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Chés J. J. HUMMEL, à Berlin avec Privilége du Roi, à Amsterdam au Grand Magazin de Musique \u0026 aux Adresses ordinaires. No. 357. Prix f3: 10., 1776","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c214#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO I\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e74288\"\u003eAllegretto2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e74296\"\u003eLarghetto2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e74304\"\u003eMenuetto con\u003cabbr\u003eEspresione\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO II\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e74324\"\u003eAllegro Moderato2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e74332\"\u003eLarghetto Espressivo2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e74340\"\u003eMenuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO III\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e74360\"\u003eAllegretto2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e74368\"\u003eAndante Cantabile3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e74376\"\u003eMenuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO IV\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e74396\"\u003eAllegrettoC\u003c/li\u003e\n\u003cli id=\"mvtd1e74404\"\u003eLargoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e74412\"\u003eAllegretto Rondo2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO V\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e74433\"\u003eAllegrettoC\u003c/li\u003e\n\u003cli id=\"mvtd1e74441\"\u003eLargo AssaiC\u003c/li\u003e\n\u003cli id=\"mvtd1e74449\"\u003eAllegretto Rondo2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e74469\"\u003eModerato Allegro\u003cabbr\u003eBrillante\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e74480\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e74488\"\u003eTempo di Menuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c214#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c214","ref_ssm":["viumu_mackay-smith_c214"],"id":"viumu_mackay-smith_c214","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SIX TRIOS Trois, à Deux VIOLONS \u0026 BASSE \u0026 Trois, à Un VIOLON, TAILLE \u0026 VIOLONCELLO Obligés. Compossés, \u0026 trés Humblement DEDIÉS A Madame, La BARONESSE de LYNDEN, De Swaenenburg \u0026c. \u0026c. Née Pater. Par JGNACE RAIMONDI. Oeuvre V. Chés J. J. HUMMEL, à Berlin avec Privilége du Roi, à Amsterdam au Grand Magazin de Musique \u0026 aux Adresses ordinaires. No. 357. Prix f3: 10.","title_ssm":["Title Transcription: SIX TRIOS Trois, à Deux VIOLONS \u0026 BASSE \u0026 Trois, à Un VIOLON, TAILLE \u0026 VIOLONCELLO Obligés. Compossés, \u0026 trés Humblement DEDIÉS A Madame, La BARONESSE de LYNDEN, De Swaenenburg \u0026c. \u0026c. Née Pater. Par JGNACE RAIMONDI. Oeuvre V. Chés J. J. HUMMEL, à Berlin avec Privilége du Roi, à Amsterdam au Grand Magazin de Musique \u0026 aux Adresses ordinaires. No. 357. Prix f3: 10."],"title_tesim":["Title Transcription: SIX TRIOS Trois, à Deux VIOLONS \u0026 BASSE \u0026 Trois, à Un VIOLON, TAILLE \u0026 VIOLONCELLO Obligés. Compossés, \u0026 trés Humblement DEDIÉS A Madame, La BARONESSE de LYNDEN, De Swaenenburg \u0026c. \u0026c. Née Pater. Par JGNACE RAIMONDI. Oeuvre V. Chés J. J. HUMMEL, à Berlin avec Privilége du Roi, à Amsterdam au Grand Magazin de Musique \u0026 aux Adresses ordinaires. No. 357. Prix f3: 10."],"normalized_title_ssm":["Title Transcription: SIX TRIOS Trois, à Deux VIOLONS \u0026 BASSE \u0026 Trois, à Un VIOLON, TAILLE \u0026 VIOLONCELLO Obligés. Compossés, \u0026 trés Humblement DEDIÉS A Madame, La BARONESSE de LYNDEN, De Swaenenburg \u0026c. \u0026c. Née Pater. Par JGNACE RAIMONDI. Oeuvre V. Chés J. J. HUMMEL, à Berlin avec Privilége du Roi, à Amsterdam au Grand Magazin de Musique \u0026 aux Adresses ordinaires. No. 357. Prix f3: 10., 1776"],"text":["Title Transcription: SIX TRIOS Trois, à Deux VIOLONS \u0026 BASSE \u0026 Trois, à Un VIOLON, TAILLE \u0026 VIOLONCELLO Obligés. Compossés, \u0026 trés Humblement DEDIÉS A Madame, La BARONESSE de LYNDEN, De Swaenenburg \u0026c. \u0026c. Née Pater. Par JGNACE RAIMONDI. Oeuvre V. Chés J. J. HUMMEL, à Berlin avec Privilége du Roi, à Amsterdam au Grand Magazin de Musique \u0026 aux Adresses ordinaires. No. 357. Prix f3: 10., 1776","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, quarto, 272x185 (280x199): VIOLINO PRIMO: Title, verso blank, [1-2]. Music, pp. 3-13. Blank, [14]. Two blanks, [15-16]. VIOLINO SECONDO: Title, [1]. Music, pp. 2-11. Blank, [12]. Pages 6-11 (Trios IV, V, and VI) have heading \"VIOLA\". BASSO: Title, [1]. Music, pp. 2-11. Blank, [12]. Pages 6-11 (Trios IV, V, and VI) have heading \"VIOLONCELLO\" and are unfigured. Plate no. 357 throughout.","Grand magazine de musique","Raimondi, Ignazio, ca. 1735-1813","Hummel, Johann Julius, 1728-1798","Berlin (Germany)","Amsterdam (Netherlands)","Minuet","Rondo","A","B♭","C","D","E♭","F","2/4","3/4","C|","Allegretto","Allegretto rondo","Allegro moderato","Andante cantabile","Larghetto","Larghetto espressivo","Largo","Largo assai","Menuetto","Menuetto con espressione","Moderato allegro brillante","Tempo di menuetto","Announced in\n Berlinische Nachrichten von Staats- und gelehrten Sachen\n , July 27, 1776 (Johansson/Hummel, v. 1, p. 88).","Contents\n \n TRIO I\n F\n \n \n Allegretto\n 2/4\n \n \n Larghetto\n 2/4\n \n \n Menuetto con\n Espresione\n \n \n 3/4\n \n \n \n \n TRIO II\n A\n \n \n Allegro Moderato\n 2/4\n \n \n Larghetto Espressivo\n 2/4\n \n \n Menuetto\n 3/4\n \n \n \n \n TRIO III\n B♭\n \n \n Allegretto\n 2/4\n \n \n Andante Cantabile\n 3/4\n \n \n Menuetto\n 3/4\n \n \n \n \n TRIO IV\n C\n \n \n Allegretto\n C\n \n \n Largo\n C|\n \n \n Allegretto Rondo\n 2/4\n \n \n \n \n TRIO V\n E♭\n \n \n Allegretto\n C\n \n \n Largo Assai\n C\n \n \n Allegretto Rondo\n 2/4\n \n \n \n \n TRIO VI\n D\n \n \n Moderato Allegro\n Brillante\n \n \n C\n \n \n Largo\n 3/4\n \n \n Tempo di Menuetto\n 3/4","M312.4.R17 1775"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1776"],"unitdate_other_ssim":["1776"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":766,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, quarto, 272x185 (280x199): VIOLINO PRIMO: Title, verso blank, [1-2]. Music, pp. 3-13. Blank, [14]. Two blanks, [15-16]. VIOLINO SECONDO: Title, [1]. Music, pp. 2-11. Blank, [12]. Pages 6-11 (Trios IV, V, and VI) have heading \"VIOLA\". BASSO: Title, [1]. Music, pp. 2-11. Blank, [12]. Pages 6-11 (Trios IV, V, and VI) have heading \"VIOLONCELLO\" and are unfigured. Plate no. 357 throughout."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"corpname_ssim":["Grand magazine de musique"],"persname_ssim":["Raimondi, Ignazio, ca. 1735-1813","Hummel, Johann Julius, 1728-1798"],"names_ssim":["Grand magazine de musique","Raimondi, Ignazio, ca. 1735-1813","Hummel, Johann Julius, 1728-1798"],"geogname_ssim":["Berlin (Germany)","Amsterdam (Netherlands)"],"geogname_ssm":["Berlin (Germany)","Amsterdam (Netherlands)"],"places_ssim":["Berlin (Germany)","Amsterdam (Netherlands)"],"access_subjects_ssim":["Minuet","Rondo","A","B♭","C","D","E♭","F","2/4","3/4","C|","Allegretto","Allegretto rondo","Allegro moderato","Andante cantabile","Larghetto","Larghetto espressivo","Largo","Largo assai","Menuetto","Menuetto con espressione","Moderato allegro brillante","Tempo di menuetto"],"access_subjects_ssm":["Minuet","Rondo","A","B♭","C","D","E♭","F","2/4","3/4","C|","Allegretto","Allegretto rondo","Allegro moderato","Andante 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\n \n Andante Cantabile\n 3/4\n \n \n Menuetto\n 3/4\n \n \n \n \n TRIO IV\n C\n \n \n Allegretto\n C\n \n \n Largo\n C|\n \n \n Allegretto Rondo\n 2/4\n \n \n \n \n TRIO V\n E♭\n \n \n Allegretto\n C\n \n \n Largo Assai\n C\n \n \n Allegretto Rondo\n 2/4\n \n \n \n \n TRIO VI\n D\n \n \n Moderato Allegro\n Brillante\n \n \n C\n \n \n Largo\n 3/4\n \n \n Tempo di Menuetto\n 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.R17 1775\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.R17 1775"],"_nest_path_":"/components#213","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e74288\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegretto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74296\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLarghetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74304\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMenuetto con\u003cemph\u003e\n \u003cabbr expan=\"Espressione\"\u003eEspresione\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e74324\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro Moderato\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74332\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLarghetto Espressivo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74340\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMenuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e74360\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegretto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74368\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante Cantabile\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem 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\u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO V\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eE♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e74433\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegretto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74441\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo Assai\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e74449\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegretto Rondo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eTRIO VI\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem 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"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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(Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c214"}},{"id":"viumu_mackay-smith_c189","type":"Item","attributes":{"title":"Title Transcription: SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang, 1712","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c189#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e67228\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e67236\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67244\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e67252\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e67272\"\u003eUn Poco Andante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67280\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67288\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e67296\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e67316\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e67324\"\u003eAllegro assaiC\u003c/li\u003e\n\u003cli id=\"mvtd1e67332\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e67340\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e67360\"\u003eAllegro e spiccoC\u003c/li\u003e\n\u003cli id=\"mvtd1e67368\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67376\"\u003eLargoC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67384\"\u003eAllegroC2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA a Violino solo e Basso e secondo Violino se piace V\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e67405\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e67413\"\u003eAllemanda spiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e67421\"\u003eCorrente AndanteC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67432\"\u003eGiga AllegroC12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e67455\"\u003eSpiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e67463\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e67471\"\u003eSarabandaC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e67479\"\u003eAllegroC2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c189#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c189","ref_ssm":["viumu_mackay-smith_c189"],"id":"viumu_mackay-smith_c189","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang","title_ssm":["Title Transcription: SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang"],"title_tesim":["Title Transcription: SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang"],"normalized_title_ssm":["Title Transcription: SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang, 1712"],"text":["Title Transcription: SONATAS of three Parts, for two Violins \u0026 a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp \u0026 Hoboy in Katherine Street in ye Strand, \u0026 J. Hare at ye Viol \u0026 Flute in Cornhill near ye Royal Exchang, 1712","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Four parts, folio, 274x173 (280x178): VIOLINO PRIMO: Title, verso blank. Music, pp. 1-10. VIOLINO SECONDO: Same as VIOLINO PRIMO. VIOLONCELLO: Title, verso blank. Music, pp. 1-9. Blank, [10]. Unfigured. ORGANO: Same as VIOLINO PRIMO.","Harp and Hoboy","Viol and Flute","Mascitti, Michele, 1663 or 1664-1760","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736","London (England)","Allemande","Corrente","Jig","Sarabande","A","C","D","E","12/8","2/4","3/4","Adagio","Allegro","Allegro assai","Allegro e spicco","Allemanda allegro","Allemanda spiritoso","Corrente andante","Giga allegro","Grave","Largo","Sarabanda","Spiritoso","Un poco andante","Vivace","Smithno. 434.","The collection contains a second copy of this item.","Contents\n \n SONATA I\n D\n \n \n Vivace\n C\n \n \n Allegro\n C\n \n \n Grave\n C\n \n \n Allegro\n 12/8\n \n \n \n \n SONATA II\n a\n \n \n Un Poco Andante\n 3/4\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Allegro\n 3/4\n \n \n \n \n SONATA III\n C\n \n \n Adagio\n C\n \n \n Allegro assai\n C\n \n \n Adagio\n C\n \n \n Allegro\n C\n \n \n \n \n SONATA IV\n e\n \n \n Allegro e spicco\n C\n \n \n Allegro\n C\n \n \n Largo\n C\n 3/4\n \n \n Allegro\n C\n 2/4\n \n \n \n \n SONATA a Violino solo e Basso e secondo Violino se piace V\n D\n \n \n Largo\n C\n \n \n Allemanda spiritoso\n C\n \n \n Corrente Andante\n C\n 3/4\n \n \n Giga Allegro\n C\n 12/8\n \n \n \n \n SONATA VI\n A\n \n \n Spiritoso\n C\n \n \n Allemanda Allegro\n C\n \n \n Sarabanda\n C\n 3/4\n \n \n Allegro\n C\n 2/4","M312.4.M37 1710"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1712"],"unitdate_other_ssim":["ca. 1712"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":676,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Four parts, folio, 274x173 (280x178): VIOLINO PRIMO: Title, verso blank. Music, pp. 1-10. VIOLINO SECONDO: Same as VIOLINO PRIMO. VIOLONCELLO: Title, verso blank. Music, pp. 1-9. Blank, [10]. Unfigured. ORGANO: Same as VIOLINO PRIMO."],"has_online_content_ssim":["false"],"child_component_count_isi":4,"corpname_ssim":["Harp and Hoboy","Viol and Flute"],"persname_ssim":["Mascitti, Michele, 1663 or 1664-1760","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"names_ssim":["Harp and Hoboy","Viol and Flute","Mascitti, Michele, 1663 or 1664-1760","Hare, John, d. 1725","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Allemande","Corrente","Jig","Sarabande","A","C","D","E","12/8","2/4","3/4","Adagio","Allegro","Allegro assai","Allegro e spicco","Allemanda allegro","Allemanda spiritoso","Corrente andante","Giga allegro","Grave","Largo","Sarabanda","Spiritoso","Un poco andante","Vivace"],"access_subjects_ssm":["Allemande","Corrente","Jig","Sarabande","A","C","D","E","12/8","2/4","3/4","Adagio","Allegro","Allegro assai","Allegro e spicco","Allemanda allegro","Allemanda spiritoso","Corrente andante","Giga allegro","Grave","Largo","Sarabanda","Spiritoso","Un poco andante","Vivace"],"date_range_isim":[1712],"bibliography_html_tesm":["\u003cp\u003e\n \u003cref target=\"Smith\"\u003eSmith\u003c/ref\u003eno. 434.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smithno. 434."],"note_html_tesm":["\u003cp\u003eThe collection contains a second copy of this item.\u003c/p\u003e\n "],"note_tesim":["The collection contains a second copy of this item."],"scopecontent_tesim":["Contents\n \n SONATA I\n D\n \n \n Vivace\n C\n \n \n Allegro\n C\n \n \n Grave\n C\n \n \n Allegro\n 12/8\n \n \n \n \n SONATA II\n a\n \n \n Un Poco Andante\n 3/4\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Allegro\n 3/4\n \n \n \n \n SONATA III\n C\n \n \n Adagio\n C\n \n \n Allegro assai\n C\n \n \n Adagio\n C\n \n \n Allegro\n C\n \n \n \n \n SONATA IV\n e\n \n \n Allegro e spicco\n C\n \n \n Allegro\n C\n \n \n Largo\n C\n 3/4\n \n \n Allegro\n C\n 2/4\n \n \n \n \n SONATA a Violino solo e Basso e secondo Violino se piace V\n D\n \n \n Largo\n C\n \n \n Allemanda spiritoso\n C\n \n \n Corrente Andante\n C\n 3/4\n \n \n Giga Allegro\n C\n 12/8\n \n \n \n \n SONATA VI\n A\n \n \n Spiritoso\n C\n \n \n Allemanda Allegro\n C\n \n \n Sarabanda\n C\n 3/4\n \n \n Allegro\n C\n 2/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.M37 1710\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.M37 1710"],"_nest_path_":"/components#188","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e67228\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67236\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67244\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67252\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003ea\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e67272\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eUn Poco Andante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67280\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67288\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67296\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e67316\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67324\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro assai\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67332\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67340\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA IV\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003ee\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e67360\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro e spicco\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67368\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67376\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67384\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA a Violino solo e Basso e secondo Violino se piace V\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e67405\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67413\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda spiritoso\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67421\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eCorrente Andante\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67432\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA VI\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e67455\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSpiritoso\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67463\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67471\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSarabanda\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e67479\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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(Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. 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H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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[London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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[Handel]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Handel\"\u003e\n \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Pleyel\"\u003e\n \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c189"}},{"id":"viumu_mackay-smith_c179","type":"Item","attributes":{"title":"Title Transcription: SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy., 1730","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c179#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e63250\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e63258\"\u003eAllegro ma non\u003cabbr\u003etropo\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e63269\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e63277\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e63297\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e63305\"\u003eAllegro ma non\u003cabbr\u003etropo\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e63316\"\u003eLargo12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e63324\"\u003eAllegro assai2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e63344\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e63352\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e63360\"\u003eAria Allegro ma poco6/4\u003c/li\u003e\n\u003cli id=\"mvtd1e63368\"\u003eSarabanda Largo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e63376\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e63396\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e63404\"\u003eAllegro ma non\u003cabbr\u003etropo\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e63415\"\u003eAria Andante ma non\u003cabbr\u003etropo\u003c/abbr\u003e3\u003c/li\u003e\n\u003cli id=\"mvtd1e63426\"\u003ePresto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e63447\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e63455\"\u003eAllegro ma non\u003cabbr\u003etropo\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e63466\"\u003eAria\u003cabbr\u003eGratioso\u003c/abbr\u003e3\u003c/li\u003e\n\u003cli id=\"mvtd1e63477\"\u003eGiga Allegro ma non\u003cabbr\u003etropo\u003c/abbr\u003e6/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e63500\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e63508\"\u003eAllegro ma non\u003cabbr\u003etropo\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e63519\"\u003eGavotta\u003cabbr\u003egratioso\u003c/abbr\u003eun poco AndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e63531\"\u003eVivace3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c179#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c179","ref_ssm":["viumu_mackay-smith_c179"],"id":"viumu_mackay-smith_c179","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy.","title_ssm":["Title Transcription: SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy."],"title_tesim":["Title Transcription: SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy."],"normalized_title_ssm":["Title Transcription: SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy., 1730"],"text":["Title Transcription: SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy., 1730","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Three parts, quarto, 257x188 (267x194): Violino Primo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-22. Blank, [23]. Music, pp. 24-28. Violino Secondo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-24. Blank, [25]. Music, pp. 26-30. Two blanks, [31-32]. Organo è Violoncelo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-22. Blank, [23]. Music, pp. 24-27. Blank, [28]. Lower right of each title-page signed: \"Dupré de St Maur\".","Croix d'Or","Règle d'Or","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Le Clerc, Jean-Pantaléon, d. 1759","Paris (France)","Aria","Gavotte","Jig","Sarabande","A","B♭","F","D","G","12/8","2/4","3","3/2","3/4","3/8","6/4","C","Adagio","Allegro","Allegro assai","Allegro ma non troppo","Andante","Aria allegro ma poco","Aria andante ma non troppo","Aria grazioso","Gavotta grazioso un poco andante","Giga allegro ma non troppo","Largo","Presto","Sarabanda largo","Vivace","Lesure/Catalogue, p. 379.","Contents\n \n SONATA I\n d\n \n \n Adagio\n C\n \n \n Allegro ma non\n tropo\n \n \n C\n \n \n Largo\n 3\n \n \n Allegro\n 3/8\n \n \n \n \n SONATA II\n B♭\n \n \n Adagio\n C\n \n \n Allegro ma non\n tropo\n \n \n C\n \n \n Largo\n 12/8\n \n \n Allegro assai\n 2/4\n \n \n \n \n SONATA III\n d\n \n \n Adagio\n 3/4\n \n \n Allegro\n C\n \n \n Aria Allegro ma poco\n 6/4\n \n \n Sarabanda Largo\n 3/2\n \n \n Allegro\n 2/4\n \n \n \n \n SONATA IV\n F\n \n \n Largo\n C\n \n \n Allegro ma non\n tropo\n \n \n C\n \n \n Aria Andante ma non\n tropo\n \n \n 3\n \n \n Presto\n 2/4\n \n \n \n \n SONATA V\n g\n \n \n Andante\n 3/4\n \n \n Allegro ma non\n tropo\n \n \n C\n \n \n Aria\n Gratioso\n \n \n 3\n \n \n Giga Allegro ma non\n tropo\n \n \n 6/4\n \n \n \n \n SONATA VI\n A\n \n \n Adagio\n C\n \n \n Allegro ma non\n tropo\n \n \n C\n \n \n Gavotta\n gratioso\n un poco Andante\n C\n \n \n Vivace\n 3/4","M312.4.L42 1700z"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1730"],"unitdate_other_ssim":["ca. 1730"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":645,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Three parts, quarto, 257x188 (267x194): Violino Primo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-22. Blank, [23]. Music, pp. 24-28. Violino Secondo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-24. Blank, [25]. Music, pp. 26-30. Two blanks, [31-32]. Organo è Violoncelo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-22. Blank, [23]. Music, pp. 24-27. Blank, [28]. 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\n Allegro\n C\n \n \n Aria Allegro ma poco\n 6/4\n \n \n Sarabanda Largo\n 3/2\n \n \n Allegro\n 2/4\n \n \n \n \n SONATA IV\n F\n \n \n Largo\n C\n \n \n Allegro ma non\n tropo\n \n \n C\n \n \n Aria Andante ma non\n tropo\n \n \n 3\n \n \n Presto\n 2/4\n \n \n \n \n SONATA V\n g\n \n \n Andante\n 3/4\n \n \n Allegro ma non\n tropo\n \n \n C\n \n \n Aria\n Gratioso\n \n \n 3\n \n \n Giga Allegro ma non\n tropo\n \n \n 6/4\n \n \n \n \n SONATA VI\n A\n \n \n Adagio\n C\n \n \n Allegro ma non\n tropo\n \n \n C\n \n \n Gavotta\n gratioso\n un poco Andante\n C\n \n \n Vivace\n 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.L42 1700z\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.L42 1700z"],"_nest_path_":"/components#178","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA I\u003c/title\u003e\n \u003cgenreform 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"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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[London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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[Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c179"}},{"id":"viumu_mackay-smith_c113","type":"Item","attributes":{"title":"Title Transcription: SONATES POUR Le Violoncelle et Basse Continuë OU Le Violon Seul \u0026 Basse. Composées Par ANTONIO FILTZ Mises au jour par Mr DE LA CHEVARDIERE. Prix 4tt. 4s. ŒUVRE V. Gravées par P. L. Charpentier. A PARIS Chez Mr. De La Chevardiere rue du Roule à la Croix d'Or. Et aux Adresses Ordinaires de Musique. Avec Privilege Exclusif, 1779","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c113#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e40879\"\u003eAllegro moderatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e40887\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e40895\"\u003eAllegro3\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e40915\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e40923\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e40931\"\u003e\n\u003cabbr\u003eVariatione\u003c/abbr\u003e2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e40951\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e40959\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e40967\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c113#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c113","ref_ssm":["viumu_mackay-smith_c113"],"id":"viumu_mackay-smith_c113","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"SONATES POUR Le Violoncelle et Basse Continuë OU Le Violon Seul \u0026 Basse. Composées Par ANTONIO FILTZ Mises au jour par Mr DE LA CHEVARDIERE. Prix 4tt. 4s. ŒUVRE V. Gravées par P. L. Charpentier. A PARIS Chez Mr. De La Chevardiere rue du Roule à la Croix d'Or. Et aux Adresses Ordinaires de Musique. Avec Privilege Exclusif","title_ssm":["Title Transcription: SONATES POUR Le Violoncelle et Basse Continuë OU Le Violon Seul \u0026 Basse. Composées Par ANTONIO FILTZ Mises au jour par Mr DE LA CHEVARDIERE. Prix 4tt. 4s. ŒUVRE V. Gravées par P. L. Charpentier. A PARIS Chez Mr. De La Chevardiere rue du Roule à la Croix d'Or. Et aux Adresses Ordinaires de Musique. Avec Privilege Exclusif"],"title_tesim":["Title Transcription: SONATES POUR Le Violoncelle et Basse Continuë OU Le Violon Seul \u0026 Basse. Composées Par ANTONIO FILTZ Mises au jour par Mr DE LA CHEVARDIERE. Prix 4tt. 4s. ŒUVRE V. Gravées par P. L. Charpentier. A PARIS Chez Mr. De La Chevardiere rue du Roule à la Croix d'Or. Et aux Adresses Ordinaires de Musique. Avec Privilege Exclusif"],"normalized_title_ssm":["Title Transcription: SONATES POUR Le Violoncelle et Basse Continuë OU Le Violon Seul \u0026 Basse. Composées Par ANTONIO FILTZ Mises au jour par Mr DE LA CHEVARDIERE. Prix 4tt. 4s. ŒUVRE V. Gravées par P. L. Charpentier. A PARIS Chez Mr. De La Chevardiere rue du Roule à la Croix d'Or. Et aux Adresses Ordinaires de Musique. Avec Privilege Exclusif, 1779"],"text":["Title Transcription: SONATES POUR Le Violoncelle et Basse Continuë OU Le Violon Seul \u0026 Basse. Composées Par ANTONIO FILTZ Mises au jour par Mr DE LA CHEVARDIERE. Prix 4tt. 4s. ŒUVRE V. Gravées par P. L. Charpentier. A PARIS Chez Mr. De La Chevardiere rue du Roule à la Croix d'Or. Et aux Adresses Ordinaires de Musique. Avec Privilege Exclusif, 1779","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Score, folio, 277 x approx. 285 (approx. 193 x approx. 202): Title, verso catalogue [Johansson/French, v. 2, p. 82-83, No. I]. Catalogue [Johansson/French, facs. 60], [1]. Music, pp. 2-13. Blank, [14]. Inner and bottom margins of title-page are severely trimmed, with some loss of text on second catalogue.","Croix d'Or","Filtz, Johann Anton, 1733-1760","La Chevardière, Louis Balthazard de, 1730-1812","Charpentier, P. L. (Pierre Laurent)","Paris (France)","Variations","A","D","C","2/4","3","Adagio","Allegro","Allegro moderato","Variazione","Issued with catalogues of the same date. Originally published in 1763, announced in Mercure de France, October, 1763, (Johansson/French, v. 2, p. 68).","Contents\n \n SONATA I\n D\n \n \n Allegro moderato\n C\n \n \n Adagio\n C\n \n \n Allegro\n 3\n \n \n \n \n SONATA II\n A\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n \n \n Variatione\n \n \n 2/4\n \n \n \n \n SONATA III\n c\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Allegro\n 2/4","M231.F56 1760"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1779"],"unitdate_other_ssim":["1779"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":399,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Score, folio, 277 x approx. 285 (approx. 193 x approx. 202): Title, verso catalogue [Johansson/French, v. 2, p. 82-83, No. I]. Catalogue [Johansson/French, facs. 60], [1]. Music, pp. 2-13. Blank, [14]. Inner and bottom margins of title-page are severely trimmed, with some loss of text on second catalogue."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"corpname_ssim":["Croix d'Or"],"persname_ssim":["Filtz, Johann Anton, 1733-1760","La Chevardière, Louis Balthazard de, 1730-1812","Charpentier, P. L. (Pierre Laurent)"],"names_ssim":["Croix d'Or","Filtz, Johann Anton, 1733-1760","La Chevardière, Louis Balthazard de, 1730-1812","Charpentier, P. L. (Pierre Laurent)"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Variations","A","D","C","2/4","3","Adagio","Allegro","Allegro moderato","Variazione"],"access_subjects_ssm":["Variations","A","D","C","2/4","3","Adagio","Allegro","Allegro moderato","Variazione"],"date_range_isim":[1779],"bibliography_html_tesm":["\u003cp\u003eIssued with catalogues of the same date. Originally published in 1763, announced in Mercure de France, October, 1763, (\u003cref target=\"Johansson-French\"\u003eJohansson/French\u003c/ref\u003e, v. 2, p. 68).\u003c/p\u003e\n ","\u003cp\u003e\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Issued with catalogues of the same date. Originally published in 1763, announced in Mercure de France, October, 1763, (Johansson/French, v. 2, p. 68)."],"scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e40879\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro moderato\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e40887\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e40895\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e40915\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e40923\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e40931\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Variazione\"\u003eVariatione\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003ec\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e40951\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e40959\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e40967\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"scopecontent_tesim":["Contents\n \n SONATA I\n D\n \n \n Allegro moderato\n C\n \n \n Adagio\n C\n \n \n Allegro\n 3\n \n \n \n \n SONATA II\n A\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n \n \n Variatione\n \n \n 2/4\n \n \n \n \n SONATA III\n c\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Allegro\n 2/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM231.F56 1760\u003c/physloc\u003e\n "],"physloc_tesim":["M231.F56 1760"],"_nest_path_":"/components#112","timestamp":"2026-07-23T21:47:27.798Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c113"}},{"id":"viumu_mackay-smith_c81","type":"Item","attributes":{"title":"Title Transcription: The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st., 1728","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c81#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e28496\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28504\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28512\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003e[3/4]\u003c/li\u003e\n\u003cli id=\"mvtd1e28523\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28531\"\u003e\n\u003cabbr\u003eAlle.\u003c/abbr\u003eC|\u003c/li\u003e\n\u003cli id=\"mvtd1e28542\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e28562\"\u003eVivaceC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28573\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28581\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e28589\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto III\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e28609\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28617\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28625\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e28633\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e28641\"\u003eAllegroC12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto IIII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e28661\"\u003e\n\u003cabbr\u003eAdo.\u003c/abbr\u003eC-AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28677\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e28685\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28693\"\u003eAllegroC2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28701\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto V\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e28722\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e28730\"\u003eAdagio3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e28738\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e28746\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28754\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto VI\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e28774\"\u003e\n\u003cabbr\u003eAdo.\u003c/abbr\u003eC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28787\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28795\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28803\"\u003eVivace3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e28811\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eC|2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto VII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e28836\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e28844\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28854\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28862\"\u003eAndante LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28870\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28879\"\u003eVivace3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto VIII\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e28899\"\u003eVivaceC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28910\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e28918\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28926\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e28934\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28943\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e28951\"\u003ePastorale ad LibitumLargoC12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto IX\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e28971\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28979\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28987\"\u003eCorrente Vivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28995\"\u003eGavotta\u003cabbr\u003eAllego.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e29006\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29015\"\u003eMinuetto VivaceC3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto X\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e29038\"\u003ePreludio Andante LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e29046\"\u003eAllemanda\u003cabbr\u003eAlleo.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e29057\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29065\"\u003eCorrente VivaceC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29076\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e29085\"\u003eMinuetto Vivace3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto XI\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e29106\"\u003ePreludio Andante LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e29114\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e29122\"\u003e\n\u003cabbr\u003eAdo.\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29132\"\u003eAndante LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e29140\"\u003eSarabanda Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29149\"\u003eGiga VivaceC6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto XII\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e29172\"\u003ePreludio\u003cabbr\u003eAdo.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e29183\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e29191\"\u003e\n\u003cabbr\u003eAdo.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e29201\"\u003eSarabanda Vivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29209\"\u003eGiga\u003cabbr\u003eAllo.\u003c/abbr\u003eC6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c81#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c81","ref_ssm":["viumu_mackay-smith_c81"],"id":"viumu_mackay-smith_c81","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st.","title_ssm":["Title Transcription: The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st."],"title_tesim":["Title Transcription: The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st."],"normalized_title_ssm":["Title Transcription: The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st., 1728"],"text":["Title Transcription: The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st., 1728","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Score, folio, 297x195 (340x215): Blank, verso engraved portrait of the composer: \"S. Cole Sc. ARCANGELVS CORELLIUS.\". Title, verso blank. Letter of dedication from Cooke, verso blank, [i-ii]. Blank, [iii]. Music, pp. 1-139. At bottom of last page of music: \"the whole work ingrav'd by Tho: Cross.\". Bound with no. 86.","Golden Harp","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","London (England)","Allemande","Corrente","Gavotte","Jig","Minuet","Prelude","Sarabande","B♭","C","D","F","G","12/8","2/4","3/4","3/8","6/8","C|","Adagio","Allegretto","Allegro","Allemanda allegro","Allemanda allegretto","Andante largo","Corrente vivace","Gavotta allegro","Giga allegro","Giga vivace","Grave","Largo","Minuetto vivace","Pastorale ad libitum largo","Preludio adagio","Preludio andante largo","Preludio largo","Sarabanda largo","Sarabanda vivace","Vivace","SeeSmith-Humphries, no. 405.","Announced in\n Daily Post\n , June 24-25, 1728.","Contents\n \n Concerto I\n D\n \n \n Largo\n C\n \n \n Largo\n 3/4\n \n \n \n \n Allo.\n \n [3/4]\n \n Largo\n C\n \n \n \n \n Alle.\n \n \n C|\n \n \n Allegro\n C|\n \n \n \n \n Concerto II\n F\n \n \n Vivace\n C\n 3/4\n \n \n Allegro\n C\n \n \n Grave\n C\n \n \n Allegro\n C|\n \n \n \n \n Concerto III\n c\n \n \n Largo\n C\n \n \n Allegro\n 3/4\n \n \n Grave\n C\n \n \n Vivace\n C\n \n \n Allegro\n C\n 12/8\n \n \n \n \n Concerto IIII\n D\n \n \n \n \n Ado.\n \n \n C-Allegro\n C\n \n \n Adagio\n C\n \n \n Vivace\n 3/4\n \n \n Allegro\n C\n 2/4\n \n \n Allegro\n C\n \n \n \n \n Concerto V\n B♭\n \n \n Adagio\n C\n \n \n Adagio\n 3/8\n \n \n Allegro\n C|\n \n \n Largo\n 3/4\n \n \n Allegro\n C|\n \n \n \n \n Concerto VI\n F\n \n \n \n \n Ado.\n \n \n C\n 3/4\n \n \n Allegro\n C\n \n \n Largo\n C\n \n \n Vivace\n 3/8\n \n \n \n \n Allo.\n \n \n C|\n 2/4\n \n \n \n \n Concerto VII\n D\n \n \n Vivace\n C\n \n \n \n \n Allo.\n \n \n 3/4\n \n \n Allegro\n C\n \n \n Andante Largo\n C\n \n \n Allegro\n C\n \n \n Vivace\n 3/8\n \n \n \n \n Concerto VIII\n g\n \n \n Vivace\n C\n 3/4\n \n \n Grave\n C\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Vivace\n 3/4\n \n \n Allegro\n C|\n \n \n Pastorale ad Libitum\n Largo\n C\n 12/8\n \n \n \n \n Concerto IX\n F\n \n \n Preludio Largo\n C\n \n \n Allemanda Allegro\n C\n \n \n Corrente Vivace\n 3/4\n \n \n Gavotta\n Allego.\n \n \n C\n \n \n Adagio\n 3/4\n \n \n Minuetto Vivace\n C\n 3/8\n \n \n \n \n Concerto X\n C\n \n \n Preludio Andante Largo\n C\n \n \n Allemanda\n Alleo.\n \n \n C\n \n \n Adagio\n 3/4\n \n \n Corrente Vivace\n C\n 3/4\n \n \n Allegro\n C\n \n \n Minuetto Vivace\n 3/8\n \n \n \n \n Concerto XI\n B♭\n \n \n Preludio Andante Largo\n C\n \n \n Allemanda Allegro\n C\n \n \n \n \n Ado.\n \n \n 3/4\n \n \n Andante Largo\n C\n \n \n Sarabanda Largo\n 3/4\n \n \n Giga Vivace\n C\n 6/8\n \n \n \n \n Concerto XII\n F\n \n \n Preludio\n Ado.\n \n \n C\n \n \n Allegro\n C\n \n \n \n \n Ado.\n \n \n C\n \n \n Sarabanda Vivace\n 3/4\n \n \n Giga\n Allo.\n \n \n C\n 6/8","M312.4.C77P3 1732"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1728"],"unitdate_other_ssim":["1728"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":309,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Score, folio, 297x195 (340x215): Blank, verso engraved portrait of the composer: \"S. Cole Sc. ARCANGELVS CORELLIUS.\". Title, verso blank. Letter of dedication from Cooke, verso blank, [i-ii]. Blank, [iii]. Music, pp. 1-139. At bottom of last page of music: \"the whole work ingrav'd by Tho: Cross.\". Bound with no. 86."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"corpname_ssim":["Golden Harp"],"persname_ssim":["Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735"],"names_ssim":["Golden Harp","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Allemande","Corrente","Gavotte","Jig","Minuet","Prelude","Sarabande","B♭","C","D","F","G","12/8","2/4","3/4","3/8","6/8","C|","Adagio","Allegretto","Allegro","Allemanda allegro","Allemanda allegretto","Andante largo","Corrente vivace","Gavotta allegro","Giga allegro","Giga vivace","Grave","Largo","Minuetto vivace","Pastorale ad libitum largo","Preludio adagio","Preludio andante largo","Preludio largo","Sarabanda largo","Sarabanda vivace","Vivace"],"access_subjects_ssm":["Allemande","Corrente","Gavotte","Jig","Minuet","Prelude","Sarabande","B♭","C","D","F","G","12/8","2/4","3/4","3/8","6/8","C|","Adagio","Allegretto","Allegro","Allemanda allegro","Allemanda allegretto","Andante largo","Corrente vivace","Gavotta allegro","Giga allegro","Giga vivace","Grave","Largo","Minuetto vivace","Pastorale ad libitum largo","Preludio adagio","Preludio andante largo","Preludio largo","Sarabanda largo","Sarabanda vivace","Vivace"],"date_range_isim":[1728],"bibliography_html_tesm":["\u003cp\u003eSee\u003cref target=\"Smith-Humphries\"\u003eSmith-Humphries\u003c/ref\u003e, no. 405.\u003c/p\u003e\n ","\u003cp\u003eAnnounced in\u003cbibref\u003e\n \u003ctitle\u003eDaily Post\u003c/title\u003e\n \u003c/bibref\u003e, June 24-25, 1728.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["SeeSmith-Humphries, no. 405.","Announced in\n Daily Post\n , June 24-25, 1728."],"scopecontent_tesim":["Contents\n \n Concerto I\n D\n \n \n Largo\n C\n \n \n Largo\n 3/4\n \n \n \n \n Allo.\n \n [3/4]\n \n Largo\n C\n \n \n \n \n Alle.\n \n \n C|\n \n \n Allegro\n C|\n \n \n \n \n Concerto II\n F\n \n \n Vivace\n C\n 3/4\n \n \n Allegro\n C\n \n \n Grave\n C\n \n \n Allegro\n C|\n \n \n \n \n Concerto III\n c\n \n \n Largo\n C\n \n \n Allegro\n 3/4\n \n \n Grave\n C\n \n \n Vivace\n C\n \n \n Allegro\n C\n 12/8\n \n \n \n \n Concerto IIII\n D\n \n \n \n \n Ado.\n \n \n C-Allegro\n C\n \n \n Adagio\n C\n \n \n Vivace\n 3/4\n \n \n Allegro\n C\n 2/4\n \n \n Allegro\n C\n \n \n \n \n Concerto V\n B♭\n \n \n Adagio\n C\n \n \n Adagio\n 3/8\n \n \n Allegro\n C|\n \n \n Largo\n 3/4\n \n \n Allegro\n C|\n \n \n \n \n Concerto VI\n F\n \n \n \n \n Ado.\n \n \n C\n 3/4\n \n \n Allegro\n C\n \n \n Largo\n C\n \n \n Vivace\n 3/8\n \n \n \n \n Allo.\n \n \n C|\n 2/4\n \n \n \n \n Concerto VII\n D\n \n \n Vivace\n C\n \n \n \n \n Allo.\n \n \n 3/4\n \n \n Allegro\n C\n \n \n Andante Largo\n C\n \n \n Allegro\n C\n \n \n Vivace\n 3/8\n \n \n \n \n Concerto VIII\n g\n \n \n Vivace\n C\n 3/4\n \n \n Grave\n C\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n Vivace\n 3/4\n \n \n Allegro\n C|\n \n \n Pastorale ad Libitum\n Largo\n C\n 12/8\n \n \n \n \n Concerto IX\n F\n \n \n Preludio Largo\n C\n \n \n Allemanda Allegro\n C\n \n \n Corrente Vivace\n 3/4\n \n \n Gavotta\n Allego.\n \n \n C\n \n \n Adagio\n 3/4\n \n \n Minuetto Vivace\n C\n 3/8\n \n \n \n \n Concerto X\n C\n \n \n Preludio Andante Largo\n C\n \n \n Allemanda\n Alleo.\n \n \n C\n \n \n Adagio\n 3/4\n \n \n Corrente Vivace\n C\n 3/4\n \n \n Allegro\n C\n \n \n Minuetto Vivace\n 3/8\n \n \n \n \n Concerto XI\n B♭\n \n \n Preludio Andante Largo\n C\n \n \n Allemanda Allegro\n C\n \n \n \n \n Ado.\n \n \n 3/4\n \n \n Andante Largo\n C\n \n \n Sarabanda Largo\n 3/4\n \n \n Giga Vivace\n C\n 6/8\n \n \n \n \n Concerto XII\n F\n \n \n Preludio\n Ado.\n \n \n C\n \n \n Allegro\n C\n \n \n \n \n Ado.\n \n \n C\n \n \n Sarabanda Vivace\n 3/4\n \n \n Giga\n Allo.\n \n \n C\n 6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.C77P3 1732\u003c/physloc\u003e\n "],"physloc_tesim":["M312.4.C77P3 1732"],"_nest_path_":"/components#80","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eConcerto I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e28496\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28504\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28512\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegretto\"\u003eAllo.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e[\u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e]\u003c/item\u003e\n \u003citem id=\"mvtd1e28523\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28531\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegretto\"\u003eAlle.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28542\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eConcerto II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e28562\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28573\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28581\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28589\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eConcerto III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003ec\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e28609\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28617\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28625\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28633\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28641\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n 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id=\"mvtd1e28774\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Adagio\"\u003eAdo.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28787\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28795\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28803\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28811\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eConcerto VII\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e28836\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28844\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegretto\"\u003eAllo.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28854\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28862\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28870\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28879\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eConcerto VIII\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e28899\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28910\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28918\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28926\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28934\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28943\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28951\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePastorale ad Libitum\u003c/genreform\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e12/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eConcerto IX\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e28971\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePreludio Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28979\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28987\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eCorrente Vivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e28995\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGavotta\u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllego.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e29006\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e29015\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto Vivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform 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type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e29114\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllemanda Allegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e29122\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Adagio\"\u003eAdo.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e29132\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAndante Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e29140\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Largo\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e29149\"\u003e\n 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\u003cemph\u003e\n \u003cabbr expan=\"Adagio\"\u003eAdo.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e29201\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSarabanda Vivace\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e29209\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGiga\u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. 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[Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. 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Where may be had all the above Authors Works. \u0026c. \u0026c. \u0026c. \u0026c., 1779","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c76#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO I\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e27532\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eSpiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e27543\"\u003eRondeau PrestoC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO II\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e27563\"\u003eAllegro maestosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e27571\"\u003eTempo di Minuetto Andante3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUETTO III\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e27591\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e27599\"\u003eRondeau Allegretto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e27619\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e27627\"\u003ePrestoC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e27648\"\u003eSpiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e27656\"\u003eAllegretto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e27676\"\u003eAllegro SpiritosoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e27684\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c76#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c76","ref_ssm":["viumu_mackay-smith_c76"],"id":"viumu_mackay-smith_c76","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Three DUETS For two Performers on ONE PIANO FORTE OR Harpsichord and three SONATAS with an Accompaniment for a FLUTE or VIOLIN Humbly Dedicated to MRS LEIGH and Composed by Sigr: Clementi Opera Terza Price 10=6 LONDON Printed and Sold by JOHN WELCKER Music Seller to their MAJESTIES and all the ROYAL FAMILY No. 10 Hay Market. Where may be had all the above Authors Works. \u0026c. \u0026c. \u0026c. \u0026c.","title_ssm":["Title Transcription: Three DUETS For two Performers on ONE PIANO FORTE OR Harpsichord and three SONATAS with an Accompaniment for a FLUTE or VIOLIN Humbly Dedicated to MRS LEIGH and Composed by Sigr: Clementi Opera Terza Price 10=6 LONDON Printed and Sold by JOHN WELCKER Music Seller to their MAJESTIES and all the ROYAL FAMILY No. 10 Hay Market. Where may be had all the above Authors Works. \u0026c. \u0026c. \u0026c. \u0026c."],"title_tesim":["Title Transcription: Three DUETS For two Performers on ONE PIANO FORTE OR Harpsichord and three SONATAS with an Accompaniment for a FLUTE or VIOLIN Humbly Dedicated to MRS LEIGH and Composed by Sigr: Clementi Opera Terza Price 10=6 LONDON Printed and Sold by JOHN WELCKER Music Seller to their MAJESTIES and all the ROYAL FAMILY No. 10 Hay Market. Where may be had all the above Authors Works. \u0026c. \u0026c. \u0026c. \u0026c."],"normalized_title_ssm":["Title Transcription: Three DUETS For two Performers on ONE PIANO FORTE OR Harpsichord and three SONATAS with an Accompaniment for a FLUTE or VIOLIN Humbly Dedicated to MRS LEIGH and Composed by Sigr: Clementi Opera Terza Price 10=6 LONDON Printed and Sold by JOHN WELCKER Music Seller to their MAJESTIES and all the ROYAL FAMILY No. 10 Hay Market. Where may be had all the above Authors Works. \u0026c. \u0026c. \u0026c. \u0026c., 1779"],"text":["Title Transcription: Three DUETS For two Performers on ONE PIANO FORTE OR Harpsichord and three SONATAS with an Accompaniment for a FLUTE or VIOLIN Humbly Dedicated to MRS LEIGH and Composed by Sigr: Clementi Opera Terza Price 10=6 LONDON Printed and Sold by JOHN WELCKER Music Seller to their MAJESTIES and all the ROYAL FAMILY No. 10 Hay Market. Where may be had all the above Authors Works. \u0026c. \u0026c. \u0026c. \u0026c., 1779","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Score, oblong quarto, 196x276 (205x278): Title, verso blank. Blank, [1]. Music, pp. 2-47. Blank, [48]. Bound with nos. 18 and 153.","Clementi, Muzio, 1752-1832","Welcker, John","London (England)","Minuet","Rondo","B♭","C","E♭","F","G","2/4","3/4","6/8","C|","Allegretto","Allegro","Allegro spiritoso","Allegro maestoso","Presto","Rondeau allegretto","Rondeau presto","Spiritoso","Tempo di minuetto andante","Tyson, p. 38.","Announced in\n Morning Post\n , June 15, 1779.","Contents\n \n DUETTO I\n C\n \n \n \n \n Allo.\n Spiritoso\n C\n \n \n Rondeau Presto\n C|\n \n \n \n \n DUETTO II\n E♭\n \n \n Allegro maestoso\n C\n \n \n Tempo di Minuetto Andante\n 3/4\n \n \n \n \n DUETTO III\n G\n \n \n Allegro\n 3/4\n \n \n Rondeau Allegretto\n 2/4\n \n \n \n \n SONATA I\n F\n \n \n Allegro\n C|\n \n \n Presto\n C|\n \n \n \n \n SONATA II\n B♭\n \n \n Spiritoso\n C\n \n \n Allegretto\n 2/4\n \n \n \n \n SONATA III\n C\n \n \n Allegro Spiritoso\n C|\n \n \n Allegro\n 6/8","M219.B32 1783"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1779"],"unitdate_other_ssim":["1779"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":301,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Score, oblong quarto, 196x276 (205x278): Title, verso blank. Blank, [1]. Music, pp. 2-47. Blank, [48]. Bound with nos. 18 and 153."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"persname_ssim":["Clementi, Muzio, 1752-1832","Welcker, John"],"names_ssim":["Clementi, Muzio, 1752-1832","Welcker, John"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Minuet","Rondo","B♭","C","E♭","F","G","2/4","3/4","6/8","C|","Allegretto","Allegro","Allegro spiritoso","Allegro maestoso","Presto","Rondeau allegretto","Rondeau presto","Spiritoso","Tempo di minuetto andante"],"access_subjects_ssm":["Minuet","Rondo","B♭","C","E♭","F","G","2/4","3/4","6/8","C|","Allegretto","Allegro","Allegro spiritoso","Allegro maestoso","Presto","Rondeau allegretto","Rondeau presto","Spiritoso","Tempo di minuetto andante"],"date_range_isim":[1779],"bibliography_html_tesm":["\u003cp\u003eTyson, p. 38.\u003c/p\u003e\n ","\u003cp\u003eAnnounced in\u003cbibref\u003e\n \u003ctitle\u003eMorning Post\u003c/title\u003e\n \u003c/bibref\u003e, June 15, 1779.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Tyson, p. 38.","Announced in\n Morning Post\n , June 15, 1779."],"scopecontent_tesim":["Contents\n \n DUETTO I\n C\n \n \n \n \n Allo.\n Spiritoso\n C\n \n \n Rondeau Presto\n C|\n \n \n \n \n DUETTO II\n E♭\n \n \n Allegro maestoso\n C\n \n \n Tempo di Minuetto Andante\n 3/4\n \n \n \n \n DUETTO III\n G\n \n \n Allegro\n 3/4\n \n \n Rondeau Allegretto\n 2/4\n \n \n \n \n SONATA I\n F\n \n \n Allegro\n C|\n \n \n Presto\n C|\n \n \n \n \n SONATA II\n B♭\n \n \n Spiritoso\n C\n \n \n Allegretto\n 2/4\n \n \n \n \n SONATA III\n C\n \n \n Allegro Spiritoso\n C|\n \n \n Allegro\n 6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM219.B32 1783\u003c/physloc\u003e\n "],"physloc_tesim":["M219.B32 1783"],"_nest_path_":"/components#75","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n 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\u003ctitle\u003eSONATA I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e27619\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e27627\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003ePresto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e27648\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eSpiritoso\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e27656\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegretto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e27676\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro Spiritoso\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e27684\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c76"}},{"id":"viumu_mackay-smith_c150","type":"Item","attributes":{"title":"Title Transcription: THREE QUARTETTOS, For Two Violins, Viola, \u0026 Violoncello, with a Thorough Bass Composed by JOSEPH HAYDN, Chapel Master to his Highness, THE PRINCE of ESTERHAZY \u0026c \u0026c Op. XXXIII. Pr. 7s. d6. London. Printed by J. Kerpen, No. 19 Wardour Street, Soho., 1783","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c150#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eQUARTETTO I\u003c/span\u003eG\u003cp\u003e[Hob. III: 41 (Op. 33, no. 5)]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e53589\"\u003eVivace Assai2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e53597\"\u003eLargo CantabileC|\u003c/li\u003e\n\u003cli id=\"mvtd1e53605\"\u003eScherzo Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e53613\"\u003eAllegretto6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eQUARTETTO II\u003c/span\u003eE♭\u003cp\u003e[Hob. III: 38 (Op. 33, no. 2)]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e53639\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003e\u003cabbr\u003eModo.\u003c/abbr\u003eCantoC\u003c/li\u003e\n\u003cli id=\"mvtd1e53653\"\u003eScherzo Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e53661\"\u003eLargo\u003cabbr\u003eSostenutto\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e53672\"\u003ePresto6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eQUARTETTO III\u003c/span\u003eb\u003cp\u003e[Hob. III: 37 (Op. 33, no. 1)]\u003c/p\u003e\n\u003cul\u003e\n\u003cli id=\"mvtd1e53698\"\u003e\n\u003cabbr\u003eAllo\u003c/abbr\u003e\u003cabbr\u003eModo\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e53711\"\u003eScherzo\u003cabbr\u003eAllo\u003c/abbr\u003edi molto3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e53723\"\u003eAndante6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e53731\"\u003ePresto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c150#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c150","ref_ssm":["viumu_mackay-smith_c150"],"id":"viumu_mackay-smith_c150","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"THREE QUARTETTOS, For Two Violins, Viola, \u0026 Violoncello, with a Thorough Bass Composed by JOSEPH HAYDN, Chapel Master to his Highness, THE PRINCE of ESTERHAZY \u0026c \u0026c Op. XXXIII. Pr. 7s. d6. London. Printed by J. Kerpen, No. 19 Wardour Street, Soho.","title_ssm":["Title Transcription: THREE QUARTETTOS, For Two Violins, Viola, \u0026 Violoncello, with a Thorough Bass Composed by JOSEPH HAYDN, Chapel Master to his Highness, THE PRINCE of ESTERHAZY \u0026c \u0026c Op. XXXIII. Pr. 7s. d6. London. Printed by J. Kerpen, No. 19 Wardour Street, Soho."],"title_tesim":["Title Transcription: THREE QUARTETTOS, For Two Violins, Viola, \u0026 Violoncello, with a Thorough Bass Composed by JOSEPH HAYDN, Chapel Master to his Highness, THE PRINCE of ESTERHAZY \u0026c \u0026c Op. XXXIII. Pr. 7s. d6. London. Printed by J. Kerpen, No. 19 Wardour Street, Soho."],"normalized_title_ssm":["Title Transcription: THREE QUARTETTOS, For Two Violins, Viola, \u0026 Violoncello, with a Thorough Bass Composed by JOSEPH HAYDN, Chapel Master to his Highness, THE PRINCE of ESTERHAZY \u0026c \u0026c Op. XXXIII. Pr. 7s. d6. London. Printed by J. Kerpen, No. 19 Wardour Street, Soho., 1783"],"text":["Title Transcription: THREE QUARTETTOS, For Two Violins, Viola, \u0026 Violoncello, with a Thorough Bass Composed by JOSEPH HAYDN, Chapel Master to his Highness, THE PRINCE of ESTERHAZY \u0026c \u0026c Op. XXXIII. Pr. 7s. d6. London. Printed by J. Kerpen, No. 19 Wardour Street, Soho., 1783","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Four parts, quarto, 282x206 (301x217): Violino Primo: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. Violino Secondo: Same as Violino Primo. VIOLA: Title, verso blank. Blank, [1]. Music, pp. 2-9. Blank, [10]. BASSO: Same as VIOLA. Figured. Plate no. 19 throughout.","Haydn, Joseph, 1732-1809","Kerpen, John","London (England)","E♭","G","B","2/4","3/4","6/8","C","C|","Allegretto","Allegro moderato","Allegro moderato canto","Andante","Largo cantabile","Largo sostenuto","Presto","Scherzo allegro","Scherzo allegro di molto","Vivace assai","Hoboken, v. 1, p. 397.","BUCEMdates this ca. 1782.","Contents\n \n QUARTETTO I\n G\n \n [Hob. III: 41 (Op. 33, no. 5)]\n \n \n \n Vivace Assai\n 2/4\n \n \n Largo Cantabile\n C|\n \n \n Scherzo Allegro\n 3/4\n \n \n Allegretto\n 6/8\n \n \n \n \n QUARTETTO II\n E♭\n \n [Hob. III: 38 (Op. 33, no. 2)]\n \n \n \n \n \n Allo.\n Modo.Canto\n \n C\n \n \n Scherzo Allegro\n 3/4\n \n \n Largo\n Sostenutto\n \n \n 3/4\n \n \n Presto\n 6/8\n \n \n \n \n QUARTETTO III\n b\n \n [Hob. III: 37 (Op. 33, no. 1)]\n \n \n \n \n \n Allo\n Modo\n \n \n C\n \n \n Scherzo\n Allodi molto\n \n 3/4\n \n \n Andante\n 6/8\n \n \n Presto\n 2/4","M451.H36 1780z"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1783"],"unitdate_other_ssim":["1783?"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":531,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Four parts, quarto, 282x206 (301x217): Violino Primo: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. Violino Secondo: Same as Violino Primo. VIOLA: Title, verso blank. Blank, [1]. Music, pp. 2-9. Blank, [10]. BASSO: Same as VIOLA. Figured. Plate no. 19 throughout."],"has_online_content_ssim":["false"],"child_component_count_isi":4,"persname_ssim":["Haydn, Joseph, 1732-1809","Kerpen, John"],"names_ssim":["Haydn, Joseph, 1732-1809","Kerpen, John"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["E♭","G","B","2/4","3/4","6/8","C","C|","Allegretto","Allegro moderato","Allegro moderato canto","Andante","Largo cantabile","Largo sostenuto","Presto","Scherzo allegro","Scherzo allegro di molto","Vivace assai"],"access_subjects_ssm":["E♭","G","B","2/4","3/4","6/8","C","C|","Allegretto","Allegro moderato","Allegro moderato canto","Andante","Largo cantabile","Largo sostenuto","Presto","Scherzo allegro","Scherzo allegro di molto","Vivace assai"],"date_range_isim":[1783],"bibliography_html_tesm":["\u003cp\u003e\n \u003cref target=\"Hob\"\u003eHoboken\u003c/ref\u003e, v. 1, p. 397.\u003c/p\u003e\n ","\u003cp\u003e\n \u003cref target=\"BUCEM\"\u003eBUCEM\u003c/ref\u003edates this ca. 1782.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Hoboken, v. 1, p. 397.","BUCEMdates this ca. 1782."],"scopecontent_tesim":["Contents\n \n QUARTETTO I\n G\n \n [Hob. III: 41 (Op. 33, no. 5)]\n \n \n \n Vivace Assai\n 2/4\n \n \n Largo Cantabile\n C|\n \n \n Scherzo Allegro\n 3/4\n \n \n Allegretto\n 6/8\n \n \n \n \n QUARTETTO II\n E♭\n \n [Hob. III: 38 (Op. 33, no. 2)]\n \n \n \n \n \n Allo.\n Modo.Canto\n \n C\n \n \n Scherzo Allegro\n 3/4\n \n \n Largo\n Sostenutto\n \n \n 3/4\n \n \n Presto\n 6/8\n \n \n \n \n QUARTETTO III\n b\n \n [Hob. III: 37 (Op. 33, no. 1)]\n \n \n \n \n \n Allo\n Modo\n \n \n C\n \n \n Scherzo\n Allodi molto\n \n 3/4\n \n \n Andante\n 6/8\n \n \n Presto\n 2/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM451.H36 1780z\u003c/physloc\u003e\n "],"physloc_tesim":["M451.H36 1780z"],"_nest_path_":"/components#149","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eQUARTETTO I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003cnote audience=\"external\"\u003e\n \u003cp\u003e[Hob. 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[Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"creators_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. 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[Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c150"}},{"id":"viumu_mackay-smith_c46","type":"Item","attributes":{"title":"Title Transcription: Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"1re.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188., 1804/1807","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c46#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO I\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e18412\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eModeratoC\u003c/li\u003e\n\u003cli id=\"mvtd1e18423\"\u003eAllegretto Grazioso2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e18443\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eModeratoC\u003c/li\u003e\n\u003cli id=\"mvtd1e18454\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eVivace3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO III\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e18477\"\u003eAria cantabileC\u003c/li\u003e\n\u003cli id=\"mvtd1e18485\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eAssai3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c46#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c46","ref_ssm":["viumu_mackay-smith_c46"],"id":"viumu_mackay-smith_c46","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"1re.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188.","title_ssm":["Title Transcription: Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"1re.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188."],"title_tesim":["Title Transcription: Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"1re.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188."],"normalized_title_ssm":["Title Transcription: Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"1re.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188., 1804/1807"],"text":["Title Transcription: Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"1re.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188., 1804/1807","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Two parts, quarto, 255x183 (263x200): VIOLON: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. ALTO: Title, [1]. Music, pp. 2-13. Blank, [14]. Plate no. 187 throughout. At bottom of pp. 5, 9, and 13 of both parts: \"(Gravé par Mlle. Garbet.)\". Bound with no. 47.","Mme. Duhan et Cie.","Bruni, Antonio Bartolomeo, 1757-1821","Paris (France)","Aria","B♭","C","F","2/4","3/8","Allegretto grazioso","Allegro moderato","Allegro vivace","Allegro assai","Aria cantabile","Musikantiquariat Hans Schneider,\n Tutzing\n , Katalog Nr. 38: Kammermusik, item no. 50.","Contents\n \n DUO I\n C\n \n \n \n \n Allo.Moderato\n \n C\n \n \n Allegretto Grazioso\n 2/4\n \n \n \n \n DUO II\n F\n \n \n \n \n Allo.Moderato\n \n C\n \n \n \n \n Allo.Vivace\n \n 3/8\n \n \n \n \n DUO III\n B♭\n \n \n Aria cantabile\n C\n \n \n \n \n Allo.Assai\n \n 3/8","M287.B754 1780"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1804/1807"],"unitdate_other_ssim":["Between 1804 (\"Bibliothèque Imp.\") and ca. 1807 (Duhan's publication of the composer's op. 26)"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":187,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Two parts, quarto, 255x183 (263x200): VIOLON: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. ALTO: Title, [1]. Music, pp. 2-13. Blank, [14]. Plate no. 187 throughout. At bottom of pp. 5, 9, and 13 of both parts: \"(Gravé par Mlle. Garbet.)\". Bound with no. 47."],"has_online_content_ssim":["false"],"child_component_count_isi":2,"corpname_ssim":["Mme. Duhan et Cie."],"persname_ssim":["Bruni, Antonio Bartolomeo, 1757-1821"],"names_ssim":["Mme. Duhan et Cie.","Bruni, Antonio Bartolomeo, 1757-1821"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Aria","B♭","C","F","2/4","3/8","Allegretto grazioso","Allegro moderato","Allegro vivace","Allegro assai","Aria cantabile"],"access_subjects_ssm":["Aria","B♭","C","F","2/4","3/8","Allegretto grazioso","Allegro moderato","Allegro vivace","Allegro assai","Aria cantabile"],"date_range_isim":[1804,1805,1806,1807],"bibliography_html_tesm":["\u003cp\u003e\n \u003cbibref\u003e\n \u003ctitle\u003eMusikantiquariat Hans Schneider\u003c/title\u003e,\u003cimprint\u003e\n \u003cpublisher\u003eTutzing\u003c/publisher\u003e\n \u003c/imprint\u003e, Katalog Nr. 38: Kammermusik, item no. 50\u003c/bibref\u003e.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Musikantiquariat Hans Schneider,\n Tutzing\n , Katalog Nr. 38: Kammermusik, item no. 50."],"scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18412\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003eModerato\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18423\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegretto Grazioso\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18443\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003eModerato\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18454\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003eVivace\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18477\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAria cantabile\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18485\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003eAssai\u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"scopecontent_tesim":["Contents\n \n DUO I\n C\n \n \n \n \n Allo.Moderato\n \n C\n \n \n Allegretto Grazioso\n 2/4\n \n \n \n \n DUO II\n F\n \n \n \n \n Allo.Moderato\n \n C\n \n \n \n \n Allo.Vivace\n \n 3/8\n \n \n \n \n DUO III\n B♭\n \n \n Aria cantabile\n C\n \n \n \n \n Allo.Assai\n \n 3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM287.B754 1780\u003c/physloc\u003e\n "],"physloc_tesim":["M287.B754 1780"],"_nest_path_":"/components#45","timestamp":"2026-07-23T21:47:27.798Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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[London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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[Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c46"}},{"id":"viumu_mackay-smith_c47","type":"Item","attributes":{"title":"Title Transcription: Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"2e.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188., 1804/1807","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c47#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e18596\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e18604\"\u003eAllegretto Scherzando2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e18624\"\u003earia\u003cabbr\u003eAndte.\u003c/abbr\u003esostenuto2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e18636\"\u003e\n\u003cabbr\u003eFinalle\u003c/abbr\u003e\u003cabbr\u003eAllo.\u003c/abbr\u003econ\u003cabbr\u003emotto\u003c/abbr\u003e3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eDUO III\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e18664\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e18672\"\u003eMinuetto Grazioso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c47#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c47","ref_ssm":["viumu_mackay-smith_c47"],"id":"viumu_mackay-smith_c47","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"2e.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188.","title_ssm":["Title Transcription: Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"2e.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188."],"title_tesim":["Title Transcription: Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"2e.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188."],"normalized_title_ssm":["Title Transcription: Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"2e.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188., 1804/1807"],"text":["Title Transcription: Trois DUOS Concertans Pour Violon et Alto Composés et Dédiés à Monsieur GUERIN DE BRUSLART Par M Bruni Œuvre [in MS: \"25\"] Prix 6f. [in MS: \"2e.\"] Livraison Propriété des Éditeurs. Déposé à la Bibliothèque Impériale A PARIS Chez Mme. DUHAN et Compie. Editeurs de Musique et Marchands d'Instruments. Boulevard Montmartre No. 10, prés le Jardin Boulainvilliers. 187.188., 1804/1807","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Two parts, quarto, 255x183 (263x200): VIOLON: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. ALTO: Title, [1]. Music, pp. 2-13. Blank, [14]. Plate no. 188 throughout. In upper left corner of first page of music of both parts: \"2me. LIVRAISON\". At bottom of pp. 5, 9, and 13 of both parts: \"(Gravé par Mlle. Garbet.)\". Bound with no. 46.","Mme. Duhan et Cie.","Bruni, Antonio Bartolomeo, 1757-1821","Paris (France)","Aria","Minuet","D","E♭","G","2/4","3/4","3/8","C","Allegretto scherzando","Allegro","Finale allegro con moto","Minuetto grazioso","Aria andante sostenuto","Musikantiquariat Hans Schneider,\n Tutzing\n , Katalog Nr. 38: Kammermusik, item no. 50.","Contents\n \n DUO I\n D\n \n \n Allegro\n C\n \n \n Allegretto Scherzando\n 2/4\n \n \n \n \n DUO II\n G\n \n \n aria\n Andte.\n sostenuto\n 2/4\n \n \n \n \n Finalle\n Allo.conmotto\n \n \n 3/8\n \n \n \n \n DUO III\n E♭\n \n \n Allegro\n C\n \n \n Minuetto Grazioso\n 3/4","M287.B754 1780"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1804/1807"],"unitdate_other_ssim":["Between 1804 (\"Bibliothèque Imp.\") and ca. 1807 (Duhan's publication of the composer's op. 26)"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":190,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Two parts, quarto, 255x183 (263x200): VIOLON: Title, verso blank. Blank, [1]. Music, pp. 2-13. Blank, [14]. ALTO: Title, [1]. Music, pp. 2-13. Blank, [14]. Plate no. 188 throughout. In upper left corner of first page of music of both parts: \"2me. LIVRAISON\". At bottom of pp. 5, 9, and 13 of both parts: \"(Gravé par Mlle. Garbet.)\". Bound with no. 46."],"has_online_content_ssim":["false"],"child_component_count_isi":2,"corpname_ssim":["Mme. Duhan et Cie."],"persname_ssim":["Bruni, Antonio Bartolomeo, 1757-1821"],"names_ssim":["Mme. Duhan et Cie.","Bruni, Antonio Bartolomeo, 1757-1821"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Aria","Minuet","D","E♭","G","2/4","3/4","3/8","C","Allegretto scherzando","Allegro","Finale allegro con moto","Minuetto grazioso","Aria andante sostenuto"],"access_subjects_ssm":["Aria","Minuet","D","E♭","G","2/4","3/4","3/8","C","Allegretto scherzando","Allegro","Finale allegro con moto","Minuetto grazioso","Aria andante sostenuto"],"date_range_isim":[1804,1805,1806,1807],"bibliography_html_tesm":["\u003cp\u003e\n \u003cbibref\u003e\n \u003ctitle\u003eMusikantiquariat Hans Schneider\u003c/title\u003e,\u003cimprint\u003e\n \u003cpublisher\u003eTutzing\u003c/publisher\u003e\n \u003c/imprint\u003e, Katalog Nr. 38: Kammermusik, item no. 50\u003c/bibref\u003e.\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Musikantiquariat Hans Schneider,\n Tutzing\n , Katalog Nr. 38: Kammermusik, item no. 50."],"scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18596\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18604\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegretto Scherzando\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18624\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003earia\u003cemph\u003e\n \u003cabbr expan=\"Andante\"\u003eAndte.\u003c/abbr\u003e\n \u003c/emph\u003esostenuto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18636\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Finale\"\u003eFinalle\u003c/abbr\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllo.\u003c/abbr\u003econ\u003cabbr expan=\"moto\"\u003emotto\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eDUO III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eE♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e18664\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e18672\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto Grazioso\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"scopecontent_tesim":["Contents\n \n DUO I\n D\n \n \n Allegro\n C\n \n \n Allegretto Scherzando\n 2/4\n \n \n \n \n DUO II\n G\n \n \n aria\n Andte.\n sostenuto\n 2/4\n \n \n \n \n Finalle\n Allo.conmotto\n \n \n 3/8\n \n \n \n \n DUO III\n E♭\n \n \n Allegro\n C\n \n \n Minuetto Grazioso\n 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM287.B754 1780\u003c/physloc\u003e\n "],"physloc_tesim":["M287.B754 1780"],"_nest_path_":"/components#46","timestamp":"2026-07-23T21:47:27.798Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. 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Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are inEnglishandFrench"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z","bibliography_html_tesm":["\u003ctable\u003e\n \u003ctgroup cols=\"2\"\u003e\n \u003ctbody\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Bauer\"\u003e\n \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. 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Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith/Handel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Handel\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Smith-Humphries\"\u003e\n \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Terry\"\u003e\n \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Vairasse\"\u003e\n \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Wotquenne\"\u003e\n \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Purcell\"\u003e\n \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Z-Pugnani\"\u003e\n \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003c/tbody\u003e\n \u003c/tgroup\u003e\n \u003c/table\u003e\n "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viumu_mackay-smith_c47"}},{"id":"viumu_mackay-smith_c132","type":"Item","attributes":{"title":"Title Transcription: TROISIEME LIVRE DE SONATES A VIOLON SEUL Et Baasse Dédiées A MADAME ISABELLE Comtesse de Carlisle. PAR FELICE DE GIARDINO. OEUVRE V. Prix 6tt. A PARIS aux Adresses Ordinaires de Musique avec Aprobation et Privilege du Roy. Les Examplaires ont êté fournis a la Chambre Sindicale, 1758","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c132#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e47464\"\u003e\n\u003cabbr\u003eAllro.\u003c/abbr\u003eC|\u003c/li\u003e\n\u003cli id=\"mvtd1e47474\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e47482\"\u003e\n\u003cabbr\u003eAllre.\u003c/abbr\u003eC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e47504\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e47512\"\u003e\n\u003cabbr\u003eAllro.\u003c/abbr\u003e6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e47522\"\u003eMinuetto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e47542\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e47550\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e47558\"\u003e\n\u003cabbr\u003eAllro.\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e47580\"\u003eGrave6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e47588\"\u003e\n\u003cabbr\u003eAllro.\u003c/abbr\u003e\u003cabbr\u003eConspirito\u003c/abbr\u003e2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e47599\"\u003eGrazioso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e47620\"\u003e\n\u003cabbr\u003eAllro.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e47630\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e47638\"\u003eGrazioso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e47658\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e47666\"\u003e\n\u003cabbr\u003eAllro.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e47676\"\u003e\n\u003cabbr\u003eAndate\u003c/abbr\u003e.3/4[at head of last movement: \"Les Variations cy dessous apartienent á cet Oeuvre et non au 4e. Livre que l'on a fait Graver en absence de l'auteur.\"].\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viumu_mackay-smith_c132#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c132","ref_ssm":["viumu_mackay-smith_c132"],"id":"viumu_mackay-smith_c132","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_ids_ssim":["viumu_mackay-smith"],"title_filing_ssi":"TROISIEME LIVRE DE SONATES A VIOLON SEUL Et Baasse Dédiées A MADAME ISABELLE Comtesse de Carlisle. PAR FELICE DE GIARDINO. OEUVRE V. Prix 6tt. A PARIS aux Adresses Ordinaires de Musique avec Aprobation et Privilege du Roy. Les Examplaires ont êté fournis a la Chambre Sindicale","title_ssm":["Title Transcription: TROISIEME LIVRE DE SONATES A VIOLON SEUL Et Baasse Dédiées A MADAME ISABELLE Comtesse de Carlisle. PAR FELICE DE GIARDINO. OEUVRE V. Prix 6tt. A PARIS aux Adresses Ordinaires de Musique avec Aprobation et Privilege du Roy. Les Examplaires ont êté fournis a la Chambre Sindicale"],"title_tesim":["Title Transcription: TROISIEME LIVRE DE SONATES A VIOLON SEUL Et Baasse Dédiées A MADAME ISABELLE Comtesse de Carlisle. PAR FELICE DE GIARDINO. OEUVRE V. Prix 6tt. A PARIS aux Adresses Ordinaires de Musique avec Aprobation et Privilege du Roy. Les Examplaires ont êté fournis a la Chambre Sindicale"],"normalized_title_ssm":["Title Transcription: TROISIEME LIVRE DE SONATES A VIOLON SEUL Et Baasse Dédiées A MADAME ISABELLE Comtesse de Carlisle. PAR FELICE DE GIARDINO. OEUVRE V. Prix 6tt. A PARIS aux Adresses Ordinaires de Musique avec Aprobation et Privilege du Roy. Les Examplaires ont êté fournis a la Chambre Sindicale, 1758"],"text":["Title Transcription: TROISIEME LIVRE DE SONATES A VIOLON SEUL Et Baasse Dédiées A MADAME ISABELLE Comtesse de Carlisle. PAR FELICE DE GIARDINO. OEUVRE V. Prix 6tt. A PARIS aux Adresses Ordinaires de Musique avec Aprobation et Privilege du Roy. Les Examplaires ont êté fournis a la Chambre Sindicale, 1758","Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","Score, quarto, 248x193 (266x201): Title, [1]. Music, pp. 2-22. Blank, [23]. Music, pp. 24-33. Blank, [34]. Bound with nos. 132 and 133.","Giardini, Felice, 1716-1796","Paris (France)","Minuet","A","B♭","C","D","G","2/4","3/4","6/8","C|","Adagio","Allegro","Allegretto","Allegro con spirito","Andante","Grave","Grazioso","Minuetto","Announced in\n Annonces, affices et avis diverse\n , March 2, 1758 (Lesure/Catalogue, p. 231).","Published by De la Chevardiere and listed in his catalogue of 1759 (Johansson/French, v. 1, p. 63).","Contents\n \n SONATA I\n D\n \n \n \n \n Allro.\n \n \n C|\n \n \n Adagio\n C\n \n \n \n \n Allre.\n \n \n C\n \n \n \n \n SONATA II\n G\n \n \n Adagio\n C\n \n \n \n \n Allro.\n \n \n 6/8\n \n \n Minuetto\n 3/4\n \n \n \n \n SONATA III\n C\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n \n \n Allro.\n \n \n 3/4\n \n \n \n \n SONATA IV\n g\n \n \n Grave\n 6/8\n \n \n \n \n Allro.\n Conspirito\n \n \n 2/4\n \n \n Grazioso\n 3/4\n \n \n \n \n SONATA V\n A\n \n \n \n \n Allro.\n \n \n C\n \n \n Adagio\n C\n \n \n Grazioso\n 3/4\n \n \n \n \n SONATA VI\n B♭\n \n \n Adagio\n C\n \n \n \n \n Allro.\n \n \n C\n \n \n \n \n Andate\n \n .3/4[at head of last movement: \"Les Variations cy dessous apartienent á cet Oeuvre et non au 4e. Livre que l'on a fait Graver en absence de l'auteur.\"].","M312.G53 1700z"],"parent_unittitles_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"parent_unittitles_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"normalized_date_ssm":["1758"],"unitdate_other_ssim":["1758"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[1],"sort_isi":467,"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"physdesc_tesim":["Score, quarto, 248x193 (266x201): Title, [1]. Music, pp. 2-22. Blank, [23]. Music, pp. 24-33. Blank, [34]. Bound with nos. 132 and 133."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"persname_ssim":["Giardini, Felice, 1716-1796"],"names_ssim":["Giardini, Felice, 1716-1796"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Minuet","A","B♭","C","D","G","2/4","3/4","6/8","C|","Adagio","Allegro","Allegretto","Allegro con spirito","Andante","Grave","Grazioso","Minuetto"],"access_subjects_ssm":["Minuet","A","B♭","C","D","G","2/4","3/4","6/8","C|","Adagio","Allegro","Allegretto","Allegro con spirito","Andante","Grave","Grazioso","Minuetto"],"date_range_isim":[1758],"bibliography_html_tesm":["\u003cp\u003eAnnounced in\u003cbibref\u003e\n \u003ctitle\u003eAnnonces, affices et avis diverse\u003c/title\u003e\n \u003c/bibref\u003e, March 2, 1758 (\u003cref target=\"Lesure-Catalogue\"\u003eLesure/Catalogue\u003c/ref\u003e, p. 231).\u003c/p\u003e\n "],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Announced in\n Annonces, affices et avis diverse\n , March 2, 1758 (Lesure/Catalogue, p. 231)."],"note_html_tesm":["\u003cp\u003ePublished by De la Chevardiere and listed in his catalogue of 1759 (\u003cref target=\"Johansson-French\"\u003eJohansson/French\u003c/ref\u003e, v. 1, p. 63).\u003c/p\u003e\n "],"note_tesim":["Published by De la Chevardiere and listed in his catalogue of 1759 (Johansson/French, v. 1, p. 63)."],"scopecontent_tesim":["Contents\n \n SONATA I\n D\n \n \n \n \n Allro.\n \n \n C|\n \n \n Adagio\n C\n \n \n \n \n Allre.\n \n \n C\n \n \n \n \n SONATA II\n G\n \n \n Adagio\n C\n \n \n \n \n Allro.\n \n \n 6/8\n \n \n Minuetto\n 3/4\n \n \n \n \n SONATA III\n C\n \n \n Allegro\n C\n \n \n Adagio\n C\n \n \n \n \n Allro.\n \n \n 3/4\n \n \n \n \n SONATA IV\n g\n \n \n Grave\n 6/8\n \n \n \n \n Allro.\n Conspirito\n \n \n 2/4\n \n \n Grazioso\n 3/4\n \n \n \n \n SONATA V\n A\n \n \n \n \n Allro.\n \n \n C\n \n \n Adagio\n C\n \n \n Grazioso\n 3/4\n \n \n \n \n SONATA VI\n B♭\n \n \n Adagio\n C\n \n \n \n \n Allro.\n \n \n C\n \n \n \n \n Andate\n \n .3/4[at head of last movement: \"Les Variations cy dessous apartienent á cet Oeuvre et non au 4e. Livre que l'on a fait Graver en absence de l'auteur.\"]."],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.G53 1700z\u003c/physloc\u003e\n "],"physloc_tesim":["M312.G53 1700z"],"_nest_path_":"/components#131","timestamp":"2026-07-23T21:47:27.798Z","scopecontent_html_tesm":["\u003clist\u003e\n \u003chead\u003eContents\u003c/head\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA I\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e47464\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllro.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e47474\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e47482\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegretto\"\u003eAllre.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA II\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e47504\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e47512\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllro.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e47522\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA III\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eC\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e47542\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e47550\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e47558\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllro.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform 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\u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA V\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e47620\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllro.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e47630\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e47638\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eGrazioso\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003citem\u003e\n \u003ctitle\u003eSONATA VI\u003c/title\u003e\n \u003cgenreform type=\"key\"\u003eB♭\u003c/genreform\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"mvtd1e47658\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e47666\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Allegro\"\u003eAllro.\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e\n \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n \u003c/item\u003e\n \u003citem id=\"mvtd1e47676\"\u003e\n \u003cgenreform type=\"mvtLabel\"\u003e\n \u003cemph\u003e\n \u003cabbr expan=\"Andante\"\u003eAndate\u003c/abbr\u003e\n \u003c/emph\u003e\n \u003c/genreform\u003e.\u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e[at head of last movement: \"Les Variations cy dessous apartienent á cet Oeuvre et non au 4e. Livre que l'on a fait Graver en absence de l'auteur.\"].\u003c/item\u003e\n \u003c/list\u003e\n \u003c/item\u003e\n \u003c/list\u003e\n "],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Title Transcription: Alexander Mackay-Smith Collection"],"title_tesim":["Title Transcription: Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"normalized_date_ssm":["1689/1827"],"normalized_title_ssm":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"text":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827","mackay-smith","Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n .","Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are inEnglishandFrench"],"collection_title_tesim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"collection_ssim":["Title Transcription: Alexander Mackay-Smith Collection, 1689/1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"unitid_tesim":["mackay-smith"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"creator_persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"creator_corpname_ssim":["University of Virginia. 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Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine.Michael Blavets Flötenmusik.\n Freiburg:Hochschule-Verlag,1981\n .\n \n \n \n B. [Handel]\n \n \n Bell, A. Craig.Handel: Chronological Thematic Catalogue.\n Darley:Grian-Aig Press, 1972.\n \n \n \n B. [Pleyel]\n \n \n Benton, Rita.Ignace Pleyel: A Thematic Catalogue of His Compositions.\n New York:Pendragon Press,1977\n .\n \n \n \n B. [Tartini]\n \n \n Brainard, Paul.Le sonate per violino di Giuseppe Tartini: catalog tematico.\n Milan:Carisch,1975\n .\n \n \n \n BUCEM\n \n \n The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles.2 vols. Edited by Edith B. Schnapper.London:Butterworths,1957\n .\n \n \n \n CPM\n \n \n The Catalogue of Printed Music in the British Library to 1980.Edited by Laureen Baillie.London:K. G. Saur,1981-\n \n \n \n \n \n \n \n \n Devriès, Anik.Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc.\n Geneva:Minkoff,1976\n .\n \n \n \n Devriès-Lesure\n \n \n Devriès, Anik, andFrançois Lesure.Dictionnaire des éditeurs de musique français.\n Geneva:Minkoff,1979-\n \n \n \n \n \n D.\n \n \n Dounias, Minos.Die Volinkonzerte Giuseppe Tartinis.\n Munich:Druck der Salesianischen Offizin,1935\n .\n \n \n \n \n \n \n Fred, Herbert William. \"The Instrumental Music of Johann Christoph Pepusch.\"Ph.D. dissertation,University of North Carolina at Chapel Hill,1961\n .\n \n \n \n G.\n \n \n Gérard, Yves.Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini.\n London:Oxford University Press,1969\n .\n \n \n \n \n \n \n Haas, Otto.Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\n \n London:Haas, [1944].\n \n \n \n \n \n \n Hopkinson, Cecil.A Dictionary of Parisian Music Publishers, 1700-1950.\n New York:Da Capo,1979(reprint of the London, 1954, ed.).\n \n \n \n \n Hob.\n \n \n Hoboken, Anthony van.Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis.3 vols.Mainz:B. Schott's Söhne,1957-78\n .\n \n \n \n Humphries-Smith\n \n \n Humphries, Charles, andWilliam C. Smith.Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century.2nd ed.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n J.\n \n \n Jenkins, Newell, andBathia Churgin.Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music.\n Cambridge, Mass.: Published for the American Musicological Society byHarvard University Press,1976\n .\n \n \n \n Johansson/French\n \n \n Johansson, Cari.French Music Publishers' Catalogues of the Second Half of the Eighteenth Century.2 vols.Stockholm:Kungl. Musikaliska Akademiens bibliothek, 1955.\n \n \n \n Johansson/Hummel\n \n \n Johansson, Cari.J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues.3 vols.Stockholm:Almquist \u0026 Wiksell,1972\n .\n \n \n \n \n \n \n Knape, Walter.Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel.\n Cuxhaven:W. Knape,1972\n .\n \n \n \n K.\n \n \n Köchel, Ludwig, Ritter von.Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts.6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.Wiesbaden:Breitkopf \u0026 Härtel,1964\n .\n \n \n \n Lesure/Bibliographie\n \n \n Lesure, François.Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743.\n Paris:Société française de musicologie,1969\n .\n \n \n \n Lesure/Catalogue\n \n \n Lesure, François, ed.Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris.\n Paris:Bibliothèque Nationale,1981\n .\n \n \n \n \n \n \n Marx, Hans Joachim.Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné.\n Cologne:Arno Volk Verlag,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians.Edited by Stanley Sadie. 20 vols.London:Macmillan,1980\n .\n \n \n \n \n \n \n The New Grove Dictionary of Music and Musicians, 2nd ed..Edited by Stanley Sadie. 29 vols.London:Macmillan,2001.\n .\n \n \n \n \n \n \n Priestman, Brian. \"Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet,\"Revue belge de musicologie,6 (1952), pp. 219-274.\n \n \n \n RISM\n \n \n Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801.Edited by Karl-Heinz Schlager. 10 vols.Kassel:Bärenreiter,1971-1981\n .\n \n \n \n RISM B/II\n \n \n Répertoire international des sources musicales, series B, volume 2. Recueils imprimées.Edited by François Lesure.Munich:G. Henle,1964\n .\n \n \n \n Smith\n \n \n Smith, William Charles.A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720.\n London:The Bibliographical Society,1948\n .\n \n \n \n Smith/Handel\n \n \n Smith, William Charles.Handel: A Descriptive Catalogue of the Early Editions.2nd edition.New York:Barnes \u0026 Noble,1970\n .\n \n \n \n Smith-Humphries\n \n \n Smith, William Charles, andCharles Humphries.A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766.\n London:The Bibliographical Society,1968\n .\n \n \n \n \n \n \n Terry, Charles Sanford.John Christian Bach.2nd edition.London:Oxford University Press,1967\n .\n \n \n \n \n \n \n Vairasse, Denis.Histoire des Sevarambes.Nouvelle édition.Amsterdam:Estienne Roger,1716\n . Vol. 2, pp. 291-348: \"Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\".\n \n \n \n \n \n \n Wotquenne, Alfred.Catalogue thématique des œuvres de Chr. W. v. Gluck.\n Leipzig:Breitkopf \u0026 Härtel,1904\n .\n \n \n \n Z. [Purcell]\n \n \n Zimmerman, Franklin B.\n Henry Purcell, 1659-1695: An Analytical Catalogue of His Music.\n New York:St. Martin's Press,1963\n .\n \n \n \n Z. [Pugnani]\n \n \n Zschinsky-Troxler, Elisabeth.Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik.\n Berlin:Atlantis,1939\n ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n \u003chead\u003eIntroduction\u003c/head\u003e\n \u003cblockquote\u003e\n \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003cblockquote\u003e\n \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n \u003c/p\u003e\n \u003c/blockquote\u003e\n \u003c/p\u003e\n \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eEditorial Method\u003c/head\u003e\n \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n \u003c/p\u003e\n \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n \u003c/bioghist\u003e\n ","\u003cbioghist\u003e\n \u003chead\u003eNotes\u003c/head\u003e\n \u003clist type=\"simple\"\u003e\n \u003citem id=\"n1\"\u003e\n \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n \u003citem id=\"n2\"\u003e\n \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n \u003citem id=\"n3\"\u003e\n \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n \u003citem id=\"n4\"\u003e\n \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n \u003citem id=\"n5\"\u003e\n \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n \u003citem id=\"n6\"\u003e\n \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n7\"\u003e\n \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n8\"\u003e\n \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n \u003cbibref\u003e\n \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n \u003citem id=\"n9\"\u003e\n \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n \u003citem id=\"n10\"\u003e\n \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n \u003c/bibref\u003e.\u003c/item\u003e\n \u003c/list\u003e\n \u003c/bioghist\u003e\n "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction\n \n \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"1\n \n \n Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\n The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\n The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\n I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.2\n \n \n \n Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\n The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...3\n \n \n \n It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.4\n \n \n \n The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"5\n \n It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"6Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method\n The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, orThe New Grove Dictionary of Music and Musicians, 2nd ed.. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\n A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\n Anglo-American Cataloguing Rules\n (Chicago:American Library Association,1979)\n . A few minor exceptions have been adopted for the sake of both brevity and clarity.\n Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.7The terminology for the oblong formats is that suggested by D. W. Krummel.8Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.9\n \n The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\n For dates, the terminology used is that recommended by the\n International Association of Music Libraries' Guide for Dating Early Published Music\n .10Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\n All citation to the Répertoire international des sources musicales, unless otherwise noted, are toSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981). If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\n The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes\n \n \n 1Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\n \n 2Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\n \n 3Ibid.\n \n 4Mackay-Smith to Tuttle, 16 July 1948.\n \n 5Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\n \n 6Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\n The Papers of Thomas Jefferson,edited by Julian Boyden, v. 2 (Princeton:Princeton University Press,1950), p. 196.\n \n 7See\n Ronald B. McKerrow,An Introduction to Bibliography(\n Oxford:Clarendon Press,1927\n ), pp. 164-174.\n \n 8\n \n D. W. Krummel, \"Oblong Format in Early Music Books,\"The Library,5th series, 26 (1971), pp. 312-324.\n \n 9As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\"Bibliography of Music,\"The New Grove,v. 2\n , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\"Musical Functions and Bibliographical Forms,\"The Library,5th series, 31 [1976], p. 337).\n \n 10\n Compiled byD. W. Krummel\n (Hackensack, N.J.:Joseph Boonin,1974)\n ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e\n "],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. 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[Handel]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Handel\"\u003e\n \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Pleyel\"\u003e\n \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"B-Tartini\"\u003e\n \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eBUCEM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"BUCEM\"\u003e\n \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eCPM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"CPM\"\u003e\n \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Devriès-Lesure\"\u003e\n \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n \u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eD.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"D\"\u003e\n \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Fred\"\u003e\n \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eG.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"G\"\u003e\n \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Haas\"\u003e\n \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n \u003cimprint\u003e\n \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hopkinson\"\u003e\n \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n \u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHob.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Hob\"\u003e\n \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Humphries-Smith\"\u003e\n \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJ.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"J\"\u003e\n \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/French\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-French\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Johansson-Hummel\"\u003e\n \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Knape\"\u003e\n \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eK.\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"K\"\u003e\n \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Lesure-Catalogue\"\u003e\n \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Marx\"\u003e\n \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Grove\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"NewGrove2\"\u003e\n \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003e\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"Priestman\"\u003e\n \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n \u003c/imprint\u003e.\u003c/bibref\u003e\n \u003c/entry\u003e\n \u003c/row\u003e\n \u003crow\u003e\n \u003centry\u003eRISM B/II\u003c/entry\u003e\n \u003centry\u003e\n \u003cbibref id=\"RISM-B-II\"\u003e\n \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. 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