{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architects\u0026page=4","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architects\u0026page=3","next":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architects\u0026page=5","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architects\u0026page=5"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":5,"limit_value":10,"offset_value":30,"total_count":49,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_1904","type":"collection","attributes":{"title":"Melita Rodeck Architectural Collection","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#creator","type":"document_value","attributes":{"value":"Rodeck, Melita, b.1914","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#abstract_or_scope","type":"document_value","attributes":{"value":"The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1904","ead_ssi":"viblbv_repositories_2_resources_1904","_root_":"viblbv_repositories_2_resources_1904","_nest_parent_":"viblbv_repositories_2_resources_1904","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1904.xml","title_filing_ssi":"Rodeck, Melita, Architectural Collection","title_ssm":["Melita Rodeck Architectural Collection"],"title_tesim":["Melita Rodeck Architectural Collection"],"unitdate_ssm":["1931-2003","1960-1990"],"unitdate_bulk_ssim":["1960-1990"],"unitdate_inclusive_ssm":["1931-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.028"],"text":["Ms.1992.028","Melita Rodeck Architectural Collection","Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been divided into four series: I. Personal Papers, II. Professional Papers, III. Project Records, and IV. Artwork.","The following is a list of Rodeck's projects from 1949-1975.  It has been divided into five subseries: Church/Community Projects;  Commercial/Residential Projects;  Furniture/Miscellaneous; Government; and Urban Planning.  ","Project/Client Name (location, date) [Format - Dr=Drawings, Ph=Photographs, Sp=Specifications, PB=Presentation Boards] ","Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. 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","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    "],"odd_html_tesm":["\u003cp\u003eThe guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf52f3d291d01508151d283851daef0\" label=\"Abstract\"\u003eThe Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.\u003c/abstract\u003e"],"abstract_tesim":["The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Rodeck, Melita, b.1914"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:42:22.725Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1904","ead_ssi":"viblbv_repositories_2_resources_1904","_root_":"viblbv_repositories_2_resources_1904","_nest_parent_":"viblbv_repositories_2_resources_1904","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1904.xml","title_filing_ssi":"Rodeck, Melita, Architectural Collection","title_ssm":["Melita Rodeck Architectural Collection"],"title_tesim":["Melita Rodeck Architectural Collection"],"unitdate_ssm":["1931-2003","1960-1990"],"unitdate_bulk_ssim":["1960-1990"],"unitdate_inclusive_ssm":["1931-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1992.028"],"text":["Ms.1992.028","Melita Rodeck Architectural Collection","Architectural drawing -- 20th century","Architects","Women -- History","Women-owned architectural firms","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection has been divided into four series: I. 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The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Melita Rodeck was born on April 12, 1914, in Milan, Italy, to Austrian parents. After the outbreak of World War I her family returned to Vienna where she was educated. She enrolled at the Vienna Polytechnic in 1932 to study architecture, and immigrated  to the United States in 1939. Upon arriving in the United States she spent four years volunteering in the Harlem slums. In 1950 she moved to Washington, D.C., and worked for the General Services Administration of the U.S. federal government. She became a registered architect of the District of Columbia in 1952 and established her own office in 1958, where she designed residences in Maryland and Virginia and restored townhouses in Washington, D.C. ","From 1968 to 1973 Rodeck worked as an architect for special research projects at the U.S. Army Corps of Engineers, then from 1973 to 1980 as a coordinator for architectural research for the U.S. Department of Housing and Urban Development. She was a program manager of Radiological Emergency Preparedness Programs for the Federal Emergency Management Agency from 1980 to 1985 and designed guidelines to minimize or eliminate flood damage to buildings. She retired from federal government work in 1985.","Rodeck was a devout Catholic and in the 1960s established the Regina Institute of Sacred Art, an organization dedicated to aiding Catholic parishes in their design and decoration efforts.  The institute aimed to educate parishioners about the emotional impact of and psychological need for good design.    "],"odd_html_tesm":["\u003cp\u003eThe guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Melita Rodeck Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Melita Rodeck Architectural Collection, Ms1992-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Melita Rodeck Architectural Collection commenced and was completed in January 1998. The 2003 addition was processed in 2012."],"scopecontent_html_tesm":["\u003cp\u003eThe Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Melita Rodeck Architectural Collection consists of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government. The collection also includes various pieces of literature she wrote for the U.S. Army Corps of Engineers and the Federal Emergency Management Agency (FEMA)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bf52f3d291d01508151d283851daef0\" label=\"Abstract\"\u003eThe Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government.\u003c/abstract\u003e"],"abstract_tesim":["The Melita Rodeck Architectural Collection consist of architectural drawings designed by her while in private practice and as an employee of the U.S. federal government."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Rodeck, Melita, b.1914"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Rodeck, Melita, b.1914"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:42:22.725Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1904"}},{"id":"viblbv_repositories_2_resources_1995","type":"collection","attributes":{"title":"M. Rosaria Piomelli Architectural Collection","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1995#creator","type":"document_value","attributes":{"value":"Piomelli, M. Rosaria, b.1937","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1995#abstract_or_scope","type":"document_value","attributes":{"value":"The M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1995#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1995","ead_ssi":"viblbv_repositories_2_resources_1995","_root_":"viblbv_repositories_2_resources_1995","_nest_parent_":"viblbv_repositories_2_resources_1995","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1995.xml","title_filing_ssi":"Piomelli, M. Rosaria, Architectural Collection","title_ssm":["M. Rosaria Piomelli Architectural Collection"],"title_tesim":["M. Rosaria Piomelli Architectural Collection"],"unitdate_ssm":["1960-1995"],"unitdate_inclusive_ssm":["1960-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1995.007"],"text":["Ms.1995.007","M. Rosaria Piomelli Architectural Collection","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is  available online .","This collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically.","M. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. ","From 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.","Piomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.","Piomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.","Publications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994).","The guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011.","The collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.","Interview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.","Article about the AIA exhibit mounted by Piomelli at the AIA building in New York City.","Article about Piomelli being named the School of Architecture and Urban Studies first woman dean.","Article features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"","Article about the building's development which Piomelli owned and renovated.","Correspondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.","Correspondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.","Cassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.","Items related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026 Lunde, Architects, of New York City.","Building was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli.","Special Collections and University Archives, Virginia Tech","Piomelli, M. Rosaria, b.1937","The majority of the materials are in English; however, some of the correspondence is in Italian."],"unitid_tesim":["Ms.1995.007"],"normalized_title_ssm":["M. Rosaria Piomelli Architectural Collection"],"collection_title_tesim":["M. Rosaria Piomelli Architectural Collection"],"collection_ssim":["M. Rosaria Piomelli Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Piomelli, M. Rosaria, b.1937"],"creator_ssim":["Piomelli, M. Rosaria, b.1937"],"creator_persname_ssim":["Piomelli, M. Rosaria, b.1937"],"creators_ssim":["Piomelli, M. Rosaria, b.1937"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The M. Rosaria Piomelli Architectural Collection was donated to Special Collections in 1995, 2002, and 2006."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Cubic Feet 3 boxes, 5 oversize folders"],"extent_tesim":["5.5 Cubic Feet 3 boxes, 5 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/pio\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is  available online ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically."],"bioghist_html_tesm":["\u003cp\u003eM. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. \u003c/p\u003e\n","\u003cp\u003eFrom 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.\u003c/p\u003e\n","\u003cp\u003ePiomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.\u003c/p\u003e\n","\u003cp\u003ePiomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.\u003c/p\u003e\n","\u003cp\u003ePublications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["M. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. ","From 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.","Piomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.","Piomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.","Publications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994)."],"odd_html_tesm":["\u003cp\u003eThe guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], M. Rosaria Piomelli Architectural Collection, Ms1995-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], M. Rosaria Piomelli Architectural Collection, Ms1995-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.\u003c/p\u003e","\u003cp\u003eInterview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.\u003c/p\u003e","\u003cp\u003eArticle about the AIA exhibit mounted by Piomelli at the AIA building in New York City.\u003c/p\u003e","\u003cp\u003eArticle about Piomelli being named the School of Architecture and Urban Studies first woman dean.\u003c/p\u003e","\u003cp\u003eArticle features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"\u003c/p\u003e","\u003cp\u003eArticle about the building's development which Piomelli owned and renovated.\u003c/p\u003e","\u003cp\u003eCorrespondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.\u003c/p\u003e","\u003cp\u003eCorrespondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.\u003c/p\u003e","\u003cp\u003eCassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.\u003c/p\u003e","\u003cp\u003eItems related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026amp; Lunde, Architects, of New York City.\u003c/p\u003e","\u003cp\u003eBuilding was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.","Interview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.","Article about the AIA exhibit mounted by Piomelli at the AIA building in New York City.","Article about Piomelli being named the School of Architecture and Urban Studies first woman dean.","Article features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"","Article about the building's development which Piomelli owned and renovated.","Correspondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.","Correspondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.","Cassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.","Items related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026 Lunde, Architects, of New York City.","Building was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_04c55971d36e56a9bd2191af6d51c4aa\" label=\"Abstract\"\u003eThe M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli.\u003c/abstract\u003e"],"abstract_tesim":["The M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Piomelli, M. Rosaria, b.1937"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Piomelli, M. Rosaria, b.1937"],"language_ssim":["The majority of the materials are in English; however, some of the correspondence is in Italian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:23:00.098Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1995","ead_ssi":"viblbv_repositories_2_resources_1995","_root_":"viblbv_repositories_2_resources_1995","_nest_parent_":"viblbv_repositories_2_resources_1995","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1995.xml","title_filing_ssi":"Piomelli, M. Rosaria, Architectural Collection","title_ssm":["M. Rosaria Piomelli Architectural Collection"],"title_tesim":["M. Rosaria Piomelli Architectural Collection"],"unitdate_ssm":["1960-1995"],"unitdate_inclusive_ssm":["1960-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1995.007"],"text":["Ms.1995.007","M. Rosaria Piomelli Architectural Collection","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)","The collection is open to research.","Some of this collection has been digitized and is  available online .","This collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically.","M. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. ","From 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.","Piomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.","Piomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.","Publications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994).","The guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011.","The collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.","Interview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.","Article about the AIA exhibit mounted by Piomelli at the AIA building in New York City.","Article about Piomelli being named the School of Architecture and Urban Studies first woman dean.","Article features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"","Article about the building's development which Piomelli owned and renovated.","Correspondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.","Correspondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.","Cassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.","Items related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026 Lunde, Architects, of New York City.","Building was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli.","Special Collections and University Archives, Virginia Tech","Piomelli, M. Rosaria, b.1937","The majority of the materials are in English; however, some of the correspondence is in Italian."],"unitid_tesim":["Ms.1995.007"],"normalized_title_ssm":["M. Rosaria Piomelli Architectural Collection"],"collection_title_tesim":["M. Rosaria Piomelli Architectural Collection"],"collection_ssim":["M. Rosaria Piomelli Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Piomelli, M. Rosaria, b.1937"],"creator_ssim":["Piomelli, M. Rosaria, b.1937"],"creator_persname_ssim":["Piomelli, M. Rosaria, b.1937"],"creators_ssim":["Piomelli, M. Rosaria, b.1937"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The M. Rosaria Piomelli Architectural Collection was donated to Special Collections in 1995, 2002, and 2006."],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","Architectural drawing -- 20th century","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Cubic Feet 3 boxes, 5 oversize folders"],"extent_tesim":["5.5 Cubic Feet 3 boxes, 5 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/pio\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is  available online ."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject into series and subseries, and subdivided alphabetically or chronologically."],"bioghist_html_tesm":["\u003cp\u003eM. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. \u003c/p\u003e\n","\u003cp\u003eFrom 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.\u003c/p\u003e\n","\u003cp\u003ePiomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.\u003c/p\u003e\n","\u003cp\u003ePiomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.\u003c/p\u003e\n","\u003cp\u003ePublications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["M. Rosaria Piomelli (born Agrisano) was born in Naples, Italy, on October 24, 1937. She was educated at the Instituto d'Arte (1954, Bachelor of Arts) and Accedemia d'Arte (Master of Arts, 1955) of Naples, and the Massachusetts Institute of Technology (1960, Bachelor of Architecture). Through the 1960s and 1970s she worked at various architects offices in Italy, New York, and the Netherlands, including I. M. Pei and Partners from 1971 to 1974 as a project architect. In 1974 she opened her own office in New York City. ","From 1971 to 1976 Piomelli taught at the City College of New York School of Architecture as Adjunct Associate Professor, and from 1974 to 1979 taught at the Pratt Institute, where she served as Chair of the Faculty from 1976 to 1979. In 1979 she returned to CCNY as a Distinguished Professor, and was appointed Dean of the CCNY School of Architecture in 1980, becoming the first woman to hold a deanship of any school of architecture in the United States. She served in this position until 1983. In 1984 she was Visiting Distinguished Professor at the University of California at Berkeley, and from 1985 to the present she has had the position of full Professor at CCNY.","Piomelli has spent much of her career promoting the work of women in architecture. In 1974, as director the Equal Opportunity Committee for the American Institute of Architects, she organized an exhibit of women architects' work. This exhibit generated a great amount of interest in the standing of women in the profession. She served as a member of the Board of Advisors for the International Archive of Women in Architecture from 1985 to 1995.","Piomelli earned her professional licensure when she became a registered architect of New York State in 1969. She became a member of the American Institute of Architects in 1970 and served on various AIA committees throughout the 1970s, including Commisioner of the Schools of Architecture Committee of the New York City chapter from 1977 to 1979, and Director of the New York City Executive Committee from 1977 to 1979.","Publications by Piomelli include \"Canary Wharf: London in the Third Millenium\" in the March 1991 issue of Zodiac and as translator (from English to Italian) for Jan Gehl's Vitta in Citta (1992). Publications about Piomelli include information about her work in Susana Torre's Women in American Architecture (1977) and Insegnare L'Architettura, by M. Vegeto (1994)."],"odd_html_tesm":["\u003cp\u003eThe guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the M. Rosaria Piomelli Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], M. Rosaria Piomelli Architectural Collection, Ms1995-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], M. Rosaria Piomelli Architectural Collection, Ms1995-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the M. Rosaria Piomelli Architectural Collection commenced and was completed in October 1995. Additions to the collection were integrated in March 2011."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.\u003c/p\u003e","\u003cp\u003eInterview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.\u003c/p\u003e","\u003cp\u003eArticle about the AIA exhibit mounted by Piomelli at the AIA building in New York City.\u003c/p\u003e","\u003cp\u003eArticle about Piomelli being named the School of Architecture and Urban Studies first woman dean.\u003c/p\u003e","\u003cp\u003eArticle features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"\u003c/p\u003e","\u003cp\u003eArticle about the building's development which Piomelli owned and renovated.\u003c/p\u003e","\u003cp\u003eCorrespondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.\u003c/p\u003e","\u003cp\u003eCorrespondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.\u003c/p\u003e","\u003cp\u003eCassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.\u003c/p\u003e","\u003cp\u003eItems related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026amp; Lunde, Architects, of New York City.\u003c/p\u003e","\u003cp\u003eBuilding was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli. The materials particularly focus on her architectural projects, mostly in the New York City area, and her tenure as head of the School of Architecture at the City College of New York from 1980 to 1983. Some of the literature and correspondence is in Italian.","Interview focuses on the problems women face in academia, and recounts times Piomelli had faced discrimination when she taught at CCNY.","Article about the AIA exhibit mounted by Piomelli at the AIA building in New York City.","Article about Piomelli being named the School of Architecture and Urban Studies first woman dean.","Article features Piomelli and the women in architecture exhibit she organized, \"Women in Architecture, An Exhibition of Work by Women.\"","Article about the building's development which Piomelli owned and renovated.","Correspondence relating to Artists Housing Coalition, Curriculum Vitae (c. 1978), artist's certification, Who's Who of American Women, AIA's exhibit on women in architecture, research proposals, tenure for Susana Torre, recommendation requests, curriculum vitae for various people, photocopies of articles, design reviews of several projects. Includes post cards and photographs. Many items in Italian.","Correspondence relating, but not limited, to faculty review, job notices, the Chancellor Distinguished Lectureship at the University of California at Berkeley, list of projects undertaken in private practice, the Deanship of School of Architecture, conference participation, consulting work for hotel design for JFK airport, requests for letters of recommendations, professional organizations, personal topics, Brooklyn Museum Master Plan Design Competition, grants, and photocopies of newspaper and magazine articles. Some photographs and post cards. Some correspondence in Italian.","Cassettes.  Description on front states: Rosaria Piomelli, Blanche van Ginkel, Professor Rodriguez; Fani Hansen; Professor Bliznakov.","Items related to the Seeley G. Mudd Learning Center [Library]. Includes numerous photographs of interior views, exterior views, and drawings. This is work that Piomelli did in the office of Warner, Burns, Toan \u0026 Lunde, Architects, of New York City.","Building was converted to apartments. Materials present include building permit, newspaper article about school, photographs, and literature about building plans."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_04c55971d36e56a9bd2191af6d51c4aa\" label=\"Abstract\"\u003eThe M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli.\u003c/abstract\u003e"],"abstract_tesim":["The M. Rosaria Piomelli Architectural Collection consists of architectural drawings, correspondence, photographs, newspaper clippings, and files that chronicle the life and career of architect M. Rosaria Piomelli."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Piomelli, M. Rosaria, b.1937"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Piomelli, M. Rosaria, b.1937"],"language_ssim":["The majority of the materials are in English; however, some of the correspondence is in Italian."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:23:00.098Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1995"}},{"id":"viblbv_repositories_2_resources_2185","type":"collection","attributes":{"title":"Myriam Waisberg Architectural Papers","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2185#creator","type":"document_value","attributes":{"value":"Waisberg, Myriam","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2185#abstract_or_scope","type":"document_value","attributes":{"value":"Myriam Waisberg was a Chilean architectural historian. This collection contains a number of publications, research papers, books and articles written by Waisberg during her career in Chile. Most of her work is dedicated to religious architecture in the cities of Santiago and Valparaiso in Chile and her work with the University of Chile.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2185#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2185","ead_ssi":"viblbv_repositories_2_resources_2185","_root_":"viblbv_repositories_2_resources_2185","_nest_parent_":"viblbv_repositories_2_resources_2185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2185.xml","title_filing_ssi":"Waisberg, Myriam, Architectural Papers","title_ssm":["Myriam Waisberg Architectural Papers"],"title_tesim":["Myriam Waisberg Architectural Papers"],"unitdate_ssm":["1962-1993"],"unitdate_inclusive_ssm":["1962-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.055"],"text":["Ms.2001.055","Myriam Waisberg Architectural Papers","Architects and community","Architects","Architecture -- Study and teaching","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","The collection is open for research.","The collection is arranged chronologically.","Myriam Waisberg (also  Myriam Waisberg Izacson) was born in Argentina, but moved to Chile at the age of 8. She received her degree in architecture from the University of Chile (1950). Upon attaining her degree she helped to found the Department of Architecture History and Theory at the University of Chile.  She has worked in both the Santiago and Valparaiso locations of the University.  Her research focus includes Chilean Architectural History and the religious architecture in the cities of Santiago and Valparaiso in Chile.      ","In 1992, she was awarded a Gold Medal by the Association of architects of Chile in recognition of her professional performance in the Valparaiso region. ","Read more about  Myriam Waisberg Izacson  in the IAWA Biographical Database.","The guide to the Myriam Waisberg Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Myriam Waisberg Architectural Papers was completed in September 2013.","Myriam Waisberg was an architect and professor of architecture at the University of Chile in Santiago since 1951. The collection consists of numerous articles and booklets written by her about topics in the history of architecture (particularly religious architecture) in Chile and the architecture program at the University of Chile. Also includes a lengthy curriculum vitae describing her academic and architectural works and writings. ","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Myriam Waisberg was a Chilean architectural historian. This collection contains a number of publications, research papers, books and articles written by Waisberg during her career in Chile. Most of her work is dedicated to religious architecture in the cities of Santiago and Valparaiso in Chile and her work with the University of Chile.","Special Collections and University Archives, Virginia Tech","Waisberg, Myriam","The materials in the collection are primarily in Spanish."],"unitid_tesim":["Ms.2001.055"],"normalized_title_ssm":["Myriam Waisberg Architectural Papers"],"collection_title_tesim":["Myriam Waisberg Architectural Papers"],"collection_ssim":["Myriam Waisberg Architectural Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Waisberg, Myriam"],"creator_ssim":["Waisberg, Myriam"],"creator_persname_ssim":["Waisberg, Myriam"],"creators_ssim":["Waisberg, Myriam"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Myriam Waisberg Architectural Papers were donated to the International Archive of Women in Architecture at Special Collections in 1994."],"access_subjects_ssim":["Architects and community","Architects","Architecture -- Study and teaching","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)"],"access_subjects_ssm":["Architects and community","Architects","Architecture -- Study and teaching","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["0.3 Cubic Feet 1 box"],"extent_tesim":["0.3 Cubic Feet 1 box"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eMyriam Waisberg (also  Myriam Waisberg Izacson) was born in Argentina, but moved to Chile at the age of 8. She received her degree in architecture from the University of Chile (1950). Upon attaining her degree she helped to found the Department of Architecture History and Theory at the University of Chile.  She has worked in both the Santiago and Valparaiso locations of the University.  Her research focus includes Chilean Architectural History and the religious architecture in the cities of Santiago and Valparaiso in Chile.      \u003c/p\u003e\n","\u003cp\u003eIn 1992, she was awarded a Gold Medal by the Association of architects of Chile in recognition of her professional performance in the Valparaiso region. \u003c/p\u003e\n","\u003cp\u003eRead more about \u003ca target=\"_blank\" href=\"https://iawadb.lib.vt.edu/view_all.php?person_pk=1025\"\u003eMyriam Waisberg Izacson\u003c/a\u003e in the IAWA Biographical Database.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Myriam Waisberg (also  Myriam Waisberg Izacson) was born in Argentina, but moved to Chile at the age of 8. She received her degree in architecture from the University of Chile (1950). Upon attaining her degree she helped to found the Department of Architecture History and Theory at the University of Chile.  She has worked in both the Santiago and Valparaiso locations of the University.  Her research focus includes Chilean Architectural History and the religious architecture in the cities of Santiago and Valparaiso in Chile.      ","In 1992, she was awarded a Gold Medal by the Association of architects of Chile in recognition of her professional performance in the Valparaiso region. ","Read more about  Myriam Waisberg Izacson  in the IAWA Biographical Database."],"odd_html_tesm":["\u003cp\u003eThe guide to the Myriam Waisberg Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Myriam Waisberg Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Myriam Waisberg Architectural Papers, Ms2001-055, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Myriam Waisberg Architectural Papers, Ms2001-055, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Myriam Waisberg Architectural Papers was completed in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Myriam Waisberg Architectural Papers was completed in September 2013."],"scopecontent_html_tesm":["\u003cp\u003eMyriam Waisberg was an architect and professor of architecture at the University of Chile in Santiago since 1951. The collection consists of numerous articles and booklets written by her about topics in the history of architecture (particularly religious architecture) in Chile and the architecture program at the University of Chile. Also includes a lengthy curriculum vitae describing her academic and architectural works and writings. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Myriam Waisberg was an architect and professor of architecture at the University of Chile in Santiago since 1951. The collection consists of numerous articles and booklets written by her about topics in the history of architecture (particularly religious architecture) in Chile and the architecture program at the University of Chile. Also includes a lengthy curriculum vitae describing her academic and architectural works and writings. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_908995b1ffc21dfa34e56b4108c5e45a\" label=\"Abstract\"\u003eMyriam Waisberg was a Chilean architectural historian. This collection contains a number of publications, research papers, books and articles written by Waisberg during her career in Chile. Most of her work is dedicated to religious architecture in the cities of Santiago and Valparaiso in Chile and her work with the University of Chile.\u003c/abstract\u003e"],"abstract_tesim":["Myriam Waisberg was a Chilean architectural historian. This collection contains a number of publications, research papers, books and articles written by Waisberg during her career in Chile. Most of her work is dedicated to religious architecture in the cities of Santiago and Valparaiso in Chile and her work with the University of Chile."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Waisberg, Myriam"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Waisberg, Myriam"],"language_ssim":["The materials in the collection are primarily in Spanish."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:20:04.596Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2185","ead_ssi":"viblbv_repositories_2_resources_2185","_root_":"viblbv_repositories_2_resources_2185","_nest_parent_":"viblbv_repositories_2_resources_2185","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2185.xml","title_filing_ssi":"Waisberg, Myriam, Architectural Papers","title_ssm":["Myriam Waisberg Architectural Papers"],"title_tesim":["Myriam Waisberg Architectural Papers"],"unitdate_ssm":["1962-1993"],"unitdate_inclusive_ssm":["1962-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.055"],"text":["Ms.2001.055","Myriam Waisberg Architectural Papers","Architects and community","Architects","Architecture -- Study and teaching","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)","The collection is open for research.","The collection is arranged chronologically.","Myriam Waisberg (also  Myriam Waisberg Izacson) was born in Argentina, but moved to Chile at the age of 8. She received her degree in architecture from the University of Chile (1950). Upon attaining her degree she helped to found the Department of Architecture History and Theory at the University of Chile.  She has worked in both the Santiago and Valparaiso locations of the University.  Her research focus includes Chilean Architectural History and the religious architecture in the cities of Santiago and Valparaiso in Chile.      ","In 1992, she was awarded a Gold Medal by the Association of architects of Chile in recognition of her professional performance in the Valparaiso region. ","Read more about  Myriam Waisberg Izacson  in the IAWA Biographical Database.","The guide to the Myriam Waisberg Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Myriam Waisberg Architectural Papers was completed in September 2013.","Myriam Waisberg was an architect and professor of architecture at the University of Chile in Santiago since 1951. The collection consists of numerous articles and booklets written by her about topics in the history of architecture (particularly religious architecture) in Chile and the architecture program at the University of Chile. Also includes a lengthy curriculum vitae describing her academic and architectural works and writings. ","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Myriam Waisberg was a Chilean architectural historian. This collection contains a number of publications, research papers, books and articles written by Waisberg during her career in Chile. Most of her work is dedicated to religious architecture in the cities of Santiago and Valparaiso in Chile and her work with the University of Chile.","Special Collections and University Archives, Virginia Tech","Waisberg, Myriam","The materials in the collection are primarily in Spanish."],"unitid_tesim":["Ms.2001.055"],"normalized_title_ssm":["Myriam Waisberg Architectural Papers"],"collection_title_tesim":["Myriam Waisberg Architectural Papers"],"collection_ssim":["Myriam Waisberg Architectural Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Waisberg, Myriam"],"creator_ssim":["Waisberg, Myriam"],"creator_persname_ssim":["Waisberg, Myriam"],"creators_ssim":["Waisberg, Myriam"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Myriam Waisberg Architectural Papers were donated to the International Archive of Women in Architecture at Special Collections in 1994."],"access_subjects_ssim":["Architects and community","Architects","Architecture -- Study and teaching","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)"],"access_subjects_ssm":["Architects and community","Architects","Architecture -- Study and teaching","International Archive of Women in Architecture (IAWA)","Women -- History","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["0.3 Cubic Feet 1 box"],"extent_tesim":["0.3 Cubic Feet 1 box"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eMyriam Waisberg (also  Myriam Waisberg Izacson) was born in Argentina, but moved to Chile at the age of 8. She received her degree in architecture from the University of Chile (1950). Upon attaining her degree she helped to found the Department of Architecture History and Theory at the University of Chile.  She has worked in both the Santiago and Valparaiso locations of the University.  Her research focus includes Chilean Architectural History and the religious architecture in the cities of Santiago and Valparaiso in Chile.      \u003c/p\u003e\n","\u003cp\u003eIn 1992, she was awarded a Gold Medal by the Association of architects of Chile in recognition of her professional performance in the Valparaiso region. \u003c/p\u003e\n","\u003cp\u003eRead more about \u003ca target=\"_blank\" href=\"https://iawadb.lib.vt.edu/view_all.php?person_pk=1025\"\u003eMyriam Waisberg Izacson\u003c/a\u003e in the IAWA Biographical Database.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Myriam Waisberg (also  Myriam Waisberg Izacson) was born in Argentina, but moved to Chile at the age of 8. She received her degree in architecture from the University of Chile (1950). Upon attaining her degree she helped to found the Department of Architecture History and Theory at the University of Chile.  She has worked in both the Santiago and Valparaiso locations of the University.  Her research focus includes Chilean Architectural History and the religious architecture in the cities of Santiago and Valparaiso in Chile.      ","In 1992, she was awarded a Gold Medal by the Association of architects of Chile in recognition of her professional performance in the Valparaiso region. ","Read more about  Myriam Waisberg Izacson  in the IAWA Biographical Database."],"odd_html_tesm":["\u003cp\u003eThe guide to the Myriam Waisberg Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Myriam Waisberg Architectural Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Myriam Waisberg Architectural Papers, Ms2001-055, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Myriam Waisberg Architectural Papers, Ms2001-055, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Myriam Waisberg Architectural Papers was completed in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Myriam Waisberg Architectural Papers was completed in September 2013."],"scopecontent_html_tesm":["\u003cp\u003eMyriam Waisberg was an architect and professor of architecture at the University of Chile in Santiago since 1951. The collection consists of numerous articles and booklets written by her about topics in the history of architecture (particularly religious architecture) in Chile and the architecture program at the University of Chile. Also includes a lengthy curriculum vitae describing her academic and architectural works and writings. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Myriam Waisberg was an architect and professor of architecture at the University of Chile in Santiago since 1951. The collection consists of numerous articles and booklets written by her about topics in the history of architecture (particularly religious architecture) in Chile and the architecture program at the University of Chile. Also includes a lengthy curriculum vitae describing her academic and architectural works and writings. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_908995b1ffc21dfa34e56b4108c5e45a\" label=\"Abstract\"\u003eMyriam Waisberg was a Chilean architectural historian. This collection contains a number of publications, research papers, books and articles written by Waisberg during her career in Chile. Most of her work is dedicated to religious architecture in the cities of Santiago and Valparaiso in Chile and her work with the University of Chile.\u003c/abstract\u003e"],"abstract_tesim":["Myriam Waisberg was a Chilean architectural historian. This collection contains a number of publications, research papers, books and articles written by Waisberg during her career in Chile. Most of her work is dedicated to religious architecture in the cities of Santiago and Valparaiso in Chile and her work with the University of Chile."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Waisberg, Myriam"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Waisberg, Myriam"],"language_ssim":["The materials in the collection are primarily in Spanish."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:20:04.596Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2185"}},{"id":"viblbv_repositories_2_resources_2314","type":"collection","attributes":{"title":"Natalie de Blois Architectural Collection","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#creator","type":"document_value","attributes":{"value":"De Blois, Natalie, 1921-2013","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#abstract_or_scope","type":"document_value","attributes":{"value":"The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017"],"text":["Ms.2007.017","Natalie de Blois Architectural Collection","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.017"],"normalized_title_ssm":["Natalie de Blois Architectural Collection"],"collection_title_tesim":["Natalie de Blois Architectural Collection"],"collection_ssim":["Natalie de Blois Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creators_ssim":["De Blois, Natalie, 1921-2013"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005."],"bioghist_html_tesm":["\u003cp\u003eNatalie de Blois was born in Paterson, New Jersey on April 2, 1921.   \u003c/p\u003e\n","\u003cp\u003eIn 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026amp; Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026amp; Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e\n","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e\n","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e\n","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e"],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:35:59.218Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2314","ead_ssi":"viblbv_repositories_2_resources_2314","_root_":"viblbv_repositories_2_resources_2314","_nest_parent_":"viblbv_repositories_2_resources_2314","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2314.xml","title_filing_ssi":"de Blois, Natalie, Architectural Collection","title_ssm":["Natalie de Blois Architectural Collection"],"title_tesim":["Natalie de Blois Architectural Collection"],"unitdate_ssm":["1941-2013"],"unitdate_inclusive_ssm":["1941-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2007.017"],"text":["Ms.2007.017","Natalie de Blois Architectural Collection","Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","The collection is divided into two series: Series I Professional papers and Series II Project Records. The Project Records arrangement follows the organization of the 'Timeline of Projects' created by Nicholas Adams in consultation with Natalie de Blois in March of 2005.","Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.","The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.","Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013","The materials in the collection are in English."],"unitid_tesim":["Ms.2007.017"],"normalized_title_ssm":["Natalie de Blois Architectural Collection"],"collection_title_tesim":["Natalie de Blois Architectural Collection"],"collection_ssim":["Natalie de Blois Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["De Blois, Natalie, 1921-2013"],"creator_ssim":["De Blois, Natalie, 1921-2013"],"creator_persname_ssim":["De Blois, Natalie, 1921-2013"],"creators_ssim":["De Blois, Natalie, 1921-2013"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Natalie de Blois Architectural Collection was donated to Special Collections in November 2007."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"extent_tesim":["2.7 Cubic Feet 2 boxes and 7 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Series I Professional papers and Series II Project Records. 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Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    \u003c/p\u003e\n","\u003cp\u003eNatalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).\u003c/p\u003e\n","\u003cp\u003eAfter 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026amp; Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.\u003c/p\u003e\n","\u003cp\u003eDuring the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eSOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.\u003c/p\u003e\n","\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Natalie de Blois was born in Paterson, New Jersey on April 2, 1921.   ","In 1944 de Blois graduated from Columbia University's architecture program and took her first professional job with the firm Ketchum, Gina \u0026 Sharp.  In September of the same year de Blois was hired by the well known architecture firm, Skidmore, Owings \u0026 Merrill (SOM).  Here she spent the majority of her professional career working closely with architect Gordon Bunshaft, earning notoriety within the architectural community as one of the top female architects in America.    ","Natalie de Blois is recognized for her work on a number of projects including, Lever House (NYC); Pepsi-Cola building (NYC); Union Carbide Corporation (NYC); Connecticut General Life Insurance (Hartford, CT); Lincoln Center (NYC); and the Hilton Hotel (Istanbul, Turkey).","After 30 years with SOM, she left to join the Houston firm of Neuhaus \u0026 Taylor as Senior Project Designer.  As  a working mother during the 1950's and 1960's de Blois was personally aware of the hardships and limitations faced by women in architecture, and in the 1970's she became active advocate for women in architecture joining the American Institute of Architects Task Force on Women, visiting architecture schools and talking to female students.","During the last thirteen years of her architecture career, de Blois taught at the University of Texas at Austin, retiring in 1993.  Natalie de Blois practiced architecture for fifty years.  de Blois died July 22, 2013.","Sources:","SOM Journal 4. Interview with Natalie de Blois by Detlef Mertins, June 17, 2004.","Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"odd_html_tesm":["\u003cp\u003eThe guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Natalie de Blois Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Natalie de Blois Architectural Collection, Ms2007-017, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Natalie de Blois Architectural Collection was completed in November 2007.  The collection was fully processed and described in January 2012."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://txarchives.org/utaaa/finding_aids/00047.xml\" title=\"Natalie de Blois collection\"\u003eNatalie de Blois collection\u003c/a\u003e, Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Natalie de Blois collection , Alexander Architectural Archives, University of Texas Libraries, The University of Texas at Austin."],"scopecontent_html_tesm":["\u003cp\u003eThe Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Natalie de Blois Architectural Collection spans the years 1941 to 2013.  Materials in the collection include correspondence; original notes; clippings; brochures; finished project photographs; published materials; sketches; watercolors; elevations; architectural renderings; contracts; specifications; and reports for 24 projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5117d486842b5d3b8217ef9b02e28c4\" label=\"Abstract\"\u003eThe Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects.\u003c/abstract\u003e"],"abstract_tesim":["The Natalie de Blois Architectural Collection includes correspondence; original notes; magazine/journal clippings; finished project photographs, published materials; sketches; water colors; and project records related to a sampling of de Blois' architectural projects."],"names_ssim":["Special Collections and University Archives, Virginia Tech","De Blois, Natalie, 1921-2013"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["De Blois, Natalie, 1921-2013"],"persname_ssim":["De Blois, Natalie, 1921-2013"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:35:59.218Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2314"}},{"id":"viblbv_repositories_2_resources_3173","type":"collection","attributes":{"title":"National Visitor Center (Washington, D.C.) Collection","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3173#creator","type":"document_value","attributes":{"value":"Drumeller, William F., Jr., 1923-2006","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3173#abstract_or_scope","type":"document_value","attributes":{"value":"The National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was only open briefly from 1976 to 1978.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3173#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3173","ead_ssi":"viblbv_repositories_2_resources_3173","_root_":"viblbv_repositories_2_resources_3173","_nest_parent_":"viblbv_repositories_2_resources_3173","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3173.xml","title_filing_ssi":"National Visitor Center (Washington, D.C.) Collection","title_ssm":["National Visitor Center (Washington, D.C.) Collection"],"title_tesim":["National Visitor Center (Washington, D.C.) Collection"],"unitdate_ssm":["1966-1977, n.d. (likely 1970s)"],"unitdate_inclusive_ssm":["1966-1977, n.d. (likely 1970s)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.002"],"text":["Ms.2017.002","National Visitor Center (Washington, D.C.) Collection","Architects","Students and alumni","Architecture (discipline)","The collection is open for research.","The guide to the  National Visitor Center (Washington, D.C.) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the National Visitor Center (Washington, D.C.) Collection was completed in May 2017.","William F. Drumeller, Jr. Collection, Ms2013-007.  Finding aid available\n              online . VPI Poster created by Drumeller, 1942, Art-351.  Record for item available online .","The National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was open briefly from 1976 to 1978. This collection is organized into four series. ","Series I: Documents includes materials from about 1972 to 1975, as well as some undated materials, likely from the same time period. This series contains paperwork relating to the development of the project: contracts, meeting notes, planning documents, materials from lawsuits, and Federal reference manuals. The first half of this series is arranged in chronological order. The second half, which includes the undated materials, is arranged by subject and folders are in alphabetical order by title.","Series II: Images contains photographs, negatives, and slides from construction, events held in the space, and a large framed photograph of a model. Although undated, they are most likely from the 1970s. This series is arranged by format and then by subject, if known. ","Series III: Newspapers consists of whole papers and clippings from 1969-1977 that reference development, planning, construction, and the completed project. They come from a variety of newspapers. This series is arranged chronologically.","Series IV: Drawings, Plans, \u0026 Plats includes a range of architectural materials from 1972 to 1976. There are full and half-size drawings, architectural plans, and location plat maps. There are two full-size sets of prints, as well as a site plan and several specific sections/views. This series is arranged in chronological order.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was only open briefly from 1976 to 1978.","Special Collections and University Archives, Virginia Tech","National Visitor Center","Drumeller, William F., Jr., 1923-2006","The materials in the collection are in English."],"unitid_tesim":["Ms.2017.002"],"normalized_title_ssm":["National Visitor Center (Washington, D.C.) Collection"],"collection_title_tesim":["National Visitor Center (Washington, D.C.) Collection"],"collection_ssim":["National Visitor Center (Washington, D.C.) Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Drumeller, William F., Jr., 1923-2006"],"creator_ssim":["Drumeller, William F., Jr., 1923-2006"],"creator_persname_ssim":["Drumeller, William F., Jr., 1923-2006"],"creators_ssim":["Drumeller, William F., Jr., 1923-2006"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The National Visitor Center (Washington, DC) Collection was donated to Special Collections in July 2015."],"access_subjects_ssim":["Architects","Students and alumni","Architecture (discipline)"],"access_subjects_ssm":["Architects","Students and alumni","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["5.1 Cubic Feet 3 boxes; 7 oversize folders; 1 framed photograph"],"extent_tesim":["5.1 Cubic Feet 3 boxes; 7 oversize folders; 1 framed photograph"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"odd_html_tesm":["\u003cp\u003eThe guide to the  National Visitor Center (Washington, D.C.) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  National Visitor Center (Washington, D.C.) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], National Visitor Center (Washington, D.C.) Collection, Ms2017-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], National Visitor Center (Washington, D.C.) Collection, Ms2017-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the National Visitor Center (Washington, D.C.) Collection was completed in May 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the National Visitor Center (Washington, D.C.) Collection was completed in May 2017."],"relatedmaterial_html_tesm":["\u003clist\u003e\n\u003citem\u003eWilliam F. Drumeller, Jr. Collection, Ms2013-007. \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_2847.xml\"\u003eFinding aid available\n              online\u003c/a\u003e.\u003c/item\u003e\n\n\u003citem\u003eVPI Poster created by Drumeller, 1942, Art-351. \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_349.xml\"\u003eRecord for item available online\u003c/a\u003e.\u003c/item\u003e\n\u003c/list\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["William F. Drumeller, Jr. Collection, Ms2013-007.  Finding aid available\n              online . VPI Poster created by Drumeller, 1942, Art-351.  Record for item available online ."],"scopecontent_html_tesm":["\u003cp\u003eThe National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was open briefly from 1976 to 1978. This collection is organized into four series. \u003c/p\u003e\n","\u003cp\u003eSeries I: Documents includes materials from about 1972 to 1975, as well as some undated materials, likely from the same time period. This series contains paperwork relating to the development of the project: contracts, meeting notes, planning documents, materials from lawsuits, and Federal reference manuals. The first half of this series is arranged in chronological order. The second half, which includes the undated materials, is arranged by subject and folders are in alphabetical order by title.\u003c/p\u003e\n","\u003cp\u003eSeries II: Images contains photographs, negatives, and slides from construction, events held in the space, and a large framed photograph of a model. Although undated, they are most likely from the 1970s. This series is arranged by format and then by subject, if known. \u003c/p\u003e\n","\u003cp\u003eSeries III: Newspapers consists of whole papers and clippings from 1969-1977 that reference development, planning, construction, and the completed project. They come from a variety of newspapers. This series is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Drawings, Plans, \u0026amp; Plats includes a range of architectural materials from 1972 to 1976. There are full and half-size drawings, architectural plans, and location plat maps. There are two full-size sets of prints, as well as a site plan and several specific sections/views. This series is arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was open briefly from 1976 to 1978. This collection is organized into four series. ","Series I: Documents includes materials from about 1972 to 1975, as well as some undated materials, likely from the same time period. This series contains paperwork relating to the development of the project: contracts, meeting notes, planning documents, materials from lawsuits, and Federal reference manuals. The first half of this series is arranged in chronological order. The second half, which includes the undated materials, is arranged by subject and folders are in alphabetical order by title.","Series II: Images contains photographs, negatives, and slides from construction, events held in the space, and a large framed photograph of a model. Although undated, they are most likely from the 1970s. This series is arranged by format and then by subject, if known. ","Series III: Newspapers consists of whole papers and clippings from 1969-1977 that reference development, planning, construction, and the completed project. They come from a variety of newspapers. This series is arranged chronologically.","Series IV: Drawings, Plans, \u0026 Plats includes a range of architectural materials from 1972 to 1976. There are full and half-size drawings, architectural plans, and location plat maps. There are two full-size sets of prints, as well as a site plan and several specific sections/views. This series is arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f94347b35b23e2a7f45f22a094b3898\" label=\"Abstract\"\u003eThe National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was only open briefly from 1976 to 1978.\u003c/abstract\u003e"],"abstract_tesim":["The National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was only open briefly from 1976 to 1978."],"names_coll_ssim":["National Visitor Center"],"names_ssim":["Special Collections and University Archives, Virginia Tech","National Visitor Center","Drumeller, William F., Jr., 1923-2006"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","National Visitor Center"],"persname_ssim":["Drumeller, William F., Jr., 1923-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:13.736Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3173","ead_ssi":"viblbv_repositories_2_resources_3173","_root_":"viblbv_repositories_2_resources_3173","_nest_parent_":"viblbv_repositories_2_resources_3173","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3173.xml","title_filing_ssi":"National Visitor Center (Washington, D.C.) Collection","title_ssm":["National Visitor Center (Washington, D.C.) Collection"],"title_tesim":["National Visitor Center (Washington, D.C.) Collection"],"unitdate_ssm":["1966-1977, n.d. (likely 1970s)"],"unitdate_inclusive_ssm":["1966-1977, n.d. (likely 1970s)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2017.002"],"text":["Ms.2017.002","National Visitor Center (Washington, D.C.) Collection","Architects","Students and alumni","Architecture (discipline)","The collection is open for research.","The guide to the  National Visitor Center (Washington, D.C.) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the National Visitor Center (Washington, D.C.) Collection was completed in May 2017.","William F. Drumeller, Jr. Collection, Ms2013-007.  Finding aid available\n              online . VPI Poster created by Drumeller, 1942, Art-351.  Record for item available online .","The National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was open briefly from 1976 to 1978. This collection is organized into four series. ","Series I: Documents includes materials from about 1972 to 1975, as well as some undated materials, likely from the same time period. This series contains paperwork relating to the development of the project: contracts, meeting notes, planning documents, materials from lawsuits, and Federal reference manuals. The first half of this series is arranged in chronological order. The second half, which includes the undated materials, is arranged by subject and folders are in alphabetical order by title.","Series II: Images contains photographs, negatives, and slides from construction, events held in the space, and a large framed photograph of a model. Although undated, they are most likely from the 1970s. This series is arranged by format and then by subject, if known. ","Series III: Newspapers consists of whole papers and clippings from 1969-1977 that reference development, planning, construction, and the completed project. They come from a variety of newspapers. This series is arranged chronologically.","Series IV: Drawings, Plans, \u0026 Plats includes a range of architectural materials from 1972 to 1976. There are full and half-size drawings, architectural plans, and location plat maps. There are two full-size sets of prints, as well as a site plan and several specific sections/views. This series is arranged in chronological order.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was only open briefly from 1976 to 1978.","Special Collections and University Archives, Virginia Tech","National Visitor Center","Drumeller, William F., Jr., 1923-2006","The materials in the collection are in English."],"unitid_tesim":["Ms.2017.002"],"normalized_title_ssm":["National Visitor Center (Washington, D.C.) Collection"],"collection_title_tesim":["National Visitor Center (Washington, D.C.) Collection"],"collection_ssim":["National Visitor Center (Washington, D.C.) Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Drumeller, William F., Jr., 1923-2006"],"creator_ssim":["Drumeller, William F., Jr., 1923-2006"],"creator_persname_ssim":["Drumeller, William F., Jr., 1923-2006"],"creators_ssim":["Drumeller, William F., Jr., 1923-2006"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The National Visitor Center (Washington, DC) Collection was donated to Special Collections in July 2015."],"access_subjects_ssim":["Architects","Students and alumni","Architecture (discipline)"],"access_subjects_ssm":["Architects","Students and alumni","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["5.1 Cubic Feet 3 boxes; 7 oversize folders; 1 framed photograph"],"extent_tesim":["5.1 Cubic Feet 3 boxes; 7 oversize folders; 1 framed photograph"],"genreform_ssim":["Architecture (discipline)"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"odd_html_tesm":["\u003cp\u003eThe guide to the  National Visitor Center (Washington, D.C.) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  National Visitor Center (Washington, D.C.) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], National Visitor Center (Washington, D.C.) Collection, Ms2017-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], National Visitor Center (Washington, D.C.) Collection, Ms2017-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the National Visitor Center (Washington, D.C.) Collection was completed in May 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the National Visitor Center (Washington, D.C.) Collection was completed in May 2017."],"relatedmaterial_html_tesm":["\u003clist\u003e\n\u003citem\u003eWilliam F. Drumeller, Jr. Collection, Ms2013-007. \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_2847.xml\"\u003eFinding aid available\n              online\u003c/a\u003e.\u003c/item\u003e\n\n\u003citem\u003eVPI Poster created by Drumeller, 1942, Art-351. \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_349.xml\"\u003eRecord for item available online\u003c/a\u003e.\u003c/item\u003e\n\u003c/list\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["William F. Drumeller, Jr. Collection, Ms2013-007.  Finding aid available\n              online . VPI Poster created by Drumeller, 1942, Art-351.  Record for item available online ."],"scopecontent_html_tesm":["\u003cp\u003eThe National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was open briefly from 1976 to 1978. This collection is organized into four series. \u003c/p\u003e\n","\u003cp\u003eSeries I: Documents includes materials from about 1972 to 1975, as well as some undated materials, likely from the same time period. This series contains paperwork relating to the development of the project: contracts, meeting notes, planning documents, materials from lawsuits, and Federal reference manuals. The first half of this series is arranged in chronological order. The second half, which includes the undated materials, is arranged by subject and folders are in alphabetical order by title.\u003c/p\u003e\n","\u003cp\u003eSeries II: Images contains photographs, negatives, and slides from construction, events held in the space, and a large framed photograph of a model. Although undated, they are most likely from the 1970s. This series is arranged by format and then by subject, if known. \u003c/p\u003e\n","\u003cp\u003eSeries III: Newspapers consists of whole papers and clippings from 1969-1977 that reference development, planning, construction, and the completed project. They come from a variety of newspapers. This series is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Drawings, Plans, \u0026amp; Plats includes a range of architectural materials from 1972 to 1976. There are full and half-size drawings, architectural plans, and location plat maps. There are two full-size sets of prints, as well as a site plan and several specific sections/views. This series is arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was open briefly from 1976 to 1978. This collection is organized into four series. ","Series I: Documents includes materials from about 1972 to 1975, as well as some undated materials, likely from the same time period. This series contains paperwork relating to the development of the project: contracts, meeting notes, planning documents, materials from lawsuits, and Federal reference manuals. The first half of this series is arranged in chronological order. The second half, which includes the undated materials, is arranged by subject and folders are in alphabetical order by title.","Series II: Images contains photographs, negatives, and slides from construction, events held in the space, and a large framed photograph of a model. Although undated, they are most likely from the 1970s. This series is arranged by format and then by subject, if known. ","Series III: Newspapers consists of whole papers and clippings from 1969-1977 that reference development, planning, construction, and the completed project. They come from a variety of newspapers. This series is arranged chronologically.","Series IV: Drawings, Plans, \u0026 Plats includes a range of architectural materials from 1972 to 1976. There are full and half-size drawings, architectural plans, and location plat maps. There are two full-size sets of prints, as well as a site plan and several specific sections/views. This series is arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f94347b35b23e2a7f45f22a094b3898\" label=\"Abstract\"\u003eThe National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was only open briefly from 1976 to 1978.\u003c/abstract\u003e"],"abstract_tesim":["The National Visitor Center (Washington, D.C.) Collection includes materials concerning the projected construction of the National Visitor Center at Union Station in Washington D.C. in the 1970s. The collection includes correspondence, records, images, memorabilia, maps, and architecture drawings of the center, which was only open briefly from 1976 to 1978."],"names_coll_ssim":["National Visitor Center"],"names_ssim":["Special Collections and University Archives, Virginia Tech","National Visitor Center","Drumeller, William F., Jr., 1923-2006"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","National Visitor Center"],"persname_ssim":["Drumeller, William F., Jr., 1923-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:13.736Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3173"}},{"id":"viblbv_repositories_2_resources_1790","type":"collection","attributes":{"title":"Olive Chadeayne Architectural Collection","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1790#creator","type":"document_value","attributes":{"value":"Chadeayne, Olive, 1904-2001","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1790#abstract_or_scope","type":"document_value","attributes":{"value":"The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California. In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1790#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1790","ead_ssi":"viblbv_repositories_2_resources_1790","_root_":"viblbv_repositories_2_resources_1790","_nest_parent_":"viblbv_repositories_2_resources_1790","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1790.xml","title_filing_ssi":"Chadeayne, Olive, Architectural Collection","title_ssm":["Olive Chadeayne Architectural Collection"],"title_tesim":["Olive Chadeayne Architectural Collection"],"unitdate_ssm":["1924-1956"],"unitdate_inclusive_ssm":["1924-1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.057"],"text":["Ms.1990.057","Olive Chadeayne Architectural Collection","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","Some of this collection has been digitized and is available online.","There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series ","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project.  ","The following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.","Project Index Key","Project/Client Name (location; date; project type; architect; collaborator(s)) [Format:  DR =Drawings, \n FPP =Finished Project Photo(s),  DP =Display Photo(s),  AA =Arts \u0026 Artifacts,  F =Files (project files)] ","Project Index","Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed. ","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset. ","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\" ","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.  ","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY. ","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.  ","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.  ","Works Consulted ","Chadeayne, O., Horton, I. S., O'Hara, E.,  International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.  S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).   Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.   Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\" ","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.  ","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.   The Coast News.   Retrieved from  http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985).  Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).   University  of San Diego, San Diego, CA.","The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.","See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993","The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.  ","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from  Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.    ","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.  ","Series I: Personal \u0026 Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from  Ladies Home Journal.","Series II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.","Series III: Arts \u0026 Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.","Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S.","The materials in the collection are in English."],"unitid_tesim":["Ms.1990.057"],"normalized_title_ssm":["Olive Chadeayne Architectural Collection"],"collection_title_tesim":["Olive Chadeayne Architectural Collection"],"collection_ssim":["Olive Chadeayne Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creators_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Olive Chadeayne Architectural Collection was donated to Special Collections in multiple accruals between 1990 and 1994."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"extent_tesim":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/176\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThere are three series in The Olive Chadeayne Architectural Collection:\u003c/p\u003e\n","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers and Series \u003c/p\u003e\n","\u003cp\u003eSeries II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.\u003c/p\u003e\n","\u003cp\u003eSeries III: Arts \u0026amp; Artifacts are arranged chronologically according to project.  \u003c/p\u003e","\u003cp\u003eThe following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eProject Index Key\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eProject/Client Name (location; date; project type; architect; collaborator(s)) [Format: \u003cemph render=\"bold\"\u003eDR\u003c/emph\u003e=Drawings, \n\u003cemph render=\"bold\"\u003eFPP\u003c/emph\u003e=Finished Project Photo(s), \u003cemph render=\"bold\"\u003eDP\u003c/emph\u003e=Display Photo(s), \u003cemph render=\"bold\"\u003eAA\u003c/emph\u003e=Arts \u0026amp; Artifacts, \u003cemph render=\"bold\"\u003eF\u003c/emph\u003e=Files (project files)] \u003c/p\u003e\n","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-057pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index\u003c/extref\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series ","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project.  ","The following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.","Project Index Key","Project/Client Name (location; date; project type; architect; collaborator(s)) [Format:  DR =Drawings, \n FPP =Finished Project Photo(s),  DP =Display Photo(s),  AA =Arts \u0026 Artifacts,  F =Files (project files)] ","Project Index"],"bioghist_html_tesm":["\u003cp\u003eOlive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.\u003c/p\u003e\n","\u003cp\u003eLos Angeles based architecture firm, Pierpont \u0026amp; Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.\u003c/p\u003e\n","\u003cp\u003eIn 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed. \u003c/p\u003e\n","\u003cp\u003eBy 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026amp; Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset. \u003c/p\u003e\n","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e\n","\u003cp\u003eFrom 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026amp; Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.  \u003c/p\u003e\n","\u003cp\u003eBy 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026amp; Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY. \u003c/p\u003e\n","\u003cp\u003eThroughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.  \u003c/p\u003e\n","\u003cp\u003eIn her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.  \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eWorks Consulted \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eChadeayne, O., Horton, I. S., O'Hara, E., \u003cemph render=\"italic\"\u003eInternational Archive of Women in Architecture, \u0026amp; American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\u003c/emph\u003e S.l: s.n.\u003c/p\u003e\n","\u003cp\u003eHorton, Inge Schaefer. (Eds.). (2010).  \u003cemph render=\"italic\"\u003eEarly women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951. \u003c/emph\u003e Jefferson, N.C: McFarland \u0026amp; Co. Inc.\u003c/p\u003e","\u003cp\u003eLilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.\u003c/p\u003e\n","\u003cp\u003eRecognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.\u003c/p\u003e\n","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e\n","\u003cp\u003eIn addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.\u003c/p\u003e\n","\u003cp\u003eLilian Rice died suddenly on Dec. 22, 1938 at the age of 49.  \u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eCox, Lilian. (2009, October).  Famous female architect finally gets a biography.  \u003cemph render=\"italic\"\u003eThe Coast News.\u003c/emph\u003e  Retrieved from \u003ca target=\"_blank\" href=\"http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\"\u003ehttp://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003eEddy, L. L. (1985). \u003cemph render=\"italic\"\u003eLilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).\u003c/emph\u003e  University  of San Diego, San Diego, CA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Olive Chadeayne","Biographical Note - Lilian Rice"],"bioghist_tesim":["Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed. ","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset. ","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\" ","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.  ","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY. ","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.  ","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.  ","Works Consulted ","Chadeayne, O., Horton, I. S., O'Hara, E.,  International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.  S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).   Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.   Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\" ","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.  ","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.   The Coast News.   Retrieved from  http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985).  Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).   University  of San Diego, San Diego, CA."],"odd_html_tesm":["\u003cp\u003eThe guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993"],"scopecontent_html_tesm":["\u003cp\u003eThe Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.  \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into three series:\u003c/p\u003e\n","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from \u003cemph render=\"italic\"\u003eLadies Home Journal.\u003c/emph\u003e   \u003c/p\u003e\n","\u003cp\u003eSeries II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.    \u003c/p\u003e\n","\u003cp\u003eSeries III: Art \u0026amp; Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.  \u003c/p\u003e","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from \u003cemph render=\"italic\"\u003eLadies Home Journal.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eSeries II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.\u003c/p\u003e","\u003cp\u003eSeries III: Arts \u0026amp; Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.  ","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from  Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.    ","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.  ","Series I: Personal \u0026 Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from  Ladies Home Journal.","Series II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.","Series III: Arts \u0026 Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4f0d7b8e766de5ccff7c339a98ee76a\" label=\"Abstract\"\u003eThe Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.\u003c/abstract\u003e"],"abstract_tesim":["The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Rice, Lilian, 1889-1938","Horton, Inge S."],"persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":115,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:10:35.028Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1790","ead_ssi":"viblbv_repositories_2_resources_1790","_root_":"viblbv_repositories_2_resources_1790","_nest_parent_":"viblbv_repositories_2_resources_1790","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1790.xml","title_filing_ssi":"Chadeayne, Olive, Architectural Collection","title_ssm":["Olive Chadeayne Architectural Collection"],"title_tesim":["Olive Chadeayne Architectural Collection"],"unitdate_ssm":["1924-1956"],"unitdate_inclusive_ssm":["1924-1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.057"],"text":["Ms.1990.057","Olive Chadeayne Architectural Collection","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","Some of this collection has been digitized and is available online.","There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series ","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project.  ","The following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.","Project Index Key","Project/Client Name (location; date; project type; architect; collaborator(s)) [Format:  DR =Drawings, \n FPP =Finished Project Photo(s),  DP =Display Photo(s),  AA =Arts \u0026 Artifacts,  F =Files (project files)] ","Project Index","Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed. ","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset. ","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\" ","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.  ","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY. ","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.  ","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.  ","Works Consulted ","Chadeayne, O., Horton, I. S., O'Hara, E.,  International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.  S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).   Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.   Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\" ","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.  ","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.   The Coast News.   Retrieved from  http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985).  Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).   University  of San Diego, San Diego, CA.","The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.","See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993","The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.  ","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from  Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.    ","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.  ","Series I: Personal \u0026 Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from  Ladies Home Journal.","Series II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.","Series III: Arts \u0026 Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.","Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S.","The materials in the collection are in English."],"unitid_tesim":["Ms.1990.057"],"normalized_title_ssm":["Olive Chadeayne Architectural Collection"],"collection_title_tesim":["Olive Chadeayne Architectural Collection"],"collection_ssim":["Olive Chadeayne Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creators_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Olive Chadeayne Architectural Collection was donated to Special Collections in multiple accruals between 1990 and 1994."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"extent_tesim":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/176\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThere are three series in The Olive Chadeayne Architectural Collection:\u003c/p\u003e\n","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers and Series \u003c/p\u003e\n","\u003cp\u003eSeries II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.\u003c/p\u003e\n","\u003cp\u003eSeries III: Arts \u0026amp; Artifacts are arranged chronologically according to project.  \u003c/p\u003e","\u003cp\u003eThe following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eProject Index Key\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eProject/Client Name (location; date; project type; architect; collaborator(s)) [Format: \u003cemph render=\"bold\"\u003eDR\u003c/emph\u003e=Drawings, \n\u003cemph render=\"bold\"\u003eFPP\u003c/emph\u003e=Finished Project Photo(s), \u003cemph render=\"bold\"\u003eDP\u003c/emph\u003e=Display Photo(s), \u003cemph render=\"bold\"\u003eAA\u003c/emph\u003e=Arts \u0026amp; Artifacts, \u003cemph render=\"bold\"\u003eF\u003c/emph\u003e=Files (project files)] \u003c/p\u003e\n","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-057pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index\u003c/extref\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series ","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project.  ","The following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.","Project Index Key","Project/Client Name (location; date; project type; architect; collaborator(s)) [Format:  DR =Drawings, \n FPP =Finished Project Photo(s),  DP =Display Photo(s),  AA =Arts \u0026 Artifacts,  F =Files (project files)] ","Project Index"],"bioghist_html_tesm":["\u003cp\u003eOlive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.\u003c/p\u003e\n","\u003cp\u003eLos Angeles based architecture firm, Pierpont \u0026amp; Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.\u003c/p\u003e\n","\u003cp\u003eIn 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed. \u003c/p\u003e\n","\u003cp\u003eBy 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026amp; Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset. \u003c/p\u003e\n","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e\n","\u003cp\u003eFrom 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026amp; Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.  \u003c/p\u003e\n","\u003cp\u003eBy 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026amp; Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY. \u003c/p\u003e\n","\u003cp\u003eThroughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.  \u003c/p\u003e\n","\u003cp\u003eIn her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.  \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eWorks Consulted \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eChadeayne, O., Horton, I. S., O'Hara, E., \u003cemph render=\"italic\"\u003eInternational Archive of Women in Architecture, \u0026amp; American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\u003c/emph\u003e S.l: s.n.\u003c/p\u003e\n","\u003cp\u003eHorton, Inge Schaefer. (Eds.). (2010).  \u003cemph render=\"italic\"\u003eEarly women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951. \u003c/emph\u003e Jefferson, N.C: McFarland \u0026amp; Co. Inc.\u003c/p\u003e","\u003cp\u003eLilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.\u003c/p\u003e\n","\u003cp\u003eRecognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.\u003c/p\u003e\n","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e\n","\u003cp\u003eIn addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.\u003c/p\u003e\n","\u003cp\u003eLilian Rice died suddenly on Dec. 22, 1938 at the age of 49.  \u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eCox, Lilian. (2009, October).  Famous female architect finally gets a biography.  \u003cemph render=\"italic\"\u003eThe Coast News.\u003c/emph\u003e  Retrieved from \u003ca target=\"_blank\" href=\"http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\"\u003ehttp://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003eEddy, L. L. (1985). \u003cemph render=\"italic\"\u003eLilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).\u003c/emph\u003e  University  of San Diego, San Diego, CA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Olive Chadeayne","Biographical Note - Lilian Rice"],"bioghist_tesim":["Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed. ","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset. ","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\" ","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.  ","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY. ","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.  ","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.  ","Works Consulted ","Chadeayne, O., Horton, I. S., O'Hara, E.,  International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.  S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).   Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.   Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\" ","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.  ","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.   The Coast News.   Retrieved from  http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985).  Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).   University  of San Diego, San Diego, CA."],"odd_html_tesm":["\u003cp\u003eThe guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993"],"scopecontent_html_tesm":["\u003cp\u003eThe Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.  \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into three series:\u003c/p\u003e\n","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from \u003cemph render=\"italic\"\u003eLadies Home Journal.\u003c/emph\u003e   \u003c/p\u003e\n","\u003cp\u003eSeries II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.    \u003c/p\u003e\n","\u003cp\u003eSeries III: Art \u0026amp; Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.  \u003c/p\u003e","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from \u003cemph render=\"italic\"\u003eLadies Home Journal.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eSeries II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.\u003c/p\u003e","\u003cp\u003eSeries III: Arts \u0026amp; Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.  ","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from  Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.    ","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.  ","Series I: Personal \u0026 Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from  Ladies Home Journal.","Series II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.","Series III: Arts \u0026 Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4f0d7b8e766de5ccff7c339a98ee76a\" label=\"Abstract\"\u003eThe Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.\u003c/abstract\u003e"],"abstract_tesim":["The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Rice, Lilian, 1889-1938","Horton, Inge S."],"persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":115,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:10:35.028Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1790"}},{"id":"viblbv_repositories_2_resources_1585","type":"collection","attributes":{"title":"Organization of Women Architects and Design Professionals Records","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1585#creator","type":"document_value","attributes":{"value":"Organization of Women Architects and Design Professionals","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1585#abstract_or_scope","type":"document_value","attributes":{"value":"The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1585#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1585","ead_ssi":"viblbv_repositories_2_resources_1585","_root_":"viblbv_repositories_2_resources_1585","_nest_parent_":"viblbv_repositories_2_resources_1585","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1585.xml","title_filing_ssi":"Organization of Women Architects and Design Professionals Records","title_ssm":["Organization of Women Architects and Design Professionals Records"],"title_tesim":["Organization of Women Architects and Design Professionals Records"],"unitdate_ssm":["1965-2005"],"unitdate_inclusive_ssm":["1965-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1988.080"],"text":["Ms.1988.080","Organization of Women Architects and Design Professionals Records","Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History","The collection is open for research.","The Organization of Women Architects and Design Professionals Records is divided into the following series: I. Administrative, 1972-2005; II. Committees and Initiatives, 1974-1986; III. Newsletters, 1972-1991; IV. Financial Records, 1975-1991; V. Alternate Media, 1971-1991; and VI. Professional Women's Organizations, Documents, Pamphlets, and Clippings, (non-OWA), 1965-1995. Each series is arranged in chronological order.","The Organization of Women Architects and Design Professionals (OWA), an organization for women architects and designers in the San Francisco bay area, officially became incorporated in 1973. Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.  ","The organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  Previous meetings and seminars have focused on job-sharing, flexible work schedules, childcare, portfolio review, public speaking skills, financial seminars, health care, and occupational hazards.  ","Over its lifetime the OWA has undertaken many important programs and actions for the benefit of architects and design professionals in general, not only women.  It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.  ","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","-  from  Horton, Inge,  \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003 ","The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.","See also  California Women in Environmental Design Records, Ms1990-059  at VT Special Collections and University Archives.","The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. 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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Organization of Women Architects and Design Professionals Records were donated to Special Collections in 1988, 2003, and 2006."],"access_subjects_ssim":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["4 Cubic Feet 8 boxes"],"extent_tesim":["4 Cubic Feet 8 boxes"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Organization of Women Architects and Design Professionals Records is divided into the following series: I. 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It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.  ","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","-  from  Horton, Inge,  \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003 "],"odd_html_tesm":["\u003cp\u003eThe guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1792.oai_ead.xml\"\u003eCalifornia Women in Environmental Design Records, Ms1990-059\u003c/a\u003e at VT Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also  California Women in Environmental Design Records, Ms1990-059  at VT Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45c0f15d5606893955c4a883cfde82ba\" label=\"Abstract\"\u003eThe Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA.\u003c/abstract\u003e"],"abstract_tesim":["The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. 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Administrative, 1972-2005; II. Committees and Initiatives, 1974-1986; III. Newsletters, 1972-1991; IV. Financial Records, 1975-1991; V. Alternate Media, 1971-1991; and VI. Professional Women's Organizations, Documents, Pamphlets, and Clippings, (non-OWA), 1965-1995. Each series is arranged in chronological order.","The Organization of Women Architects and Design Professionals (OWA), an organization for women architects and designers in the San Francisco bay area, officially became incorporated in 1973. Originally titled, The Organization of Women Architects, it evolved from the informal gatherings of twelve women architects looking for a supportive forum to exchange their experiences in a traditionally male-dominated profession to a valuable networking resource and a mechanism to promote the professional and personal lives of its members.  ","The organization is run by a volunteer Steering Committee staffed by members and the programs and focus of the OWA vary with the interests and talents of the current members.  Previous meetings and seminars have focused on job-sharing, flexible work schedules, childcare, portfolio review, public speaking skills, financial seminars, health care, and occupational hazards.  ","Over its lifetime the OWA has undertaken many important programs and actions for the benefit of architects and design professionals in general, not only women.  It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.  ","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","-  from  Horton, Inge,  \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003 ","The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.","See also  California Women in Environmental Design Records, Ms1990-059  at VT Special Collections and University Archives.","The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Organization of Women Architects and Design Professionals Records were donated to Special Collections in 1988, 2003, and 2006."],"access_subjects_ssim":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"access_subjects_ssm":["Architects","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["4 Cubic Feet 8 boxes"],"extent_tesim":["4 Cubic Feet 8 boxes"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Organization of Women Architects and Design Professionals Records is divided into the following series: I. 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It developed a Mock Exam to prepare and train young architects for the California State licensing exam, and it set up a health insurance plan (1976) for uninsured architects and designers.  The Mock Exam was so successful that the OWA eventually sold it to the American Institute of Architects.  ","The OWA is also very in active in collaborating with other like minded institutions and helped to establish a new umbrella organization called California Women in Environmental Design (CWED).  CWED's purpose was to lobby governmental agencies and provide designing women with public exposure through statewide conferences and exhibitions of their work.","-  from  Horton, Inge,  \"Presentation on the History of OWA at The Colegio de Arquitectos in Quito, Ecuador,\" 26 June 2003 "],"odd_html_tesm":["\u003cp\u003eThe guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Organization of Women Architects and Design Professionals Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Organization of Women Architects and Design Professionals Records, Ms1988-080, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Organization of Women Architects and Design Professionals Records was completed in March 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/lib.vt.edu/repositories/2/resources/1792.oai_ead.xml\"\u003eCalifornia Women in Environmental Design Records, Ms1990-059\u003c/a\u003e at VT Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also  California Women in Environmental Design Records, Ms1990-059  at VT Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the Organization of Women Architects and Design Professional dating from 1965-2005."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45c0f15d5606893955c4a883cfde82ba\" label=\"Abstract\"\u003eThe Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA.\u003c/abstract\u003e"],"abstract_tesim":["The Organization of Women Architects and Design Professionals (OWA) is an organization for women architects and designers in the San Francisco bay area. It officially became incorporated in 1973. The collection contains documents, reports, agendas, membership directories, photos, slides, and publications concerning the history and activities of the OWA."],"names_coll_ssim":["California Women in Environmental Design"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Organization of Women Architects and Design Professionals","California Women in Environmental Design"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:03:47.786Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1585"}},{"id":"viblbv_repositories_2_resources_2274","type":"collection","attributes":{"title":"Paula Treder Architectural Collection","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2274#creator","type":"document_value","attributes":{"value":"Treder, Paula","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2274#abstract_or_scope","type":"document_value","attributes":{"value":"Paula Treder operated her own architectural firm in South Carolina. This collection contains selected professional papers from her projects, including drawings, photographs, and project documents related to Treder's professional and design activities.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2274#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2274","ead_ssi":"viblbv_repositories_2_resources_2274","_root_":"viblbv_repositories_2_resources_2274","_nest_parent_":"viblbv_repositories_2_resources_2274","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2274.xml","title_filing_ssi":"Treder, Paula, Architectural Collection","title_ssm":["Paula Treder Architectural Collection"],"title_tesim":["Paula Treder Architectural Collection"],"unitdate_ssm":["1953-2005"],"unitdate_inclusive_ssm":["1953-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2005.002"],"text":["Ms.2005.002","Paula Treder Architectural Collection","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Collection is open to research.","The collection is arranged into three series Personal Papers, Professional Papers, and Project Records. 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","From 1958-1960, Treder wrote on all aspects of housing design and construction including a large number of cover stories on residential design for  House \u0026 Home  where she was an associate editor.  \nShe moved to the Wall Street investment banking firm of Drexel Burnham Lambert, in 1972, where she developed an in-house facilities management office of 100+ professional and other staff responsible for the design, furnishing, construction supervision and maintenance of several hundred thousand square feet of office spaces for the firm in New York City, London, and throughout the Uninted States.  Treder retired from DBL in 1988, as Director of Facilities Management and as a corporate officer with the title of First Vice President.","Treder is an Emeritus member of AIA (The American Institute of Architects.)  She was instrumental in forming the Vancouver, WA chapeter of the AIA and served on the publications and women's committees of the New York chapter and the magazine committee of the South Carolina chapter. Treder was also involved in the Women's Equity Action League (WEAL) during the 1970s and held national and local offices.  ","She later moved to Tucson, Arizona.","The guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013.","This collection consists of professional materials created by Paula Treder from 1953 to 2005. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Paula Treder operated her own architectural firm in South Carolina. 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Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The creator donated the Paula Treder Architectural Collection to the International Archive of Woman in Architecture in 2002 and 2005."],"access_subjects_ssim":["Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes; 4 oversize folders"],"extent_tesim":["2 Cubic Feet 2 boxes; 4 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series Personal Papers, Professional Papers, and Project Records. 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Treder worked in a variety of firms throughout the United States before moving to Rock Hill, South Carolina in 1964 and establishing an architectural firm under her own name. \u003c/p\u003e\n","\u003cp\u003eFrom 1958-1960, Treder wrote on all aspects of housing design and construction including a large number of cover stories on residential design for \u003ctitle render=\"italic\"\u003eHouse \u0026amp; Home\u003c/title\u003e where she was an associate editor.  \nShe moved to the Wall Street investment banking firm of Drexel Burnham Lambert, in 1972, where she developed an in-house facilities management office of 100+ professional and other staff responsible for the design, furnishing, construction supervision and maintenance of several hundred thousand square feet of office spaces for the firm in New York City, London, and throughout the Uninted States.  Treder retired from DBL in 1988, as Director of Facilities Management and as a corporate officer with the title of First Vice President.\u003c/p\u003e\n","\u003cp\u003eTreder is an Emeritus member of AIA (The American Institute of Architects.)  She was instrumental in forming the Vancouver, WA chapeter of the AIA and served on the publications and women's committees of the New York chapter and the magazine committee of the South Carolina chapter. Treder was also involved in the Women's Equity Action League (WEAL) during the 1970s and held national and local offices.  \u003c/p\u003e\n","\u003cp\u003eShe later moved to Tucson, Arizona.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Paula Treder was born in Rockford, Illinois. She received a bachelor of science in architecture (1951) and a master of science in architecture (1953) from the University of Illinois at Champaign-Urbana.  Treder worked in a variety of firms throughout the United States before moving to Rock Hill, South Carolina in 1964 and establishing an architectural firm under her own name. ","From 1958-1960, Treder wrote on all aspects of housing design and construction including a large number of cover stories on residential design for  House \u0026 Home  where she was an associate editor.  \nShe moved to the Wall Street investment banking firm of Drexel Burnham Lambert, in 1972, where she developed an in-house facilities management office of 100+ professional and other staff responsible for the design, furnishing, construction supervision and maintenance of several hundred thousand square feet of office spaces for the firm in New York City, London, and throughout the Uninted States.  Treder retired from DBL in 1988, as Director of Facilities Management and as a corporate officer with the title of First Vice President.","Treder is an Emeritus member of AIA (The American Institute of Architects.)  She was instrumental in forming the Vancouver, WA chapeter of the AIA and served on the publications and women's committees of the New York chapter and the magazine committee of the South Carolina chapter. Treder was also involved in the Women's Equity Action League (WEAL) during the 1970s and held national and local offices.  ","She later moved to Tucson, Arizona."],"odd_html_tesm":["\u003cp\u003eThe guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Paula Treder Architectural Collection, Ms2005-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Paula Treder Architectural Collection, Ms2005-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of professional materials created by Paula Treder from 1953 to 2005. The projects include both original and renovation projects at Winthrop College in Rock Hill, South Carolina, an addition to the Fort Mill Public Library and the Rock Hill Fire Station and a few residences. The architectural drawings and a few blueprints of the consultant's drawings are available for all of the projects except the residential projects. The project documents contain her correspondence, contract papers, receipts, product catalogues and site photographs. There are a few newspaper articles related to her projects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of professional materials created by Paula Treder from 1953 to 2005. The projects include both original and renovation projects at Winthrop College in Rock Hill, South Carolina, an addition to the Fort Mill Public Library and the Rock Hill Fire Station and a few residences. The architectural drawings and a few blueprints of the consultant's drawings are available for all of the projects except the residential projects. The project documents contain her correspondence, contract papers, receipts, product catalogues and site photographs. There are a few newspaper articles related to her projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_db105cae01c86b3caf8ac1fe80df9fd7\" label=\"Abstract\"\u003ePaula Treder operated her own architectural firm in South Carolina. This collection contains selected professional papers from her projects, including drawings, photographs, and project documents related to Treder's professional and design activities.\u003c/abstract\u003e"],"abstract_tesim":["Paula Treder operated her own architectural firm in South Carolina. This collection contains selected professional papers from her projects, including drawings, photographs, and project documents related to Treder's professional and design activities."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Treder, Paula"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Treder, Paula"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:01:34.241Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2274","ead_ssi":"viblbv_repositories_2_resources_2274","_root_":"viblbv_repositories_2_resources_2274","_nest_parent_":"viblbv_repositories_2_resources_2274","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2274.xml","title_filing_ssi":"Treder, Paula, Architectural Collection","title_ssm":["Paula Treder Architectural Collection"],"title_tesim":["Paula Treder Architectural Collection"],"unitdate_ssm":["1953-2005"],"unitdate_inclusive_ssm":["1953-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2005.002"],"text":["Ms.2005.002","Paula Treder Architectural Collection","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Collection is open to research.","The collection is arranged into three series Personal Papers, Professional Papers, and Project Records. The documents are stored in boxes with the contents of each folder arranged chronologically. The architectural and consultant's shop drawings are organized by project in the oversize folders.","Paula Treder was born in Rockford, Illinois. She received a bachelor of science in architecture (1951) and a master of science in architecture (1953) from the University of Illinois at Champaign-Urbana.  Treder worked in a variety of firms throughout the United States before moving to Rock Hill, South Carolina in 1964 and establishing an architectural firm under her own name. ","From 1958-1960, Treder wrote on all aspects of housing design and construction including a large number of cover stories on residential design for  House \u0026 Home  where she was an associate editor.  \nShe moved to the Wall Street investment banking firm of Drexel Burnham Lambert, in 1972, where she developed an in-house facilities management office of 100+ professional and other staff responsible for the design, furnishing, construction supervision and maintenance of several hundred thousand square feet of office spaces for the firm in New York City, London, and throughout the Uninted States.  Treder retired from DBL in 1988, as Director of Facilities Management and as a corporate officer with the title of First Vice President.","Treder is an Emeritus member of AIA (The American Institute of Architects.)  She was instrumental in forming the Vancouver, WA chapeter of the AIA and served on the publications and women's committees of the New York chapter and the magazine committee of the South Carolina chapter. Treder was also involved in the Women's Equity Action League (WEAL) during the 1970s and held national and local offices.  ","She later moved to Tucson, Arizona.","The guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013.","This collection consists of professional materials created by Paula Treder from 1953 to 2005. 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Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Paula Treder operated her own architectural firm in South Carolina. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The creator donated the Paula Treder Architectural Collection to the International Archive of Woman in Architecture in 2002 and 2005."],"access_subjects_ssim":["Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["2 Cubic Feet 2 boxes; 4 oversize folders"],"extent_tesim":["2 Cubic Feet 2 boxes; 4 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into three series Personal Papers, Professional Papers, and Project Records. The documents are stored in boxes with the contents of each folder arranged chronologically. The architectural and consultant's shop drawings are organized by project in the oversize folders.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into three series Personal Papers, Professional Papers, and Project Records. The documents are stored in boxes with the contents of each folder arranged chronologically. The architectural and consultant's shop drawings are organized by project in the oversize folders."],"bioghist_html_tesm":["\u003cp\u003ePaula Treder was born in Rockford, Illinois. She received a bachelor of science in architecture (1951) and a master of science in architecture (1953) from the University of Illinois at Champaign-Urbana.  Treder worked in a variety of firms throughout the United States before moving to Rock Hill, South Carolina in 1964 and establishing an architectural firm under her own name. \u003c/p\u003e\n","\u003cp\u003eFrom 1958-1960, Treder wrote on all aspects of housing design and construction including a large number of cover stories on residential design for \u003ctitle render=\"italic\"\u003eHouse \u0026amp; Home\u003c/title\u003e where she was an associate editor.  \nShe moved to the Wall Street investment banking firm of Drexel Burnham Lambert, in 1972, where she developed an in-house facilities management office of 100+ professional and other staff responsible for the design, furnishing, construction supervision and maintenance of several hundred thousand square feet of office spaces for the firm in New York City, London, and throughout the Uninted States.  Treder retired from DBL in 1988, as Director of Facilities Management and as a corporate officer with the title of First Vice President.\u003c/p\u003e\n","\u003cp\u003eTreder is an Emeritus member of AIA (The American Institute of Architects.)  She was instrumental in forming the Vancouver, WA chapeter of the AIA and served on the publications and women's committees of the New York chapter and the magazine committee of the South Carolina chapter. Treder was also involved in the Women's Equity Action League (WEAL) during the 1970s and held national and local offices.  \u003c/p\u003e\n","\u003cp\u003eShe later moved to Tucson, Arizona.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Paula Treder was born in Rockford, Illinois. She received a bachelor of science in architecture (1951) and a master of science in architecture (1953) from the University of Illinois at Champaign-Urbana.  Treder worked in a variety of firms throughout the United States before moving to Rock Hill, South Carolina in 1964 and establishing an architectural firm under her own name. ","From 1958-1960, Treder wrote on all aspects of housing design and construction including a large number of cover stories on residential design for  House \u0026 Home  where she was an associate editor.  \nShe moved to the Wall Street investment banking firm of Drexel Burnham Lambert, in 1972, where she developed an in-house facilities management office of 100+ professional and other staff responsible for the design, furnishing, construction supervision and maintenance of several hundred thousand square feet of office spaces for the firm in New York City, London, and throughout the Uninted States.  Treder retired from DBL in 1988, as Director of Facilities Management and as a corporate officer with the title of First Vice President.","Treder is an Emeritus member of AIA (The American Institute of Architects.)  She was instrumental in forming the Vancouver, WA chapeter of the AIA and served on the publications and women's committees of the New York chapter and the magazine committee of the South Carolina chapter. Treder was also involved in the Women's Equity Action League (WEAL) during the 1970s and held national and local offices.  ","She later moved to Tucson, Arizona."],"odd_html_tesm":["\u003cp\u003eThe guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Paula Treder Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Paula Treder Architectural Collection, Ms2005-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Paula Treder Architectural Collection, Ms2005-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangment and description of the Paula Treder Architectural Collection took place during January and February 2005.  An accession was added to the collection in March 2013."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of professional materials created by Paula Treder from 1953 to 2005. The projects include both original and renovation projects at Winthrop College in Rock Hill, South Carolina, an addition to the Fort Mill Public Library and the Rock Hill Fire Station and a few residences. The architectural drawings and a few blueprints of the consultant's drawings are available for all of the projects except the residential projects. The project documents contain her correspondence, contract papers, receipts, product catalogues and site photographs. There are a few newspaper articles related to her projects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of professional materials created by Paula Treder from 1953 to 2005. The projects include both original and renovation projects at Winthrop College in Rock Hill, South Carolina, an addition to the Fort Mill Public Library and the Rock Hill Fire Station and a few residences. The architectural drawings and a few blueprints of the consultant's drawings are available for all of the projects except the residential projects. The project documents contain her correspondence, contract papers, receipts, product catalogues and site photographs. There are a few newspaper articles related to her projects."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_db105cae01c86b3caf8ac1fe80df9fd7\" label=\"Abstract\"\u003ePaula Treder operated her own architectural firm in South Carolina. This collection contains selected professional papers from her projects, including drawings, photographs, and project documents related to Treder's professional and design activities.\u003c/abstract\u003e"],"abstract_tesim":["Paula Treder operated her own architectural firm in South Carolina. This collection contains selected professional papers from her projects, including drawings, photographs, and project documents related to Treder's professional and design activities."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Treder, Paula"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Treder, Paula"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":31,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:01:34.241Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2274"}},{"id":"viblbv_repositories_2_resources_2921","type":"collection","attributes":{"title":"Pearl M. Brickman Architectural Collection,","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2921#creator","type":"document_value","attributes":{"value":"Brickman, Pearl M.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2921#abstract_or_scope","type":"document_value","attributes":{"value":"Pearl Brickman (1928- ). Collection includes three design projects she developed during her years (1977-1979) at Southern California Institute of Architecture (SCI Arc), and fifteen projects from her professional career (1982-2002), including project descriptions, drawings,and progress photographs.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2921#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2921","ead_ssi":"viblbv_repositories_2_resources_2921","_root_":"viblbv_repositories_2_resources_2921","_nest_parent_":"viblbv_repositories_2_resources_2921","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2921.xml","title_filing_ssi":"Brickman, Pearl M. Architectural Collection","title_ssm":["Pearl M. Brickman Architectural Collection,"],"title_tesim":["Pearl M. Brickman Architectural Collection,"],"unitdate_ssm":["1977-2002"],"unitdate_inclusive_ssm":["1977-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2013.081"],"text":["Ms.2013.081","Pearl M. Brickman Architectural Collection,","International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architects","Architectural drawings (visual works)","Architecture (discipline)","Collection is open for research.","Pearl M. Brickman was a double major in art and education in Brooklyn College. After graduation, she moved to Los Angeles, CA and worked as an elementary art teacher. At the age of 46, she decided to go back to school and get a Master in Architecture at Southern California Institute of Architecture (SCI-Arc). After working for a year in two different offices, she opened her own firm and worked as an architect for 25 years focusing primarily on residential remodels.","The processing, arrangement and description of the Pearl Brickman Architectural Collection commenced in September 2013 and was completed in September 2013.","The collection includes three design projects she developed during her years in SCI Arc, including her thesis. Also present are 15 projects from her professional career ranging from 1982 to 2002. Each project has a series of hand drawn plans, sections and detail drawings.  Some projects contain photographs.","Includes additions to Gottlieb House, 2228 Senecia, Los Angeles.  See also  Lois Davidson Gottlieb Architectural Collection, Ms1997-003 .","Permission to publish material from Pearl M. Brickman Architectural Collection must be obtained from Special Collections, Virginia Tech.","Pearl Brickman (1928- ). 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Brickman Architectural Collection was donated to the International Archive of Women in Architecture by the creator in 2012."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architects","Architectural drawings (visual works)","Architecture (discipline)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History","Women-owned architectural firms","Architects","Architectural drawings (visual works)","Architecture (discipline)"],"has_online_content_ssim":["false"],"extent_ssm":["6.2 Cubic Feet 1 Box containing 12 folders. 12 oversized folders with drawings."],"extent_tesim":["6.2 Cubic Feet 1 Box containing 12 folders. 12 oversized folders with drawings."],"genreform_ssim":["Architectural drawings (visual works)","Architecture (discipline)"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"bioghist_html_tesm":["\u003cp\u003ePearl M. Brickman was a double major in art and education in Brooklyn College. After graduation, she moved to Los Angeles, CA and worked as an elementary art teacher. At the age of 46, she decided to go back to school and get a Master in Architecture at Southern California Institute of Architecture (SCI-Arc). After working for a year in two different offices, she opened her own firm and worked as an architect for 25 years focusing primarily on residential remodels.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Pearl M. Brickman was a double major in art and education in Brooklyn College. After graduation, she moved to Los Angeles, CA and worked as an elementary art teacher. At the age of 46, she decided to go back to school and get a Master in Architecture at Southern California Institute of Architecture (SCI-Arc). After working for a year in two different offices, she opened her own firm and worked as an architect for 25 years focusing primarily on residential remodels."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Pearl M. Brickman Architectural Collection Ms. 2013-081, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Pearl M. Brickman Architectural Collection Ms. 2013-081, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Pearl Brickman Architectural Collection commenced in September 2013 and was completed in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Pearl Brickman Architectural Collection commenced in September 2013 and was completed in September 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes three design projects she developed during her years in SCI Arc, including her thesis. Also present are 15 projects from her professional career ranging from 1982 to 2002. Each project has a series of hand drawn plans, sections and detail drawings.  Some projects contain photographs.\u003c/p\u003e","\u003cp\u003eIncludes additions to Gottlieb House, 2228 Senecia, Los Angeles.  See also \u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00125.xml\"\u003eLois Davidson Gottlieb Architectural Collection, Ms1997-003\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note","Scope and Content"],"scopecontent_tesim":["The collection includes three design projects she developed during her years in SCI Arc, including her thesis. Also present are 15 projects from her professional career ranging from 1982 to 2002. Each project has a series of hand drawn plans, sections and detail drawings.  Some projects contain photographs.","Includes additions to Gottlieb House, 2228 Senecia, Los Angeles.  See also  Lois Davidson Gottlieb Architectural Collection, Ms1997-003 ."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Pearl M. Brickman Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Pearl M. Brickman Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2a46f2e12cc8509a2eacb4fb49649fc5\" label=\"Abstract\"\u003ePearl Brickman (1928- ). Collection includes three design projects she developed during her years (1977-1979) at Southern California Institute of Architecture (SCI Arc), and fifteen projects from her professional career (1982-2002), including project descriptions, drawings,and progress photographs.\u003c/abstract\u003e"],"abstract_tesim":["Pearl Brickman (1928- ). 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Brickman was a double major in art and education in Brooklyn College. After graduation, she moved to Los Angeles, CA and worked as an elementary art teacher. At the age of 46, she decided to go back to school and get a Master in Architecture at Southern California Institute of Architecture (SCI-Arc). After working for a year in two different offices, she opened her own firm and worked as an architect for 25 years focusing primarily on residential remodels.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Pearl M. Brickman was a double major in art and education in Brooklyn College. After graduation, she moved to Los Angeles, CA and worked as an elementary art teacher. At the age of 46, she decided to go back to school and get a Master in Architecture at Southern California Institute of Architecture (SCI-Arc). After working for a year in two different offices, she opened her own firm and worked as an architect for 25 years focusing primarily on residential remodels."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Pearl M. Brickman Architectural Collection Ms. 2013-081, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Pearl M. Brickman Architectural Collection Ms. 2013-081, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Pearl Brickman Architectural Collection commenced in September 2013 and was completed in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Pearl Brickman Architectural Collection commenced in September 2013 and was completed in September 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes three design projects she developed during her years in SCI Arc, including her thesis. Also present are 15 projects from her professional career ranging from 1982 to 2002. Each project has a series of hand drawn plans, sections and detail drawings.  Some projects contain photographs.\u003c/p\u003e","\u003cp\u003eIncludes additions to Gottlieb House, 2228 Senecia, Los Angeles.  See also \u003cextref actuate=\"onRequest\" href=\"http://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv00125.xml\"\u003eLois Davidson Gottlieb Architectural Collection, Ms1997-003\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note","Scope and Content"],"scopecontent_tesim":["The collection includes three design projects she developed during her years in SCI Arc, including her thesis. Also present are 15 projects from her professional career ranging from 1982 to 2002. Each project has a series of hand drawn plans, sections and detail drawings.  Some projects contain photographs.","Includes additions to Gottlieb House, 2228 Senecia, Los Angeles.  See also  Lois Davidson Gottlieb Architectural Collection, Ms1997-003 ."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Pearl M. Brickman Architectural Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from Pearl M. Brickman Architectural Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2a46f2e12cc8509a2eacb4fb49649fc5\" label=\"Abstract\"\u003ePearl Brickman (1928- ). Collection includes three design projects she developed during her years (1977-1979) at Southern California Institute of Architecture (SCI Arc), and fifteen projects from her professional career (1982-2002), including project descriptions, drawings,and progress photographs.\u003c/abstract\u003e"],"abstract_tesim":["Pearl Brickman (1928- ). Collection includes three design projects she developed during her years (1977-1979) at Southern California Institute of Architecture (SCI Arc), and fifteen projects from her professional career (1982-2002), including project descriptions, drawings,and progress photographs."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Brickman, Pearl M.","Gottlieb, Lois Davidson"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Gottlieb, Lois Davidson"],"persname_ssim":["Brickman, Pearl M.","Gottlieb, Lois Davidson"],"language_ssim":["English \n.    "],"total_component_count_is":27,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:08.647Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2921"}},{"id":"viblbv_repositories_2_resources_2173_c03","type":"Series","attributes":{"title":"Professional Papers (c. 1970-1983)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2173_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_2173_c03","ref_ssm":["viblbv_repositories_2_resources_2173_c03"],"id":"viblbv_repositories_2_resources_2173_c03","ead_ssi":"viblbv_repositories_2_resources_2173","_root_":"viblbv_repositories_2_resources_2173","_nest_parent_":"viblbv_repositories_2_resources_2173","parent_ssi":"viblbv_repositories_2_resources_2173","parent_ssim":["viblbv_repositories_2_resources_2173"],"parent_ids_ssim":["viblbv_repositories_2_resources_2173"],"parent_unittitles_ssm":["Joan Wood Architectural Collection"],"parent_unittitles_tesim":["Joan Wood Architectural Collection"],"text":["Joan Wood Architectural Collection","Professional Papers (c. 1970-1983)","Wood, Joan","Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)","Box 23","box 17","folder 4-9"],"title_filing_ssi":"Professional Papers (c. 1970-1983)","title_ssm":["Professional Papers (c. 1970-1983)"],"title_tesim":["Professional Papers (c. 1970-1983)"],"normalized_title_ssm":["Professional Papers (c. 1970-1983)"],"component_level_isim":[1],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Joan Wood Architectural Collection"],"creator_ssim":["Wood, Joan"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":137,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"names_ssim":["Wood, Joan"],"persname_ssim":["Wood, Joan"],"access_subjects_ssim":["Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","International Archive of Women in Architecture (IAWA)","Architectural drawings (visual works)"],"containers_ssim":["Box 23","box 17","folder 4-9"],"_nest_path_":"/components#2","timestamp":"2026-05-21T02:18:51.534Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2173","ead_ssi":"viblbv_repositories_2_resources_2173","_root_":"viblbv_repositories_2_resources_2173","_nest_parent_":"viblbv_repositories_2_resources_2173","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2173.xml","title_filing_ssi":"Joan Wood Architectural Collection","title_ssm":["Joan Wood Architectural Collection"],"title_tesim":["Joan Wood Architectural Collection"],"unitdate_ssm":["1953-2000"],"unitdate_inclusive_ssm":["1953-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.039"],"text":["Ms.2001.039","Joan Wood Architectural Collection","International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","History of Women in Architecture","Architectural drawings (visual works)","Collection is open for research.","The Joan Wood Architectural Collection is organized into two series: Biographical Information and Project Drawings. Project records are ordered alphabetically by client last name, with a few exceptions ordered by street number/address where no client name is given. Project photographs corresponding to a drawing file are stored separately with the other manuscript material.","The Joan Wood Architectural Accession is organized into the series: Personal Papers, Professional Papers, Office Records, and Project Records. The series are recorded chronologically with a project index. ","Pictures corresponding to L'espalier are stored with biographical files in seperate sleeve","Variant name: Klawans, Joan.","Joan Wood, née Klawans, received her Bachelor of Arts degree from the University of Chicago and a Bachelor of Architecture degree from M.I.T. in 1960. Following graduation, Wood established her own firm, Joan Wood Architects, in Boston in 1962. Most of the firm's work can be found in New England and is primarily residential, with some commercial and institutional work. Joan Wood Architects is now owned by her son and has since been renamed to \"Rose-Wood Architects.\" Wood's most notable work includes: Lodging House for the Working Homeless in Dorchester, the South End Community Health Center in Boston, and the \"Ice House\" in New Hampshire. Wood was a board member and vice-chair of the Commonwealth of Massachusetts Design Selection Board, an alternate on the Boston Zoning Board of Appeals, building committee member and design review committee member for numerous urban projects and institutions, and was featured in the AIA Women in Architecture traveling exhibit and Boston Society for Architecture's (BSA) Women in Architecture exhibits yearly from 1987.","Joan Wood and Henry Wood III, had a jointly owned architecture firm called 'Wood and Wood', which operated in the mid 1960s and 70s.","Joan Wood Associates was established in 1962","The Guide to the Joan Wood Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Joan Wood Architectural Collection began in July 2023 and was completed in October 2023.","See also: Box 16, folder 94, \"Many More: Women in Architecture, 1978-1988,\" Exhibit Files and Panels.  Finding aid  available online.","This collection contains personal papers and biographical materials, professional papers, office records, and project records. Personal papers include student work and thesis work. Professional papers include slides of Wood's exhibits and lectures for the AIA. Office records include color slides and portfolio sheets for Joan Wood Associates. Project records include project notes, photographic materials, paper records, and drawings organized by client name.","Folder includes a paper written by Wright and Wright and Joan Wood on a thermal design for the Coolidge-Beverly project no. 77102. Attached to the paper are an AIA 'Better Living' Form and Award from 1981","Some clients listed in this series do not have corresponding paper records, and some only have accompanying photogrpahic materials.","Box 22 and 23 are partially processed, and there are some photographic materials that exist for client projects which do not have corresponding paper records. Clients include the Malcom Residence, the Walsh Residence at Adams St., a Bent St. in East Cambridge MA, Children's Art Center U.S.E.S., the JWA offices, the Slavet Loft project, and one of the Doerfer projects, no. 77109.","Referred to as C-B and C-thermal in notes and document shorthand. See II. Professional Papers- Solar-Thermal Addition for more.","Carpenter-Warren is used to distinguish between Carpenter-Durham. Warren is the street name.","Consulted with 'Jane Bernstein Associates' on this project.","Also called Melrose Apartments","The Kuhn Residence is at the same address as the Doerfer Residence at 985 Memorial Dr, Unit 303.","Kept as one project unit rather than separating because 96102 and 96106 are stages 1 and 2 of the project.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains a mix of biographical information, project records, and architectural drawings. Records include drawings for 112 architectural projects from the architect Joan Wood and her Boston-based firm, Joan Wood Architects, along with some notes, correspondence, and project photographs. The later addition contains paper records, photographic materials, and design records for 73 named clients in the Boston area.","Special Collections and University Archives, Virginia Tech","Wood, Joan","The materials in the collection are in English."],"unitid_tesim":["Ms.2001.039"],"normalized_title_ssm":["Joan Wood Architectural Collection"],"collection_title_tesim":["Joan Wood Architectural Collection"],"collection_ssim":["Joan Wood Architectural Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Wood, Joan"],"creator_ssim":["Wood, Joan"],"creator_persname_ssim":["Wood, Joan"],"creators_ssim":["Wood, Joan"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Riosaria Piomelli donated one folder of biographical material in 2000. A large additional donation was made in 2011 by Joan Wood's estate."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","History of Women in Architecture","Architectural drawings (visual works)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women-owned architectural firms","Architectural drawing -- 20th century","Women -- History","History of Women in Architecture","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["7.92 Cubic Feet 1 half-document box and 15 telescoping boxes.","9.27 Cubic Feet 7 boxes and 6 oversized folders"],"extent_tesim":["7.92 Cubic Feet 1 half-document box and 15 telescoping boxes.","9.27 Cubic Feet 7 boxes and 6 oversized folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Joan Wood Architectural Collection is organized into two series: Biographical Information and Project Drawings. Project records are ordered alphabetically by client last name, with a few exceptions ordered by street number/address where no client name is given. Project photographs corresponding to a drawing file are stored separately with the other manuscript material.\u003c/p\u003e\n","\u003cp\u003eThe Joan Wood Architectural Accession is organized into the series: Personal Papers, Professional Papers, Office Records, and Project Records. The series are recorded chronologically with a project index. \u003c/p\u003e","\u003cp\u003ePictures corresponding to L'espalier are stored with biographical files in seperate sleeve\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The Joan Wood Architectural Collection is organized into two series: Biographical Information and Project Drawings. Project records are ordered alphabetically by client last name, with a few exceptions ordered by street number/address where no client name is given. Project photographs corresponding to a drawing file are stored separately with the other manuscript material.","The Joan Wood Architectural Accession is organized into the series: Personal Papers, Professional Papers, Office Records, and Project Records. The series are recorded chronologically with a project index. ","Pictures corresponding to L'espalier are stored with biographical files in seperate sleeve"],"bibliography_html_tesm":["\u003cp\u003eVariant name: Klawans, Joan.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Variant name: Klawans, Joan."],"bioghist_html_tesm":["\u003cp\u003eJoan Wood, née Klawans, received her Bachelor of Arts degree from the University of Chicago and a Bachelor of Architecture degree from M.I.T. in 1960. Following graduation, Wood established her own firm, Joan Wood Architects, in Boston in 1962. Most of the firm's work can be found in New England and is primarily residential, with some commercial and institutional work. Joan Wood Architects is now owned by her son and has since been renamed to \"Rose-Wood Architects.\" Wood's most notable work includes: Lodging House for the Working Homeless in Dorchester, the South End Community Health Center in Boston, and the \"Ice House\" in New Hampshire. Wood was a board member and vice-chair of the Commonwealth of Massachusetts Design Selection Board, an alternate on the Boston Zoning Board of Appeals, building committee member and design review committee member for numerous urban projects and institutions, and was featured in the AIA Women in Architecture traveling exhibit and Boston Society for Architecture's (BSA) Women in Architecture exhibits yearly from 1987.\u003c/p\u003e","\u003cp\u003eJoan Wood and Henry Wood III, had a jointly owned architecture firm called 'Wood and Wood', which operated in the mid 1960s and 70s.\u003c/p\u003e","\u003cp\u003eJoan Wood Associates was established in 1962\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Joan Wood, née Klawans, received her Bachelor of Arts degree from the University of Chicago and a Bachelor of Architecture degree from M.I.T. in 1960. Following graduation, Wood established her own firm, Joan Wood Architects, in Boston in 1962. Most of the firm's work can be found in New England and is primarily residential, with some commercial and institutional work. Joan Wood Architects is now owned by her son and has since been renamed to \"Rose-Wood Architects.\" Wood's most notable work includes: Lodging House for the Working Homeless in Dorchester, the South End Community Health Center in Boston, and the \"Ice House\" in New Hampshire. Wood was a board member and vice-chair of the Commonwealth of Massachusetts Design Selection Board, an alternate on the Boston Zoning Board of Appeals, building committee member and design review committee member for numerous urban projects and institutions, and was featured in the AIA Women in Architecture traveling exhibit and Boston Society for Architecture's (BSA) Women in Architecture exhibits yearly from 1987.","Joan Wood and Henry Wood III, had a jointly owned architecture firm called 'Wood and Wood', which operated in the mid 1960s and 70s.","Joan Wood Associates was established in 1962"],"odd_html_tesm":["\u003cp\u003eThe Guide to the Joan Wood Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The Guide to the Joan Wood Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Joan Wood Architectural Collection, Ms2001-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Joan Wood Architectural Collection, Ms2001-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Joan Wood Architectural Collection began in July 2023 and was completed in October 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Joan Wood Architectural Collection began in July 2023 and was completed in October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: Box 16, folder 94, \"Many More: Women in Architecture, 1978-1988,\" Exhibit Files and Panels. \u003cextref href=\"https://aspace.lib.vt.edu/repositories/2/resources/2124\" title=\"Finding aid\"\u003eFinding aid\u003c/extref\u003e available online.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["See also: Box 16, folder 94, \"Many More: Women in Architecture, 1978-1988,\" Exhibit Files and Panels.  Finding aid  available online."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains personal papers and biographical materials, professional papers, office records, and project records. Personal papers include student work and thesis work. Professional papers include slides of Wood's exhibits and lectures for the AIA. Office records include color slides and portfolio sheets for Joan Wood Associates. Project records include project notes, photographic materials, paper records, and drawings organized by client name.\u003c/p\u003e","\u003cp\u003eFolder includes a paper written by Wright and Wright and Joan Wood on a thermal design for the Coolidge-Beverly project no. 77102. Attached to the paper are an AIA 'Better Living' Form and Award from 1981\u003c/p\u003e","\u003cp\u003eSome clients listed in this series do not have corresponding paper records, and some only have accompanying photogrpahic materials.\u003c/p\u003e","\u003cp\u003eBox 22 and 23 are partially processed, and there are some photographic materials that exist for client projects which do not have corresponding paper records. Clients include the Malcom Residence, the Walsh Residence at Adams St., a Bent St. in East Cambridge MA, Children's Art Center U.S.E.S., the JWA offices, the Slavet Loft project, and one of the Doerfer projects, no. 77109.\u003c/p\u003e","\u003cp\u003eReferred to as C-B and C-thermal in notes and document shorthand. See II. Professional Papers- Solar-Thermal Addition for more.\u003c/p\u003e","\u003cp\u003eCarpenter-Warren is used to distinguish between Carpenter-Durham. Warren is the street name.\u003c/p\u003e","\u003cp\u003eConsulted with 'Jane Bernstein Associates' on this project.\u003c/p\u003e","\u003cp\u003eAlso called Melrose Apartments\u003c/p\u003e","\u003cp\u003eThe Kuhn Residence is at the same address as the Doerfer Residence at 985 Memorial Dr, Unit 303.\u003c/p\u003e","\u003cp\u003eKept as one project unit rather than separating because 96102 and 96106 are stages 1 and 2 of the project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains personal papers and biographical materials, professional papers, office records, and project records. Personal papers include student work and thesis work. Professional papers include slides of Wood's exhibits and lectures for the AIA. Office records include color slides and portfolio sheets for Joan Wood Associates. Project records include project notes, photographic materials, paper records, and drawings organized by client name.","Folder includes a paper written by Wright and Wright and Joan Wood on a thermal design for the Coolidge-Beverly project no. 77102. Attached to the paper are an AIA 'Better Living' Form and Award from 1981","Some clients listed in this series do not have corresponding paper records, and some only have accompanying photogrpahic materials.","Box 22 and 23 are partially processed, and there are some photographic materials that exist for client projects which do not have corresponding paper records. Clients include the Malcom Residence, the Walsh Residence at Adams St., a Bent St. in East Cambridge MA, Children's Art Center U.S.E.S., the JWA offices, the Slavet Loft project, and one of the Doerfer projects, no. 77109.","Referred to as C-B and C-thermal in notes and document shorthand. See II. Professional Papers- Solar-Thermal Addition for more.","Carpenter-Warren is used to distinguish between Carpenter-Durham. Warren is the street name.","Consulted with 'Jane Bernstein Associates' on this project.","Also called Melrose Apartments","The Kuhn Residence is at the same address as the Doerfer Residence at 985 Memorial Dr, Unit 303.","Kept as one project unit rather than separating because 96102 and 96106 are stages 1 and 2 of the project."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_71d26fa4571a2777c3259a1a894d1619\"\u003eThis collection contains a mix of biographical information, project records, and architectural drawings. Records include drawings for 112 architectural projects from the architect Joan Wood and her Boston-based firm, Joan Wood Architects, along with some notes, correspondence, and project photographs. The later addition contains paper records, photographic materials, and design records for 73 named clients in the Boston area.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains a mix of biographical information, project records, and architectural drawings. Records include drawings for 112 architectural projects from the architect Joan Wood and her Boston-based firm, Joan Wood Architects, along with some notes, correspondence, and project photographs. The later addition contains paper records, photographic materials, and design records for 73 named clients in the Boston area."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Wood, Joan"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Wood, Joan"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":279,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:51.534Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2173_c03"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":49},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architects\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Architects"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Glass Ceilings:  Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels","value":"\"Glass Ceilings:  Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Architects\u0026f%5Bcollection%5D%5B%5D=%22Glass+Ceilings%3A++Highlights+from+the+International+Archive+of+Women+in+Architecture+Center%2C%22+selected+exhibit+panels"}},{"attributes":{"label":"A. 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