{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Photographs\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Photographs\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=1","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Photographs\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=2"},"meta":{"pages":{"current_page":2,"next_page":null,"prev_page":1,"total_pages":2,"limit_value":10,"offset_value":10,"total_count":13,"first_page?":false,"last_page?":true}},"data":[{"id":"viu_repositories_3_resources_1641","type":"collection","attributes":{"title":"Mathew Brady Studio: Union Civil War Camp photograph of African Americans, 1864","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1641#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains an albumen photograph of a Union wagon camp in Virginia during the Civil War from the Washington D.C. studio of Mathew Brady. Brady was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War. He often photographed Black soldiers and laborers during the war, mostly in Union or contraband camps. The present image documents for posterity a number of Black soldiers and laborers working towards a Union victory in the Civil War, a watershed moment in the history for African American people.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1641#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1641","ead_ssi":"viu_repositories_3_resources_1641","_root_":"viu_repositories_3_resources_1641","_nest_parent_":"viu_repositories_3_resources_1641","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1641.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196324","title_filing_ssi":"Brady, Mathew Studio Union Civil War Camp photograph of African Americans","title_ssm":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans"],"title_tesim":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans"],"unitdate_ssm":["c.1864"],"unitdate_other_ssim":["c.1864"],"normalized_date_ssm":["1864"],"normalized_title_ssm":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans, 1864"],"text":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans, 1864","MSS 16833","Archival Resource Key","/repositories/3/resources/1641","United States -- History -- Civil War, 1861-1865 -- Participation, African American","African Americans -- Photographs","The collection is open for research use.","Mathew Brady (1822 or 1824-1896) was an American photographer  as who was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War.  He studied under inventor Samuel Morse, who pioneered the daguerreotype technique in America. Brady opened his own studio in New York City in 1844, and went on to photograph U.S. presidents John Quincy Adams, Abraham Lincoln, Andrew Jackson, Millard Fillmore and Martin Van Buren, among other public figures. Brady is credited with being the father of photojournalism.","When the Civil War began, Brady's use of a mobile studio and darkroom enabled thousands of vivid battlefield photographs to bring home the reality of war to the public. He also photographed generals and politicians on both sides of the conflict, though most of these were taken by his assistants rather than by Brady himself.","After the end of the Civil War, these pictures went out of fashion, and the government did not purchase the master copies as he had anticipated. Brady's fortunes declined sharply, and he died in debt.","There are several books in our collections relating to Mathew Brady photographs including Mathew Brady: Portraits of a Nation; Mathew Brady: A Historian with a Camera; Brady's Album Gallery; and Gardner's photographic sketchbook of the war.","This collection contains an albumen photograph of a Union wagon camp in Virginia during the Civil War from the Washington D.C. studio of Mathew Brady. Brady was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War. He often photographed Black soldiers and laborers during the war, mostly in Union or contraband camps. The present image documents for posterity a number of Black soldiers and laborers working towards a Union victory in the Civil War, a watershed moment in the history for African American people.","The photograph measures  5 X 8 inches and is affixed to a 6 X 9 inches studio mount.  It depicts numerous men standing amid three houses, tents, and a few wagons. One wagon has \"U.S. 12 07\" stenciled on its side. Among the soldiers and teamsters are five Black men.","Some of the men, dressed in simple work clothes, may have served as servants as \"contraband of war,\" while other Black men in military uniform were likely enlisted as soldiers in the regiments of Black troops.","A penciled note on the verso reads, \"Photograph of camp in Virginia where D.H. Plumb was located for a time in the Civil War.\" The most likely reference is to Reverend David Henry Plumb, a private in the 4th Massachusetts Cavalry, which served in Virginia in 1864-65. Reverend Plumb mustered into the 4th Massachusetts in January 1864 and served until July 1, 1865. A signature opposite the inscription reads \"Helen Thomas,\" who was potentially a descendant of Plumb's due to the familiar nature of the inscription.","Sources:\n\"Mathew Brady\" Wikepedia. Accessed 4/4/24\nhttps://en.wikipedia.org/wiki/Mathew_Brady","Dealer information.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans, 1864"],"collection_ssim":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans, 1864"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16833","Archival Resource Key","/repositories/3/resources/1641"],"unitid_tesim":["MSS 16833","Archival Resource Key","/repositories/3/resources/1641"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- History -- Civil War, 1861-1865 -- Participation, African American"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865 -- Participation, African American"],"places_ssim":["United States -- History -- Civil War, 1861-1865 -- Participation, African American"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was purchased from McBride Rare Books by the Small Special Collections Library at the University of Virginia Library on 20 October 2023."],"access_subjects_ssim":["African Americans -- Photographs"],"access_subjects_ssm":["African Americans -- Photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".03 Cubic Feet 1 folder (letter)"],"extent_tesim":[".03 Cubic Feet 1 folder (letter)"],"genreform_ssim":["African Americans -- Photographs"],"date_range_isim":[1864],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eMathew Brady (1822 or 1824-1896) was an American photographer  as who was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War.  He studied under inventor Samuel Morse, who pioneered the daguerreotype technique in America. Brady opened his own studio in New York City in 1844, and went on to photograph U.S. presidents John Quincy Adams, Abraham Lincoln, Andrew Jackson, Millard Fillmore and Martin Van Buren, among other public figures. Brady is credited with being the father of photojournalism. \u003c/p\u003e","\u003cp\u003eWhen the Civil War began, Brady's use of a mobile studio and darkroom enabled thousands of vivid battlefield photographs to bring home the reality of war to the public. He also photographed generals and politicians on both sides of the conflict, though most of these were taken by his assistants rather than by Brady himself.\u003c/p\u003e","\u003cp\u003eAfter the end of the Civil War, these pictures went out of fashion, and the government did not purchase the master copies as he had anticipated. Brady's fortunes declined sharply, and he died in debt. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mathew Brady (1822 or 1824-1896) was an American photographer  as who was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War.  He studied under inventor Samuel Morse, who pioneered the daguerreotype technique in America. Brady opened his own studio in New York City in 1844, and went on to photograph U.S. presidents John Quincy Adams, Abraham Lincoln, Andrew Jackson, Millard Fillmore and Martin Van Buren, among other public figures. Brady is credited with being the father of photojournalism.","When the Civil War began, Brady's use of a mobile studio and darkroom enabled thousands of vivid battlefield photographs to bring home the reality of war to the public. He also photographed generals and politicians on both sides of the conflict, though most of these were taken by his assistants rather than by Brady himself.","After the end of the Civil War, these pictures went out of fashion, and the government did not purchase the master copies as he had anticipated. Brady's fortunes declined sharply, and he died in debt."],"prefercite_html_tesm":["\u003cp\u003eMSS 16833, Mathew Brady Studio Union Civil War Camp photograph of African Americans, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16833, Mathew Brady Studio Union Civil War Camp photograph of African Americans, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThere are several books in our collections relating to Mathew Brady photographs including Mathew Brady: Portraits of a Nation; Mathew Brady: A Historian with a Camera; Brady's Album Gallery; and Gardner's photographic sketchbook of the war.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There are several books in our collections relating to Mathew Brady photographs including Mathew Brady: Portraits of a Nation; Mathew Brady: A Historian with a Camera; Brady's Album Gallery; and Gardner's photographic sketchbook of the war."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an albumen photograph of a Union wagon camp in Virginia during the Civil War from the Washington D.C. studio of Mathew Brady. Brady was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War. He often photographed Black soldiers and laborers during the war, mostly in Union or contraband camps. The present image documents for posterity a number of Black soldiers and laborers working towards a Union victory in the Civil War, a watershed moment in the history for African American people.\u003c/p\u003e","\u003cp\u003eThe photograph measures  5 X 8 inches and is affixed to a 6 X 9 inches studio mount.  It depicts numerous men standing amid three houses, tents, and a few wagons. One wagon has \"U.S. 12 07\" stenciled on its side. Among the soldiers and teamsters are five Black men. \u003c/p\u003e","\u003cp\u003eSome of the men, dressed in simple work clothes, may have served as servants as \"contraband of war,\" while other Black men in military uniform were likely enlisted as soldiers in the regiments of Black troops. \u003c/p\u003e","\u003cp\u003eA penciled note on the verso reads, \"Photograph of camp in Virginia where D.H. Plumb was located for a time in the Civil War.\" The most likely reference is to Reverend David Henry Plumb, a private in the 4th Massachusetts Cavalry, which served in Virginia in 1864-65. Reverend Plumb mustered into the 4th Massachusetts in January 1864 and served until July 1, 1865. A signature opposite the inscription reads \"Helen Thomas,\" who was potentially a descendant of Plumb's due to the familiar nature of the inscription.\u003c/p\u003e","\u003cp\u003eSources:\n\"Mathew Brady\" Wikepedia. Accessed 4/4/24\nhttps://en.wikipedia.org/wiki/Mathew_Brady\u003c/p\u003e","\u003cp\u003eDealer information.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an albumen photograph of a Union wagon camp in Virginia during the Civil War from the Washington D.C. studio of Mathew Brady. Brady was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War. He often photographed Black soldiers and laborers during the war, mostly in Union or contraband camps. The present image documents for posterity a number of Black soldiers and laborers working towards a Union victory in the Civil War, a watershed moment in the history for African American people.","The photograph measures  5 X 8 inches and is affixed to a 6 X 9 inches studio mount.  It depicts numerous men standing amid three houses, tents, and a few wagons. One wagon has \"U.S. 12 07\" stenciled on its side. Among the soldiers and teamsters are five Black men.","Some of the men, dressed in simple work clothes, may have served as servants as \"contraband of war,\" while other Black men in military uniform were likely enlisted as soldiers in the regiments of Black troops.","A penciled note on the verso reads, \"Photograph of camp in Virginia where D.H. Plumb was located for a time in the Civil War.\" The most likely reference is to Reverend David Henry Plumb, a private in the 4th Massachusetts Cavalry, which served in Virginia in 1864-65. Reverend Plumb mustered into the 4th Massachusetts in January 1864 and served until July 1, 1865. A signature opposite the inscription reads \"Helen Thomas,\" who was potentially a descendant of Plumb's due to the familiar nature of the inscription.","Sources:\n\"Mathew Brady\" Wikepedia. Accessed 4/4/24\nhttps://en.wikipedia.org/wiki/Mathew_Brady","Dealer information."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:38.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1641","ead_ssi":"viu_repositories_3_resources_1641","_root_":"viu_repositories_3_resources_1641","_nest_parent_":"viu_repositories_3_resources_1641","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1641.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196324","title_filing_ssi":"Brady, Mathew Studio Union Civil War Camp photograph of African Americans","title_ssm":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans"],"title_tesim":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans"],"unitdate_ssm":["c.1864"],"unitdate_other_ssim":["c.1864"],"normalized_date_ssm":["1864"],"normalized_title_ssm":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans, 1864"],"text":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans, 1864","MSS 16833","Archival Resource Key","/repositories/3/resources/1641","United States -- History -- Civil War, 1861-1865 -- Participation, African American","African Americans -- Photographs","The collection is open for research use.","Mathew Brady (1822 or 1824-1896) was an American photographer  as who was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War.  He studied under inventor Samuel Morse, who pioneered the daguerreotype technique in America. Brady opened his own studio in New York City in 1844, and went on to photograph U.S. presidents John Quincy Adams, Abraham Lincoln, Andrew Jackson, Millard Fillmore and Martin Van Buren, among other public figures. Brady is credited with being the father of photojournalism.","When the Civil War began, Brady's use of a mobile studio and darkroom enabled thousands of vivid battlefield photographs to bring home the reality of war to the public. He also photographed generals and politicians on both sides of the conflict, though most of these were taken by his assistants rather than by Brady himself.","After the end of the Civil War, these pictures went out of fashion, and the government did not purchase the master copies as he had anticipated. Brady's fortunes declined sharply, and he died in debt.","There are several books in our collections relating to Mathew Brady photographs including Mathew Brady: Portraits of a Nation; Mathew Brady: A Historian with a Camera; Brady's Album Gallery; and Gardner's photographic sketchbook of the war.","This collection contains an albumen photograph of a Union wagon camp in Virginia during the Civil War from the Washington D.C. studio of Mathew Brady. Brady was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War. He often photographed Black soldiers and laborers during the war, mostly in Union or contraband camps. The present image documents for posterity a number of Black soldiers and laborers working towards a Union victory in the Civil War, a watershed moment in the history for African American people.","The photograph measures  5 X 8 inches and is affixed to a 6 X 9 inches studio mount.  It depicts numerous men standing amid three houses, tents, and a few wagons. One wagon has \"U.S. 12 07\" stenciled on its side. Among the soldiers and teamsters are five Black men.","Some of the men, dressed in simple work clothes, may have served as servants as \"contraband of war,\" while other Black men in military uniform were likely enlisted as soldiers in the regiments of Black troops.","A penciled note on the verso reads, \"Photograph of camp in Virginia where D.H. Plumb was located for a time in the Civil War.\" The most likely reference is to Reverend David Henry Plumb, a private in the 4th Massachusetts Cavalry, which served in Virginia in 1864-65. Reverend Plumb mustered into the 4th Massachusetts in January 1864 and served until July 1, 1865. A signature opposite the inscription reads \"Helen Thomas,\" who was potentially a descendant of Plumb's due to the familiar nature of the inscription.","Sources:\n\"Mathew Brady\" Wikepedia. Accessed 4/4/24\nhttps://en.wikipedia.org/wiki/Mathew_Brady","Dealer information.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans, 1864"],"collection_ssim":["Mathew Brady Studio: Union Civil War Camp photograph of African Americans, 1864"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16833","Archival Resource Key","/repositories/3/resources/1641"],"unitid_tesim":["MSS 16833","Archival Resource Key","/repositories/3/resources/1641"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- History -- Civil War, 1861-1865 -- Participation, African American"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865 -- Participation, African American"],"places_ssim":["United States -- History -- Civil War, 1861-1865 -- Participation, African American"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was purchased from McBride Rare Books by the Small Special Collections Library at the University of Virginia Library on 20 October 2023."],"access_subjects_ssim":["African Americans -- Photographs"],"access_subjects_ssm":["African Americans -- Photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".03 Cubic Feet 1 folder (letter)"],"extent_tesim":[".03 Cubic Feet 1 folder (letter)"],"genreform_ssim":["African Americans -- Photographs"],"date_range_isim":[1864],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eMathew Brady (1822 or 1824-1896) was an American photographer  as who was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War.  He studied under inventor Samuel Morse, who pioneered the daguerreotype technique in America. Brady opened his own studio in New York City in 1844, and went on to photograph U.S. presidents John Quincy Adams, Abraham Lincoln, Andrew Jackson, Millard Fillmore and Martin Van Buren, among other public figures. Brady is credited with being the father of photojournalism. \u003c/p\u003e","\u003cp\u003eWhen the Civil War began, Brady's use of a mobile studio and darkroom enabled thousands of vivid battlefield photographs to bring home the reality of war to the public. He also photographed generals and politicians on both sides of the conflict, though most of these were taken by his assistants rather than by Brady himself.\u003c/p\u003e","\u003cp\u003eAfter the end of the Civil War, these pictures went out of fashion, and the government did not purchase the master copies as he had anticipated. Brady's fortunes declined sharply, and he died in debt. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mathew Brady (1822 or 1824-1896) was an American photographer  as who was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War.  He studied under inventor Samuel Morse, who pioneered the daguerreotype technique in America. Brady opened his own studio in New York City in 1844, and went on to photograph U.S. presidents John Quincy Adams, Abraham Lincoln, Andrew Jackson, Millard Fillmore and Martin Van Buren, among other public figures. Brady is credited with being the father of photojournalism.","When the Civil War began, Brady's use of a mobile studio and darkroom enabled thousands of vivid battlefield photographs to bring home the reality of war to the public. He also photographed generals and politicians on both sides of the conflict, though most of these were taken by his assistants rather than by Brady himself.","After the end of the Civil War, these pictures went out of fashion, and the government did not purchase the master copies as he had anticipated. Brady's fortunes declined sharply, and he died in debt."],"prefercite_html_tesm":["\u003cp\u003eMSS 16833, Mathew Brady Studio Union Civil War Camp photograph of African Americans, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16833, Mathew Brady Studio Union Civil War Camp photograph of African Americans, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThere are several books in our collections relating to Mathew Brady photographs including Mathew Brady: Portraits of a Nation; Mathew Brady: A Historian with a Camera; Brady's Album Gallery; and Gardner's photographic sketchbook of the war.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["There are several books in our collections relating to Mathew Brady photographs including Mathew Brady: Portraits of a Nation; Mathew Brady: A Historian with a Camera; Brady's Album Gallery; and Gardner's photographic sketchbook of the war."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an albumen photograph of a Union wagon camp in Virginia during the Civil War from the Washington D.C. studio of Mathew Brady. Brady was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War. He often photographed Black soldiers and laborers during the war, mostly in Union or contraband camps. The present image documents for posterity a number of Black soldiers and laborers working towards a Union victory in the Civil War, a watershed moment in the history for African American people.\u003c/p\u003e","\u003cp\u003eThe photograph measures  5 X 8 inches and is affixed to a 6 X 9 inches studio mount.  It depicts numerous men standing amid three houses, tents, and a few wagons. One wagon has \"U.S. 12 07\" stenciled on its side. Among the soldiers and teamsters are five Black men. \u003c/p\u003e","\u003cp\u003eSome of the men, dressed in simple work clothes, may have served as servants as \"contraband of war,\" while other Black men in military uniform were likely enlisted as soldiers in the regiments of Black troops. \u003c/p\u003e","\u003cp\u003eA penciled note on the verso reads, \"Photograph of camp in Virginia where D.H. Plumb was located for a time in the Civil War.\" The most likely reference is to Reverend David Henry Plumb, a private in the 4th Massachusetts Cavalry, which served in Virginia in 1864-65. Reverend Plumb mustered into the 4th Massachusetts in January 1864 and served until July 1, 1865. A signature opposite the inscription reads \"Helen Thomas,\" who was potentially a descendant of Plumb's due to the familiar nature of the inscription.\u003c/p\u003e","\u003cp\u003eSources:\n\"Mathew Brady\" Wikepedia. Accessed 4/4/24\nhttps://en.wikipedia.org/wiki/Mathew_Brady\u003c/p\u003e","\u003cp\u003eDealer information.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an albumen photograph of a Union wagon camp in Virginia during the Civil War from the Washington D.C. studio of Mathew Brady. Brady was one of the earliest and most famous photographers in American history. He is best known for his scenes of the Civil War. He often photographed Black soldiers and laborers during the war, mostly in Union or contraband camps. The present image documents for posterity a number of Black soldiers and laborers working towards a Union victory in the Civil War, a watershed moment in the history for African American people.","The photograph measures  5 X 8 inches and is affixed to a 6 X 9 inches studio mount.  It depicts numerous men standing amid three houses, tents, and a few wagons. One wagon has \"U.S. 12 07\" stenciled on its side. Among the soldiers and teamsters are five Black men.","Some of the men, dressed in simple work clothes, may have served as servants as \"contraband of war,\" while other Black men in military uniform were likely enlisted as soldiers in the regiments of Black troops.","A penciled note on the verso reads, \"Photograph of camp in Virginia where D.H. Plumb was located for a time in the Civil War.\" The most likely reference is to Reverend David Henry Plumb, a private in the 4th Massachusetts Cavalry, which served in Virginia in 1864-65. Reverend Plumb mustered into the 4th Massachusetts in January 1864 and served until July 1, 1865. A signature opposite the inscription reads \"Helen Thomas,\" who was potentially a descendant of Plumb's due to the familiar nature of the inscription.","Sources:\n\"Mathew Brady\" Wikepedia. Accessed 4/4/24\nhttps://en.wikipedia.org/wiki/Mathew_Brady","Dealer information."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:38.700Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1641"}},{"id":"viu_repositories_3_resources_970","type":"collection","attributes":{"title":"Thomas H. Brown Funeral Home ledger and photograph, 1935/1941","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_970#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains the manuscript ledger book, \"Record of Deaths\" kept by Thomas H. Brown's Funeral Home, 301 Gill Street, Petersburg, Virginia. This book detailed the funerals of approximately 500 African Americans during the last years of the Great Depression. The volume opens with a twenty-four page alphabetical index, listing the names of the deceased persons with the number of the page for further information about their funerals. Entries for each funeral appear in chronological order.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_970#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_970","ead_ssi":"viu_repositories_3_resources_970","_root_":"viu_repositories_3_resources_970","_nest_parent_":"viu_repositories_3_resources_970","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_970.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/145317","title_filing_ssi":"Thomas Brown Funeral Home ledger and photograph","title_ssm":["Thomas H. Brown Funeral Home ledger and photograph"],"title_tesim":["Thomas H. Brown Funeral Home ledger and photograph"],"unitdate_ssm":["1935-1941"],"unitdate_inclusive_ssm":["1935-1941"],"normalized_date_ssm":["1935/1941"],"normalized_title_ssm":["Thomas H. Brown Funeral Home ledger and photograph, 1935/1941"],"text":["Thomas H. Brown Funeral Home ledger and photograph, 1935/1941","MSS.16474","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/970","Petersburg (Va.)","Funeral homes","African American families","African American business enterprises","Genealogy","African Americans -- Virginia","African Americans--History--1877-1964","African Americans -- Photographs","This collection open for research.","Thomas Henry Brown (1864-1952) was a longtime funeral director and civic leader among the African Americans of Petersburg and Hopewell Virginia. Petersburg was a city with a well-established free black community dating back to the late 18th century. Brown lived and worked during Jim Crow segregation which extended to the funeral industry.","In 1893, he organized the People's Memorial Cemetery Association to save Petersburg's African American cemetery from deteriorating conditions and a possible foreclosure. Brown opened a funeral home in Hopewell about 1916 and remained involved with the locality during its World War I boom years. He was a civic leader in Petersburg and across the state for the rest of his life, continuing his involvement with the cemetery. Brown died of pneumonia in McGuire Veterans Hospital in Richmond on February 8, 1952, and was buried at People's Memorial Cemetery in Petersburg.","This collection contains the manuscript ledger book, \"Record of Deaths\" kept by Thomas H. Brown's Funeral Home, 301 Gill Street, Petersburg, Virginia. This book detailed the funerals of approximately 500 African Americans during the last years of the Great Depression.  The volume opens with a twenty-four page alphabetical index, listing the names of the deceased persons with the number of the page for further information about their funerals. Entries for each funeral appear in chronological order.","In addition to the names of the deceased, most entries also record the dates, persons paying for the funerals and their addresses, services commissioned, the vehicles needed, and the fees for all aspects of the funeral services.  Some entries are more detailed, adding the birth and death dates and places of residence of the deceased, names of parents, final resting places, and other details. The volume is rich in genealogical information for the Petersburg, Virginia, area.","Also included is one black and white photograph, undated, 5 x 7 inches, depicting pallbearers bringing a casket out of Brown's Funeral Home. The casket is covered with an American flag, accompanied by an officer, and the pallbearers appear to be soldiers, so the deceased is probably either a serviceman or a veteran.","This collection has no use restrictions.","Albert and Shirley Small Special Collections Library","Thomas Henry Brown","English"],"collection_title_tesim":["Thomas H. Brown Funeral Home ledger and photograph, 1935/1941"],"collection_ssim":["Thomas H. Brown Funeral Home ledger and photograph, 1935/1941"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.16474","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/970"],"unitid_tesim":["MSS.16474","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/970"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Petersburg (Va.)","Funeral homes"],"geogname_ssim":["Petersburg (Va.)","Funeral homes"],"places_ssim":["Petersburg (Va.)","Funeral homes"],"creator_persname_ssim":["Thomas Henry Brown"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Thomas Henry Brown","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["This collection has no use restrictions."],"acqinfo_ssim":["The Thomas H. Brown Funeral Home ledger and photograph were purchased from the William Reese Company by the Special Collections Library on December 11, 2020."],"access_subjects_ssim":["African American families","African American business enterprises","Genealogy","African Americans -- Virginia","African Americans--History--1877-1964","African Americans -- Photographs"],"access_subjects_ssm":["African American families","African American business enterprises","Genealogy","African Americans -- Virginia","African Americans--History--1877-1964","African Americans -- Photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Cubic Feet 1 half legal document box."],"extent_tesim":[".25 Cubic Feet 1 half legal document box."],"genreform_ssim":["African Americans -- Photographs"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941],"accessrestrict_html_tesm":["\u003cp\u003eThis collection open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection open for research."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eThomas Henry Brown \u003c/persname\u003e(1864-1952) was a longtime funeral director and civic leader among the African Americans of \u003cgeogname\u003ePetersburg\u003c/geogname\u003e and \u003cgeogname\u003eHopewell\u003c/geogname\u003e \u003cgeogname\u003eVirginia\u003c/geogname\u003e. Petersburg was a city with a well-established free black community dating back to the late 18th century. Brown lived and worked during Jim Crow segregation which extended to the funeral industry. \u003c/p\u003e","\u003cp\u003eIn 1893, he organized the People's Memorial Cemetery Association to save Petersburg's African American cemetery from deteriorating conditions and a possible foreclosure. Brown opened a funeral home in Hopewell about 1916 and remained involved with the locality during its World War I boom years. He was a civic leader in Petersburg and across the state for the rest of his life, continuing his involvement with the cemetery. Brown died of pneumonia in McGuire Veterans Hospital in Richmond on February 8, 1952, and was buried at People's Memorial Cemetery in Petersburg.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas Henry Brown (1864-1952) was a longtime funeral director and civic leader among the African Americans of Petersburg and Hopewell Virginia. Petersburg was a city with a well-established free black community dating back to the late 18th century. Brown lived and worked during Jim Crow segregation which extended to the funeral industry.","In 1893, he organized the People's Memorial Cemetery Association to save Petersburg's African American cemetery from deteriorating conditions and a possible foreclosure. Brown opened a funeral home in Hopewell about 1916 and remained involved with the locality during its World War I boom years. He was a civic leader in Petersburg and across the state for the rest of his life, continuing his involvement with the cemetery. Brown died of pneumonia in McGuire Veterans Hospital in Richmond on February 8, 1952, and was buried at People's Memorial Cemetery in Petersburg."],"prefercite_html_tesm":["\u003cp\u003eThomas H. Brown Funeral Home ledger and photograph, MSS 16474, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Thomas H. Brown Funeral Home ledger and photograph, MSS 16474, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the manuscript ledger book, \"Record of Deaths\" kept by Thomas H. Brown's Funeral Home, 301 Gill Street, Petersburg, Virginia. This book detailed the funerals of approximately 500 African Americans during the last years of the Great Depression.  The volume opens with a twenty-four page alphabetical index, listing the names of the deceased persons with the number of the page for further information about their funerals. Entries for each funeral appear in chronological order.\u003c/p\u003e","\u003cp\u003eIn addition to the names of the deceased, most entries also record the dates, persons paying for the funerals and their addresses, services commissioned, the vehicles needed, and the fees for all aspects of the funeral services.  Some entries are more detailed, adding the birth and death dates and places of residence of the deceased, names of parents, final resting places, and other details. The volume is rich in genealogical information for the Petersburg, Virginia, area.\u003c/p\u003e","\u003cp\u003eAlso included is one black and white photograph, undated, 5 x 7 inches, depicting pallbearers bringing a casket out of Brown's Funeral Home. The casket is covered with an American flag, accompanied by an officer, and the pallbearers appear to be soldiers, so the deceased is probably either a serviceman or a veteran.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the manuscript ledger book, \"Record of Deaths\" kept by Thomas H. Brown's Funeral Home, 301 Gill Street, Petersburg, Virginia. This book detailed the funerals of approximately 500 African Americans during the last years of the Great Depression.  The volume opens with a twenty-four page alphabetical index, listing the names of the deceased persons with the number of the page for further information about their funerals. Entries for each funeral appear in chronological order.","In addition to the names of the deceased, most entries also record the dates, persons paying for the funerals and their addresses, services commissioned, the vehicles needed, and the fees for all aspects of the funeral services.  Some entries are more detailed, adding the birth and death dates and places of residence of the deceased, names of parents, final resting places, and other details. The volume is rich in genealogical information for the Petersburg, Virginia, area.","Also included is one black and white photograph, undated, 5 x 7 inches, depicting pallbearers bringing a casket out of Brown's Funeral Home. The casket is covered with an American flag, accompanied by an officer, and the pallbearers appear to be soldiers, so the deceased is probably either a serviceman or a veteran."],"userestrict_html_tesm":["\u003cp\u003eThis collection has no use restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection has no use restrictions."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Thomas Henry Brown"],"names_ssim":["Albert and Shirley Small Special Collections Library","Thomas Henry Brown"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:27.406Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_970","ead_ssi":"viu_repositories_3_resources_970","_root_":"viu_repositories_3_resources_970","_nest_parent_":"viu_repositories_3_resources_970","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_970.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/145317","title_filing_ssi":"Thomas Brown Funeral Home ledger and photograph","title_ssm":["Thomas H. Brown Funeral Home ledger and photograph"],"title_tesim":["Thomas H. Brown Funeral Home ledger and photograph"],"unitdate_ssm":["1935-1941"],"unitdate_inclusive_ssm":["1935-1941"],"normalized_date_ssm":["1935/1941"],"normalized_title_ssm":["Thomas H. Brown Funeral Home ledger and photograph, 1935/1941"],"text":["Thomas H. Brown Funeral Home ledger and photograph, 1935/1941","MSS.16474","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/970","Petersburg (Va.)","Funeral homes","African American families","African American business enterprises","Genealogy","African Americans -- Virginia","African Americans--History--1877-1964","African Americans -- Photographs","This collection open for research.","Thomas Henry Brown (1864-1952) was a longtime funeral director and civic leader among the African Americans of Petersburg and Hopewell Virginia. Petersburg was a city with a well-established free black community dating back to the late 18th century. Brown lived and worked during Jim Crow segregation which extended to the funeral industry.","In 1893, he organized the People's Memorial Cemetery Association to save Petersburg's African American cemetery from deteriorating conditions and a possible foreclosure. Brown opened a funeral home in Hopewell about 1916 and remained involved with the locality during its World War I boom years. He was a civic leader in Petersburg and across the state for the rest of his life, continuing his involvement with the cemetery. Brown died of pneumonia in McGuire Veterans Hospital in Richmond on February 8, 1952, and was buried at People's Memorial Cemetery in Petersburg.","This collection contains the manuscript ledger book, \"Record of Deaths\" kept by Thomas H. Brown's Funeral Home, 301 Gill Street, Petersburg, Virginia. This book detailed the funerals of approximately 500 African Americans during the last years of the Great Depression.  The volume opens with a twenty-four page alphabetical index, listing the names of the deceased persons with the number of the page for further information about their funerals. Entries for each funeral appear in chronological order.","In addition to the names of the deceased, most entries also record the dates, persons paying for the funerals and their addresses, services commissioned, the vehicles needed, and the fees for all aspects of the funeral services.  Some entries are more detailed, adding the birth and death dates and places of residence of the deceased, names of parents, final resting places, and other details. The volume is rich in genealogical information for the Petersburg, Virginia, area.","Also included is one black and white photograph, undated, 5 x 7 inches, depicting pallbearers bringing a casket out of Brown's Funeral Home. The casket is covered with an American flag, accompanied by an officer, and the pallbearers appear to be soldiers, so the deceased is probably either a serviceman or a veteran.","This collection has no use restrictions.","Albert and Shirley Small Special Collections Library","Thomas Henry Brown","English"],"collection_title_tesim":["Thomas H. Brown Funeral Home ledger and photograph, 1935/1941"],"collection_ssim":["Thomas H. Brown Funeral Home ledger and photograph, 1935/1941"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.16474","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/970"],"unitid_tesim":["MSS.16474","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/970"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Petersburg (Va.)","Funeral homes"],"geogname_ssim":["Petersburg (Va.)","Funeral homes"],"places_ssim":["Petersburg (Va.)","Funeral homes"],"creator_persname_ssim":["Thomas Henry Brown"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Thomas Henry Brown","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["This collection has no use restrictions."],"acqinfo_ssim":["The Thomas H. Brown Funeral Home ledger and photograph were purchased from the William Reese Company by the Special Collections Library on December 11, 2020."],"access_subjects_ssim":["African American families","African American business enterprises","Genealogy","African Americans -- Virginia","African Americans--History--1877-1964","African Americans -- Photographs"],"access_subjects_ssm":["African American families","African American business enterprises","Genealogy","African Americans -- Virginia","African Americans--History--1877-1964","African Americans -- Photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Cubic Feet 1 half legal document box."],"extent_tesim":[".25 Cubic Feet 1 half legal document box."],"genreform_ssim":["African Americans -- Photographs"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941],"accessrestrict_html_tesm":["\u003cp\u003eThis collection open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection open for research."],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eThomas Henry Brown \u003c/persname\u003e(1864-1952) was a longtime funeral director and civic leader among the African Americans of \u003cgeogname\u003ePetersburg\u003c/geogname\u003e and \u003cgeogname\u003eHopewell\u003c/geogname\u003e \u003cgeogname\u003eVirginia\u003c/geogname\u003e. Petersburg was a city with a well-established free black community dating back to the late 18th century. Brown lived and worked during Jim Crow segregation which extended to the funeral industry. \u003c/p\u003e","\u003cp\u003eIn 1893, he organized the People's Memorial Cemetery Association to save Petersburg's African American cemetery from deteriorating conditions and a possible foreclosure. Brown opened a funeral home in Hopewell about 1916 and remained involved with the locality during its World War I boom years. He was a civic leader in Petersburg and across the state for the rest of his life, continuing his involvement with the cemetery. Brown died of pneumonia in McGuire Veterans Hospital in Richmond on February 8, 1952, and was buried at People's Memorial Cemetery in Petersburg.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas Henry Brown (1864-1952) was a longtime funeral director and civic leader among the African Americans of Petersburg and Hopewell Virginia. Petersburg was a city with a well-established free black community dating back to the late 18th century. Brown lived and worked during Jim Crow segregation which extended to the funeral industry.","In 1893, he organized the People's Memorial Cemetery Association to save Petersburg's African American cemetery from deteriorating conditions and a possible foreclosure. Brown opened a funeral home in Hopewell about 1916 and remained involved with the locality during its World War I boom years. He was a civic leader in Petersburg and across the state for the rest of his life, continuing his involvement with the cemetery. Brown died of pneumonia in McGuire Veterans Hospital in Richmond on February 8, 1952, and was buried at People's Memorial Cemetery in Petersburg."],"prefercite_html_tesm":["\u003cp\u003eThomas H. Brown Funeral Home ledger and photograph, MSS 16474, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Thomas H. Brown Funeral Home ledger and photograph, MSS 16474, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the manuscript ledger book, \"Record of Deaths\" kept by Thomas H. Brown's Funeral Home, 301 Gill Street, Petersburg, Virginia. This book detailed the funerals of approximately 500 African Americans during the last years of the Great Depression.  The volume opens with a twenty-four page alphabetical index, listing the names of the deceased persons with the number of the page for further information about their funerals. Entries for each funeral appear in chronological order.\u003c/p\u003e","\u003cp\u003eIn addition to the names of the deceased, most entries also record the dates, persons paying for the funerals and their addresses, services commissioned, the vehicles needed, and the fees for all aspects of the funeral services.  Some entries are more detailed, adding the birth and death dates and places of residence of the deceased, names of parents, final resting places, and other details. The volume is rich in genealogical information for the Petersburg, Virginia, area.\u003c/p\u003e","\u003cp\u003eAlso included is one black and white photograph, undated, 5 x 7 inches, depicting pallbearers bringing a casket out of Brown's Funeral Home. The casket is covered with an American flag, accompanied by an officer, and the pallbearers appear to be soldiers, so the deceased is probably either a serviceman or a veteran.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains the manuscript ledger book, \"Record of Deaths\" kept by Thomas H. Brown's Funeral Home, 301 Gill Street, Petersburg, Virginia. This book detailed the funerals of approximately 500 African Americans during the last years of the Great Depression.  The volume opens with a twenty-four page alphabetical index, listing the names of the deceased persons with the number of the page for further information about their funerals. Entries for each funeral appear in chronological order.","In addition to the names of the deceased, most entries also record the dates, persons paying for the funerals and their addresses, services commissioned, the vehicles needed, and the fees for all aspects of the funeral services.  Some entries are more detailed, adding the birth and death dates and places of residence of the deceased, names of parents, final resting places, and other details. The volume is rich in genealogical information for the Petersburg, Virginia, area.","Also included is one black and white photograph, undated, 5 x 7 inches, depicting pallbearers bringing a casket out of Brown's Funeral Home. The casket is covered with an American flag, accompanied by an officer, and the pallbearers appear to be soldiers, so the deceased is probably either a serviceman or a veteran."],"userestrict_html_tesm":["\u003cp\u003eThis collection has no use restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection has no use restrictions."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Thomas Henry Brown"],"names_ssim":["Albert and Shirley Small Special Collections Library","Thomas Henry Brown"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:54:27.406Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_970"}},{"id":"viu_repositories_3_resources_1822","type":"collection","attributes":{"title":"Tinsley, Edwards, and Rich family papers, 1819/1820, bulk 1870/1988","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1822#creator","type":"document_value","attributes":{"value":"Primary Sources, Uncharted Americana  (Ann Arbor, MI)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1822#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e The collection MSS 16920 contains the Tinsley, Edwards, Rich family history (1795; 1820-1978) written by William George Rich III (1905-1988) about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren Broady Tinsley, (an indigenous woman) and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of an indigenous woman Malinda Edwards)and their eight grandchildren (William George Rich III and his 7 cousins) who lived on their own land in Amherst, Virginia. The collection is remarkable in the amount of detail that is provided about a prosperous African American family living during Jim Crow laws. Charles Robert Tinsley was the owner of a livery stable and built a house for his children, grandchildren and his parents, Nelson and Lauren Tinsley.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1822#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1822","ead_ssi":"viu_repositories_3_resources_1822","_root_":"viu_repositories_3_resources_1822","_nest_parent_":"viu_repositories_3_resources_1822","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1822.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/229825","title_filing_ssi":"Tinsley, Edwards, and Rich family papers","title_ssm":["Tinsley, Edwards, and Rich family papers"],"title_tesim":["Tinsley, Edwards, and Rich family papers"],"unitdate_ssm":["1870-1988","1819-1820"],"unitdate_inclusive_ssm":["1819-1820"],"unitdate_bulk_ssim":["1870-1988"],"normalized_date_ssm":["1819/1820, bulk 1870/1988"],"normalized_title_ssm":["Tinsley, Edwards, and Rich family papers, 1819/1820, bulk 1870/1988"],"text":["Tinsley, Edwards, and Rich family papers, 1819/1820, bulk 1870/1988","MSS 16920","Archival Resource Key","/repositories/3/resources/1822","African American families","African Americans -- Virginia","Deafness","African Americans -- Photographs","genealogies (histories)","This collection is open for research.","The collection (MSS 16920) contains the Tinsley, Edwards, and Rich family history (1820-1978) of Amherst, Virginia written and compiled by William George Rich III (1905-1988)and his family about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren (Broady) Tinsley –  and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of Malinda Edwards, an indigenous woman) and their eight grandchildren (William George Rich III and his cousins.) The eight grandchildren, called the cousins of Amherst, (many of them earning college and post college degrees) were  - Vernon Allan Rich (1902-1985), William George Rich III (1904-1988), Celestine Rich Arnold (1915-?)- born to Bessie Tinsley 1877-1951  and William George Rich II who was Deaf;  Alma Brown (1902-1926), Charles \"Son\" Brown (1904-1959), Hausie Brown (1910-1934) who were the children of Lillie Tinsley (1879-1922) and Charles Brown; Constance Thomas Parker (1917-1981) was the daughter of Hariette \"Hattie\" Tinsley (1881-1949) and Richard Gates Thomas; and Dorothy Massie Christian (1904-1966) was the daughter of Signora Tinsley (1885-1940) and Hugh Massie (1883-1980).","The collection MSS 16920 contains the Tinsley, Edwards, Rich family history (1795; 1820-1978) written by William George Rich III (1905-1988) about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren Broady Tinsley, (an indigenous woman) and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of an indigenous woman Malinda Edwards)and their eight grandchildren (William George Rich III and his 7 cousins) who lived on their own land in Amherst, Virginia. The collection is remarkable in the amount of detail that is provided about a prosperous African American family living during Jim Crow laws. Charles Robert Tinsley was the owner of a livery stable and built a house for his children, grandchildren and his parents, Nelson and Lauren Tinsley.","Betty Edwards Tinsley (wife of Charles Robert Tinsley) inherited land from her parents, Washington Edwards and Malinda Edwards (an indigenous woman.) Her father was a minister and may have been white or mixed race. Charles Robert Tinsley sold part of that land and built a farm and successful livery business in Amherst, near Lynchburg, where several generations of the family lived a comfortable life on 64 Depot Road.","There are typed family histories in homemade scrapbooks documenting multiple generations of the Tinsley-Rich-Edwards family, self- described as a prosperous and \"happy\" African American family and with deep roots in Virginia and highly respected by other African American and white families.","The collection contains a photocopy of an 1819 Notice of Sale of six enslaved men of which one man (William Tinsley) was freed and saved his own for sale notice. Jacob and Isaac Tinsley, son and heirs of the white William Tinsley, created the for-sale notice \"Six Lively Young Negroes\". The white heirs made enough money from the sale to free the seventh person, who decided to call himself William Tinsley. The name of William Tinsley's wife is unknown. They had a son named Nelson Tinsley, born in 1823 who married Lauren Broady in 1850.","The Tinsley, Edwards, Rich family collection is a rich resource which details their family life and describes family members and their close relationships. It contains family photographs with compelling clarity from the 1890s to the 1950s, that bring this family to life.","There are documents including news clippings, ephemera, genealogical charts, certificates, military separation papers, a manuscript plan map of the Tinsley \"Homestead\" and its plot in Amherst, a genealogical essay on family history, including personal recollections, noting that Rich II was born deaf and was sent for schooling at the Kendall School (Gadaulet College) in Washington DC.","There are two homemade scrapbooks and two albums with nearly 400 mounted photographs of various sizes and formats, as well as nearly 200 loose photographs in and out of albums.There are carte-de-visites, cabinet card photographs, negatives, and photo postcards.","One includes Bessie Tinsley Rich's album, which contains 117 mounted and approximately 50 loose photographs, all dating from about 1870-1950, and with ink text annotations written directly on pages.","One includes Celestine Rich's album containing 173 mounted photographs, approximately 35 loose, mostly from the 1930s.","Albert and Shirley Small Special Collections Library","Primary Sources, Uncharted Americana  (Ann Arbor, MI)","Rich, William George, Jr., 1905-1988","English"],"collection_title_tesim":["Tinsley, Edwards, and Rich family papers, 1819/1820, bulk 1870/1988"],"collection_ssim":["Tinsley, Edwards, and Rich family papers, 1819/1820, bulk 1870/1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16920","Archival Resource Key","/repositories/3/resources/1822"],"unitid_tesim":["MSS 16920","Archival Resource Key","/repositories/3/resources/1822"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Primary Sources, Uncharted Americana  (Ann Arbor, MI)","Rich, William George, Jr., 1905-1988"],"creator_ssim":["Primary Sources, Uncharted Americana  (Ann Arbor, MI)","Rich, William George, Jr., 1905-1988"],"creator_persname_ssim":["Rich, William George, Jr., 1905-1988"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Primary Sources, Uncharted Americana  (Ann Arbor, MI)"],"creators_ssim":["Rich, William George, Jr., 1905-1988","Albert and Shirley Small Special Collections Library","Primary Sources, Uncharted Americana  (Ann Arbor, MI)"],"acqinfo_ssim":["This collection was a purchase by the Small Special Collections Library at the University of Virginia Library on 18 July 2025."],"access_subjects_ssim":["African American families","African Americans -- Virginia","Deafness","African Americans -- Photographs","genealogies (histories)"],"access_subjects_ssm":["African American families","African Americans -- Virginia","Deafness","African Americans -- Photographs","genealogies (histories)"],"has_online_content_ssim":["false"],"extent_ssm":[".9 Cubic Feet 1 document box (letter) and 1 medium flat box"],"extent_tesim":[".9 Cubic Feet 1 document box (letter) and 1 medium flat box"],"genreform_ssim":["African Americans -- Photographs","genealogies (histories)"],"date_range_isim":[1819,1820,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe collection (MSS 16920) contains the Tinsley, Edwards, and Rich family history (1820-1978) of Amherst, Virginia written and compiled by William George Rich III (1905-1988)and his family about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren (Broady) Tinsley –  and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of Malinda Edwards, an indigenous woman) and their eight grandchildren (William George Rich III and his cousins.) The eight grandchildren, called the cousins of Amherst, (many of them earning college and post college degrees) were  - Vernon Allan Rich (1902-1985), William George Rich III (1904-1988), Celestine Rich Arnold (1915-?)- born to Bessie Tinsley 1877-1951  and William George Rich II who was Deaf;  Alma Brown (1902-1926), Charles \"Son\" Brown (1904-1959), Hausie Brown (1910-1934) who were the children of Lillie Tinsley (1879-1922) and Charles Brown; Constance Thomas Parker (1917-1981) was the daughter of Hariette \"Hattie\" Tinsley (1881-1949) and Richard Gates Thomas; and Dorothy Massie Christian (1904-1966) was the daughter of Signora Tinsley (1885-1940) and Hugh Massie (1883-1980).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection (MSS 16920) contains the Tinsley, Edwards, and Rich family history (1820-1978) of Amherst, Virginia written and compiled by William George Rich III (1905-1988)and his family about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren (Broady) Tinsley –  and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of Malinda Edwards, an indigenous woman) and their eight grandchildren (William George Rich III and his cousins.) The eight grandchildren, called the cousins of Amherst, (many of them earning college and post college degrees) were  - Vernon Allan Rich (1902-1985), William George Rich III (1904-1988), Celestine Rich Arnold (1915-?)- born to Bessie Tinsley 1877-1951  and William George Rich II who was Deaf;  Alma Brown (1902-1926), Charles \"Son\" Brown (1904-1959), Hausie Brown (1910-1934) who were the children of Lillie Tinsley (1879-1922) and Charles Brown; Constance Thomas Parker (1917-1981) was the daughter of Hariette \"Hattie\" Tinsley (1881-1949) and Richard Gates Thomas; and Dorothy Massie Christian (1904-1966) was the daughter of Signora Tinsley (1885-1940) and Hugh Massie (1883-1980)."],"prefercite_html_tesm":["\u003cp\u003eMSS 16920, Tinsley, Edwards, and Rich family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16920, Tinsley, Edwards, and Rich family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003e\nThe collection MSS 16920 contains the Tinsley, Edwards, Rich family history (1795; 1820-1978) written by William George Rich III (1905-1988) about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren Broady Tinsley, (an indigenous woman) and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of an indigenous woman Malinda Edwards)and their eight grandchildren (William George Rich III and his 7 cousins) who lived on their own land in Amherst, Virginia. The collection is remarkable in the amount of detail that is provided about a prosperous African American family living during Jim Crow laws. Charles Robert Tinsley was the owner of a livery stable and built a house for his children, grandchildren and his parents, Nelson and Lauren Tinsley.\u003c/p\u003e","\u003cp\u003eBetty Edwards Tinsley (wife of Charles Robert Tinsley) inherited land from her parents, Washington Edwards and Malinda Edwards (an indigenous woman.) Her father was a minister and may have been white or mixed race. Charles Robert Tinsley sold part of that land and built a farm and successful livery business in Amherst, near Lynchburg, where several generations of the family lived a comfortable life on 64 Depot Road. \u003c/p\u003e","\u003cp\u003eThere are typed family histories in homemade scrapbooks documenting multiple generations of the Tinsley-Rich-Edwards family, self- described as a prosperous and \"happy\" African American family and with deep roots in Virginia and highly respected by other African American and white families.\u003c/p\u003e","\u003cp\u003eThe collection contains a photocopy of an 1819 Notice of Sale of six enslaved men of which one man (William Tinsley) was freed and saved his own for sale notice. Jacob and Isaac Tinsley, son and heirs of the white William Tinsley, created the for-sale notice \"Six Lively Young Negroes\". The white heirs made enough money from the sale to free the seventh person, who decided to call himself William Tinsley. The name of William Tinsley's wife is unknown. They had a son named Nelson Tinsley, born in 1823 who married Lauren Broady in 1850.\u003c/p\u003e","\u003cp\u003eThe Tinsley, Edwards, Rich family collection is a rich resource which details their family life and describes family members and their close relationships. It contains family photographs with compelling clarity from the 1890s to the 1950s, that bring this family to life.\u003c/p\u003e","\u003cp\u003eThere are documents including news clippings, ephemera, genealogical charts, certificates, military separation papers, a manuscript plan map of the Tinsley \"Homestead\" and its plot in Amherst, a genealogical essay on family history, including personal recollections, noting that Rich II was born deaf and was sent for schooling at the Kendall School (Gadaulet College) in Washington DC. \u003c/p\u003e","\u003cp\u003eThere are two homemade scrapbooks and two albums with nearly 400 mounted photographs of various sizes and formats, as well as nearly 200 loose photographs in and out of albums.There are carte-de-visites, cabinet card photographs, negatives, and photo postcards. \u003c/p\u003e","\u003cp\u003e\nOne includes Bessie Tinsley Rich's album, which contains 117 mounted and approximately 50 loose photographs, all dating from about 1870-1950, and with ink text annotations written directly on pages. \u003c/p\u003e","\u003cp\u003e\nOne includes Celestine Rich's album containing 173 mounted photographs, approximately 35 loose, mostly from the 1930s. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The collection MSS 16920 contains the Tinsley, Edwards, Rich family history (1795; 1820-1978) written by William George Rich III (1905-1988) about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren Broady Tinsley, (an indigenous woman) and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of an indigenous woman Malinda Edwards)and their eight grandchildren (William George Rich III and his 7 cousins) who lived on their own land in Amherst, Virginia. The collection is remarkable in the amount of detail that is provided about a prosperous African American family living during Jim Crow laws. Charles Robert Tinsley was the owner of a livery stable and built a house for his children, grandchildren and his parents, Nelson and Lauren Tinsley.","Betty Edwards Tinsley (wife of Charles Robert Tinsley) inherited land from her parents, Washington Edwards and Malinda Edwards (an indigenous woman.) Her father was a minister and may have been white or mixed race. Charles Robert Tinsley sold part of that land and built a farm and successful livery business in Amherst, near Lynchburg, where several generations of the family lived a comfortable life on 64 Depot Road.","There are typed family histories in homemade scrapbooks documenting multiple generations of the Tinsley-Rich-Edwards family, self- described as a prosperous and \"happy\" African American family and with deep roots in Virginia and highly respected by other African American and white families.","The collection contains a photocopy of an 1819 Notice of Sale of six enslaved men of which one man (William Tinsley) was freed and saved his own for sale notice. Jacob and Isaac Tinsley, son and heirs of the white William Tinsley, created the for-sale notice \"Six Lively Young Negroes\". The white heirs made enough money from the sale to free the seventh person, who decided to call himself William Tinsley. The name of William Tinsley's wife is unknown. They had a son named Nelson Tinsley, born in 1823 who married Lauren Broady in 1850.","The Tinsley, Edwards, Rich family collection is a rich resource which details their family life and describes family members and their close relationships. It contains family photographs with compelling clarity from the 1890s to the 1950s, that bring this family to life.","There are documents including news clippings, ephemera, genealogical charts, certificates, military separation papers, a manuscript plan map of the Tinsley \"Homestead\" and its plot in Amherst, a genealogical essay on family history, including personal recollections, noting that Rich II was born deaf and was sent for schooling at the Kendall School (Gadaulet College) in Washington DC.","There are two homemade scrapbooks and two albums with nearly 400 mounted photographs of various sizes and formats, as well as nearly 200 loose photographs in and out of albums.There are carte-de-visites, cabinet card photographs, negatives, and photo postcards.","One includes Bessie Tinsley Rich's album, which contains 117 mounted and approximately 50 loose photographs, all dating from about 1870-1950, and with ink text annotations written directly on pages.","One includes Celestine Rich's album containing 173 mounted photographs, approximately 35 loose, mostly from the 1930s."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Primary Sources, Uncharted Americana  (Ann Arbor, MI)"],"names_coll_ssim":["Primary Sources, Uncharted Americana  (Ann Arbor, MI)"],"persname_ssim":["Rich, William George, Jr., 1905-1988"],"names_ssim":["Albert and Shirley Small Special Collections Library","Primary Sources, Uncharted Americana  (Ann Arbor, MI)","Rich, William George, Jr., 1905-1988"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:58.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1822","ead_ssi":"viu_repositories_3_resources_1822","_root_":"viu_repositories_3_resources_1822","_nest_parent_":"viu_repositories_3_resources_1822","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1822.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/229825","title_filing_ssi":"Tinsley, Edwards, and Rich family papers","title_ssm":["Tinsley, Edwards, and Rich family papers"],"title_tesim":["Tinsley, Edwards, and Rich family papers"],"unitdate_ssm":["1870-1988","1819-1820"],"unitdate_inclusive_ssm":["1819-1820"],"unitdate_bulk_ssim":["1870-1988"],"normalized_date_ssm":["1819/1820, bulk 1870/1988"],"normalized_title_ssm":["Tinsley, Edwards, and Rich family papers, 1819/1820, bulk 1870/1988"],"text":["Tinsley, Edwards, and Rich family papers, 1819/1820, bulk 1870/1988","MSS 16920","Archival Resource Key","/repositories/3/resources/1822","African American families","African Americans -- Virginia","Deafness","African Americans -- Photographs","genealogies (histories)","This collection is open for research.","The collection (MSS 16920) contains the Tinsley, Edwards, and Rich family history (1820-1978) of Amherst, Virginia written and compiled by William George Rich III (1905-1988)and his family about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren (Broady) Tinsley –  and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of Malinda Edwards, an indigenous woman) and their eight grandchildren (William George Rich III and his cousins.) The eight grandchildren, called the cousins of Amherst, (many of them earning college and post college degrees) were  - Vernon Allan Rich (1902-1985), William George Rich III (1904-1988), Celestine Rich Arnold (1915-?)- born to Bessie Tinsley 1877-1951  and William George Rich II who was Deaf;  Alma Brown (1902-1926), Charles \"Son\" Brown (1904-1959), Hausie Brown (1910-1934) who were the children of Lillie Tinsley (1879-1922) and Charles Brown; Constance Thomas Parker (1917-1981) was the daughter of Hariette \"Hattie\" Tinsley (1881-1949) and Richard Gates Thomas; and Dorothy Massie Christian (1904-1966) was the daughter of Signora Tinsley (1885-1940) and Hugh Massie (1883-1980).","The collection MSS 16920 contains the Tinsley, Edwards, Rich family history (1795; 1820-1978) written by William George Rich III (1905-1988) about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren Broady Tinsley, (an indigenous woman) and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of an indigenous woman Malinda Edwards)and their eight grandchildren (William George Rich III and his 7 cousins) who lived on their own land in Amherst, Virginia. The collection is remarkable in the amount of detail that is provided about a prosperous African American family living during Jim Crow laws. Charles Robert Tinsley was the owner of a livery stable and built a house for his children, grandchildren and his parents, Nelson and Lauren Tinsley.","Betty Edwards Tinsley (wife of Charles Robert Tinsley) inherited land from her parents, Washington Edwards and Malinda Edwards (an indigenous woman.) Her father was a minister and may have been white or mixed race. Charles Robert Tinsley sold part of that land and built a farm and successful livery business in Amherst, near Lynchburg, where several generations of the family lived a comfortable life on 64 Depot Road.","There are typed family histories in homemade scrapbooks documenting multiple generations of the Tinsley-Rich-Edwards family, self- described as a prosperous and \"happy\" African American family and with deep roots in Virginia and highly respected by other African American and white families.","The collection contains a photocopy of an 1819 Notice of Sale of six enslaved men of which one man (William Tinsley) was freed and saved his own for sale notice. Jacob and Isaac Tinsley, son and heirs of the white William Tinsley, created the for-sale notice \"Six Lively Young Negroes\". The white heirs made enough money from the sale to free the seventh person, who decided to call himself William Tinsley. The name of William Tinsley's wife is unknown. They had a son named Nelson Tinsley, born in 1823 who married Lauren Broady in 1850.","The Tinsley, Edwards, Rich family collection is a rich resource which details their family life and describes family members and their close relationships. It contains family photographs with compelling clarity from the 1890s to the 1950s, that bring this family to life.","There are documents including news clippings, ephemera, genealogical charts, certificates, military separation papers, a manuscript plan map of the Tinsley \"Homestead\" and its plot in Amherst, a genealogical essay on family history, including personal recollections, noting that Rich II was born deaf and was sent for schooling at the Kendall School (Gadaulet College) in Washington DC.","There are two homemade scrapbooks and two albums with nearly 400 mounted photographs of various sizes and formats, as well as nearly 200 loose photographs in and out of albums.There are carte-de-visites, cabinet card photographs, negatives, and photo postcards.","One includes Bessie Tinsley Rich's album, which contains 117 mounted and approximately 50 loose photographs, all dating from about 1870-1950, and with ink text annotations written directly on pages.","One includes Celestine Rich's album containing 173 mounted photographs, approximately 35 loose, mostly from the 1930s.","Albert and Shirley Small Special Collections Library","Primary Sources, Uncharted Americana  (Ann Arbor, MI)","Rich, William George, Jr., 1905-1988","English"],"collection_title_tesim":["Tinsley, Edwards, and Rich family papers, 1819/1820, bulk 1870/1988"],"collection_ssim":["Tinsley, Edwards, and Rich family papers, 1819/1820, bulk 1870/1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16920","Archival Resource Key","/repositories/3/resources/1822"],"unitid_tesim":["MSS 16920","Archival Resource Key","/repositories/3/resources/1822"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Primary Sources, Uncharted Americana  (Ann Arbor, MI)","Rich, William George, Jr., 1905-1988"],"creator_ssim":["Primary Sources, Uncharted Americana  (Ann Arbor, MI)","Rich, William George, Jr., 1905-1988"],"creator_persname_ssim":["Rich, William George, Jr., 1905-1988"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Primary Sources, Uncharted Americana  (Ann Arbor, MI)"],"creators_ssim":["Rich, William George, Jr., 1905-1988","Albert and Shirley Small Special Collections Library","Primary Sources, Uncharted Americana  (Ann Arbor, MI)"],"acqinfo_ssim":["This collection was a purchase by the Small Special Collections Library at the University of Virginia Library on 18 July 2025."],"access_subjects_ssim":["African American families","African Americans -- Virginia","Deafness","African Americans -- Photographs","genealogies (histories)"],"access_subjects_ssm":["African American families","African Americans -- Virginia","Deafness","African Americans -- Photographs","genealogies (histories)"],"has_online_content_ssim":["false"],"extent_ssm":[".9 Cubic Feet 1 document box (letter) and 1 medium flat box"],"extent_tesim":[".9 Cubic Feet 1 document box (letter) and 1 medium flat box"],"genreform_ssim":["African Americans -- Photographs","genealogies (histories)"],"date_range_isim":[1819,1820,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThe collection (MSS 16920) contains the Tinsley, Edwards, and Rich family history (1820-1978) of Amherst, Virginia written and compiled by William George Rich III (1905-1988)and his family about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren (Broady) Tinsley –  and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of Malinda Edwards, an indigenous woman) and their eight grandchildren (William George Rich III and his cousins.) The eight grandchildren, called the cousins of Amherst, (many of them earning college and post college degrees) were  - Vernon Allan Rich (1902-1985), William George Rich III (1904-1988), Celestine Rich Arnold (1915-?)- born to Bessie Tinsley 1877-1951  and William George Rich II who was Deaf;  Alma Brown (1902-1926), Charles \"Son\" Brown (1904-1959), Hausie Brown (1910-1934) who were the children of Lillie Tinsley (1879-1922) and Charles Brown; Constance Thomas Parker (1917-1981) was the daughter of Hariette \"Hattie\" Tinsley (1881-1949) and Richard Gates Thomas; and Dorothy Massie Christian (1904-1966) was the daughter of Signora Tinsley (1885-1940) and Hugh Massie (1883-1980).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection (MSS 16920) contains the Tinsley, Edwards, and Rich family history (1820-1978) of Amherst, Virginia written and compiled by William George Rich III (1905-1988)and his family about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren (Broady) Tinsley –  and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of Malinda Edwards, an indigenous woman) and their eight grandchildren (William George Rich III and his cousins.) The eight grandchildren, called the cousins of Amherst, (many of them earning college and post college degrees) were  - Vernon Allan Rich (1902-1985), William George Rich III (1904-1988), Celestine Rich Arnold (1915-?)- born to Bessie Tinsley 1877-1951  and William George Rich II who was Deaf;  Alma Brown (1902-1926), Charles \"Son\" Brown (1904-1959), Hausie Brown (1910-1934) who were the children of Lillie Tinsley (1879-1922) and Charles Brown; Constance Thomas Parker (1917-1981) was the daughter of Hariette \"Hattie\" Tinsley (1881-1949) and Richard Gates Thomas; and Dorothy Massie Christian (1904-1966) was the daughter of Signora Tinsley (1885-1940) and Hugh Massie (1883-1980)."],"prefercite_html_tesm":["\u003cp\u003eMSS 16920, Tinsley, Edwards, and Rich family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16920, Tinsley, Edwards, and Rich family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003e\nThe collection MSS 16920 contains the Tinsley, Edwards, Rich family history (1795; 1820-1978) written by William George Rich III (1905-1988) about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren Broady Tinsley, (an indigenous woman) and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of an indigenous woman Malinda Edwards)and their eight grandchildren (William George Rich III and his 7 cousins) who lived on their own land in Amherst, Virginia. The collection is remarkable in the amount of detail that is provided about a prosperous African American family living during Jim Crow laws. Charles Robert Tinsley was the owner of a livery stable and built a house for his children, grandchildren and his parents, Nelson and Lauren Tinsley.\u003c/p\u003e","\u003cp\u003eBetty Edwards Tinsley (wife of Charles Robert Tinsley) inherited land from her parents, Washington Edwards and Malinda Edwards (an indigenous woman.) Her father was a minister and may have been white or mixed race. Charles Robert Tinsley sold part of that land and built a farm and successful livery business in Amherst, near Lynchburg, where several generations of the family lived a comfortable life on 64 Depot Road. \u003c/p\u003e","\u003cp\u003eThere are typed family histories in homemade scrapbooks documenting multiple generations of the Tinsley-Rich-Edwards family, self- described as a prosperous and \"happy\" African American family and with deep roots in Virginia and highly respected by other African American and white families.\u003c/p\u003e","\u003cp\u003eThe collection contains a photocopy of an 1819 Notice of Sale of six enslaved men of which one man (William Tinsley) was freed and saved his own for sale notice. Jacob and Isaac Tinsley, son and heirs of the white William Tinsley, created the for-sale notice \"Six Lively Young Negroes\". The white heirs made enough money from the sale to free the seventh person, who decided to call himself William Tinsley. The name of William Tinsley's wife is unknown. They had a son named Nelson Tinsley, born in 1823 who married Lauren Broady in 1850.\u003c/p\u003e","\u003cp\u003eThe Tinsley, Edwards, Rich family collection is a rich resource which details their family life and describes family members and their close relationships. It contains family photographs with compelling clarity from the 1890s to the 1950s, that bring this family to life.\u003c/p\u003e","\u003cp\u003eThere are documents including news clippings, ephemera, genealogical charts, certificates, military separation papers, a manuscript plan map of the Tinsley \"Homestead\" and its plot in Amherst, a genealogical essay on family history, including personal recollections, noting that Rich II was born deaf and was sent for schooling at the Kendall School (Gadaulet College) in Washington DC. \u003c/p\u003e","\u003cp\u003eThere are two homemade scrapbooks and two albums with nearly 400 mounted photographs of various sizes and formats, as well as nearly 200 loose photographs in and out of albums.There are carte-de-visites, cabinet card photographs, negatives, and photo postcards. \u003c/p\u003e","\u003cp\u003e\nOne includes Bessie Tinsley Rich's album, which contains 117 mounted and approximately 50 loose photographs, all dating from about 1870-1950, and with ink text annotations written directly on pages. \u003c/p\u003e","\u003cp\u003e\nOne includes Celestine Rich's album containing 173 mounted photographs, approximately 35 loose, mostly from the 1930s. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The collection MSS 16920 contains the Tinsley, Edwards, Rich family history (1795; 1820-1978) written by William George Rich III (1905-1988) about his great-great grandfather who called himself William Tinsley (born into enslavery in 1795,and freed in 1820), his great grandparents Nelson and Lauren Broady Tinsley, (an indigenous woman) and his grandparents Charles Robert Tinsley (1851-1919) and Betty Edwards Tinsley (1855-1924) (daughter of an indigenous woman Malinda Edwards)and their eight grandchildren (William George Rich III and his 7 cousins) who lived on their own land in Amherst, Virginia. The collection is remarkable in the amount of detail that is provided about a prosperous African American family living during Jim Crow laws. Charles Robert Tinsley was the owner of a livery stable and built a house for his children, grandchildren and his parents, Nelson and Lauren Tinsley.","Betty Edwards Tinsley (wife of Charles Robert Tinsley) inherited land from her parents, Washington Edwards and Malinda Edwards (an indigenous woman.) Her father was a minister and may have been white or mixed race. Charles Robert Tinsley sold part of that land and built a farm and successful livery business in Amherst, near Lynchburg, where several generations of the family lived a comfortable life on 64 Depot Road.","There are typed family histories in homemade scrapbooks documenting multiple generations of the Tinsley-Rich-Edwards family, self- described as a prosperous and \"happy\" African American family and with deep roots in Virginia and highly respected by other African American and white families.","The collection contains a photocopy of an 1819 Notice of Sale of six enslaved men of which one man (William Tinsley) was freed and saved his own for sale notice. Jacob and Isaac Tinsley, son and heirs of the white William Tinsley, created the for-sale notice \"Six Lively Young Negroes\". The white heirs made enough money from the sale to free the seventh person, who decided to call himself William Tinsley. The name of William Tinsley's wife is unknown. They had a son named Nelson Tinsley, born in 1823 who married Lauren Broady in 1850.","The Tinsley, Edwards, Rich family collection is a rich resource which details their family life and describes family members and their close relationships. It contains family photographs with compelling clarity from the 1890s to the 1950s, that bring this family to life.","There are documents including news clippings, ephemera, genealogical charts, certificates, military separation papers, a manuscript plan map of the Tinsley \"Homestead\" and its plot in Amherst, a genealogical essay on family history, including personal recollections, noting that Rich II was born deaf and was sent for schooling at the Kendall School (Gadaulet College) in Washington DC.","There are two homemade scrapbooks and two albums with nearly 400 mounted photographs of various sizes and formats, as well as nearly 200 loose photographs in and out of albums.There are carte-de-visites, cabinet card photographs, negatives, and photo postcards.","One includes Bessie Tinsley Rich's album, which contains 117 mounted and approximately 50 loose photographs, all dating from about 1870-1950, and with ink text annotations written directly on pages.","One includes Celestine Rich's album containing 173 mounted photographs, approximately 35 loose, mostly from the 1930s."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Primary Sources, Uncharted Americana  (Ann Arbor, MI)"],"names_coll_ssim":["Primary Sources, Uncharted Americana  (Ann Arbor, MI)"],"persname_ssim":["Rich, William George, Jr., 1905-1988"],"names_ssim":["Albert and Shirley Small Special Collections Library","Primary Sources, Uncharted Americana  (Ann Arbor, MI)","Rich, William George, Jr., 1905-1988"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:58.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1822"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":13},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Photographs\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Photographs\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"African American girl's birthday photograph album, 1960","value":"African American girl's birthday photograph album, 1960","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Photographs\u0026f%5Bcollection%5D%5B%5D=African+American+girl%27s+birthday+photograph+album%2C+1960\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"African American programs and photographs from Roanoke, and Wytheville, Virginia, 1954/1977","value":"African American programs and photographs from Roanoke, and Wytheville, Virginia, 1954/1977","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Photographs\u0026f%5Bcollection%5D%5B%5D=African+American+programs+and+photographs+from+Roanoke%2C+and+Wytheville%2C+Virginia%2C+1954%2F1977\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"African-American man photographic crayon enlargement portrait, 1870","value":"African-American man photographic crayon enlargement portrait, 1870","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Photographs\u0026f%5Bcollection%5D%5B%5D=African-American+man+photographic+crayon+enlargement+portrait%2C+1870\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"Booker T. 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