{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=5\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=4\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026page=5\u0026view=list"},"meta":{"pages":{"current_page":5,"next_page":null,"prev_page":4,"total_pages":5,"limit_value":10,"offset_value":40,"total_count":44,"first_page?":false,"last_page?":true}},"data":[{"id":"viw_repositories_2_resources_9708","type":"collection","attributes":{"title":"Sage Futrell papers","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9708#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains an award speech, and one mixed media artwork titled \"Janus.\" The work was created by Sage Futrell (they/she) in 2023. 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Handle with care."],"extent_ssm":["4.5 Linear Feet"],"extent_tesim":["4.5 Linear Feet"],"date_range_isim":[2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. 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The posters measure from 14.5 x 11 inches to 22 x 18 inches.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_560#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_560","ead_ssi":"vifgm_repositories_2_resources_560","_root_":"vifgm_repositories_2_resources_560","_nest_parent_":"vifgm_repositories_2_resources_560","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_560.xml","title_filing_ssi":"San Francisco Poster Brigade poster collection","title_ssm":["San Francisco Poster Brigade poster collection"],"title_tesim":["San Francisco Poster Brigade poster collection"],"unitdate_ssm":["1974-1983"],"unitdate_inclusive_ssm":["1974-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0282","/repositories/2/resources/560"],"text":["C0282","/repositories/2/resources/560","San Francisco Poster Brigade poster collection","Political posters","Art","Political posters","There are no access restrictions.","This is a single folder collection.","Romero, Rachael. 'San Francisco Poster Brigade Archive', sfposterbrigade.org, 2011-2012 (accessed April 16, 2021).","The San Francisco Poster Brigade, originally called the Wilfred Owen Brigade, was co-founded by artist Rachael Romero in the San Francisco Bay area in 1975. In 1980 they began the Internationalist Art Show: Anti WW3, a mail-art phenomenon in San Francisco. The show became a festival of art, poetry, dance and performance, travelling to Los Angeles, Tucson, New York City and back to San Francisco until 1982.","Processing completed by Jessica Lynn in January 2016. EAD markup completed by Jessica Lynn in 2016. Finding aid updated by Liz Beckman in April 2021. 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For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holder is Rachael Romero - please contact SCRC for more information.","The collection contains poster art created by Rachael Romero, most as part of the San Francisco Poster Brigade in the 1970s and early 1980s. The posters measure from 14.5 x 11 inches to 22 x 18 inches.","MC 11.2","George Mason University. Libraries. 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EAD markup completed by Jessica Lynn in 2016. Finding aid updated by Liz Beckman in April 2021. Finding aid updated by Amanda Menjivar in November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other poster collections with political subject matter including the \u003cextptr show=\"new\" title=\"French Communist Party poster collection\" href=\"https://aspace.gmu.edu/resources/c0168\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"East German poster collection political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other poster collections with political subject matter including the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes poster artwork done by artist Rachael Romero in the 1970s and early 1980s, most as part of the San Francisco Poster Brigade. 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The posters measure from 14.5 x 11 inches to 22 x 18 inches.","Posters with an asterisk (*) were not a part of the San Francisco Poster Brigade."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holder is Rachael Romero - please contact SCRC for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holder is Rachael Romero - please contact SCRC for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0ff3a8888d559275a57411b0bad0706e\"\u003eThe collection contains poster art created by Rachael Romero, most as part of the San Francisco Poster Brigade in the 1970s and early 1980s. The posters measure from 14.5 x 11 inches to 22 x 18 inches.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains poster art created by Rachael Romero, most as part of the San Francisco Poster Brigade in the 1970s and early 1980s. The posters measure from 14.5 x 11 inches to 22 x 18 inches."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f3408b948adc3bd5b683f22080500f1f\"\u003eMC 11.2\u003c/physloc\u003e"],"physloc_tesim":["MC 11.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","San Francisco Poster Brigade","Romero, Rachael, 1953-"],"corpname_ssim":["George Mason University. Libraries. 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'San Francisco Poster Brigade Archive', sfposterbrigade.org, 2011-2012 (accessed April 16, 2021).","The San Francisco Poster Brigade, originally called the Wilfred Owen Brigade, was co-founded by artist Rachael Romero in the San Francisco Bay area in 1975. In 1980 they began the Internationalist Art Show: Anti WW3, a mail-art phenomenon in San Francisco. The show became a festival of art, poetry, dance and performance, travelling to Los Angeles, Tucson, New York City and back to San Francisco until 1982.","Processing completed by Jessica Lynn in January 2016. EAD markup completed by Jessica Lynn in 2016. Finding aid updated by Liz Beckman in April 2021. 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For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holder is Rachael Romero - please contact SCRC for more information.","The collection contains poster art created by Rachael Romero, most as part of the San Francisco Poster Brigade in the 1970s and early 1980s. The posters measure from 14.5 x 11 inches to 22 x 18 inches.","MC 11.2","George Mason University. Libraries. 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You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holder is Rachael Romero - please contact SCRC for more information."],"acqinfo_ssim":["Purchased in 2015 from Leon Klayman."],"access_subjects_ssim":["Political posters","Art","Political posters"],"access_subjects_ssm":["Political posters","Art","Political posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 folder"],"extent_tesim":["2 Linear Feet 1 folder"],"genreform_ssim":["Political posters"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eRomero, Rachael. 'San Francisco Poster Brigade Archive', sfposterbrigade.org, 2011-2012 (accessed April 16, 2021).\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Romero, Rachael. 'San Francisco Poster Brigade Archive', sfposterbrigade.org, 2011-2012 (accessed April 16, 2021)."],"bioghist_html_tesm":["\u003cp\u003eThe San Francisco Poster Brigade, originally called the Wilfred Owen Brigade, was co-founded by artist Rachael Romero in the San Francisco Bay area in 1975. In 1980 they began the Internationalist Art Show: Anti WW3, a mail-art phenomenon in San Francisco. The show became a festival of art, poetry, dance and performance, travelling to Los Angeles, Tucson, New York City and back to San Francisco until 1982.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The San Francisco Poster Brigade, originally called the Wilfred Owen Brigade, was co-founded by artist Rachael Romero in the San Francisco Bay area in 1975. 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EAD markup completed by Jessica Lynn in 2016. Finding aid updated by Liz Beckman in April 2021. Finding aid updated by Amanda Menjivar in November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other poster collections with political subject matter including the \u003cextptr show=\"new\" title=\"French Communist Party poster collection\" href=\"https://aspace.gmu.edu/resources/c0168\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"East German poster collection political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other poster collections with political subject matter including the   and the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes poster artwork done by artist Rachael Romero in the 1970s and early 1980s, most as part of the San Francisco Poster Brigade. The subjects include worker and labor struggles, international conflict, and advertisements for art festivals. The international subjects include South Africa apartheid, fascism in Chile, and political prisoners in Spain. The posters measure from 14.5 x 11 inches to 22 x 18 inches.\u003c/p\u003e","\u003cp\u003ePosters with an asterisk (*) were not a part of the San Francisco Poster Brigade.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["This collection includes poster artwork done by artist Rachael Romero in the 1970s and early 1980s, most as part of the San Francisco Poster Brigade. The subjects include worker and labor struggles, international conflict, and advertisements for art festivals. The international subjects include South Africa apartheid, fascism in Chile, and political prisoners in Spain. The posters measure from 14.5 x 11 inches to 22 x 18 inches.","Posters with an asterisk (*) were not a part of the San Francisco Poster Brigade."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holder is Rachael Romero - please contact SCRC for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holder is Rachael Romero - please contact SCRC for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0ff3a8888d559275a57411b0bad0706e\"\u003eThe collection contains poster art created by Rachael Romero, most as part of the San Francisco Poster Brigade in the 1970s and early 1980s. The posters measure from 14.5 x 11 inches to 22 x 18 inches.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains poster art created by Rachael Romero, most as part of the San Francisco Poster Brigade in the 1970s and early 1980s. The posters measure from 14.5 x 11 inches to 22 x 18 inches."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f3408b948adc3bd5b683f22080500f1f\"\u003eMC 11.2\u003c/physloc\u003e"],"physloc_tesim":["MC 11.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","San Francisco Poster Brigade","Romero, Rachael, 1953-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","San Francisco Poster Brigade"],"persname_ssim":["Romero, Rachael, 1953-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":36,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:16:19.666Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_560"}},{"id":"vifgm_repositories_2_resources_543","type":"collection","attributes":{"title":"Single \"Aida\" opera costume painting","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_543#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_543#abstract_or_scope","type":"document_value","attributes":{"value":"Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_543#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_543","ead_ssi":"vifgm_repositories_2_resources_543","_root_":"vifgm_repositories_2_resources_543","_nest_parent_":"vifgm_repositories_2_resources_543","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_543.xml","title_ssm":["Single \"Aida\" opera costume painting"],"title_tesim":["Single \"Aida\" opera costume painting"],"unitdate_ssm":["circa early 1870s"],"unitdate_other_ssim":["circa early 1870s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0474","/repositories/2/resources/543"],"text":["C0474","/repositories/2/resources/543","Single \"Aida\" opera costume painting","Art","Costume design","Opera","There are no access restrictions.","This is a single item collection.","Groenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.","\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the ancient Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. ","\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts.","Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s. The character is unlabeled, but based on other costume designs of the era, it may be the character Radames. There are two practice sketches of a figure's head in the upper right hand corner, as well as the artist's signature in the bottom right hand corner. The painting is likely French in origin.","Public Domain. There are no known restrictions.","Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)","No linguistic content; Not applicable \n.    "],"unitid_tesim":["C0474","/repositories/2/resources/543"],"normalized_title_ssm":["Single \"Aida\" opera costume painting"],"collection_title_tesim":["Single \"Aida\" opera costume painting"],"collection_ssim":["Single \"Aida\" opera costume painting"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in September 2016."],"access_subjects_ssim":["Art","Costume design","Opera"],"access_subjects_ssm":["Art","Costume design","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 painting"],"extent_tesim":[".01 Linear Feet 1 painting"],"date_range_isim":[1871],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eGroenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.\u003c/p\u003e\n","\u003cp\u003eHolmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Groenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida."],"bioghist_html_tesm":["\u003cp\u003e\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the ancient Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. \u003c/p\u003e\n","\u003cp\u003e\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the ancient Egyptian court. 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This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida."],"prefercite_html_tesm":["\u003cp\u003eSingle \"Aida\" opera costume painting, C0474, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Single \"Aida\" opera costume painting, C0474, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'Aida' opera costume paintings (C0473)\" href=\"https://aspace.gmu.edu/repositories/2/resources/542\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/repositories/2/resources/541\"\u003e\u003c/extptr\u003e, as well as other materials related to opera, costume design, and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSingle pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s. The character is unlabeled, but based on other costume designs of the era, it may be the character Radames. There are two practice sketches of a figure's head in the upper right hand corner, as well as the artist's signature in the bottom right hand corner. The painting is likely French in origin.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s. The character is unlabeled, but based on other costume designs of the era, it may be the character Radames. There are two practice sketches of a figure's head in the upper right hand corner, as well as the artist's signature in the bottom right hand corner. The painting is likely French in origin."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_89ccc6afb189230e3f9eb7c0899ab6db\" label=\"Abstract\"\u003eSingle pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s.\u003c/abstract\u003e"],"abstract_tesim":["Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_089008b78314ba9b05fcf2b8a44b0a87\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"persname_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"language_ssim":["No linguistic content; Not applicable \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_543","ead_ssi":"vifgm_repositories_2_resources_543","_root_":"vifgm_repositories_2_resources_543","_nest_parent_":"vifgm_repositories_2_resources_543","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_543.xml","title_ssm":["Single \"Aida\" opera costume painting"],"title_tesim":["Single \"Aida\" opera costume painting"],"unitdate_ssm":["circa early 1870s"],"unitdate_other_ssim":["circa early 1870s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0474","/repositories/2/resources/543"],"text":["C0474","/repositories/2/resources/543","Single \"Aida\" opera costume painting","Art","Costume design","Opera","There are no access restrictions.","This is a single item collection.","Groenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.","\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the ancient Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. ","\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.","Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts.","Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s. The character is unlabeled, but based on other costume designs of the era, it may be the character Radames. There are two practice sketches of a figure's head in the upper right hand corner, as well as the artist's signature in the bottom right hand corner. The painting is likely French in origin.","Public Domain. There are no known restrictions.","Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)","No linguistic content; Not applicable \n.    "],"unitid_tesim":["C0474","/repositories/2/resources/543"],"normalized_title_ssm":["Single \"Aida\" opera costume painting"],"collection_title_tesim":["Single \"Aida\" opera costume painting"],"collection_ssim":["Single \"Aida\" opera costume painting"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in September 2016."],"access_subjects_ssim":["Art","Costume design","Opera"],"access_subjects_ssm":["Art","Costume design","Opera"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 painting"],"extent_tesim":[".01 Linear Feet 1 painting"],"date_range_isim":[1871],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eGroenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.\u003c/p\u003e\n","\u003cp\u003eHolmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.\u003c/p\u003e\n","\u003cp\u003e\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Groenert, Kaeli, \"Blackface at the Met: An exploration of the casting of performers of color in the roles of Aida and Othello from 2007-2017\" (2019). Music. 1. https://scholarsarchive.library.albany.edu/honorscollege_music/1.","Holmes, Helen. \"The Met Casts Anna Netrebko as 'Aida' Despite Her Past Controversy in the Role,\" February 13, 2020. Observer. https://observer.com/2020/02/anna-netrebko-aida-met-opera-casting-2020-2021-season-details/.","\"Synopsis: Aida.\" The Metropolitan Opera. Accessed March 15, 2021. https://www.metopera.org/user-information/synopses-archive/aida."],"bioghist_html_tesm":["\u003cp\u003e\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the ancient Egyptian court. Unbeknownst to the court, the Egyptian military commander Radames is in love with Aida, who also returns his love. Throughout the opera the couple struggles to assert their love, while also honoring their respective countries and dealing with the war that ensues between Egypt and Ethiopia. \"Aida\" was immensely popular when it premiered and is still considered one of the most beloved operas today. \u003c/p\u003e\n","\u003cp\u003e\"Aida\" has a performance history of brown and blackface, with white singers often performing characters of another race. This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Aida\" is a four-act opera by Giuseppe Verde that premiered in 1871. Set in the Old Kingdom of Egypt and sung in Italian, it tells the story of an enslaved Ethiopian princess, the titular Aida, who is brought to the ancient Egyptian court. 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This occurred as recently as early 2020, though there has been more effort in the opera world to cast racially appropriate singers in these roles, particularly that of Aida."],"prefercite_html_tesm":["\u003cp\u003eSingle \"Aida\" opera costume painting, C0474, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Single \"Aida\" opera costume painting, C0474, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in March 2021. EAD markup completed by Amanda Brent in March 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"'Aida' opera costume paintings (C0473)\" href=\"https://aspace.gmu.edu/repositories/2/resources/542\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"'Cavalleria rusticana' opera costume paintings\" href=\"https://aspace.gmu.edu/repositories/2/resources/541\"\u003e\u003c/extptr\u003e, as well as other materials related to opera, costume design, and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  , as well as other materials related to opera, costume design, and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eSingle pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s. The character is unlabeled, but based on other costume designs of the era, it may be the character Radames. There are two practice sketches of a figure's head in the upper right hand corner, as well as the artist's signature in the bottom right hand corner. The painting is likely French in origin.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s. The character is unlabeled, but based on other costume designs of the era, it may be the character Radames. There are two practice sketches of a figure's head in the upper right hand corner, as well as the artist's signature in the bottom right hand corner. The painting is likely French in origin."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_89ccc6afb189230e3f9eb7c0899ab6db\" label=\"Abstract\"\u003eSingle pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s.\u003c/abstract\u003e"],"abstract_tesim":["Single pen and watercolor painting on paper of a costume design from the opera \"Aida,\" made circa early 1870s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_089008b78314ba9b05fcf2b8a44b0a87\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Verdi, Giuseppe, 1813-1901. (Title of work: Aïda.)"],"persname_ssim":["Verdi, Giuseppe, 1813-1901. 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The title \"Marine Regular, \"Master Sgt. 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The works are all signed \"Beute.\"  ","Content advisory for graphic depictions of violence, racial caricature, and scenes of war.","A watercolor painting of a soldier in green camouflage running on a beach with palm trees. The soldier holds a machine gun and there are bullet impacts in the sand around them, and an explosion on their right.","The painting is signed \"Beute\" and dated \"-44-\" in the lower right corner.","A watercolor painting of a soldier with a flamethrower and three burning soldiers on a beach with foliage in the foreground and an ocean view with an island beyond. ","Signed \"Beute\" and dated \"-44-\" in the bottom right.","A watercolor painting of a soldier holding a machine gun standing on a beach among small houses and palm trees with a Japanese flag set before a burning building.","Signed \"Beute\" and dated \"-44-\" in the bottom right corner.","A watercolor painting of three soldiers hauling a boat onto a beach with the ocean in the background. ","Dated \"-44-\" and signed \"Beute\" in the bottom right corner.","A watercolor painting of four soldiers wading in waste deep water hung with vines. They carry guns and machetes as they head towards the viewer.","Signed \"Beute\" and dated \"-45-\" in the bottom right corner.","A pencil and colored pencil drawing of a Sergeant holding a machine gun and a saber with six dying men with various injuries surrounding him. Bullets and instruments of war fly around the image and a plane with the Japanese flag crashes in the background. ","Signed \"Beute\" and dated \"-45-\" in the bottom right corner. The title \"Marine Regular, \"Master Sgt. 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