{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+and+artists\u0026f%5Bdate_range%5D%5B%5D=1906\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art+and+artists\u0026f%5Bdate_range%5D%5B%5D=1906\u0026page=1\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":10,"first_page?":true,"last_page?":true}},"data":[{"id":"wvmturhc_repositories_2_resources_5820","type":"collection","attributes":{"title":"Blanche Lazzell, Artist, Papers, 1881/1992","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#creator","type":"document_value","attributes":{"value":"Lazzell, Blanche, 1878-1956","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#abstract_or_scope","type":"document_value","attributes":{"value":"Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5820","ead_ssi":"wvmturhc_repositories_2_resources_5820","_root_":"wvmturhc_repositories_2_resources_5820","_nest_parent_":"wvmturhc_repositories_2_resources_5820","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5820.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198907","title_ssm":["Blanche Lazzell, Artist, Papers"],"title_tesim":["Blanche Lazzell, Artist, Papers"],"unitdate_ssm":["1881-1992"],"unitdate_inclusive_ssm":["1881-1992"],"normalized_date_ssm":["1881/1992"],"normalized_title_ssm":["Blanche Lazzell, Artist, Papers, 1881/1992"],"text":["Blanche Lazzell, Artist, Papers, 1881/1992","A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820","Morgantown (W. Va.)","West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists","No special access restriction applies.","Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.","Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant.","English\n."],"collection_title_tesim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"collection_ssim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"unitid_tesim":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"access_subjects_ssm":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"has_online_content_ssim":["false"],"extent_ssm":["9.08 Linear Feet 9 ft. 1 in. (9 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (2 record cartons, 15 in. each); (1 oversize box, 15 in.); (1 index card box, 3 in.); (4 reels of microfilm, 1.75 in. each)"],"extent_tesim":["9.08 Linear Feet 9 ft. 1 in. 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She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026amp;M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). \u003c/p\u003e","\u003cp\u003eAddenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/08/14\u003c/emph\u003e includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/11/15\u003c/emph\u003e includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1994/05/25\u003c/emph\u003e includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 2007/02/02\u003c/emph\u003e includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dea1a9900484fc3d40483a866c08af85\"\u003ePhotographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.\u003c/abstract\u003e\n    "],"abstract_tesim":["Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e208fe22eff30687496707ddde2bea69\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton"],"names_coll_ssim":["Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Lazzell, Blanche, 1878-1956","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"famname_ssim":["Carhart family","Lazzell family","McVicker family","Pope family"],"persname_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"names_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:58:25.449Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5820","ead_ssi":"wvmturhc_repositories_2_resources_5820","_root_":"wvmturhc_repositories_2_resources_5820","_nest_parent_":"wvmturhc_repositories_2_resources_5820","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5820.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198907","title_ssm":["Blanche Lazzell, Artist, Papers"],"title_tesim":["Blanche Lazzell, Artist, Papers"],"unitdate_ssm":["1881-1992"],"unitdate_inclusive_ssm":["1881-1992"],"normalized_date_ssm":["1881/1992"],"normalized_title_ssm":["Blanche Lazzell, Artist, Papers, 1881/1992"],"text":["Blanche Lazzell, Artist, Papers, 1881/1992","A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820","Morgantown (W. Va.)","West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists","No special access restriction applies.","Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.","Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant.","English\n."],"collection_title_tesim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"collection_ssim":["Blanche Lazzell, Artist, Papers, 1881/1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"unitid_tesim":["A\u0026M 2008","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5820"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"places_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Lazzell, Blanche, 1878-1956"],"creator_ssim":["Lazzell, Blanche, 1878-1956"],"creator_persname_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"creator_corpname_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton"],"creator_famname_ssim":["Carhart family","Lazzell family","McVicker family","Pope family"],"creators_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant.","West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"access_subjects_ssm":["West Virginia University  -- Art and Architecture","Art and artists","Photography","W.P.A.  -- Artists"],"has_online_content_ssim":["false"],"extent_ssm":["9.08 Linear Feet 9 ft. 1 in. (9 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (2 record cartons, 15 in. each); (1 oversize box, 15 in.); (1 index card box, 3 in.); (4 reels of microfilm, 1.75 in. each)"],"extent_tesim":["9.08 Linear Feet 9 ft. 1 in. (9 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 flat storage box, 3 in.); (1 flat storage box, 3 1/2 in.); (2 record cartons, 15 in. each); (1 oversize box, 15 in.); (1 index card box, 3 in.); (4 reels of microfilm, 1.75 in. each)"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eBlanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Blanche Lazzell (October 10, 1878 - June 1, 1956) was a West Virginia-born leading American artist of the inter-war years. She studied at West Virginia Conference Seminary (now West Virginia Wesleyan College), South Carolina Co-educational Institute, West Virginia University, and the Art Students League of New York. Lazzell went to Paris during the Belle Epoque when abstraction and cubism in art first flourished. At the end of that era she returned to America living in Provincetown, MA which was a haven after the outbreak of World War I for artists fleeing from Europe. Lazzell, who had become a practitioner of a cubistic type of art, aided her colleagues in the creation of a new art form, the \"Provincetown print,\" which was a revolution in woodcut printmaking allowing the medium to be used in a more abstract manner. Subsequently, during the inter-war years she became known as one of America's foremost abstract artists. Blanche Lazzell is most fondly remembered, though, for her work as a WPA artist during the New Deal in which she came back to Morgantown to paint memorable scenes of the vicinity, particularly of West Virginia University."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026amp;M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Blanche Lazzell, Artist, Papers, A\u0026M 2008, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6). \u003c/p\u003e","\u003cp\u003eAddenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/08/14\u003c/emph\u003e includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1990/11/15\u003c/emph\u003e includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 1994/05/25\u003c/emph\u003e includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAn addendum of 2007/02/02\u003c/emph\u003e includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, postcards, engravings, sketches, correspondence, pamphlets, art tools, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Lazzell's art tools included in the collection consist of carving tools and a set of watercolor paints (boxes 5-6).","Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell.","An addendum of 1990/08/14 includes correspondence between Blanche Lazzell and her niece, Martha Frances Reed (Mrs. Robert E. Sellers). The letters are about family, Blanche's travels to New York City and St. Augustine, FL, and her life and work as an artist in Provincetown, MA. Of interest are her views on the changing character of Provincetown from an art haven to a resort town, her interest and belief in theosophy, and her own feelings about what she has achieved. Lazzell mentions her art career and in particular studying under and working with the abstractionists Fernand Leger and Hans Hofmann. Included are sketches, textiles, and jewelry made by Blanche Lazzell. (1913-1956; 6 in.)","An addendum of 1990/11/15 includes letters, genealogy, miscellaneous literature, and mementos of Blanche Lazzell. The letters are about genealogy of Lazzell and allied families Carhart, McVicker, and Pope. Also included are seed catalogs, a grade report book, a funeral register and a diploma from the South Carolina Co-Educational Institute, all of Blanche Lazzell. (1899-1983; 6 in.)","An addendum of 1994/05/25 includes books, magazines, booklets, photos, prints, postcards, drawings, news clippings, and batik cloth of Blanche Lazzell and her niece, Frances Reed. Included are correspondence, art works, articles, brochures and notes about Blanche Lazzell and artistic influences, interests, and mentors such as Karl Knaths, Charles Demuth, Georges Braque, Guillaume Apollinaire, Henri Matisse, and the Provincetown Art Association. (1909-1992; 4 ft.)","An addendum of 2007/02/02 includes papers regarding Blanche Lazzell, such as manuscript verse, musical material, documents regarding the National Society of the Daughters of the American Revolution (DAR), correspondence, and financial records. There are eight pieces of verse in manuscript, some of which could be song lyrics, including \"Music,\" \"Silver Daggers,\" \"Childhood, Girlhood, Womanhood,\" and others. Musical material includes four pieces of hand written music, six pages of published piano pieces with embroidery patterns on opposite pages, and a 16-page booklet of hymns (ca. 1889). DAR papers include three membership applications, one for Eva Hall VanVoorhis, and two for \"Nettie\" Blanche Lazzell. The applications reference Revolutionary War soldiers Duncan McVicker and Cornelius Carhart. There is also a 1915 DAR membership certificate for Bessie Lazzell Ridgway. Correspondence includes four postcards (1944-1945) written to Blanche Lazzell from James Reed. Financial records include nine checks written in Paris (1912). There is also a note on Hall family genealogy and a 1943 Sunday program for Wesley Methodist Church. (1889-1945; 2.5 in.)"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dea1a9900484fc3d40483a866c08af85\"\u003ePhotographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.\u003c/abstract\u003e\n    "],"abstract_tesim":["Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e208fe22eff30687496707ddde2bea69\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton"],"names_coll_ssim":["Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Lazzell, Blanche, 1878-1956","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"famname_ssim":["Carhart family","Lazzell family","McVicker family","Pope family"],"persname_ssim":["Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"names_ssim":["West Virginia and Regional History Center","Provincetown Art Associaton","Carhart family","Lazzell family","McVicker family","Pope family","Lazzell, Blanche, 1878-1956","Apollinaire, Guillaume, 1880-1918","Braque, Georges, 1882-1963","Demuth, Charles, 1883-1935","Hofmann, Hans, 1880-1966","Knaths, Karl, 1891-1971","Léger, Fernand, 1881-1955","Matisse, Henri, 1869-1954","Sellers, Martha Frances Reed (Mrs. Robert E.)","Smith, Simeon Conant."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:58:25.449Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5820"}},{"id":"wvmturhc_repositories_2_resources_998","type":"collection","attributes":{"title":"David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_998#creator","type":"document_value","attributes":{"value":"Strother, David Hunter, 1816-1888","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_998#abstract_or_scope","type":"document_value","attributes":{"value":"Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for \u003cspan\u003eHarpers Magazine\u003c/span\u003e whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of \u003cspan\u003eVirginia Illustrated\u003c/span\u003e (1857) and \u003cspan\u003eCharleston and its Resources\u003c/span\u003e (1878), his work as illustrator for \u003cspan\u003eBlackwater Chronicle\u003c/span\u003e (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote \u003cspan\u003eThe Mountains\u003c/span\u003e, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_998#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_998","ead_ssi":"wvmturhc_repositories_2_resources_998","_root_":"wvmturhc_repositories_2_resources_998","_nest_parent_":"wvmturhc_repositories_2_resources_998","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_998.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209216","title_ssm":["David Hunter Strother, Artist, Artwork and Papers"],"title_tesim":["David Hunter Strother, Artist, Artwork and Papers"],"unitdate_ssm":["1744-1996","1833-1887"],"unitdate_inclusive_ssm":["1744-1996"],"unitdate_bulk_ssim":["1833-1887"],"normalized_date_ssm":["1744/1996, bulk 1833/1887"],"normalized_title_ssm":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"text":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887","A\u0026M 2894","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/998","Mexico","United States -- History -- Civil War, 1861-1865","Art and artists","Authors -- Letters and papers","Special access restriction applies. We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.","Researchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.","This collection is organized into thirteen series, including:\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4 \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9 \nSeries 3. Oversize; 1798-1882, undated; box 10\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15 \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\nSeries 9. Exhibit; ca. 1996; boxes 50-53\nSeries 10. Newspapers; 1795-1887; box 54 \nSeries 11. Addendum of 2015/06/13, undated \nSeries 12. Addendum of 2007/02/08, 1862-1970 \nSeries 13. Addendum of 2021/06/04, undated","Separated to A\u0026M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.","Separated to A\u0026M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"","Separated to A\u0026M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Strother, David Hunter, 1816-1888","Eby, Cecil D.","English\n."],"collection_title_tesim":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"collection_ssim":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2894","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Series 1-10: Acquired from Strother, John, 1986/12/20 \nSeries 11: Purchase, Zamboni and Huntington, 2015/06/13 \nSeries 12: Acquired, source unidentified, 2007/02/08 \nSeries 13: Acquired, source unidentified, 2021/06/04"],"access_subjects_ssim":["Art and artists","Authors -- Letters and papers"],"access_subjects_ssm":["Art and artists","Authors -- Letters and papers"],"has_online_content_ssim":["false"],"extent_ssm":["15.50 Linear Feet Summary: 15 ft. 6 in. (3 document cases, 2.5 in. each); (9 document cases, 5 in. each); (2 large flat storage boxes, 3.5 in. each); (11 small flat storage boxes, 3 in. each); (23 large flat storage boxes, 3 in. each); (5 large flat storage boxes, 2.5 in. each); (3 flat storage boxes, 1.5 in. each); (4 folders, 0.5 in.); (4 reels of microfilm, 1.75 in. each); 3 framed paintings","0.1 Gigabytes 1 .pdf file"],"extent_tesim":["15.50 Linear Feet Summary: 15 ft. 6 in. 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We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies. We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.","Researchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], David Hunter Strother, Artist, Artwork and Papers, A\u0026amp;M 2894, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], David Hunter Strother, Artist, Artwork and Papers, A\u0026M 2894, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for \u003ctitle\u003eHarpers Magazine\u003c/title\u003e whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of \u003ctitle\u003eVirginia Illustrated\u003c/title\u003e (1857) and \u003ctitle\u003eCharleston and its Resources\u003c/title\u003e (1878), his work as illustrator for \u003ctitle\u003eBlackwater Chronicle\u003c/title\u003e  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote \u003ctitle\u003eThe Mountains\u003c/title\u003e, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.\u003c/p\u003e","\u003cp\u003eThis collection is organized into thirteen series, including:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4\u003clb\u003e\u003c/lb\u003e \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9\u003clb\u003e\u003c/lb\u003e \nSeries 3. Oversize; 1798-1882, undated; box 10\u003clb\u003e\u003c/lb\u003e\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15\u003clb\u003e\u003c/lb\u003e \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\u003clb\u003e\u003c/lb\u003e\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\u003clb\u003e\u003c/lb\u003e\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\u003clb\u003e\u003c/lb\u003e\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\u003clb\u003e\u003c/lb\u003e\nSeries 9. Exhibit; ca. 1996; boxes 50-53\u003clb\u003e\u003c/lb\u003e\nSeries 10. Newspapers; 1795-1887; box 54 \u003clb\u003e\u003c/lb\u003e\nSeries 11. Addendum of 2015/06/13, undated \u003clb\u003e\u003c/lb\u003e\nSeries 12. Addendum of 2007/02/08, 1862-1970 \u003clb\u003e\u003c/lb\u003e\nSeries 13. Addendum of 2021/06/04, undated \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.","This collection is organized into thirteen series, including:\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4 \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9 \nSeries 3. Oversize; 1798-1882, undated; box 10\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15 \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\nSeries 9. Exhibit; ca. 1996; boxes 50-53\nSeries 10. Newspapers; 1795-1887; box 54 \nSeries 11. Addendum of 2015/06/13, undated \nSeries 12. Addendum of 2007/02/08, 1862-1970 \nSeries 13. Addendum of 2021/06/04, undated"],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.\u003c/p\u003e","\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"\u003c/p\u003e","\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\"\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to A\u0026M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.","Separated to A\u0026M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"","Separated to A\u0026M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2a30b1b04b1299c542baa5017f755d1a\"\u003eCorrespondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for \u003ctitle\u003eHarpers Magazine\u003c/title\u003e whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of \u003ctitle\u003eVirginia Illustrated\u003c/title\u003e (1857) and \u003ctitle\u003eCharleston and its Resources\u003c/title\u003e (1878), his work as illustrator for \u003ctitle\u003eBlackwater Chronicle\u003c/title\u003e (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote \u003ctitle\u003eThe Mountains\u003c/title\u003e, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note.\u003c/abstract\u003e\n    "],"abstract_tesim":["Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_08cdf7ef79081b8d2aaaa4c9b2193604\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Strother, David Hunter, 1816-1888","Eby, Cecil D."],"names_coll_ssim":["Eby, Cecil D.","Strother, David Hunter, 1816-1888"],"names_ssim":["West Virginia and Regional History Center","Strother, David Hunter, 1816-1888","Eby, Cecil D."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1269,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:59:30.404Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_998","ead_ssi":"wvmturhc_repositories_2_resources_998","_root_":"wvmturhc_repositories_2_resources_998","_nest_parent_":"wvmturhc_repositories_2_resources_998","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_998.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209216","title_ssm":["David Hunter Strother, Artist, Artwork and Papers"],"title_tesim":["David Hunter Strother, Artist, Artwork and Papers"],"unitdate_ssm":["1744-1996","1833-1887"],"unitdate_inclusive_ssm":["1744-1996"],"unitdate_bulk_ssim":["1833-1887"],"normalized_date_ssm":["1744/1996, bulk 1833/1887"],"normalized_title_ssm":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"text":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887","A\u0026M 2894","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/998","Mexico","United States -- History -- Civil War, 1861-1865","Art and artists","Authors -- Letters and papers","Special access restriction applies. We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.","Researchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.","This collection is organized into thirteen series, including:\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4 \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9 \nSeries 3. Oversize; 1798-1882, undated; box 10\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15 \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\nSeries 9. Exhibit; ca. 1996; boxes 50-53\nSeries 10. Newspapers; 1795-1887; box 54 \nSeries 11. Addendum of 2015/06/13, undated \nSeries 12. Addendum of 2007/02/08, 1862-1970 \nSeries 13. Addendum of 2021/06/04, undated","Separated to A\u0026M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.","Separated to A\u0026M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"","Separated to A\u0026M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Strother, David Hunter, 1816-1888","Eby, Cecil D.","English\n."],"collection_title_tesim":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"collection_ssim":["David Hunter Strother, Artist, Artwork and Papers, 1744/1996, bulk 1833/1887"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2894","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/998"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Mexico","United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Mexico","United States -- History -- Civil War, 1861-1865"],"places_ssim":["Mexico","United States -- History -- Civil War, 1861-1865"],"creator_ssm":["Strother, David Hunter, 1816-1888"],"creator_ssim":["Strother, David Hunter, 1816-1888"],"creator_persname_ssim":["Strother, David Hunter, 1816-1888","Eby, Cecil D."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Strother, David Hunter, 1816-1888","Eby, Cecil D.","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Series 1-10: Acquired from Strother, John, 1986/12/20 \nSeries 11: Purchase, Zamboni and Huntington, 2015/06/13 \nSeries 12: Acquired, source unidentified, 2007/02/08 \nSeries 13: Acquired, source unidentified, 2021/06/04"],"access_subjects_ssim":["Art and artists","Authors -- Letters and papers"],"access_subjects_ssm":["Art and artists","Authors -- Letters and papers"],"has_online_content_ssim":["false"],"extent_ssm":["15.50 Linear Feet Summary: 15 ft. 6 in. (3 document cases, 2.5 in. each); (9 document cases, 5 in. each); (2 large flat storage boxes, 3.5 in. each); (11 small flat storage boxes, 3 in. each); (23 large flat storage boxes, 3 in. each); (5 large flat storage boxes, 2.5 in. each); (3 flat storage boxes, 1.5 in. each); (4 folders, 0.5 in.); (4 reels of microfilm, 1.75 in. each); 3 framed paintings","0.1 Gigabytes 1 .pdf file"],"extent_tesim":["15.50 Linear Feet Summary: 15 ft. 6 in. (3 document cases, 2.5 in. each); (9 document cases, 5 in. each); (2 large flat storage boxes, 3.5 in. each); (11 small flat storage boxes, 3 in. each); (23 large flat storage boxes, 3 in. each); (5 large flat storage boxes, 2.5 in. each); (3 flat storage boxes, 1.5 in. each); (4 folders, 0.5 in.); (4 reels of microfilm, 1.75 in. each); 3 framed paintings","0.1 Gigabytes 1 .pdf file"],"date_range_isim":[1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies. We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies. We encourage researchers interested in the journals to use the microfilm copies when possible to preserve the integrity of the fragile originals.","Researchers may access born digital or digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], David Hunter Strother, Artist, Artwork and Papers, A\u0026amp;M 2894, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], David Hunter Strother, Artist, Artwork and Papers, A\u0026M 2894, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for \u003ctitle\u003eHarpers Magazine\u003c/title\u003e whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of \u003ctitle\u003eVirginia Illustrated\u003c/title\u003e (1857) and \u003ctitle\u003eCharleston and its Resources\u003c/title\u003e (1878), his work as illustrator for \u003ctitle\u003eBlackwater Chronicle\u003c/title\u003e  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote \u003ctitle\u003eThe Mountains\u003c/title\u003e, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.\u003c/p\u003e","\u003cp\u003eThis collection is organized into thirteen series, including:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4\u003clb\u003e\u003c/lb\u003e \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9\u003clb\u003e\u003c/lb\u003e \nSeries 3. Oversize; 1798-1882, undated; box 10\u003clb\u003e\u003c/lb\u003e\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15\u003clb\u003e\u003c/lb\u003e \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\u003clb\u003e\u003c/lb\u003e\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\u003clb\u003e\u003c/lb\u003e\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\u003clb\u003e\u003c/lb\u003e\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\u003clb\u003e\u003c/lb\u003e\nSeries 9. Exhibit; ca. 1996; boxes 50-53\u003clb\u003e\u003c/lb\u003e\nSeries 10. Newspapers; 1795-1887; box 54 \u003clb\u003e\u003c/lb\u003e\nSeries 11. Addendum of 2015/06/13, undated \u003clb\u003e\u003c/lb\u003e\nSeries 12. Addendum of 2007/02/08, 1862-1970 \u003clb\u003e\u003c/lb\u003e\nSeries 13. Addendum of 2021/06/04, undated \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle  (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence.","This collection is organized into thirteen series, including:\nSeries 1. Journals; 1840-1888; boxes 1-6 and reels 1-4 \nSeries 2. Manuscripts and Correspondence; 1778-1925, undated; boxes 7-9 \nSeries 3. Oversize; 1798-1882, undated; box 10\nSeries 4. Sketchbooks; 1843-1887; undated; boxes 11, 13-15 \nSeries 5. Artwork by Others; 1858-1909; undated; box 12\nSeries 6. Artworks; 1833-1887, undated; undated; boxes 16-25\nSeries 7. Framed Original Artworks; 1844-1887, undated; boxes 26-41 and 3 framed items\nSeries 8. Framed Facsimiles; 1845-1859, undated; boxes 42-49\nSeries 9. Exhibit; ca. 1996; boxes 50-53\nSeries 10. Newspapers; 1795-1887; box 54 \nSeries 11. Addendum of 2015/06/13, undated \nSeries 12. Addendum of 2007/02/08, 1862-1970 \nSeries 13. Addendum of 2021/06/04, undated"],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.\u003c/p\u003e","\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"\u003c/p\u003e","\u003cp\u003eSeparated to A\u0026amp;M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\"\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to A\u0026M 435, Rare Signatures: letter, dated March 6, 1796, to Col. David Hunter of Berkeley County, Va., from John Marshall (subsequently Chief Justice of the United States Supreme Court) regarding a dispute over land ownership.","Separated to A\u0026M 435, Rare Signatures: commission, dated March 11, 1862, to David H. Strother, from Abraham Lincoln and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Assistant Adjutant General of Volunteers, with the rank of Captain.\"","Separated to A\u0026M 435, Rare Signatures: commission, dated April 9, 1866, to David H. Strother, from Andrew Johnson and Edwin Stanton regarding officer's commission, appointing David H. Strother as \"Brigadier General.\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2a30b1b04b1299c542baa5017f755d1a\"\u003eCorrespondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for \u003ctitle\u003eHarpers Magazine\u003c/title\u003e whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of \u003ctitle\u003eVirginia Illustrated\u003c/title\u003e (1857) and \u003ctitle\u003eCharleston and its Resources\u003c/title\u003e (1878), his work as illustrator for \u003ctitle\u003eBlackwater Chronicle\u003c/title\u003e (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote \u003ctitle\u003eThe Mountains\u003c/title\u003e, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note.\u003c/abstract\u003e\n    "],"abstract_tesim":["Correspondence, manuscripts, documents, memorabilia, photographs, journals, drawings, and sketchbooks of David Hunter Strother (1816-1888), a nineteenth century illustrator and writer for Harpers Magazine whose pseudonym, \"Porte Crayon\", was a household word. Other highlights of his career, all of which are reflected in this collection, are authorship of Virginia Illustrated (1857) and Charleston and its Resources (1878), his work as illustrator for Blackwater Chronicle (1853), service during the Civil War as a Union officer, stint as a newspaper editor, and Consul-Generalship to Mexico (1879-1885). According to Strother's biographer, Cecil D. Eby Jr., his writings linked the two traditions of literature in the south, \"the genteel romanticism of the sentimental novelists and the earthy realism of the frontier humorists.\" In 1872-1875 Strother wrote The Mountains, which Eby considers the first important presentation of West Virginia in literature. The collection includes roughly 590 drawings and sketches, 44 volumes of journals, and several boxes of correspondence. An addendum of 2015/06/13 includes one drawing. An addendum of 2007/02/08 includes correspondence, newspaper clippings, announcements, and photographs regarding Strother and related families of the Eastern panhandle of West Virginia. An addendum of 2021/06/04 contains an abridged transcription by Cecil D. Eby Jr., of Strother's diary, 1879-1880, when Strother was General Consul to Mexico. For contents of the addenda and link to the digital collection: Drawings of David Hunter Strother, please see the Scope and Content Note."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_08cdf7ef79081b8d2aaaa4c9b2193604\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Strother, David Hunter, 1816-1888","Eby, Cecil D."],"names_coll_ssim":["Eby, Cecil D.","Strother, David Hunter, 1816-1888"],"names_ssim":["West Virginia and Regional History Center","Strother, David Hunter, 1816-1888","Eby, Cecil D."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1269,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:59:30.404Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_998"}},{"id":"wvmturhc_repositories_2_resources_4421","type":"collection","attributes":{"title":"Frank Holme (1868-1904), Artist, Papers, 1894/1941","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4421#creator","type":"document_value","attributes":{"value":"Holme, Frank, 1868-1904","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4421#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4421#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_4421","ead_ssi":"wvmturhc_repositories_2_resources_4421","_root_":"wvmturhc_repositories_2_resources_4421","_nest_parent_":"wvmturhc_repositories_2_resources_4421","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4421.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198032","title_ssm":["Frank Holme (1868-1904), Artist, Papers"],"title_tesim":["Frank Holme (1868-1904), Artist, Papers"],"unitdate_ssm":["ca. 1894-1941"],"unitdate_inclusive_ssm":["ca. 1894-1941"],"normalized_date_ssm":["1894/1941"],"normalized_title_ssm":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"text":["Frank Holme (1868-1904), Artist, Papers, 1894/1941","A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421","Preston County (W. Va.)","Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","1167, 1178","Papers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George.","English"],"collection_title_tesim":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"collection_ssim":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421"],"unitid_tesim":["A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Preston County (W. Va.)"],"geogname_ssim":["Preston County (W. Va.)"],"places_ssim":["Preston County (W. Va.)"],"creator_ssm":["Holme, Frank, 1868-1904"],"creator_ssim":["Holme, Frank, 1868-1904"],"creator_persname_ssim":["Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George."],"creator_corpname_ssim":["West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)"],"creators_ssim":["Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George.","West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950"],"access_subjects_ssm":["Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 6 1/2 in. (1 document case, 5 in.); (1 flat storage box, 1 1/2 in.)"],"extent_tesim":["0.6 Linear Feet 6 1/2 in. (1 document case, 5 in.); (1 flat storage box, 1 1/2 in.)"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Frank Holme (1868-1904), Artist, Papers, A\u0026amp;M 1178, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Frank Holme (1868-1904), Artist, Papers, A\u0026M 1178, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e1167, 1178\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["1167, 1178"],"scopecontent_html_tesm":["\u003cp\u003ePapers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b270b0973f19abfc647fa5dae22d5b83\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)"],"names_coll_ssim":["Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Marshall, Vause Webb, 1880-1954","Ade, George."],"persname_ssim":["Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George."],"names_ssim":["West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:57:32.353Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4421","ead_ssi":"wvmturhc_repositories_2_resources_4421","_root_":"wvmturhc_repositories_2_resources_4421","_nest_parent_":"wvmturhc_repositories_2_resources_4421","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4421.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198032","title_ssm":["Frank Holme (1868-1904), Artist, Papers"],"title_tesim":["Frank Holme (1868-1904), Artist, Papers"],"unitdate_ssm":["ca. 1894-1941"],"unitdate_inclusive_ssm":["ca. 1894-1941"],"normalized_date_ssm":["1894/1941"],"normalized_title_ssm":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"text":["Frank Holme (1868-1904), Artist, Papers, 1894/1941","A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421","Preston County (W. Va.)","Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","1167, 1178","Papers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George.","English"],"collection_title_tesim":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"collection_ssim":["Frank Holme (1868-1904), Artist, Papers, 1894/1941"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421"],"unitid_tesim":["A\u0026M 1178","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4421"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Preston County (W. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950"],"access_subjects_ssm":["Art and artists","Women's history -- 1850-1899","Women's history -- 1900-1929","Women's history -- 1929-1950"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 6 1/2 in. (1 document case, 5 in.); (1 flat storage box, 1 1/2 in.)"],"extent_tesim":["0.6 Linear Feet 6 1/2 in. (1 document case, 5 in.); (1 flat storage box, 1 1/2 in.)"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e. \u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Frank Holme (1868-1904), Artist, Papers, A\u0026amp;M 1178, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Frank Holme (1868-1904), Artist, Papers, A\u0026M 1178, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e1167, 1178\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["1167, 1178"],"scopecontent_html_tesm":["\u003cp\u003ePapers created and collected by Vause Marshall, relating to the career of Frank Holme. Holme (1868-1904) was born in Preston County, West Virginia, and became an illustrator for the Wheeling REGISTER, Pittsburgh PRESS, Chicago TIMES, and San Francisco CHRONICLE during the 1880s and 1890s; founder of the Palette and Chisel Club, the School of Illustration in Chicago, and the Bandar Log Press. Collection includes correspondence, newspaper clippings, original etchings, a wash painting, photographs, and printed materials. Subjects include the Frank Holme Memorial Group; the life of Holme and his wife, Ida Van Dyke; and an exhibition of drawings at the Chicago Art Institute in 1897. Correspondents include Vause Marshall and George Ade, among others.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers created and collected by Vause Marshall, relating to the career of Frank Holme. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b270b0973f19abfc647fa5dae22d5b83\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)"],"names_coll_ssim":["Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Marshall, Vause Webb, 1880-1954","Ade, George."],"persname_ssim":["Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George."],"names_ssim":["West Virginia and Regional History Center","Bandar Log Press","Art Institute of Chicago","Frank Holme Memorial Group.","Palette \u0026 Chisel Club (Chicago, Ill.)","School of Illustration (Chicago, Ill.)","Holme, Frank, 1868-1904","Marshall, Vause Webb, 1880-1954","Ade, George."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:57:32.353Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4421"}},{"id":"wvmturhc_repositories_2_resources_1534","type":"collection","attributes":{"title":"Grace Martin Taylor, Artist, Papers, 1904/2019","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1534#creator","type":"document_value","attributes":{"value":"Taylor, Grace Martin, 1903-1995","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1534#abstract_or_scope","type":"document_value","attributes":{"value":"Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Taylor, Grace Martin, 1903-1995","Mellert, Lucie A.","English"],"collection_title_tesim":["Grace Martin Taylor, Artist, Papers, 1904/2019"],"collection_ssim":["Grace Martin Taylor, Artist, Papers, 1904/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534"],"unitid_tesim":["A\u0026M 3206","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1534"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Taylor, Grace Martin, 1903-1995"],"creator_ssim":["Taylor, Grace Martin, 1903-1995"],"creator_persname_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creators_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A.","West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. 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She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.\u003c/p\u003e","\u003cp\u003e\nHer art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. 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She died in Charleston, WV."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026amp;M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e3206, 4170\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["3206, 4170"],"scopecontent_html_tesm":["\u003cp\u003ePapers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. \u003c/p\u003e","\u003cp\u003e\nAddendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.\u003c/p\u003e","\u003cp\u003e\nAddendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.  \u003c/p\u003e","\u003cp\u003e\nA grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction.","Addendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.","Addendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.","A grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_824b8e48b87c3ff479e96fd452f272f2\"\u003ePapers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_eb41a796dfae4677cf07f3f5d635dae5\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.","Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"","As an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.\u003c/p\u003e","\u003cp\u003e\nHer art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"\u003c/p\u003e","\u003cp\u003e\nAs an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.\u003c/p\u003e","\u003cp\u003e\nGrace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Grace Martin (Frame) Taylor (February 11, 1903 - October 1, 1995) was born in Scotts Run, near Morgantown, West Virginia.  She graduated from West Virginia University in 1929. She earned her Master of Arts there in 1949. She studied under Blanche Lazzell, West Virginia's most renowned artist, and like Lazzell, she studied under the noted abstract artist Hans Hofmann in Provincetown, Massachusetts. She also attended the Pennsylvania Academy of Fine Arts in Philadelphia.","Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. She is best characterized from the following quote of a review of her Lynn Laskin Gallery show of December 1957 in Charleston: \"Here is an artist of great seriousness of aesthetic purpose, singular individuality of style, with special strengths of inventiveness and finely-balanced painting constructions. These are paintings in which the true, serious nature of abstract art should become apparent.\"","As an educator, Grace Martin Taylor taught in Charleston, WV at Mason College of Music and Fine Arts.  She began work in their art department in 1931 and would ascend to the presidency in 1956. In 1956, Mason College merged with Morris Harvey College (now University of Charleston), where Taylor would work as a professor of art till 1968.","Grace married Wilbur C. Frame in 1929; they had one daughter together, Lucie Anne, and later divorced. Grace then married William E. Taylor in 1951. She died in Charleston, WV."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026amp;M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Grace Martin Taylor, Artist, Papers, A\u0026M 3206, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e3206, 4170\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["3206, 4170"],"scopecontent_html_tesm":["\u003cp\u003ePapers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. \u003c/p\u003e","\u003cp\u003e\nAddendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.\u003c/p\u003e","\u003cp\u003e\nAddendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.  \u003c/p\u003e","\u003cp\u003e\nA grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of West Virginia artist Grace Martin Taylor (1903-1995) include papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist.  In addition to her work as an artist, she was also an educator who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction.","Addendum of 2018-10-30, Lucie Mellert Papers includes papers of Lucie Anne Mellert, Ms. Taylor's daughter.  These include award plaques, correspondence, clippings, photographs, and more, about herself and her promotion of her mother's artwork.","Addendum of 2018-10-30, Grace Martin Taylor Papers includes notebooks, digital files including images of artwork and videos of gallery openings and receptions, typescripts, photographs, artifacts, printed material, clippings, correspondence, ephemera, sketchbooks, artifacts, and artwork; subjects include her career as an artist as well as an educator.","A grouping of 27 prints by Grace Martin Taylor were deaccessioned from this collection and transferred to the Art Museum of West Virginia University in 2011."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_824b8e48b87c3ff479e96fd452f272f2\"\u003ePapers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art.\u003c/abstract\u003e\n    "],"abstract_tesim":["Papers, news clippings, programs, photos, certificates, and artwork of West Virginia artist, Grace Martin Taylor, who taught in Charleston at Mason College, and later at Morris Harvey. Her art, in several media including oils and watercolor, is modernist in style, showing a preference for abstraction. Also included is some material regarding her daughter, Lucie Anne Mellert, and her promotion of Taylor's art."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_eb41a796dfae4677cf07f3f5d635dae5\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"names_coll_ssim":["Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"names_ssim":["West Virginia and Regional History Center","Taylor, Grace Martin, 1903-1995","Mellert, Lucie A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":176,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:55:06.063Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1534"}},{"id":"wvmturhc_repositories_2_resources_6589","type":"collection","attributes":{"title":"Haldeman Family Papers, 1824/2018, bulk 1890/1990","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6589#creator","type":"document_value","attributes":{"value":"Haldeman family","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6589#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection regarding the Haldeman family of West Virginia, including scrapbooks, photographs, documents, correspondence, artwork, artifacts, books, family bibles, and other material. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Haldeman family","English\n."],"collection_title_tesim":["Haldeman Family Papers, 1824/2018, bulk 1890/1990"],"collection_ssim":["Haldeman Family Papers, 1824/2018, bulk 1890/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4466","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6589"],"unitid_tesim":["A\u0026M 4466","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6589"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Haldeman family"],"creator_ssim":["Haldeman family"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Haldeman family"],"creators_ssim":["West Virginia and Regional History Center","Haldeman family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Family histories.","Art and artists"],"access_subjects_ssm":["Genealogy","Family histories.","Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 7 ft., 4 in.  (7 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 record cartons, 15 in. each); (2 flat storage boxes, 3 1/2 in. each); (1 flat storage box, 3 in.); (1 flat storage box, 1 1/2 in.); (1 newspaper box, 5 in.); (1 flat storage box, 4 in.); (1 unboxed artifact); (1 unboxed artwork)"],"extent_tesim":["7.3 Linear Feet 7 ft., 4 in.  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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Haldeman family","English\n."],"collection_title_tesim":["Haldeman Family Papers, 1824/2018, bulk 1890/1990"],"collection_ssim":["Haldeman Family Papers, 1824/2018, bulk 1890/1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4466","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6589"],"unitid_tesim":["A\u0026M 4466","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6589"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Haldeman family"],"creator_ssim":["Haldeman family"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Haldeman family"],"creators_ssim":["West Virginia and Regional History Center","Haldeman family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Haldeman family"],"names_ssim":["West Virginia and Regional History Center","Haldeman family"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":28,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:58:54.843Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6589"}},{"id":"wvmturhc_repositories_2_resources_5371","type":"collection","attributes":{"title":"James E. Davis, Artist, Papers and Artworks, 1845/2013","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#creator","type":"document_value","attributes":{"value":"Davis, James E., 1901-1974","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#abstract_or_scope","type":"document_value","attributes":{"value":"Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"normalized_date_ssm":["1845/2013"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"text":["James E. Davis, Artist, Papers and Artworks, 1845/2013","A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English\n."],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"places_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Davis family"],"creators_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","West Virginia and Regional History Center","Davis family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Davis family"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:57:54.405Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"normalized_date_ssm":["1845/2013"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"text":["James E. Davis, Artist, Papers and Artworks, 1845/2013","A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English\n."],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks, 1845/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"places_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["Davis family"],"creators_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","West Virginia and Regional History Center","Davis family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","This collection has been organized into twelve series:","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated. This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968. This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated. This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966. This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated. This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938. This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated. This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated. This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated. This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974. This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013. This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974. This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Addenda:","Addendum of 2012/05/29","1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","This addendum has been organized into the following series:","Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969","Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973","Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976","Addendum Series 4. Artifact; Box 4, folder 3; 1953","Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated","Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated","Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated","Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30","1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.","This addendum has been organized into the following single series:","Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992","See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28","1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09","1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19","undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31","1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)","This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17","1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis.","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","Curry, Larry. John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art. Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e\n    "],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["Davis family"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:57:54.405Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371"}},{"id":"wvmturhc_repositories_2_resources_3338","type":"collection","attributes":{"title":"Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3338#creator","type":"document_value","attributes":{"value":"McColloch, Samuel Wilbur, 1931-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3338#abstract_or_scope","type":"document_value","attributes":{"value":"Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3338#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3338","ead_ssi":"wvmturhc_repositories_2_resources_3338","_root_":"wvmturhc_repositories_2_resources_3338","_nest_parent_":"wvmturhc_repositories_2_resources_3338","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3338.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/208299","title_ssm":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot"],"title_tesim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot"],"unitdate_ssm":["1904-2014"],"unitdate_inclusive_ssm":["1904-2014"],"normalized_date_ssm":["1904/2014"],"normalized_title_ssm":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"text":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014","A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338","Arizona","Korea","Art and artists","Korean Conflict.","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.","Contents List:","Box 1; unfoldered; \"Archie and Mahala McColloch\"; 1999","Box 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004","Box 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001","Box 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014","Box 1; folder 3; Compacts discs containing digital copies of compilations; 2014","The following information was adapted from descriptions provided by the donor of this collection.","1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.","A compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.","2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.","A compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.","Leona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.","3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.","A compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs.","Hatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.","Two particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.","Fifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","McCullough family","McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur.","English"],"collection_title_tesim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"collection_ssim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338"],"unitid_tesim":["A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Arizona","Korea"],"geogname_ssim":["Arizona","Korea"],"places_ssim":["Arizona","Korea"],"creator_ssm":["McColloch, Samuel Wilbur, 1931-"],"creator_ssim":["McColloch, Samuel Wilbur, 1931-"],"creator_persname_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["McCullough family"],"creators_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur.","West Virginia and Regional History Center","McCullough family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists","Korean Conflict."],"access_subjects_ssm":["Art and artists","Korean Conflict."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 2.5 in. (1 document case)","0.32 Gigabytes 75 files, formats include .docx, .xslx, .jpg, .tif, .xls, .doc"],"extent_tesim":["0.25 Linear Feet 2.5 in. (1 document case)","0.32 Gigabytes 75 files, formats include .docx, .xslx, .jpg, .tif, .xls, .doc"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Sam McColloch, Compiler, Three Manuscripts Regarding Family History, Artists, and Fighter Pilot, A\u0026amp;M 4019, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Sam McColloch, Compiler, Three Manuscripts Regarding Family History, Artists, and Fighter Pilot, A\u0026M 4019, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThree manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eContents List\u003c/emph\u003e:\u003c/p\u003e","\u003cp\u003eBox 1; unfoldered; \"Archie and Mahala McColloch\"; 1999\u003c/p\u003e","\u003cp\u003eBox 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004\u003c/p\u003e","\u003cp\u003eBox 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001\u003c/p\u003e","\u003cp\u003eBox 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014\u003c/p\u003e","\u003cp\u003eBox 1; folder 3; Compacts discs containing digital copies of compilations; 2014\u003c/p\u003e","\u003cp\u003eThe following information was adapted from descriptions provided by the donor of this collection.\u003c/p\u003e","\u003cp\u003e1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.\u003c/p\u003e","\u003cp\u003eA compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.\u003c/p\u003e","\u003cp\u003e2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.\u003c/p\u003e","\u003cp\u003eA compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.\u003c/p\u003e","\u003cp\u003eLeona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.\u003c/p\u003e","\u003cp\u003e3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.\u003c/p\u003e","\u003cp\u003eA compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs. \u003c/p\u003e","\u003cp\u003eHatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.\u003c/p\u003e","\u003cp\u003eTwo particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.\u003c/p\u003e","\u003cp\u003eFifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.","Contents List:","Box 1; unfoldered; \"Archie and Mahala McColloch\"; 1999","Box 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004","Box 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001","Box 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014","Box 1; folder 3; Compacts discs containing digital copies of compilations; 2014","The following information was adapted from descriptions provided by the donor of this collection.","1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.","A compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.","2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.","A compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.","Leona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.","3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.","A compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs.","Hatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.","Two particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.","Fifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_de013eaa37d4f5f3341f7730e35a946a\"\u003eThree manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b9c352626f19b5ce462fdfd133cb1976\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["McCullough family"],"names_coll_ssim":["McCullough family","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"persname_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"names_ssim":["West Virginia and Regional History Center","McCullough family","McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:56:44.747Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3338","ead_ssi":"wvmturhc_repositories_2_resources_3338","_root_":"wvmturhc_repositories_2_resources_3338","_nest_parent_":"wvmturhc_repositories_2_resources_3338","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3338.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/208299","title_ssm":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot"],"title_tesim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot"],"unitdate_ssm":["1904-2014"],"unitdate_inclusive_ssm":["1904-2014"],"normalized_date_ssm":["1904/2014"],"normalized_title_ssm":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"text":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014","A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338","Arizona","Korea","Art and artists","Korean Conflict.","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.","Contents List:","Box 1; unfoldered; \"Archie and Mahala McColloch\"; 1999","Box 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004","Box 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001","Box 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014","Box 1; folder 3; Compacts discs containing digital copies of compilations; 2014","The following information was adapted from descriptions provided by the donor of this collection.","1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.","A compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.","2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.","A compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.","Leona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.","3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.","A compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs.","Hatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.","Two particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.","Fifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","McCullough family","McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur.","English"],"collection_title_tesim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"collection_ssim":["Sam McColloch, Compiler, Three Manuscripts regarding Family History, Artists, and Fighter Pilot, 1904/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338"],"unitid_tesim":["A\u0026M 4019","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3338"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Arizona","Korea"],"geogname_ssim":["Arizona","Korea"],"places_ssim":["Arizona","Korea"],"creator_ssm":["McColloch, Samuel Wilbur, 1931-"],"creator_ssim":["McColloch, Samuel Wilbur, 1931-"],"creator_persname_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"creator_corpname_ssim":["West Virginia and Regional History Center"],"creator_famname_ssim":["McCullough family"],"creators_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur.","West Virginia and Regional History Center","McCullough family"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists","Korean Conflict."],"access_subjects_ssm":["Art and artists","Korean Conflict."],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 2.5 in. (1 document case)","0.32 Gigabytes 75 files, formats include .docx, .xslx, .jpg, .tif, .xls, .doc"],"extent_tesim":["0.25 Linear Feet 2.5 in. (1 document case)","0.32 Gigabytes 75 files, formats include .docx, .xslx, .jpg, .tif, .xls, .doc"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Sam McColloch, Compiler, Three Manuscripts Regarding Family History, Artists, and Fighter Pilot, A\u0026amp;M 4019, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Sam McColloch, Compiler, Three Manuscripts Regarding Family History, Artists, and Fighter Pilot, A\u0026M 4019, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThree manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eContents List\u003c/emph\u003e:\u003c/p\u003e","\u003cp\u003eBox 1; unfoldered; \"Archie and Mahala McColloch\"; 1999\u003c/p\u003e","\u003cp\u003eBox 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004\u003c/p\u003e","\u003cp\u003eBox 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001\u003c/p\u003e","\u003cp\u003eBox 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014\u003c/p\u003e","\u003cp\u003eBox 1; folder 3; Compacts discs containing digital copies of compilations; 2014\u003c/p\u003e","\u003cp\u003eThe following information was adapted from descriptions provided by the donor of this collection.\u003c/p\u003e","\u003cp\u003e1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.\u003c/p\u003e","\u003cp\u003eA compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.\u003c/p\u003e","\u003cp\u003e2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.\u003c/p\u003e","\u003cp\u003eA compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.\u003c/p\u003e","\u003cp\u003eLeona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.\u003c/p\u003e","\u003cp\u003e3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.\u003c/p\u003e","\u003cp\u003eA compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs. \u003c/p\u003e","\u003cp\u003eHatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.\u003c/p\u003e","\u003cp\u003eTwo particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.\u003c/p\u003e","\u003cp\u003eFifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts.","Contents List:","Box 1; unfoldered; \"Archie and Mahala McColloch\"; 1999","Box 1; folder 1; \"West Virginia Mother-Daughter Artists, Their Lives and Art\"; 2004","Box 1; unfoldered; \"Mission Logs and Letters from Korea\"; 2001","Box 1; folder 2; Afterword to \"Mission Logs and Letters from Korea\"; 2014","Box 1; folder 3; Compacts discs containing digital copies of compilations; 2014","The following information was adapted from descriptions provided by the donor of this collection.","1. \"Archie and Mahala McColloch, 1904-1906, Arizona\", compiled by Sam McColloch, 1999.","A compilation of letters, postcards, and photographs exchanged by Archie (1876-1906) and Mahala (Jacob) McColloch (1880-1967) with their families in Ohio County, West Virginia. After Archie was diagnosed with tuberculosis in 1904, the couple moved with their 10-month-old son Wilbur (1903-1966) to Prescott, Arizona Territory. Their weekly letters chronicle their railroad trip across the country and their lives in Arizona. During their time in the territory, they lived in the gold mining town of Crown King and Phoenix. The family eventually moved back to Ohio County due to homesickness. Archie died nine months after their return home. Letters in the compilation are typed transcripts. Also includes photocopies of photographs, letters, documents, and other material, was well as a genealogical chart of the McColloch family.","2. \"West Virginia Mother-Daughter Artists, Their Lives and Art, Leona Lyle Bowman Hatcher (1874-1929) and Lyle Hatcher Bennet (1903-1988)\", compiled by Carolyn Hatcher McColloch, 2004.","A compilation of color reproductions of the known artistic works of Leona Hatcher and Lyle Bennet. Also contains biographical information regarding the artists, transcriptions of articles regarding the artists and their artwork, transcriptions of essays by Hatcher, and other material.","Leona Hatcher was the wife of West Virginia Supreme Court of Appeals Justice John Henry Hatcher, Sr. (1875-1950). Lyle Bennet was their daughter.","3. \"Mission Logs and Letters from Korea, 1952\" compiled by Col. John Walker Hatcher USMCR (Ret.), 2001.","A compilation of mission logs and letters written by Lt. John Hatcher while he was serving during the Korean War. Contains typed transcriptions of the logs and letters, as well as photocopies of photographs, Hatcher's mission log booklet, and other material. Also contains reminiscences written by Hatcher in 2001 regarding his mission logs.","Hatcher kept a detailed log of his 85 combat missions flying Corsair fighter planes from the USS Bataan, USS Sicily , USS Badoeng Straight aircraft carriers, and land-based airfields. A series of letters he wrote home to his parents and sister are inserted in their chronological position among the mission logs.","Two particularly significant events occurred when Hatcher was rooming with Capt. Jesse Folmar aboard the USS Sicily. On September 10, 1952, Hatcher's plane suffered an anti-aircraft hit that cut his fuel line. Running out of fuel, Hatcher had to choose whether to attempt a landing on a curving island beach or to parachute into the ocean. He successfully landed on the beach and found a detachment of British mechanics there working on another plane. They fed him and fixed his plane. He returned to the carrier the next day. That same day, Folmar became the only pilot of a propeller plane to shoot down a MiG jet during the Korean War. Folmar observed that the pilot was Russian, rather than North Korean, a fact which the Marine Corps would never admit despite the recovery of the pilot's body.","Fifty years after their short time as roommates, Hatcher contacted Folmar and an exchange of letters resulted. These letters, as well as a magazine story about Folmar's MiG jet encounter and copies of obituaries for both men, are included as an \"afterword\" to this compilation."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_de013eaa37d4f5f3341f7730e35a946a\"\u003eThree manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information.\u003c/abstract\u003e\n    "],"abstract_tesim":["Three manuscripts compiled by Sam McColloch, including: the letters of Archie and Mahala McColloch, a West Virginia couple who moved to the Arizona Territory; the artwork of West Virginia painters Leona Hatcher and Lyle Bennet; and the mission logs and letters of Korean Conflict pilot John Walker Hatcher. All material compiled in these manuscripts is transcribed or photocopied. There are also three compact discs with digital copies of these manuscripts. See \"Scope and Content Note\" for further information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b9c352626f19b5ce462fdfd133cb1976\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"famname_ssim":["McCullough family"],"names_coll_ssim":["McCullough family","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"persname_ssim":["McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"names_ssim":["West Virginia and Regional History Center","McCullough family","McColloch, Samuel Wilbur, 1931-","Bennet, Lyle Hatcher.","Folmar, Jesse.","Hatcher, John Walker.","Hatcher, Leona Lyle Bowman.","McColloch, Archie.","McColloch, Carolyn Hatcher.","McColloch, Mahala Jacob.","McColloch, Wilbur."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:56:44.747Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3338"}},{"id":"wvmturhc_repositories_2_resources_1716","type":"collection","attributes":{"title":"Strother Family Papers, 1846/1990","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1716#creator","type":"document_value","attributes":{"value":"Strother family","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1716#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers regarding the Strother family, particularly David Hunter Strother, a writer and illustrator for Harpers Magazine, who published under the pseudonym \"Porte Crayon.\" Contains artwork (including some from Strother's time in Mexico and some by other artists), correspondence, newspaper clippings, photographs, and material regarding the genealogy and history of the Strother family.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1716#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1716","ead_ssi":"wvmturhc_repositories_2_resources_1716","_root_":"wvmturhc_repositories_2_resources_1716","_nest_parent_":"wvmturhc_repositories_2_resources_1716","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1716.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195939","title_ssm":["Strother Family Papers"],"title_tesim":["Strother Family Papers"],"unitdate_ssm":["1846-1990"],"unitdate_inclusive_ssm":["1846-1990"],"normalized_date_ssm":["1846/1990"],"normalized_title_ssm":["Strother Family Papers, 1846/1990"],"text":["Strother Family Papers, 1846/1990","A\u0026M 3404","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1716","Mexico","Art and artists","Genealogy","No special access restriction applies.","Papers regarding the Strother family, particularly David Hunter Strother, a writer and illustrator for Harpers Magazine, who published under the pseudonym \"Porte Crayon.\" Contains artwork (including some from Strother's time in Mexico and some by other artists), correspondence, newspaper clippings, photographs, and material regarding the genealogy and history of the Strother family.","Series include:","Series 1. Initial Acquisition, Letters, Clippings, Photographs (1941-1968), Box 1\nSeries 2. Add. of 2003 July 17, Miscellaneous Strother Family Genealogy (undated), Box 1\nSeries 3. Add. of 2015 September 01, Correspondence, Artworks, and Other Material (1846-1990), Series 3, Boxes 1A-3\nSeries 4. Add. of 2017 August 21, Artwork, Photographs, and Other Material (ca. 1850-1961), Boxes 1-2","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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