-Exhibition 8 - Dragons and Dynasties: Art from China (1963-1965)\n-Exhibition 9 - An American Sampler: Painting 1815-1865 (Feb-Jun 1964)\n-Exhibition 10 - Medieval Treasures (Sept 1964-Jan 1965)\n-Exhibition 11- Paris '20: The T. Catsby Jones Collection (Feb-Jun 1965)\n-Exhibition 12 - The Williams Collection (Sept 1965-Jan 1966)\n-Exhibition 13 - English Conversation Pieces (Feb-Jun 1966)\n-Exhibition 14 - American Indian Art/Northwest Coast (Sept 1966-Jan 1967)\n-Exhibition 15 - An Age of Elegance and Grandeur (Feb 1967-May 1968)\n-Exhibition 16 - Treasures from the Guggenheim Museum (Sept 1966-Jan 1967)\n-Exhibition 17 - Treasures from the Whitney Museum (Feb 1967-Sept 1968)\n-Exhibition 18 - Art from the Ancient World (Sept 1966-Jan 1967)\n-Exhibition 19 - The Human Figure in Art (Feb 1967-Jan 1968)\n-Exhibition 20 - Japanese Art (Feb 1968-May 1969)\n-Exhibition 21 - A Wyeth Portrait (Feb 1968-Dec 1969)\n-Exhibition 22 - American Folk Art (Sept 1968-May 1970)\n-Exhibition 23 - Late Italian Painting (Feb-May 1969)\n-Exhibition 24 - Byzantine Treasures (Sept 1968-May 1969)\n-Exhibition 25 - Images in Wood (Sept-Dec 1969)\n-Exhibition 26 - Randolph Macon Woman's College Collection (Sept-Dec 1969)\n-Exhibition 27 - The Prints of James McNeill Whistler (Fall 1969-Spring 1970)\n-Exhibition 28 - The Art of India (Fall 1970-Spring 1972)\n-Exhibition 29 - African Art (Sept-Dec 1970)\n-Exhibition 30 - Encounter I: Space (Sept 1970-May 1971)\n-Exhibition 31 - Encounter II: Color (Sept 1972-Feb 1974)\n-Exhibition 32 - Treasures in Miniature (Feb-Dec 1972)\n-Exhibition 33 - Art Nouveau (Sept 1972 - May 1974)\n-Exhibition 34 - Images of Reality (Feb 1973-Feb 1974)\n-Exhibition 35 - Symbols of Myth - Melanesian Art (Sept 1973-Dec 1974)\n-Exhibition 36 - Paintings of the American Scene: Hopper, Burchfield and Marsh (Jan 1974-May 1975)\n-Exhibition 37 - The Art of the Goldsmith (Sept 1974-Dec 1976)\n-Exhibition 38 - The Independent Spirit in American Painting (Sept-Dec 1975)\n-Exhibition 39 - The Nature of Landscape (Sept 1975-Dec 1976)\n-Exhibition 40 - Masterpieces of Pre-Columbian Art (Feb-May 1976)\n-Exhibition 41 - Idea Into Image: Sculpture (Sept 1975-Dec 1977)\n-Exhibition 42 - American Marine Painting (Feb-Dec 1977)\n-Exhibition 43 - Symbols of Faith (Feb 1977-May 1978)\n-Exhibition 44 - Art of the American West (Sept 1977-Dec 1978)\n-Exhibition 45 - Art and the Archaeologist (Feb 1978-May 1979)\n-Exhibition 46 - African Textile Arts (Sept 1979-Dec 1980)\n-Exhibition 47 - Secrets (Sept 1979-May 1981)\n-Exhibition 48 - Images of America: Impact of the Thirties (Feb 1980-Dec 1981);\n-Exhibition 49 - Furniture of the United States: The First 100 Years (1981)\n-Exhibition 50 - Patterns (Sept 1981-May 1982)\n-Exhibition 51 - Interior/Exterior (Mar 1982-June 1984)\n-Exhibition 52 - Realities (Sept 1982-May 1985)\n-Exhibition 53 - Illusion: Art and the Moving Image (Jan 1984-May 1987)\n-Exhibition 54 - Reflections (Sept 1985-Dec 1988)\n-Exhibition 55 - Choices Artists Make: Selections of American Art (Sept 1985-May 1987)\n-Exhibition 56 - Fragments (Feb 1988-May 1990)\n-Exhibition 57 - Craft Now: Breaking Boundaries (Sept 1988-June 1991)\n-Exhibition 58 - Expressions: The Human Face in Art (Apr 1989-Dec 1991)\n-Exhibition 59 - The Art of Graphic Design (Feb 1991-Jun 1993)\n-Exhibition 60 - Introducing Virginia Architecture (Sept 1992-May 1994)","This series documents the projects, participants, artwork, and program catalogs for the Children's Art Resource Center, the first classroom for children's art learning set in the original North Wing of the VMFA, between 1989-2003.","The series documents the programming and activities of the Educational Resource Room at the VMFA from 1999-2005, and includes photographic and promotional materials.","The series photographically documents the various lectures and symposia held at the VMFA from 1994-2010.","The series documents the Studio Classes for Teen program from 1999-2009, and includes photographic prints, contact sheets, and class programs.","This series documents the events and programming of the VMFA Family Open House program.","The series photographically documents various events and programs held at the VMFA from the 1960s through 2009.","The series documents the work of the State Services/TEAMS Department from 1950-2009, and includes photographs and slides of exhibition objects, installations, and State Services catalogs.","This series documents the various studio art classes held at the VMFA's Robinson House from 1950-1989, and includes photographic prints and slides.","This series documents the various classes held at the Studio School, aka the HealthSouth Visual Arts Center on Grove Avenue, and includes contact sheets, photographic prints, and class catalogs.","This series documents the various Teachers Workshops, institutes, and programs held at the VMFA from 1994-2005, and includes photographic prints, contact sheets, slides, and event programs.","This series documents the studio art programs, special exhibitions, and printed materials created by the Children's Studio for the benefit of children and their families, and includes photographic prints, slides, and program catalogs.","This series documents the events and programming of the VMFA's Three Days in March High School Residency Program, in which junior and senior high school students and teachers from communities across Virginia explore the museum and its objects through galleries encounters, artists workshops, tours, performances and other cultural activities. The series includes photographic prints, contact sheets, slides, and event programs.","This series documents the various concerts held in different areas of the VMFA, from 1950-2005, and includes photographic prints, contact sheets, and programs.","This series documents the various performances held at the Virginia Museum Theatre from 1955-1989 and includes photographic prints of the theatre interior and performances, contact sheets, newspaper clippings, and playbills.","The collection is subject to all copyright laws. Transmission or reproduction of materials is protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents the history of the various Education and Outreach initiatives, comprising everything from the VMFA's Artmobile program to art classes, lectures and symposia to family open houses, and includes photographic prints, slides, programs, and related ephemera.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","English \n.    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Transmission or reproduction of materials is protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American -- 20th century -- Virginia","Art -- Virginia -- Richmond -- Exhibition techniques -- History","Art museum visitors","Art -- Exhibitions.","Artists","Art.","Teenagers.","Art museums","Lectures","art education","Children"],"access_subjects_ssm":["Art, American -- 20th century -- Virginia","Art -- Virginia -- Richmond -- Exhibition techniques -- History","Art museum visitors","Art -- Exhibitions.","Artists","Art.","Teenagers.","Art museums","Lectures","art education","Children"],"has_online_content_ssim":["false"],"extent_ssm":["97 boxes 97 binders"],"extent_tesim":["97 boxes 97 binders"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eHistory and Miscellaneous Photographs\u003c/head\u003e\n    \u003c/list\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eConstruction and End Donation to the Science Museum\u003c/head\u003e\n    \u003c/list\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eExhibitions\u003c/head\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","History and Miscellaneous Photographs","Construction and End Donation to the Science Museum","Exhibitions"],"prefercite_html_tesm":["\u003cp\u003eRecords of the Education and Outreach Department (PH-01). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eRecords of the Events Department (PH-02). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Education and Outreach Department (PH-01). VMFA Archives, Richmond, Virginia.","Records of the Events Department (PH-02). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the history, exhibitions, and programming of the VMFA's Education and Outreach Department, and includes graphic materials, publicity, and exhibition object lists.\u003c/p\u003e","\u003cp\u003eThis series documents the history, construction, and various exhibitions of the VMFA's Artmobile program, and includes graphic materials along with exhibition information. \u003c/p\u003e\n","\u003cp\u003eIn 1953, VMFA became one of the first museums in the world to have an Artmobile. Over the course of four decades, four different Artmobiles brought 59 different exhibitions to Virginia towns, ranging from Little Dutch Masters to African Textile Arts. While most of the objects came from VMFA's collection, some exhibitions featured works on loan from the Metropolitan Museum of Art, the Museum of Natural History, the Guggenheim Museum, and other institutions. Speakers offering lectures on a variety of art-related topics were also from some of the nation's leading universities and museums. Budgetary constraints and concerns about conserving and protecting works of art on the road eventually led to the program's end in 1994.\u003c/p\u003e\n","\u003cp\u003eExhibitions are listed as follows:\u003c/p\u003e\n","\u003cp\u003e-Exhibition 1 - Little Dutch Masters (1953-1955)\n-Exhibition 2 - Art from Ancient Egypt (1955-1958)\n-Exhibition 3 - Painters of the Renaissance (1958-1961)\n-Exhibition 4 - Art Before Columbus (1961-1964)\n-Exhibition 5 - Twelve Portraits: Delacroix to Gauguin (Sept-Oct 1962)\n-Exhibition 6 - Art from the Ancient World (Nov 1962-Feb 1963)\n-Exhibition 7 - Landscape Painting 1650-1960 (Mar-May 1963)\n-Exhibition 8 - Dragons and Dynasties: Art from China (1963-1965)\n-Exhibition 9 - An American Sampler: Painting 1815-1865 (Feb-Jun 1964)\n-Exhibition 10 - Medieval Treasures (Sept 1964-Jan 1965)\n-Exhibition 11- Paris '20: The T. Catsby Jones Collection (Feb-Jun 1965)\n-Exhibition 12 - The Williams Collection (Sept 1965-Jan 1966)\n-Exhibition 13 - English Conversation Pieces (Feb-Jun 1966)\n-Exhibition 14 - American Indian Art/Northwest Coast (Sept 1966-Jan 1967)\n-Exhibition 15 - An Age of Elegance and Grandeur (Feb 1967-May 1968)\n-Exhibition 16 - Treasures from the Guggenheim Museum (Sept 1966-Jan 1967)\n-Exhibition 17 - Treasures from the Whitney Museum (Feb 1967-Sept 1968)\n-Exhibition 18 - Art from the Ancient World (Sept 1966-Jan 1967)\n-Exhibition 19 - The Human Figure in Art (Feb 1967-Jan 1968)\n-Exhibition 20 - Japanese Art (Feb 1968-May 1969)\n-Exhibition 21 - A Wyeth Portrait (Feb 1968-Dec 1969)\n-Exhibition 22 - American Folk Art (Sept 1968-May 1970)\n-Exhibition 23 - Late Italian Painting (Feb-May 1969)\n-Exhibition 24 - Byzantine Treasures (Sept 1968-May 1969)\n-Exhibition 25 - Images in Wood (Sept-Dec 1969)\n-Exhibition 26 - Randolph Macon Woman's College Collection (Sept-Dec 1969)\n-Exhibition 27 - The Prints of James McNeill Whistler (Fall 1969-Spring 1970)\n-Exhibition 28 - The Art of India (Fall 1970-Spring 1972)\n-Exhibition 29 - African Art (Sept-Dec 1970)\n-Exhibition 30 - Encounter I: Space (Sept 1970-May 1971)\n-Exhibition 31 - Encounter II: Color (Sept 1972-Feb 1974)\n-Exhibition 32 - Treasures in Miniature (Feb-Dec 1972)\n-Exhibition 33 - Art Nouveau (Sept 1972 - May 1974)\n-Exhibition 34 - Images of Reality (Feb 1973-Feb 1974)\n-Exhibition 35 - Symbols of Myth - Melanesian Art (Sept 1973-Dec 1974)\n-Exhibition 36 - Paintings of the American Scene: Hopper, Burchfield and Marsh (Jan 1974-May 1975)\n-Exhibition 37 - The Art of the Goldsmith (Sept 1974-Dec 1976)\n-Exhibition 38 - The Independent Spirit in American Painting (Sept-Dec 1975)\n-Exhibition 39 - The Nature of Landscape (Sept 1975-Dec 1976)\n-Exhibition 40 - Masterpieces of Pre-Columbian Art (Feb-May 1976)\n-Exhibition 41 - Idea Into Image: Sculpture (Sept 1975-Dec 1977)\n-Exhibition 42 - American Marine Painting (Feb-Dec 1977)\n-Exhibition 43 - Symbols of Faith (Feb 1977-May 1978)\n-Exhibition 44 - Art of the American West (Sept 1977-Dec 1978)\n-Exhibition 45 - Art and the Archaeologist (Feb 1978-May 1979)\n-Exhibition 46 - African Textile Arts (Sept 1979-Dec 1980)\n-Exhibition 47 - Secrets (Sept 1979-May 1981)\n-Exhibition 48 - Images of America: Impact of the Thirties (Feb 1980-Dec 1981);\n-Exhibition 49 - Furniture of the United States: The First 100 Years (1981)\n-Exhibition 50 - Patterns (Sept 1981-May 1982)\n-Exhibition 51 - Interior/Exterior (Mar 1982-June 1984)\n-Exhibition 52 - Realities (Sept 1982-May 1985)\n-Exhibition 53 - Illusion: Art and the Moving Image (Jan 1984-May 1987)\n-Exhibition 54 - Reflections (Sept 1985-Dec 1988)\n-Exhibition 55 - Choices Artists Make: Selections of American Art (Sept 1985-May 1987)\n-Exhibition 56 - Fragments (Feb 1988-May 1990)\n-Exhibition 57 - Craft Now: Breaking Boundaries (Sept 1988-June 1991)\n-Exhibition 58 - Expressions: The Human Face in Art (Apr 1989-Dec 1991)\n-Exhibition 59 - The Art of Graphic Design (Feb 1991-Jun 1993)\n-Exhibition 60 - Introducing Virginia Architecture (Sept 1992-May 1994)\u003c/p\u003e","\u003cp\u003eThis series documents the projects, participants, artwork, and program catalogs for the Children's Art Resource Center, the first classroom for children's art learning set in the original North Wing of the VMFA, between 1989-2003.\u003c/p\u003e","\u003cp\u003eThe series documents the programming and activities of the Educational Resource Room at the VMFA from 1999-2005, and includes photographic and promotional materials.\u003c/p\u003e","\u003cp\u003eThe series photographically documents the various lectures and symposia held at the VMFA from 1994-2010.\u003c/p\u003e","\u003cp\u003eThe series documents the Studio Classes for Teen program from 1999-2009, and includes photographic prints, contact sheets, and class programs.\u003c/p\u003e","\u003cp\u003eThis series documents the events and programming of the VMFA Family Open House program.\u003c/p\u003e","\u003cp\u003eThe series photographically documents various events and programs held at the VMFA from the 1960s through 2009.\u003c/p\u003e","\u003cp\u003eThe series documents the work of the State Services/TEAMS Department from 1950-2009, and includes photographs and slides of exhibition objects, installations, and State Services catalogs.\u003c/p\u003e","\u003cp\u003eThis series documents the various studio art classes held at the VMFA's Robinson House from 1950-1989, and includes photographic prints and slides.\u003c/p\u003e","\u003cp\u003eThis series documents the various classes held at the Studio School, aka the HealthSouth Visual Arts Center on Grove Avenue, and includes contact sheets, photographic prints, and class catalogs.\u003c/p\u003e","\u003cp\u003eThis series documents the various Teachers Workshops, institutes, and programs held at the VMFA from 1994-2005, and includes photographic prints, contact sheets, slides, and event programs.\u003c/p\u003e","\u003cp\u003eThis series documents the studio art programs, special exhibitions, and printed materials created by the Children's Studio for the benefit of children and their families, and includes photographic prints, slides, and program catalogs.\u003c/p\u003e","\u003cp\u003eThis series documents the events and programming of the VMFA's Three Days in March High School Residency Program, in which junior and senior high school students and teachers from communities across Virginia explore the museum and its objects through galleries encounters, artists workshops, tours, performances and other cultural activities. The series includes photographic prints, contact sheets, slides, and event programs.\u003c/p\u003e","\u003cp\u003eThis series documents the various concerts held in different areas of the VMFA, from 1950-2005, and includes photographic prints, contact sheets, and programs.\u003c/p\u003e","\u003cp\u003eThis series documents the various performances held at the Virginia Museum Theatre from 1955-1989 and includes photographic prints of the theatre interior and performances, contact sheets, newspaper clippings, and playbills.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection documents the history, exhibitions, and programming of the VMFA's Education and Outreach Department, and includes graphic materials, publicity, and exhibition object lists.","This series documents the history, construction, and various exhibitions of the VMFA's Artmobile program, and includes graphic materials along with exhibition information. ","In 1953, VMFA became one of the first museums in the world to have an Artmobile. Over the course of four decades, four different Artmobiles brought 59 different exhibitions to Virginia towns, ranging from Little Dutch Masters to African Textile Arts. While most of the objects came from VMFA's collection, some exhibitions featured works on loan from the Metropolitan Museum of Art, the Museum of Natural History, the Guggenheim Museum, and other institutions. Speakers offering lectures on a variety of art-related topics were also from some of the nation's leading universities and museums. Budgetary constraints and concerns about conserving and protecting works of art on the road eventually led to the program's end in 1994.","Exhibitions are listed as follows:","-Exhibition 1 - Little Dutch Masters (1953-1955)\n-Exhibition 2 - Art from Ancient Egypt (1955-1958)\n-Exhibition 3 - Painters of the Renaissance (1958-1961)\n-Exhibition 4 - Art Before Columbus (1961-1964)\n-Exhibition 5 - Twelve Portraits: Delacroix to Gauguin (Sept-Oct 1962)\n-Exhibition 6 - Art from the Ancient World (Nov 1962-Feb 1963)\n-Exhibition 7 - Landscape Painting 1650-1960 (Mar-May 1963)\n-Exhibition 8 - Dragons and Dynasties: Art from China (1963-1965)\n-Exhibition 9 - An American Sampler: Painting 1815-1865 (Feb-Jun 1964)\n-Exhibition 10 - Medieval Treasures (Sept 1964-Jan 1965)\n-Exhibition 11- Paris '20: The T. Catsby Jones Collection (Feb-Jun 1965)\n-Exhibition 12 - The Williams Collection (Sept 1965-Jan 1966)\n-Exhibition 13 - English Conversation Pieces (Feb-Jun 1966)\n-Exhibition 14 - American Indian Art/Northwest Coast (Sept 1966-Jan 1967)\n-Exhibition 15 - An Age of Elegance and Grandeur (Feb 1967-May 1968)\n-Exhibition 16 - Treasures from the Guggenheim Museum (Sept 1966-Jan 1967)\n-Exhibition 17 - Treasures from the Whitney Museum (Feb 1967-Sept 1968)\n-Exhibition 18 - Art from the Ancient World (Sept 1966-Jan 1967)\n-Exhibition 19 - The Human Figure in Art (Feb 1967-Jan 1968)\n-Exhibition 20 - Japanese Art (Feb 1968-May 1969)\n-Exhibition 21 - A Wyeth Portrait (Feb 1968-Dec 1969)\n-Exhibition 22 - American Folk Art (Sept 1968-May 1970)\n-Exhibition 23 - Late Italian Painting (Feb-May 1969)\n-Exhibition 24 - Byzantine Treasures (Sept 1968-May 1969)\n-Exhibition 25 - Images in Wood (Sept-Dec 1969)\n-Exhibition 26 - Randolph Macon Woman's College Collection (Sept-Dec 1969)\n-Exhibition 27 - The Prints of James McNeill Whistler (Fall 1969-Spring 1970)\n-Exhibition 28 - The Art of India (Fall 1970-Spring 1972)\n-Exhibition 29 - African Art (Sept-Dec 1970)\n-Exhibition 30 - Encounter I: Space (Sept 1970-May 1971)\n-Exhibition 31 - Encounter II: Color (Sept 1972-Feb 1974)\n-Exhibition 32 - Treasures in Miniature (Feb-Dec 1972)\n-Exhibition 33 - Art Nouveau (Sept 1972 - May 1974)\n-Exhibition 34 - Images of Reality (Feb 1973-Feb 1974)\n-Exhibition 35 - Symbols of Myth - Melanesian Art (Sept 1973-Dec 1974)\n-Exhibition 36 - Paintings of the American Scene: Hopper, Burchfield and Marsh (Jan 1974-May 1975)\n-Exhibition 37 - The Art of the Goldsmith (Sept 1974-Dec 1976)\n-Exhibition 38 - The Independent Spirit in American Painting (Sept-Dec 1975)\n-Exhibition 39 - The Nature of Landscape (Sept 1975-Dec 1976)\n-Exhibition 40 - Masterpieces of Pre-Columbian Art (Feb-May 1976)\n-Exhibition 41 - Idea Into Image: Sculpture (Sept 1975-Dec 1977)\n-Exhibition 42 - American Marine Painting (Feb-Dec 1977)\n-Exhibition 43 - Symbols of Faith (Feb 1977-May 1978)\n-Exhibition 44 - Art of the American West (Sept 1977-Dec 1978)\n-Exhibition 45 - Art and the Archaeologist (Feb 1978-May 1979)\n-Exhibition 46 - African Textile Arts (Sept 1979-Dec 1980)\n-Exhibition 47 - Secrets (Sept 1979-May 1981)\n-Exhibition 48 - Images of America: Impact of the Thirties (Feb 1980-Dec 1981);\n-Exhibition 49 - Furniture of the United States: The First 100 Years (1981)\n-Exhibition 50 - Patterns (Sept 1981-May 1982)\n-Exhibition 51 - Interior/Exterior (Mar 1982-June 1984)\n-Exhibition 52 - Realities (Sept 1982-May 1985)\n-Exhibition 53 - Illusion: Art and the Moving Image (Jan 1984-May 1987)\n-Exhibition 54 - Reflections (Sept 1985-Dec 1988)\n-Exhibition 55 - Choices Artists Make: Selections of American Art (Sept 1985-May 1987)\n-Exhibition 56 - Fragments (Feb 1988-May 1990)\n-Exhibition 57 - Craft Now: Breaking Boundaries (Sept 1988-June 1991)\n-Exhibition 58 - Expressions: The Human Face in Art (Apr 1989-Dec 1991)\n-Exhibition 59 - The Art of Graphic Design (Feb 1991-Jun 1993)\n-Exhibition 60 - Introducing Virginia Architecture (Sept 1992-May 1994)","This series documents the projects, participants, artwork, and program catalogs for the Children's Art Resource Center, the first classroom for children's art learning set in the original North Wing of the VMFA, between 1989-2003.","The series documents the programming and activities of the Educational Resource Room at the VMFA from 1999-2005, and includes photographic and promotional materials.","The series photographically documents the various lectures and symposia held at the VMFA from 1994-2010.","The series documents the Studio Classes for Teen program from 1999-2009, and includes photographic prints, contact sheets, and class programs.","This series documents the events and programming of the VMFA Family Open House program.","The series photographically documents various events and programs held at the VMFA from the 1960s through 2009.","The series documents the work of the State Services/TEAMS Department from 1950-2009, and includes photographs and slides of exhibition objects, installations, and State Services catalogs.","This series documents the various studio art classes held at the VMFA's Robinson House from 1950-1989, and includes photographic prints and slides.","This series documents the various classes held at the Studio School, aka the HealthSouth Visual Arts Center on Grove Avenue, and includes contact sheets, photographic prints, and class catalogs.","This series documents the various Teachers Workshops, institutes, and programs held at the VMFA from 1994-2005, and includes photographic prints, contact sheets, slides, and event programs.","This series documents the studio art programs, special exhibitions, and printed materials created by the Children's Studio for the benefit of children and their families, and includes photographic prints, slides, and program catalogs.","This series documents the events and programming of the VMFA's Three Days in March High School Residency Program, in which junior and senior high school students and teachers from communities across Virginia explore the museum and its objects through galleries encounters, artists workshops, tours, performances and other cultural activities. The series includes photographic prints, contact sheets, slides, and event programs.","This series documents the various concerts held in different areas of the VMFA, from 1950-2005, and includes photographic prints, contact sheets, and programs.","This series documents the various performances held at the Virginia Museum Theatre from 1955-1989 and includes photographic prints of the theatre interior and performances, contact sheets, newspaper clippings, and playbills."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials is protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials is protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0c57d0b02550ce103a9488d9e8a697cf\"\u003eThis collection documents the history of the various Education and Outreach initiatives, comprising everything from the VMFA's Artmobile program to art classes, lectures and symposia to family open houses, and includes photographic prints, slides, programs, and related ephemera.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the history of the various Education and Outreach initiatives, comprising everything from the VMFA's Artmobile program to art classes, lectures and symposia to family open houses, and includes photographic prints, slides, programs, and related ephemera."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"language_ssim":["English \n.    "],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:40:09.069Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_468","ead_ssi":"virmu_repositories_2_resources_468","_root_":"virmu_repositories_2_resources_468","_nest_parent_":"virmu_repositories_2_resources_468","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_468.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/468","title_filing_ssi":"Education and Outreach (PH-01)","title_ssm":["Education and Outreach Photo Archives"],"title_tesim":["Education and Outreach Photo Archives"],"unitdate_ssm":["1950-2010"],"unitdate_inclusive_ssm":["1950-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PH-01","/repositories/2/resources/468"],"text":["PH-01","/repositories/2/resources/468","Education and Outreach Photo Archives","Art, American -- 20th century -- Virginia","Art -- Virginia -- Richmond -- Exhibition techniques -- History","Art museum visitors","Art -- Exhibitions.","Artists","Art.","Teenagers.","Art museums","Lectures","art education","Children","The collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","History and Miscellaneous Photographs","Construction and End Donation to the Science Museum","Exhibitions","In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.","This collection documents the history, exhibitions, and programming of the VMFA's Education and Outreach Department, and includes graphic materials, publicity, and exhibition object lists.","This series documents the history, construction, and various exhibitions of the VMFA's Artmobile program, and includes graphic materials along with exhibition information. ","In 1953, VMFA became one of the first museums in the world to have an Artmobile. Over the course of four decades, four different Artmobiles brought 59 different exhibitions to Virginia towns, ranging from Little Dutch Masters to African Textile Arts. While most of the objects came from VMFA's collection, some exhibitions featured works on loan from the Metropolitan Museum of Art, the Museum of Natural History, the Guggenheim Museum, and other institutions. Speakers offering lectures on a variety of art-related topics were also from some of the nation's leading universities and museums. Budgetary constraints and concerns about conserving and protecting works of art on the road eventually led to the program's end in 1994.","Exhibitions are listed as follows:","-Exhibition 1 - Little Dutch Masters (1953-1955)\n-Exhibition 2 - Art from Ancient Egypt (1955-1958)\n-Exhibition 3 - Painters of the Renaissance (1958-1961)\n-Exhibition 4 - Art Before Columbus (1961-1964)\n-Exhibition 5 - Twelve Portraits: Delacroix to Gauguin (Sept-Oct 1962)\n-Exhibition 6 - Art from the Ancient World (Nov 1962-Feb 1963)\n-Exhibition 7 - Landscape Painting 1650-1960 (Mar-May 1963)\n-Exhibition 8 - Dragons and Dynasties: Art from China (1963-1965)\n-Exhibition 9 - An American Sampler: Painting 1815-1865 (Feb-Jun 1964)\n-Exhibition 10 - Medieval Treasures (Sept 1964-Jan 1965)\n-Exhibition 11- Paris '20: The T. Catsby Jones Collection (Feb-Jun 1965)\n-Exhibition 12 - The Williams Collection (Sept 1965-Jan 1966)\n-Exhibition 13 - English Conversation Pieces (Feb-Jun 1966)\n-Exhibition 14 - American Indian Art/Northwest Coast (Sept 1966-Jan 1967)\n-Exhibition 15 - An Age of Elegance and Grandeur (Feb 1967-May 1968)\n-Exhibition 16 - Treasures from the Guggenheim Museum (Sept 1966-Jan 1967)\n-Exhibition 17 - Treasures from the Whitney Museum (Feb 1967-Sept 1968)\n-Exhibition 18 - Art from the Ancient World (Sept 1966-Jan 1967)\n-Exhibition 19 - The Human Figure in Art (Feb 1967-Jan 1968)\n-Exhibition 20 - Japanese Art (Feb 1968-May 1969)\n-Exhibition 21 - A Wyeth Portrait (Feb 1968-Dec 1969)\n-Exhibition 22 - American Folk Art (Sept 1968-May 1970)\n-Exhibition 23 - Late Italian Painting (Feb-May 1969)\n-Exhibition 24 - Byzantine Treasures (Sept 1968-May 1969)\n-Exhibition 25 - Images in Wood (Sept-Dec 1969)\n-Exhibition 26 - Randolph Macon Woman's College Collection (Sept-Dec 1969)\n-Exhibition 27 - The Prints of James McNeill Whistler (Fall 1969-Spring 1970)\n-Exhibition 28 - The Art of India (Fall 1970-Spring 1972)\n-Exhibition 29 - African Art (Sept-Dec 1970)\n-Exhibition 30 - Encounter I: Space (Sept 1970-May 1971)\n-Exhibition 31 - Encounter II: Color (Sept 1972-Feb 1974)\n-Exhibition 32 - Treasures in Miniature (Feb-Dec 1972)\n-Exhibition 33 - Art Nouveau (Sept 1972 - May 1974)\n-Exhibition 34 - Images of Reality (Feb 1973-Feb 1974)\n-Exhibition 35 - Symbols of Myth - Melanesian Art (Sept 1973-Dec 1974)\n-Exhibition 36 - Paintings of the American Scene: Hopper, Burchfield and Marsh (Jan 1974-May 1975)\n-Exhibition 37 - The Art of the Goldsmith (Sept 1974-Dec 1976)\n-Exhibition 38 - The Independent Spirit in American Painting (Sept-Dec 1975)\n-Exhibition 39 - The Nature of Landscape (Sept 1975-Dec 1976)\n-Exhibition 40 - Masterpieces of Pre-Columbian Art (Feb-May 1976)\n-Exhibition 41 - Idea Into Image: Sculpture (Sept 1975-Dec 1977)\n-Exhibition 42 - American Marine Painting (Feb-Dec 1977)\n-Exhibition 43 - Symbols of Faith (Feb 1977-May 1978)\n-Exhibition 44 - Art of the American West (Sept 1977-Dec 1978)\n-Exhibition 45 - Art and the Archaeologist (Feb 1978-May 1979)\n-Exhibition 46 - African Textile Arts (Sept 1979-Dec 1980)\n-Exhibition 47 - Secrets (Sept 1979-May 1981)\n-Exhibition 48 - Images of America: Impact of the Thirties (Feb 1980-Dec 1981);\n-Exhibition 49 - Furniture of the United States: The First 100 Years (1981)\n-Exhibition 50 - Patterns (Sept 1981-May 1982)\n-Exhibition 51 - Interior/Exterior (Mar 1982-June 1984)\n-Exhibition 52 - Realities (Sept 1982-May 1985)\n-Exhibition 53 - Illusion: Art and the Moving Image (Jan 1984-May 1987)\n-Exhibition 54 - Reflections (Sept 1985-Dec 1988)\n-Exhibition 55 - Choices Artists Make: Selections of American Art (Sept 1985-May 1987)\n-Exhibition 56 - Fragments (Feb 1988-May 1990)\n-Exhibition 57 - Craft Now: Breaking Boundaries (Sept 1988-June 1991)\n-Exhibition 58 - Expressions: The Human Face in Art (Apr 1989-Dec 1991)\n-Exhibition 59 - The Art of Graphic Design (Feb 1991-Jun 1993)\n-Exhibition 60 - Introducing Virginia Architecture (Sept 1992-May 1994)","This series documents the projects, participants, artwork, and program catalogs for the Children's Art Resource Center, the first classroom for children's art learning set in the original North Wing of the VMFA, between 1989-2003.","The series documents the programming and activities of the Educational Resource Room at the VMFA from 1999-2005, and includes photographic and promotional materials.","The series photographically documents the various lectures and symposia held at the VMFA from 1994-2010.","The series documents the Studio Classes for Teen program from 1999-2009, and includes photographic prints, contact sheets, and class programs.","This series documents the events and programming of the VMFA Family Open House program.","The series photographically documents various events and programs held at the VMFA from the 1960s through 2009.","The series documents the work of the State Services/TEAMS Department from 1950-2009, and includes photographs and slides of exhibition objects, installations, and State Services catalogs.","This series documents the various studio art classes held at the VMFA's Robinson House from 1950-1989, and includes photographic prints and slides.","This series documents the various classes held at the Studio School, aka the HealthSouth Visual Arts Center on Grove Avenue, and includes contact sheets, photographic prints, and class catalogs.","This series documents the various Teachers Workshops, institutes, and programs held at the VMFA from 1994-2005, and includes photographic prints, contact sheets, slides, and event programs.","This series documents the studio art programs, special exhibitions, and printed materials created by the Children's Studio for the benefit of children and their families, and includes photographic prints, slides, and program catalogs.","This series documents the events and programming of the VMFA's Three Days in March High School Residency Program, in which junior and senior high school students and teachers from communities across Virginia explore the museum and its objects through galleries encounters, artists workshops, tours, performances and other cultural activities. The series includes photographic prints, contact sheets, slides, and event programs.","This series documents the various concerts held in different areas of the VMFA, from 1950-2005, and includes photographic prints, contact sheets, and programs.","This series documents the various performances held at the Virginia Museum Theatre from 1955-1989 and includes photographic prints of the theatre interior and performances, contact sheets, newspaper clippings, and playbills.","The collection is subject to all copyright laws. Transmission or reproduction of materials is protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents the history of the various Education and Outreach initiatives, comprising everything from the VMFA's Artmobile program to art classes, lectures and symposia to family open houses, and includes photographic prints, slides, programs, and related ephemera.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","English \n.    "],"unitid_tesim":["PH-01","/repositories/2/resources/468"],"normalized_title_ssm":["Education and Outreach Photo Archives"],"collection_title_tesim":["Education and Outreach Photo Archives"],"collection_ssim":["Education and Outreach Photo Archives"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Virginia Museum of Fine Arts"],"creator_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts"],"creators_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Transmission or reproduction of materials is protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American -- 20th century -- Virginia","Art -- Virginia -- Richmond -- Exhibition techniques -- History","Art museum visitors","Art -- Exhibitions.","Artists","Art.","Teenagers.","Art museums","Lectures","art education","Children"],"access_subjects_ssm":["Art, American -- 20th century -- Virginia","Art -- Virginia -- Richmond -- Exhibition techniques -- History","Art museum visitors","Art -- Exhibitions.","Artists","Art.","Teenagers.","Art museums","Lectures","art education","Children"],"has_online_content_ssim":["false"],"extent_ssm":["97 boxes 97 binders"],"extent_tesim":["97 boxes 97 binders"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eHistory and Miscellaneous Photographs\u003c/head\u003e\n    \u003c/list\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eConstruction and End Donation to the Science Museum\u003c/head\u003e\n    \u003c/list\u003e","\u003clist type=\"deflist\"\u003e\n      \u003chead\u003eExhibitions\u003c/head\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into three series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","History and Miscellaneous Photographs","Construction and End Donation to the Science Museum","Exhibitions"],"prefercite_html_tesm":["\u003cp\u003eRecords of the Education and Outreach Department (PH-01). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eRecords of the Events Department (PH-02). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Education and Outreach Department (PH-01). VMFA Archives, Richmond, Virginia.","Records of the Events Department (PH-02). VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings and original newspaper clippings are photocopied, with identifiers transferred, and then destroyed. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the history, exhibitions, and programming of the VMFA's Education and Outreach Department, and includes graphic materials, publicity, and exhibition object lists.\u003c/p\u003e","\u003cp\u003eThis series documents the history, construction, and various exhibitions of the VMFA's Artmobile program, and includes graphic materials along with exhibition information. \u003c/p\u003e\n","\u003cp\u003eIn 1953, VMFA became one of the first museums in the world to have an Artmobile. Over the course of four decades, four different Artmobiles brought 59 different exhibitions to Virginia towns, ranging from Little Dutch Masters to African Textile Arts. While most of the objects came from VMFA's collection, some exhibitions featured works on loan from the Metropolitan Museum of Art, the Museum of Natural History, the Guggenheim Museum, and other institutions. Speakers offering lectures on a variety of art-related topics were also from some of the nation's leading universities and museums. Budgetary constraints and concerns about conserving and protecting works of art on the road eventually led to the program's end in 1994.\u003c/p\u003e\n","\u003cp\u003eExhibitions are listed as follows:\u003c/p\u003e\n","\u003cp\u003e-Exhibition 1 - Little Dutch Masters (1953-1955)\n-Exhibition 2 - Art from Ancient Egypt (1955-1958)\n-Exhibition 3 - Painters of the Renaissance (1958-1961)\n-Exhibition 4 - Art Before Columbus (1961-1964)\n-Exhibition 5 - Twelve Portraits: Delacroix to Gauguin (Sept-Oct 1962)\n-Exhibition 6 - Art from the Ancient World (Nov 1962-Feb 1963)\n-Exhibition 7 - Landscape Painting 1650-1960 (Mar-May 1963)\n-Exhibition 8 - Dragons and Dynasties: Art from China (1963-1965)\n-Exhibition 9 - An American Sampler: Painting 1815-1865 (Feb-Jun 1964)\n-Exhibition 10 - Medieval Treasures (Sept 1964-Jan 1965)\n-Exhibition 11- Paris '20: The T. Catsby Jones Collection (Feb-Jun 1965)\n-Exhibition 12 - The Williams Collection (Sept 1965-Jan 1966)\n-Exhibition 13 - English Conversation Pieces (Feb-Jun 1966)\n-Exhibition 14 - American Indian Art/Northwest Coast (Sept 1966-Jan 1967)\n-Exhibition 15 - An Age of Elegance and Grandeur (Feb 1967-May 1968)\n-Exhibition 16 - Treasures from the Guggenheim Museum (Sept 1966-Jan 1967)\n-Exhibition 17 - Treasures from the Whitney Museum (Feb 1967-Sept 1968)\n-Exhibition 18 - Art from the Ancient World (Sept 1966-Jan 1967)\n-Exhibition 19 - The Human Figure in Art (Feb 1967-Jan 1968)\n-Exhibition 20 - Japanese Art (Feb 1968-May 1969)\n-Exhibition 21 - A Wyeth Portrait (Feb 1968-Dec 1969)\n-Exhibition 22 - American Folk Art (Sept 1968-May 1970)\n-Exhibition 23 - Late Italian Painting (Feb-May 1969)\n-Exhibition 24 - Byzantine Treasures (Sept 1968-May 1969)\n-Exhibition 25 - Images in Wood (Sept-Dec 1969)\n-Exhibition 26 - Randolph Macon Woman's College Collection (Sept-Dec 1969)\n-Exhibition 27 - The Prints of James McNeill Whistler (Fall 1969-Spring 1970)\n-Exhibition 28 - The Art of India (Fall 1970-Spring 1972)\n-Exhibition 29 - African Art (Sept-Dec 1970)\n-Exhibition 30 - Encounter I: Space (Sept 1970-May 1971)\n-Exhibition 31 - Encounter II: Color (Sept 1972-Feb 1974)\n-Exhibition 32 - Treasures in Miniature (Feb-Dec 1972)\n-Exhibition 33 - Art Nouveau (Sept 1972 - May 1974)\n-Exhibition 34 - Images of Reality (Feb 1973-Feb 1974)\n-Exhibition 35 - Symbols of Myth - Melanesian Art (Sept 1973-Dec 1974)\n-Exhibition 36 - Paintings of the American Scene: Hopper, Burchfield and Marsh (Jan 1974-May 1975)\n-Exhibition 37 - The Art of the Goldsmith (Sept 1974-Dec 1976)\n-Exhibition 38 - The Independent Spirit in American Painting (Sept-Dec 1975)\n-Exhibition 39 - The Nature of Landscape (Sept 1975-Dec 1976)\n-Exhibition 40 - Masterpieces of Pre-Columbian Art (Feb-May 1976)\n-Exhibition 41 - Idea Into Image: Sculpture (Sept 1975-Dec 1977)\n-Exhibition 42 - American Marine Painting (Feb-Dec 1977)\n-Exhibition 43 - Symbols of Faith (Feb 1977-May 1978)\n-Exhibition 44 - Art of the American West (Sept 1977-Dec 1978)\n-Exhibition 45 - Art and the Archaeologist (Feb 1978-May 1979)\n-Exhibition 46 - African Textile Arts (Sept 1979-Dec 1980)\n-Exhibition 47 - Secrets (Sept 1979-May 1981)\n-Exhibition 48 - Images of America: Impact of the Thirties (Feb 1980-Dec 1981);\n-Exhibition 49 - Furniture of the United States: The First 100 Years (1981)\n-Exhibition 50 - Patterns (Sept 1981-May 1982)\n-Exhibition 51 - Interior/Exterior (Mar 1982-June 1984)\n-Exhibition 52 - Realities (Sept 1982-May 1985)\n-Exhibition 53 - Illusion: Art and the Moving Image (Jan 1984-May 1987)\n-Exhibition 54 - Reflections (Sept 1985-Dec 1988)\n-Exhibition 55 - Choices Artists Make: Selections of American Art (Sept 1985-May 1987)\n-Exhibition 56 - Fragments (Feb 1988-May 1990)\n-Exhibition 57 - Craft Now: Breaking Boundaries (Sept 1988-June 1991)\n-Exhibition 58 - Expressions: The Human Face in Art (Apr 1989-Dec 1991)\n-Exhibition 59 - The Art of Graphic Design (Feb 1991-Jun 1993)\n-Exhibition 60 - Introducing Virginia Architecture (Sept 1992-May 1994)\u003c/p\u003e","\u003cp\u003eThis series documents the projects, participants, artwork, and program catalogs for the Children's Art Resource Center, the first classroom for children's art learning set in the original North Wing of the VMFA, between 1989-2003.\u003c/p\u003e","\u003cp\u003eThe series documents the programming and activities of the Educational Resource Room at the VMFA from 1999-2005, and includes photographic and promotional materials.\u003c/p\u003e","\u003cp\u003eThe series photographically documents the various lectures and symposia held at the VMFA from 1994-2010.\u003c/p\u003e","\u003cp\u003eThe series documents the Studio Classes for Teen program from 1999-2009, and includes photographic prints, contact sheets, and class programs.\u003c/p\u003e","\u003cp\u003eThis series documents the events and programming of the VMFA Family Open House program.\u003c/p\u003e","\u003cp\u003eThe series photographically documents various events and programs held at the VMFA from the 1960s through 2009.\u003c/p\u003e","\u003cp\u003eThe series documents the work of the State Services/TEAMS Department from 1950-2009, and includes photographs and slides of exhibition objects, installations, and State Services catalogs.\u003c/p\u003e","\u003cp\u003eThis series documents the various studio art classes held at the VMFA's Robinson House from 1950-1989, and includes photographic prints and slides.\u003c/p\u003e","\u003cp\u003eThis series documents the various classes held at the Studio School, aka the HealthSouth Visual Arts Center on Grove Avenue, and includes contact sheets, photographic prints, and class catalogs.\u003c/p\u003e","\u003cp\u003eThis series documents the various Teachers Workshops, institutes, and programs held at the VMFA from 1994-2005, and includes photographic prints, contact sheets, slides, and event programs.\u003c/p\u003e","\u003cp\u003eThis series documents the studio art programs, special exhibitions, and printed materials created by the Children's Studio for the benefit of children and their families, and includes photographic prints, slides, and program catalogs.\u003c/p\u003e","\u003cp\u003eThis series documents the events and programming of the VMFA's Three Days in March High School Residency Program, in which junior and senior high school students and teachers from communities across Virginia explore the museum and its objects through galleries encounters, artists workshops, tours, performances and other cultural activities. The series includes photographic prints, contact sheets, slides, and event programs.\u003c/p\u003e","\u003cp\u003eThis series documents the various concerts held in different areas of the VMFA, from 1950-2005, and includes photographic prints, contact sheets, and programs.\u003c/p\u003e","\u003cp\u003eThis series documents the various performances held at the Virginia Museum Theatre from 1955-1989 and includes photographic prints of the theatre interior and performances, contact sheets, newspaper clippings, and playbills.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection documents the history, exhibitions, and programming of the VMFA's Education and Outreach Department, and includes graphic materials, publicity, and exhibition object lists.","This series documents the history, construction, and various exhibitions of the VMFA's Artmobile program, and includes graphic materials along with exhibition information. ","In 1953, VMFA became one of the first museums in the world to have an Artmobile. Over the course of four decades, four different Artmobiles brought 59 different exhibitions to Virginia towns, ranging from Little Dutch Masters to African Textile Arts. While most of the objects came from VMFA's collection, some exhibitions featured works on loan from the Metropolitan Museum of Art, the Museum of Natural History, the Guggenheim Museum, and other institutions. Speakers offering lectures on a variety of art-related topics were also from some of the nation's leading universities and museums. Budgetary constraints and concerns about conserving and protecting works of art on the road eventually led to the program's end in 1994.","Exhibitions are listed as follows:","-Exhibition 1 - Little Dutch Masters (1953-1955)\n-Exhibition 2 - Art from Ancient Egypt (1955-1958)\n-Exhibition 3 - Painters of the Renaissance (1958-1961)\n-Exhibition 4 - Art Before Columbus (1961-1964)\n-Exhibition 5 - Twelve Portraits: Delacroix to Gauguin (Sept-Oct 1962)\n-Exhibition 6 - Art from the Ancient World (Nov 1962-Feb 1963)\n-Exhibition 7 - Landscape Painting 1650-1960 (Mar-May 1963)\n-Exhibition 8 - Dragons and Dynasties: Art from China (1963-1965)\n-Exhibition 9 - An American Sampler: Painting 1815-1865 (Feb-Jun 1964)\n-Exhibition 10 - Medieval Treasures (Sept 1964-Jan 1965)\n-Exhibition 11- Paris '20: The T. Catsby Jones Collection (Feb-Jun 1965)\n-Exhibition 12 - The Williams Collection (Sept 1965-Jan 1966)\n-Exhibition 13 - English Conversation Pieces (Feb-Jun 1966)\n-Exhibition 14 - American Indian Art/Northwest Coast (Sept 1966-Jan 1967)\n-Exhibition 15 - An Age of Elegance and Grandeur (Feb 1967-May 1968)\n-Exhibition 16 - Treasures from the Guggenheim Museum (Sept 1966-Jan 1967)\n-Exhibition 17 - Treasures from the Whitney Museum (Feb 1967-Sept 1968)\n-Exhibition 18 - Art from the Ancient World (Sept 1966-Jan 1967)\n-Exhibition 19 - The Human Figure in Art (Feb 1967-Jan 1968)\n-Exhibition 20 - Japanese Art (Feb 1968-May 1969)\n-Exhibition 21 - A Wyeth Portrait (Feb 1968-Dec 1969)\n-Exhibition 22 - American Folk Art (Sept 1968-May 1970)\n-Exhibition 23 - Late Italian Painting (Feb-May 1969)\n-Exhibition 24 - Byzantine Treasures (Sept 1968-May 1969)\n-Exhibition 25 - Images in Wood (Sept-Dec 1969)\n-Exhibition 26 - Randolph Macon Woman's College Collection (Sept-Dec 1969)\n-Exhibition 27 - The Prints of James McNeill Whistler (Fall 1969-Spring 1970)\n-Exhibition 28 - The Art of India (Fall 1970-Spring 1972)\n-Exhibition 29 - African Art (Sept-Dec 1970)\n-Exhibition 30 - Encounter I: Space (Sept 1970-May 1971)\n-Exhibition 31 - Encounter II: Color (Sept 1972-Feb 1974)\n-Exhibition 32 - Treasures in Miniature (Feb-Dec 1972)\n-Exhibition 33 - Art Nouveau (Sept 1972 - May 1974)\n-Exhibition 34 - Images of Reality (Feb 1973-Feb 1974)\n-Exhibition 35 - Symbols of Myth - Melanesian Art (Sept 1973-Dec 1974)\n-Exhibition 36 - Paintings of the American Scene: Hopper, Burchfield and Marsh (Jan 1974-May 1975)\n-Exhibition 37 - The Art of the Goldsmith (Sept 1974-Dec 1976)\n-Exhibition 38 - The Independent Spirit in American Painting (Sept-Dec 1975)\n-Exhibition 39 - The Nature of Landscape (Sept 1975-Dec 1976)\n-Exhibition 40 - Masterpieces of Pre-Columbian Art (Feb-May 1976)\n-Exhibition 41 - Idea Into Image: Sculpture (Sept 1975-Dec 1977)\n-Exhibition 42 - American Marine Painting (Feb-Dec 1977)\n-Exhibition 43 - Symbols of Faith (Feb 1977-May 1978)\n-Exhibition 44 - Art of the American West (Sept 1977-Dec 1978)\n-Exhibition 45 - Art and the Archaeologist (Feb 1978-May 1979)\n-Exhibition 46 - African Textile Arts (Sept 1979-Dec 1980)\n-Exhibition 47 - Secrets (Sept 1979-May 1981)\n-Exhibition 48 - Images of America: Impact of the Thirties (Feb 1980-Dec 1981);\n-Exhibition 49 - Furniture of the United States: The First 100 Years (1981)\n-Exhibition 50 - Patterns (Sept 1981-May 1982)\n-Exhibition 51 - Interior/Exterior (Mar 1982-June 1984)\n-Exhibition 52 - Realities (Sept 1982-May 1985)\n-Exhibition 53 - Illusion: Art and the Moving Image (Jan 1984-May 1987)\n-Exhibition 54 - Reflections (Sept 1985-Dec 1988)\n-Exhibition 55 - Choices Artists Make: Selections of American Art (Sept 1985-May 1987)\n-Exhibition 56 - Fragments (Feb 1988-May 1990)\n-Exhibition 57 - Craft Now: Breaking Boundaries (Sept 1988-June 1991)\n-Exhibition 58 - Expressions: The Human Face in Art (Apr 1989-Dec 1991)\n-Exhibition 59 - The Art of Graphic Design (Feb 1991-Jun 1993)\n-Exhibition 60 - Introducing Virginia Architecture (Sept 1992-May 1994)","This series documents the projects, participants, artwork, and program catalogs for the Children's Art Resource Center, the first classroom for children's art learning set in the original North Wing of the VMFA, between 1989-2003.","The series documents the programming and activities of the Educational Resource Room at the VMFA from 1999-2005, and includes photographic and promotional materials.","The series photographically documents the various lectures and symposia held at the VMFA from 1994-2010.","The series documents the Studio Classes for Teen program from 1999-2009, and includes photographic prints, contact sheets, and class programs.","This series documents the events and programming of the VMFA Family Open House program.","The series photographically documents various events and programs held at the VMFA from the 1960s through 2009.","The series documents the work of the State Services/TEAMS Department from 1950-2009, and includes photographs and slides of exhibition objects, installations, and State Services catalogs.","This series documents the various studio art classes held at the VMFA's Robinson House from 1950-1989, and includes photographic prints and slides.","This series documents the various classes held at the Studio School, aka the HealthSouth Visual Arts Center on Grove Avenue, and includes contact sheets, photographic prints, and class catalogs.","This series documents the various Teachers Workshops, institutes, and programs held at the VMFA from 1994-2005, and includes photographic prints, contact sheets, slides, and event programs.","This series documents the studio art programs, special exhibitions, and printed materials created by the Children's Studio for the benefit of children and their families, and includes photographic prints, slides, and program catalogs.","This series documents the events and programming of the VMFA's Three Days in March High School Residency Program, in which junior and senior high school students and teachers from communities across Virginia explore the museum and its objects through galleries encounters, artists workshops, tours, performances and other cultural activities. The series includes photographic prints, contact sheets, slides, and event programs.","This series documents the various concerts held in different areas of the VMFA, from 1950-2005, and includes photographic prints, contact sheets, and programs.","This series documents the various performances held at the Virginia Museum Theatre from 1955-1989 and includes photographic prints of the theatre interior and performances, contact sheets, newspaper clippings, and playbills."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials is protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Transmission or reproduction of materials is protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0c57d0b02550ce103a9488d9e8a697cf\"\u003eThis collection documents the history of the various Education and Outreach initiatives, comprising everything from the VMFA's Artmobile program to art classes, lectures and symposia to family open houses, and includes photographic prints, slides, programs, and related ephemera.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the history of the various Education and Outreach initiatives, comprising everything from the VMFA's Artmobile program to art classes, lectures and symposia to family open houses, and includes photographic prints, slides, programs, and related ephemera."],"names_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts"],"language_ssim":["English \n.    "],"total_component_count_is":16,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:40:09.069Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_468"}},{"id":"virmu_repositories_2_resources_15996","type":"collection","attributes":{"title":"Institute of Contemporary Art","creator":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15996#creator","type":"document_value","attributes":{"value":"Virginia Museum of Fine Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15996#abstract_or_scope","type":"document_value","attributes":{"value":"The collection documents the work of the Institute of Contemporary Art from 1978-1984, including exhibition planning and implementation, collections management, and specific artists and works, and comprises photographic prints, slides, and related ephemera.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15996#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_15996","ead_ssi":"virmu_repositories_2_resources_15996","_root_":"virmu_repositories_2_resources_15996","_nest_parent_":"virmu_repositories_2_resources_15996","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_15996.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/15996","title_filing_ssi":"Institute of Contemporary Art (PH-05)","title_ssm":["Institute of Contemporary Art"],"title_tesim":["Institute of Contemporary Art"],"unitdate_ssm":["1979-1984"],"unitdate_inclusive_ssm":["1979-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PH-05","/repositories/2/resources/15996"],"text":["PH-05","/repositories/2/resources/15996","Institute of Contemporary Art","Museums -- Collection management","Art museums--Virginia.","Art museums","Contemporary artists","Open for Research.","The collection is organized into 1 series but is unprocessed OR minimally processed so more series may be added after processing.","Series 1: Exhibitions and Events, 1979-1984","Institute of Contemporary Art – ICA","[Virginia Museum Bulletin, May 1979]","The Institute of Contemporary Art of the Virginia Museum – a self-contained program operating within the Museum's headquarters building in Richmond – opens May 7 with a one-man show by the noted American painter and printmaker Allan D'Arcangelo. ","The new ICA is located in recently-converted quarters opposite the lobby of the Virginia Museum Theatre, an area that at one time had contained the Members' Suite and Restaurant, and, more recently a staff and trustee meeting room. Portable walls and track lighting have been installed to make possible a flexible program of contemporary arts events. ","The establishment of this new program has been made possible by generous grants from the Institute of Museum Services, a federal agency in the Department of Health, Education, and Welfare that offers operating and program support to the nation's museums, and by donations from ICA Founders and other private sources. To assure the continuation of the program, however while responding to specific interest in contemporary art in the statewide community, a special membership has been created …","Throughout the year, the ICA will show a series of one-person, group, or thematic exhibitions. Artists from Virginia, the Southeast, and around the nation will be invited to show new, provocative materials in painting, sculpture, photography, crafts, and printmaking, as well as video works, performance art, and films. The ICA staff will originate many of the exhibitions, while others may be borrowed from museums and galleries in major art centers such as New York or Chicago, or borrowed on exchange from other ICAs …","The ICA will serve as a resource center where Virginia artists can receive information on grants, competitions, and exhibition opportunities. The gallery also will make available information on events in other commercial and non-profit galleries in Virginia and around the nation. And it will maintain a registry of Virginia artists which is available for general reference.","\n[Virginia Museum Bulletin, September 1984]","A Message from the Director …","The legacy of which we are custodians is primarily that of the past, but we would not be true to the opportunity given us if we did not seek ways to encourage the creators of today. For it is the artists – whether musicians, painters, sculptors, architects, or poets – who through the ages have had the unique capacity to synthesize, in their works, the aspirations and accomplishments, the fears and the hopes of the period in which they lived. ","We must not only encourage this precious segment of our society but we must also seek out those whose contributions may be the most meaningful. Such presentations cannot be secondary to an art museum's activities: they are part of our very reason for being. ","In this spirit, the Institute of Contemporary Art, formed some five years ago as a separate enclave within the Museum, has become the Department of Contemporary Art. It is now thoroughly integrated into our conceptual and administrative structure and implemented by an imaginative staff. We intend to become increasingly active in presenting to our Richmond audiences, as well as to others through the Artmobile and through our Chapters and Affiliates, works by established contemporary artists, as well as by the younger ones who hold promise of being the masters of tomorrow. ","By developing an increasingly dynamic approach to contemporary exhibitions and interpretative programs, we will, as it were, prepare our audiences for the richness of the Lewis Collection, one of the glories we anticipate in the new West Wing. ","\n[n.b. The last exhibition mounted at the ICA was \"Construction Works\" May 15-June 10, 1984]","The collection documents the work of the Institute of Contemporary Art from 1978-1984, including exhibition planning and implementation, collections management, and specific artists and works, and comprises photographic prints, slides, and related ephemera.","This series documents some of the exhibitions held by the ICA for the years 1981-1984, as well as membership and newsletter materials, and an ICA trip to New York City in 1981. The photographic materials consist of black and white prints and color slides.","Exhibitions documented include the following:","-Jackie Winsor (Fall 1981)\n-Constructed Paintings (February-March 1982)\n-The Expressive Anecdote (no date)\n-The Pinhole Image (Fall-Winter 1982)\n-American Abstraction Now (Summer-Fall 1982)\n-Myron Helfgott (Spring 1982)\n-20 Sculptors (Spring 1982)\n-Matter Memory Meaning (1982)\n-Vito Acconci (March-May 1982)\n-Image/Innovation (1983)\n-Three Approaches to Realism (1983)\n-Construction Works (May-June 1984)","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The collection documents the work of the Institute of Contemporary Art from 1978-1984, including exhibition planning and implementation, collections management, and specific artists and works, and comprises photographic prints, slides, and related ephemera.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","English \n.    "],"unitid_tesim":["PH-05","/repositories/2/resources/15996"],"normalized_title_ssm":["Institute of Contemporary Art"],"collection_title_tesim":["Institute of Contemporary Art"],"collection_ssim":["Institute of Contemporary Art"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Virginia Museum of Fine Arts"],"creator_ssim":["Virginia Museum of Fine Arts"],"creator_corpname_ssim":["Virginia Museum of Fine Arts"],"creators_ssim":["Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. 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We intend to become increasingly active in presenting to our Richmond audiences, as well as to others through the Artmobile and through our Chapters and Affiliates, works by established contemporary artists, as well as by the younger ones who hold promise of being the masters of tomorrow. \u003c/p\u003e\n","\u003cp\u003eBy developing an increasingly dynamic approach to contemporary exhibitions and interpretative programs, we will, as it were, prepare our audiences for the richness of the Lewis Collection, one of the glories we anticipate in the new West Wing. \u003c/p\u003e\n","\u003cp\u003e\n[n.b. 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","The establishment of this new program has been made possible by generous grants from the Institute of Museum Services, a federal agency in the Department of Health, Education, and Welfare that offers operating and program support to the nation's museums, and by donations from ICA Founders and other private sources. To assure the continuation of the program, however while responding to specific interest in contemporary art in the statewide community, a special membership has been created …","Throughout the year, the ICA will show a series of one-person, group, or thematic exhibitions. Artists from Virginia, the Southeast, and around the nation will be invited to show new, provocative materials in painting, sculpture, photography, crafts, and printmaking, as well as video works, performance art, and films. The ICA staff will originate many of the exhibitions, while others may be borrowed from museums and galleries in major art centers such as New York or Chicago, or borrowed on exchange from other ICAs …","The ICA will serve as a resource center where Virginia artists can receive information on grants, competitions, and exhibition opportunities. The gallery also will make available information on events in other commercial and non-profit galleries in Virginia and around the nation. And it will maintain a registry of Virginia artists which is available for general reference.","\n[Virginia Museum Bulletin, September 1984]","A Message from the Director …","The legacy of which we are custodians is primarily that of the past, but we would not be true to the opportunity given us if we did not seek ways to encourage the creators of today. For it is the artists – whether musicians, painters, sculptors, architects, or poets – who through the ages have had the unique capacity to synthesize, in their works, the aspirations and accomplishments, the fears and the hopes of the period in which they lived. ","We must not only encourage this precious segment of our society but we must also seek out those whose contributions may be the most meaningful. Such presentations cannot be secondary to an art museum's activities: they are part of our very reason for being. ","In this spirit, the Institute of Contemporary Art, formed some five years ago as a separate enclave within the Museum, has become the Department of Contemporary Art. It is now thoroughly integrated into our conceptual and administrative structure and implemented by an imaginative staff. We intend to become increasingly active in presenting to our Richmond audiences, as well as to others through the Artmobile and through our Chapters and Affiliates, works by established contemporary artists, as well as by the younger ones who hold promise of being the masters of tomorrow. ","By developing an increasingly dynamic approach to contemporary exhibitions and interpretative programs, we will, as it were, prepare our audiences for the richness of the Lewis Collection, one of the glories we anticipate in the new West Wing. ","\n[n.b. The last exhibition mounted at the ICA was \"Construction Works\" May 15-June 10, 1984]"],"prefercite_html_tesm":["\u003cp\u003eRecords of the Institute of Contemporary Art (PH-05). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Institute of Contemporary Art (PH-05). VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the work of the Institute of Contemporary Art from 1978-1984, including exhibition planning and implementation, collections management, and specific artists and works, and comprises photographic prints, slides, and related ephemera.\u003c/p\u003e","\u003cp\u003eThis series documents some of the exhibitions held by the ICA for the years 1981-1984, as well as membership and newsletter materials, and an ICA trip to New York City in 1981. 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The photographic materials consist of black and white prints and color slides.","Exhibitions documented include the following:","-Jackie Winsor (Fall 1981)\n-Constructed Paintings (February-March 1982)\n-The Expressive Anecdote (no date)\n-The Pinhole Image (Fall-Winter 1982)\n-American Abstraction Now (Summer-Fall 1982)\n-Myron Helfgott (Spring 1982)\n-20 Sculptors (Spring 1982)\n-Matter Memory Meaning (1982)\n-Vito Acconci (March-May 1982)\n-Image/Innovation (1983)\n-Three Approaches to Realism (1983)\n-Construction Works (May-June 1984)"],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. 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The ICA staff will originate many of the exhibitions, while others may be borrowed from museums and galleries in major art centers such as New York or Chicago, or borrowed on exchange from other ICAs …","The ICA will serve as a resource center where Virginia artists can receive information on grants, competitions, and exhibition opportunities. The gallery also will make available information on events in other commercial and non-profit galleries in Virginia and around the nation. And it will maintain a registry of Virginia artists which is available for general reference.","\n[Virginia Museum Bulletin, September 1984]","A Message from the Director …","The legacy of which we are custodians is primarily that of the past, but we would not be true to the opportunity given us if we did not seek ways to encourage the creators of today. For it is the artists – whether musicians, painters, sculptors, architects, or poets – who through the ages have had the unique capacity to synthesize, in their works, the aspirations and accomplishments, the fears and the hopes of the period in which they lived. ","We must not only encourage this precious segment of our society but we must also seek out those whose contributions may be the most meaningful. Such presentations cannot be secondary to an art museum's activities: they are part of our very reason for being. ","In this spirit, the Institute of Contemporary Art, formed some five years ago as a separate enclave within the Museum, has become the Department of Contemporary Art. It is now thoroughly integrated into our conceptual and administrative structure and implemented by an imaginative staff. We intend to become increasingly active in presenting to our Richmond audiences, as well as to others through the Artmobile and through our Chapters and Affiliates, works by established contemporary artists, as well as by the younger ones who hold promise of being the masters of tomorrow. ","By developing an increasingly dynamic approach to contemporary exhibitions and interpretative programs, we will, as it were, prepare our audiences for the richness of the Lewis Collection, one of the glories we anticipate in the new West Wing. ","\n[n.b. The last exhibition mounted at the ICA was \"Construction Works\" May 15-June 10, 1984]"],"prefercite_html_tesm":["\u003cp\u003eRecords of the Institute of Contemporary Art (PH-05). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Records of the Institute of Contemporary Art (PH-05). 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The photographic materials consist of black and white prints and color slides.","Exhibitions documented include the following:","-Jackie Winsor (Fall 1981)\n-Constructed Paintings (February-March 1982)\n-The Expressive Anecdote (no date)\n-The Pinhole Image (Fall-Winter 1982)\n-American Abstraction Now (Summer-Fall 1982)\n-Myron Helfgott (Spring 1982)\n-20 Sculptors (Spring 1982)\n-Matter Memory Meaning (1982)\n-Vito Acconci (March-May 1982)\n-Image/Innovation (1983)\n-Three Approaches to Realism (1983)\n-Construction Works (May-June 1984)"],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. 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Much of the collection is correspondence between Whitehead and other museum curators, directors of historical societies, and donors. Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. Also includes some files from Tom Litzenberg, the successor for Whitehead's role as director of the Reeves' center.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_392_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_392_c05","ref_ssm":["vilxw_repositories_5_resources_392_c05"],"id":"vilxw_repositories_5_resources_392_c05","ead_ssi":"vilxw_repositories_5_resources_392","_root_":"vilxw_repositories_5_resources_392","_nest_parent_":"vilxw_repositories_5_resources_392","parent_ssi":"vilxw_repositories_5_resources_392","parent_ssim":["vilxw_repositories_5_resources_392"],"parent_ids_ssim":["vilxw_repositories_5_resources_392"],"parent_unittitles_ssm":["Museums at Washington and Lee records"],"parent_unittitles_tesim":["Museums at Washington and Lee records"],"text":["Museums at Washington and Lee records","James Whitehead Papers","Washington and Lee University. 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Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\"","This series includes the persona papers of James Whitehead, former director of University Relations, assistant to the president, treasurer, and director of the Reeves Center at Washington and Lee University. These records are from his time as the director of the Reeves Center, and reflect different exhibitions, donor relations, and general correspondence during that time. Much of the collection is correspondence between Whitehead and other museum curators, directors of historical societies, and donors. Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source."],"date_range_isim":[1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"names_ssim":["Washington and Lee University. Reeves Center","Washington and Lee University. Reeves Center","Washington and Lee University","Herreshoff, Louise","Reeves, Euchlin","Parmly, Ruth","Parmly, Charles Howard","Whitehead, James Walter, Sr.","Herreshoff, Louise","Reeves, Euchlin","Parmly, Ruth","Parmly, Charles Howard","Wilson, Woodrow"],"corpname_ssim":["Washington and Lee University. Reeves Center","Washington and Lee University. Reeves Center","Washington and Lee University. Reeves Center","Washington and Lee University","Washington and Lee University. Reeves Center","Washington and Lee University. 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American"],"access_subjects_ssm":["Art museums","Washington and Lee University","China trade porcelain -- Collectors and collecting","China trade porcelain","Art, American"],"language_ssim":["English"],"arrangement_html_tesm":["\u003cp\u003eThe bulk of this series is arranged alphabetically, using last names when referring to a specific person. 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Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Researchers might also use the Louise Herreshoff Papers for detailed correspondence and primary source records documenting her personal life, as well as those of her husband, Euchlin Reeves. Some of Whitehead's records and work on his biography of Louise Herreshoff, \"A Fragile Union,\" are included in this collection. Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\""],"scopecontent_html_tesm":["\u003cp\u003eThis series includes the persona papers of James Whitehead, former director of University Relations, assistant to the president, treasurer, and director of the Reeves Center at Washington and Lee University. These records are from his time as the director of the Reeves Center, and reflect different exhibitions, donor relations, and general correspondence during that time. Much of the collection is correspondence between Whitehead and other museum curators, directors of historical societies, and donors. Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. Also includes some files from Tom Litzenberg, the successor for Whitehead's role as director of the Reeves' center.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series includes the persona papers of James Whitehead, former director of University Relations, assistant to the president, treasurer, and director of the Reeves Center at Washington and Lee University. These records are from his time as the director of the Reeves Center, and reflect different exhibitions, donor relations, and general correspondence during that time. Much of the collection is correspondence between Whitehead and other museum curators, directors of historical societies, and donors. Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. Also includes some files from Tom Litzenberg, the successor for Whitehead's role as director of the Reeves' center."],"_nest_path_":"/components#4","timestamp":"2026-05-20T21:20:01.689Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_392","ead_ssi":"vilxw_repositories_5_resources_392","_root_":"vilxw_repositories_5_resources_392","_nest_parent_":"vilxw_repositories_5_resources_392","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_392.xml","title_filing_ssi":"Museums at Washington and Lee records","title_ssm":["Museums at Washington and Lee records"],"title_tesim":["Museums at Washington and Lee records"],"unitdate_ssm":["1649-2016"],"unitdate_inclusive_ssm":["1649-2016"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["WLU.RG.34","/repositories/5/resources/392"],"text":["WLU.RG.34","/repositories/5/resources/392","Museums at Washington and Lee records","Art","The collection is open for research use.","View materials from this collection online via W\u0026L's Digital Archive","The bulk of this series is arranged alphabetically, using last names when referring to a specific person. Toward the end of the collection, especially in miscellaneous correspondence, the papers are organized chronologically.","The University Library has captured this website using Archive-It.  You can view captures  online .","Researchers might also use the Louise Herreshoff Papers for detailed correspondence and primary source records documenting her personal life, as well as those of her husband, Euchlin Reeves. Some of Whitehead's records and work on his biography of Louise Herreshoff, \"A Fragile Union,\" are included in this collection. Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\"","This record group contains archived materials about and created by Washington and Lee University's museums, comprised of Lee Chapel and Museum, the Reeves Collection, and the university's art collection, during the course of its regular business, such as official publications and records of its management.","This website was created by Washington and Lee University faculty as as Associated Colleges of the South grant funded project.  It seeks to facilitate the cross-disciplinary use of Washington and Lee's art collection by creating a series of multidisciplinary lesson plans focused on objects in the collection.","Parchment document from Robert Washington and Peter Begin to John Peter.","parchment document from Robert Washington to Nathaniel Woolinard.","There are two versions of the brochure.","There are two versions of this booklet, both undated.","title page reads 'Ceremonies Connected with the Inauguration of the Mausoleum and the Unveiling of the Recumbent Figure of General Robert Edward Lee.' Includes a historical sketch of the Lee Memorial Association by W. Allan, schedule of the inauguration program, and transcriptions of the speeches given including one by John W. Daniel, LL.D.  The hard copy also includes several Michael Miley photos.","Nine betacam recordings from a talk by James Whitehead entitled \"Fragile Union\" given at the Reeves Center Dedication. Also includes box of assorted and unmarked VHS tapes and other video-taping technologies.","One betacam tape of L. Dobyns speaking about the Reeves Collection.","These 15 audio cassettes contain the recordings of the talks given on Decorative Arts Trust and Washington and Lee University during the 1982 Chinan Trade Symposium.  These talks occurred for the opening of the Reeves Center.","Program from an exhibit entitled American Painting at Washington and Lee University: Some Nineteenth-Century Examples, which was held from January 5-22, 1976.  The project was sponsored by the National Endowment for the Arts.","Brochure about the Stan Kamen Collection of Western Art at Washington and Lee.","These videos about pieces of art in Washington and Lee University's Art Collection were created by student interns during the summer of 2011.  Students chose pieces that interested them and then researched the works of art.","This series includes the persona papers of James Whitehead, former director of University Relations, assistant to the president, treasurer, and director of the Reeves Center at Washington and Lee University. These records are from his time as the director of the Reeves Center, and reflect different exhibitions, donor relations, and general correspondence during that time. Much of the collection is correspondence between Whitehead and other museum curators, directors of historical societies, and donors. Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. Also includes some files from Tom Litzenberg, the successor for Whitehead's role as director of the Reeves' center.","This is the first box of the James Whitehead Papers, and includes materials related to the Bicentennial in 1976, as well as correspondence with people and organizations between letters \"A\" through \"Cha.\"","This box contains correspondence and related files between letters \"Che\" through \"Lu.\" Also contains files related to Foreign Advisory Services.","This file contains correspondence from \"Lu\" to \"Reeves Center,\" and also includes files related to the Morris House and the Reeves Center.","This box contains files from \"Reeves Students\" to \"Washington Trip,\" and also includes files related to Skylar and Wamsutta Mills.","This box contains files from \"George Washington\" until the end of the alphabet, then going into a run of files dedicated to Louise Herreshoff, her paintings, and Whitehead's efforts to share her art with museums.","This box contains files related to Louise Herreshoff's paintings and exhibitions, as well as Euchlin Reeves and his collection of fine China that was donated to Washington and Lee.","This collection includes files related to Whitehead's efforts to share Louise Herreshoff's paintings, as well as miscellaneous correspondence.","This box contains files of miscellaneous correspondence.","Program from the Reeves Center display about restoration of the Old George statue and a newspaper clipping about the statue.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.","The materials from Washington \u0026 Lee University's Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Lee Memorial Association","Washington and Lee University.  ROTC","Washington and Lee University. Watson Pavilion","Washington and Lee University. Art Collection","Washington and Lee University","Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr.","Lee, Robert E. (Robert Edward), 1807-1870","Washington, Robert","Begin, Peter","Woolinard, Nathaniel","Miley, Michael, 1841-1918","Daniels, Jonathan","Fuchs, Ronald, II","Tinsley, Thomas W.","Kamen, Stan","Carlson, Renata","Moryan, Claire","Denniston, Rachel","Davies, John","Serendinski, Andrew","Wynn, Evelyn Dawson","Prohaska, Raymond Joseph","Hiroshige, AndoÌ„","Watanabe, Sadao","Stella, Frank","Nesbitt, Lowell","McCarthy, Frank C.","Cooper, A. D. M.","Herreshoff, Louise","Reeves, Euchlin","Parmly, Ruth","Parmly, Charles Howard","Wilson, Woodrow","English"],"unitid_tesim":["WLU.RG.34","/repositories/5/resources/392"],"normalized_title_ssm":["Museums at Washington and Lee records"],"collection_title_tesim":["Museums at Washington and Lee records"],"collection_ssim":["Museums at Washington and Lee records"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr."],"creator_ssim":["Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr."],"creator_persname_ssim":["Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr."],"creator_corpname_ssim":["Washington and Lee University. Chapel","Washington and Lee University. Reeves Center"],"creators_ssim":["Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr.","Washington and Lee University. Chapel","Washington and Lee University. Reeves Center"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source."],"access_subjects_ssim":["Art"],"access_subjects_ssm":["Art"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet"],"extent_tesim":["10 Linear Feet"],"date_range_isim":[1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.wlu.edu/handle/11021/32500\"\u003eView materials from this collection online via W\u0026amp;L's Digital Archive\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["View materials from this collection online via W\u0026L's Digital Archive"],"arrangement_html_tesm":["\u003cp\u003eThe bulk of this series is arranged alphabetically, using last names when referring to a specific person. Toward the end of the collection, especially in miscellaneous correspondence, the papers are organized chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The bulk of this series is arranged alphabetically, using last names when referring to a specific person. Toward the end of the collection, especially in miscellaneous correspondence, the papers are organized chronologically."],"originalsloc_html_tesm":["\u003cp\u003eThe University Library has captured this website using Archive-It.  You can view captures \u003ca href=\"https://wayback.archive-it.org/6143/*/http://teachingwithucah.academic.wlu.edu\"\u003eonline\u003c/a\u003e.\u003c/p\u003e"],"originalsloc_heading_ssm":["Online Access"],"originalsloc_tesim":["The University Library has captured this website using Archive-It.  You can view captures  online ."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Museums at Washington and Lee Records (RG 34), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e","\u003cp\u003ePreferred citation: [Identification of item], Art Around Campus Videos, Record Group 34: University Collections of Art and History, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Museums at Washington and Lee Records (RG 34), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA","Preferred citation: [Identification of item], Art Around Campus Videos, Record Group 34: University Collections of Art and History, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA  In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"relatedmaterial_html_tesm":["\u003cp\u003eResearchers might also use the Louise Herreshoff Papers for detailed correspondence and primary source records documenting her personal life, as well as those of her husband, Euchlin Reeves. Some of Whitehead's records and work on his biography of Louise Herreshoff, \"A Fragile Union,\" are included in this collection. Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Researchers might also use the Louise Herreshoff Papers for detailed correspondence and primary source records documenting her personal life, as well as those of her husband, Euchlin Reeves. Some of Whitehead's records and work on his biography of Louise Herreshoff, \"A Fragile Union,\" are included in this collection. Washington and Lee University Record Group 34 also includes audio recordings of a presentation made by Whitehead on \"A Fragile Union.\""],"scopecontent_html_tesm":["\u003cp\u003eThis record group contains archived materials about and created by Washington and Lee University's museums, comprised of Lee Chapel and Museum, the Reeves Collection, and the university's art collection, during the course of its regular business, such as official publications and records of its management.\u003c/p\u003e","\u003cp\u003eThis website was created by Washington and Lee University faculty as as Associated Colleges of the South grant funded project.  It seeks to facilitate the cross-disciplinary use of Washington and Lee's art collection by creating a series of multidisciplinary lesson plans focused on objects in the collection.\u003c/p\u003e","\u003cp\u003eParchment document from Robert Washington and Peter Begin to John Peter.\u003c/p\u003e","\u003cp\u003eparchment document from Robert Washington to Nathaniel Woolinard.\u003c/p\u003e","\u003cp\u003eThere are two versions of the brochure.\u003c/p\u003e","\u003cp\u003eThere are two versions of this booklet, both undated.\u003c/p\u003e","\u003cp\u003etitle page reads 'Ceremonies Connected with the Inauguration of the Mausoleum and the Unveiling of the Recumbent Figure of General Robert Edward Lee.' Includes a historical sketch of the Lee Memorial Association by W. Allan, schedule of the inauguration program, and transcriptions of the speeches given including one by John W. Daniel, LL.D.  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Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. 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It seeks to facilitate the cross-disciplinary use of Washington and Lee's art collection by creating a series of multidisciplinary lesson plans focused on objects in the collection.","Parchment document from Robert Washington and Peter Begin to John Peter.","parchment document from Robert Washington to Nathaniel Woolinard.","There are two versions of the brochure.","There are two versions of this booklet, both undated.","title page reads 'Ceremonies Connected with the Inauguration of the Mausoleum and the Unveiling of the Recumbent Figure of General Robert Edward Lee.' Includes a historical sketch of the Lee Memorial Association by W. Allan, schedule of the inauguration program, and transcriptions of the speeches given including one by John W. Daniel, LL.D.  The hard copy also includes several Michael Miley photos.","Nine betacam recordings from a talk by James Whitehead entitled \"Fragile Union\" given at the Reeves Center Dedication. Also includes box of assorted and unmarked VHS tapes and other video-taping technologies.","One betacam tape of L. Dobyns speaking about the Reeves Collection.","These 15 audio cassettes contain the recordings of the talks given on Decorative Arts Trust and Washington and Lee University during the 1982 Chinan Trade Symposium.  These talks occurred for the opening of the Reeves Center.","Program from an exhibit entitled American Painting at Washington and Lee University: Some Nineteenth-Century Examples, which was held from January 5-22, 1976.  The project was sponsored by the National Endowment for the Arts.","Brochure about the Stan Kamen Collection of Western Art at Washington and Lee.","These videos about pieces of art in Washington and Lee University's Art Collection were created by student interns during the summer of 2011.  Students chose pieces that interested them and then researched the works of art.","This series includes the persona papers of James Whitehead, former director of University Relations, assistant to the president, treasurer, and director of the Reeves Center at Washington and Lee University. These records are from his time as the director of the Reeves Center, and reflect different exhibitions, donor relations, and general correspondence during that time. Much of the collection is correspondence between Whitehead and other museum curators, directors of historical societies, and donors. Includes museum pamphlets, institutional publications, and photographs of collections, and occasionally Whitehead himself. Major subjects of interests covered in the records include matierals concerning the Bicentennial Celebration of American Independence, Foreign Advisory Services (i.e. repossession of Reeves Collection), the Reeves Center, the Morris House, Skylark, Wamsutta Hills, exhibitions of Louise Herreshoff's work, the Reeves Collection of fine China, and miscellaneous correspondence. 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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.\u003c/p\u003e","\u003cp\u003eThe materials from Washington \u0026amp; Lee University's Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.","The materials from Washington \u0026 Lee University's Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Lee Memorial Association","Washington and Lee University.  ROTC","Washington and Lee University. Watson Pavilion","Washington and Lee University. Art Collection","Washington and Lee University","Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr.","Lee, Robert E. (Robert Edward), 1807-1870","Washington, Robert","Begin, Peter","Woolinard, Nathaniel","Miley, Michael, 1841-1918","Daniels, Jonathan","Fuchs, Ronald, II","Tinsley, Thomas W.","Kamen, Stan","Carlson, Renata","Moryan, Claire","Denniston, Rachel","Davies, John","Serendinski, Andrew","Wynn, Evelyn Dawson","Prohaska, Raymond Joseph","Hiroshige, AndoÌ„","Watanabe, Sadao","Stella, Frank","Nesbitt, Lowell","McCarthy, Frank C.","Cooper, A. D. M.","Herreshoff, Louise","Reeves, Euchlin","Parmly, Ruth","Parmly, Charles Howard","Wilson, Woodrow"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Chapel","Washington and Lee University. Reeves Center","Lee Memorial Association","Washington and Lee University.  ROTC","Washington and Lee University. Watson Pavilion","Washington and Lee University. Art Collection","Washington and Lee University"],"names_coll_ssim":["Lee, Robert E. (Robert Edward), 1807-1870"],"persname_ssim":["Whitehead, James Walter, Sr.","Dobyns, Lloyd Allen, Jr.","Lee, Robert E. (Robert Edward), 1807-1870","Washington, Robert","Begin, Peter","Woolinard, Nathaniel","Miley, Michael, 1841-1918","Daniels, Jonathan","Fuchs, Ronald, II","Tinsley, Thomas W.","Kamen, Stan","Carlson, Renata","Moryan, Claire","Denniston, Rachel","Davies, John","Serendinski, Andrew","Wynn, Evelyn Dawson","Prohaska, Raymond Joseph","Hiroshige, AndoÌ„","Watanabe, Sadao","Stella, Frank","Nesbitt, Lowell","McCarthy, Frank C.","Cooper, A. D. M.","Herreshoff, Louise","Reeves, Euchlin","Parmly, Ruth","Parmly, Charles Howard","Wilson, Woodrow"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":362,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:20:01.689Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_392_c05"}},{"id":"virmu_repositories_2_resources_15997","type":"collection","attributes":{"title":"Staff","creator":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15997#creator","type":"document_value","attributes":{"value":"Virginia Museum of Fine Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15997#abstract_or_scope","type":"document_value","attributes":{"value":"This collection documents the staff of the VMFA from 1938-2010, including environmental, studio, and group portraits of directors, curators, and various staff from all departments of the museum.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_15997#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_15997","ead_ssi":"virmu_repositories_2_resources_15997","_root_":"virmu_repositories_2_resources_15997","_nest_parent_":"virmu_repositories_2_resources_15997","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_15997.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/15997","title_filing_ssi":"Staff (PH-06)","title_ssm":["Staff"],"title_tesim":["Staff"],"unitdate_ssm":["1938-2010"],"unitdate_inclusive_ssm":["1938-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PH-06","/repositories/2/resources/15997"],"text":["PH-06","/repositories/2/resources/15997","Staff","Art museum directors -- Virginia","Art museums--Virginia.","Art museum curators.","Studio portraits","Art museums","Staff","Open for Research","The collection is organized into 3 series but is unprocessed OR minimally processed.","This collection documents the staff of the VMFA from 1938-2010, including environmental, studio, and group portraits of directors, curators, and various staff from all departments of the museum.","These binders contain photographic materials related to directors of the VMFA from 1938 through the 2000s. \nBinder 1: Thomas C. Colt, Leslie Cheek, James Brown\nBinder 2: Paul Perrot, Katherine Lee, and Michael Brand","This series consists of VMFA staff portraits, with an emphasis on curators, from 1956 through the 2000s. ","Binder 3: Curators Bliss, Boyd, Curry, Gilkison, Kistler, Near, Rasmussen, and Kallop\nBinder 4: Curators Mayo and Dye\nBinders 5-7: General staff and employee events","This series consists of photographic portraits of VMFA staff at work from the 1940s through the 2000s.","The collection is subject to all copyright laws. Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents the staff of the VMFA from 1938-2010, including environmental, studio, and group portraits of directors, curators, and various staff from all departments of the museum.","Virginia Museum of Fine Arts Archives","Virginia Museum of Fine Arts","English \n.    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