{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Study+and+teaching\u0026f%5Bdate_range%5D%5B%5D=1864\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architecture+--+Study+and+teaching\u0026f%5Bdate_range%5D%5B%5D=1864\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"viblbv_repositories_2_resources_1750","type":"collection","attributes":{"title":"Susana Torre Architectural Collection","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#creator","type":"document_value","attributes":{"value":"Torre, Susana, 1944-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#abstract_or_scope","type":"document_value","attributes":{"value":"After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1750","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1750.xml","title_filing_ssi":"Torre, Susana, Architectural Collection","title_ssm":["Susana Torre Architectural Collection"],"title_tesim":["Susana Torre Architectural Collection"],"unitdate_ssm":["1830-2003","1967-2003"],"unitdate_bulk_ssim":["1967-2003"],"unitdate_inclusive_ssm":["1830-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.016"],"text":["Ms.1990.016","Susana Torre Architectural Collection","Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","The collection is open for research.","Selected images of work by Susana Torre has been digitized and is available online.","The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. ","Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. ","The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.","The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden","Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.","After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-","The materials in the collection are in English."],"unitid_tesim":["Ms.1990.016"],"normalized_title_ssm":["Susana Torre Architectural Collection"],"collection_title_tesim":["Susana Torre Architectural Collection"],"collection_ssim":["Susana Torre Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Torre, Susana, 1944-"],"creator_ssim":["Torre, Susana, 1944-"],"creator_persname_ssim":["Torre, Susana, 1944-"],"creators_ssim":["Torre, Susana, 1944-"],"access_terms_ssm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"acqinfo_ssim":["The Susana Torre Architectural Collection was donated to the International Archive of Women in Architecture in 1990. Additional material was donated in 1998, 2000, 2003, and 2008."],"access_subjects_ssim":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"extent_tesim":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/354\"\u003eSelected images of work by Susana Torre has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Selected images of work by Susana Torre has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. \u003c/p\u003e\n","\u003cp\u003eSeries I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. \u003c/p\u003e\n","\u003cp\u003eSeries II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. "],"bioghist_html_tesm":["\u003cp\u003eSusana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. \u003c/p\u003e\n","\u003cp\u003eThroughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from \u003ctitle render=\"italic\"\u003eArchitectural Record\u003c/title\u003e; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). \u003c/p\u003e\n","\u003cp\u003eTorre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. \u003c/p\u003e\n","\u003cp\u003eThe project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. \u003c/p\u003e\n","\u003cp\u003eProfessional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture.\u003c/title\u003e Organizations to which Torre belonged include the Architectural League of New York, the \u003ctitle render=\"italic\"\u003eHeresies\u003c/title\u003e (a feminist publication on art and politics), Networks: Women in Architecture, the \u003ctitle render=\"italic\"\u003eJournal of Architectural Education\u003c/title\u003e (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. \u003c/p\u003e\n","\u003cp\u003eThere are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book \u003ctitle render=\"italic\"\u003eWomen in American Architecture: a Historic and Contemporary Perspective\u003c/title\u003e that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. \u003c/p\u003e\n","\u003cp\u003eFaculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. \u003c/p\u003e\n","\u003cp\u003eOffice Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. \u003c/p\u003e","\u003cp\u003e1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles\u003c/p\u003e","\u003cp\u003ePictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe2379cf92e88916e01253a1d5e4ec4\" label=\"Abstract\"\u003eAfter earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.\u003c/abstract\u003e"],"abstract_tesim":["After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Torre, Susana, 1944-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":386,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:17:21.621Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1750","ead_ssi":"viblbv_repositories_2_resources_1750","_root_":"viblbv_repositories_2_resources_1750","_nest_parent_":"viblbv_repositories_2_resources_1750","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1750.xml","title_filing_ssi":"Torre, Susana, Architectural Collection","title_ssm":["Susana Torre Architectural Collection"],"title_tesim":["Susana Torre Architectural Collection"],"unitdate_ssm":["1830-2003","1967-2003"],"unitdate_bulk_ssim":["1967-2003"],"unitdate_inclusive_ssm":["1830-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.016"],"text":["Ms.1990.016","Susana Torre Architectural Collection","Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)","The collection is open for research.","Selected images of work by Susana Torre has been digitized and is available online.","The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. ","Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. ","The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.","The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden","Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.","After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.","Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-","The materials in the collection are in English."],"unitid_tesim":["Ms.1990.016"],"normalized_title_ssm":["Susana Torre Architectural Collection"],"collection_title_tesim":["Susana Torre Architectural Collection"],"collection_ssim":["Susana Torre Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Torre, Susana, 1944-"],"creator_ssim":["Torre, Susana, 1944-"],"creator_persname_ssim":["Torre, Susana, 1944-"],"creators_ssim":["Torre, Susana, 1944-"],"access_terms_ssm":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"acqinfo_ssim":["The Susana Torre Architectural Collection was donated to the International Archive of Women in Architecture in 1990. Additional material was donated in 1998, 2000, 2003, and 2008."],"access_subjects_ssim":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["Women -- History","Architecture -- Study and teaching","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"extent_tesim":["26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model"],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/354\"\u003eSelected images of work by Susana Torre has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Selected images of work by Susana Torre has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. \u003c/p\u003e\n","\u003cp\u003eSeries I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. \u003c/p\u003e\n","\u003cp\u003eSeries II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Susana Torre Collection is arranged in four series reflecting architectural projects, work with professional organizations, teaching, and office work. ","Series I: Project Files, 1961-1990, consists of project files and some sets of architectural drawings. The project information is arranged chronologically. Some projects have been assigned circa dates, reflecting the fact that although they do not have specific dates, they were filed in the order that Torre worked on them. ","Series II: Professional Papers, 1830, 1941-2003, contains three subseries of material: (A) Professional and Cultural Organizations, (B) Publications, and (C) Research Files. Subseries A and C are arranged chronologically, and subseries B is grouped by topic and arranged alphabetically. ","Series III: Faculty Papers, 1971-1992, contains material Torre used and collected while teaching at universities. The material is arranged by the name of the school with which it is associated, and chronologically within each school grouping. ","Series IV: Office Files, 1967-1994, contains five subseries: (A) Lectures, (B) Conferences and Symposia, (C) Juries and Advisory Boards, (D) Exhibitions, and (E) Awards and Fellowships. All are arranged chronologically. "],"bioghist_html_tesm":["\u003cp\u003eSusana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. \u003c/p\u003e\n","\u003cp\u003eThroughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from \u003ctitle render=\"italic\"\u003eArchitectural Record\u003c/title\u003e; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). \u003c/p\u003e\n","\u003cp\u003eTorre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Susana Torre was born in 1944 in Argentina and graduated from the University of Buenos Aires with a degree in architecture and additional course work in urban planning in 1967. In 1968 she moved to the United States to pursue post-graduate studies in urban planning at Columbia University. Her career following the completion of her studies was based in New York City. Susana Torre was a principal of the Architectural Studio in New York from 1978 to 1984. She also worked as a partner at Wank Adams Slavin Associates and Torre Beeler Associates before starting an independent practice, Susana Torre and Associates of New York, in 1989. She has been associated with the Museum of Modern Art's Department of Architecture and Design and served as the coordinator of a research study on six new towns for the Institute for Architecture and Urban Studies. Torre also has held academic appointments at Columbia University, SUNY at Old Westbury, Barnard College Architecture Program, and New Jersey Institute of Technology as well as serving as a visiting critic and adjunct professor at other schools in the New York area. ","Throughout her career, Torre has been concerned with the status of women in architecture, studying the history of the subject and advocating fuller participation of women in the field. Her work is strongly engaged in a dialogue of Modernist and Post-modernist forms. Susana Torre has received several awards, including recognition from the Edgar Kaufman Foundation and the National Endowment for the Arts. Torre has served on national juries for the American Institute of Architects (AIA) as well as other educational institutions. She is well known for her renovation and remodeling projects such as the master plan for the restoration of Ellis Island in New York Harbor (1981); renovation of Clark House, a turn-of-the-century carriage house in South Hampton, New York (1982) which received an Award of Excellence of Design from  Architectural Record ; the renovation of Schermerhorn Hall at Columbia University (1985); and Fire Station Five in Columbus, Indiana (1987). ","Torre has published many articles in journals, newspapers, and magazines and has exhibited works at the Museum of Modern Art, The Institute for Architecture and Urban Studies, The Otis Art Institute, MIT's Hayden Gallery, and the Cooper Hewitt Museum. Ms. Torre was the editor, curator and designer of the exhibit \"Women in Architecture: A Historic and Contemporary Perspective,\" that toured United States in 1977 and the complementary book of essays (1977) that accompanied it. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Susana Torre Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Susana Torre Architectural Collection, Ms1990-016, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Susana Torre Architectural Collection was completed in January 2005. Initial processing, arrangement, and description was completed in 1990. Additions were integrated in 2007, 2012, and 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. \u003c/p\u003e\n","\u003cp\u003eThe project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. \u003c/p\u003e\n","\u003cp\u003eProfessional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book, \u003ctitle render=\"italic\"\u003eWomen in American Architecture.\u003c/title\u003e Organizations to which Torre belonged include the Architectural League of New York, the \u003ctitle render=\"italic\"\u003eHeresies\u003c/title\u003e (a feminist publication on art and politics), Networks: Women in Architecture, the \u003ctitle render=\"italic\"\u003eJournal of Architectural Education\u003c/title\u003e (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. \u003c/p\u003e\n","\u003cp\u003eThere are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book \u003ctitle render=\"italic\"\u003eWomen in American Architecture: a Historic and Contemporary Perspective\u003c/title\u003e that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. \u003c/p\u003e\n","\u003cp\u003eFaculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. \u003c/p\u003e\n","\u003cp\u003eOffice Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. \u003c/p\u003e","\u003cp\u003e1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles\u003c/p\u003e","\u003cp\u003ePictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Susana Torre Architectural Collection consist of twenty-four cubic feet of material including professional correspondence, project files, research notes, published articles, office files about and by Torre, and teaching notes amassed by Torre, as well as twenty folders of architectural drawings and sketches, and photographs of projects taken before, during and after construction, mostly during the period from 1968 to 1991. The collection also includes three framed drawings and a model of the Garvey residence at Amagansett, Long Island. The information focuses on Torre's professional career, with the bulk of the material covering architectural projects and publishing and teaching efforts. ","The project files include contracts, bids and proposals, project notes, feasibility studies, correspondence with clients and builders, specifications, product information, and clippings of articles about the projects. There are also seventeen sets of project drawings. The most important and best-documented projects of this collection are the renovation of a law office for Harry Torcyzner, New York; the Clark's residence at South Hampton, New York; the Chamber's Street Restaurant, New York; the Embassy of the Ivory Coast; the Robert Panero Associates office renovation project; a feasibility study for \"Suitables\" (a chain of women's clothing stores); the renovation of Schemerhorn Hall at Columbia University, New York; the Fire Station Five at Columbus, Indiana; the Montauk Public Library, New York; a fire station in Jersey City, New Jersey; a feasibility study for the Ruppert Green Project (a multi-family residential complex in New Jersey); the Garvey residence; the Feinberg residence in Chillmark, Massachusetts; Columbia University's Law Library renovation; and the Jewett Arts Center at Wellesley College, MA. ","Professional papers include information about associations and organizations in which Torre participated; organizational correspondence regarding meetings, objectives and proceedings, invitations, brochures and articles about speakers and organization events; publications by and about Torre and architecture; and Torre's notes about women in architecture that she used to prepare the 1977 exhibition and its companion book,  Women in American Architecture.  Organizations to which Torre belonged include the Architectural League of New York, the  Heresies  (a feminist publication on art and politics), Networks: Women in Architecture, the  Journal of Architectural Education  (JAE), the International Archive of Women in Architecture (IAWA), the Association of Collegiate Schools of Architecture (ASCA): Task Force on the Status of Women in Architecture Schools, and Architects Designers Planners for Social Responsibility (ADPSR). The publications span the dates 1967-1992 and include early Spanish-language and later English material written by Torre, as well as magazine and newspaper clippings, invitations to conferences and technical paper presentations, outlines of articles and comments on other author's publications, correspondence with publishers and organizations, and Torre's hand-written notes from meetings and conferences. ","There are also accumulated research notes about women architects in America that Torre compiled to write the introduction and several segments of the book  Women in American Architecture: a Historic and Contemporary Perspective  that received support from the Architectural League of New York and was published by Whitney Library of Design. The exhibition opened at the Brooklyn Museum in 1977 and then toured around the United States. The research files include information about specific architects, general notes and photographs, and articles and papers published by American women architects. ","Faculty papers include lecture notes, student projects, newspaper clippings and theses from lecture and teaching positions that Torre held at schools such as State University of New York (SUNY) at Old Westbury, the Pratt Institute, Syracuse University, Miami University in Ohio, Columbia University and its Graduate School of Architecture Planning and preservation program, University of Pennsylvania, Escula Technica Superior De Architectura in Spain, Barnard Architecture College, University of Sydney, New Jersey Institute of Technology, and New Jersey School of Architecture. ","Office Files include correspondence documents, notes, brochures and invitations for lectures, conference and symposia attended and participated in by Torre spanning from 1967 to 1994. The collection also includes information about the various exhibitions, juries, and advisory boards in which Torre participated, helped organize, and presided over during her professional career. The Awards and Fellowships files include documentation and information regarding the various awards, honors, and fellowships that Torre received from 1979 to 1990. ","1. \"Women in American Architecture,\" exhibition curated by Susana Torre\n2. Timeline of Women in American Architecture, compiled and designed by Naomi Leff for the exhibition \"Women in American Architecture\n3. Eileen Gray Exhibition\n4. Women in Design Conference\n5. Opening of the Women's Building in Los Angeles","Pictured: Gwendolyn Wright, Sheila de Bretteville, Susana Torre, Dolores Hayden"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Susana Torre Architectural Collection must be obtained from the Special Collections, Virginia Polytechnic Institute and State University. Torre retains all literary rights to her work, and permission to quote from it must come from her. Researchers may not reveal the names, addresses, or telephone numbers of Torre's clients until her death."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffe2379cf92e88916e01253a1d5e4ec4\" label=\"Abstract\"\u003eAfter earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.\u003c/abstract\u003e"],"abstract_tesim":["After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Torre, Susana, 1944-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Torre, Susana, 1944-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":386,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:17:21.621Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1750"}},{"id":"viblbv_repositories_2_resources_1253","type":"collection","attributes":{"title":"Wilhelmina Van Ingen Elarth Papers","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1253#creator","type":"document_value","attributes":{"value":"Elarth, Wilhelmina Van Ingen, 1905-1969","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1253#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1253#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1253","ead_ssi":"viblbv_repositories_2_resources_1253","_root_":"viblbv_repositories_2_resources_1253","_nest_parent_":"viblbv_repositories_2_resources_1253","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1253.xml","title_filing_ssi":"Elarth, Wilhelmina Van Ingen, Papers","title_ssm":["Wilhelmina Van Ingen Elarth Papers"],"title_tesim":["Wilhelmina Van Ingen Elarth Papers"],"unitdate_ssm":["1862-1971"],"unitdate_inclusive_ssm":["1862-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1969.004"],"text":["Ms.1969.004","Wilhelmina Van Ingen Elarth Papers","Architecture -- Study and teaching","University History","Women -- History","The collection is open for research.","The collection is arranged in 11 series:","Series I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.","Series II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years. ","Series III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.","Series IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.","Series V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.","Series VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.","Series VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors. ","Series VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.  ","Also in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.","Series IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.","Series X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.","Series XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album.","Wilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.) ","After graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research. ","In 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.","In 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.","Wilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year. ","The guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012.","See the following related materials, which are also at Virginia Tech Special Collections and University Archives:","Herschel Anderson Elarth Papers, Ms1984-182","van Ingen, Wilhelmina.  Figurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932.  Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)","van Ingen, Wilhelmina.  University of Michigan . Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)","This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","[includes phiale (82.37), lamp (82.46), Spartan marble fragment (82.51), black-figure vessel lid (82.52), clay spindle whorl, and broken Minoan box lid with relief of reclining dog]","A number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Elarth, Wilhelmina Van Ingen, 1905-1969","The materials in the collection are in English."],"unitid_tesim":["Ms.1969.004"],"normalized_title_ssm":["Wilhelmina Van Ingen Elarth Papers"],"collection_title_tesim":["Wilhelmina Van Ingen Elarth Papers"],"collection_ssim":["Wilhelmina Van Ingen Elarth Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creator_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creator_persname_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creators_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Wilhelmina Van Ingen Elarth Papers were donated to Special Collections in 1969, 1970, 1982, 1983, and 1984."],"access_subjects_ssim":["Architecture -- Study and teaching","University History","Women -- History"],"access_subjects_ssm":["Architecture -- Study and teaching","University History","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["9.5 Cubic Feet 7 boxes"],"extent_tesim":["9.5 Cubic Feet 7 boxes"],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 11 series:\u003c/p\u003e\n","\u003cp\u003eSeries I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.\u003c/p\u003e\n","\u003cp\u003eSeries II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years. \u003c/p\u003e\n","\u003cp\u003eSeries III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.\u003c/p\u003e\n","\u003cp\u003eSeries V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.\u003c/p\u003e\n","\u003cp\u003eSeries VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.\u003c/p\u003e\n","\u003cp\u003eSeries VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors. \u003c/p\u003e\n","\u003cp\u003eSeries VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.  \u003c/p\u003e\n","\u003cp\u003eAlso in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.\u003c/p\u003e\n","\u003cp\u003eSeries IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.\u003c/p\u003e\n","\u003cp\u003eSeries X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.\u003c/p\u003e\n","\u003cp\u003eSeries XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 11 series:","Series I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.","Series II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years. ","Series III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.","Series IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.","Series V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.","Series VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.","Series VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors. ","Series VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.  ","Also in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.","Series IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.","Series X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.","Series XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album."],"bioghist_html_tesm":["\u003cp\u003eWilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.) \u003c/p\u003e\n","\u003cp\u003eAfter graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research. \u003c/p\u003e\n","\u003cp\u003eIn 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.\u003c/p\u003e\n","\u003cp\u003eIn 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.\u003c/p\u003e\n","\u003cp\u003eWilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.) ","After graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research. ","In 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.","In 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.","Wilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wilhelmina Van Ingen Elarth Papers, Ms1969-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wilhelmina Van Ingen Elarth Papers, Ms1969-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the following related materials, which are also at Virginia Tech Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_1404.xml\" title=\"Herschel Anderson Elarth Papers, Ms1984-182\"\u003eHerschel Anderson Elarth Papers, Ms1984-182\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003evan Ingen, Wilhelmina. \u003ctitle render=\"italic\"\u003eFigurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932.\u003c/title\u003e Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)\u003c/p\u003e\n","\u003cp\u003evan Ingen, Wilhelmina. \u003ctitle render=\"italic\"\u003eUniversity of Michigan\u003c/title\u003e. Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See the following related materials, which are also at Virginia Tech Special Collections and University Archives:","Herschel Anderson Elarth Papers, Ms1984-182","van Ingen, Wilhelmina.  Figurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932.  Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)","van Ingen, Wilhelmina.  University of Michigan . Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.\u003c/p\u003e","\u003cp\u003e[includes phiale (82.37), lamp (82.46), Spartan marble fragment (82.51), black-figure vessel lid (82.52), clay spindle whorl, and broken Minoan box lid with relief of reclining dog]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content"],"scopecontent_tesim":["This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","[includes phiale (82.37), lamp (82.46), Spartan marble fragment (82.51), black-figure vessel lid (82.52), clay spindle whorl, and broken Minoan box lid with relief of reclining dog]"],"separatedmaterial_html_tesm":["\u003cp\u003eA number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_24a6c7f302c5580122e0766bf08ebe1e\" label=\"Abstract\"\u003eThis collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f09928add8fce97a5ec536c6c3d1d5c6\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Elarth, Wilhelmina Van Ingen, 1905-1969"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:07:37.866Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1253","ead_ssi":"viblbv_repositories_2_resources_1253","_root_":"viblbv_repositories_2_resources_1253","_nest_parent_":"viblbv_repositories_2_resources_1253","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1253.xml","title_filing_ssi":"Elarth, Wilhelmina Van Ingen, Papers","title_ssm":["Wilhelmina Van Ingen Elarth Papers"],"title_tesim":["Wilhelmina Van Ingen Elarth Papers"],"unitdate_ssm":["1862-1971"],"unitdate_inclusive_ssm":["1862-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1969.004"],"text":["Ms.1969.004","Wilhelmina Van Ingen Elarth Papers","Architecture -- Study and teaching","University History","Women -- History","The collection is open for research.","The collection is arranged in 11 series:","Series I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.","Series II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years. ","Series III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.","Series IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.","Series V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.","Series VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.","Series VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors. ","Series VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.  ","Also in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.","Series IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.","Series X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.","Series XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album.","Wilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.) ","After graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research. ","In 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.","In 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.","Wilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year. ","The guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012.","See the following related materials, which are also at Virginia Tech Special Collections and University Archives:","Herschel Anderson Elarth Papers, Ms1984-182","van Ingen, Wilhelmina.  Figurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932.  Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)","van Ingen, Wilhelmina.  University of Michigan . Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)","This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","[includes phiale (82.37), lamp (82.46), Spartan marble fragment (82.51), black-figure vessel lid (82.52), clay spindle whorl, and broken Minoan box lid with relief of reclining dog]","A number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Elarth, Wilhelmina Van Ingen, 1905-1969","The materials in the collection are in English."],"unitid_tesim":["Ms.1969.004"],"normalized_title_ssm":["Wilhelmina Van Ingen Elarth Papers"],"collection_title_tesim":["Wilhelmina Van Ingen Elarth Papers"],"collection_ssim":["Wilhelmina Van Ingen Elarth Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creator_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creator_persname_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"creators_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Wilhelmina Van Ingen Elarth Papers were donated to Special Collections in 1969, 1970, 1982, 1983, and 1984."],"access_subjects_ssim":["Architecture -- Study and teaching","University History","Women -- History"],"access_subjects_ssm":["Architecture -- Study and teaching","University History","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["9.5 Cubic Feet 7 boxes"],"extent_tesim":["9.5 Cubic Feet 7 boxes"],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 11 series:\u003c/p\u003e\n","\u003cp\u003eSeries I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.\u003c/p\u003e\n","\u003cp\u003eSeries II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years. \u003c/p\u003e\n","\u003cp\u003eSeries III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.\u003c/p\u003e\n","\u003cp\u003eSeries V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.\u003c/p\u003e\n","\u003cp\u003eSeries VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.\u003c/p\u003e\n","\u003cp\u003eSeries VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors. \u003c/p\u003e\n","\u003cp\u003eSeries VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.  \u003c/p\u003e\n","\u003cp\u003eAlso in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.\u003c/p\u003e\n","\u003cp\u003eSeries IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.\u003c/p\u003e\n","\u003cp\u003eSeries X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.\u003c/p\u003e\n","\u003cp\u003eSeries XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 11 series:","Series I. Correspondence, 1927-1968. This series consists largely of letters written by Elarth to her mother while traveling and studying in Europe in 1927-1928. In addition to the usual descriptions of activities and sights, Elarth comments at length on the art and architecture that she sees. Among the places from which Elarth writes are London, Paris, Florence, Rome, and Athens. The series also contains a small folder of correspondence received by Elarth from friends and family.","Series II. Diaries, 1927-1968. Elarth's diaries commence with her stay in Europe in 1927-1928. In brief entries, she records travels, personal activities, studies, books read, work, health, and weather conditions. Elarth favored five-year diaries, containing pages formatted to hold entries for five successive years of a given day/month.  With few exceptions, Elarth made daily entries, providing a nearly continuous record of her activities for 40 years. ","Series III. Life and Career, 1905-1971. This series contains materials relating to Elarth's personal, educational, and professional activities. Files relate to her birth and marriage; education; employment history; activities in clubs and professional organizations (particularly the American Association of University Women); and personal interests. The files contain correspondence, notes, and printed material. A folder of personal mementos has address books, identification cards (including a card and bookplates for Hendrik van Ingen), a few pieces of unattributed poetry, and notes made by Elarth on the provenance of a few family heirlooms.","Series IV. Van Ingen Family, 1873-1967. This small series contains materials relating to Wilhelmina van Ingen Elarth's paternal family. Included is a folder of correspondence with four letters addressed to Minnie van Ingen. There are also mementos from the wedding of Hendrik van Ingen and Ethel Mae Bell, a small collection of legal documents, and papers relating to the estate of Josephine van Ingen.","Series V. Postcards, ca. 1932-1968. Elarth's substantial collection of postcards focuses largely on the art and architecture she encountered during travels in the United States, Mexico, Europe, and other places. The postcards seem likely to have been assembled to assist in art instruction, with particular emphasis given to the United States, Mexico, Greece, and Italy. The majority of the postcards are unused. Arranged by continent, then nation, then locale and/or medium. Large-format postcards are filed at the end of the series.","Series VI. Printed Material, 1928-1961. This series consists largely of guidebooks likely used by Elarth during her travels in Mexico and Europe. Also included is a folder of assorted printed materials with play programs, scholarly articles on ancient artifacts, and reproductions of various pieces of art.","Series VII. Artwork, 1883-1957. Contained in this series are original works of art created by Wilhelmina van Ingen Elarth and her father, Hendrik van Ingen. Included is a collection of greeting cards designed by Elarth, consisting mostly of Christmas cards, many of which are thematically based on the art and architecture of ancient Greece. The series also contains a set of pencil and watercolor studies completed by Elarth. Also in the series are a sketchbook and a collection of unbound sketches signed \"HVI\" and attributed to Elarth's grandfather, Henry van Ingen. Van Ingen's sketches portray scenes from New York state, focusing particularly on the areas of Poughkeepsie and Seneca Lake. Completing the series is a small collection of artwork by unidentified artists, including silhouettes of Hendrik van Ingen and an unidentified woman, as well as five Japanese watercolors. ","Series VIII. Artifacts, n.d. This series comprises Elarth's collection of ancient Aegean and pre-Columbian pottery, clay, and stone artifacts. Included are surface-found pottery and clay shards from various Greek and Greco-Roman sites on the Greek mainland and the Aegean Islands. Few of these shards are larger than 5 cm. in length. The collection is arranged by the numbers Elarth assigned to each piece, though the key to the numbers seems to have been lost. A few unnumbered pieces are arranged at the end of the set. Included are three fragments of a small vessel (82.10), a broken but restored phiale (82.37), a lamp (82.46), a Spartan marble fragment (82.51), a black-figure vessel lid (82.52), and three unnumbered items: a partially restored goblet with human figures in bas-relief, a clay spindle whorl, and a broken Minoan box lid with relief handle of reclining dog.  ","Also in the collection are pre-Columbian artifacts either surface-found or purchased by Elarth at the Huexotla site near Texcoco, Mexico. The pieces date from the Toltec/Aztec occupation, after ca. 1000 CE. Included are 22 small earthenware shards (few larger than 5 cm. in length), some with orange slip and additional decoration; others, undecorated. There are also four clay head figures (three human, one animal) and six clay spindle whorls with stamped decoration. The collection also contains six pieces of carved stone artifacts:  a miniature obsidian skull, a miniature jadeite mask, a carved relief of uncertain purpose, and three fragments of worked obsidian.","Series IX. Heirlooms and Mementos, 1862-ca. 1940. Elarth's activities and interests are represented in this collection of objects. There are pieces of jewelry, insignia pins, souvenirs from world's fair expositions, small collections of sealing wax impressions and Susquehanna Valley Bank notes, an ornate carved wood (19th century Dutch?) smoking pipe, and various personal effects. Many of the items likely belonged to Elarth's parents and husband. Also included is what appears to be a large (32 cm. diameter) Native American (perhaps Navajo) pottery bowl, broken into 33 individual pieces ranging in size from tiny to large.","Series X. Photographs and Negatives, 1893-1967. These photographs chronicle Elarth's life, family, friends, and travels. Included are photographs of her Newton, Bell, and van Ingen ancestors, with individual files devoted to her mother and father. (Included in the Hendrik van Ingen file are a number of photographs of buildings under construction, likely being homes that he had designed.) Also there are photos of the Elarths and family friends. A number of other photos in the series, showing scenes of the Rochester and Poughkeepsie, New York areas, were probably taken or collected by Hendrik van Ingen. The Elarths' home in Manitoba, Canada is shown in several dozen photos. The series also contains a large number of negatives, the majority of which are from Elarth's time in Greece. Also among the negatives are images of family and friends; travels; and the Elarths' homes in Manitoba and Virginia. Many of the negatives in the series have no corresponding print.","Series XI. Photo Albums, 1905-1927. The collection's albums largely mirror the photos found in the previous series. Two albums likely compiled by Hendrik van Ingen, contain photographs of various scenes, probably in the areas of Poughkeepsie and Rochester, New York. Also included is an album with photographs of Wilhelmina Van Ingen Elarth in early childhood and two albums of unidentified people and scenes of the early 20th century (likely Elarth and her family). The final item in the series seems to have been artificially compiled after its acquisition, though a number of the photos show evidence of having been removed from an album."],"bioghist_html_tesm":["\u003cp\u003eWilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.) \u003c/p\u003e\n","\u003cp\u003eAfter graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research. \u003c/p\u003e\n","\u003cp\u003eIn 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.\u003c/p\u003e\n","\u003cp\u003eIn 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.\u003c/p\u003e\n","\u003cp\u003eWilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilhelmina van Ingen was born in 1905 in Rochester, New York, the daughter of Hendrik van Ingen, a well-known architect, and Ethel Mae Bell van Ingen. (Hendrik van Ingen was the son of Henry van Ingen, a painter of the Hudson River School who had emigrated from the Netherlands in 1860, and founded the Vassar College Art Department.) ","After graduating from Vassar in 1926, van Ingen was awarded a Carnegie fellowship to study at the American School of Classical Studies in Athens, Greece from 1927 to 1928, during which time she participated in excavations at Eleusis. She earned a  master's degree in art history and classical archaeology from Radcliffe College in 1929. Van Ingen later studied at Johns Hopkins University and in 1932, received a Ph.D. from Radcliffe with a dissertation titled \"A Study of the Foundry Painter and the Alkimachos Painter.\" For several years, van Ingen held a research appointment at the University of Michigan's Institute of Archaeological Research. ","In 1935, van Ingen was hired as an art professor at Wheaton College, where she continued to work until 1946. In 1942, she married Herschel A. Elarth (1907-1988), then a professor of architecture at the University of Oklahoma. The couple moved to Canada in 1947. Both worked for the University of Manitoba, where Wilhelmina taught art history.","In 1954, the couple moved to Blacksburg, Virginia, where Herschel Elarth joined the faculty of the Virginia Polytechnic Institute ArchitectureArt Department. During her time in Blacksburg, Wilhelmina Elarth was active in the American Association of University Women and served as the Blacksburg branch's president from 1964 to 1966. She was also an advisor to the Blacksburg Regional Art Association and director of the Associated Endowment Fund of the American School of Classical Studies, as well as a member of the Archeological Institute of America, the College Art Association, and Phi Beta Kappa.","Wilhelmina van Ingen Elarth died in Roanoke, Virginia on January 7, 1969, following an illness of about a year. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Wilhelmina Van Ingen Elarth Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wilhelmina Van Ingen Elarth Papers, Ms1969-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Wilhelmina Van Ingen Elarth Papers, Ms1969-004, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Wilhelmina Van Ingen Elarth Papers commenced in January, 2012 and was completed in November, 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the following related materials, which are also at Virginia Tech Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_1404.xml\" title=\"Herschel Anderson Elarth Papers, Ms1984-182\"\u003eHerschel Anderson Elarth Papers, Ms1984-182\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003evan Ingen, Wilhelmina. \u003ctitle render=\"italic\"\u003eFigurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932.\u003c/title\u003e Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)\u003c/p\u003e\n","\u003cp\u003evan Ingen, Wilhelmina. \u003ctitle render=\"italic\"\u003eUniversity of Michigan\u003c/title\u003e. Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["See the following related materials, which are also at Virginia Tech Special Collections and University Archives:","Herschel Anderson Elarth Papers, Ms1984-182","van Ingen, Wilhelmina.  Figurines from Seleucia on the Tigris, Discovered by the Expeditions Conducted by the University of Michigan with the Cooperation of the Toledo Museum of Art and the Cleveland Museum of Art, 1927-1932.  Ann Arbor, MI: University of Michigan Press, 1939. (NB80 .V34 1939 Large Spec)","van Ingen, Wilhelmina.  University of Michigan . Corpus Vasorum Antiquorum, United States of America fasc. 3. Cambridge, MA: Harvard University Press, 1933. (NK4640 .C6 U5 faxc. 3 Folio Spec)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.\u003c/p\u003e","\u003cp\u003e[includes phiale (82.37), lamp (82.46), Spartan marble fragment (82.51), black-figure vessel lid (82.52), clay spindle whorl, and broken Minoan box lid with relief of reclining dog]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content"],"scopecontent_tesim":["This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.","[includes phiale (82.37), lamp (82.46), Spartan marble fragment (82.51), black-figure vessel lid (82.52), clay spindle whorl, and broken Minoan box lid with relief of reclining dog]"],"separatedmaterial_html_tesm":["\u003cp\u003eA number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A number of books were removed from the collection and cataloged for the Rare Book Collection. These books may be accessed by entering Wilhelmina Elarth's name as a keyword search in the library's catalog."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_24a6c7f302c5580122e0766bf08ebe1e\" label=\"Abstract\"\u003eThis collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the papers of Wilhelmina van Ingen Elarth, a professor of art history and classical studies who taught at the University of Michigan, Wheaton College (Massachusetts), and the University of Manitoba. The collection includes such materials as correspondence, diaries, subject files, postcards, printed materials, original artwork (including sketches attributed to Henry van Ingen), ancient relic fragments, mementos and photographs. Much of the collection focuses on van Ingen's interest in the art and architecture of ancient Greece, Italy, and Mexico, and her visits to sites in those countries, including her year in Athens at the American School of Classical Studies, during which she participated in excavations at Eleusis."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f09928add8fce97a5ec536c6c3d1d5c6\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections for more information."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Elarth, Wilhelmina Van Ingen, 1905-1969"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Elarth, Wilhelmina Van Ingen, 1905-1969"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":221,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:07:37.866Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1253"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State 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