{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+families\u0026f%5Bnames%5D%5B%5D=Max+Rambod\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+families\u0026f%5Bnames%5D%5B%5D=Max+Rambod\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"viu_repositories_3_resources_1830","type":"collection","attributes":{"title":"African Americans in rural Virginia photographs","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1830#creator","type":"document_value","attributes":{"value":"Max Rambod","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1830#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains twenty black and white photographs, approximately 9 x 7 inches, depicting African American life, presumably in a segregated area in rural Virginia. The pictures have no annotations on the back, and the photographer is unknown. The location is also unclear; however, it may be somewhere near or in Fauquier County, Virginia. This location possibility is based on a photograph that depicts several storefronts, including a beauty salon which has two names painted on the window, Green \u0026amp; [ ] Beauty Salon. 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One photograph depicts a main street of the town, which includes telephone poles and a few businesses, including a small convenience store with signs of Coca Cola, Pepsi, Camel cigarettes, Model \"sporting tobacco\" (a brand native to Virginia), and other daily necessities. ","Other photographs depict several Black people standing or seated with family members in front of wooden homes. There are photographs of children playing games, including a young boy with a holstered toy revolver on his hip, kids playing stickball, and standing on railroad tracks. The photographs also show men, women, and children performing household chores, including cleaning and hanging up the laundry to dry, making meals for the family, and one photograph shows a father in work clothes, dishing out a meal for himself and his three young children. Another photograph depicts an older man showing his cellar and a cistern. Many of the homes have elevated porches in many of the dwellings along the main street. 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One photograph depicts a main street of the town, which includes telephone poles and a few businesses, including a small convenience store with signs of Coca Cola, Pepsi, Camel cigarettes, Model \"sporting tobacco\" (a brand native to Virginia), and other daily necessities. \u003c/p\u003e\n","\u003cp\u003eOther photographs depict several Black people standing or seated with family members in front of wooden homes. There are photographs of children playing games, including a young boy with a holstered toy revolver on his hip, kids playing stickball, and standing on railroad tracks. The photographs also show men, women, and children performing household chores, including cleaning and hanging up the laundry to dry, making meals for the family, and one photograph shows a father in work clothes, dishing out a meal for himself and his three young children. Another photograph depicts an older man showing his cellar and a cistern. 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The photographs also show men, women, and children performing household chores, including cleaning and hanging up the laundry to dry, making meals for the family, and one photograph shows a father in work clothes, dishing out a meal for himself and his three young children. Another photograph depicts an older man showing his cellar and a cistern. Many of the homes have elevated porches in many of the dwellings along the main street. 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One photograph depicts a main street of the town, which includes telephone poles and a few businesses, including a small convenience store with signs of Coca Cola, Pepsi, Camel cigarettes, Model \"sporting tobacco\" (a brand native to Virginia), and other daily necessities. ","Other photographs depict several Black people standing or seated with family members in front of wooden homes. There are photographs of children playing games, including a young boy with a holstered toy revolver on his hip, kids playing stickball, and standing on railroad tracks. The photographs also show men, women, and children performing household chores, including cleaning and hanging up the laundry to dry, making meals for the family, and one photograph shows a father in work clothes, dishing out a meal for himself and his three young children. Another photograph depicts an older man showing his cellar and a cistern. Many of the homes have elevated porches in many of the dwellings along the main street. 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The pictures have no annotations on the back, and the photographer is unknown. The location is also unclear; however, it may be somewhere near or in Fauquier County, Virginia. This location possibility is based on a photograph that depicts several storefronts, including a beauty salon which has two names painted on the window, Green \u0026amp; [  ] Beauty Salon. Juline Turner and Helen Blackwell, are presumably the proprietors of the salon. \u003c/p\u003e\n","\u003cp\u003eGenealogy research uncovered a birth certificate for Juline Turner's daughter, Katie Ross, born in 1917. The birth certificate notes that Juline was twenty years old, indicating her birth year to be 1897, and that she was born in Fauquier County, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe pictures depict a Black, rural neighborhood that includes pick-up trucks, overalls and work boots, humble dwellings, and vegetation. 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Many of the homes have elevated porches in many of the dwellings along the main street. Two photographs show a white man in a suit who strikes up a conversation with the residents of the town, including a mother on her front porch and a young man along the main street.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains twenty black and white photographs, approximately 9 x 7 inches, depicting African American life, presumably in a segregated area in rural Virginia. The pictures have no annotations on the back, and the photographer is unknown. The location is also unclear; however, it may be somewhere near or in Fauquier County, Virginia. This location possibility is based on a photograph that depicts several storefronts, including a beauty salon which has two names painted on the window, Green \u0026 [  ] Beauty Salon. Juline Turner and Helen Blackwell, are presumably the proprietors of the salon. 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Measurements range from 6\" X 4\" to 2\" X 2\" inches and are in color and black and white. Several subjects recur throughout the archive. All are unidentified; only three have any annotations on the back. The photographed figures, primarily children but some family shots included, are captured within their homes or playing outside. Activities include playing, swimming, posing, and celebrating holidays and special occasions.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1555#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1555","ead_ssi":"viu_repositories_3_resources_1555","_root_":"viu_repositories_3_resources_1555","_nest_parent_":"viu_repositories_3_resources_1555","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1555.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190890","title_filing_ssi":"African American Children photographs","title_ssm":["Collection of African American Children photographs"],"title_tesim":["Collection of African American Children photographs"],"unitdate_ssm":["c. 1950s-1990s"],"unitdate_bulk_ssim":["c. 1950s-1990s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16798","Archival Resource Key","/repositories/3/resources/1555"],"text":["MSS 16798","Archival Resource Key","/repositories/3/resources/1555","Collection of African American Children photographs","African American families","African American children","African Americans -- Photographs","The collection is open for research use.","These photographs show Black children enjoying childhood, posing beside Christmas trees and held fast in the arms of their grandmothers. Black joy is a phrase used by historians to highlight the positive aspects of Black history separate from its suffering. Representations of African Americans living lives at once ordinary and inspired, both deeply personal and universal, is an integral piece of any American history archive. \"Expressions and acts of Black joy are often enouraged as a way for Black people to fully be themselves and form a sense of community as a response to systems that devalue them and stifle their self-expression. In this way, engaging in and sharing experiences of Black joy are seen not as ways of ignoring opression but as acts of resistance against it.\"","This collection contains ninety-eight photographs of African American children and families at home and play from about the 1950s to the 1990s. Measurements range from 6\" X 4\" to 2\" X 2\" inches and are in color and black and white. Several subjects recur throughout the archive. 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Black joy is a phrase used by historians to highlight the positive aspects of Black history separate from its suffering. Representations of African Americans living lives at once ordinary and inspired, both deeply personal and universal, is an integral piece of any American history archive. \"Expressions and acts of Black joy are often enouraged as a way for Black people to fully be themselves and form a sense of community as a response to systems that devalue them and stifle their self-expression. In this way, engaging in and sharing experiences of Black joy are seen not as ways of ignoring opression but as acts of resistance against it.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These photographs show Black children enjoying childhood, posing beside Christmas trees and held fast in the arms of their grandmothers. Black joy is a phrase used by historians to highlight the positive aspects of Black history separate from its suffering. Representations of African Americans living lives at once ordinary and inspired, both deeply personal and universal, is an integral piece of any American history archive. \"Expressions and acts of Black joy are often enouraged as a way for Black people to fully be themselves and form a sense of community as a response to systems that devalue them and stifle their self-expression. In this way, engaging in and sharing experiences of Black joy are seen not as ways of ignoring opression but as acts of resistance against it.\""],"prefercite_html_tesm":["\u003cp\u003eMSS 16798, Collection of African American Children photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16798, Collection of African American Children photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains ninety-eight photographs of African American children and families at home and play from about the 1950s to the 1990s. Measurements range from 6\" X 4\" to 2\" X 2\" inches and are in color and black and white. Several subjects recur throughout the archive. All are unidentified; only three have any annotations on the back. The photographed figures, primarily children but some family shots included, are captured within their homes or playing outside. Activities include playing, swimming, posing, and celebrating holidays and special occasions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains ninety-eight photographs of African American children and families at home and play from about the 1950s to the 1990s. Measurements range from 6\" X 4\" to 2\" X 2\" inches and are in color and black and white. Several subjects recur throughout the archive. All are unidentified; only three have any annotations on the back. The photographed figures, primarily children but some family shots included, are captured within their homes or playing outside. Activities include playing, swimming, posing, and celebrating holidays and special occasions."],"names_coll_ssim":["Max Rambod"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:21.103Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1555","ead_ssi":"viu_repositories_3_resources_1555","_root_":"viu_repositories_3_resources_1555","_nest_parent_":"viu_repositories_3_resources_1555","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1555.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190890","title_filing_ssi":"African American Children photographs","title_ssm":["Collection of African American Children photographs"],"title_tesim":["Collection of African American Children photographs"],"unitdate_ssm":["c. 1950s-1990s"],"unitdate_bulk_ssim":["c. 1950s-1990s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16798","Archival Resource Key","/repositories/3/resources/1555"],"text":["MSS 16798","Archival Resource Key","/repositories/3/resources/1555","Collection of African American Children photographs","African American families","African American children","African Americans -- Photographs","The collection is open for research use.","These photographs show Black children enjoying childhood, posing beside Christmas trees and held fast in the arms of their grandmothers. Black joy is a phrase used by historians to highlight the positive aspects of Black history separate from its suffering. Representations of African Americans living lives at once ordinary and inspired, both deeply personal and universal, is an integral piece of any American history archive. \"Expressions and acts of Black joy are often enouraged as a way for Black people to fully be themselves and form a sense of community as a response to systems that devalue them and stifle their self-expression. In this way, engaging in and sharing experiences of Black joy are seen not as ways of ignoring opression but as acts of resistance against it.\"","This collection contains ninety-eight photographs of African American children and families at home and play from about the 1950s to the 1990s. Measurements range from 6\" X 4\" to 2\" X 2\" inches and are in color and black and white. Several subjects recur throughout the archive. All are unidentified; only three have any annotations on the back. The photographed figures, primarily children but some family shots included, are captured within their homes or playing outside. Activities include playing, swimming, posing, and celebrating holidays and special occasions.","Albert and Shirley Small Special Collections Library","Max Rambod","English"],"unitid_tesim":["MSS 16798","Archival Resource Key","/repositories/3/resources/1555"],"normalized_title_ssm":["Collection of African American Children photographs"],"collection_title_tesim":["Collection of African American Children photographs"],"collection_ssim":["Collection of African American Children photographs"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Max Rambod"],"creator_ssim":["Max Rambod"],"creator_corpname_ssim":["Max Rambod"],"creators_ssim":["Max Rambod"],"acqinfo_ssim":["This collection was purchased from Max Rambod Inc. by the Small Special Collections Library at the University of Virginia Library on 01 March 2023."],"access_subjects_ssim":["African American families","African American children","African Americans -- Photographs"],"access_subjects_ssm":["African American families","African American children","African Americans -- Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.06 Cubic Feet 2 letter size folders"],"extent_tesim":["0.06 Cubic Feet 2 letter size folders"],"genreform_ssim":["African Americans -- Photographs"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThese photographs show Black children enjoying childhood, posing beside Christmas trees and held fast in the arms of their grandmothers. Black joy is a phrase used by historians to highlight the positive aspects of Black history separate from its suffering. Representations of African Americans living lives at once ordinary and inspired, both deeply personal and universal, is an integral piece of any American history archive. \"Expressions and acts of Black joy are often enouraged as a way for Black people to fully be themselves and form a sense of community as a response to systems that devalue them and stifle their self-expression. In this way, engaging in and sharing experiences of Black joy are seen not as ways of ignoring opression but as acts of resistance against it.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These photographs show Black children enjoying childhood, posing beside Christmas trees and held fast in the arms of their grandmothers. Black joy is a phrase used by historians to highlight the positive aspects of Black history separate from its suffering. Representations of African Americans living lives at once ordinary and inspired, both deeply personal and universal, is an integral piece of any American history archive. \"Expressions and acts of Black joy are often enouraged as a way for Black people to fully be themselves and form a sense of community as a response to systems that devalue them and stifle their self-expression. In this way, engaging in and sharing experiences of Black joy are seen not as ways of ignoring opression but as acts of resistance against it.\""],"prefercite_html_tesm":["\u003cp\u003eMSS 16798, Collection of African American Children photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16798, Collection of African American Children photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains ninety-eight photographs of African American children and families at home and play from about the 1950s to the 1990s. Measurements range from 6\" X 4\" to 2\" X 2\" inches and are in color and black and white. Several subjects recur throughout the archive. All are unidentified; only three have any annotations on the back. The photographed figures, primarily children but some family shots included, are captured within their homes or playing outside. Activities include playing, swimming, posing, and celebrating holidays and special occasions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains ninety-eight photographs of African American children and families at home and play from about the 1950s to the 1990s. Measurements range from 6\" X 4\" to 2\" X 2\" inches and are in color and black and white. Several subjects recur throughout the archive. All are unidentified; only three have any annotations on the back. The photographed figures, primarily children but some family shots included, are captured within their homes or playing outside. Activities include playing, swimming, posing, and celebrating holidays and special occasions."],"names_coll_ssim":["Max Rambod"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:21.103Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1555"}},{"id":"viu_repositories_3_resources_1042","type":"collection","attributes":{"title":"Hampton Institute student photograph album","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1042#creator","type":"document_value","attributes":{"value":"Max Rambod","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1042#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains a photograph album of a student from Hampton Institute. The original photo album, measuring 7' x 10' with 24 pages, contains 44 black and white photographs of an unidentified young Black woman, approximately 20 years old, as well as cut newspaper images and a photo postcard. She is seen at Hampton Institute, a historically Black University, in Hampton, Virginia, posing in front of school buildings, clowning around with friends, and preparing for graduation. Also included are scenic photographs of places she visited such as a dam, a church, and a parade. The last few pages contain family photographs; a couple photographs show her with an elderly woman. Some of the baby photographs are inscribed \"To Grandma\" and \"To Grand Dad\" and another is labeled \"Me\". The identification of the Hampton Institute as the locale comes from a real photo postcard with the title \"The Hampton Institute Creative Dance Group\" and a newspaper cutout of the Hampton Institute Choir along with the news caption, \"They Keep Spiritual Values High at Hampton.\" It is possible that this album was kept by the grandparent of the young women.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1042#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1042","ead_ssi":"viu_repositories_3_resources_1042","_root_":"viu_repositories_3_resources_1042","_nest_parent_":"viu_repositories_3_resources_1042","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1042.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/122441","title_filing_ssi":"Hampton Institute student photograph album","title_ssm":["Hampton Institute student photograph album"],"title_tesim":["Hampton Institute student photograph album"],"unitdate_ssm":["undated"],"unitdate_other_ssim":["undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16525","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1042"],"text":["MSS 16525","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1042","Hampton Institute student photograph album","African Americans -- Education","African American families","African Americans -- Virginia","Photograph albums","Good","The identity of the student who owned the Hampton Institute photograph album is not known. The history of the Hampton Institute reflects decades of a movement towards more inclusiveness and diversity. The institute originally evolved from a camp near Fort Monroe, Virginia where African Americans were arriving in 1861 during the American Civil War to find freedom from being enslaved in the South. Mary Peake was a free African American woman who held the first class of about twenty students under a simple oak tree. \"Today the tree still stands on the campus of the Hampton Institute as a lasting symbol of the promise of education for all, even in the face of adversity.\"","Several Union Army Generals (General Benjamin Butler and Brigadier General Samuel Armstrong) founded and improved the school, naming it the Butler School. It was associated with the Freedmen's Bureau of the Ninth District of Virginia (Little Scotland which was adjacent to the school), the Whittier School and the Hampton Normal and Agricultural Institute. \"During the night of April 18, 1878, a group of Native Americans arrived in Hampton from Fort Sill, where they had been imprisoned at the close of the Red River War. Several buildings were constructed during this twenty-year span, including Whipple Barn, and Wigwam Dormitory. In 1868, Booker T. Washington was a student at the school.","In 1930, it became the Hampton Normal and Agricultural Institute. 1n 1940 the Institute hired more diverse faculty to fill the roles of high-ranking administrative positions. In 1949, Dr. Dr. Alonzo Graseano Moron became the first African American president. In the 1960's Civil Rights Movement, noted civil rights leaders, including Dr. Martin Luther King, visited the Hampton campus. In 1957 Rosa Parks moved to the Hampton area where she worked on campus as a hostess at The Holly Tree Inn. On February 11, 1960, a group of Hampton Institute students were the first in Virginia to stage a lunch counter sit-in, to protest local business' refusal to serve blacks and whites equally.","\"In 1984, after a nine-month study of Hampton Institute's rapid growth and development in quality of students, faculty and academic offerings, the recommendation was made to change the name to Hampton University.\"Today, over 150 years after its inception, Hampton University continues to break new ground in academic achievement, staying true to General Armstrong's original promise of The Standard of Excellence, An Education for Life.\"","Source: Based on the Hampton University website: https://www.hamptonu.edu/about/history.cfm\nRetrieved 9/17/21 Equal Opportunity Accessibility","This collection contains a photograph album of a student from Hampton Institute. The original photo album, measuring 7' x 10' with 24 pages, contains 44 black and white photographs of an unidentified young Black woman, approximately 20 years old, as well as cut newspaper images and a photo postcard.  She is seen at Hampton Institute, a historically Black University, in Hampton, Virginia, posing in front of school buildings, clowning around with friends, and preparing for graduation. Also included are scenic photographs of places she visited such as a dam, a church, and a parade.  The last few pages contain family photographs; a couple photographs show her with an elderly woman. Some of the baby photographs are inscribed \"To Grandma\" and \"To Grand Dad\" and another is labeled \"Me\". The identification of the Hampton Institute as the locale comes from a real photo postcard with the title \"The Hampton Institute Creative Dance Group\" and a newspaper cutout of the Hampton Institute Choir along with the news caption, \"They Keep Spiritual Values High at Hampton.\" It is possible that this album was kept by the grandparent of the young women.","Albert and Shirley Small Special Collections Library","Max Rambod","Hampton Institute","English"],"unitid_tesim":["MSS 16525","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1042"],"normalized_title_ssm":["Hampton Institute student photograph album"],"collection_title_tesim":["Hampton Institute student photograph album"],"collection_ssim":["Hampton Institute student photograph album"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Max Rambod"],"creator_ssim":["Max Rambod"],"creator_corpname_ssim":["Max Rambod"],"creators_ssim":["Max Rambod"],"acqinfo_ssim":["This collection was purchased from Max Rambod by the Small Special Collections Library, University of Virginia  on June 28, 2021."],"access_subjects_ssim":["African Americans -- Education","African American families","African Americans -- Virginia","Photograph albums"],"access_subjects_ssm":["African Americans -- Education","African American families","African Americans -- Virginia","Photograph albums"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":[".04 Cubic Feet 1 legal sized folder"],"extent_tesim":[".04 Cubic Feet 1 legal sized folder"],"physfacet_tesim":["album"],"genreform_ssim":["Photograph albums"],"bioghist_html_tesm":["\u003cp\u003eThe identity of the student who owned the Hampton Institute photograph album is not known. The history of the Hampton Institute reflects decades of a movement towards more inclusiveness and diversity. The institute originally evolved from a camp near Fort Monroe, Virginia where African Americans were arriving in 1861 during the American Civil War to find freedom from being enslaved in the South. Mary Peake was a free African American woman who held the first class of about twenty students under a simple oak tree. \"Today the tree still stands on the campus of the Hampton Institute as a lasting symbol of the promise of education for all, even in the face of adversity.\"\u003c/p\u003e\n","\u003cp\u003eSeveral Union Army Generals (General Benjamin Butler and Brigadier General Samuel Armstrong) founded and improved the school, naming it the Butler School. It was associated with the Freedmen's Bureau of the Ninth District of Virginia (Little Scotland which was adjacent to the school), the Whittier School and the Hampton Normal and Agricultural Institute. \"During the night of April 18, 1878, a group of Native Americans arrived in Hampton from Fort Sill, where they had been imprisoned at the close of the Red River War. Several buildings were constructed during this twenty-year span, including Whipple Barn, and Wigwam Dormitory. In 1868, Booker T. Washington was a student at the school.\u003c/p\u003e\n","\u003cp\u003eIn 1930, it became the Hampton Normal and Agricultural Institute. 1n 1940 the Institute hired more diverse faculty to fill the roles of high-ranking administrative positions. In 1949, Dr. Dr. Alonzo Graseano Moron became the first African American president. In the 1960's Civil Rights Movement, noted civil rights leaders, including Dr. Martin Luther King, visited the Hampton campus. In 1957 Rosa Parks moved to the Hampton area where she worked on campus as a hostess at The Holly Tree Inn. On February 11, 1960, a group of Hampton Institute students were the first in Virginia to stage a lunch counter sit-in, to protest local business' refusal to serve blacks and whites equally.\u003c/p\u003e\n","\u003cp\u003e\"In 1984, after a nine-month study of Hampton Institute's rapid growth and development in quality of students, faculty and academic offerings, the recommendation was made to change the name to Hampton University.\"Today, over 150 years after its inception, Hampton University continues to break new ground in academic achievement, staying true to General Armstrong's original promise of The Standard of Excellence, An Education for Life.\"\u003c/p\u003e\n","\u003cp\u003eSource: Based on the Hampton University website: https://www.hamptonu.edu/about/history.cfm\nRetrieved 9/17/21 Equal Opportunity Accessibility\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The identity of the student who owned the Hampton Institute photograph album is not known. The history of the Hampton Institute reflects decades of a movement towards more inclusiveness and diversity. The institute originally evolved from a camp near Fort Monroe, Virginia where African Americans were arriving in 1861 during the American Civil War to find freedom from being enslaved in the South. Mary Peake was a free African American woman who held the first class of about twenty students under a simple oak tree. \"Today the tree still stands on the campus of the Hampton Institute as a lasting symbol of the promise of education for all, even in the face of adversity.\"","Several Union Army Generals (General Benjamin Butler and Brigadier General Samuel Armstrong) founded and improved the school, naming it the Butler School. It was associated with the Freedmen's Bureau of the Ninth District of Virginia (Little Scotland which was adjacent to the school), the Whittier School and the Hampton Normal and Agricultural Institute. \"During the night of April 18, 1878, a group of Native Americans arrived in Hampton from Fort Sill, where they had been imprisoned at the close of the Red River War. Several buildings were constructed during this twenty-year span, including Whipple Barn, and Wigwam Dormitory. In 1868, Booker T. Washington was a student at the school.","In 1930, it became the Hampton Normal and Agricultural Institute. 1n 1940 the Institute hired more diverse faculty to fill the roles of high-ranking administrative positions. In 1949, Dr. Dr. Alonzo Graseano Moron became the first African American president. In the 1960's Civil Rights Movement, noted civil rights leaders, including Dr. Martin Luther King, visited the Hampton campus. In 1957 Rosa Parks moved to the Hampton area where she worked on campus as a hostess at The Holly Tree Inn. On February 11, 1960, a group of Hampton Institute students were the first in Virginia to stage a lunch counter sit-in, to protest local business' refusal to serve blacks and whites equally.","\"In 1984, after a nine-month study of Hampton Institute's rapid growth and development in quality of students, faculty and academic offerings, the recommendation was made to change the name to Hampton University.\"Today, over 150 years after its inception, Hampton University continues to break new ground in academic achievement, staying true to General Armstrong's original promise of The Standard of Excellence, An Education for Life.\"","Source: Based on the Hampton University website: https://www.hamptonu.edu/about/history.cfm\nRetrieved 9/17/21 Equal Opportunity Accessibility"],"prefercite_html_tesm":["\u003cp\u003eMSS 16525, Hampton Institute photograph album, Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16525, Hampton Institute photograph album, Small Special Collections Library, University of Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a photograph album of a student from Hampton Institute. The original photo album, measuring 7' x 10' with 24 pages, contains 44 black and white photographs of an unidentified young Black woman, approximately 20 years old, as well as cut newspaper images and a photo postcard.  She is seen at Hampton Institute, a historically Black University, in Hampton, Virginia, posing in front of school buildings, clowning around with friends, and preparing for graduation. Also included are scenic photographs of places she visited such as a dam, a church, and a parade.  The last few pages contain family photographs; a couple photographs show her with an elderly woman. Some of the baby photographs are inscribed \"To Grandma\" and \"To Grand Dad\" and another is labeled \"Me\". The identification of the Hampton Institute as the locale comes from a real photo postcard with the title \"The Hampton Institute Creative Dance Group\" and a newspaper cutout of the Hampton Institute Choir along with the news caption, \"They Keep Spiritual Values High at Hampton.\" It is possible that this album was kept by the grandparent of the young women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains a photograph album of a student from Hampton Institute. The original photo album, measuring 7' x 10' with 24 pages, contains 44 black and white photographs of an unidentified young Black woman, approximately 20 years old, as well as cut newspaper images and a photo postcard.  She is seen at Hampton Institute, a historically Black University, in Hampton, Virginia, posing in front of school buildings, clowning around with friends, and preparing for graduation. Also included are scenic photographs of places she visited such as a dam, a church, and a parade.  The last few pages contain family photographs; a couple photographs show her with an elderly woman. Some of the baby photographs are inscribed \"To Grandma\" and \"To Grand Dad\" and another is labeled \"Me\". The identification of the Hampton Institute as the locale comes from a real photo postcard with the title \"The Hampton Institute Creative Dance Group\" and a newspaper cutout of the Hampton Institute Choir along with the news caption, \"They Keep Spiritual Values High at Hampton.\" It is possible that this album was kept by the grandparent of the young women."],"names_coll_ssim":["Max Rambod","Hampton Institute"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod","Hampton Institute"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod","Hampton Institute"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:37.325Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1042","ead_ssi":"viu_repositories_3_resources_1042","_root_":"viu_repositories_3_resources_1042","_nest_parent_":"viu_repositories_3_resources_1042","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1042.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/122441","title_filing_ssi":"Hampton Institute student photograph album","title_ssm":["Hampton Institute student photograph album"],"title_tesim":["Hampton Institute student photograph album"],"unitdate_ssm":["undated"],"unitdate_other_ssim":["undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16525","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1042"],"text":["MSS 16525","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1042","Hampton Institute student photograph album","African Americans -- Education","African American families","African Americans -- Virginia","Photograph albums","Good","The identity of the student who owned the Hampton Institute photograph album is not known. The history of the Hampton Institute reflects decades of a movement towards more inclusiveness and diversity. The institute originally evolved from a camp near Fort Monroe, Virginia where African Americans were arriving in 1861 during the American Civil War to find freedom from being enslaved in the South. Mary Peake was a free African American woman who held the first class of about twenty students under a simple oak tree. \"Today the tree still stands on the campus of the Hampton Institute as a lasting symbol of the promise of education for all, even in the face of adversity.\"","Several Union Army Generals (General Benjamin Butler and Brigadier General Samuel Armstrong) founded and improved the school, naming it the Butler School. It was associated with the Freedmen's Bureau of the Ninth District of Virginia (Little Scotland which was adjacent to the school), the Whittier School and the Hampton Normal and Agricultural Institute. \"During the night of April 18, 1878, a group of Native Americans arrived in Hampton from Fort Sill, where they had been imprisoned at the close of the Red River War. Several buildings were constructed during this twenty-year span, including Whipple Barn, and Wigwam Dormitory. In 1868, Booker T. Washington was a student at the school.","In 1930, it became the Hampton Normal and Agricultural Institute. 1n 1940 the Institute hired more diverse faculty to fill the roles of high-ranking administrative positions. In 1949, Dr. Dr. Alonzo Graseano Moron became the first African American president. In the 1960's Civil Rights Movement, noted civil rights leaders, including Dr. Martin Luther King, visited the Hampton campus. In 1957 Rosa Parks moved to the Hampton area where she worked on campus as a hostess at The Holly Tree Inn. On February 11, 1960, a group of Hampton Institute students were the first in Virginia to stage a lunch counter sit-in, to protest local business' refusal to serve blacks and whites equally.","\"In 1984, after a nine-month study of Hampton Institute's rapid growth and development in quality of students, faculty and academic offerings, the recommendation was made to change the name to Hampton University.\"Today, over 150 years after its inception, Hampton University continues to break new ground in academic achievement, staying true to General Armstrong's original promise of The Standard of Excellence, An Education for Life.\"","Source: Based on the Hampton University website: https://www.hamptonu.edu/about/history.cfm\nRetrieved 9/17/21 Equal Opportunity Accessibility","This collection contains a photograph album of a student from Hampton Institute. The original photo album, measuring 7' x 10' with 24 pages, contains 44 black and white photographs of an unidentified young Black woman, approximately 20 years old, as well as cut newspaper images and a photo postcard.  She is seen at Hampton Institute, a historically Black University, in Hampton, Virginia, posing in front of school buildings, clowning around with friends, and preparing for graduation. Also included are scenic photographs of places she visited such as a dam, a church, and a parade.  The last few pages contain family photographs; a couple photographs show her with an elderly woman. Some of the baby photographs are inscribed \"To Grandma\" and \"To Grand Dad\" and another is labeled \"Me\". The identification of the Hampton Institute as the locale comes from a real photo postcard with the title \"The Hampton Institute Creative Dance Group\" and a newspaper cutout of the Hampton Institute Choir along with the news caption, \"They Keep Spiritual Values High at Hampton.\" It is possible that this album was kept by the grandparent of the young women.","Albert and Shirley Small Special Collections Library","Max Rambod","Hampton Institute","English"],"unitid_tesim":["MSS 16525","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1042"],"normalized_title_ssm":["Hampton Institute student photograph album"],"collection_title_tesim":["Hampton Institute student photograph album"],"collection_ssim":["Hampton Institute student photograph album"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Max Rambod"],"creator_ssim":["Max Rambod"],"creator_corpname_ssim":["Max Rambod"],"creators_ssim":["Max Rambod"],"acqinfo_ssim":["This collection was purchased from Max Rambod by the Small Special Collections Library, University of Virginia  on June 28, 2021."],"access_subjects_ssim":["African Americans -- Education","African American families","African Americans -- Virginia","Photograph albums"],"access_subjects_ssm":["African Americans -- Education","African American families","African Americans -- Virginia","Photograph albums"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":[".04 Cubic Feet 1 legal sized folder"],"extent_tesim":[".04 Cubic Feet 1 legal sized folder"],"physfacet_tesim":["album"],"genreform_ssim":["Photograph albums"],"bioghist_html_tesm":["\u003cp\u003eThe identity of the student who owned the Hampton Institute photograph album is not known. The history of the Hampton Institute reflects decades of a movement towards more inclusiveness and diversity. The institute originally evolved from a camp near Fort Monroe, Virginia where African Americans were arriving in 1861 during the American Civil War to find freedom from being enslaved in the South. Mary Peake was a free African American woman who held the first class of about twenty students under a simple oak tree. \"Today the tree still stands on the campus of the Hampton Institute as a lasting symbol of the promise of education for all, even in the face of adversity.\"\u003c/p\u003e\n","\u003cp\u003eSeveral Union Army Generals (General Benjamin Butler and Brigadier General Samuel Armstrong) founded and improved the school, naming it the Butler School. It was associated with the Freedmen's Bureau of the Ninth District of Virginia (Little Scotland which was adjacent to the school), the Whittier School and the Hampton Normal and Agricultural Institute. \"During the night of April 18, 1878, a group of Native Americans arrived in Hampton from Fort Sill, where they had been imprisoned at the close of the Red River War. Several buildings were constructed during this twenty-year span, including Whipple Barn, and Wigwam Dormitory. In 1868, Booker T. Washington was a student at the school.\u003c/p\u003e\n","\u003cp\u003eIn 1930, it became the Hampton Normal and Agricultural Institute. 1n 1940 the Institute hired more diverse faculty to fill the roles of high-ranking administrative positions. In 1949, Dr. Dr. Alonzo Graseano Moron became the first African American president. In the 1960's Civil Rights Movement, noted civil rights leaders, including Dr. Martin Luther King, visited the Hampton campus. In 1957 Rosa Parks moved to the Hampton area where she worked on campus as a hostess at The Holly Tree Inn. On February 11, 1960, a group of Hampton Institute students were the first in Virginia to stage a lunch counter sit-in, to protest local business' refusal to serve blacks and whites equally.\u003c/p\u003e\n","\u003cp\u003e\"In 1984, after a nine-month study of Hampton Institute's rapid growth and development in quality of students, faculty and academic offerings, the recommendation was made to change the name to Hampton University.\"Today, over 150 years after its inception, Hampton University continues to break new ground in academic achievement, staying true to General Armstrong's original promise of The Standard of Excellence, An Education for Life.\"\u003c/p\u003e\n","\u003cp\u003eSource: Based on the Hampton University website: https://www.hamptonu.edu/about/history.cfm\nRetrieved 9/17/21 Equal Opportunity Accessibility\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The identity of the student who owned the Hampton Institute photograph album is not known. The history of the Hampton Institute reflects decades of a movement towards more inclusiveness and diversity. The institute originally evolved from a camp near Fort Monroe, Virginia where African Americans were arriving in 1861 during the American Civil War to find freedom from being enslaved in the South. Mary Peake was a free African American woman who held the first class of about twenty students under a simple oak tree. \"Today the tree still stands on the campus of the Hampton Institute as a lasting symbol of the promise of education for all, even in the face of adversity.\"","Several Union Army Generals (General Benjamin Butler and Brigadier General Samuel Armstrong) founded and improved the school, naming it the Butler School. It was associated with the Freedmen's Bureau of the Ninth District of Virginia (Little Scotland which was adjacent to the school), the Whittier School and the Hampton Normal and Agricultural Institute. \"During the night of April 18, 1878, a group of Native Americans arrived in Hampton from Fort Sill, where they had been imprisoned at the close of the Red River War. Several buildings were constructed during this twenty-year span, including Whipple Barn, and Wigwam Dormitory. In 1868, Booker T. Washington was a student at the school.","In 1930, it became the Hampton Normal and Agricultural Institute. 1n 1940 the Institute hired more diverse faculty to fill the roles of high-ranking administrative positions. In 1949, Dr. Dr. Alonzo Graseano Moron became the first African American president. In the 1960's Civil Rights Movement, noted civil rights leaders, including Dr. Martin Luther King, visited the Hampton campus. In 1957 Rosa Parks moved to the Hampton area where she worked on campus as a hostess at The Holly Tree Inn. On February 11, 1960, a group of Hampton Institute students were the first in Virginia to stage a lunch counter sit-in, to protest local business' refusal to serve blacks and whites equally.","\"In 1984, after a nine-month study of Hampton Institute's rapid growth and development in quality of students, faculty and academic offerings, the recommendation was made to change the name to Hampton University.\"Today, over 150 years after its inception, Hampton University continues to break new ground in academic achievement, staying true to General Armstrong's original promise of The Standard of Excellence, An Education for Life.\"","Source: Based on the Hampton University website: https://www.hamptonu.edu/about/history.cfm\nRetrieved 9/17/21 Equal Opportunity Accessibility"],"prefercite_html_tesm":["\u003cp\u003eMSS 16525, Hampton Institute photograph album, Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16525, Hampton Institute photograph album, Small Special Collections Library, University of Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a photograph album of a student from Hampton Institute. The original photo album, measuring 7' x 10' with 24 pages, contains 44 black and white photographs of an unidentified young Black woman, approximately 20 years old, as well as cut newspaper images and a photo postcard.  She is seen at Hampton Institute, a historically Black University, in Hampton, Virginia, posing in front of school buildings, clowning around with friends, and preparing for graduation. Also included are scenic photographs of places she visited such as a dam, a church, and a parade.  The last few pages contain family photographs; a couple photographs show her with an elderly woman. Some of the baby photographs are inscribed \"To Grandma\" and \"To Grand Dad\" and another is labeled \"Me\". The identification of the Hampton Institute as the locale comes from a real photo postcard with the title \"The Hampton Institute Creative Dance Group\" and a newspaper cutout of the Hampton Institute Choir along with the news caption, \"They Keep Spiritual Values High at Hampton.\" It is possible that this album was kept by the grandparent of the young women.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains a photograph album of a student from Hampton Institute. The original photo album, measuring 7' x 10' with 24 pages, contains 44 black and white photographs of an unidentified young Black woman, approximately 20 years old, as well as cut newspaper images and a photo postcard.  She is seen at Hampton Institute, a historically Black University, in Hampton, Virginia, posing in front of school buildings, clowning around with friends, and preparing for graduation. Also included are scenic photographs of places she visited such as a dam, a church, and a parade.  The last few pages contain family photographs; a couple photographs show her with an elderly woman. Some of the baby photographs are inscribed \"To Grandma\" and \"To Grand Dad\" and another is labeled \"Me\". The identification of the Hampton Institute as the locale comes from a real photo postcard with the title \"The Hampton Institute Creative Dance Group\" and a newspaper cutout of the Hampton Institute Choir along with the news caption, \"They Keep Spiritual Values High at Hampton.\" It is possible that this album was kept by the grandparent of the young women."],"names_coll_ssim":["Max Rambod","Hampton Institute"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod","Hampton Institute"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod","Hampton Institute"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content 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