{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+and+artists\u0026f%5Bdate_range%5D%5B%5D=1925","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+and+artists\u0026f%5Bdate_range%5D%5B%5D=1925\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+and+artists\u0026f%5Bdate_range%5D%5B%5D=1925\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":15,"first_page?":true,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_5820","type":"collection","attributes":{"title":"Blanche Lazzell, Artist, Papers, 1881/1992","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#creator","type":"document_value","attributes":{"value":"Lazzell, Blanche, 1878-1956","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#abstract_or_scope","type":"document_value","attributes":{"value":"Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5820","ead_ssi":"wvmturhc_repositories_2_resources_5820","_root_":"wvmturhc_repositories_2_resources_5820","_nest_parent_":"wvmturhc_repositories_2_resources_5820","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5820.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198907","title_ssm":["Blanche Lazzell, Artist, Papers"],"title_tesim":["Blanche Lazzell, Artist, Papers"],"unitdate_ssm":["1881-1992"],"unitdate_inclusive_ssm":["1881-1992"],"normalized_date_ssm":["1881/1992"],"normalized_title_ssm":["Blanche Lazzell, Artist, Papers, 1881/1992"],"text":["Blanche Lazzell, Artist, Papers, 1881/1992","A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820","Morgantown (W. 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Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.","Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant.","English\n."],"collection_title_tesim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"collection_ssim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"unitid_tesim":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"access_subjects_ssm":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"has_online_content_ssim":["false"],"extent_ssm":["9.08 Linear Feet 9 ft. 1 in. (9 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (2 record cartons, 15 in. each); (1 oversize box, 15 in.); (1 index card box, 3 in.); (4 reels of microfilm, 1.75 in. each)"],"extent_tesim":["9.08 Linear Feet 9 ft. 1 in. 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She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026amp;M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). \u003c/p\u003e","\u003cp\u003eAddenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/08/14\u003c/emph\u003e includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/11/15\u003c/emph\u003e includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1994/05/25\u003c/emph\u003e includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 2007/02/02\u003c/emph\u003e includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dea1a9900484fc3d40483a866c08af85\"\u003ePhotographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.\u003c/abstract\u003e\n    "],"abstract_tesim":["Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e208fe22eff30687496707ddde2bea69\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton"],"names_coll_ssim":["Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Lazzell, Blanche, 1878-1956","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"famname_ssim":["Carhart family","Lazzell family","McVicker family","Pope family"],"persname_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"names_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:59.598Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5820","ead_ssi":"wvmturhc_repositories_2_resources_5820","_root_":"wvmturhc_repositories_2_resources_5820","_nest_parent_":"wvmturhc_repositories_2_resources_5820","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5820.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198907","title_ssm":["Blanche Lazzell, Artist, Papers"],"title_tesim":["Blanche Lazzell, Artist, Papers"],"unitdate_ssm":["1881-1992"],"unitdate_inclusive_ssm":["1881-1992"],"normalized_date_ssm":["1881/1992"],"normalized_title_ssm":["Blanche Lazzell, Artist, Papers, 1881/1992"],"text":["Blanche Lazzell, Artist, Papers, 1881/1992","A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820","Morgantown (W. Va.)","West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists","No special access restriction applies.","Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.","Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant.","English\n."],"collection_title_tesim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"collection_ssim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"unitid_tesim":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Lazzell, Blanche, 1878-1956"],"creator_ssim":["Lazzell, Blanche, 1878-1956"],"creator_persname_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"creator_corpname_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton"],"creator_famname_ssim":["Carhart family","Lazzell family","McVicker family","Pope family"],"creators_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant.","West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"access_subjects_ssm":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"has_online_content_ssim":["false"],"extent_ssm":["9.08 Linear Feet 9 ft. 1 in. (9 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (2 record cartons, 15 in. each); (1 oversize box, 15 in.); (1 index card box, 3 in.); (4 reels of microfilm, 1.75 in. each)"],"extent_tesim":["9.08 Linear Feet 9 ft. 1 in. (9 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (2 record cartons, 15 in. each); (1 oversize box, 15 in.); (1 index card box, 3 in.); (4 reels of microfilm, 1.75 in. each)"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eBlanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026amp;M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). \u003c/p\u003e","\u003cp\u003eAddenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/08/14\u003c/emph\u003e includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/11/15\u003c/emph\u003e includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1994/05/25\u003c/emph\u003e includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 2007/02/02\u003c/emph\u003e includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dea1a9900484fc3d40483a866c08af85\"\u003ePhotographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.\u003c/abstract\u003e\n    "],"abstract_tesim":["Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e208fe22eff30687496707ddde2bea69\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton"],"names_coll_ssim":["Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Lazzell, Blanche, 1878-1956","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"famname_ssim":["Carhart family","Lazzell family","McVicker family","Pope family"],"persname_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"names_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:59.598Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820"}},{"id":"wvmturhc_repositories_2_resources_998","type":"collection","attributes":{"title":"David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_998#creator","type":"document_value","attributes":{"value":"Strother, David Hunter, 1816-1888","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_998#abstract_or_scope","type":"document_value","attributes":{"value":"Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for \u003cspan\u003eHarpers Magazine\u003c/span\u003e whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of \u003cspan\u003eVirginia Illustrated\u003c/span\u003e (1857) and \u003cspan\u003eCharleston and its Resources\u003c/span\u003e (1878), his work as illustrator for \u003cspan\u003eBlackwater Chronicle\u003c/span\u003e (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote \u003cspan\u003eThe Mountains\u003c/span\u003e, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_998#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_998","ead_ssi":"wvmturhc_repositories_2_resources_998","_root_":"wvmturhc_repositories_2_resources_998","_nest_parent_":"wvmturhc_repositories_2_resources_998","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_998.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209216","title_ssm":["David Hunter Strother, Artist, Artwork and Papers"],"title_tesim":["David Hunter Strother, Artist, Artwork and Papers"],"unitdate_ssm":["1744-1996","1833-1887"],"unitdate_inclusive_ssm":["1744-1996"],"unitdate_bulk_ssim":["1833-1887"],"normalized_date_ssm":["1744/1996, bulk 1833/1887"],"normalized_title_ssm":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"text":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887","A\u0026M 2894","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/998","Mexico","United States -- History -- Civil War, 1861-1865","Art and artists","Authors -- Letters and papers","Special access restriction applies. We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.","Researchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.","This collection is organized into thirteen series, including:\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4 \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9 \nSeries 3. Oversize; 1798-1882, undated; box 10\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15 \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\nSeries 9. Exhibit; ca. 1996; boxes 50-53\nSeries 10. Newspapers; 1795-1887; box 54 \nSeries 11. Addendum of 2015/06/13, undated \nSeries 12. Addendum of 2007/02/08, 1862-1970 \nSeries 13. Addendum of 2021/06/04, undated","This series includes 44 journals written by Strother which document his multifaceted career and cover the years 1840-1888. The journals chronicle his time in Europe as a young artist in the 1840s, his travels throughout the United States as a writer and illustrator for Harper's Magazine, his service as a topographer and cavalry commander in the American Civil War, his involvement in operating the Berkeley Springs Hotel, and his work as consul to Mexico from 1878-1885. Entries contain detailed accounts of Strother's daily life, as well as commentary on topics such as politics, art, languages, health, weather, and events of local and national interest. Many journals contain sketches, as well as poems, stories, and transcriptions of song lyrics. A highlight of this series is found in Journal 3, which contains Strother's notes on John Brown's raid on Harper's Ferry, WV in October 1859.","Strother's Civil War journals have been abridged by Cecil Eby and published as A Virginia Yankee in the Civil War: The Diaries of David Hunter Strother. His journals from his tenure as consul to Mexico have been edited by John Stealey and published as Porte Crayon's Mexico: David Hunter Strother's Diaries in the Early Porfirian Era.","An abridged transcription by Cecil Eby, Jr., of this journal is located in Series 13, Box 5, Folder 5.","This series contains the correspondence and papers of the Strother family covering the years 1778-1925 (bulk 1827-1888). Correspondence includes letters to and from friends, family, and business associates, as well as telegraphs from David Hunter Strother's service in the American Civil War. Topics discussed in correspondence include personal and family matters, business matters, the Revolutionary War, the American Civil War, the military as a profession, education, health, finances, politics, prohibition, art and illustration techniques, D. H. Strother's travels in Italy, John Brown's raid, the unveiling of the Statue of Liberty, and D. H. Strother's work as consul to Mexico. Correspondents include various members of the Strother family, John Marshall (U.S. Chief Justice), Alexander Stephens (U.S. Congressman and Vice President of the Confederacy), Edmund P. Hunter (Virginia lawyer and politician), J. E. Heath (U.S. Commissioner of Pensions), Charles J. Faulkner (U.S. Congressman), George W. Mumford (Secretary of the Commonwealth of Virginia), Howard Sutherland (U.S. Senator), and William Ravenel (Administrative Assistant, Smithsonian Institution).","Personal papers include memoirs, notebooks, sections of diaries, essays, short stories, poems, song lyrics, enlistment documents, military commissions, legal documents (including a land grant and will), diplomas, receipts, account books, newsletters, newspaper clippings, and genealogies of the Strother family and their slaves. Subjects covered in these manuscript materials include religion, education, politics, the War of 1812, the United States Navy, the American Civil War, the Peekskill Military Academy, John Brown's raid on Harper's Ferry, and D. H. Strother's work as consul to Mexico.","This series contains oversize material including prints, drawings, sketches, manuscript materials, and a photograph taken of Strother in Mexico. The artwork is mostly from the 1880s and includes sketches of Strother's time in Mexico and American Civil War scenes. Manuscript material includes letters and a Strother family genealogy. Correspondents include David Hunter, Morgan Tate, John C. Calhoun (South Carolina congressman and U.S. Vice President), H. L. Tucker (Virginia House of Representatives), and Luther Martin (Attorney General of Maryland and delegate to the Constitutional Convention).","This series contains ten sketchbooks depicting the people and places Strother encountered as a correspondent for Harper's Magazine, hotel operator, traveling artist, and consul to Mexico.  Subjects of drawings include log cabins, barns, mills, wagons and coaches, railroad stations, trees, animals, and natural landscapes and features (Warm Springs Ridge, the Potomac River, the Alabama River, and the White Mountains). People rendered in sketches include fishermen, steamship passengers, railroad workers, newsboys, preachers, miners, and various prominent individuals, including Ambrose Burnside, Sitting Bull, John Brown, Shields Green, John Copeland, Aaron Dwight Stevens, and Edwin Coppock.  Places depicted include Berkeley Springs, West Virginia; Harper's Ferry, West Virginia; Martinsburg, West Virginia; Charleston, West Virginia; Arlington, Virginia; Mexico; Jefferson County, West Virginia; Kanawha County, West Virginia; Morgan County, West Virginia; Hampshire County, West Virginia; Baltimore, Maryland; Clarke County, Virginia; Yancey County, North Carolina; New Orleans, Louisiana; and Nantucket, Massachusetts.","A highlight of this series is found in Box 15, Folder 3, which includes sketches relating to John Brown's imprisonment, trial, and execution.","This series includes drawings, photographs, and commercial prints by artists other than David Hunter Strother. Artists whose work is included in the series are John Strother (D. H. Strother's son), Ruth Johnson, J. V. Kennedy, and other unidentified artists. Subjects represented in the artwork include structures such as log cabins, churches, bridges, and the Peekskill Military Academy; natural features including the Arno River in Florence, Italy and Blackwater Falls in West Virginia; battle scenes; classical statues; and sketches of men and women in various poses.","This series contains artwork including watercolors, pastels, sketches, and drawings, done by David Hunter Strother throughout his lifetime. Subjects of artwork include landscapes depicting mountains, rivers, oceans, lakes and caves; animals, including horses, cats, dogs, birds, fish, and pigs; structures, including houses, churches, schools, and bridges; ships and boats; the American Civil War; John Brown's raid, imprisonment, trial, and execution; the Mississippi River; the Potomac River; the Indian Head River; and landmarks in Italy, including the Ponte Vecchio in Florence, the Bridge of Sighs in Venice, and the Villa Borghese in Rome.","People rendered in artwork include fishermen, soldiers, miners, sailors, farmers, train passengers, and Italian peasants. There are also various portraits of women and children. Prominent individuals depicted in artwork include John Brown and Emma Hardinge Britten.","Places depicted include West Virginia; Virginia; New York; Maryland; North Carolina; New Orleans and Baton Rouge, Louisiana; Mexico City; and Florence, Venice, Rome, Bologna, and Vallombrosa, Italy.","This series consists of artwork by David Hunter Strother which has been framed for display. These artworks were selected to be framed for the West Virginia \u0026 Regional History Center's 1996 exhibit on Strother. Please see Series 9 for additional information on this exhibit.","The artworks are mainly portraits of various men and women. Other subjects depicted include barns and farms, salt works, fisheries, a sugar refinery, an oak tree, a Civil War encampment, and John Brown's execution. Locations and landmarks depicted include Berkeley Springs, West Virginia; Blackwater Falls, West Virginia; Bayou Teche, Louisiana; Moorefield, West Virginia; Martinsburg, West Virginia; and Montgomery County, Maryland.","Oil on canvas. Depicts \"Justice,\" a seated woman in green and red robes and a crown of laurels, gazing upon a sleeping man and woman with their baby. The light shines upon the family in the darkness.","This series contains facsimiles of Strother's artwork which have been framed for display. These facsimiles were created for the traveling version of the 2009 West Virginia Day exhibit, which commemorated the 150th anniversary of John Brown's raid on Harpers Ferry. The majority of these facsimiles are of sketches made by Strother during the trial of John Brown in 1859, including facsimiles of \"Harper's Weekly\" articles for which Strother provided the illustrations. People depicted include John Brown, Shields Green, Edwin Coppock, Aaron Dwight Stevens, John Copeland, and George Henry Hoyt. Please note that the dates given for this series indicate the date that the original artwork was created, rather than the date the facsimile was created.","Original of p. 713 of Harper's Weekly, November 5, 1859, is in Series 7, Box 45.","This series includes brochures, reproduced images, and captions from the West Virginia \u0026 Regional History Center's 1996 exhibit \"David Hunter Strother: One of the Best Draughtsmen the Country Possesses\" and a 2001 digital catalog of Strother's drawings and sketches.","This series includes issues of various newspapers spanning the years 1795-1887 (bulk 1859-1887). Newspapers include the Gazette of the United States, the Ulster County Gazette, Harper's Weekly, The Children's Friend, and The Two Republics.","Contains a drawing by Porte Crayon (alias for David Strother) titled \"The Eyes of Delaware are Upon You.\" The drawing depicts a man sitting in a chair. This drawing may be a sketch for a finished artwork.","Includes correspondence, newspaper clippings, announcements, and photographs regarding David Hunter Strother (DHS) and related families of the Eastern panhandle of West Virginia.","Correspondence (1958-1963) includes letters to and from Mrs. Ernest Sewall Shepard (Louise Shepard) regarding both Strother genealogy and publications of and about DHS.","Newspaper clippings regarding DHS, John Strother, Porte Crayon Memorial Society, the dedication of Mt. Porte Crayon, reviews of publications relating to DHS, and John Brown's raid on Harpers Ferry. There is a typescript copy of a 1938 New York Times article titled \"John Harper's Grandson\" referencing DHS.","Announcements regarding the publication of three books by Cecil Eby, a biographer of Strother. Also includes four photographs: 1) Lt. D.H. Strother (copy); 2) the Richardson family with John Strother (copy); 3) David Hunter Strother at home in Berkeley Springs, W. Va. (same picture as photograph in A\u0026M 2200) and 4) Louise Strother Kieutner in the dress of Elizabeth Pendleton Hunter Strother. There is also a postcard featuring Robert E. Lee, and a copy of an 1887 manuscript letter from D.H. Strother to Mary Hunter.","Original diary (1879-1880) is located in Series 1; Journal 39; Box 5, Folder 4.","Immediate Source of AcquisitionAddendum acquired 2021/06/04","Separated to A\u0026M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.","Separated to A\u0026M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"","Separated to A\u0026M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Strother, David Hunter, 1816-1888","Eby, Cecil D.","English\n."],"collection_title_tesim":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"collection_ssim":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2894","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Series 1-10: Acquired from Strother, John, 1986/12/20 \nSeries 11: Purchase, Zamboni and Huntington, 2015/06/13 \nSeries 12: Acquired, source unidentified, 2007/02/08 \nSeries 13: Acquired, source unidentified, 2021/06/04"],"access_subjects_ssim":["Art and artists","Authors -- Letters and papers"],"access_subjects_ssm":["Art and artists","Authors -- Letters and papers"],"has_online_content_ssim":["false"],"extent_ssm":["15.50 Linear Feet Summary: 15 ft. 6 in. (3 document cases, 2.5 in. each); (9 document cases, 5 in. each); (2 large flat storage boxes, 3.5 in. each); (11 small flat storage boxes, 3 in. each); (23 large flat storage boxes, 3 in. each); (5 large flat storage boxes, 2.5 in. each); (3 flat storage boxes, 1.5 in. each); (4 folders, 0.5 in.); (4 reels of microfilm, 1.75 in. each); 3 framed paintings","0.1 Gigabytes 1 .pdf file"],"extent_tesim":["15.50 Linear Feet Summary: 15 ft. 6 in. (3 document cases, 2.5 in. each); (9 document cases, 5 in. each); (2 large flat storage boxes, 3.5 in. each); (11 small flat storage boxes, 3 in. each); (23 large flat storage boxes, 3 in. each); (5 large flat storage boxes, 2.5 in. each); (3 flat storage boxes, 1.5 in. each); (4 folders, 0.5 in.); (4 reels of microfilm, 1.75 in. each); 3 framed paintings","0.1 Gigabytes 1 .pdf file"],"date_range_isim":[1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies. We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies. We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.","Researchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], David Hunter Strother, Artist, Artwork and Papers, A\u0026amp;M 2894, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], David Hunter Strother, Artist, Artwork and Papers, A\u0026M 2894, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for \u003ctitle\u003eHarpers Magazine\u003c/title\u003e whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of \u003ctitle\u003eVirginia Illustrated\u003c/title\u003e (1857) and \u003ctitle\u003eCharleston and its Resources\u003c/title\u003e (1878), his work as illustrator for \u003ctitle\u003eBlackwater Chronicle\u003c/title\u003e  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote \u003ctitle\u003eThe Mountains\u003c/title\u003e, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.\u003c/p\u003e","\u003cp\u003eThis collection is organized into thirteen series, including:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4\u003clb\u003e\u003c/lb\u003e \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9\u003clb\u003e\u003c/lb\u003e \nSeries 3. Oversize; 1798-1882, undated; box 10\u003clb\u003e\u003c/lb\u003e\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15\u003clb\u003e\u003c/lb\u003e \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\u003clb\u003e\u003c/lb\u003e\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\u003clb\u003e\u003c/lb\u003e\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\u003clb\u003e\u003c/lb\u003e\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\u003clb\u003e\u003c/lb\u003e\nSeries 9. Exhibit; ca. 1996; boxes 50-53\u003clb\u003e\u003c/lb\u003e\nSeries 10. Newspapers; 1795-1887; box 54 \u003clb\u003e\u003c/lb\u003e\nSeries 11. Addendum of 2015/06/13, undated \u003clb\u003e\u003c/lb\u003e\nSeries 12. Addendum of 2007/02/08, 1862-1970 \u003clb\u003e\u003c/lb\u003e\nSeries 13. Addendum of 2021/06/04, undated \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e  ","\u003cp\u003eThis series includes 44 journals written by Strother which document his multifaceted career and cover the years 1840-1888. The journals chronicle his time in Europe as a young artist in the 1840s, his travels throughout the United States as a writer and illustrator for Harper's Magazine, his service as a topographer and cavalry commander in the American Civil War, his involvement in operating the Berkeley Springs Hotel, and his work as consul to Mexico from 1878-1885. Entries contain detailed accounts of Strother's daily life, as well as commentary on topics such as politics, art, languages, health, weather, and events of local and national interest. Many journals contain sketches, as well as poems, stories, and transcriptions of song lyrics. A highlight of this series is found in Journal 3, which contains Strother's notes on John Brown's raid on Harper's Ferry, WV in October 1859. \u003c/p\u003e","\u003cp\u003eStrother's Civil War journals have been abridged by Cecil Eby and published as \u003ctitle\u003eA Virginia Yankee in the Civil War: The Diaries of David Hunter Strother\u003c/title\u003e. His journals from his tenure as consul to Mexico have been edited by John Stealey and published as \u003ctitle\u003ePorte Crayon's Mexico: David Hunter Strother's Diaries in the Early Porfirian Era\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eAn abridged transcription by Cecil Eby, Jr., of this journal is located in Series 13, Box 5, Folder 5.\u003c/p\u003e","\u003cp\u003eThis series contains the correspondence and papers of the Strother family covering the years 1778-1925 (bulk 1827-1888). Correspondence includes letters to and from friends, family, and business associates, as well as telegraphs from David Hunter Strother's service in the American Civil War. Topics discussed in correspondence include personal and family matters, business matters, the Revolutionary War, the American Civil War, the military as a profession, education, health, finances, politics, prohibition, art and illustration techniques, D. H. Strother's travels in Italy, John Brown's raid, the unveiling of the Statue of Liberty, and D. H. Strother's work as consul to Mexico. Correspondents include various members of the Strother family, John Marshall (U.S. Chief Justice), Alexander Stephens (U.S. Congressman and Vice President of the Confederacy), Edmund P. Hunter (Virginia lawyer and politician), J. E. Heath (U.S. Commissioner of Pensions), Charles J. Faulkner (U.S. Congressman), George W. Mumford (Secretary of the Commonwealth of Virginia), Howard Sutherland (U.S. Senator), and William Ravenel (Administrative Assistant, Smithsonian Institution). \u003c/p\u003e","\u003cp\u003ePersonal papers include memoirs, notebooks, sections of diaries, essays, short stories, poems, song lyrics, enlistment documents, military commissions, legal documents (including a land grant and will), diplomas, receipts, account books, newsletters, newspaper clippings, and genealogies of the Strother family and their slaves. Subjects covered in these manuscript materials include religion, education, politics, the War of 1812, the United States Navy, the American Civil War, the Peekskill Military Academy, John Brown's raid on Harper's Ferry, and D. H. Strother's work as consul to Mexico.\u003c/p\u003e","\u003cp\u003eThis series contains oversize material including prints, drawings, sketches, manuscript materials, and a photograph taken of Strother in Mexico. The artwork is mostly from the 1880s and includes sketches of Strother's time in Mexico and American Civil War scenes. Manuscript material includes letters and a Strother family genealogy. Correspondents include David Hunter, Morgan Tate, John C. Calhoun (South Carolina congressman and U.S. Vice President), H. L. Tucker (Virginia House of Representatives), and Luther Martin (Attorney General of Maryland and delegate to the Constitutional Convention).\u003c/p\u003e","\u003cp\u003eThis series contains ten sketchbooks depicting the people and places Strother encountered as a correspondent for Harper's Magazine, hotel operator, traveling artist, and consul to Mexico.  Subjects of drawings include log cabins, barns, mills, wagons and coaches, railroad stations, trees, animals, and natural landscapes and features (Warm Springs Ridge, the Potomac River, the Alabama River, and the White Mountains). People rendered in sketches include fishermen, steamship passengers, railroad workers, newsboys, preachers, miners, and various prominent individuals, including Ambrose Burnside, Sitting Bull, John Brown, Shields Green, John Copeland, Aaron Dwight Stevens, and Edwin Coppock.  Places depicted include Berkeley Springs, West Virginia; Harper's Ferry, West Virginia; Martinsburg, West Virginia; Charleston, West Virginia; Arlington, Virginia; Mexico; Jefferson County, West Virginia; Kanawha County, West Virginia; Morgan County, West Virginia; Hampshire County, West Virginia; Baltimore, Maryland; Clarke County, Virginia; Yancey County, North Carolina; New Orleans, Louisiana; and Nantucket, Massachusetts. \u003c/p\u003e","\u003cp\u003eA highlight of this series is found in Box 15, Folder 3, which includes sketches relating to John Brown's imprisonment, trial, and execution.\u003c/p\u003e","\u003cp\u003eThis series includes drawings, photographs, and commercial prints by artists other than David Hunter Strother. Artists whose work is included in the series are John Strother (D. H. Strother's son), Ruth Johnson, J. V. Kennedy, and other unidentified artists. Subjects represented in the artwork include structures such as log cabins, churches, bridges, and the Peekskill Military Academy; natural features including the Arno River in Florence, Italy and Blackwater Falls in West Virginia; battle scenes; classical statues; and sketches of men and women in various poses.\u003c/p\u003e","\u003cp\u003eThis series contains artwork including watercolors, pastels, sketches, and drawings, done by David Hunter Strother throughout his lifetime. Subjects of artwork include landscapes depicting mountains, rivers, oceans, lakes and caves; animals, including horses, cats, dogs, birds, fish, and pigs; structures, including houses, churches, schools, and bridges; ships and boats; the American Civil War; John Brown's raid, imprisonment, trial, and execution; the Mississippi River; the Potomac River; the Indian Head River; and landmarks in Italy, including the Ponte Vecchio in Florence, the Bridge of Sighs in Venice, and the Villa Borghese in Rome.  \u003c/p\u003e","\u003cp\u003ePeople rendered in artwork include fishermen, soldiers, miners, sailors, farmers, train passengers, and Italian peasants. There are also various portraits of women and children. Prominent individuals depicted in artwork include John Brown and Emma Hardinge Britten.  \u003c/p\u003e","\u003cp\u003ePlaces depicted include West Virginia; Virginia; New York; Maryland; North Carolina; New Orleans and Baton Rouge, Louisiana; Mexico City; and Florence, Venice, Rome, Bologna, and Vallombrosa, Italy.\u003c/p\u003e","\u003cp\u003eThis series consists of artwork by David Hunter Strother which has been framed for display. These artworks were selected to be framed for the West Virginia \u0026amp; Regional History Center's 1996 exhibit on Strother. Please see Series 9 for additional information on this exhibit. \u003c/p\u003e","\u003cp\u003eThe artworks are mainly portraits of various men and women. Other subjects depicted include barns and farms, salt works, fisheries, a sugar refinery, an oak tree, a Civil War encampment, and John Brown's execution. Locations and landmarks depicted include Berkeley Springs, West Virginia; Blackwater Falls, West Virginia; Bayou Teche, Louisiana; Moorefield, West Virginia; Martinsburg, West Virginia; and Montgomery County, Maryland.\u003c/p\u003e","\u003cp\u003eOil on canvas. Depicts \"Justice,\" a seated woman in green and red robes and a crown of laurels, gazing upon a sleeping man and woman with their baby. The light shines upon the family in the darkness.\u003c/p\u003e","\u003cp\u003eThis series contains facsimiles of Strother's artwork which have been framed for display. These facsimiles were created for the traveling version of the 2009 West Virginia Day exhibit, which commemorated the 150th anniversary of John Brown's raid on Harpers Ferry. The majority of these facsimiles are of sketches made by Strother during the trial of John Brown in 1859, including facsimiles of \"Harper's Weekly\" articles for which Strother provided the illustrations. People depicted include John Brown, Shields Green, Edwin Coppock, Aaron Dwight Stevens, John Copeland, and George Henry Hoyt. Please note that the dates given for this series indicate the date that the original artwork was created, rather than the date the facsimile was created.\u003c/p\u003e","\u003cp\u003eOriginal of p. 713 of Harper's Weekly, November 5, 1859, is in Series 7, Box 45.\u003c/p\u003e","\u003cp\u003eThis series includes brochures, reproduced images, and captions from the West Virginia \u0026amp; Regional History Center's 1996 exhibit \"David Hunter Strother: One of the Best Draughtsmen the Country Possesses\" and a 2001 digital catalog of Strother's drawings and sketches.\u003c/p\u003e","\u003cp\u003eThis series includes issues of various newspapers spanning the years 1795-1887 (bulk 1859-1887). Newspapers include the Gazette of the United States, the Ulster County Gazette, Harper's Weekly, The Children's Friend, and The Two Republics.\u003c/p\u003e","\u003cp\u003eContains a drawing by Porte Crayon (alias for David Strother) titled \"The Eyes of Delaware are Upon You.\" The drawing depicts a man sitting in a chair. This drawing may be a sketch for a finished artwork.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, newspaper clippings, announcements, and photographs regarding David Hunter Strother (DHS) and related families of the Eastern panhandle of West Virginia.\u003c/p\u003e","\u003cp\u003eCorrespondence (1958-1963) includes letters to and from Mrs. Ernest Sewall Shepard (Louise Shepard) regarding both Strother genealogy and publications of and about DHS.\u003c/p\u003e","\u003cp\u003eNewspaper clippings regarding DHS, John Strother, Porte Crayon Memorial Society, the dedication of Mt. Porte Crayon, reviews of publications relating to DHS, and John Brown's raid on Harpers Ferry. There is a typescript copy of a 1938 New York Times article titled \"John Harper's Grandson\" referencing DHS.\u003c/p\u003e","\u003cp\u003eAnnouncements regarding the publication of three books by Cecil Eby, a biographer of Strother. Also includes four photographs: 1) Lt. D.H. Strother (copy); 2) the Richardson family with John Strother (copy); 3) David Hunter Strother at home in Berkeley Springs, W. Va. (same picture as photograph in A\u0026amp;M 2200) and 4) Louise Strother Kieutner in the dress of Elizabeth Pendleton Hunter Strother. There is also a postcard featuring Robert E. Lee, and a copy of an 1887 manuscript letter from D.H. Strother to Mary Hunter.\u003c/p\u003e","\u003clb\u003e\nOriginal diary (1879-1880) is located in Series 1; Journal 39; Box 5, Folder 4. \u003c/lb\u003e","\u003cacqinfo id=\"aspace_ee9b1f9b241b251e2eca2374ebdd7b7f\"\u003e\u003chead\u003eImmediate Source of Acquisition\u003c/head\u003e\u003cp\u003eAddendum acquired 2021/06/04\u003c/p\u003e\u003c/acqinfo\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.","This collection is organized into thirteen series, including:\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4 \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9 \nSeries 3. Oversize; 1798-1882, undated; box 10\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15 \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\nSeries 9. Exhibit; ca. 1996; boxes 50-53\nSeries 10. Newspapers; 1795-1887; box 54 \nSeries 11. Addendum of 2015/06/13, undated \nSeries 12. Addendum of 2007/02/08, 1862-1970 \nSeries 13. Addendum of 2021/06/04, undated","This series includes 44 journals written by Strother which document his multifaceted career and cover the years 1840-1888. The journals chronicle his time in Europe as a young artist in the 1840s, his travels throughout the United States as a writer and illustrator for Harper's Magazine, his service as a topographer and cavalry commander in the American Civil War, his involvement in operating the Berkeley Springs Hotel, and his work as consul to Mexico from 1878-1885. Entries contain detailed accounts of Strother's daily life, as well as commentary on topics such as politics, art, languages, health, weather, and events of local and national interest. Many journals contain sketches, as well as poems, stories, and transcriptions of song lyrics. A highlight of this series is found in Journal 3, which contains Strother's notes on John Brown's raid on Harper's Ferry, WV in October 1859.","Strother's Civil War journals have been abridged by Cecil Eby and published as A Virginia Yankee in the Civil War: The Diaries of David Hunter Strother. His journals from his tenure as consul to Mexico have been edited by John Stealey and published as Porte Crayon's Mexico: David Hunter Strother's Diaries in the Early Porfirian Era.","An abridged transcription by Cecil Eby, Jr., of this journal is located in Series 13, Box 5, Folder 5.","This series contains the correspondence and papers of the Strother family covering the years 1778-1925 (bulk 1827-1888). Correspondence includes letters to and from friends, family, and business associates, as well as telegraphs from David Hunter Strother's service in the American Civil War. Topics discussed in correspondence include personal and family matters, business matters, the Revolutionary War, the American Civil War, the military as a profession, education, health, finances, politics, prohibition, art and illustration techniques, D. H. Strother's travels in Italy, John Brown's raid, the unveiling of the Statue of Liberty, and D. H. Strother's work as consul to Mexico. Correspondents include various members of the Strother family, John Marshall (U.S. Chief Justice), Alexander Stephens (U.S. Congressman and Vice President of the Confederacy), Edmund P. Hunter (Virginia lawyer and politician), J. E. Heath (U.S. Commissioner of Pensions), Charles J. Faulkner (U.S. Congressman), George W. Mumford (Secretary of the Commonwealth of Virginia), Howard Sutherland (U.S. Senator), and William Ravenel (Administrative Assistant, Smithsonian Institution).","Personal papers include memoirs, notebooks, sections of diaries, essays, short stories, poems, song lyrics, enlistment documents, military commissions, legal documents (including a land grant and will), diplomas, receipts, account books, newsletters, newspaper clippings, and genealogies of the Strother family and their slaves. Subjects covered in these manuscript materials include religion, education, politics, the War of 1812, the United States Navy, the American Civil War, the Peekskill Military Academy, John Brown's raid on Harper's Ferry, and D. H. Strother's work as consul to Mexico.","This series contains oversize material including prints, drawings, sketches, manuscript materials, and a photograph taken of Strother in Mexico. The artwork is mostly from the 1880s and includes sketches of Strother's time in Mexico and American Civil War scenes. Manuscript material includes letters and a Strother family genealogy. Correspondents include David Hunter, Morgan Tate, John C. Calhoun (South Carolina congressman and U.S. Vice President), H. L. Tucker (Virginia House of Representatives), and Luther Martin (Attorney General of Maryland and delegate to the Constitutional Convention).","This series contains ten sketchbooks depicting the people and places Strother encountered as a correspondent for Harper's Magazine, hotel operator, traveling artist, and consul to Mexico.  Subjects of drawings include log cabins, barns, mills, wagons and coaches, railroad stations, trees, animals, and natural landscapes and features (Warm Springs Ridge, the Potomac River, the Alabama River, and the White Mountains). People rendered in sketches include fishermen, steamship passengers, railroad workers, newsboys, preachers, miners, and various prominent individuals, including Ambrose Burnside, Sitting Bull, John Brown, Shields Green, John Copeland, Aaron Dwight Stevens, and Edwin Coppock.  Places depicted include Berkeley Springs, West Virginia; Harper's Ferry, West Virginia; Martinsburg, West Virginia; Charleston, West Virginia; Arlington, Virginia; Mexico; Jefferson County, West Virginia; Kanawha County, West Virginia; Morgan County, West Virginia; Hampshire County, West Virginia; Baltimore, Maryland; Clarke County, Virginia; Yancey County, North Carolina; New Orleans, Louisiana; and Nantucket, Massachusetts.","A highlight of this series is found in Box 15, Folder 3, which includes sketches relating to John Brown's imprisonment, trial, and execution.","This series includes drawings, photographs, and commercial prints by artists other than David Hunter Strother. Artists whose work is included in the series are John Strother (D. H. Strother's son), Ruth Johnson, J. V. Kennedy, and other unidentified artists. Subjects represented in the artwork include structures such as log cabins, churches, bridges, and the Peekskill Military Academy; natural features including the Arno River in Florence, Italy and Blackwater Falls in West Virginia; battle scenes; classical statues; and sketches of men and women in various poses.","This series contains artwork including watercolors, pastels, sketches, and drawings, done by David Hunter Strother throughout his lifetime. Subjects of artwork include landscapes depicting mountains, rivers, oceans, lakes and caves; animals, including horses, cats, dogs, birds, fish, and pigs; structures, including houses, churches, schools, and bridges; ships and boats; the American Civil War; John Brown's raid, imprisonment, trial, and execution; the Mississippi River; the Potomac River; the Indian Head River; and landmarks in Italy, including the Ponte Vecchio in Florence, the Bridge of Sighs in Venice, and the Villa Borghese in Rome.","People rendered in artwork include fishermen, soldiers, miners, sailors, farmers, train passengers, and Italian peasants. There are also various portraits of women and children. Prominent individuals depicted in artwork include John Brown and Emma Hardinge Britten.","Places depicted include West Virginia; Virginia; New York; Maryland; North Carolina; New Orleans and Baton Rouge, Louisiana; Mexico City; and Florence, Venice, Rome, Bologna, and Vallombrosa, Italy.","This series consists of artwork by David Hunter Strother which has been framed for display. These artworks were selected to be framed for the West Virginia \u0026 Regional History Center's 1996 exhibit on Strother. Please see Series 9 for additional information on this exhibit.","The artworks are mainly portraits of various men and women. Other subjects depicted include barns and farms, salt works, fisheries, a sugar refinery, an oak tree, a Civil War encampment, and John Brown's execution. Locations and landmarks depicted include Berkeley Springs, West Virginia; Blackwater Falls, West Virginia; Bayou Teche, Louisiana; Moorefield, West Virginia; Martinsburg, West Virginia; and Montgomery County, Maryland.","Oil on canvas. Depicts \"Justice,\" a seated woman in green and red robes and a crown of laurels, gazing upon a sleeping man and woman with their baby. The light shines upon the family in the darkness.","This series contains facsimiles of Strother's artwork which have been framed for display. These facsimiles were created for the traveling version of the 2009 West Virginia Day exhibit, which commemorated the 150th anniversary of John Brown's raid on Harpers Ferry. The majority of these facsimiles are of sketches made by Strother during the trial of John Brown in 1859, including facsimiles of \"Harper's Weekly\" articles for which Strother provided the illustrations. People depicted include John Brown, Shields Green, Edwin Coppock, Aaron Dwight Stevens, John Copeland, and George Henry Hoyt. Please note that the dates given for this series indicate the date that the original artwork was created, rather than the date the facsimile was created.","Original of p. 713 of Harper's Weekly, November 5, 1859, is in Series 7, Box 45.","This series includes brochures, reproduced images, and captions from the West Virginia \u0026 Regional History Center's 1996 exhibit \"David Hunter Strother: One of the Best Draughtsmen the Country Possesses\" and a 2001 digital catalog of Strother's drawings and sketches.","This series includes issues of various newspapers spanning the years 1795-1887 (bulk 1859-1887). Newspapers include the Gazette of the United States, the Ulster County Gazette, Harper's Weekly, The Children's Friend, and The Two Republics.","Contains a drawing by Porte Crayon (alias for David Strother) titled \"The Eyes of Delaware are Upon You.\" The drawing depicts a man sitting in a chair. This drawing may be a sketch for a finished artwork.","Includes correspondence, newspaper clippings, announcements, and photographs regarding David Hunter Strother (DHS) and related families of the Eastern panhandle of West Virginia.","Correspondence (1958-1963) includes letters to and from Mrs. Ernest Sewall Shepard (Louise Shepard) regarding both Strother genealogy and publications of and about DHS.","Newspaper clippings regarding DHS, John Strother, Porte Crayon Memorial Society, the dedication of Mt. Porte Crayon, reviews of publications relating to DHS, and John Brown's raid on Harpers Ferry. There is a typescript copy of a 1938 New York Times article titled \"John Harper's Grandson\" referencing DHS.","Announcements regarding the publication of three books by Cecil Eby, a biographer of Strother. Also includes four photographs: 1) Lt. D.H. Strother (copy); 2) the Richardson family with John Strother (copy); 3) David Hunter Strother at home in Berkeley Springs, W. Va. (same picture as photograph in A\u0026M 2200) and 4) Louise Strother Kieutner in the dress of Elizabeth Pendleton Hunter Strother. There is also a postcard featuring Robert E. Lee, and a copy of an 1887 manuscript letter from D.H. Strother to Mary Hunter.","Original diary (1879-1880) is located in Series 1; Journal 39; Box 5, Folder 4.","Immediate Source of AcquisitionAddendum acquired 2021/06/04"],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.\u003c/p\u003e","\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"\u003c/p\u003e","\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\"\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to A\u0026M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.","Separated to A\u0026M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"","Separated to A\u0026M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2a30b1b04b1299c542baa5017f755d1a\"\u003eCorrespondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for \u003ctitle\u003eHarpers Magazine\u003c/title\u003e whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of \u003ctitle\u003eVirginia Illustrated\u003c/title\u003e (1857) and \u003ctitle\u003eCharleston and its Resources\u003c/title\u003e (1878), his work as illustrator for \u003ctitle\u003eBlackwater Chronicle\u003c/title\u003e (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote \u003ctitle\u003eThe Mountains\u003c/title\u003e, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note.\u003c/abstract\u003e\n    "],"abstract_tesim":["Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_08cdf7ef79081b8d2aaaa4c9b2193604\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Strother, David Hunter, 1816-1888","Eby, Cecil D."],"names_coll_ssim":["Eby, Cecil D.","Strother, David Hunter, 1816-1888"],"names_ssim":["West Virginia and Regional History Center","Strother, David Hunter, 1816-1888","Eby, Cecil D."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1269,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T08:00:00.950Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_998","ead_ssi":"wvmturhc_repositories_2_resources_998","_root_":"wvmturhc_repositories_2_resources_998","_nest_parent_":"wvmturhc_repositories_2_resources_998","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_998.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209216","title_ssm":["David Hunter Strother, Artist, Artwork and Papers"],"title_tesim":["David Hunter Strother, Artist, Artwork and Papers"],"unitdate_ssm":["1744-1996","1833-1887"],"unitdate_inclusive_ssm":["1744-1996"],"unitdate_bulk_ssim":["1833-1887"],"normalized_date_ssm":["1744/1996, bulk 1833/1887"],"normalized_title_ssm":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"text":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887","A\u0026M 2894","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/998","Mexico","United States -- History -- Civil War, 1861-1865","Art and artists","Authors -- Letters and papers","Special access restriction applies. We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.","Researchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.","This collection is organized into thirteen series, including:\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4 \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9 \nSeries 3. Oversize; 1798-1882, undated; box 10\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15 \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\nSeries 9. Exhibit; ca. 1996; boxes 50-53\nSeries 10. Newspapers; 1795-1887; box 54 \nSeries 11. Addendum of 2015/06/13, undated \nSeries 12. Addendum of 2007/02/08, 1862-1970 \nSeries 13. Addendum of 2021/06/04, undated","This series includes 44 journals written by Strother which document his multifaceted career and cover the years 1840-1888. The journals chronicle his time in Europe as a young artist in the 1840s, his travels throughout the United States as a writer and illustrator for Harper's Magazine, his service as a topographer and cavalry commander in the American Civil War, his involvement in operating the Berkeley Springs Hotel, and his work as consul to Mexico from 1878-1885. Entries contain detailed accounts of Strother's daily life, as well as commentary on topics such as politics, art, languages, health, weather, and events of local and national interest. Many journals contain sketches, as well as poems, stories, and transcriptions of song lyrics. A highlight of this series is found in Journal 3, which contains Strother's notes on John Brown's raid on Harper's Ferry, WV in October 1859.","Strother's Civil War journals have been abridged by Cecil Eby and published as A Virginia Yankee in the Civil War: The Diaries of David Hunter Strother. His journals from his tenure as consul to Mexico have been edited by John Stealey and published as Porte Crayon's Mexico: David Hunter Strother's Diaries in the Early Porfirian Era.","An abridged transcription by Cecil Eby, Jr., of this journal is located in Series 13, Box 5, Folder 5.","This series contains the correspondence and papers of the Strother family covering the years 1778-1925 (bulk 1827-1888). Correspondence includes letters to and from friends, family, and business associates, as well as telegraphs from David Hunter Strother's service in the American Civil War. Topics discussed in correspondence include personal and family matters, business matters, the Revolutionary War, the American Civil War, the military as a profession, education, health, finances, politics, prohibition, art and illustration techniques, D. H. Strother's travels in Italy, John Brown's raid, the unveiling of the Statue of Liberty, and D. H. Strother's work as consul to Mexico. Correspondents include various members of the Strother family, John Marshall (U.S. Chief Justice), Alexander Stephens (U.S. Congressman and Vice President of the Confederacy), Edmund P. Hunter (Virginia lawyer and politician), J. E. Heath (U.S. Commissioner of Pensions), Charles J. Faulkner (U.S. Congressman), George W. Mumford (Secretary of the Commonwealth of Virginia), Howard Sutherland (U.S. Senator), and William Ravenel (Administrative Assistant, Smithsonian Institution).","Personal papers include memoirs, notebooks, sections of diaries, essays, short stories, poems, song lyrics, enlistment documents, military commissions, legal documents (including a land grant and will), diplomas, receipts, account books, newsletters, newspaper clippings, and genealogies of the Strother family and their slaves. Subjects covered in these manuscript materials include religion, education, politics, the War of 1812, the United States Navy, the American Civil War, the Peekskill Military Academy, John Brown's raid on Harper's Ferry, and D. H. Strother's work as consul to Mexico.","This series contains oversize material including prints, drawings, sketches, manuscript materials, and a photograph taken of Strother in Mexico. The artwork is mostly from the 1880s and includes sketches of Strother's time in Mexico and American Civil War scenes. Manuscript material includes letters and a Strother family genealogy. Correspondents include David Hunter, Morgan Tate, John C. Calhoun (South Carolina congressman and U.S. Vice President), H. L. Tucker (Virginia House of Representatives), and Luther Martin (Attorney General of Maryland and delegate to the Constitutional Convention).","This series contains ten sketchbooks depicting the people and places Strother encountered as a correspondent for Harper's Magazine, hotel operator, traveling artist, and consul to Mexico.  Subjects of drawings include log cabins, barns, mills, wagons and coaches, railroad stations, trees, animals, and natural landscapes and features (Warm Springs Ridge, the Potomac River, the Alabama River, and the White Mountains). People rendered in sketches include fishermen, steamship passengers, railroad workers, newsboys, preachers, miners, and various prominent individuals, including Ambrose Burnside, Sitting Bull, John Brown, Shields Green, John Copeland, Aaron Dwight Stevens, and Edwin Coppock.  Places depicted include Berkeley Springs, West Virginia; Harper's Ferry, West Virginia; Martinsburg, West Virginia; Charleston, West Virginia; Arlington, Virginia; Mexico; Jefferson County, West Virginia; Kanawha County, West Virginia; Morgan County, West Virginia; Hampshire County, West Virginia; Baltimore, Maryland; Clarke County, Virginia; Yancey County, North Carolina; New Orleans, Louisiana; and Nantucket, Massachusetts.","A highlight of this series is found in Box 15, Folder 3, which includes sketches relating to John Brown's imprisonment, trial, and execution.","This series includes drawings, photographs, and commercial prints by artists other than David Hunter Strother. Artists whose work is included in the series are John Strother (D. H. Strother's son), Ruth Johnson, J. V. Kennedy, and other unidentified artists. Subjects represented in the artwork include structures such as log cabins, churches, bridges, and the Peekskill Military Academy; natural features including the Arno River in Florence, Italy and Blackwater Falls in West Virginia; battle scenes; classical statues; and sketches of men and women in various poses.","This series contains artwork including watercolors, pastels, sketches, and drawings, done by David Hunter Strother throughout his lifetime. Subjects of artwork include landscapes depicting mountains, rivers, oceans, lakes and caves; animals, including horses, cats, dogs, birds, fish, and pigs; structures, including houses, churches, schools, and bridges; ships and boats; the American Civil War; John Brown's raid, imprisonment, trial, and execution; the Mississippi River; the Potomac River; the Indian Head River; and landmarks in Italy, including the Ponte Vecchio in Florence, the Bridge of Sighs in Venice, and the Villa Borghese in Rome.","People rendered in artwork include fishermen, soldiers, miners, sailors, farmers, train passengers, and Italian peasants. There are also various portraits of women and children. Prominent individuals depicted in artwork include John Brown and Emma Hardinge Britten.","Places depicted include West Virginia; Virginia; New York; Maryland; North Carolina; New Orleans and Baton Rouge, Louisiana; Mexico City; and Florence, Venice, Rome, Bologna, and Vallombrosa, Italy.","This series consists of artwork by David Hunter Strother which has been framed for display. These artworks were selected to be framed for the West Virginia \u0026 Regional History Center's 1996 exhibit on Strother. Please see Series 9 for additional information on this exhibit.","The artworks are mainly portraits of various men and women. Other subjects depicted include barns and farms, salt works, fisheries, a sugar refinery, an oak tree, a Civil War encampment, and John Brown's execution. Locations and landmarks depicted include Berkeley Springs, West Virginia; Blackwater Falls, West Virginia; Bayou Teche, Louisiana; Moorefield, West Virginia; Martinsburg, West Virginia; and Montgomery County, Maryland.","Oil on canvas. Depicts \"Justice,\" a seated woman in green and red robes and a crown of laurels, gazing upon a sleeping man and woman with their baby. The light shines upon the family in the darkness.","This series contains facsimiles of Strother's artwork which have been framed for display. These facsimiles were created for the traveling version of the 2009 West Virginia Day exhibit, which commemorated the 150th anniversary of John Brown's raid on Harpers Ferry. The majority of these facsimiles are of sketches made by Strother during the trial of John Brown in 1859, including facsimiles of \"Harper's Weekly\" articles for which Strother provided the illustrations. People depicted include John Brown, Shields Green, Edwin Coppock, Aaron Dwight Stevens, John Copeland, and George Henry Hoyt. Please note that the dates given for this series indicate the date that the original artwork was created, rather than the date the facsimile was created.","Original of p. 713 of Harper's Weekly, November 5, 1859, is in Series 7, Box 45.","This series includes brochures, reproduced images, and captions from the West Virginia \u0026 Regional History Center's 1996 exhibit \"David Hunter Strother: One of the Best Draughtsmen the Country Possesses\" and a 2001 digital catalog of Strother's drawings and sketches.","This series includes issues of various newspapers spanning the years 1795-1887 (bulk 1859-1887). Newspapers include the Gazette of the United States, the Ulster County Gazette, Harper's Weekly, The Children's Friend, and The Two Republics.","Contains a drawing by Porte Crayon (alias for David Strother) titled \"The Eyes of Delaware are Upon You.\" The drawing depicts a man sitting in a chair. This drawing may be a sketch for a finished artwork.","Includes correspondence, newspaper clippings, announcements, and photographs regarding David Hunter Strother (DHS) and related families of the Eastern panhandle of West Virginia.","Correspondence (1958-1963) includes letters to and from Mrs. Ernest Sewall Shepard (Louise Shepard) regarding both Strother genealogy and publications of and about DHS.","Newspaper clippings regarding DHS, John Strother, Porte Crayon Memorial Society, the dedication of Mt. Porte Crayon, reviews of publications relating to DHS, and John Brown's raid on Harpers Ferry. There is a typescript copy of a 1938 New York Times article titled \"John Harper's Grandson\" referencing DHS.","Announcements regarding the publication of three books by Cecil Eby, a biographer of Strother. Also includes four photographs: 1) Lt. D.H. Strother (copy); 2) the Richardson family with John Strother (copy); 3) David Hunter Strother at home in Berkeley Springs, W. Va. (same picture as photograph in A\u0026M 2200) and 4) Louise Strother Kieutner in the dress of Elizabeth Pendleton Hunter Strother. There is also a postcard featuring Robert E. Lee, and a copy of an 1887 manuscript letter from D.H. Strother to Mary Hunter.","Original diary (1879-1880) is located in Series 1; Journal 39; Box 5, Folder 4.","Immediate Source of AcquisitionAddendum acquired 2021/06/04","Separated to A\u0026M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.","Separated to A\u0026M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"","Separated to A\u0026M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Strother, David Hunter, 1816-1888","Eby, Cecil D.","English\n."],"collection_title_tesim":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"collection_ssim":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2894","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Series 1-10: Acquired from Strother, John, 1986/12/20 \nSeries 11: Purchase, Zamboni and Huntington, 2015/06/13 \nSeries 12: Acquired, source unidentified, 2007/02/08 \nSeries 13: Acquired, source unidentified, 2021/06/04"],"access_subjects_ssim":["Art and artists","Authors -- Letters and papers"],"access_subjects_ssm":["Art and artists","Authors -- Letters and papers"],"has_online_content_ssim":["false"],"extent_ssm":["15.50 Linear Feet Summary: 15 ft. 6 in. (3 document cases, 2.5 in. each); (9 document cases, 5 in. each); (2 large flat storage boxes, 3.5 in. each); (11 small flat storage boxes, 3 in. each); (23 large flat storage boxes, 3 in. each); (5 large flat storage boxes, 2.5 in. each); (3 flat storage boxes, 1.5 in. each); (4 folders, 0.5 in.); (4 reels of microfilm, 1.75 in. each); 3 framed paintings","0.1 Gigabytes 1 .pdf file"],"extent_tesim":["15.50 Linear Feet Summary: 15 ft. 6 in. (3 document cases, 2.5 in. each); (9 document cases, 5 in. each); (2 large flat storage boxes, 3.5 in. each); (11 small flat storage boxes, 3 in. each); (23 large flat storage boxes, 3 in. each); (5 large flat storage boxes, 2.5 in. each); (3 flat storage boxes, 1.5 in. each); (4 folders, 0.5 in.); (4 reels of microfilm, 1.75 in. each); 3 framed paintings","0.1 Gigabytes 1 .pdf file"],"date_range_isim":[1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies. We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies. We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.","Researchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], David Hunter Strother, Artist, Artwork and Papers, A\u0026amp;M 2894, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], David Hunter Strother, Artist, Artwork and Papers, A\u0026M 2894, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for \u003ctitle\u003eHarpers Magazine\u003c/title\u003e whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of \u003ctitle\u003eVirginia Illustrated\u003c/title\u003e (1857) and \u003ctitle\u003eCharleston and its Resources\u003c/title\u003e (1878), his work as illustrator for \u003ctitle\u003eBlackwater Chronicle\u003c/title\u003e  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote \u003ctitle\u003eThe Mountains\u003c/title\u003e, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.\u003c/p\u003e","\u003cp\u003eThis collection is organized into thirteen series, including:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4\u003clb\u003e\u003c/lb\u003e \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9\u003clb\u003e\u003c/lb\u003e \nSeries 3. Oversize; 1798-1882, undated; box 10\u003clb\u003e\u003c/lb\u003e\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15\u003clb\u003e\u003c/lb\u003e \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\u003clb\u003e\u003c/lb\u003e\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\u003clb\u003e\u003c/lb\u003e\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\u003clb\u003e\u003c/lb\u003e\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\u003clb\u003e\u003c/lb\u003e\nSeries 9. Exhibit; ca. 1996; boxes 50-53\u003clb\u003e\u003c/lb\u003e\nSeries 10. Newspapers; 1795-1887; box 54 \u003clb\u003e\u003c/lb\u003e\nSeries 11. Addendum of 2015/06/13, undated \u003clb\u003e\u003c/lb\u003e\nSeries 12. Addendum of 2007/02/08, 1862-1970 \u003clb\u003e\u003c/lb\u003e\nSeries 13. Addendum of 2021/06/04, undated \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e  ","\u003cp\u003eThis series includes 44 journals written by Strother which document his multifaceted career and cover the years 1840-1888. The journals chronicle his time in Europe as a young artist in the 1840s, his travels throughout the United States as a writer and illustrator for Harper's Magazine, his service as a topographer and cavalry commander in the American Civil War, his involvement in operating the Berkeley Springs Hotel, and his work as consul to Mexico from 1878-1885. Entries contain detailed accounts of Strother's daily life, as well as commentary on topics such as politics, art, languages, health, weather, and events of local and national interest. Many journals contain sketches, as well as poems, stories, and transcriptions of song lyrics. A highlight of this series is found in Journal 3, which contains Strother's notes on John Brown's raid on Harper's Ferry, WV in October 1859. \u003c/p\u003e","\u003cp\u003eStrother's Civil War journals have been abridged by Cecil Eby and published as \u003ctitle\u003eA Virginia Yankee in the Civil War: The Diaries of David Hunter Strother\u003c/title\u003e. His journals from his tenure as consul to Mexico have been edited by John Stealey and published as \u003ctitle\u003ePorte Crayon's Mexico: David Hunter Strother's Diaries in the Early Porfirian Era\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eAn abridged transcription by Cecil Eby, Jr., of this journal is located in Series 13, Box 5, Folder 5.\u003c/p\u003e","\u003cp\u003eThis series contains the correspondence and papers of the Strother family covering the years 1778-1925 (bulk 1827-1888). Correspondence includes letters to and from friends, family, and business associates, as well as telegraphs from David Hunter Strother's service in the American Civil War. Topics discussed in correspondence include personal and family matters, business matters, the Revolutionary War, the American Civil War, the military as a profession, education, health, finances, politics, prohibition, art and illustration techniques, D. H. Strother's travels in Italy, John Brown's raid, the unveiling of the Statue of Liberty, and D. H. Strother's work as consul to Mexico. Correspondents include various members of the Strother family, John Marshall (U.S. Chief Justice), Alexander Stephens (U.S. Congressman and Vice President of the Confederacy), Edmund P. Hunter (Virginia lawyer and politician), J. E. Heath (U.S. Commissioner of Pensions), Charles J. Faulkner (U.S. Congressman), George W. Mumford (Secretary of the Commonwealth of Virginia), Howard Sutherland (U.S. Senator), and William Ravenel (Administrative Assistant, Smithsonian Institution). \u003c/p\u003e","\u003cp\u003ePersonal papers include memoirs, notebooks, sections of diaries, essays, short stories, poems, song lyrics, enlistment documents, military commissions, legal documents (including a land grant and will), diplomas, receipts, account books, newsletters, newspaper clippings, and genealogies of the Strother family and their slaves. Subjects covered in these manuscript materials include religion, education, politics, the War of 1812, the United States Navy, the American Civil War, the Peekskill Military Academy, John Brown's raid on Harper's Ferry, and D. H. Strother's work as consul to Mexico.\u003c/p\u003e","\u003cp\u003eThis series contains oversize material including prints, drawings, sketches, manuscript materials, and a photograph taken of Strother in Mexico. The artwork is mostly from the 1880s and includes sketches of Strother's time in Mexico and American Civil War scenes. Manuscript material includes letters and a Strother family genealogy. Correspondents include David Hunter, Morgan Tate, John C. Calhoun (South Carolina congressman and U.S. Vice President), H. L. Tucker (Virginia House of Representatives), and Luther Martin (Attorney General of Maryland and delegate to the Constitutional Convention).\u003c/p\u003e","\u003cp\u003eThis series contains ten sketchbooks depicting the people and places Strother encountered as a correspondent for Harper's Magazine, hotel operator, traveling artist, and consul to Mexico.  Subjects of drawings include log cabins, barns, mills, wagons and coaches, railroad stations, trees, animals, and natural landscapes and features (Warm Springs Ridge, the Potomac River, the Alabama River, and the White Mountains). People rendered in sketches include fishermen, steamship passengers, railroad workers, newsboys, preachers, miners, and various prominent individuals, including Ambrose Burnside, Sitting Bull, John Brown, Shields Green, John Copeland, Aaron Dwight Stevens, and Edwin Coppock.  Places depicted include Berkeley Springs, West Virginia; Harper's Ferry, West Virginia; Martinsburg, West Virginia; Charleston, West Virginia; Arlington, Virginia; Mexico; Jefferson County, West Virginia; Kanawha County, West Virginia; Morgan County, West Virginia; Hampshire County, West Virginia; Baltimore, Maryland; Clarke County, Virginia; Yancey County, North Carolina; New Orleans, Louisiana; and Nantucket, Massachusetts. \u003c/p\u003e","\u003cp\u003eA highlight of this series is found in Box 15, Folder 3, which includes sketches relating to John Brown's imprisonment, trial, and execution.\u003c/p\u003e","\u003cp\u003eThis series includes drawings, photographs, and commercial prints by artists other than David Hunter Strother. Artists whose work is included in the series are John Strother (D. H. Strother's son), Ruth Johnson, J. V. Kennedy, and other unidentified artists. Subjects represented in the artwork include structures such as log cabins, churches, bridges, and the Peekskill Military Academy; natural features including the Arno River in Florence, Italy and Blackwater Falls in West Virginia; battle scenes; classical statues; and sketches of men and women in various poses.\u003c/p\u003e","\u003cp\u003eThis series contains artwork including watercolors, pastels, sketches, and drawings, done by David Hunter Strother throughout his lifetime. Subjects of artwork include landscapes depicting mountains, rivers, oceans, lakes and caves; animals, including horses, cats, dogs, birds, fish, and pigs; structures, including houses, churches, schools, and bridges; ships and boats; the American Civil War; John Brown's raid, imprisonment, trial, and execution; the Mississippi River; the Potomac River; the Indian Head River; and landmarks in Italy, including the Ponte Vecchio in Florence, the Bridge of Sighs in Venice, and the Villa Borghese in Rome.  \u003c/p\u003e","\u003cp\u003ePeople rendered in artwork include fishermen, soldiers, miners, sailors, farmers, train passengers, and Italian peasants. There are also various portraits of women and children. Prominent individuals depicted in artwork include John Brown and Emma Hardinge Britten.  \u003c/p\u003e","\u003cp\u003ePlaces depicted include West Virginia; Virginia; New York; Maryland; North Carolina; New Orleans and Baton Rouge, Louisiana; Mexico City; and Florence, Venice, Rome, Bologna, and Vallombrosa, Italy.\u003c/p\u003e","\u003cp\u003eThis series consists of artwork by David Hunter Strother which has been framed for display. These artworks were selected to be framed for the West Virginia \u0026amp; Regional History Center's 1996 exhibit on Strother. Please see Series 9 for additional information on this exhibit. \u003c/p\u003e","\u003cp\u003eThe artworks are mainly portraits of various men and women. Other subjects depicted include barns and farms, salt works, fisheries, a sugar refinery, an oak tree, a Civil War encampment, and John Brown's execution. Locations and landmarks depicted include Berkeley Springs, West Virginia; Blackwater Falls, West Virginia; Bayou Teche, Louisiana; Moorefield, West Virginia; Martinsburg, West Virginia; and Montgomery County, Maryland.\u003c/p\u003e","\u003cp\u003eOil on canvas. Depicts \"Justice,\" a seated woman in green and red robes and a crown of laurels, gazing upon a sleeping man and woman with their baby. The light shines upon the family in the darkness.\u003c/p\u003e","\u003cp\u003eThis series contains facsimiles of Strother's artwork which have been framed for display. These facsimiles were created for the traveling version of the 2009 West Virginia Day exhibit, which commemorated the 150th anniversary of John Brown's raid on Harpers Ferry. The majority of these facsimiles are of sketches made by Strother during the trial of John Brown in 1859, including facsimiles of \"Harper's Weekly\" articles for which Strother provided the illustrations. People depicted include John Brown, Shields Green, Edwin Coppock, Aaron Dwight Stevens, John Copeland, and George Henry Hoyt. Please note that the dates given for this series indicate the date that the original artwork was created, rather than the date the facsimile was created.\u003c/p\u003e","\u003cp\u003eOriginal of p. 713 of Harper's Weekly, November 5, 1859, is in Series 7, Box 45.\u003c/p\u003e","\u003cp\u003eThis series includes brochures, reproduced images, and captions from the West Virginia \u0026amp; Regional History Center's 1996 exhibit \"David Hunter Strother: One of the Best Draughtsmen the Country Possesses\" and a 2001 digital catalog of Strother's drawings and sketches.\u003c/p\u003e","\u003cp\u003eThis series includes issues of various newspapers spanning the years 1795-1887 (bulk 1859-1887). Newspapers include the Gazette of the United States, the Ulster County Gazette, Harper's Weekly, The Children's Friend, and The Two Republics.\u003c/p\u003e","\u003cp\u003eContains a drawing by Porte Crayon (alias for David Strother) titled \"The Eyes of Delaware are Upon You.\" The drawing depicts a man sitting in a chair. This drawing may be a sketch for a finished artwork.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, newspaper clippings, announcements, and photographs regarding David Hunter Strother (DHS) and related families of the Eastern panhandle of West Virginia.\u003c/p\u003e","\u003cp\u003eCorrespondence (1958-1963) includes letters to and from Mrs. Ernest Sewall Shepard (Louise Shepard) regarding both Strother genealogy and publications of and about DHS.\u003c/p\u003e","\u003cp\u003eNewspaper clippings regarding DHS, John Strother, Porte Crayon Memorial Society, the dedication of Mt. Porte Crayon, reviews of publications relating to DHS, and John Brown's raid on Harpers Ferry. There is a typescript copy of a 1938 New York Times article titled \"John Harper's Grandson\" referencing DHS.\u003c/p\u003e","\u003cp\u003eAnnouncements regarding the publication of three books by Cecil Eby, a biographer of Strother. Also includes four photographs: 1) Lt. D.H. Strother (copy); 2) the Richardson family with John Strother (copy); 3) David Hunter Strother at home in Berkeley Springs, W. Va. (same picture as photograph in A\u0026amp;M 2200) and 4) Louise Strother Kieutner in the dress of Elizabeth Pendleton Hunter Strother. There is also a postcard featuring Robert E. Lee, and a copy of an 1887 manuscript letter from D.H. Strother to Mary Hunter.\u003c/p\u003e","\u003clb\u003e\nOriginal diary (1879-1880) is located in Series 1; Journal 39; Box 5, Folder 4. \u003c/lb\u003e","\u003cacqinfo id=\"aspace_ee9b1f9b241b251e2eca2374ebdd7b7f\"\u003e\u003chead\u003eImmediate Source of Acquisition\u003c/head\u003e\u003cp\u003eAddendum acquired 2021/06/04\u003c/p\u003e\u003c/acqinfo\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.","This collection is organized into thirteen series, including:\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4 \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9 \nSeries 3. Oversize; 1798-1882, undated; box 10\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15 \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\nSeries 9. Exhibit; ca. 1996; boxes 50-53\nSeries 10. Newspapers; 1795-1887; box 54 \nSeries 11. Addendum of 2015/06/13, undated \nSeries 12. Addendum of 2007/02/08, 1862-1970 \nSeries 13. Addendum of 2021/06/04, undated","This series includes 44 journals written by Strother which document his multifaceted career and cover the years 1840-1888. The journals chronicle his time in Europe as a young artist in the 1840s, his travels throughout the United States as a writer and illustrator for Harper's Magazine, his service as a topographer and cavalry commander in the American Civil War, his involvement in operating the Berkeley Springs Hotel, and his work as consul to Mexico from 1878-1885. Entries contain detailed accounts of Strother's daily life, as well as commentary on topics such as politics, art, languages, health, weather, and events of local and national interest. Many journals contain sketches, as well as poems, stories, and transcriptions of song lyrics. A highlight of this series is found in Journal 3, which contains Strother's notes on John Brown's raid on Harper's Ferry, WV in October 1859.","Strother's Civil War journals have been abridged by Cecil Eby and published as A Virginia Yankee in the Civil War: The Diaries of David Hunter Strother. His journals from his tenure as consul to Mexico have been edited by John Stealey and published as Porte Crayon's Mexico: David Hunter Strother's Diaries in the Early Porfirian Era.","An abridged transcription by Cecil Eby, Jr., of this journal is located in Series 13, Box 5, Folder 5.","This series contains the correspondence and papers of the Strother family covering the years 1778-1925 (bulk 1827-1888). Correspondence includes letters to and from friends, family, and business associates, as well as telegraphs from David Hunter Strother's service in the American Civil War. Topics discussed in correspondence include personal and family matters, business matters, the Revolutionary War, the American Civil War, the military as a profession, education, health, finances, politics, prohibition, art and illustration techniques, D. H. Strother's travels in Italy, John Brown's raid, the unveiling of the Statue of Liberty, and D. H. Strother's work as consul to Mexico. Correspondents include various members of the Strother family, John Marshall (U.S. Chief Justice), Alexander Stephens (U.S. Congressman and Vice President of the Confederacy), Edmund P. Hunter (Virginia lawyer and politician), J. E. Heath (U.S. Commissioner of Pensions), Charles J. Faulkner (U.S. Congressman), George W. Mumford (Secretary of the Commonwealth of Virginia), Howard Sutherland (U.S. Senator), and William Ravenel (Administrative Assistant, Smithsonian Institution).","Personal papers include memoirs, notebooks, sections of diaries, essays, short stories, poems, song lyrics, enlistment documents, military commissions, legal documents (including a land grant and will), diplomas, receipts, account books, newsletters, newspaper clippings, and genealogies of the Strother family and their slaves. Subjects covered in these manuscript materials include religion, education, politics, the War of 1812, the United States Navy, the American Civil War, the Peekskill Military Academy, John Brown's raid on Harper's Ferry, and D. H. Strother's work as consul to Mexico.","This series contains oversize material including prints, drawings, sketches, manuscript materials, and a photograph taken of Strother in Mexico. The artwork is mostly from the 1880s and includes sketches of Strother's time in Mexico and American Civil War scenes. Manuscript material includes letters and a Strother family genealogy. Correspondents include David Hunter, Morgan Tate, John C. Calhoun (South Carolina congressman and U.S. Vice President), H. L. Tucker (Virginia House of Representatives), and Luther Martin (Attorney General of Maryland and delegate to the Constitutional Convention).","This series contains ten sketchbooks depicting the people and places Strother encountered as a correspondent for Harper's Magazine, hotel operator, traveling artist, and consul to Mexico.  Subjects of drawings include log cabins, barns, mills, wagons and coaches, railroad stations, trees, animals, and natural landscapes and features (Warm Springs Ridge, the Potomac River, the Alabama River, and the White Mountains). People rendered in sketches include fishermen, steamship passengers, railroad workers, newsboys, preachers, miners, and various prominent individuals, including Ambrose Burnside, Sitting Bull, John Brown, Shields Green, John Copeland, Aaron Dwight Stevens, and Edwin Coppock.  Places depicted include Berkeley Springs, West Virginia; Harper's Ferry, West Virginia; Martinsburg, West Virginia; Charleston, West Virginia; Arlington, Virginia; Mexico; Jefferson County, West Virginia; Kanawha County, West Virginia; Morgan County, West Virginia; Hampshire County, West Virginia; Baltimore, Maryland; Clarke County, Virginia; Yancey County, North Carolina; New Orleans, Louisiana; and Nantucket, Massachusetts.","A highlight of this series is found in Box 15, Folder 3, which includes sketches relating to John Brown's imprisonment, trial, and execution.","This series includes drawings, photographs, and commercial prints by artists other than David Hunter Strother. Artists whose work is included in the series are John Strother (D. H. Strother's son), Ruth Johnson, J. V. Kennedy, and other unidentified artists. Subjects represented in the artwork include structures such as log cabins, churches, bridges, and the Peekskill Military Academy; natural features including the Arno River in Florence, Italy and Blackwater Falls in West Virginia; battle scenes; classical statues; and sketches of men and women in various poses.","This series contains artwork including watercolors, pastels, sketches, and drawings, done by David Hunter Strother throughout his lifetime. Subjects of artwork include landscapes depicting mountains, rivers, oceans, lakes and caves; animals, including horses, cats, dogs, birds, fish, and pigs; structures, including houses, churches, schools, and bridges; ships and boats; the American Civil War; John Brown's raid, imprisonment, trial, and execution; the Mississippi River; the Potomac River; the Indian Head River; and landmarks in Italy, including the Ponte Vecchio in Florence, the Bridge of Sighs in Venice, and the Villa Borghese in Rome.","People rendered in artwork include fishermen, soldiers, miners, sailors, farmers, train passengers, and Italian peasants. There are also various portraits of women and children. Prominent individuals depicted in artwork include John Brown and Emma Hardinge Britten.","Places depicted include West Virginia; Virginia; New York; Maryland; North Carolina; New Orleans and Baton Rouge, Louisiana; Mexico City; and Florence, Venice, Rome, Bologna, and Vallombrosa, Italy.","This series consists of artwork by David Hunter Strother which has been framed for display. These artworks were selected to be framed for the West Virginia \u0026 Regional History Center's 1996 exhibit on Strother. Please see Series 9 for additional information on this exhibit.","The artworks are mainly portraits of various men and women. Other subjects depicted include barns and farms, salt works, fisheries, a sugar refinery, an oak tree, a Civil War encampment, and John Brown's execution. Locations and landmarks depicted include Berkeley Springs, West Virginia; Blackwater Falls, West Virginia; Bayou Teche, Louisiana; Moorefield, West Virginia; Martinsburg, West Virginia; and Montgomery County, Maryland.","Oil on canvas. Depicts \"Justice,\" a seated woman in green and red robes and a crown of laurels, gazing upon a sleeping man and woman with their baby. The light shines upon the family in the darkness.","This series contains facsimiles of Strother's artwork which have been framed for display. These facsimiles were created for the traveling version of the 2009 West Virginia Day exhibit, which commemorated the 150th anniversary of John Brown's raid on Harpers Ferry. The majority of these facsimiles are of sketches made by Strother during the trial of John Brown in 1859, including facsimiles of \"Harper's Weekly\" articles for which Strother provided the illustrations. People depicted include John Brown, Shields Green, Edwin Coppock, Aaron Dwight Stevens, John Copeland, and George Henry Hoyt. Please note that the dates given for this series indicate the date that the original artwork was created, rather than the date the facsimile was created.","Original of p. 713 of Harper's Weekly, November 5, 1859, is in Series 7, Box 45.","This series includes brochures, reproduced images, and captions from the West Virginia \u0026 Regional History Center's 1996 exhibit \"David Hunter Strother: One of the Best Draughtsmen the Country Possesses\" and a 2001 digital catalog of Strother's drawings and sketches.","This series includes issues of various newspapers spanning the years 1795-1887 (bulk 1859-1887). Newspapers include the Gazette of the United States, the Ulster County Gazette, Harper's Weekly, The Children's Friend, and The Two Republics.","Contains a drawing by Porte Crayon (alias for David Strother) titled \"The Eyes of Delaware are Upon You.\" The drawing depicts a man sitting in a chair. This drawing may be a sketch for a finished artwork.","Includes correspondence, newspaper clippings, announcements, and photographs regarding David Hunter Strother (DHS) and related families of the Eastern panhandle of West Virginia.","Correspondence (1958-1963) includes letters to and from Mrs. Ernest Sewall Shepard (Louise Shepard) regarding both Strother genealogy and publications of and about DHS.","Newspaper clippings regarding DHS, John Strother, Porte Crayon Memorial Society, the dedication of Mt. Porte Crayon, reviews of publications relating to DHS, and John Brown's raid on Harpers Ferry. There is a typescript copy of a 1938 New York Times article titled \"John Harper's Grandson\" referencing DHS.","Announcements regarding the publication of three books by Cecil Eby, a biographer of Strother. Also includes four photographs: 1) Lt. D.H. Strother (copy); 2) the Richardson family with John Strother (copy); 3) David Hunter Strother at home in Berkeley Springs, W. Va. (same picture as photograph in A\u0026M 2200) and 4) Louise Strother Kieutner in the dress of Elizabeth Pendleton Hunter Strother. There is also a postcard featuring Robert E. Lee, and a copy of an 1887 manuscript letter from D.H. Strother to Mary Hunter.","Original diary (1879-1880) is located in Series 1; Journal 39; Box 5, Folder 4.","Immediate Source of AcquisitionAddendum acquired 2021/06/04"],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.\u003c/p\u003e","\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"\u003c/p\u003e","\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\"\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to A\u0026M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.","Separated to A\u0026M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"","Separated to A\u0026M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2a30b1b04b1299c542baa5017f755d1a\"\u003eCorrespondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for \u003ctitle\u003eHarpers Magazine\u003c/title\u003e whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of \u003ctitle\u003eVirginia Illustrated\u003c/title\u003e (1857) and \u003ctitle\u003eCharleston and its Resources\u003c/title\u003e (1878), his work as illustrator for \u003ctitle\u003eBlackwater Chronicle\u003c/title\u003e (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote \u003ctitle\u003eThe Mountains\u003c/title\u003e, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note.\u003c/abstract\u003e\n    "],"abstract_tesim":["Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_08cdf7ef79081b8d2aaaa4c9b2193604\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Strother, David Hunter, 1816-1888","Eby, Cecil D."],"names_coll_ssim":["Eby, Cecil D.","Strother, David Hunter, 1816-1888"],"names_ssim":["West Virginia and Regional History Center","Strother, David Hunter, 1816-1888","Eby, Cecil D."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1269,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T08:00:00.950Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_998"}},{"id":"wvmturhc_repositories_2_resources_4421","type":"collection","attributes":{"title":"Frank Holme (1868-1904), Artist, Papers, 1894/1941","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4421#creator","type":"document_value","attributes":{"value":"Holme, Frank, 1868-1904","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4421#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4421#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_4421","ead_ssi":"wvmturhc_repositories_2_resources_4421","_root_":"wvmturhc_repositories_2_resources_4421","_nest_parent_":"wvmturhc_repositories_2_resources_4421","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4421.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198032","title_ssm":["Frank Holme (1868-1904), Artist, Papers"],"title_tesim":["Frank Holme (1868-1904), Artist, Papers"],"unitdate_ssm":["ca. 1894-1941"],"unitdate_inclusive_ssm":["ca. 1894-1941"],"normalized_date_ssm":["1894/1941"],"normalized_title_ssm":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"text":["Frank Holme (1868-1904), Artist, Papers, 1894/1941","A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421","Preston County (W. Va.)","Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","1167, 1178","Papers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George.","English"],"collection_title_tesim":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"collection_ssim":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421"],"unitid_tesim":["A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Preston County (W. Va.)"],"geogname_ssim":["Preston County (W. Va.)"],"places_ssim":["Preston County (W. Va.)"],"creator_ssm":["Holme, Frank, 1868-1904"],"creator_ssim":["Holme, Frank, 1868-1904"],"creator_persname_ssim":["Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George."],"creator_corpname_ssim":["West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)"],"creators_ssim":["Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George.","West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950"],"access_subjects_ssm":["Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 6 1/2 in. (1 document case, 5 in.); (1 flat storage box, 1 1/2 in.)"],"extent_tesim":["0.6 Linear Feet 6 1/2 in. (1 document case, 5 in.); (1 flat storage box, 1 1/2 in.)"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Frank Holme (1868-1904), Artist, Papers, A\u0026amp;M 1178, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Frank Holme (1868-1904), Artist, Papers, A\u0026M 1178, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e1167, 1178\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["1167, 1178"],"scopecontent_html_tesm":["\u003cp\u003ePapers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b270b0973f19abfc647fa5dae22d5b83\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)"],"names_coll_ssim":["Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Marshall, Vause Webb, 1880-1954","Ade, George."],"persname_ssim":["Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George."],"names_ssim":["West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:56:36.205Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4421","ead_ssi":"wvmturhc_repositories_2_resources_4421","_root_":"wvmturhc_repositories_2_resources_4421","_nest_parent_":"wvmturhc_repositories_2_resources_4421","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4421.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198032","title_ssm":["Frank Holme (1868-1904), Artist, Papers"],"title_tesim":["Frank Holme (1868-1904), Artist, Papers"],"unitdate_ssm":["ca. 1894-1941"],"unitdate_inclusive_ssm":["ca. 1894-1941"],"normalized_date_ssm":["1894/1941"],"normalized_title_ssm":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"text":["Frank Holme (1868-1904), Artist, Papers, 1894/1941","A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421","Preston County (W. Va.)","Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","1167, 1178","Papers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George.","English"],"collection_title_tesim":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"collection_ssim":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421"],"unitid_tesim":["A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Preston County (W. Va.)"],"geogname_ssim":["Preston County (W. Va.)"],"places_ssim":["Preston County (W. Va.)"],"creator_ssm":["Holme, Frank, 1868-1904"],"creator_ssim":["Holme, Frank, 1868-1904"],"creator_persname_ssim":["Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George."],"creator_corpname_ssim":["West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)"],"creators_ssim":["Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George.","West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950"],"access_subjects_ssm":["Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 6 1/2 in. (1 document case, 5 in.); (1 flat storage box, 1 1/2 in.)"],"extent_tesim":["0.6 Linear Feet 6 1/2 in. (1 document case, 5 in.); (1 flat storage box, 1 1/2 in.)"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Frank Holme (1868-1904), Artist, Papers, A\u0026amp;M 1178, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Frank Holme (1868-1904), Artist, Papers, A\u0026M 1178, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e1167, 1178\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["1167, 1178"],"scopecontent_html_tesm":["\u003cp\u003ePapers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b270b0973f19abfc647fa5dae22d5b83\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)"],"names_coll_ssim":["Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Marshall, Vause Webb, 1880-1954","Ade, George."],"persname_ssim":["Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George."],"names_ssim":["West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:56:36.205Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4421"}},{"id":"wvmturhc_repositories_2_resources_1534","type":"collection","attributes":{"title":"Grace Martin Taylor, Artist, Papers, 1904/2019","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1534#creator","type":"document_value","attributes":{"value":"Taylor, Grace Martin, 1903-1995","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1534#abstract_or_scope","type":"document_value","attributes":{"value":"Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1534#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1534","ead_ssi":"wvmturhc_repositories_2_resources_1534","_root_":"wvmturhc_repositories_2_resources_1534","_nest_parent_":"wvmturhc_repositories_2_resources_1534","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1534.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195813","title_ssm":["Grace Martin Taylor, Artist, Papers"],"title_tesim":["Grace Martin Taylor, Artist, Papers"],"unitdate_ssm":["1904-2019"],"unitdate_inclusive_ssm":["1904-2019"],"normalized_date_ssm":["1904/2019"],"normalized_title_ssm":["Grace Martin Taylor, Artist, Papers, 1904/2019"],"text":["Grace Martin Taylor, Artist, Papers, 1904/2019","A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534","Art and artists","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Grace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.","Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"","As an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.","Grace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV.","3206, 4170","Papers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction.","Addendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.","Addendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.","A grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.","This series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of Who's Who, recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.","This series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Taylor, Grace Martin, 1903-1995","Mellert, Lucie A.","English"],"collection_title_tesim":["Grace Martin Taylor, Artist, Papers, 1904/2019"],"collection_ssim":["Grace Martin Taylor, Artist, Papers, 1904/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534"],"unitid_tesim":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Taylor, Grace Martin, 1903-1995"],"creator_ssim":["Taylor, Grace Martin, 1903-1995"],"creator_persname_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A.","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. 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She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.\u003c/p\u003e","\u003cp\u003e\nHer art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"\u003c/p\u003e","\u003cp\u003e\nAs an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.\u003c/p\u003e","\u003cp\u003e\nGrace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Grace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.","Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"","As an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.","Grace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026amp;M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e3206, 4170\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["3206, 4170"],"scopecontent_html_tesm":["\u003cp\u003ePapers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. \u003c/p\u003e","\u003cp\u003e\nAddendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.\u003c/p\u003e","\u003cp\u003e\nAddendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.  \u003c/p\u003e","\u003cp\u003e\nA grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.\u003c/p\u003e  ","\u003cp\u003ePapers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.\u003c/p\u003e","\u003cp\u003eThis series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of \u003ctitle\u003eWho's Who\u003c/title\u003e, recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.\u003c/p\u003e","\u003cp\u003eThis series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction.","Addendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.","Addendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.","A grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.","This series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of Who's Who, recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.","This series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_824b8e48b87c3ff479e96fd452f272f2\"\u003ePapers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_eb41a796dfae4677cf07f3f5d635dae5\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"names_coll_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"names_ssim":["West Virginia and Regional History Center","Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":176,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:53:14.141Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1534","ead_ssi":"wvmturhc_repositories_2_resources_1534","_root_":"wvmturhc_repositories_2_resources_1534","_nest_parent_":"wvmturhc_repositories_2_resources_1534","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1534.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195813","title_ssm":["Grace Martin Taylor, Artist, Papers"],"title_tesim":["Grace Martin Taylor, Artist, Papers"],"unitdate_ssm":["1904-2019"],"unitdate_inclusive_ssm":["1904-2019"],"normalized_date_ssm":["1904/2019"],"normalized_title_ssm":["Grace Martin Taylor, Artist, Papers, 1904/2019"],"text":["Grace Martin Taylor, Artist, Papers, 1904/2019","A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534","Art and artists","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Grace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.","Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"","As an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.","Grace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV.","3206, 4170","Papers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction.","Addendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.","Addendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.","A grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.","This series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of Who's Who, recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.","This series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Taylor, Grace Martin, 1903-1995","Mellert, Lucie A.","English"],"collection_title_tesim":["Grace Martin Taylor, Artist, Papers, 1904/2019"],"collection_ssim":["Grace Martin Taylor, Artist, Papers, 1904/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534"],"unitid_tesim":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Taylor, Grace Martin, 1903-1995"],"creator_ssim":["Taylor, Grace Martin, 1903-1995"],"creator_persname_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A.","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["10.4 Linear Feet Summary: 10 ft. 5 in. (11 document cases, 5 in. each); (1 wrapped package, 1/2 in.); (3 record cartons, 15 in. each); (2 document cases, 4 in. each); (2 document cases, 2 1/2 in. each); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (1 flat storage box, 4 in.)","1.63 Gigabytes 23 .jpg and .iso files"],"extent_tesim":["10.4 Linear Feet Summary: 10 ft. 5 in. (11 document cases, 5 in. each); (1 wrapped package, 1/2 in.); (3 record cartons, 15 in. each); (2 document cases, 4 in. each); (2 document cases, 2 1/2 in. each); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (1 flat storage box, 4 in.)","1.63 Gigabytes 23 .jpg and .iso files"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"bioghist_html_tesm":["\u003cp\u003eGrace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.\u003c/p\u003e","\u003cp\u003e\nHer art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"\u003c/p\u003e","\u003cp\u003e\nAs an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.\u003c/p\u003e","\u003cp\u003e\nGrace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Grace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.","Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"","As an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.","Grace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026amp;M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e3206, 4170\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["3206, 4170"],"scopecontent_html_tesm":["\u003cp\u003ePapers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. \u003c/p\u003e","\u003cp\u003e\nAddendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.\u003c/p\u003e","\u003cp\u003e\nAddendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.  \u003c/p\u003e","\u003cp\u003e\nA grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.\u003c/p\u003e  ","\u003cp\u003ePapers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.\u003c/p\u003e","\u003cp\u003eThis series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of \u003ctitle\u003eWho's Who\u003c/title\u003e, recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.\u003c/p\u003e","\u003cp\u003eThis series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction.","Addendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.","Addendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.","A grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist Grace Martin Taylor.","This series includes the papers of Lucie Anne Mellert, daughter of Grace Martin Taylor. Formats include award plaques, correspondence, clippings, photographs, and more. Award plaques and paper awards (boxes 8-9 and box 21, folder 3) include awards for inclusion in various editions of Who's Who, recognition for service to the South Charleston CVB, and more (1964, ca. 1984-2016). Correspondence includes material regarding Mellert's support of the WVU Foundation (2012-2014) and more. Clippings include coverage of Mellert's promotion of Grace Martin Taylor and her artwork (1990s-2010s). Photographs are almost exclusively color photos, many of which depict Lucie Mellert at a variety of events (mostly ca. 1990s-2010s, a few from earlier) including talks, exhibits, and more. The images include a few celebrities and prominent local figures, such as E. Gordon Gee, Senator Joe Manchin, and Gayle Manchin, as well as Grace Martin Taylor.","This series includes additional papers of Grace Martin Taylor. Formats include notebooks, digital files, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, and more. Subjects include her life, her art, promotion of her art, her education in art, and more. Highlights include a typed record of Taylor's career, compiled by Lucie Mellert in 2018 (box 12, folder 4)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_824b8e48b87c3ff479e96fd452f272f2\"\u003ePapers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_eb41a796dfae4677cf07f3f5d635dae5\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Haldeman family","English\n."],"collection_title_tesim":["Haldeman Family Papers, 1824/2018, bulk 1890/1990"],"collection_ssim":["Haldeman Family Papers, 1824/2018, bulk 1890/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4466","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6589"],"unitid_tesim":["A\u0026M 4466","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6589"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Haldeman family"],"creator_ssim":["Haldeman family"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Haldeman family"],"creators_ssim":["West Virginia and Regional History Center","Haldeman family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Haldeman family"],"names_ssim":["West Virginia and Regional History Center","Haldeman family"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:58:55.130Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6589","ead_ssi":"wvmturhc_repositories_2_resources_6589","_root_":"wvmturhc_repositories_2_resources_6589","_nest_parent_":"wvmturhc_repositories_2_resources_6589","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6589.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199468","title_ssm":["Haldeman Family Papers"],"title_tesim":["Haldeman Family Papers"],"unitdate_ssm":["1824-2018","1890s-1990s"],"unitdate_inclusive_ssm":["1824-2018"],"unitdate_bulk_ssim":["1890s-1990s"],"normalized_date_ssm":["1824/2018, bulk 1890/1990"],"normalized_title_ssm":["Haldeman Family Papers, 1824/2018, bulk 1890/1990"],"text":["Haldeman Family Papers, 1824/2018, bulk 1890/1990","A\u0026M 4466","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6589","Genealogy","Family histories.","Art and artists","No special access restriction applies.","Collection regarding the Haldeman family of West Virginia, including scrapbooks, photographs, documents, correspondence, artwork, artifacts, books, family bibles, and other material. Also includes a large artwork framed in glass.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Haldeman family","English\n."],"collection_title_tesim":["Haldeman Family Papers, 1824/2018, bulk 1890/1990"],"collection_ssim":["Haldeman Family Papers, 1824/2018, bulk 1890/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4466","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6589"],"unitid_tesim":["A\u0026M 4466","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6589"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Haldeman family"],"creator_ssim":["Haldeman family"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Haldeman family"],"creators_ssim":["West Virginia and Regional History Center","Haldeman family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Family histories.","Art and artists"],"access_subjects_ssm":["Genealogy","Family histories.","Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 7 ft., 4 in.  (7 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 record cartons, 15 in. each); (2 flat storage boxes, 3 1/2 in. each); (1 flat storage box, 3 in.); (1 flat storage box, 1 1/2 in.); (1 newspaper box, 5 in.); (1 flat storage box, 4 in.); (1 unboxed artifact); (1 unboxed artwork)"],"extent_tesim":["7.3 Linear Feet 7 ft., 4 in.  (7 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 record cartons, 15 in. each); (2 flat storage boxes, 3 1/2 in. each); (1 flat storage box, 3 in.); (1 flat storage box, 1 1/2 in.); (1 newspaper box, 5 in.); (1 flat storage box, 4 in.); (1 unboxed artifact); (1 unboxed artwork)"],"date_range_isim":[1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Haldeman Family Papers, A\u0026amp;M 4466, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Haldeman Family Papers, A\u0026M 4466, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCollection regarding the Haldeman family of West Virginia, including scrapbooks, photographs, documents, correspondence, artwork, artifacts, books, family bibles, and other material. Also includes a large artwork framed in glass.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection regarding the Haldeman family of West Virginia, including scrapbooks, photographs, documents, correspondence, artwork, artifacts, books, family bibles, and other material. Also includes a large artwork framed in glass."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_df8cab10a0a52a7668f9564011361021\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Haldeman family"],"names_ssim":["West Virginia and Regional History Center","Haldeman family"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:58:55.130Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6589"}},{"id":"wvmturhc_repositories_2_resources_5371","type":"collection","attributes":{"title":"James E. Davis, Artist, Papers and Artworks, 1845/2013","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#creator","type":"document_value","attributes":{"value":"Davis, James E., 1901-1974","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#abstract_or_scope","type":"document_value","attributes":{"value":"Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"normalized_date_ssm":["1845/2013"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"text":["James E. Davis, Artist, Papers and Artworks, 1845/2013","A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English\n."],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"places_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Davis family"],"creators_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","West Virginia and Regional History Center","Davis family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e  ","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Davis family"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"normalized_date_ssm":["1845/2013"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"text":["James E. Davis, Artist, Papers and Artworks, 1845/2013","A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English\n."],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"places_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Davis family"],"creators_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","West Virginia and Regional History Center","Davis family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e  ","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Davis family"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371"}},{"id":"wvmturhc_repositories_2_resources_661","type":"collection","attributes":{"title":"Josephine Mather Aull, Artist, Photographs of Art Work, 1908/1971","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_661#creator","type":"document_value","attributes":{"value":"Aull, Josephine Mather","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_661#abstract_or_scope","type":"document_value","attributes":{"value":"Photographs of the artwork (including sculpture, paintings, drawings, screens, and murals) of Josephine Mather Aull (1908-1971), a member of the WVU faculty and Morgantown artist. Of the 98 photographs in this collection, 62 are mounted in an album, 24 are unmounted and are either enlargements or different views of works included in the album, and 12 are unmounted photographs of works not included in the album.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_661#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_661","ead_ssi":"wvmturhc_repositories_2_resources_661","_root_":"wvmturhc_repositories_2_resources_661","_nest_parent_":"wvmturhc_repositories_2_resources_661","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_661.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195162","title_ssm":["Josephine Mather Aull, Artist, Photographs of Art Work"],"title_tesim":["Josephine Mather Aull, Artist, Photographs of Art Work"],"unitdate_ssm":["1908-1971"],"unitdate_inclusive_ssm":["1908-1971"],"normalized_date_ssm":["1908/1971"],"normalized_title_ssm":["Josephine Mather Aull, Artist, Photographs of Art Work, 1908/1971"],"text":["Josephine Mather Aull, Artist, Photographs of Art Work, 1908/1971","A\u0026M 2638","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/661","West Virginia University  -- Faculty","Art and artists","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Photographs of the artwork (including sculpture, paintings, drawings, screens, and murals) of Josephine Mather Aull (1908-1971), a member of the WVU faculty and Morgantown artist. Of the 98 photographs in this collection, 62 are mounted in an album, 24 are unmounted and are either enlargements or different views of works included in the album, and 12 are unmounted photographs of works not included in the album.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Aull, Josephine Mather","English"],"collection_title_tesim":["Josephine Mather Aull, Artist, Photographs of Art Work, 1908/1971"],"collection_ssim":["Josephine Mather Aull, Artist, Photographs of Art Work, 1908/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2638","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/661"],"unitid_tesim":["A\u0026M 2638","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/661"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Aull, Josephine Mather"],"creator_ssim":["Aull, Josephine Mather"],"creator_persname_ssim":["Aull, Josephine Mather"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Aull, Josephine Mather","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University  -- Faculty","Art and artists"],"access_subjects_ssm":["West Virginia University  -- Faculty","Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet Summary: 1 ft. 3 in. (1 records carton)"],"extent_tesim":["1.25 Linear Feet Summary: 1 ft. 3 in. (1 records carton)"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Josephine Mather Aull, Artist, Photographs of Art Work, A\u0026amp;M 2638, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Josephine Mather Aull, Artist, Photographs of Art Work, A\u0026M 2638, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6a4f2f879eb06dad32c0142a206dab2d\"\u003ePhotographs of the artwork (including sculpture, paintings, drawings, screens, and murals) of Josephine Mather Aull (1908-1971), a member of the WVU faculty and Morgantown artist. Of the 98 photographs in this collection, 62 are mounted in an album, 24 are unmounted and are either enlargements or different views of works included in the album, and 12 are unmounted photographs of works not included in the album.\u003c/abstract\u003e\n    "],"abstract_tesim":["Photographs of the artwork (including sculpture, paintings, drawings, screens, and murals) of Josephine Mather Aull (1908-1971), a member of the WVU faculty and Morgantown artist. Of the 98 photographs in this collection, 62 are mounted in an album, 24 are unmounted and are either enlargements or different views of works included in the album, and 12 are unmounted photographs of works not included in the album."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6cdc371ac883a0c347029b122e49d39c\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Aull, Josephine Mather"],"names_coll_ssim":["Aull, Josephine Mather"],"names_ssim":["West Virginia and Regional History Center","Aull, Josephine Mather"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:58:55.130Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_661","ead_ssi":"wvmturhc_repositories_2_resources_661","_root_":"wvmturhc_repositories_2_resources_661","_nest_parent_":"wvmturhc_repositories_2_resources_661","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_661.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195162","title_ssm":["Josephine Mather Aull, Artist, Photographs of Art Work"],"title_tesim":["Josephine Mather Aull, Artist, Photographs of Art Work"],"unitdate_ssm":["1908-1971"],"unitdate_inclusive_ssm":["1908-1971"],"normalized_date_ssm":["1908/1971"],"normalized_title_ssm":["Josephine Mather Aull, Artist, Photographs of Art Work, 1908/1971"],"text":["Josephine Mather Aull, Artist, Photographs of Art Work, 1908/1971","A\u0026M 2638","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/661","West Virginia University  -- Faculty","Art and artists","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Photographs of the artwork (including sculpture, paintings, drawings, screens, and murals) of Josephine Mather Aull (1908-1971), a member of the WVU faculty and Morgantown artist. Of the 98 photographs in this collection, 62 are mounted in an album, 24 are unmounted and are either enlargements or different views of works included in the album, and 12 are unmounted photographs of works not included in the album.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Aull, Josephine Mather","English"],"collection_title_tesim":["Josephine Mather Aull, Artist, Photographs of Art Work, 1908/1971"],"collection_ssim":["Josephine Mather Aull, Artist, Photographs of Art Work, 1908/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2638","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/661"],"unitid_tesim":["A\u0026M 2638","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/661"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Aull, Josephine Mather"],"creator_ssim":["Aull, Josephine Mather"],"creator_persname_ssim":["Aull, Josephine Mather"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Aull, Josephine Mather","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University  -- Faculty","Art and artists"],"access_subjects_ssm":["West Virginia University  -- Faculty","Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet Summary: 1 ft. 3 in. (1 records carton)"],"extent_tesim":["1.25 Linear Feet Summary: 1 ft. 3 in. (1 records carton)"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Josephine Mather Aull, Artist, Photographs of Art Work, A\u0026amp;M 2638, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Josephine Mather Aull, Artist, Photographs of Art Work, A\u0026M 2638, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6a4f2f879eb06dad32c0142a206dab2d\"\u003ePhotographs of the artwork (including sculpture, paintings, drawings, screens, and murals) of Josephine Mather Aull (1908-1971), a member of the WVU faculty and Morgantown artist. Of the 98 photographs in this collection, 62 are mounted in an album, 24 are unmounted and are either enlargements or different views of works included in the album, and 12 are unmounted photographs of works not included in the album.\u003c/abstract\u003e\n    "],"abstract_tesim":["Photographs of the artwork (including sculpture, paintings, drawings, screens, and murals) of Josephine Mather Aull (1908-1971), a member of the WVU faculty and Morgantown artist. Of the 98 photographs in this collection, 62 are mounted in an album, 24 are unmounted and are either enlargements or different views of works included in the album, and 12 are unmounted photographs of works not included in the album."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6cdc371ac883a0c347029b122e49d39c\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Best known for the humor in his illustrations, his career started in 1912 after he had finished attending the Pennsylvania Academy of Fine Arts in Philadelphia and the Ecole de Grande Chaumiere in Paris. During World War I he was part of the camouflage regiment of the 40th. Engineers, U. S. Army, serving in France where he was wounded by poison gas at the battle of Belleau Wood. At the height of his career in the 1920s and 1930s he did many magazine covers for the Saturday Evening Post and Liberty Magazine as well as advertisements for Fisk Tire and Cream of Wheat among others. Thrasher is often compared as an artist to his rival and friend Norman Rockwell and more than likely would have been as famous as Rockwell if he had not died in 1936 as a result of an accidental fire at his home on Long Island, NY. He is also noted for often using his hometown scenes, relatives and friends as models for his illustrations. Most of the correspondence is that of his daughter, the donor, and involves exhibits and sales of his art. Addendum of 2021-04-16 includes one complete copy of \"The Saturday Evening Post\" of 3 October 1936 featuring a cover with artwork by Leslie Thrasher (in flat storage box).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1282#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1282","ead_ssi":"wvmturhc_repositories_2_resources_1282","_root_":"wvmturhc_repositories_2_resources_1282","_nest_parent_":"wvmturhc_repositories_2_resources_1282","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1282.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195640","title_ssm":["Leslie Thrasher, Illustrator, Papers"],"title_tesim":["Leslie Thrasher, Illustrator, Papers"],"unitdate_ssm":["1912-1987"],"unitdate_inclusive_ssm":["1912-1987"],"normalized_date_ssm":["1912/1987"],"normalized_title_ssm":["Leslie Thrasher, Illustrator, Papers, 1912/1987"],"text":["Leslie Thrasher, Illustrator, Papers, 1912/1987","A\u0026M 3097","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1282","Piedmont (W. Va.)","Art and artists","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Correspondence, sketches, illustrations and papers of a magazine illustrator, Leslie Thrasher (1889-1936) originally from Piedmont, WV (on microfilm). Best known for the humor in his illustrations, his career started in 1912 after he had finished attending the Pennsylvania Academy of Fine Arts in Philadelphia and the Ecole de Grande Chaumiere in Paris. During World War I he was part of the camouflage regiment of the 40th. Engineers, U. S. Army, serving in France where he was wounded by poison gas at the battle of Belleau Wood. At the height of his career in the 1920s and 1930s he did many magazine covers for the Saturday Evening Post and Liberty Magazine as well as advertisements for Fisk Tire and Cream of Wheat among others. Thrasher is often compared as an artist to his rival and friend Norman Rockwell and more than likely would have been as famous as Rockwell if he had not died in 1936 as a result of an accidental fire at his home on Long Island, NY. He is also noted for often using his hometown scenes, relatives and friends as models for his illustrations. Most of the correspondence is that of his daughter, the donor, and involves exhibits and sales of his art.\n\nAddendum of 2021-04-16 includes one complete copy of \"The Saturday Evening Post\" of 3 October 1936 featuring a cover with artwork by Leslie Thrasher (in flat storage box).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Thrasher, Leslie","English\n."],"collection_title_tesim":["Leslie Thrasher, Illustrator, Papers, 1912/1987"],"collection_ssim":["Leslie Thrasher, Illustrator, Papers, 1912/1987"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3097","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1282"],"unitid_tesim":["A\u0026M 3097","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1282"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Piedmont (W. Va.)"],"geogname_ssim":["Piedmont (W. Va.)"],"places_ssim":["Piedmont (W. Va.)"],"creator_ssm":["Thrasher, Leslie"],"creator_ssim":["Thrasher, Leslie"],"creator_persname_ssim":["Thrasher, Leslie"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Thrasher, Leslie","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.29 Linear Feet Summary: 3 1/2 in. (2 reels of microfilm, 1.75 in. each)"],"extent_tesim":["0.29 Linear Feet Summary: 3 1/2 in. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c312a8aed6b1ae45bd0cad0f69aaccc0\"\u003eCorrespondence, sketches, illustrations and papers of a magazine illustrator, Leslie Thrasher (1889-1936) originally from Piedmont, WV (on microfilm). Best known for the humor in his illustrations, his career started in 1912 after he had finished attending the Pennsylvania Academy of Fine Arts in Philadelphia and the Ecole de Grande Chaumiere in Paris. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Hill, Louise C.H., Artist"],"names_coll_ssim":["Hill, Louise C.H., Artist"],"names_ssim":["West Virginia and Regional History Center","Hill, Louise C.H., Artist"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:55:30.182Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3219"}},{"id":"wvmturhc_repositories_2_resources_5339","type":"collection","attributes":{"title":"Perley Reed, Author, Poetry and Artwork, 1922/1965","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5339#creator","type":"document_value","attributes":{"value":"Reed, Perley Isaac, 1887-1973","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5339#abstract_or_scope","type":"document_value","attributes":{"value":"The Marriage Certificate of Perley Reed and Elizabeth Dee Frost, telegrams recieved by Elizabeth and Perley, as well as newspaper clippings celebrating their engagment. Elizabeth's certificate of intitiation into The Delta Kappa Gamma Society in 1965. There are also 6 artworks by Reed, who was a hobbyist painter. The artworks are: Eiger, Monch and Jungfrau Oil on canvasboard, 30 x 24, 1966\u003cbr\u003e A Soldier's Farewell, Oil on canvasboard, 20 x 16, 1963\u003cbr\u003e Matterhorn, Oil on canvasboard, 24 x 30, 1967\u003cbr\u003e Romance in Old Paris, Oil on canvasboard, 24 x 16, 1957\u003cbr\u003e Meditation, Oil on canvasboard, 20 x 16, 1961\u003cbr\u003e Awakening, Oil on canvasboard, 24 x 18, 1962 Images of the artworks located in the West Virginia \u0026amp; Regional History Center and Martin Hall are available in digital format.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5339#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5339","ead_ssi":"wvmturhc_repositories_2_resources_5339","_root_":"wvmturhc_repositories_2_resources_5339","_nest_parent_":"wvmturhc_repositories_2_resources_5339","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5339.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/210873","title_ssm":["Perley Reed, Author, Poetry and Artwork"],"title_tesim":["Perley Reed, Author, Poetry and Artwork"],"unitdate_ssm":["1922-1965"],"unitdate_inclusive_ssm":["1922-1965"],"normalized_date_ssm":["1922/1965"],"normalized_title_ssm":["Perley Reed, Author, Poetry and Artwork, 1922/1965"],"text":["Perley Reed, Author, Poetry and Artwork, 1922/1965","A\u0026M 1776","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5339","Morgantown (W. Va.)","Poetry.","Art and artists","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Nine additional artworks by Reed are housed in Martin Hall room 206, owned by the Reed College of Media, as of 2022. Photos of these artworks are available in the control folder for this collection and as a Word document.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","The Marriage Certificate of Perley Reed and Elizabeth Dee Frost, telegrams recieved by Elizabeth and Perley, as well as newspaper clippings celebrating their engagment. Elizabeth's certificate of intitiation into The Delta Kappa Gamma Society in 1965. There are also 6 artworks by Reed, who was a hobbyist painter.\n\nThe artworks are:\n\nEiger, Monch and Jungfrau\nOil on canvasboard,\n30 x 24,\n1966\nA Soldier's Farewell,\nOil on canvasboard,\n20 x 16,\n1963\nMatterhorn,\nOil on canvasboard,\n24 x 30, \n1967\nRomance in Old Paris,\nOil on canvasboard,\n24 x 16,\n1957\nMeditation, \nOil on canvasboard,\n20 x 16,\n1961\nAwakening,\nOil on canvasboard,\n24 x 18,\n1962\n\nImages of the artworks located in the West Virginia \u0026 Regional History Center and Martin Hall are available in digital format.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Reed, Perley Isaac, 1887-1973","English"],"collection_title_tesim":["Perley Reed, Author, Poetry and Artwork, 1922/1965"],"collection_ssim":["Perley Reed, Author, Poetry and Artwork, 1922/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1776","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5339"],"unitid_tesim":["A\u0026M 1776","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5339"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Reed, Perley Isaac, 1887-1973"],"creator_ssim":["Reed, Perley Isaac, 1887-1973"],"creator_persname_ssim":["Reed, Perley Isaac, 1887-1973"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Reed, Perley Isaac, 1887-1973","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Poetry.","Art and artists"],"access_subjects_ssm":["Poetry.","Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Linear Feet 1/2 in. (1 folder); (6 unboxed artworks)","0.13 Gigabytes 2 .docx files"],"extent_tesim":["0.1 Linear Feet 1/2 in. (1 folder); (6 unboxed artworks)","0.13 Gigabytes 2 .docx files"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Perley Reed, Author, Poetry and Artwork, A\u0026amp;M 1776, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Perley Reed, Author, Poetry and Artwork, A\u0026M 1776, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eNine additional artworks by Reed are housed in Martin Hall room 206, owned by the Reed College of Media, as of 2022. Photos of these artworks are available in the control folder for this collection and as a Word document.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Nine additional artworks by Reed are housed in Martin Hall room 206, owned by the Reed College of Media, as of 2022. Photos of these artworks are available in the control folder for this collection and as a Word document."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b41093d7c5bc7b5bad940dc520d126d3\"\u003eThe Marriage Certificate of Perley Reed and Elizabeth Dee Frost, telegrams recieved by Elizabeth and Perley, as well as newspaper clippings celebrating their engagment. Elizabeth's certificate of intitiation into The Delta Kappa Gamma Society in 1965. There are also 6 artworks by Reed, who was a hobbyist painter.\n\nThe artworks are:\n\nEiger, Monch and Jungfrau\nOil on canvasboard,\n30 x 24,\n1966\u003clb\u003e\u003c/lb\u003e\nA Soldier's Farewell,\nOil on canvasboard,\n20 x 16,\n1963\u003clb\u003e\u003c/lb\u003e\nMatterhorn,\nOil on canvasboard,\n24 x 30, \n1967\u003clb\u003e\u003c/lb\u003e\nRomance in Old Paris,\nOil on canvasboard,\n24 x 16,\n1957\u003clb\u003e\u003c/lb\u003e\nMeditation, \nOil on canvasboard,\n20 x 16,\n1961\u003clb\u003e\u003c/lb\u003e\nAwakening,\nOil on canvasboard,\n24 x 18,\n1962\n\nImages of the artworks located in the West Virginia \u0026amp; Regional History Center and Martin Hall are available in digital format.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Marriage Certificate of Perley Reed and Elizabeth Dee Frost, telegrams recieved by Elizabeth and Perley, as well as newspaper clippings celebrating their engagment. Elizabeth's certificate of intitiation into The Delta Kappa Gamma Society in 1965. There are also 6 artworks by Reed, who was a hobbyist painter.\n\nThe artworks are:\n\nEiger, Monch and Jungfrau\nOil on canvasboard,\n30 x 24,\n1966\nA Soldier's Farewell,\nOil on canvasboard,\n20 x 16,\n1963\nMatterhorn,\nOil on canvasboard,\n24 x 30, \n1967\nRomance in Old Paris,\nOil on canvasboard,\n24 x 16,\n1957\nMeditation, \nOil on canvasboard,\n20 x 16,\n1961\nAwakening,\nOil on canvasboard,\n24 x 18,\n1962\n\nImages of the artworks located in the West Virginia \u0026 Regional History Center and Martin Hall are available in digital format."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_7e55146ffceaed5ab68ac1445b7f9d27\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Reed, Perley Isaac, 1887-1973"],"names_ssim":["West Virginia and Regional History Center","Reed, Perley Isaac, 1887-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:57:04.936Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5339","ead_ssi":"wvmturhc_repositories_2_resources_5339","_root_":"wvmturhc_repositories_2_resources_5339","_nest_parent_":"wvmturhc_repositories_2_resources_5339","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5339.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/210873","title_ssm":["Perley Reed, Author, Poetry and Artwork"],"title_tesim":["Perley Reed, Author, Poetry and Artwork"],"unitdate_ssm":["1922-1965"],"unitdate_inclusive_ssm":["1922-1965"],"normalized_date_ssm":["1922/1965"],"normalized_title_ssm":["Perley Reed, Author, Poetry and Artwork, 1922/1965"],"text":["Perley Reed, Author, Poetry and Artwork, 1922/1965","A\u0026M 1776","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5339","Morgantown (W. Va.)","Poetry.","Art and artists","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Nine additional artworks by Reed are housed in Martin Hall room 206, owned by the Reed College of Media, as of 2022. Photos of these artworks are available in the control folder for this collection and as a Word document.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","The Marriage Certificate of Perley Reed and Elizabeth Dee Frost, telegrams recieved by Elizabeth and Perley, as well as newspaper clippings celebrating their engagment. Elizabeth's certificate of intitiation into The Delta Kappa Gamma Society in 1965. There are also 6 artworks by Reed, who was a hobbyist painter.\n\nThe artworks are:\n\nEiger, Monch and Jungfrau\nOil on canvasboard,\n30 x 24,\n1966\nA Soldier's Farewell,\nOil on canvasboard,\n20 x 16,\n1963\nMatterhorn,\nOil on canvasboard,\n24 x 30, \n1967\nRomance in Old Paris,\nOil on canvasboard,\n24 x 16,\n1957\nMeditation, \nOil on canvasboard,\n20 x 16,\n1961\nAwakening,\nOil on canvasboard,\n24 x 18,\n1962\n\nImages of the artworks located in the West Virginia \u0026 Regional History Center and Martin Hall are available in digital format.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Reed, Perley Isaac, 1887-1973","English"],"collection_title_tesim":["Perley Reed, Author, Poetry and Artwork, 1922/1965"],"collection_ssim":["Perley Reed, Author, Poetry and Artwork, 1922/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1776","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5339"],"unitid_tesim":["A\u0026M 1776","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5339"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Reed, Perley Isaac, 1887-1973"],"creator_ssim":["Reed, Perley Isaac, 1887-1973"],"creator_persname_ssim":["Reed, Perley Isaac, 1887-1973"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Reed, Perley Isaac, 1887-1973","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Poetry.","Art and artists"],"access_subjects_ssm":["Poetry.","Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Linear Feet 1/2 in. (1 folder); (6 unboxed artworks)","0.13 Gigabytes 2 .docx files"],"extent_tesim":["0.1 Linear Feet 1/2 in. (1 folder); (6 unboxed artworks)","0.13 Gigabytes 2 .docx files"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Perley Reed, Author, Poetry and Artwork, A\u0026amp;M 1776, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Perley Reed, Author, Poetry and Artwork, A\u0026M 1776, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eNine additional artworks by Reed are housed in Martin Hall room 206, owned by the Reed College of Media, as of 2022. Photos of these artworks are available in the control folder for this collection and as a Word document.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Nine additional artworks by Reed are housed in Martin Hall room 206, owned by the Reed College of Media, as of 2022. Photos of these artworks are available in the control folder for this collection and as a Word document."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b41093d7c5bc7b5bad940dc520d126d3\"\u003eThe Marriage Certificate of Perley Reed and Elizabeth Dee Frost, telegrams recieved by Elizabeth and Perley, as well as newspaper clippings celebrating their engagment. Elizabeth's certificate of intitiation into The Delta Kappa Gamma Society in 1965. There are also 6 artworks by Reed, who was a hobbyist painter.\n\nThe artworks are:\n\nEiger, Monch and Jungfrau\nOil on canvasboard,\n30 x 24,\n1966\u003clb\u003e\u003c/lb\u003e\nA Soldier's Farewell,\nOil on canvasboard,\n20 x 16,\n1963\u003clb\u003e\u003c/lb\u003e\nMatterhorn,\nOil on canvasboard,\n24 x 30, \n1967\u003clb\u003e\u003c/lb\u003e\nRomance in Old Paris,\nOil on canvasboard,\n24 x 16,\n1957\u003clb\u003e\u003c/lb\u003e\nMeditation, \nOil on canvasboard,\n20 x 16,\n1961\u003clb\u003e\u003c/lb\u003e\nAwakening,\nOil on canvasboard,\n24 x 18,\n1962\n\nImages of the artworks located in the West Virginia \u0026amp; Regional History Center and Martin Hall are available in digital format.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Marriage Certificate of Perley Reed and Elizabeth Dee Frost, telegrams recieved by Elizabeth and Perley, as well as newspaper clippings celebrating their engagment. 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