{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1790","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Art\u0026f%5Bdate_range%5D%5B%5D=1790\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_525","type":"collection","attributes":{"title":"Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after William Hogarth, 1790","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_525#creator","type":"document_value","attributes":{"value":"Blake, William, 1757-1827","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_525#abstract_or_scope","type":"document_value","attributes":{"value":"Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_525#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_525","ead_ssi":"vifgm_repositories_2_resources_525","_root_":"vifgm_repositories_2_resources_525","_nest_parent_":"vifgm_repositories_2_resources_525","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_525.xml","title_ssm":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after William Hogarth"],"title_tesim":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after William Hogarth"],"unitdate_ssm":["1790"],"unitdate_other_ssim":["1790"],"normalized_date_ssm":["1790"],"normalized_title_ssm":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after William Hogarth, 1790"],"text":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after William Hogarth, 1790","C0459","/repositories/2/resources/525","Art","Engraving","Opera","There are no access restrictions.","This is a single item collection.","\"The Beggar's Opera.\" Encyclopaedia Britannica. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.","The image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.","Present in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. 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'When my hero in Court appears, \u0026amp;c.' From the Original Picture, in the Collection of his Grace the Duke of Leeds. Publish'd July 1st 1790 by J. \u0026amp; J. Boydell. Cheapside. \u0026amp; at the Shakespeare Gallery Pall Mall London.\" While the imprint is given as July 1, 1790, this copy may be a later printing.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.","The image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. 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Cheapside. \u0026 at the Shakespeare Gallery Pall Mall London.\" While the imprint is given as July 1, 1790, this copy may be a later printing."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections related to opera and the performing arts.","Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.","The image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.","Present in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. Members of the audience are also depicted, including the Duke of Bolton, Sir Robert Fagg (who was the lover, and later husband of Lavinia Fenton), John Rich, the opera's producer, and John Gay, the opera's author. Underneath the image the text reads \"Beggar's Opera, Act III. 'When my hero in Court appears, \u0026c.' From the Original Picture, in the Collection of his Grace the Duke of Leeds. Publish'd July 1st 1790 by J. \u0026 J. Boydell. Cheapside. \u0026 at the Shakespeare Gallery Pall Mall London.\" While the imprint is given as July 1, 1790, this copy may be a later printing.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790.","R 72, C 3, S 1","George Mason University. Libraries. 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His engravings depicting scenes from The Canterbury Tales, the Book of Job, as well as the writer Dante are considered \"to be among the greatest triumphs of line engraving in England\" (Encyclopaedia Britannica).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["\"The Beggar's Opera\" is an English opera written by John Gay and music by John Christopher Pepusch, which premiered in London in 1728. It was immensely popular, mostly due to its satirization of Italian Opera, which at the time was considered elite and boorish to English society. \"The Beggar's Opera\" was also the vehicle for Gay's inventing of the ballad opera, in which a satirical play is peppered with popular songs and tunes - or ballads - of the day with original lyrics that furthered the plot.","William Blake was a renowned English poet, artist, and engraver who lived from 1757 to 1827. In his career as an engraver, Blake became so skilled that he was asked to engrave not only the works of others, but his own as well, which were ultimately his greatest achievements. His engravings depicting scenes from The Canterbury Tales, the Book of Job, as well as the writer Dante are considered \"to be among the greatest triumphs of line engraving in England\" (Encyclopaedia Britannica)."],"prefercite_html_tesm":["\u003cp\u003eEngraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after William Hogarth, C0459, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after William Hogarth, C0459, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in December 2020. EAD markup completed by Amanda Brent in December 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections related to opera and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections related to opera and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eEngraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.\u003c/p\u003e","\u003cp\u003eThe image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.\u003c/p\u003e","\u003cp\u003ePresent in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. Members of the audience are also depicted, including the Duke of Bolton, Sir Robert Fagg (who was the lover, and later husband of Lavinia Fenton), John Rich, the opera's producer, and John Gay, the opera's author. Underneath the image the text reads \"Beggar's Opera, Act III. 'When my hero in Court appears, \u0026amp;c.' From the Original Picture, in the Collection of his Grace the Duke of Leeds. Publish'd July 1st 1790 by J. \u0026amp; J. Boydell. Cheapside. \u0026amp; at the Shakespeare Gallery Pall Mall London.\" While the imprint is given as July 1, 1790, this copy may be a later printing.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790. The original painting was created in 1731, with multiple iterations afterwards, and the engraving was commissioned by John Boydell in 1788.","The image represents a performance of \"The Beggar's Opera\" at Lincoln's Inn Fields, a theatre in London, England, in 1728. The scene depicts the opera's central character, a highwayman named Macheath, chained and under sentence of death between his two lovers - the jailer's daughter, Lucy Lockit, and the lawyer's daughter, Polly Peachum.","Present in the scene a variety of actors, including Thomas Walker as Macheath, Mr. Hall as Lockit, John Hippisley as Peachum, Mrs. Egleton as Lucy, and Lavinia Fenton as Polly. Members of the audience are also depicted, including the Duke of Bolton, Sir Robert Fagg (who was the lover, and later husband of Lavinia Fenton), John Rich, the opera's producer, and John Gay, the opera's author. Underneath the image the text reads \"Beggar's Opera, Act III. 'When my hero in Court appears, \u0026c.' From the Original Picture, in the Collection of his Grace the Duke of Leeds. Publish'd July 1st 1790 by J. \u0026 J. Boydell. Cheapside. \u0026 at the Shakespeare Gallery Pall Mall London.\" While the imprint is given as July 1, 1790, this copy may be a later printing."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_1ddfba1a325df00bb8999793a3889c94\" label=\"Abstract\"\u003eEngraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790.\u003c/abstract\u003e\n    "],"abstract_tesim":["Engraving of a scene from Act III of \"The Beggar's Opera\" by William Blake after a painting by William Hogarth, created in 1790."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3a4822d59a7c56223858eee0a52717bb\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Blake, William, 1757-1827"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Blake, William, 1757-1827"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:01.774Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_525"}},{"id":"vifgm_repositories_2_resources_518","type":"collection","attributes":{"title":"Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_518#abstract_or_scope","type":"document_value","attributes":{"value":"Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026amp; Reynolds after the drawing by Charles Henard.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_518#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_518","ead_ssi":"vifgm_repositories_2_resources_518","_root_":"vifgm_repositories_2_resources_518","_nest_parent_":"vifgm_repositories_2_resources_518","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_518.xml","title_ssm":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\""],"title_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\""],"unitdate_ssm":["circa 1790"],"unitdate_other_ssim":["circa 1790"],"normalized_date_ssm":["1790"],"normalized_title_ssm":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790"],"text":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790","C0457","/repositories/2/resources/518","Art","Ballet","There are no access restrictions.","This is a single item collection.","\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.","The Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.","The Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.","Gatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026gbpv=0","\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246","National Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280.","Rose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. Madame Didelot and her husband caused a scandal in 1798 when they performed in revealing costumes for a performance of \"Alonzo e Caro\" in London, England with their frequent dance collaborator, Madame Parisot.","\"Telemachus in the Island of Calypso: A Pantomime Ballet\" is a ballet written by Jean Dauberval. It premiered in London, England at the King's Theatre, Pantheon in March 1791. The ballet is based on the Greek myth of Odysseus. Telemachus is the son of Odysseus and Penelope.","Pantomime Ballet or ballet d'action is a form of ballet in which the dance is performed as \"a narrative art form, rather than an ornamental spectacle...[the first to do so] was Jean-Georges Noverre...Noverre believed that dance steps and gestures should be used to describe the characters' motives and advance the plotline rather than simply form pleasing patterns\" (Oxford Reference.) Ballet d'action transformed the ballet world into what it has become in modern day, with performances rooted in furthering the story and emotions of the characters.","Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds other collections related to dance and ballet, as well as other areas of the performing arts.","Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard, made circa 1791. Includes a description in both English and French which reads \"Mdme. Rose Didelot in the Character of Calypso in the Ballet of Telemachus Composed by Mr. Dauberval.\" The image features Didelot posing in classical costume and in a Grecian setting.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Didelot, Rose Colinette","English\n      French"],"collection_title_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790"],"collection_ssim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0457","/repositories/2/resources/518"],"unitid_tesim":["C0457","/repositories/2/resources/518"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_persname_ssim":["Didelot, Rose Colinette"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Didelot, Rose Colinette","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"access_subjects_ssim":["Art","Ballet"],"access_subjects_ssm":["Art","Ballet"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 item"],"extent_tesim":[".01 Linear Feet 1 item"],"date_range_isim":[1790],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.\u003c/p\u003e","\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.\u003c/p\u003e","\u003cp\u003eThe Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.\u003c/p\u003e","\u003cp\u003eGatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026amp;gbpv=0\u003c/p\u003e","\u003cp\u003e\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246 \u003c/p\u003e","\u003cp\u003eNational Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.","The Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.","The Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.","Gatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026gbpv=0","\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246","National Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280."],"bioghist_html_tesm":["\u003cp\u003e\nRose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. Madame Didelot and her husband caused a scandal in 1798 when they performed in revealing costumes for a performance of \"Alonzo e Caro\" in London, England with their frequent dance collaborator, Madame Parisot.\u003c/p\u003e","\u003cp\u003e\"Telemachus in the Island of Calypso: A Pantomime Ballet\" is a ballet written by Jean Dauberval. It premiered in London, England at the King's Theatre, Pantheon in March 1791. The ballet is based on the Greek myth of Odysseus. Telemachus is the son of Odysseus and Penelope.\u003c/p\u003e","\u003cp\u003ePantomime Ballet or ballet d'action is a form of ballet in which the dance is performed as \"a narrative art form, rather than an ornamental spectacle...[the first to do so] was Jean-Georges Noverre...Noverre believed that dance steps and gestures should be used to describe the characters' motives and advance the plotline rather than simply form pleasing patterns\" (Oxford Reference.) Ballet d'action transformed the ballet world into what it has become in modern day, with performances rooted in furthering the story and emotions of the characters.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Rose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. Madame Didelot and her husband caused a scandal in 1798 when they performed in revealing costumes for a performance of \"Alonzo e Caro\" in London, England with their frequent dance collaborator, Madame Parisot.","\"Telemachus in the Island of Calypso: A Pantomime Ballet\" is a ballet written by Jean Dauberval. It premiered in London, England at the King's Theatre, Pantheon in March 1791. The ballet is based on the Greek myth of Odysseus. Telemachus is the son of Odysseus and Penelope.","Pantomime Ballet or ballet d'action is a form of ballet in which the dance is performed as \"a narrative art form, rather than an ornamental spectacle...[the first to do so] was Jean-Georges Noverre...Noverre believed that dance steps and gestures should be used to describe the characters' motives and advance the plotline rather than simply form pleasing patterns\" (Oxford Reference.) Ballet d'action transformed the ballet world into what it has become in modern day, with performances rooted in furthering the story and emotions of the characters."],"prefercite_html_tesm":["\u003cp\u003eMezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", C0457, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", C0457, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in September 2020. EAD markup completed by Amanda Brent in September 2020. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to dance and ballet, as well as other areas of the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to dance and ballet, as well as other areas of the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eMezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026amp; Reynolds after the drawing by Charles Henard, made circa 1791. Includes a description in both English and French which reads \"Mdme. Rose Didelot in the Character of Calypso in the Ballet of Telemachus Composed by Mr. Dauberval.\" The image features Didelot posing in classical costume and in a Grecian setting.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard, made circa 1791. Includes a description in both English and French which reads \"Mdme. Rose Didelot in the Character of Calypso in the Ballet of Telemachus Composed by Mr. Dauberval.\" The image features Didelot posing in classical costume and in a Grecian setting."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_62d437950333c42973e06c7329bdc17b\"\u003eMezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026amp; Reynolds after the drawing by Charles Henard.\u003c/abstract\u003e\n    "],"abstract_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\" attributed to Conde \u0026 Reynolds after the drawing by Charles Henard."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f02fd6961d8c6ec379c4633adf59b1ca\"\u003eR 72, C 3, S 1\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Didelot, Rose Colinette"],"names_coll_ssim":["Didelot, Rose Colinette"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Didelot, Rose Colinette"],"language_ssim":["English\n      French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:53.150Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_518","ead_ssi":"vifgm_repositories_2_resources_518","_root_":"vifgm_repositories_2_resources_518","_nest_parent_":"vifgm_repositories_2_resources_518","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_518.xml","title_ssm":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\""],"title_tesim":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\""],"unitdate_ssm":["circa 1790"],"unitdate_other_ssim":["circa 1790"],"normalized_date_ssm":["1790"],"normalized_title_ssm":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790"],"text":["Mezzotint print of ballet dancer Rose Colinette Didelot as the character Calypso from the ballet \"Telemachus in the Island of Calypso\", 1790","C0457","/repositories/2/resources/518","Art","Ballet","There are no access restrictions.","This is a single item collection.","\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.","The Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/art/ballet-daction#ref128570.","The Editors of Encyclopaedia Britannica. \"Charles Didelot.\" Encyclopædia Britannica. Encyclopædia Britannica, inc., September 22, 2019. https://www.britannica.com/biography/Charles-Didelot.","Gatrell, Vic. City of Laughter: Sex and Satire in Eighteenth-Century London. United Kingdom: Walker, 2007. Accessed through: https://www.google.com/books/edition/_/ZmoeTnYJ1L4C?hl=en\u0026gbpv=0","\"Mme Rose Didelot.\" The British Museum. September 22, 2020. https://www.britishmuseum.org/collection/term/BIOG25246","National Library of Australia. Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280.","Rose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. 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Catalog record for Dauberval.  Telemachus in the island of Calypso [electronic resource] : A pantomime ballet. In three acts. Composed by Mr. D'Auberval, pensioner of His Most Christian Majesty. Represented for the first time at the King's Theatre, Pantheon, in the month of March, M.DCC.XCI. The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Ballet d'action.\" Oxford Reference. Oxford University Press. September 22, 2020. https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095443457.","The Editors of Encyclopaedia Britannica. \"Ballet d'action.\" Encyclopædia Britannica. 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The music selected from different masters, the original airs by Signor Mazzinghi  Printed by H. Reynell No 21, Piccadilly London  1791. Accessed through: https://catalogue.nla.gov.au/Record/4885280."],"bioghist_html_tesm":["\u003cp\u003e\nRose Colinette Didelot (sometimes written as Marie Rose Colinette) was a French ballet dancer who lived during the late 18th and early 19th century, dying in 1806. Not much is known about her life other than that she was married to Charles Didelot, a renowned ballet dancer and choreographer, and was a popular ballet dancer during her lifetime. She assisted him with revolutionizing ballet in Russia during the early 1800s. 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